Illustrations by Tommy Perman

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Illustrations Tommy Perman



Tommy Perman Hello, I’m an artist and designer from Edinburgh. I’ve put together this magazine to show you some of my recent illustration work. Over the following pages you’ll see my drawings adorning a wide spectrum of places and objects, ranging in scale from massive projections on to the roof of one of the world’s most iconic buildings to the intimate confines of an iPhone app. My clients include the Sydney Opera House, Sainsbury’s, The Commonwealth Games (official cultural programme), Dewar’s Whisky (Bacardi Group), Carhartt and Nike SB. You can see more of my work on www.surfacepressure.net I’d love to hear from you, please feel free to give me a call on: +44 (0) 7966 142 755 or email: tommy@surfacepressure.co.uk


Sydney Opera House

Client: 59 Productions / VIVD Live Festival, 2014 Job: I was commissioned by luminary multimedia production company 59 Productions, to produce a precise technical drawing of all the tiles on the sails of the Sydney Opera House. My drawing played an integral role in the pre-production process of 59’s stunning VIVD Live commission, allowing their animation team to map complex motion graphics to exact locations on the sails. 59 Productions loved my illustration so much that they decided to incorporate it into the final projections which resulted in the largest, most high profile reproduction of my work to date.







Sainsbury’s Blackpool Talbot Road


Client: Sainsbury’s / Twelve Studio Job: I was commissioned to illustrate four large scale wall murals for Sainsbury’s new flagship superstore in the centre of Blackpool which opened in July 2014. The murals show different aspects of the rich heritage of Blackpool, focusing on: the famous pleasure beach attractions; ballroom dancing; Blackpool Football Club and Blackpool’s historic trams.






Great Circle iOS app

Client: The XX Commonwealth Games / Panel (www.wearepanel.co.uk) Job: Together with long-term collaborators, musician Ziggy Campbell and developer Simon Kirby, I was commissioned to create a souvenir for the 2014 Glasgow Commonwealth Games. We produced an evolving audio visual postcard in the form of an iOS app called Great Circle. When you open the app you see an image and hear some music. Exactly what you see and hear is determined by where you are in the world and by which direction you are travelling, in relation to Glasgow.




While the app is running the music and pictures change depending on whether you are moving towards or away from the city. If you are moving in the direction of Glasgow the music and visuals will become richer and more complex and if you are moving away they will become more minimal and abstract. In order to experience the most complete version of the music and pictures the user will have to be standing in the Commonwealth Sports Arena in the east end of Glasgow. In effect our souvenir actively encourages you back to the place that it commemorates. The app allows you to buy and send unique physical postcards and posters of my artwork as seen on screen. To download the app for free search for ‘Great Circle Glasgow’ in the Apple App Store or visit appstore.com/greatcircleglasgow Photos © O Street. www.ostreet.co.uk


Dewar’s Whisky / King Creosote

Client: John Dewar & Sons Ltd (Bacardi Group) Job: I was commissioned by Dewar’s Whisky to create a suite of merchandise for King Creosote’s ‘Bits of Strange Homecomings’ tour. This included: a label design for a single cask single malt whisky; four etched whisky glasses; a screen printed tea towel and tote bag.


Photos Š Sean Dooley




Water of Life Client: Imagining Natural Scotland: Creative Scotland / Scottish Natural Heritage / University of St Andrews Job: I was commissioned alongside the writer and musician Rob St John to produce an artwork that asked the question, “What is natural Scotland?�.


Photo © Bleep.com

Water of Life explores flows of water through Edinburgh using drawings, photos, writing and sound and culminated in limited edition 7” folio. The package comprises: a letterpressed folder on recycled card; a 7” record pressed on recycled vinyl and a set of essays by Rob and prints by me exploring the themes of the project, riso printed using soy inks on recycled paper. www.edinburghwateroflife.org


Botanical Drawings

An exhibition of new drawings for Skylark, Portobello, Edinburgh. 9 May – 9 June 2014


These drawings are inspired by visits

disconnected from nature. I’ve spent

I like to set rules and limitations

to one of my favourite places, the

much of my career drawing the

for my drawings. For this set I have

glasshouses at the Royal Botanic

chaotic geometry of the city, often

limited myself to black on white and

Garden Edinburgh.

going to great lengths to remove any

each image is contained within a circle.

signs of life, so I’ve surprised myself by

So that I didn’t stray too far from

developing an interest in plants.

familiar territory I have focused on

I grew up in the centre of Edinburgh and even though this is a relatively

plants with bold striking markings and

green city I still feel partially

structure that’s almost architectural.


Paradise Lost?

A self initiated project, ‘Paradise Lost?’ features drawings of Edinburgh’s saunas produced as a 16 page tabloid-size zine on newsprint, in an edition of 50.


I began this project as a frivolous look at the design of the capital’s ‘sauna’ shop fronts but ended up documenting a part of Edinburgh life that may not exist for much longer. I started drawing the facades of the saunas because they are a peculiar sight in Scotland’s elegant and genteel capital. I liked the way they try to be discreet but fail by looking tacky and conspicuous. Their services are never advertised explicitly but it’s obvious they offer far more than a steamy room. The saunas are a generally accepted feature of Edinburgh’s streets, not just by locals but also by the authorities in a open minded bid to improve sex worker safety. While prostitution is legal in Scotland, running a brothel is not. But Edinburgh’s city council and police have long allowed brothels to operate under the pretence of saunas. By working on these drawings I’ve begun to discover just how complex an issue this is. Independent MSP Margo McDonald and sex workers’ rights charity Scot-Pep have argued that the saunas offer prostitutes relative safety compared to working on the streets or from private homes. Edinburgh’s policy has seen street prostitution fall while in Glasgow a zero tolerance stance has led to a rise. But it has emerged recently that many of the saunas’ business arrangements are less than transparent and as the brothels aren’t officially licensed they can not be properly regulated. On 7 June 2013 Scotland’s newly merged police force Police Scotland sent 150 officers to raid a number of Edinburgh’s saunas signalling a dramatic shift in strategy. As Police Scotland set centralised policies, they abandon the softly-softly approach that allowed Lothian and Borders Police to offer some protection to Edinburgh’s prostitutes. My drawings illustrate 13 of the saunas which are dotted around Scotland’s capital, nestled in between newsagents, pubs and restaurants. Many of them have outlasted neighbouring businesses to become established features of the city’s ever changing landscape. But their future is uncertain. One possibility is that the new police pressure will bring about the closure of the saunas. Alternatively it could force the local council to stop simply turning a blind eye to the way the saunas are run and address the licensing of brothels more openly. Unwittingly, these illustrations draw attention to a tangle of political, social and moral issues that are hiding in plain sight on Edinburgh’s streets. June 2013


Focus Nike SB Carhartt

I’ve collaborated with Edinburgh skate shop Focus for over 10 years, producing a variety of products including this range of decks inspired by Edinburgh / Glasgow street skate spots. Over on the right are examples of my work for Carhartt and Nike SB in collaboration with Focus.



100% Now

to answer and I pondered it for a few

others who upload their phone snaps

days hoping my brain could come up

to Instagram, Facebook and Twitter.

with something that avoided cliches.

Everyone is obsessed with sharing

I looked up lots of dictionary

what is happening now. I decided to

Job: I was commissioned to draw a

definitions of ‘now’ but nothing

pick a selection of images from my

one-colour illustration that answered

sparked my imagination.

Instagram feed and draw them.

the idea of now?” for the fifth issue

For some reason the refrain of an old

I chose photos I thought would work

of the Indian contemporary art and

Roy Ayers song popped into my head,

best rendered in one colour. I really

illustration publication, 100% Zine.

‘Life is just a moment’ and it triggered

enjoyed the slow process of hand

an idea. I realised I’m constantly trying

crafting versions of pictures I’d taken

to capture ‘now’ along with millions of

in a fleeting moment.

Client: 100% Zine, India

the question “How do you perceive

What is now? This is a tough question

www.hundredpercentzine.com



Biography

Born in 1980, Edinburgh, Scotland,

One of my artworks, Cybraphon,

Between 2002 – 2013 I was a member

I am an artist, designer and musician

is held in the national collection at

of the artist collective / pop band

who works in a variety of media

the National Museum of Scotland,

FOUND. As part of FOUND, I released

including visual art, performance,

Edinburgh and I have won numerous

numerous records and co-created

sound and music. I have a particular

awards including a Scottish BAFTA.

a collection of weird and wonderful interactive sound installations

interest in combining new digital technologies with traditional

Since graduating from Gray’s School

including Cybraphon and #UNRAVEL.

techniques and materials. My work

of Art, Aberdeen in 2002 I have divided

I recently left the collective to

has been shown at a number of

my time between solo and collaborative

concentrate on my own work and on

major art institutions including the

projects. My solo work follows an

being a dad (my son Patrick was born

Royal Scottish Academy, Edinburgh

analytical documentary style and much

in January 2013).

and the CCA, Glasgow and in major

of it has taken the urban environment

art festivals such as the Glasgow

as inspiration, dealing with the city’s

tommy@surfacepressure.co.uk

International, Edinburgh International

growth and decay, its temporary quirks

www.surfacepressure.net

Festival and Edinburgh Art Festival.

and more enduring features.

+44 (0) 7966 142 755



www.surfacepressure.net


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