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DT WEEKEND EDITION THURS DAY, NOV. 3, 2016 VOLUME 91 IS S UE 39

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NEWS

NOV. 3, 2016

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LUBBOCK ARTISTS

Burkhart theater group to host series of shows

By KODICHI NWANKWO Staff Writer

The BurkTech Players will host a semester-end production in the Escondido Theater of the Student Union Building on Nov. 13 and Nov. 14.

The BurkTech Players is a student-run performing arts group comprised of

students from Texas Tech and the Burkhart Center.

The players in the group will perform a dance choreographed by Sam Shreffler.

Shreffler, co-artistic director and alumni of the Burkhart Center for Autism Education & Research, said he auditioned for season nine of “So You

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Think You Can Dance.”

“During my time at the Burkhart Center, I watched the beginning and the end of season eight of ‘So You Think You Can Dance,’ so I decided to give it a try,” he said.

While he did not quite make it on the show, he never stopped dancing, Shreffler said.

He was given the opportunity to help run the theater classes after he graduated from the Burkhart Center for Autism Education & Research, Shreffler said.

“We have been slowly transforming ourselves into a fully-fledged theater company called The BurkTech Players,” he said.

Because the group is sponsored by Tech and the Burkhart Center, it only made sense to name the organization BurkTech Players, Winter Davis, managing director of BurkTech and a graduate student at Tech, said.

The BurkTech Players started from four Tech students who went to the Burkhart Center and asked to teach a class.

After teaching the class, they decided to make it a theater-production organization, Davis said.

In order to connect the players to the campus community, Davis said, BurkTech Players hosts workshops any student can participate in.

“We have included new opportunities for students to engage with BurkTech

KODICHI NWANKWO/The Daily Toreador

Caroline Jane Davis, co-artistic director for BurkTech Players, leads a group of BurkTech Players while they rehearse poetry readings. The BurkTech Players will host a series of semester-end productions from Nov. 13 to 14 in the Escondido Theatre in the Student Union Building. that are not quite sure they are ready to join but want to think about it,” Davis said.

“They are offered the third Monday of every month here on campus.”

The workshops are aimed at individuals interested in performance, Davis said.

However, one does not need experience in performance to participate in the workshops.

In addition to the regularly scheduled workshops, the BurkTech Players hosted a special series geared toward youth on the autism spectrum and their families.

“Because of the popularity of the workshop, we decided to add improv theater classes for young adults on the spectrum as a way to engage more people,” Davis said.

The workshop was divided into two sections: one for 11-to-15-year-old students and the second for students older than 15 years.

Although BurkTech Players is performance based, Davis said there are other elements students can get involved in, such as design and volunteer work.

“Since we are students

in the School of Theatre & Dance, we decided to add dancing to feed the artistic desires of our members which is very important to us,” she said.

While BurkTech Players does not have a website yet, Davis said she encourages students to look at BurkTech Players’ Facebook page for more information.

“I encourage students to come out and not only watch our performance, but to get involved in this great organization.” she said. @DailyToreador

LUBBOCK ARTISTS

Students perform for Moonlight Musicals

By ALYSSA ACOSTA Staff Writer

The first Lubbock Moonlight Musicals was brought to the stage in August 2006 in the Wells Fargo Amphitheater. Cre-

ated by Gerald Dolter, associate professor of voice at the Texas Tech School of Music, the Moonlight Musicals have grown in the last ten years.

“Moonlight Musicals is an opportunity for students to be involved in theater in a welcoming environment,” Carrie Cunningham, a senior vocal performance and music education major from Allen, said.

The Moonlight Musicals is open to performers of all ages, Cunningham said. Lubbock Moonlight Musicals has three series: Moonlight Directions for high school students during the summer, Moonlight Musicals for students and adults during the summer and Moonlight Broadway for professionals during the summer and fall.

This summer, Moonlight Musicals put on productions for “Seussical,” “The Pirates of Penzance” and “Carousel.”

Cunningham said she had her first experience on stage in “The Pirates of Penzance,” where she played a daughter.

“I had a wonderful time working with a variety of people that I may not have known otherwise,” Cunningham said.

Working with instructors and other profes-

sional performers, Cunningham said, helped her grow into a better actress and singer.

Lubbock Moonlight Musicals hires performers of all kinds, including dancers, singers, actors and musicians. The musicals also require a full-pit orchestra and chorus singers.

Eddie Allen, a senior music education and double bass performance dual major from Austin, said he had the opportunity to play in the pit orchestra for the productions of “The Pirates of Penzance” and “Carousel.” “(Lubbock Moonlight Musicals) is a work experience for me,” Allen said.

“It’s something I can look forward to doing in my career later.”

Performing in a musical is different from performing in an orchestra concert because one must follow the singers during a musical, Allen said. One must be alert to what is happening.

When it comes to playing the double bass, the rhythm is repetitive, but working in combination with a musical adds a new element to playing, Allen said.

It was bit of a challenge playing outside in the Moonlight Musicals Amphitheater.

During the summer, the heat played a part during rehearsals, Allen said.

“(Weather) is another element (added to playing),” he said. “I love (Lubbock Moonlight Musicals). Excellent conductors and easy people to work with.”

Jordan Kirksey, a junior music and economics major from Lubbock, played the viola in the pit orchestra for the summer musicals.

Kirksey, a lover of musicals, said he found it fulfilling to perform in a professional show with professional performers. Kirksey enjoyed watching the musical out of the corner of his eye, especially while playing for “Seussical.”

“There were over a hundred people involved (with “Seussical”). It was cool to see all the nuances that go on,” Kirksey said. “A lot of the singers do such a great job with their roles.”

Rehearsals for orchestra members require collaboration with actors and singers on stage, Kirksey said.

It is a great experience for a student to perform with other musicians who have been involved with Lubbock Moonlight Musicals for several years.

“It’s really fun. It’s such a great gig,” Kirksey said. “(Lubbock Moonlight Musicals) is an awesome opportunity, and I would hope for anyone in the School of Music to have it.” @AlyssaAcostaDT

AP

Independent gaining in Utah SALT LAKE CITY (AP) — Independent presidential candidate Evan McMullin said Wednesday he won’t wither under attacks by white supremacists backing Donald Trump as his late campaign surge pushes him closer to winning Utah.

McMullin said at the University of Utah that the rise of Republican Donald Trump this campaign has illustrated a lingering problem in the United States with bigotry, racism and misogyny.

“When we have a presidential candidate who brags about grabbing women by their private parts and brags about how he can get away with it because he’s famous, we still have a problem with sexism,” McMullin told university students.

NEWS

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NOV. 3, 2016

LUBBOCK ARTISTS

Baron Batch influences art culture in life after football

MAKENZIE HARRISON/ The Daily Toreador

Baron Batch, a Texas Tech alumnus, displays his artwork in Tornado Art Gallery on Buddy Holly Avenue.

PHOTO COURTESY OF BARON BATCH

By REECE NATIONS

P

Staff Writer

layers in the National Football League often do not think about life after football until they face that reality firsthand.

For Baron Batch, Texas Tech alumnus and former Pittsburgh Steeler, a more meaningful life was waiting for him as soon as he hung up his cleats. Batch said he saw an opportunity and decided to try something that had never been done before.

"I was involved in the arts but not necessarily painting when I was at Texas Tech," Batch said. "I was a columnist for the Lubbock AvalancheJournal for a couple years but didn’t really take up painting until I got to Pittsburgh."

Even as a football player in college, Batch had an unmistakable creative desire he felt the need to satisfy. A communication studies major while at Tech, Batch said, he always valued his mind more than his body.

After being drafted in the seventh round of the 2011 NFL draft, his career began

dubiously as a player lockout loomed, Batch said. All NFL players were prohibited from attending training camp, seeing team doctors, working out at team facilities and even communicating with coaches.

"Football is a very big deal in West Texas, and it's a big deal in Pittsburgh too. They're very similar in that regard," he said. "To me, I didn't want to be defined by the last thing I did, so I had to consider what was best for me."

Suddenly the reward of football did not seem worth the risk, Batch said. Once he truly understood the value of his mind, the decision to leave his playing career behind was an easy one.

The sports culture in Pittsburgh has a huge influence on the city's society, and Batch wanted to bring to the artistic culture into the mainstream, he said. This was the beginning of a transition toward greater personal freedom.

"Today, I'm using my marketing experience to get paid by selling my ideas to people," Batch said. "That's so much better than getting a ball, having to juke 11 guys and trying

not to die in the process."

The most rewarding aspect of his new job is being in complete control of both the system and the process, he said.

In football, one is part of the system and has limited control over the process, which can be frustrating at times.

Some people would see an artist as someone who paints, but to me an artist is more than just that.

BARON BATCH TEXAS TECH ALUMNUS Batch is still a part of a team as an entrepreneur. The value of athleticism is not as important outside the context of a sport, Batch said, so being in a profession that values thoughts and feelings is part of what makes it fulfilling for him.

"Most things that entertain people aren't fun" Batch said. "People assume that being an NFL player must be

fun, but it really isn't. You're constantly hurt, you're constantly stressed, you have to constantly perform at a higher level and in a lot cases, you're fighting for your job every day."

NFL players can be replaced at any moment — because of a poor performance, physical injury or a number of other reasons — which is not an environment he particularly enjoyed. Having an irreplaceable creative value is a more fulfilling life to live than that of a football player, Batch said.

Batch's style of art is called expressionism, which involves expressing an idea or concept through a process that does not require spoken words, he said.

"Some people would see an artist as someone who paints, but to me an artist is more than just that," Batch said. "It's like the difference between a cook and a chef: One can make something, and the other creates something. For me, the art isn't really the paintings I make, it's what I get to make with the paintings I make. It's the life I get to live from doing my job."

According to a post on Batch's blog, he believes the inspiration is always worth the hardship. The trick is to care about everyone, while not caring about what people think.

Larry Simmons, manager of Tornado Art Gallery in Lubbock, said the content of Batch's artwork is the expression of a message to an audience, and Batch's message is one of personal freedom.

"In Lubbock, people think of (Batch) as a football player who's now an artist, but in Pittsburgh they think of him as an artist who once played football," Simmons said. "Really, his career as a football player was only chapter one.

Baron is now writing the rest of his story in a way that better defines who he is."

In the end, we are what we create, Batch said. He has no regrets about how his playing career turned out because it brought him to where he is today.

"Enthusiastically create things that compel you," Batch said. "Otherwise, it will be the absence of all the things that you wanted to make that really make you." @ReeceNationsDT

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OPINIONS

Page 4 Thursday, Nov. 3, 2016

COLUMN

@DailyToreador www.dailytoreador.com

2016 election paints gloomy vision of future E arly voting has already started in Texas, and Election Day is Tuesday. I will be extremely relieved when this election comes to an end.

It’s created such a toxic atmosphere for our country which has become utterly exhausting to endure.

For the most part, I’ve stayed away from public debate of the election.

Whenever someone brings the topic up, I typically sit silently off to the side.

Occasionally, I verbally agree with people in these debates. However, I always agree with both Donald Trump supporters’ and Hillary Clinton supporters’ arguments against the opposite candidate.

As I wrote in my September column titled “Voting becomes pointless in 2016 election,” I claim no

Alex Olges is a freshman journalism major from Humble.

side on this election. Both candidates are disgraceful, and I don’t like one any more than I do the other.

My stance on the election is hardly unique; I’ve met plenty of people in person and online who dislike both candidates.

However popular disliking both candidates may be, there is a certain attitude in the air that says it is not OK to sit on the fence in this election.

If we fail to vote against Trump and he is sworn into office, we are apparently responsible for a travesty equated to a second Holocaust.

On the flip side, if we fail to vote against Clinton, we are apparently responsible for her destruction of the country and condoning her conniving lies.

Both sides have attacked the voters this election, creating a hostile climate across the country.

The presidential election is no longer about leaving the decision up to the people.

Instead it is about trying to bully voters into voting a certain way or else our new president will bring the destruction of the United States.

President Barack Obama said would consider it “a personal insult” if the black community did not vote for Clinton to continue his legacy.

Clinton famously called half of Trump supporters

a “basket of deplorables.”

Trump has stated his distrust of voters, saying “I will totally accept the results of this great and historic presidential election, if I win.”

In short, this behavior has made the election a negative topic.

Both sides have attacked the voters this election, creating a hostile climate across the country.

What should be a celebrat i on of democracy has turned into a hateful, adverse period of time, which we have all had to suffer through.

Come Tuesday, I will be very glad to see this whole disaster end. Sure, maybe the country will be doomed at that point, but at least I can read the news and check my Twitter without such spiteful rhetoric clogging up my feed.

I don’t like going online and feeling like a bad person because I won’t be voting for Trump or Clinton.

Maybe Trump will bring about the apocalypse. Maybe Clinton will bring about World War III. Who knows? Only time can tell, but perhaps none of that matters. Perhaps they aren’t the only ones to blame for whatever happens to our country.

As much as I don’t trust the government, I don’t believe we are at the point yet where our government is so corrupted that a single

person could cause the destruction of our country.

While Trump or Clinton may play a role in whatever doomed future our country is headed toward, they will not be solely responsible.

The American people are responsible, as well, and I’d even argue we’re more at fault for whatever happens than our future president may be.

Our incessant bickering about every little political issue prevents us from coming together. We are a more divided nation now more than ever.

This election has portrayed our country in a very negative light and given us a glimpse of what our future may hold.

It doesn’t look pretty. aolges@dailytoreador.com

COLUMN

Strive to persevere even when overwhelmed

T

here’s a place in the hearts of many for Ronald Dahl’s beloved character Willy Wonka.

I recall fondly the many delectable confections with which he delighted his guests on a tour of his factory.

The most memorable to me is the Gobstopper, though the chocolate inventions figure highly in my dreams.

However, I must ask, have you ever tried to take down a Gobstopper?

Those of us with little or no patience for the

Tanya Jones is a junior English major from Lubbock.

things life throws our way just may not have what it takes to get the job done.

In the U.S. and Canada, the Gobstopper — or its alter ego, the Jawbreaker — can be as large as 8 centimeters in diameter.

I’m sure that’s the Texas size influence, of course.

But, that is still pretty big.

One uses strategy to get

to the heart of the matter and to practice patience.

The same ploy works when dealing with the big balls of sugar that life sends our way.

Those big balls of sugar we attempt to swallow can sometimes tickle the old gag reflex.

Realizing too late that the pie hole and associated plumbing cannot manage the sheer size of what we are attempting to chew could be our undoing if we let it.

Don’t let it.

When biting more off

than one can chew, don’t spit it out. Chew slower and manage the bolus in smaller bits.

The only thing that changes is the time of the final swallow, like a change to the parameters of whatever goal one has set.

Hanging on to that m o u t h f u l i s n o t e a s y.

Shove the Gobstopper into one cheek or better yet set it down on something, and then go back to it later.

Prioritize the task at hand, and then handle what you can in the order that you can do it.

Some part of the process may have to wait until later.

Te n a c i t y i n a n y e n deavor, keeping hold of what you’ve set out to do, teaches endurance.

Enduring the difficulty and challenges along the way while still doing the best one can highlights strengths and weaknesses.

It’s a learning process about oneself. Most of all, one learns to set reasonable goals with a flexible bar that can be nudged up.

Even though Gobstoppers come in a box of pretty colored balls, I still

prefer the large one.

I enjoy learning where my limitations are, so I can learn to manage what I bit off efficiently.

It’s a learning process about oneself.

When tomorrow arrives, I will be better able to set the bar a little higher. tjones@dailytoreador.com

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Art unexpectedly pervades everyday life

H

anging in a window probably 200 feet up the side of the College of Media and Communication building, there is an artfully designed print of a woman’s face.

I’m assuming it was placed there by the professor who resides in that window’s office.

The interesting thing about this print, though, is it faces outward.

Whoever hung it there intentionally made it face out toward the sky, not into the office.

So, the owner of this print must’ve thought it is more important for it to be seen by those who pass the College of Media and Communication building than for it to adorn some 12th floor office space.

Now, there are only maybe one other thing facing outwards on that long stretch of windows.

One of those things is an advertisement to join a branch of the U.S. military.

That makes sense.

Good advertisement placement, military guy.

Then there’s this print.

Every single day I pass it on my way to work or to class.

The woman it features smiles down at me with her oversized sunglasses and bright headscarf.

S h e m a k e s m e hap py simply because she’s

Avery Aiken is a sophomore communication studies major from The Woodlands.

there. She means that someone else understands how life-enhancing art is.

I think that’s pretty cool.

See, it’s easy nowadays to push the appreciation of art into the “unnecessary” category.

As college students — and even just as 21st century adults — a lot is demanded of us.

Meetings must be attended, classes studied for, friends called, assignments completed, jobs done, futures planned, bodies cared for, houses cleaned, appointments scheduled and so on.

So, when do we have time to browse an art gallery? Is stopping to admire that new sculpture on campus going to make us late to class?

Should we spend two times our hourly wage buying a print of some sunglassed woman?I truly want to know the answer.

Today, as I was walking to work, I saw that print hanging up among the clouds.

While the iced tea I had tucked in the crook of my arm sloshed rhythmically

Is stopping to admire that new sculpture on campus going to make us late to class?

Let me just support that by saying last summer — much to my younger brother’s discomfort — I started tearing up when he and I finally found the Art Institute of Chicago’s collection of Impressionist art.

I don’t know what came over me, but all of the sudden I was 2 feet away from Claude Monet’s haystacks and looking Edgar Degas’ “Little Dancer Aged Fourteen” right in the eyes. I was in awe.

However, I had to get myself all the way to Chicago in order to slow down enough to have a moment of true art appreciation.

In fact, if it weren’t for things like First Friday Art Trail, I’m not sure I would spend as much time as I’d like to giving

focused attention to the art around me. I’m not sure any of us would.

We aren’t conditioned to see art as important.

Our culture doesn’t demand we produce it or insist we admire it.

The things which rely on the assistance of art — like advertisements, books and packaging — h a v e b e c o m e s o a b u ndantly present in our dayto-day lives that we don’t even realize they’re art.

We encourage people to pursue degrees like marketing and advertising, but we forget that both of these desperately need art.

Interestingly though, we are recognizing designs we like and ones we don’t constantly.

We encourage people to pursue degrees like marketing and advertising, but we forget that both of these desperately need art.

Think about the last book you picked up at Barnes & Noble. I bet its cover looked pretty darn good.

If you placed a Mountain

Hideaway sticker on your laptop, think about the fact that someone labored over designing that logo.

When you order a latte from Starbucks, remember a design team had meetings to decide how your latte’s cup should be decorated for the holiday season.

That graphic T-shirt you’re wearing seemed cool enough to buy because someone worked hard to design the art it displays.

We are constantly making decisions based on the art that accompanies the products we consume.

Art is everywhere, not just in the window of a calculator-shaped building.

It is important to just about everything, so don’t feel frivolous investing in it.

Whether that means studying graphic design, taking an hour to watercolor a sign for your dorm walls or pausing to marvel at how a huge succulent grows between the hands of that statue outside the Biology building, invest in art.

Maybe investing in art just means hanging a painting on your window for a passerby to see.

Just don’t forget about art. Open your eyes to it, and I promise you will find a little more joy in the places it pops up. opinions@dailytoreador.com

ASSOCIATED PRESS

Man cuts hands on Trump sign bearing blades at polling place PLANO (AP) — A man dropping an election worker off at a polling place in a northern Dallas suburb cut his hands on box-cutter blades

stuck to a Donald Trump campaign sign placed over an official polling place sign.

The incident happened just after 6 a.m. Tuesday at

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with my steps, I realized I hadn’t really thought about art in at least half a month.

That doesn’t seem like long, I know, but I really love art. I really, really love it.

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the Spring Creek Campus of Collin College in Plano. Such campaign signs are barred by state law from polling places, and Collin College spokes-

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She says the cuts were minor and the man chose to

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LUBBOCK ARTISTS

LA VIDA

Page 5 Thursday, Nov. 3, 2016

Archivist fufills passion about music

By DAVID GAY L a Vida Editor

Making an album while working a full-time job is a challenging feat. Curtis Peoples, an archivist for Southwest Collection/Special Collections Library, recorded an album in the midst of working because of the passion he has for writing and performing music.

Peoples said he recorded the album “Nivedita” with his band, The Curtis Peoples Collective, after stepping away from being a full-time musician to focus on his schooling.

After being a full-time musician with side jobs, Peoples said he received his degree in sound technology from South Plains College.

While Peoples was working on his sound technology degree, Mark Murray, one of Peoples’ instructors at South Plains College and now an audio engineer for The Richards Group in Dallas, said he saw potential in him. “(Peoples) struck me as being one of the more savvy and more dedicated students that I had at the time,” Murray said.

After Peoples’ time at South Plains College, he and Murray collaborated on some music as a part of the band, The Point, Murray said.

Co-writing and performing with Peoples was one of the most prolific situations Murray said he has ever been in. “(Peoples) was just somebody who could just walk into a room, and we could throw ideas off of

each other,” Murray said.

“We created a lot of music with that band.”

After Murray accepted work in Dallas, The Point dissolved, Murray said.

Peoples said he then received a degree in history from Texas Tech.

Through his history degree, Peoples found himself working for Tech at The Vietnam Center and Archive. This archive gave him the drive to become an archivist, Peoples said.

Peoples eventually developed The Crossroads of Music Archive. This archive focuses on the history of West Texas music, he said.

Still actively recording and performing music, Peoples said, he recorded his album “Nivedita” in the Crossroads Recording Studio on Tech’s campus.

“The story of the album is about a woman named Margaret Noble.

It’s sort of a musical biography about this woman,” Peoples said. “She leaves England in 1898 on a steamship and goes to India. When she gets there, she starts the first girls school in India. She also helped sick people and became very important to the people in India.”

In April 2015, Peoples approached the Flatlands Dance Theater to see if it would choreograph dances that went with the songs in the album, Rachel Ure, dancer and choreographer at the Flatlands Dance Theater, said. Dancers p e r f o r m e d t h e c h o r e ographed material from the album with Peoples performing the majority

of the songs live.

Peoples recited the story behind the album to the choreographers, Ure said. They then determined which songs inspired them.

“We split up the music among four choreographers and learned more about the story ourselves,” Ure said. “(We were) inspired by listening to his tracks and created pieces that matched the story.”

Peoples submitted “Cicada,” one of the more popular songs on the album, to the Lubbock Music Now compilation earlier this year, Peoples said.

According to a previous article in The Daily Toreador, Lubbock Music Now is a compilation album put on by Civic Lubbock. Local artists submit songs and a committee from the Texas Grammy Board determines which songs make the album.

Peoples said he wrote “Cicada”, an instrumental track, about 10 years ago.

“It was one of those nothing-else-to-do moments where I was sitting on the couch and watching some TV show in the middle of the afternoon,” Peoples said. “I went and grabbed my guitar. I was thinking about my friend Doug Smith, the famous piano player from here, who passed away earlier this year. I was thinking about his music and how open and spacious it is. About 15 minutes later, I had this instrumental song.”

Originally just with guitar and piano, Peoples added different instruments to the song for the album. He said he added

FILE PHOTO/The Daily Toreador

Curtis Peoples, an archivist for Southwest Collections/Special Collections Library, performed at the Lubbock Music Now CD release party at The Blue Light Live on Oct. 23rd. Peoples still writes and performs music while having a full time job at the Texas Tech University.

Tambouras and violins to the instrumental song.

Peoples said “Cicada” is about transformation.

Even though it has different Indian instruments on the track, it is a song about West Texas.

“The whole album is this fusion of Indian music, Irish music and West Te x a s m u s i c , ” P e o p l e s said. “That’s what West Texas music is. Musicians I know listen to everything and incorporate different styles into their music. It helps to bring out these new sounds. I think that is why people are successful from here because they are willing to listen to new ideas, new things and incorporate it into their art.”

Ure said the additions

ASSOCIATED PRESS

Beyonce, Dixie Chicks perform together during CMAs Beyonce conquered a stage she’s never performed on: The singer sang her twangy song “Daddy Lessons” alongside the Dixie Chicks at the Country Music Association Awards on a night celebrating the organization’s 50th anniversary.

It was the first time Beyonce, who is from Houston, performed at the country awards show, and the performance also marked a return for the Dixie Chicks, who hadn’t attended the CMA Awards in some time.

“Everybody get on your feet. Put your hands together,” Beyonce told the crowd Wednesday at the Bridgestone Arena in Nashville, Tennessee.

Beyonce sported a sheer champagne-colored dress that plunged in the center and layered pearls around her neck. Faith Hill sang

along, Trisha Yearwood clapped and Miranda Lambert moved side to side during the song, which the Dixie Chicks have also covered at their live shows.

A mix of classic and contemporary country stars

kicked off the show with 12 performances to celebrate its milestone anniversary, including Randy Travis, Vince Gill, Carrie Underwood, Charley Pride and Merle Haggard’s youngest son, Ben. Brad Pais-

DOCTOR STRANGE REALD 3D XD [PG13] 4:30PM 10:30PM DOCTOR STRANGE XD [PG13] 1:30PM 7:30PM DOCTOR STRANGE REALD 3D [PG13] 11:30AM 2:30PM 5:30PM 8:30PM

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DOCTOR STRANGE [PG13] 12:30PM 3:30PM 6:30PM 9:30PM

JACK REACHER NEVER GO BACK [PG13] 1:15PM 4:15PM 7:15PM 10:15PM

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THE ACCOUNTANT [PG13] 12:25PM 3:35PM 6:50PM 10:00PM OUIJA: ORIGIN OF EVIL [PG13] 11:45AM 2:25PM 5:05PM 7:45PM 10:30PM THE GIRL ON THE TRAIN [R] 1:25PM 4:25PM 7:25PM 10:25PM DEEPWATER HORIZON [PG13] 1:10PM 4:00PM 6:55PM 9:50PM MAGNIFICENT SEVEN [PG13] 11:55AM 3:10PM 6:30PM 9:45PM

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HACKSAW RIDGE XD [R] 12:25PM 3:40PM 7:00PM 10:10PM HACKSAW RIDGE XD [R] 2:00PM 5:20PM 8:40PM TROLLS REALD 3D [PG] 1:15PM 3:45PM 6:15PM 8:45PM TROLLS [PG] 12:00PM 2:30PM 5:00PM 7:30PM 10:00PM

JACK REACHER NEVER GO BACK [PG13] 12:55PM 4:00PM 7:00PM 10:00PM

THE ACCOUNTANT [PG13] 12:50PM 3:55PM 7:00PM 10:05PM OUIJA: ORIGIN OF EVIL [PG13] 12:00PM 2:35PM 5:10PM 7:45PM 10:20PM THE GIRL ON THE TRAIN [R] 1:25PM 4:15PM 7:05PM 9:55PM MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN [PG13] 12:55PM 4:05PM 7:05PM 10:05PM

KEEPING UP WITH THE JONESES [PG13] 11:55PM 2:30PM 5:10PM 7:45PM 10:20PM I’M NOT ASHAMED [PG13] 12:55PM 4:00PM 7:00PM 9:50PM DEEPWATER HORIZON [PG13] 1:15PM 4:00PM 6:45PM 9:30PM MIDDLE SCHOOL: THE WORST YEARS OF MY LIFE [PG] 12:10PM 2:40PM 5:10PM 7:40PM 10:10PM STORKS [PG] 12:05PM 2:35PM 5:05PM 7:35PM 10:05PM THE SECRET LIFE OF PETS [PG] 12:00PM 2:30PM 5:00PM 7:30PM 10:00PM TYLER PERRY’S BOO! A MADEA HALLOWEEN [PG13] 12:00PM 2:35PM 5:10PM 7:45PM 10:20PM

of these instruments add different layers and colors to his music. This makes the music more fun to dance to. “(Peoples’) music is so rich and organic,” Ure said.

“It is all full of passion, and he is so passionate about the stories he is trying to

tell through his music.”

Peoples said his passion for music never died, even through having a full-time job.

“I never gave up on playing music or writing music,” Peoples said. “It all works together. It’s this synergy of education and creativity.” @DavidGayDT

6

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NOV. 3, 2016

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LUBBOCK ARTISTS

Art alumni leave marks in city, world

By ARIANNA AVALLE Staff Writer

The School of Art at Texas Tech enumerates several notable alumni who, after graduation, have taken different paths in the art world.

Most of these artists do not forget to give back to the school that laid the foundations for their successful careers.

Philip Monaghan, an alumnus of Tech’s School of Art, said he is grateful to Tech for grounding him in the technical skills for painting and drawing. The school helped him develop the ability to think originally.

Coming out of school in the 1970s, Monaghan’s way of thinking was out of the box because he did not follow the conventional path of a visual artist. Monaghan said he is a painter and a branding executive and has travelled a lot and met different visual artists, photographers and graphic designers.

“I was able to develop the curiosity to pursue my passion and to articulate the goal of what I was trying to accomplish,” Monaghan said.

“I could have never done that

if I didn’t have so many wonderful guides at Texas Tech.”

Real Musgrave, artist and creator MONAGHAN of the Pocket Dragons, said he came to Tech in 1967 because it was the only school that offered a five-and-half-year engineering degree in professional art.

Musgrave’s father was a geophysicist, so he pushed Musgrave to study engineering as a back-up-plan in case art did not work out. Ultimately, Musgrave graduated with a Bachelor of Fine Arts in Studio Art. One of the best things Musgrave experienced at Tech was meeting his future wife, Muff Bauer, Musgrave said.

Now, they have been married for 48 years, Musgrave said, and Bauer has played an important role in managing his career and helping him with his work.

Ken Little, professor of art at University of Texas at San Antonio, has a similar opinion about the Tech art faculty. Little graduated in 1970 with a Bachelor in Fine

Arts in Ceramics.

“Amazing teachers like Mr. Paul Hanna molded me in what I am today,” Little said. “I always knew I wanted to be an artist but I didn’t know what an artist was.”

Although these three alumni share the same gratitude for the educations they received at Tech, they had different artistic careers.

Monaghan spent 25 years in the creative branding field.

During that time, he said he got the chance to live in Milan and work for Italian companies. He also worked for American companies and created some branding that people still see today.

After retiring in 2001, Monaghan said he turned his attention back to painting. In 2015, he came back to Tech for the exhibit “‘Why Are You Doing This To Me?” The show featured a collection of original paintings based on a poem by David Trinidad, poet and friend of the artist.

Musgrave’s career went a different direction. After graduation, he said he started producing prints that were sold in a little gallery in Dallas.

After several years, people started appreciating his work, and he started participating in MUSGRAVE art shows put on during science fiction and fantasy conventions, he said. During these conventions, Musgrave exhibited his pocket dragons, realistically drawn whimsical creatures that he developed while hitchhiking around Europe with his wife.

“The pocket dragons were based on this little dog we got at the dog pound in Lubbock,” Musgrave said. “Flower (the dog) was very sweet and intelligent. She had a magical way of seeing the world, a funny little grin on her face and very expressive eyes and ears.”

Musgrave created 2-D and 3-D pieces to showcase in museums and galleries. The pieces were real-life dragons with the personality of the dog, he said.

Musgrave said he was then asked to become the official artist for the Texas Renaissance Festival. His dragons were the face of the

festival and helped him gain popularity in the art world.

“In 1988, I got contacted by two companies in England that had seen my work in galleries on the east coast, and they asked me to do a line of collectible figurines,” Musgrave said.

Musgrave started sculpting hundreds of pockets dragons and selling them in 23 countries. He said he then travelled around to promote his art by making personal appearances and signing autographs.

“After 15 years of doing this, Flower, our dog, died, and I thought my career was over, but it turned out that she has been secretly training some cats to act as model for the pocket dragons,” Musgrave said.

In 1995, Musgrave said he produced with BKN network an animated television series called “Pocket Dragons Adventures” that was translated in 30 languages and aired in more than 60 countries.

Although none of these artists live in Lubbock anymore, they still keep in touch with Tech and try to help the university in any way

they can.

Monaghan is set to meet Tech President Lawrence Schovanec in New York later this month. They are going to have lunch together and walk through some museums, Monaghan said.

“There is such an interest at Texas Tech University in rising the profile of the institution through the arts,” he said.” The leadership has realized that in order for Tech to be considered a toptier university, the arts must have a big part. This is my new mission: to help in any way I can.”

Little is also a really passionate advocate for the importance of the arts. Going to art school at Tech opened his eyes to a bigger world, Little said.

“Arts are under attack particularly in higher education because of all the pressure for the STEM programs which de-emphasize the humanities and the arts in favor of science, technology, engineering and math,” Little said. “However, art practice and creative learning are important in every field.” @DailyToreador

LOCAL

Theater provides variety of artistic opportunities

By KIRBY WARNER Staff Writer

Lubbock’s Cactus Theater on Buddy Holly Avenue has a rich performance history that provides musical entertainment for the community.

According to the Cactus Theater’s website, the establishment began as Lubbock’s first community movie theater, constructed in 1937 and opened in April 1938. It was closed in 1958 before being reopened as a live performance theater in 1995 by music producer Don Caldwell.

The theater found itself hosting concerts and theater productions, and it still does after its purchase on July 1

by Darryl Holland, a Lubbock music promoter, according to

the website.

One of Holland’s motivations for becoming involved with the theater is his grandfather, who was in the film business. Holland said this heritage and his love for music made it predestined for him to be involved.

“I knew the theater, I knew the level of quality that it demanded,” he said, “and so I felt like I was kind of the chosen one to step in and guide it into the next phase of its career.”

Holland said in addition to Lubbock’s local talent, it is his hope to book more touring acts to bring diverse entertainment to Lubbock.

Soon, the theater will show classic and independent films, Holland said.

Amber Pennington, a frequent performer at the Cactus Theater, said she began performing there around the time it reopened and performed on and off for a few years.

After attending South Plains College to continue her education and living in Nashville, Tennessee for 10 years, Pen-

nington said she came back to Lubbock in 2010 and continued to perform at the theater. “ I t ’s a l w a y s been a really strong family environment,” she said. “Most of us that perform there have known each other for at least half of our lives. It’s just a really special place.”

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Although the business of programming for the theater can be challenging, the fun part is being able to form relationships with the performers, Holland said.

When he acquired the theater, Holland said the goal was not to make money.

“It was to fulfill a dream of promoting music,” he said, “of showcasing talent and providing something for the community to be proud of.”

The emphasis of the

business has always been on art and presentation, Holland said.

Pennington said the theater is a great resource for Lubbock artists, and it provides a good place for many young performers to get their start.

“I think going forward, it just provides a great venue for the artists not just in Lubbock but the surrounding areas,” Pennington said.

PHOTO COURTESY OF CACTUS THEATER WEBSITE @DailyToreador

ASSOCIATED PRESS

Cosby lawyers say comedian DAILYTOREADOR too blind to defend himself For all your Tech news and sports

NORRISTOWN, Pa. (AP) — Bill Cosby’s eyesight has deteriorated to the point where he cannot identify his accusers in photographs or otherwise help with his defense, his lawyers said Wednesday as they waged a multipronged effort to get the sexual assault case against the 79-year-old comedian thrown out.

His attorneys also portrayed Cosby as a political pawn who is being prosecuted only because a suburban Philadelphia district attorney used the public furor over the comic to get elected last year.

And they renewed their argument that Cosby’s lurid 2005 deposition from a related lawsuit should not be admitted at his trial, saying he answered questions under oath only after being assured he would not be charged with a crime.

Cosby leaned back in his

chair as his lawyers made their case at the two-day pretrial hearing, which ended with no rulings from the judge and no indication of when he might issue one.

Another set of hearings is scheduled for next month.

The “Cosby Show” star once known as America’s Dad is scheduled to go on trial by June on charges he drugged and molested Andrea Constand, a former Temple University employee, at his home in 2004.

He could get 10 years in prison.

Cosby has said the encounter was consensual. He is free on $1 million bail.

Dozens of additional accusers have come forward, including 13 women whom prosecutors want to call as witnesses at the trial to show that they were drugged and violated in similar fashion. Cosby’s lawyers are fighting that strategy.

ASSOCIATED PRESS

Opera fan apologizes for ‘sweet gesture’ that ended performance This establishment, Texas Tech University & The Daily Toreador do not encourage underage drinking or alcohol abuse.

NEW YORK (AP) — The opera lover who sparked a terrorism scare by scattering a friend’s ashes at New York’s Metropolitan Opera apologized Wednesday for his operatic gesture.

Dallas resident Roger Kaiser said in a letter to Met general manager Peter Gelb and “the entire Metropolitan Opera community” that he promised a cancer-stricken friend in 2012 that he would scatter the friend’s ashes at various opera houses after his death.

Kaiser said he told his friend that “he would be there forever enjoying all the beautiful music.”

He said his “sweet gesture to a dying friend” went “completely and utterly wrong.”

The Met halted a performance of Rossini’s “Guillaume Tell” Saturday after some musicians reported seeing Kaiser sprinkle a powdery substance

into the orchestra pit during the second intermission. A later performance of another opera also was canceled as police investigated.

Police contacted Kaiser after learning his identity but he has not been charged with a crime.

Kaiser apologized for inadvertently creating a disturbance.

“As a devoted opera enthusiast, the reality of the situation weighs heavily on me,” he said.

Gelb responded that he appreciated the sincerity of Kaiser’s apology even though his actions caused the Met anxious hours, disappointed the audiences of both operas and cost thousands of dollars.

He added, “I trust that your future visits to the Met will be without incident, and that you will continue to proselytize about your love of opera to all who will listen.”

@TheDT_Sports www.dailytoreador.com

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Red Raiders fall to Mountaineers, 3-0

The Texas Tech soccer team was shutout in the Big 12 Championship quarterfinals Wednesday against No. 1 West Virginia, 3-0, meaning the Red Raiders will not repeat as Big 12 Champions.

The Red Raiders battled on Friday against No. 24 Oklahoma to get into the conference tournament, but the team could not pull out the win in the first round against the Mountaineers.

The Tech soccer team’s record now stands at 9-8-2 with a conference record of 2-6.

The Red Raiders attacked the net, getting off 10 shots in the game. However, only two of those were on goal.

Tech coach Tom Stone said he is proud of the way his team contended against the powerful West Virginia squad.

“You just have to give West Virginia the credit they deserve. They’re a legit national contender. We wish them the best and hope they are the first Big 12 team to win it all if we’re out,” Stone said in a Tech Athletics news release.

Freshman midfielder Jordie Harr had the most offensive presence for the Red Raiders, as she collected a total of three shot attempts in the game.

Senior goalkeeper Lauren Watson was put to the

test, facing 17 shots and three corner kicks from the Mountaineer offense. She finished the match with five saves to increase her season total to 82.

It was just under 15 minutes of play when West Virginia sent off six shots toward the net. One of those shots came from forward Sh’Nia Gordon who sent the ball past Watson to take the lead, 1-0. The momentum-boosting goal from Gordon was her fifth of the season.

Tech was not able to get its first shot off until nearly

30 minutes into the first half.

Junior defender Cassie Conarty was the first Red Raider to get a touch on the ball, but her strike was off target and went wide of the net.

When the first half winded down, Tech could not come back and get on the scoreboard, as West Virginia maintained the one-goal lead.

The Red Raiders started off strong in the second half, getting off an open shot right out of the gate. Harr took her route and moved the ball past defenders for a look at the net, but a Mountaineer

defender got in the way and blocked the potential gametying goal.

It did not take long for West Virginia to take over the game, as it scored again early in the second half. Forward Heather Kaleiohi made the shot for the Mountaineers, as they furthered their lead, 2-0.

Just two minutes after the goal from Kaleiohi, West Virginia was awarded another opportunity.

After a corner kick taken by forward Michaela Abam, midfielder Carla Portillo got her chance to produce on the

field, as she sent the ball over Watson and into the net. The shot from Portillo extended West Virginia’s lead to 3-0.

The Red Raiders attempted to get on the board with shots from Harr and Conarty but no one could capitalize on the shots.

When time ran out and the game ended, the Red Raiders were ultimately taken out by the Mountaineers in the quarterfinals round, 3-0.

This was a defining game for the Tech team, as it determined if it would continue on in the tournament or be sent

home empty handed. Ultimately, it was the latter of the two for the Red Raiders.

After the loss to the Mountaineers, Stone said the team must wait and see if the Red Raiders get a spot in the 2016 NCAA tournament.

“For our team, we had a great finish against Oklahoma, a top 10 team, and we hope on Monday we are in good shape to play on, but now we have to sit and wait and see how it plays out for us,” Stone said in the release. @ABoutwellDT

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