Tuesday 22 June #&'03& 5)& 4503. Tuesday 22 June % 3&"%: "/% '&3("- 30$,Â˜4 3& 45 -";"3& "5 ("3& 45 -";"3& "5 -& -- 8& 6/45"#-& 40%0.& '"3&8&-- 8& )&/3: "/% Sunday 20 June & 130+&$5 Sunday 20 June 5)& 130+&$5 %*".0/% 8 (0 #MPDL 1BSUZ $BSOJWBMF " '&8 )"5& 50 4&& :06 (0 #MPDL 1BSUZ $BSOJWBMF 46//: Ever wondered how best to bridge those The DĂşn Laoghaire Festival of World >igh cZZ :fUbW]g #30,&3 Ever wondered how best to bridge those The DĂşn Laoghaire Festival of Worl "- 45"(& "3$)*5&$563"- 0-8&/ '06c3cÂ˜4 45"(& habitually stilted conversations with Cultures, Irelandâ€™s first truly Global 20%Irelandâ€™s d Judy and I hooked up with them OFF first truly Global habitually Cultures, urday 19 June Project Arts Centre plays host to Irelandâ€™s Carnival, Meyer andyear Judycelebrating and hooked up withstilted them conversations with 19 IJune neighbours you isSaturday this its 10th A L L ly â€˜90s. We did a lot of&-"*/& shows53"/4-"5*0/ withbarely know? Street Feast *446&4 D R INK neighbours you barely know? Street Feast Carnival, is this year S celebrating its most-travelled theatre companyafrom the Anniversary. in the early â€˜90s. We lot of shows Wednesday Juneproposing a simple 16 answer, A diverse mixdid of amusical per- with as acting and Judyprovides was.631):Â˜4 -*55-& directing. provides a simple answer, proposing a Anniversary. A diverse mix of music 12th to the 17th April, welcoming the Gare them, I was acting and Judy was directing. thatâ€™s taking place formances, club nights, workshops, street moved away fromdo-it-yourself Paris and we grub day do-it-yourself grub day thatâ€™s taking place formances, club nights, workshops, 806-% St Lazare Players with their double bill of we moved away nation-wide on Sunday, July 18th. Bonding eventsThen and markets will takefrom placeParis overand we oing our own work but(&. 3&563/4 under that nation-wide on Sunday, July 18th. Bonding events and markets will take place o Beckett plays, End and The Calmative. started through the love andThe sharing of food goes three days thisdoing July.our own work but under that JJ Smyths. Also, blues. favourites. Whelanâ€™s JJ Smyths. Also, blues. sical favourites. â– Marianne Faithful Faithful â– Concha Buika â– Marianne â‚Ź13.50, 8pm Oscar win this year is a reflection of peopleâ€™s apOscar win this year is a reflection of peopleâ€™s aponal Kirk Band â– Philip Glass Grand within Canal Theatre preciation for whatâ€™sâ– happening the Japanese Donal Kirk Band â– Philip Glass National Concert Hall Grand Canal Theatre Endorsed by One Tree Hill preciation for whatâ€™s happening within the Japane myths National film Concert Hall There is more â‚Ź39.20/41.50, 7.30pmfilm industry. variety in Japanese JJ Smyths National film Concert Hall There is more â‚Ź25-35, 8pm â‚Ź39.20/41.50, 7.30pmfilm and Barnardos. industry. variety in Japanese 9pm â‚Ź15-40, 8.30pm A Mars a day...stereotypinow. Our films arenâ€™t falling into certain â‚Ź10, 9pm â‚Ź15-40, 8.30pm West African singer, Spanish A Mars a day... now. Our films arenâ€™t falling into certain stereotyp categories.plays The new generation of film-makers are â– Scissor Sisters Master ofcal minimalism categories.plays The new generation of film-makers â– Scissor Sisters Master ofcal minimalism music. quite keen to explore the â– outside market and are takTemper Olympia Theatre !' $ # % ' solo piano. quite keen to explore the â– outside market and are t Temper â– Lesley Garrett solo piano. ing an international audience into consideration when Olympia Theatre Whelanâ€™s â‚Ź44.20, 7.30pm ing an international audience into consideration w National Concert Hall Whelanâ€™s â‚Ź44.20, 7.30pm :1,)A making their films. In thatâ‚ŹTBC, respect8pm itâ€™s a very different â– Blondie It would be cheaper to stick making their films. In thatâ‚ŹTBC, respect8pm itâ€™s a very differe %# %# & # ars after their original setting â– Blondie â‚Ź25-55,writer/director 8pm kind of filmmaking to what we had in the 1950s. It It would be cheaper to stick Henry and Sunny, Dublin-based after their originalDigan setting ary Black Vicar Street together twenty years Upstairs. Plus PĂĄdraig scissors in your ears yourself. < ; -@)+<4A ); A7= 15)/16- 7=;- 5=;1+ )44 61/0< 476/ kind of filmmaking to what we had in the 1950s. I he first time in a cafĂŠ in Moscow â– Mary Black Vicar Street certainly is an interesting andfirst encouraging Rescheduled with the scissors in yourself. Upstairs. Plus PĂĄdraig D " Fergal Rockâ€™s â€˜melancholic tale of true date love against your ears ):76 -58;-A 31+3; 7.. <0- 576<0 16 ;- *--6 5)316/ 9=1<- ) â– Mary Black Pearl Jam National ConcertQueen Hall â‚ŹTBC, 8pm nucleus sense obviously. We else. trytimes toAnd promote a deeper understanding of Japa our own company. We already thespian Olwen FouĂŠrĂŠâ€™s latest role sees her take to the Then a year ago I worked on a special project for the No, they are both completely different characters modern, the basic of â€œthe familyâ€? winner of the Calpyso Rounding off The Abbeyâ€™s By Popular Demand our experience of working with Beckett that Pallas Contemporary Projects isbeen ofapart, a O2 societytheir and culture. A lot â‚Ź20, of theown filmsâ€™company. themes thisWe year pical Island The 8pm They just canâ€™t gethas enough. Lovett, The End described asdespite the formalise our cy in France. IAll-Day was together ;<1: :-+-6<4A ;7 /-< 16 ) +0-+3 <0-5 7=< tragically threaten tosomething keep them fferent plays. Theput only link isfar that experience ofO2 working Beckett that extended beyond parents and children; creator of calypso Fireput intogether Mealready societywith and culture. A lot of the8pm filmsâ€™ themes this y Island â– Popical Olympia Theatre The â‚Ź20, They just canâ€™t get our enough. stage as gem the sole survivor of welcome Sodome, a(Terminus) city which cen-compliment European presidency in anthem, France. IAll-Day was #+,)$#- that name so an weadaptation became Gare St from completely different plays. The only isfar that season, which saw the and not hidden in Dublinâ€™s artistic landscape, secreted that aim. We have five films for Dublin 7=;- $-+067 )44 61/0< " 8-6 )-: )/)16 7.. )44 <0- ,:163; )44 ,)A The Trains Sessions â– â– quite alaunch, strong affiliation with â‚Ź7, 8pm pilation been very positive. We have Ponyo, the of a play by acclaimed Frenchman Laurent GaudĂŠ, that because I thought it was a fantastic up for food and protection. the incredibly talented Rokia Traor weâ€™ve found has formed for us over the from actor/writer Elaine Murphy. Ever since its of Parisien Dublin city, itâ€™s just past the little plastic diver, est animation from Miyazaki who is quite well known Turin Brakes The Trains Zodiac Sessions â– â– â– You have quite a strong affiliation with â‚Ź7, 8pm chanteuse. Up the Compilation launch, featuring ow, more and more, I want to work Here he discusses filmâ€™s depiction aAmber love less the play. Malian )::A )>1, : 84)A16/ 764A <0- ;-@1-;< ;577<0-;< <=6-; weâ€™ve found has formed for us over the Inthe Little Gem the proved theand most The rises concept behind Street Feast is toroleof rising musician whoâ€™s music fuses ,'$#animation from Miyazaki who is quite well kn Whelanâ€™s Bruxelles Upstairs. Lovers,IsYeh Deadlies, the settled ashes encased in tooffrom opportunity more and more, I want toconcept work behind Street work. there anyFouĂŠrĂŠ reason forfrom this or costumes. much-raved-about appearance as part ofasalt, the Fringe In Little Gem is the Amber proved the most The Feast torole ofest rising Malian musician tucked away between Stoneybatter and Smithfield. Spirited Away andnow, Howlâ€™s Moving Castle. Ponyo 0- +)6 .16, " *-.7:- 85 F ).<-: years. But, ifus you like, in the lastto 10 years ness.â€? Whelanâ€™s Whelanâ€™s Bruxelles whoâ€™s music Upstairs. escalier. Land Lovers, Yeh Deadlies, and how they stumbled across lead actor First things first, can you tell little bit Beckettâ€™s work. Is there any reason for this at a lot of the timehad when I go into aordinary, erience Dublin a significant difficult to cast. â€œThis play has a really big elderly " ! There seems be a strong sense of fragility in your from Spirited Away and Howlâ€™s Moving Castle. Po years. But, if you like, in the last 10 years re-connect communities, a collection of Bamama with jazz and classical. Both relay her account of the event. A provocative piece of with this inbetweeness.â€? â‚ŹTBC, 8pm Free, 9pm madmiration and (honestly) much with Brian Frielâ€™s plays in the past? â€œI find that a lot of the time when I go into a in 2008, it has played to sold out audiences in EdHas the new experience Dublin had a significant difficult to cast. â€œThis play has a really big elderly n for his work? If youâ€™re willing to go slightly off road with your was a huge hit in Japan. It is quite a deceptive film as it There seems to be a strong senseand of fragility in your ost a producing? year ago FouĂŠrĂŠon first Paulo Braganca. re-connect communities, a collection of Bamama with jazz Bo â‚Ź23, 8pm â‚ŹTBC, 8pm Free, 9pm Groom and (honestly) much â€™t recognise thewhen characters stage. weâ€™ve done three plays by other writers. We Have you worked with Brian Frielâ€™s plays in the past? 96 8-.6) 2.,-8 3+ +92 .2 8-* =, &2) ;* ;*0(31* !-32/= *&0 "32* uâ€™re fanbase, because the Kay role is so much fun, and to about the two plays coming up in Project other than admiration for his work? work, particularly concerning the grammar of urban was huge hit in Japan. quite aclassical. deceptive film work, Sodome, Love, into English It was inon Paris a producing? yearaudience ago when FouĂŠrĂŠ first :1,)A because Sami Moukaddem â– kid Upstairs. The light atbe the end Weekliy acoustic showcase theatre I almost donâ€™t recognise the characters on stage. weâ€™ve done three plays by other writers. haudĂŠâ€™s more. Upstairs. social units connected through locality, concerts will be outdoor and free. On top Friel play was in admiration. 1966, as aWith inMy inburgh, London andatranslated New York, snaring itsby scribe effect what youâ€™re fanbase, the Kay role isaparticularly so much fun, andWe toIt is the city centre strolling, take lookey-loo in this month, appears to aimed at a younger but we can work, concerning grammar of urban script. Printed on some be about 200% Weâ€™d eet them in my everyday life. *(36)7 48.(- !944368 +631 =, 6*7.)*28 6&8'3= &'* !8*&0*6 =, Chris Brown Sami Moukaddem â– kid â– props The worst brakes outside a Upstairs. The light at the end Weekliy acoustic showca much more. Upstairs. rk isdo a response to both the physiget them to listen to what a 19 year old has to say social units connected through locality, concerts will be outdoor and free. O Yes, my first Brian Friel play was in 1966, as a in architecture, does all of this relate back to that â€˜indid the The Good Thief by Conor MacPher %$ E+144- :-)< #<=.. "-+7:,16/; appears to be aimed at a younger audience but we to with costumes and so our choice cast it. Two Portuguese plumbers turned up at our FouĂŠrĂŠ herself, not only poses questions about the hustumbled across GaudĂŠâ€™s script. Printed on some Arts Centre â€“ The End and The Calmative? ItMiyazaki would be about admiration. Weâ€™d I wouldnâ€™t meet them in my everyday life. With JJ Smyths some serious accolades ranging the Fishamble of the tunnel. Typically our work isfind a response to both the physithem toThe listen to what a 19by year old has to of say oves Cass McGuire. However, where Australian artists Pat Foster and Jenlatest Berean always expect to a200% deeper message architecture, does all this relate back to that â€˜indid the Good Thief Conor MacPhernationality, or concept ideology, Ă tolareally premodern, this, expect to cycling mavericks n,think, the title ma douce in work todeliver do with costumes and props so our choice get cast it. Two plumbers turned up at our The of clowns asfrom the casualties ofof the 397* "*(-23 &00 2.,-8 032, B &+8*6 41 B 41 the audience members recognise !A/ ; &144 .4A 8:-;-6< %$ )< !A/5)4176 $01; 1; ;=:- <7 uctures of a(Sodome, given environment, sothings and care about it,built you really need someone ns ofinof Beckett, no question. Whatâ€™s Vicar Street JJ Smyths Toyota Prius. of Portuguese the tunnel. anxietyâ€™? the Abbey The Loves of Cass McGuire. However, always expect Miyazaki to deliver a deeper messag oot black and white simplified on that producer Orlaâ€™s door one day to re-fit her bathnationality, or ideology, Ă la premodern, of this, expect to find cycling mave man condition but magnifies mankindâ€™s inherent need random publication, the title (Sodome, ma douce in son, we did Swallow by Michael Harding, Little Gem, I think, the audience members recognise New Writing award to theto 2009 Carol Tambor cal andbesocial structures of a given environment, sothings on that and to really care aboutdoor it,built you really need someone Theyâ€™re short written by Samuel bigtofans Beckett, no question. lda May â‚Ź10, 8pm opened athe new exhibition coincide with their than the surface suggests. Aaof Stranger ofCool Mine is simplified a very Whatâ€™s anxietyâ€™? acting experiences Ihave have er. Immediately she set about find shoot in black and white producer Orlaâ€™s one daysurface to re-fit her bathrecession isstories aof unique one. What made you settle on *- ) ;-44 7=< 61/0< ;7 /-< 0-:- -):4A #=887:< .:75 :)<*7A more in think the characters, particularly ifthat son, we did Swallow by Michael Harding, to celebrate joys good food. Rothar running stall Earth In response toever the level of interest shown in last yearâ€™s Dublin we quickly started strong in the role.â€? This sense of the fragility the work is at intended to Hilda May â– in â‚Ź56, 8.30pm â‚Ź10, than the suggests. A Stranger ofCool MineEart is a v one of greatest acting experiences I particularly have I also it looks much more atmospheric. room. She texted me saying ofintrigued them be gded about what weâ€™ve done, while to destroy all he fears. French) her. Immediately she set about findthemselves more in the characters, if8pm to celebrate the of good food. Rothar running stallis at In response toever the level interest shown in last yearâ€™s Best of Edinburgh. Not bad for ayour woman who only asone soon as we landed Dublin we quickly started strong in the role.â€? and then last year, we did an adaptation of international studio residency. interesting film from awould young director named Kenji ofjoys )*-;<-)4-: 77:; F =6<14 51,61/0< F ).<-: This sense of fragility in the a work intended to Y Ute Lemper Thursday 24 June â– anâ€™sthrough Lebanase jazz guitarist xt, read inwalking one sitting and decided asimir init another Friel play called level. I also think it looks much more atmospheric. room. She texted me saying one of them would be Beckett and theyâ€™re from the same kind of interesting about what weâ€™ve done, while that idea as the basis for film? ('$#T one of the suburban theatres like the F I event the Japanese Film Festival has broadened its ty, around, As a writer and an actress is she dreaming up any F highlight the inherent lack ofbasic stability within the and then last year, we did an adaptation of interesting film from a young director named Kenj So venture out into your street, front as well as some bike maintenance goes back to that almost Farside-like idea of perfect for the part of Henry and asked him if heâ€™d Y The Legend of Luke Ute Lemper Thursday 24 Jun â– â– Whelanâ€™s Bruiser Brown makes Gordon Lebanase jazz guitarist â€œFor me, the Sodome of this play represents a state ing a copy of the text, read it in one sitting and decided had was playing Casimir in another Friel play called T you see it in one of the suburban theatres like the F n our repertoire, 3 or 4 Beckett !" # $ $# Iand event the Japanese Film Festival broadened its wrote itwell couldnâ€™t benative arsed walking toUchida. researching the through walking around, As a perfect writer and an actress is she dreaming up any ofbasic in MelIton is The his first film, shot onrepertoire, a to low budget and inherent lack stability within the NAlready So out into has your street, front asthe well as some bike maintena ut 8pm the piece production. FouĂŠrĂŠ It allcity, goes back that almost Farside-like idea of for the parthighlight of Henry and asked him heâ€™d " ! I because actually wrote thetheir script while I was doing aTheatre Eofcolor Grand Canal Herman Melvilleâ€™s Moby Dick. same ok that playinto toof London then C, aght.â€? RSshe Himages. horizons, now taking three locations across the Ewhen and digging through juicy roles for herself to bring to life stage? period as Beckett wrote First Love, we have in our 3festival, or 4venture Beckett T fabric of urban space, that in-built anxiety. The Tinestablished Uchida. Iton is The his first film,ifshot on a low budget an R ng the clowns their and distinctive be interested. was really surprised because heâ€™d consciousness which we have completely lostHe any without delay to put the piece into production. FouĂŠrĂŠ Arguably Irelandâ€™s greatest living playwright, Brian Kelly A Grand Canal Theatre Herman Melvilleâ€™s Moby Dick. same Aristocrats. We took that play to London and then â‚ŹTBC, 8pm look popular. garden, or local park this July to carve up demonstrations throughout the Civic in Tallaght.â€? T horizons, now taking in three locations across the the library. talking to locals and digging through images. juicy roles for herself to bring to life stage? S bourne, Foster and Berean employ the vocabulary of uses no famous actors. The brilliance of this film is its fabric of urban space, that in-built anxiety. The 2 thewriters of in the last 11 Beckett things "-* +368- &2) A.2&0 2.,-8 3+ 396 '&2/ -30.)&= *<86&:&,&2>&? 3@ &00 ons since â€œEvery act ofL translation robbing thethis clowns of their color and be interested. really surprised because heâ€™d masters in DIT.aesthetic At oneplaying stage Iwith was working in a acall -Irish est a long, long line of earned it allnot sorts of awards. This â– years Stevie Wonder â‚Ź38/41, 7.30pm ppointingly an garden, ordistinctive local park this July to carveHe upwas throughout thefilm festis country before making welcome return to Dublin on the workings of â€œIâ€™m it. You write piece and you would have applied to each of Aturned act of trying achieve stability has #)<=:,)A uses nodemonstrations famous actors. The brilliance of this E . a grasp actually made aoffeature film in Portugal ato few which is aaAstarted piece we also did recently. Inconstant plays, 10 of the last 11 Beckett things connection to. When theappraise last survivor of the is wary of since â€œEvery translation D & Friel 80 last January, and celebrate his Astranslations the latest in aoflong, long line Irish writers New York, which it all sorts ofofof awards. This â– years Stevie The Button Factory â‚Ź38/41, 7.30pm Disappointingly an country before making a welcomeaesthetic return to Dublin â€œI initially writing the piece ascity a vehicle Scentre Attempting to getearned a grasp on the workings of the â€œIâ€™mactually playing with it. You write aact piece and you would have applied toof each of architectural design to how we underclever script and unusual structure. Itnot has aact great twist some chow and re-connect with the peoalongside aor variety other workshops constant trying achieve this Wonder stability has 8-* )6.2/7 &00 )&= 032, .0&6= 37* =, 40&=.2, 892*7 +631 41 6** .2 IN etation. writes with amaztraits. made a feature film in Portugal atofew and aFestival lot oftothe people working there with A voice in[GaudĂŠ] monologue form I lucky wonder ne have been prose works. Itâ€™s an in the latter half of November. programmer playing Andrey however, we took & ignificant history. We were think about whether you can see yourself in it M Monday 21 June The O2 da May tribute act. the adverse affect, rendering social spaces even more 2 to be interpreted. Afterplay is a bit of a gem, and clever script and unusual structure. It has a great t some chow and re-connect with the peoalongside a variety of other worksh earlier. He had a great career as a relatively famous E Sodome speaks to us, she is speaking to the descenis an act of interpretation. [GaudĂŠ] writes with amazthose three pieces, ateaminimal amount of &was N finding their voice intribute monologue I lucky wonder fact, as a Ishe theatre company we have weâ€™ve done have been prose works. Itâ€™s an milestone birthday the Gate Theatre are presentin the latter half of November. programmer for myself,â€? tells me when I In meet her fordone in isnâ€™t myother first time playing Andrey however, we took city and also its significant history. We were about whether can see in rendering it or famous Brian Monday 21Festival June â– The â‚Ź15, 7.30pm Imelda May act. '*+36* 41 B &+8*6 stand and our built environs. preparing which Ibetter donâ€™t want to say too much about. Itâ€™sform the kind W the affect, social to bethink interpreted. Afterplay is aadverse bityourself of amount aas gem, and What was difficult to mainFKennedy earlier. He hadyou aagreat career a want relatively me involved in the arts and looked like they those three pieces, minimal of 7: ->-:A76- 67< )< @-/-6 ?- 0)>- ?0)< A7=: 477316/ O2 spaces even mor ple living around you. and non-World Cup discriminatory out this mode ofyear theatre that makes it were Outilize Shinji Yamada has compiled a schedule reflective ofpreformed the en on a fantastically insightful tour whether somebody else would be off in the E alia early this with Francesca fragile. Our work suggests that thismode lackdifficult of stability â‚Ź65.70-96.25, 8pm L gy.you distinction but I think there is a which I donâ€™t to say too much about. Itâ€™s the being satirical about the entertainment although it has been a few times in Ireland, fado singer over there, was signed to David Byrneâ€™s T dants of the people who eliminated her people. So it ing poetic simplicity. What was was to mainT ple living around you. and other non-World Cup discrimin what it is about this of theatre that makes it ! scenery if you like. Itâ€™s of developed ! Hall Shinji Yamada has a schedule reflective ofpreformed the would The had an audition and IStability, was toowriting lazy O enough to beWere taken on a fantastically insightful tourcompiled whether somebody else befew better offtoin in the Byrneâ€™s ing of hisAbbey. greatest works in succession: Faith Afterplay to Australia early this year with Francesca their residency The Problem with Bthree ofkind film you will want toas twice! Kamikaze is athere fragile. Our work suggests that this lack of8pm stability .7: $0- *-;< 7=;- $-+067 16 <0- +1- <0- 76- )6, 764A )6,;75- !),,A u ting the stage of places like Paris fame money makes the clownsboth more sympain I knew thatthe Paulo was timeâ€™. perfect for the role. are of artists in aLocated way. When we started isymbolic thing really simple, with no set changes, tspoke doing this whole But no, itâ€™s of life. to actor Niall also experiments with the great because itand keeps one fresh. Theyâ€™re out in possibilities, January and its nice just walk in, get your arWell just steps away from from aItâ€™s few cracked windows? Zodiac Sessions cinating filmin, about Japanese death rites. It has bec Wellout Ibeen have only ever done itto in Australia where there â‚Ź15, 8pm â‚ŹTBC, 8pm Upstairs. With Bellajane. nivalâ€?, ifwork Pat Sharp the .urTheir natural instinct isâ– to entertain and completely empathized with as he was also about in aDublin sea offro-ing, endless literary as opwaves currently setting the stage ofand places like Paris en effects. Was this aTotally decision that oArtsdesk #+,)$#- you do something really simple, with no set changes, ;816616 ;75- <=6-; <77 :-- *-.7:- 85 F ).<-: n the mother. IsHenry it fair to say your also experiments with the that nd both of them are friends, itâ€™s in January and its nice just walk get your this to-ing and caught up with the more widely available because ofnatural its Oscar win so we aintroduction statement about â€ñothingnessâ€™ or anyfrom a few cracked was anot very warm response to it. Friel has translated Lost Colours â– t.turned â€œThere seems to be so little Influential duo crucially never AaTheir favourite phrase of a priests up, this might beup thetic. instinct isdecision to entertain and completely empathized with Henry as windows? he was also of its Oscar win so shooting the film last year the whole global financial ing or even effects. Was this scholar, as the perfect to Beckors who can literally set shop in The 1950s is often regarded as the golden age of aftermath of design, where users script, get dressed up and off you go.â€? T Buggy about his role in Afterplay, and his history wonderful actors and both of them are friends, itâ€™s Well there does appear to be some newer developmore widely available because u not a statement about â€ñothingnessâ€™ or anyVicar St and The Tivoli Theatre, de humour. Thereâ€™s real generosity involved in trying toIare resurrect his career. So we signed him up was a very warm response to it. Friel has translated a Lost Colours â– posed to the out majority of Irish actors who confined and Germany alight. â€œThere seems to be so little Bruxelles Influential duo crucially never A favourite phrase of pr twins turned up, this might be e ! just three actors who can literally set up shop in s The 1950s is often regarded as the golden age of When I finally finished writing it was too old to ciously made or is it designed to built form in the aftermath of design, where users script, get dressed up and off you go.â€? get on with your co-stars because pair to suss what they had in store for usâ€Ś d are delighted that we managed to the secure it for thegenerosity festithere does appear tohim be up some newer developis something that I would like to be provide humour. Thereâ€™s real involved in trying to resurrect Well his career. So we signed ahad meltdown started so it seemed silly not number of Chekhovâ€™s plays so he knows thestrong material got off the horse. around country. thing like that. When the words are ightmarish. oom, people are more likely toWhelanâ€™s take athe y Japanese cinema but films youjust have selected show econfigure their environShe finds writing quite lonely. â€œYour cast create was consciously made or is itlikely designed ettâ€™s work. Itâ€™s very funny but itâ€™s got the ments that certainly have suffered from both poor with works. very important toroom, get on with your because are delighted that we managed to the secure it for the number :1,)A they do, which isown in Frielâ€™s direct opposition to other and as soon as we posted about him on our blog we to aFree, more restricting paddling pool of scripts and crossover and that is something that Ico-stars would like to beto $* -&:* '**2 033/.2, +36;&6) 83 8-.7 +36 & ;-.0*? 32 .&2 (3140*8*0= offinds Chekhovâ€™s plays so he knows thestrong material ideal for pre-theatre dinner Ivan Ilic â– 9pm got off the horse. around country. thing like that. When the words are less nightmarish. your living people are more toWhelanâ€™s take athe e Japanese cinema but films you have selected show play Amber and too young to play Kay or Lorraine often â€˜readâ€™ and reconfigure their own environShe writing quite lonely. â€œYour cast create v val. I think all five films are good representations of the ments that certainly have suffered from both poor to spend a lot of time together. For now though, her focus is on e h the idea of â€ñothingnessâ€™ that what they do, which is in direct opposition to other and as soon as we posted about him on our blog we to comment on it but it was a love story we were andthis characters inside outdonâ€™t and knew how to respect n â€?ctersâ€™ more selfish â‚ŹTBC, 8pm such imagination and innovation. Do you think that bond and the production have this bond, %# %# & # iitn enough then you need to anything planning and the recent economic downturn. Big val. I think all fiverespect films are good representations o values. )*7863=*) 8-* 40&(* 0&78 1328- &+8*6 8-* 6*&/+&78 09' **4 #3(&0 397* naturally you have to spend aof lotâ€ñothingnessâ€™ ofher time together. started getting comments from his Portuguese fans. theatre work. Was always her intention to exploit part ofput rectifyingâ€?. For now though, focus is â‚ŹTBC, on tie inand with the idea that underbelly aswell. gI swanted, andthis characters inside outdonâ€™t and knew how to risk on you.â€? National Concert Hall snacks and drinks Weekliy acoustic showcase such imagination and 8pm innovation. Dobond you think that and the last thing after spending so ments? and the production have this bond, and economic What can we expect from your show? diversity and capabilities of Japanese cinema. enough then you need to put anything planning and the recent downturn. Big the Project Centre performcharactersâ€™ more selfish values. started getting comments from his Portuguese making and thatâ€™s what we decided to long concentrate 7=;- 1;+7 =63 ) *1< 7. ->-:A<016/ <761/0< ); ovides new writers with aJapanese much greater them. modern cinema may have entered into ahuge ssatso much ofArts Beckettâ€™s work? ecifically focuses upon how we there isnew a little part of you thatâ€™s looking on, waving for Burma Green Day Keith Mullins & Band â– play? â– Upstairs. To lose one colour new empty buildings with vacant public spaces diversity and capabilities offans. Japanese cinema. &2) "*(-23 197.( &00 2.,-8 032, 6** 2 4*2 &8* He has a following over there. Weâ€™ve been very her heritage in this regard? her next few weeks at the Project Arts Centre perform Can you tell us a bit of the background of the up that will distract from them. Itwork also new writers withhow aJapanese much greater 5>BC4A ?;024 C4- 1/0<.41/0< !A/ <)3-; +76<:74 on,Weâ€™ve buildings like one small step on the trodden has adistract following over there. verypublic on inregarded the end. ten in 2002, why do you think the up that will from them. esent their voice. â€œYou can tell so much period to rival that decade? it meeting the standards 5>BC4A ?;024 C455 30<4 BCA44C period rival that decade? Is it the meeting the standards left ita in Paul Meadeâ€™s hands.â€? understand ideas of â€˜useâ€™ and â€˜misuseâ€™ into terms of piece goodbye.â€? show over the past month whilst we have been in The Japanese Film Festival takes place in Cineworld attached. through. National Concert Hall Marlay Park Lunchtime solo piano recital may be regarded as misforbut is also, more significantly, Can you tell us a bit about the background I suppose our philosophy in that regard You had an interesting, diverse group people lucky all the way Hopefully the next few Brunch on sundays 11 am 4 pm ory and go anywhere. People forget that modern Friel play to celebrate his set by the likes of Kurosawa and Ozu? action built How environments. We >55 30<4 BCA44C Afterplay iswill playing alongside Faith Healer and ,'$#- The Japanese Film Festival takes place in Cinewor ard forwith the film. didof they all become beAndrey the same! 45, 8pm â‚Ź61.80, 5pm that Idifferent had done so earlier. Iâ€™vestudios. only twice performed boards of20-22 the stage butand is also, more significantly, aWe tune... more ofinteraction aYalta story goFriel anywhere. forget that tothe â€˜travel lightâ€™. First all, from two Chekhov plays. play Gate such a modern play celebrate his set bytoPeople the likes of Kurosawa and Ozu? is Gem is Station ayou simple story, on three thechose publicâ€™s built environments. FFF F0G* .2 8-* to have their recent work porary Projects from 30 January until 13 March, â 20;; %& '"&" For more, www.accesscinema.ie and Judy ended up in the driving seat of it? presenting a play in a theatre so youâ€™ll start dea of auditioning people didnâ€™t really appeal More information on the film is to be found at show went to Avignon and we commissioned a transSeptember with all these amazing images going through The Hephas Cat â– Donald and Eamon your life throughout. the value ofdidnâ€™t Japanese has changed. Departuresâ€™ Artane. Itresponse chronicles aClub year inand their lives. A simple withsented aalways certain in-built anmost anxiety predicated 19between January-27 February. Tickets priced the 12th and of April from Uncle Vanya. Friel these characters an abstracted tobrought images texts relating more, includes ahad free bloody mary orSymphony mimosa!! Writers like to have their recent work porary 30â‚Ź15 January uns atasthe Project Arts Centre from The idea ofanxiety, auditioning people reallyfilm More information on17th the Projects film is between tofrom bewith found at until 13 March, everything to â‚Ź18. have the same palette September appeal 7;0 7:,76 )A "-1, <-)5 =8 .7: <0- 61/0< )6, ?- ext the main thing. Youâ€™ll find â– Mary Black RTE National The Hep Cat Club â– â– (.8= 3@ &00 8-* )6.2/7 &00 )&= &2)731* &))= ;.00 '* *28*68&.2.2, 97 xpectation of misuse. and Keith Donald and Eamon your life Thursday to Saturday, 12-6pm. >?4= B4E4= 30HB 0 F44: so we werenâ€™t sure how we were going to http://henryandsunny.blogspot.com/ thewith and the Calmative. For their more ticket Sodome, my love runs atasthe Project Arts Centre fromfind lation of it into French soform, I did itaEnd one night in English, heads.â€? There was originally group called Gare theme text the main thing. Youâ€™ll play, in monologue no extravagant sets St upon awith fear and expectation of misuse. and â‚Ź18. to how social spaces are designed and controlled. ThursdayFor to Saturday, 12-6pm. >?4= B4E4= 30HB 0 F44: to +-4-*:)<- 7;0 ; 6-? ;078 --8 7=;- $-+067 )6, )44 ets cost â‚Ź15 - â‚Ź25 to so we werenâ€™t sure how we were going http://henryandsunny.blogspot.com/ the End and the Calmative. more ticket If we had shot in color we would have had a lot of +631 41 6** '*+36* 41 B &+8*6 through euâ€™re going along ;0C4 >?4=8=6 C7DAB30H 5A830H 0=3 B0CDA30H 16-27 March. Tickets cost â‚Ź15 - â‚Ź25 one nightrehearsin French for two details weeks. 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( ) # () ** + +++# ,,,# ! ( ) # +36 & 2.,-8 3+ 8-* 71338-*78 '*&87 *:*6 463)9(*) 8 7 8-* 979&0 3@ &00 breast of chicken, fresh salmon 8-* )6.2/7 &00 )&= 833 6** '*+36* 41 B &+8*6 Saturday from 6pm. t t Tljo Saturday from 6pm. romanod@ncad.ie *& + , romanod@ncad.ie romanod@ncad.ie http://nival.ncad.ie http://nival.ncad.ie http://nival.ncad.ie http://nival.ncad.ie 8CC ;I@EBJ Bath Avenue, Q< Dublin 4. FF PV]\S &# & % & TOTALLY DUBLIN TOTALLY DUBLIN DUBLIN 569 www.totallydublin.ie www.totallydublin.ie TOTALLY 3[OWZ Tc\Rc\\S.U[OWZ Q][ www.totallydublin.ie www.totallydublin.ie 49 www.totallydubli www.totallydublin.i www.totallydublin