Totally Dublin 87

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TOTALLY DUBLIN

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Y A D S ’ N E H P E T S m - ST. p 0 3 . 2 1 M O OPEN FR IL LATE UNT

FITZSIMONS OF TEMPLE BAR

WILL ROCK FROM TOP TO BOTTOM THIS CHRISTMAS WITH LIVE MUSIC AND GUEST DJs followed by NIGHTCLUB EVERY NIGHT UNTIL LATE

DRINKS PROMOTIONS NIGHTLY

Christmas Party Bookings FROM

CALL 01 677 9315 OR VISIT fitzsimonshotel.com (Tasty finger food, party platters & set menus available)

DUBLIN’S HOTTEST STARTS AT 8.00pm AT FITZSIMONS ON SATURDAY 31st DECEMBER 2011 E AR’S EV 10 E Y W E N E A D VA N C I G H T ) N I S T E K TIC THE N

FULL MENU AVAILABLE ON ALL FLOORS

FIND US ON

ON E DOOR H T T A 5 ( 1

W ON BUY NO tel.com nsho fitzsimo

R.O.A.R.

FITZSIMONS WILL BE CLOSED ON DEC. 24th & 25th

Temple Bar, Dublin 2. T: 677 9315. F: 677 9387. \Ê v Jv Ìâà à Ìi °V ÊUÊwww.fitzsimonshotel.com ÜÜÜ°v>ViL °V Év Ìâà ÃL>ÀÊUÊÜÜÜ°ÌÜ ÌÌiÀ°V ÉvÌâà ÃÌ « LÀ www.youtube.com/fitzsimonsbar

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Free, 9pm

Shebeen Chic Free, 8.30pm Flamenco Latino vibe

local musicians IMRAMA.

■Ben Prevo Band JJ Smyths ₏10, 9pm Blues, rock and country from a regular JJ’s fixture

â– Gomez The Academy â‚Ź26, 7.30pm Mercury Prize-winning indie rock

EXPRESSO BAR

Thurs 26 November

â– Yes Olympia Theatre â‚Ź39.20 Fully seated show by influential progrockers

The Breakestra

CafĂŠ

■Arctic Monkeys The O2 ₏42.50 With support from Eagles of Death Metal ■Joel Plaskett Whelan’s ₏Tbc, 8pm Canadian folk-pop

■Eamonn Keane Whelan’s ₏Tbc

WOW

â– Julian Plenti The Academy â‚Ź33

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â– Monotonix Crawdaddy 11.30pm Till Late â‚Ź13

The Button Factory â‚Ź25.20 Funk/hip-hop ten-piece hailing from LA

â– Mundy Seamus Ennis Cultural Centre â‚Ź20, 7.30pm He’s responsible for that ‘July’ song you know

â– Laura Izibor Tripod â‚Ź17/22.50, 7.30pm Omnipresent R&B soulstress

â– James Blackshaw The Joinery, Stoneybatter â‚Ź10, 7.30pm With support by Cian Nugent, At Last An Atlas, Owensie

â– Hey The Village â‚Ź25/30, 7.30pm Polish Rock

Thurs 3 December

Offers at Harbor

â– Clubland Live 3 The O2 â‚Ź33.60, 8.00 pm One for the Tallaght Massive

â– Lisa Hannigan Vicar Street â‚Ź28, 8.30 pm â– Propagandhi The Village â‚Ź18, 7.30pm Vegan anarchists anti-everything

The Academy â‚Ź19.50, 7.30pm Fresh from the college gig circuit31.12.2011 â– Syllian Rayle The Village â‚Ź10, 8pm Album Launch With Red Dancers Cometh

Sick of ■W.A.S.P The Button Factory beans on ₏24.50, 7pm Authentic French patisserie ■Marillion Heavy metal joke toast? baked in house everyday. Wed 2 December The Button Factory Student Dublin’ s best for... Breakfast, & Dinner Live Lunch music Sunday 6 December ₏35, 7.30pm meal deal Homemade fresh until 10pm Mon-Fri ■Snow Patrol Brit rockers known for obsesFriday and bread & Megafaun Olympia Theatre Pastries Burger ■Whelan’s +Deer a Tick pint Saturday sive fanbase ₏56.80/₏62.70 Opening Hours: Cakes + " ! Friday 4 Decemberonly₏12₏10! Nondescript musings from Knights of Leon Rattle and Hum Ryan Sheridan Royseven

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Party of the Year!

# $ ! insanely successful foursome Sky Sports ID Required â– The Tragically Hip Michael Jackson Tribute â– The Ed Deane Band â– Spectrum.. The Village The Button Factory

#" # " # $ % JJ Smyths JJ Smyths â‚Ź29.65, 7.30pm 8.00pm $ $ $ â– Vitalic â‚Ź10, 9pm â‚Ź10, 9pm â‚Ź15

)"# $$! # !" %$ ■Nigel Mooney The Academy Respected blues guitarist Ensemble jazz and blues lineWith Ben Jack’sons (snigger) !!#$ ( % % ! % ' JJ Smyths ₏33.60, backed by full band up featuring members of The %! $ #' ) ■All Access Academy ₏10, 9pm Pascal Arbez returns to give his % !! Camembert Quartet e� ! !#% $&##!& $ ( % Sun 29 Novembere� ₏19.50, 11.00am new disco-inspired material a e

eďż˝ Christmas Crackers Sat 5 December Alcohol-free rock-fest for the live outing ! % % %! %#& # $ e eďż˝ !$" % %* % %$ ! # District â– The Mission National Concert Hall kids with Elliott Minor, Home and Fred â– Hadouken â– Paul Barrere Academy 2 â‚Ź35/12, 8.00pm Star Runner, Fox Avenue, Jody $%* $ !# ( # ( “The Sunshine CafĂŠ uses the freshest of ingredients Tackett Tripod 8pm Saccharine-soaked Christmas Hasto A create Hitlist, The Shower &#!" $%* â‚Ź10, &$ )"# $$! Whelan’s â‚Ź20, 7.30pm cuisine. Somewhere Canadian tween favourites singalongsimple, with Ellenwholesome, McElroy, homemade Sceneto relax # $ % â‚Ź25, 8.00pm % &$ $% # $"! $ ' # lazy coffee or a tasty treat. Michael Casey Quintet and have a and chat with Dance-rockers friends over drawing some fine Mon 30 November â– James Morrison comparisons to the Prodigy more $ " *$ !# # $% A meal here is sure to bring a ray of sunshine to The yourO2day!â€? â– Charlie Winston & # #& â– Federico Aubele â– The Pogues The Village â‚Ź39.2/49.20, 6.30pm â– Kate Voegele ! ( $ !( $ #' Academy 2 Olympia Theatre â‚Ź16.45, 8.00pm British singer-songwriter with Academy 2 &#!" $%* % " $ Book 7.30pm online: â‚Ź17.50 & #! â‚Ź27.50, 8.00pm Former busker turned major Ray Lamontagne ambitions â‚Ź14.50, " ! Acoustic set by Buenos Aires Still making a living out of that European celebrity tries his * %! %&# *

“Starâ€? of teen drama One Tree Monday to Friday: 8.30am - Christmas 6.00pm number Saturday 10.00am - 6.00pm Sonic Youth bred, afro-sporting Aubele 1 and Sunday: â– hand at the Irish market Hill who wants to be Fiona Vicar St Apple Over 18’s Event Sat 28 November Tuesday 1 December â– Horslips â‚Ź48.5/42.50, 7.30pm â– Open Trad session The O2 Influential noise-merchants 10-11 Camden 465 SCR6.30pm Rialto 47a-47b Bulfin Rd â– Bell X1 â– Paolo Nutini Hedigans Brian Boru St â‚Ź49.5/59.50, Olympia Theatre Olympia Theatre 9pm Dublin 2 Dublin 8 Dublin 8 â– Electric â‚Ź29 â‚Ź30, Sold Out Weekly free event t: 01 476hosted 3818 by t: 01 Six 416 9678 t: 01 473 7111

Friday 27 November â– Bell X1 Olympia Theatre â‚Ź29, 8.00pm

And sandwiches

Drop in for breakfast, or check out our daily specials

g

Make a

â– Little Boots The Academy â‚Ź18.50, 7.30pm Debut Irish headliner by electro popstrel

3 course dinner Serving breakfast, lunch Ryan Sheridan Find us on + Facebook a bottle- of Royseven La Boulangerie houseDublin wine Rattle and Hum â‚Ź60 for 2 people The Knights of Leon

â– Kasabian The O2 â‚Ź33.60 Contenders to the Oasis crown nab their biggest venue here to date

CO

Guest DJ’s and much more...

Opening Hours www.dublinnewyearfestival.com Ticket Hotline 01 25 000 66

â– Booka Shade Dj Set Tripod â‚Ź22.50, 11pm DJ set from German House duo

01 2145 772 6-7 Marine Road, Dun Laoire www.harborbarandgrill.com

1 St Mary’s Road, Ballsbridge, Dublin 4 01 660 0585

â– Hoodwinked Shebeen Chic

date of it and afternoon tea

The Book of Kells

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Authentic French patisserie baked in house everyday. Dublin’sLunch best&for... Breakfast, Dinner Homemade bread until 10pmfresh Mon-Fri

‘Turning Darkness into Light’

Pastries

Opening Hours: Cakes " ! # $ ! And sandwiches

#" # " # $ %

Drop in for breakfast, or

$ $ $ check out our daily specials

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Find us on Facebook La Boulangerie Dublin

Exhibition & Library Shop open seven days a week Admission Times Monday to Saturday 09.30 to 17.00 Sunday (October to April) 12.00 to 16.30 Sunday (May to September) 09.30 to 16.30 Tel: 896 Village, 2320 | Dublin Fax: 8966 2690 97 Ranelagh Road, Ranelagh Email: bookofkells@tcd.ie | www.bookofkells.ie Tel: 01 4977821 T

www.gourmetburgercompany.ie

R I N I T Y

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10-11 Camden St Dublin 2 t: 01 476 3818

U B L I N

27/06/2011 17:05:33

465 SCR Rialto Dublin 8 t: 01 416 9678

47a-47b Bulfin Rd Dublin 8 t: 01 473 7111 9

065.03.007 DNM Music Dublin

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Whelan’s JJ Smyths. Also, blues. sical favourites. JJ Smyths. Also, blues. Whelan’s Whelan’s sical favourites. JJ Smyths. Also, blues. sical favourites. Faithful ■Concha Buika ■Marianne Marianne Faithful ■₏13.50, 8pm win this year is a reflection of people’s ap■Concha Buika Faithful ■Concha Buika ■Marianne ₏13.50, 8pm Oscar ₏13.50, 8pm Oscar win this year is a reflection of people’s apOscar win this year is aGrand reflection of people’s apDonal Kirk Band ■Philip Glass ■National Concert Hall Canal Theatre onal Kirk Band ■by Philip Grand Canal Theatre Endorsed OneGlass Tree Hill preciation for what’s■happening within theTheatre Japanese preciation for what’s■happening within the Japanese Donal Kirk Band National Concert Hall Donal Kirk Band ■by Philip Glass National Concert Hall Grand Canal Endorsed One Tree Hill Endorsed by One Tree Hill preciation for what’s happening within the Japane JJ Smyths National film Concert Hall There is more ₏25-35, 8pm ₏39.20/41.50, 7.30pmfilm yths National film Concert Hall There ₏39.20/41.50, 7.30pmfilm and Barnardos. industry. variety in Japanese industry. is Smyths more variety in Japanese JJ Smyths ₏25-35, 8pm JJ National film Concert Hall There ₏25-35, 8pm ₏39.20/41.50, 7.30pmfilm and Barnardos. and Barnardos. industry. is more variety in Japanese ₏10,falling 9pm ₏15-40, 8.30pm West African singer, Spanish A Mars a day...stereotypi9pm ₏15-40, 8.30pm A Mars a day...stereotypinow. Our films aren’t falling into certain now. Our films aren’t into certain ₏10, 9pm West African singer, Spanish ₏10, 9pm ₏15-40, 8.30pm West African singer, Spanish A Mars a day... now. Our films aren’t falling into certain stereotyp new

categories.plays The generation of film-makers are categories.plays The new generation of film-makers areâ– Scissor Sisters Master ofcal minimalism music. â– Scissor Sisters Master ofcal minimalism

categories.plays The new generation of film-makers music. â– Scissor Sisters Masterquite ofcal minimalism music. keen to explore the â– outside market and are tak quite keen to explore the â– outside market and are tak-Olympia Theatre Garrett Temper â– Lesley Temper Olympia Theatre solo piano. quite solo piano. keen to explore the â– outside market and are t Garrett â– Lesley Temper â– Lesley Garrett an international audience into consideration when Olympia Theatre solo piano. ing an international audience into consideration whe National Concerting Hall Whelan’s â‚Ź44.20, 7.30pm Whelan’s â‚Ź44.20, 7.30pm ing an international audience into consideration w National Concert Hall National Concert Hall Whelan’s â‚Ź44.20, 7.30pm making their films. In thatâ‚ŹTBC, respect8pm it’s a very different making their films. In thatâ‚ŹTBC, respect8pm it’s a very differentIt would be cheaper to stick â– Blondie Blondie â– â‚Ź25-55,writer/director 8pm It Henry wouldand be cheaper to stick making their films. In thatâ‚ŹTBC, respect8pm it’s a very differe Sunny, Dublin-based together twenty to years after theirinoriginal setting ars after their original setting Blondie â– â‚Ź25-55,writer/director 8pm â‚Ź25-55,writer/director 8pm kind wouldand be cheaper to stick kindtogether of filmmaking to years what we hadtheir in the 1950s. set It of filmmaking what we had the 1950s. It It Henry Sunny, Dublin-based Henry and Sunny, Dublin-based twenty after original together twenty years after their original setting â– Mary Black Vicar Street ary Black Vicar Street Rescheduled date with the Upstairs. PlusinPĂĄdraig Diga scissors in your ears yourself. Upstairs. Plus PĂĄdraig Digan scissors in your ears yourself. kind of filmmaking to what we had the 1950s. I Fergal Rock’s ‘melancholic tale of true lovecertainly against and they meet for the first time in a cafĂŠ in Moscow he first time in a cafĂŠ in Moscow Mary Black â– Mary Black certainly is an interesting and encouraging time for Vicar Street Rescheduled date with the is an interesting and encouraging time for Rescheduled date with the Upstairs. Plus PĂĄdraig DM scissors in your ears yourself. â– " " Fergal Rock’s ‘melancholic tale of true love against Fergal Rock’s ‘melancholic tale of true love against

and they meet for the firstencouraging time in a cafĂŠ and they meet for the first time in a cafĂŠ in Moscow AliceAnd Jago Olympia is an interesting timeinfor â‚Ź49.20, 8pmcertainly mpia â‚Ź49.20, 8pm RTE Concert Orchestra & and Band. And less painful. &Theatre Band. less painful. all odds’, is a unique vision quite beautifully realwhere they discuss each other’s lives. eachTheatre other’s lives. â– â– Japanese cinema. Japanese cinema. â– Alice Jago Olympia Theatre Alice Jago Olympia Theatre â‚Ź49.20, 8pm RTE Concert Orchestra RTE Concert Orchestra & Band. And less painful. all odds’, is a unique vision quite beautifully realall odds’, is a unique vision quite beautifully realwhere they discuss each other’s lives. where they to discuss each other’s lives. Japanese cinema. white, Henry Whelan’s ized. Shot in high-contrast black and â‚Ź34, 7.30pm Heart of Glass beginning to 7.30pm Heart of Glass beginning ) )&$#- Shot inBAR ized. high-contrast white, Henry Whelan’s â‚Ź34, 7.30pm Whelan’s ized. Shot in high-contrast black and white, Henry â‚Ź34, 7.30pm Heart of Glass beginning to RESTAURANT, & VENUE black and and Sunny imagines a complicated relationship Redmondand O’Toole and â– The Van Diemens Redmond O’Toole and â– The Van Diemens â– â‚ŹTBC, 8pm Once you go Black, you never show cracks. go Black, youare never show cracks. " ! Can you tell us about the â– programme why you Can you plays tell us are about the programme and why you These not related though are they? They t you related though they? They and Sunny imagines a complicated relationship and Sunny imagines a complicated relationship The Van Diemens Redmond O’Toole a â– â– â‚ŹTBC, 8pm Once you go Black, you never â‚ŹTBC, 8pm Once you go Black, you never show cracks. Can =&2 637732 you tell us are about programme and why!4* you notthe related between an unemployed clown and his high-profile These plays are notGuests related though are they? They Guests Whelan’s !4*(.&0 9*787 ** 968.7 $30+ &1' *863.8 Whelan’s Jago bomb. Bomb inan theunemployed good go back haveThese chosenplays these particular films?though are they? have chosen these particular films? stranger to the dark and daunting, seasoned two stone in weight! It was tough but fascinating. t!ckIt was tough but No fascinating. aren’t sequels? between an unemployed clown and his high-profile between clown and his high-profile Guests Whelan’s Jago bomb. Bomb in the good go back Jago bomb. Bomb inwho the inhabit good go back have chosen these particular films? love interest very different worlds that No stranger to the dark and daunting, seasoned two stone in weight! It was tough but fascinati No stranger to the dark and daunting, seasoned two stone in weight! It was tough but fascinating. aren’t sequels?a deeper aren’t sequels? #.7 #.7.3259*78 *60.2 3367 +631 41 B .2 â– her Mary Jam â– Pearl worlds National Concertof Hall Pearl Jam â– Black National Concertproject Hall â‚ŹTBC, 8pm sense obviously. We try to promote understanding Japane We try toapromote aIdeeper understanding of Japanese Olwen FouĂŠrÊ’s latest role sees take theworlds Then year worked on a different special forâ‚ŹTBC, thelove8pm worked on a different specialthespian project for thelove interest who inhabit â– very different that interest whois inhabit very different that No, they are ago both completely characters completely characters Rounding off The Abbey’s By Popular Demand Pallas Contemporary Projects something ofapart, a to Mary â– Mary Black Pearl Jam â– Black National Concertproject Hall â‚ŹTBC, 8pm sense obviously. sense obviously. We try toapromote aIdeeper understanding of Japaf tragically threaten to keep them despite their thespian Olwen FouĂŠrÊ’s latest is role sees her take to the Then year worked on a different special thespian Olwen FouĂŠrÊ’s latest role sees her take to the Then aculture. year I worked on a different special project for the off No, they are ago both completely chara No, they areâ– ago both completely characters Rounding TheProjects Abbey’s By Popular Demand Rounding off The Abbey’s By Popular Demand Pallas Contemporary something of a society and culture. A lot of the films’ themes this yea Pallas Contemporary Projects is something of a society and A lot of the films’ themes this year Popical Island All-Day Olympia Theatre The O2 pical Island All-Day â‚Ź20, 8pm The O2 They just can’t get enough. â‚Ź20, 8pm They just can’t get enough. stage as the sole survivor of Sodome, a city which cenEuropean presidency in France. I was put together cy in France. I was put together tragically threaten to keep them apart, despite their tragically threaten to keep them apart, despite their completely plays. The only link isThey that fferent plays. Thehidden only link isbest that season, which saw the welcome (Terminus) and not from gem in Dublin’s artistic landscape, secreted and culture. Adifferent lot in ofFrance. the films’ themes this y Island â– Popical Olympia Theatre Popical Island â– different Olympia Theatre The O2compliment â‚Ź20, 8pm efforts. justsaw can’t enough. stage aslink the sole survivor ofget Sodome, a(Terminus) city secreted which cenEuropean IAll-Day was toget stage as the sole survivor of Sodome, a(Terminus) city which cenEuropean presidency in France. IAll-Day was put together # #+,)$#- from completely plays. The only lin from different plays. only is that season, which the welcome and notsociety season, which saw the welcome and not with hidden gem in Dublin’s artistic landscape, thatpresidency aim. We have five films for put Dublin hidden gem in Dublin’s artistic landscape, secreted compliment that aim. We have five films for Dublin turies before enjoys a utopian existence of joy, excess a completely French director and we did anThe adaptation in tor and we an adaptation in Pop Extravaganza Sophie Delila â– Extravaganza best efforts. â‚Ź34, 7.30pm â‚Ź59.80/65.70, 6.30pm ‘Achill in October’, Trad best efforts. â‚Ź59.80/65.70, 6.30pm ‘Achill in October’, Trad so welcome (The Sea Farer) return to the Abbey they both share an author and a location. The play author anddid a location. The play away from the larger tourist haunts and commercial products for Retailers products for Retailers compliment that aim. We have five films for Dublin This latest short from Rock assembles an acturies before enjoys a utopian existence of joy, excess with a French director and we did an adaptatio turies before enjoys a utopian existence of joy, excess with a French director and we did an adaptation in Pop Extravaganza Sophie Delila â– " ! Pop Extravaganza Sophie Delila â– â‚Ź34, 7.30pm â‚Ź34, 7.30pm â‚Ź59.80/65.70, 6.30pm ‘Achill in October’, Trad sofrom welcome (The Sea short Farer) return tocommercial the Abbey and sofrom welcome (The Seaone Farer) return tocommercial the Abbey and they author and acombination location. T they share an author and acombination location. The play the This larger tourist haunts and I hopeboth that share I havean selected a good away the larger tourist haunts and I hopeboth that I have selected a good and orgies until terror deals fatal devastating French of two of Roddy Doyle’s books – away Paula Spencer oddy Doyle’s books – Whelan’s Paula Spencer latest from Rock assembles anand acThis latest short Rock assembles an acAchilles â– until Whelan’s Achilles â– complished an’showever, Black ops Grunge’s not dead Grunge’s not dead and Peacock stages of some offrom itsand most talked-about entities that populate the city centre. Which isn’t stands on its own however, sobooks audiences wouldn’t eet so audiences wouldn’t I hope of that I have selected a good combination $* team that has undoubtedly $* (328.29* 8-* +*78.:.8.*7 ;.8- !*< !-34 =, .(63+92/ orgies terror deals one fatal devastating French two ofThe Roddy Doyle’s books Paula and orgies until terror deals one fatal and devastating French ofits two offeet Roddy Doyle’s –all Paula Spencer Whelan’s Whelan’s Achilles â– complished Whelan’s Whelan’s Black ops Black ops Grunge’s not dead andthat Peacock stages ofcity some ofhas itsand most talked-about and Peacock stages ofcity some ofworld its most talked-about entities populate the centre. Which isn’t that people will enjoy. responses to –all of entities that populate the centre. Which isn’t contributed thatand people enjoy. The press responses toand of stands on its own feetpress however, soimage: audiences stands on own feet however, soimage: audiences wouldn’t ACCA ACCA blow. her solo performance in the premiere Thewill Woman Who Walked into Doors. I grabbed Who Walked into Doors. IIn grabbed team that undoubtedly contributed complished team that has undoubtedly contributed shows, is Little Gem, the award winning debut Whelan’s â‚Ź8, 8pm â‚ŹFREE, 3pm Whelan’s EE, 3pm to say that it’s inaccessible, in fact in the fish bowl 39 that people will enjoy. The press responses to all of necessarily have to be familiar with Chekhov to enjoy 397* "*(-23 &00 2.,-8 6** .2 4*2 0&8* be familiar with Chekhov to enjoy image: ACCA to the film’s positive reception on the festival circuit. blow. In her solo performance in the world premiere and The Woman Who Walked into Doors. gr blow. In her solo performance in the world premiere and The Woman Who Walked into Doors. I grabbed shows, isenjoy Little Gem, the debut shows, is Little Gem, the winning debut â‚Ź8, 8pm â‚ŹFREE, 3pm Whelan’s â‚Ź8, 8pm â‚ŹFREE, 3pm say thatto it’s inaccessible, in award factreception in winning the fish bowl themnecessarily have been very positive. We havewith Ponyo, theI lat toplay say that it’s inaccessible, in award fact inEver the GaudĂŠ, fish bowl them have been very positive. We haveitwith Ponyo, the lathave to â– beZodiac familiar Chekho of aParisien by acclaimed Frenchman Laurent that experience because thought was Chekhov atofantastic necessarily have to â– beIZodiac familiar ause I thought was fantastic to the film’s positive on the festival circuit. to film’s positive reception on the festival circuit. actor/writer Elaine since its ofof Dublin city, it’sthe just past theMurphy. little plastic diver, Turin Trains Sessions â– depiction â– The The Sessions â– Brakes â‚Ź7, 8pm chanteuse. Up the Compilation featuring â‚Ź7, 8pm pilation launch,itfeaturing them have been verybecause positive. We have Ponyo, the Here he discusses the film’s of its aTrains love less the play.experience of aParisien play byactor/writer acclaimed Frenchman Laurent GaudĂŠ, that experience IZodiac thought itfeaturing was aknow fant afrom play by acclaimed Frenchman Laurent GaudĂŠ, that because Ilaunch, thought itfeaturing was fantastic from Elaine Murphy. Ever since its from actor/writer Elaine Murphy. Ever since of Dublin city, it’s just past the little plastic diver, est animation from Miyazaki who is quite well Turin Brakes â– of Dublin city, it’s just past the little plastic diver, est animation from Miyazaki who is quite well known Turin Brakes The Trains Sessions â– â– â– chanteuse. Up the Compilation launch, â‚Ź7, 8pm Parisien chanteuse. Up the Compilation launch, rises from thehesettled ashes encased in salt, toofofaAmber opportunity andmost now, more and more, I want ,'$#to work ow, more and more,FouĂŠrĂŠ I want to work Here he discussesInthe film’s depiction aAmber love less the play. the Here discusses the film’s depiction love less the play. or costumes. much-raved-about appearance as part ofin the Fringe Little Gem the roleof proved most In Little Gem the role proved the tucked away between Stoneybatter and Smithfield. , animation from Miyazaki who quite well kn Whelan’s Whelan’s Bruxelles Whelan’s Bruxelles Upstairs. escalier. Land Lovers, Yehand Deadlies, Upstairs. Lovers, Yeh Deadlies, ordinary, howashes they stumbled across lead actor FouĂŠrĂŠ rises from the settled ashes encased in salt, tooffrom opportunity and now, more andismore, I want FouĂŠrĂŠ rises from theand settled encased salt, to opportunity and more more, I want to work orAway costumes. or costumes. much-raved-about appearance as part ofthe the Fringe much-raved-about appearance as part of the Fringe Little Gem role ofest Amber proved the most tucked away between Stoneybatter and Smithfield. Spirited and Howl’s Moving Castle. Ponyt tucked away between Stoneybatter and Smithfield. from Spirited Away andnow, Howl’s Moving Castle. relay her account ofgo theslightly event. A provocative piece of with this inbetweeness.â€? Whelan’s ness.â€? Whelan’s Whelan’s Bruxelles escalier. Land Lovers, Yeh Deadlies, Upstairs. escalier. Land Yeh Deadlies, and how In they stumbled across lead actor ordinary, and how they stumbled across lead actor “I find that aLovers, lot ofof the time when I Ponyo go into aordinary, at a lot of the timehad when I go into a in 2008, it has played to sold out audiences in EdHas the new experience Dublin had a significant difficult to cast. “This play has a really big elderly erience Dublin a significant difficult to cast. “This play has a really big elderly " ! If you’re willing to off road with your There seems to be a strong sense of fragility in your There seems to be a strong sense fragility in your from Spirited Away andFree, Howl’s Moving Castle. Po Paulo Braganca. relay her account of the event. A provocative piece of with this inbetweeness.â€? relay her account ofgo theslightly event. A provocative piece of with this inbetweeness.â€? â‚Ź23, 8pm â‚ŹTBC, 8pm 9pm â‚ŹTBC, 8pm Free, 9pm Groom and (honestly) much m and (honestly) much Have you worked with Brian Friel’s plays in the past? “I find that a lot of the time when I go with Brian Friel’s plays in the past? “I find that a lot of the time when I go into a in 2008, it has played to sold out audiences in Edin 2008, it has played to sold out audiences in EdHas the new experience Dublin had a sign Has the new experience Dublin had a significant difficult to cast. “This play has a really big elderly If you’re willing to go slightly off road with your was a huge hit in Japan. It is quite a deceptive film as If you’re willing to off road with your was a huge hit in Japan. It is quite a deceptive film as it There seems to be a strong sense of fragility in your work, Sodome, My Love, into English was in Paris a producing? year ago FouĂŠrĂŠ first ost a producing? year ago FouĂŠrĂŠ first Paulo Braganca. Paulo Braganca. â‚Ź23, 8pm 8pm 8pm Free, 9pmaFriel’s Groom and (honestly) much Groom and (honestly) much theatre I almost don’t thewhen characters on ’t recognise thewhen characters on stage. you worked Brian plays in 96 inburgh, London andatranslated New York, snaring itsby scribe you worked with Brian Friel’s plays instage. the past? 96 8-.6) 2.,-8 3+ +92 .2 8-* =, &2) ;* ;*0(31* !-32/= *&0 "32* effect on what you’re fanbase, because theâ‚ŹTBC, Kay role isHave so much fun, and towith u’re fanbase, because the Kay role isItHave so much fun, and torecognise city centre strolling, take lookey-loo inâ‚Ź23, this month, work, particularly concerning the grammar of urban work, particularly concerning the grammar of urban was a huge hit in Japan. It is quite deceptive film work, Sodome, My Love, translated into English by It was in Paris almost a year ago when FouĂŠrĂŠ work, Sodome, My Love, translated into English by It was in Paris almost a year ago when FouĂŠrĂŠ first Chris Brown Sami Moukaddem â– â– Sami Moukaddem â– The worst brakes outside a Upstairs. The light at the end Weekliy acoustic showcase theatre I don’t recognise the characters o Upstairs. The light at the end Weekliy acoustic showcase theatre I don’t recognise the characters on stage. much more. Upstairs. more. Upstairs. Yes, my first Brian Friel play was in 1966, as a kid in inburgh, London and New York, snaring its scribe Friel play was in 1966, as a kid in inburgh, London and New York, snaring its scribe effect on what you’re producing? effect on what you’re producing? fanbase, because the Kay role is so much fun, and to city centre strolling, take a lookey-loo in this month, appears to be aimed at a younger audience but we ca city centre strolling, take a lookey-loo in this month, appears to be aimed at a younger audience but we can work, particularly concerning the grammar of urban FouĂŠrĂŠ herself, not only poses questions about the hustumbled across GaudÊ’s script. Printed on some audÊ’s script. Printed on some I awouldn’t meet them in my everyday With *( eet them in costumes my everyday With *(36)7 48.(- !944368 +631 =, 6*7.)*28 6&8'3= &'* !8*&0*6 =, Chris â– life. Chris Brown Sami Moukaddem â– Brown â– life. worst brakes outside adoes some serious accolades ranging from the Fishamble The worst brakes outside Upstairs. The light atbe the end Weekliy acoustic showca much Upstairs. Typically our work is a response to both the physiget them to The listen toPortuguese what a 19 year old has toBrian say much more. Upstairs. rk a response to both the physiget them to listen toPortuguese what a 19 year old has toBrian say Yes, my first Friel play was in 1966, a Yes, my first Friel play was in FouĂŠrĂŠ 1966, as aWith kid inchoice where Australian artists Foster and Jen Berean architecture, all of this relate back toeveryday that ‘inarchitecture, does all of this relate back that ‘inappears to aimed at amore. younger audience but we work toat do with costumes and props so our cast it. Two plumbers turned up at our toisdo with and props so our choice cast it. Two plumbers turned up our The concept ofposes clowns as the latest casualties of the herself, not only poses questions about the hustumbled across GaudÊ’s script. Printed on the som FouĂŠrĂŠ herself, not onlyPat questions about the hustumbled across GaudÊ’s script. Printed on some I wouldn’t meet them in my life I wouldn’t meet them in my everyday life. Vicar Street JJ Smyths some serious accolades ranging from the Fishamble JJ Smyths some serious accolades ranging from the Fishamble Toyota Prius. of the tunnel. Typically our work is a response to both of the tunnel. Typically our work is a response to both the physiget them to listen to what a 19 year old has to say the Abbey The Loves of Cass McGuire. However, oves of Cass McGuire. However, where Australian artists Pat Foster and Jen Berean always expect Miyazaki to deliver a deeper message where Australian artists Pat Foster and Jen Berean always expect Miyazaki to deliver a deeper message architecture, does all ofup this relate back thatand ‘inman but magnifies mankind’s need random publication, the title (Sodome, ma and douce inso n,think, the title ma condition douce insoaThe work toatdo with costumes pr work to do with costumes props so our choiceof cast it.latest Two The concept clowns as the casualties ofplumbers the concept of clowns asinherent the latest casualties of the 39 Little Gem, Ibaththink, the audience members recognise 397* "*(-23 &00 2.,-8 032, B &+8*6 41 B

41 the audience members recognise New Writing award the 2009 Carol Tambor cal and social structures oftitle aCass given environment, and to really care about it,built you really need someone uctures of a(Sodome, given environment, and to really care about it,built you really need someone Vicar Street Vicar Street JJ Smyths Toyota Prius. have opened new exhibition to coincide with their Toyota Prius. of Portuguese the tunnel. anxiety’? the Abbey -turned The Loves of Cass Ho anxiety’? the Abbey - to The Loves McGuire. However, always expect Miyazaki to our deliver a McGuire. deeper messag shoot inthe black and white simplified things on that to producer Orla’s door one day to re-fit herstructures bathoot in black and white simplified things on that producer Orla’s door one day to re-fit her recession isexhibition a to unique one. What made you settle on condition but magnifies mankind’s inherent need random publication, title ma condition magnifies mankind’s inherent need random publication, ma douce inso Little Gem, Ibaththink, the audience membe Little I think, the audience members recognise New Writing award the Carol Tambor New Writing award the 2009 Carol Tambor cal and of a(Sodome, given environme and social structures ofcharacters, a(Sodome, given environment, and to really care about it, you really need someone Hilda â– Gem, lda May â‚Ź56, 8.30pm â‚Ź10, 8pm have opened athings new exhibition to2009 coincide with their than the surface suggests. Athe Stranger of Mine is simp adou ver â‚Ź10, 8pm have opened a but new to coincide with their than the surface suggests. AMay Stranger of Mine is astarted very one ofcal the greatest acting experiences Iman have ever built anxiety’? acting experiences Iman have ever to destroy all that heofresidency. fears. French) intrigued her. Immediately she set about finder. Immediately she set about findto shoot in black and white to shoot in black and white simplified onis that producer Orla’s door one day to social re-fit her recession a strong unique one. What made you settle on recession is a to unique one. What made you settle on themselves more in the particularly if more in think the characters, particularly if In response to the level of interest shown in last year’s Best of Edinburgh. Not bad for a woman who only In response to the level interest shown in last year’s as soon as we landed Dublin we quickly in the role.â€? ded Dublin we quickly started strong in the role.â€? international studio This sense of fragility in the work is intended to This sense of fragility in the work is intended to Hilda May â– Hilda May â– â‚Ź56, 8.30pm â‚Ź56, 8.30pm â‚Ź10, 8pm than the surface suggests. A Stranger of Mine is a vt one of the greatest acting experiences I have one of the greatest acting experiences I have ever level. I also think it looks much more atmospheric. room. She texted me saying one of them would be I also it looks much more atmospheric. room. She me saying one ofintrigued them be that ideaheasresidency. theNot basis forfor your film?texted to destroy all that heofresidency. fears. French) intrigued her. Immediately she set abou to destroy allEdinburgh. that fears. French) her. Immediately she set about findthemselves more in the partic themselves more in the characters, particularly if idea In response Best of Edinburgh. Not bad for ayour woman whoLemper only In response to the level interest shown in last Best of bad woman whoLemper only as soon asthem we landed Dublin we quickly stm soon asthe we landed Dublin we quickly started strong in the role.â€? international studio interesting film from aany young director Kenji international studio interesting film awould young director named Kenji This sense of fragility in work ischaracters, intended to The Legend of Luke Ute â– ayour â– year’s Whelan’s Ute â– an’sthrough Bruiser Brown makes Gordon Lebanase jazzas guitarist “For me, the Sodome of this play represents afilm? state ing aas copy offrom text, read inwalking one sitting and decided had was playing Casimir initthink another Friel play called Lebanase jazz guitarist xt, read inwalking one sitting and decided asimir init another Friel play called level. Ithe also think itnamed looks much level. Iof also itevent looks much more atmospheric. room. She texted me saying one of would be that the basis for film? that idea as the basis for ('$#you see itup in one of the suburban theatres like the one of the suburban theatres like the the Japanese Film Festival has broadened its wrote itthe because she couldn’t arsed walking tohighlight event the Japanese Film Festival has broadened its researching the city, through around, As a perfect writer and an actress is she dreaming up ty, around, As abeperfect writer and an actress is she dreaming any Already well established in their native Melhighlight the inherent lack of stability within the the inherent lack stability within interesting film from a young director named Kenj It all goes back to that almost Farside-like idea of for the part of Henry and asked him if he’d The Legend of Luke â– goes back to that almost Farside-like idea of Whelan’s for the part of Henry and asked him if he’d The Legend of Luke Ute Lemper I actually wrote the script while I was doing a â– â– Whelan’s Bruiser Brown makes Gordon “For me, the Sodome of this play represents a state ing a copy of the text, read it in one sitting and had was playing Casimir in another Friel pla Bruiser Brown makes Gordon Lebanase jazz guitarist “For me, Sodome of this play represents a state ing a copy of the text, read it in one sitting and decided had was playing Casimir in another Friel play called you see it in one of the suburban theatre you see itfilm, incity, one of theainto suburban theatres like the event the Jap wrote itwell she couldn’t arsed walking toUchida. event the Japanese Film Festival has broadened its wrote itwell because she couldn’t be arsed walking toUchida. researching the city, through walking around researching the through walking around, As abeperfect writer and an actress is she dreaming up any Already in native MelIton is his first film, shot on a to low budget and Already in their native MelIton is delay his first shot on low budget and highlight the inherent lack stability within of consciousness which we have completely lost without to put the piece production. FouĂŠrĂŠ utnd8pm the piece production. FouĂŠrĂŠ It all goes back that almost Fa It all goes back to that almost Farside-like idea oflocations for the part of Henry and asked him ifof he’d I because actually thetheir script while I was doing aTheatre Arguably Ireland’s greatest living playwright, Brian Kelly " ! I and actually wrote the script while I any was doing aTheatre Grand Canal Aristocrats. We took that play to London and then â‚ŹTBC, 8pm Grand Canal ok that playinto toof London and then C, look popular. Civic in Tallaght.â€? aght.â€? horizons, now taking inestablished threewrote across the the library. horizons, now taking inestablished three locations across the talking tospace, locals and digging through images. roles for herself to bring to life stage? digging through images. juicy roles for herself to to life stage? bourne, Foster Berean employ the vocabulary ofbring fabric of urban that in-built anxiety. The fabric of urban that in-built anxiety. The Uchida. Iton isspace, his first film, shot on ainto low budget and robbing the clowns of their color and distinctive be interested. He really surprised because he’d ng the clowns their color and distinctive be interested. He was surprised because he’d masters inBerean DIT. At one stage Ivocabulary wasBrian working inreally aAristocrats. call of consciousness which wejuicy have completely lost any without delay to put the piece production. of consciousness which we have completely lost any without delay to put the piece into production. FouĂŠrĂŠ Arguably Ireland’s greatest living playwright, Brian Kelly Arguably Ireland’s greatest living playwright, Kelly Aristocrats. We took that play toof London an â‚ŹTBC, 8pm Grand Canal Theatre We took that play toof London and then â‚ŹTBC, 8pm look popular. look popular. Civic in Tallaght.â€? Civic in Tallaght.â€? horizons, the library. horizons, now taking in Berean three locations across the the library. talking to locals and digging through images. talking to locals and digging through images. juicy roles for herself towas bring to life stage? bourne, Foster and employ the vocabulary of7.30pm uses no famous actors. The brilliance of this film isno it bourne, Foster and employ the of7.30pm uses no famous actors. The brilliance of this film is its fabric of urban space, that in-built anxiety. The "-* connection to. When the last survivor of the city of is wary of translations since “Every act of translation "-* +368- &2) A.2&0 2.,-8 3+ 396 '&2/ -30.)&= *<86&:&,&2>&? 3@ &00 ons “Every act of translation robbing the clowns their color robbing the clowns their color and distinctive be interested. He was really surprised because he’d masters in DIT. At one stage I was working in a call masters in DIT. At one stage I was working in a call Friel turned 80 last January, and to celebrate his As the latest in a long, long line of Irish writers New York, which earned it all sorts of awards. This â– Stevie Wonder est insince a long, long line of Irish writers The Button Factory earned iton allnot sorts of awards. This â– Stevie Wonder â‚Ź38/41, Disappointingly not an â‚Ź38/41, ppointingly an country before making a welcome return to Dublin “I initially started writing the piece as a vehicle country before making a welcome return to Dublin Attempting to get a grasp on the workings of the “I’m playing with it. You write a piece and you a grasp the workings of the “I’m playing with it. You write a piece and you architectural design to appraise how weof underconstant act of trying achieve stability has constant act of trying achieve stability has uses no famous actors. The brilliance of this film is traits. actually made aofit. feature film inaYork, Portugal atoyou few years actually made aof feature film inYork, Portugal atolatest few years centre and athe lot of the people working there with connection to. When the last survivor of Dublin the city isscript wary of translations “Every act tran connection to. When last survivor the city isscript wary of translations “Every act ofof translation Friel turned 80 last January, and toreturn celebrate his Friel turned 80 last January, and to celebrate his As the latest insince athis long, long line of Iris New which earned itthis all sorts ofofhas awar As the insince athis long, long line Irish writers The Button Factory New which earned iton all sorts of awards. This â– Stevie Wonder The Button Factory Disappointingly not an â‚Ź38/41, 7.30pm Disappointingly not an country befo “I initially started writing the piece as a vehicle country before making a welcome to “I initially started writing the piece as a vehicle Attempting to get a grasp on the workings of Attempting to get a grasp the workings of the “I’m playing with You write piece and architectural design to appraise how we underclever and unusual structure. It has a great twi architectural design to appraise how we underclever and unusual structure. It has a great twist 8-* constant act of trying to achieve stability 8-* )6.2/7 &00 )&= 032, .0&6= 37* =, 40&=.2, 892*7 +631 41 6** .2 Sodome speaks to us, she is speaking to the descenis an act of interpretation. [GaudĂŠ] writes with amaztation. [GaudĂŠ] writes with amaztraits. traits. actually made a feature film in Portugal a few years centre and a lot of the people working there with centre and a lot of the people working there with their voice inO2 monologue form I lucky wonder voice intribute monologue form I lucky wonder milestone Gate Theatre are presentin the latter half of November. programmer for myself,â€? she tells me when Iearlier. meet her for tea in my first playing Andrey however, we took in the latter half ofthe November. Festival programmer playing Andrey however, we took city and also its history. We were think about whether you can see yourself in it or famous Brian Kennedy â– birthday gnificant history. We were think about whether you can see yourself intime it orsignificant The O2[GaudĂŠ] â‚Ź15, 7.30pm The Imelda May tribute act. da May act. stand and utilize our built environs. In preparing the affect, rendering social spaces even more the adverse affect, rendering social spaces even more to Festival be interpreted. Afterplay isin aadverse bit of aas gem, and to be interpreted. Afterplay isinaisn’t bit of afinding gem, and clever script and unusual structure. It has aform great tw earlier. He had ayou great career a relatively He had a great career as a relatively famous me were involved in the arts and looked like they Sodome speaks to us, she is speaking to the descenis an act of interpretation. writes with Sodome speaks to us, she is speaking to the descenis an act of interpretation. [GaudĂŠ] writes with amazfinding their voice in monologue I finding their voice in monologue form I wonder milestone birthday the Gate Theatre are presentin the latter milestone birthday the Gate Theatre are presentfor myself,â€? she tells me when I meet her for tea isn’t my first time playing Andrey however, in the latter half of November. Festival programmer for myself,â€? she tells me when I meet her for tea isn’t my first time playing Andrey however, we took city and also its significant history. We were Brian Kennedy â– city and also its significant history. We were lucky think about whether can see yourself in it or Brian Kennedy â– â‚Ź15, 7.30pm The O2 â‚Ź15, 7.30pm Imelda May tribute act. '*+3 Imelda May tribute act. '*+36* 41 B &+8*6 stand and utilize our built environs. In preparing which Ibetter don’t want to say too much spaces about. even It’s the kilw stand and utilize our involved built environs. In preparing which Ibetter don’t want to sayWhat too much about. It’s the kind the adverse affect, rendering social more be interpreted. Afterplay is abe bit ofwork aas gem, and dants of the people who eliminated her people. So it ing poetic simplicity. was difficult was to mainy. What was difficult was to mainearlier. He hadwould afragile. great career a want relatively famous me involved in the arts and looked like they me were in the arts and looked like they what itAustralia is about this mode ofyear theatre that makes it were out this mode ofyear theatre that makes it“I Shinji Yamada has compiled a to schedule reflective of the Abbey. had an audition and IStability, was lazy Shinji Yamada has compiled a Problem schedule reflective oftoo the enough to be taken on a fantastically insightful tour whether somebody else off in the en on a fantastically insightful tour somebody else would be off in the ing three ofThe his greatest works inwhether succession: Faith Afterplay to early this with Francesca alia early this with Francesca their residency show, The with Our suggests that this lack of stability National Concert Hall fragile. Our work suggests that this lack of stability â‚Ź65.70-96.25, 8pm Tribute â‚Ź65.70-96.25, 8pm which I don’t to say too much about. It’s the Were you being satirical about the entertainment although it has been preformed a few times in Ireland, fado singer over there, was signed to David Byrne’s you being satirical about the entertainment although it has been preformed a few times in Ireland, fado singer over there, was signed to David Byrne’s were better suited to other jobs. My writing often dants of the people who eliminated her people. So it ing poetic simplicity. What was difficult was to dants of the people who eliminated her people. So it ing poetic simplicity. What was difficult was to mainwhat itAustralia is about this mode ofyear theatre tha what itAustralia istaken about this mode ofyear theatre that makes it“I Shinji Yamad The had an audition and IStability, was lazy Shinji Yamada has compiled a Problem schedule reflective oftoo the The “I had audition and IStability, was toowriting lazy enough to be taken on a fantastically insightf enough to beWere on athere fantastically insightful tour somebody else would be better off in the ing three of his greatest works inwhether succession: Faith ing three of his greatest works inthat succession: Faith Afterplay to early this with F Afterplay to early this with Francesca their residency show, The of film you will want to see twice! Kamikaze Girls is their residency show, The Problem with of film you will want to see twice! Kamikaze Girls is aAbbey. National Concert Hall fragile. Our work suggests that this lack of stability National Concert Hall Tribute â‚Ź65.70-96.25, 8pm Tribute touches on aAbbey. whole load ofan issues like ethnic cleansing tain this simplicity because are certain things that because thereHealer, are certain things that Were you being satirical about th you being satirical about the entertainment although itwith has been preformed awas few times in Ireland, fado singer over there, signed to David Byrne’s were better suited to other jobs. My writing often were better suited to other jobs. My often so attractive toadoing emerging playwrights? to emerging playwrights? imagination and forward thinking that has made Japato go to get abeen new monologue. Ifans had this idea for abe imagination and forward thinking has made Japaby aunderstood local historian that really helped us to start to There’s always the question about whether I’d that really helped us to start to role. There’s always thenot question about whether I’d their process ideally positioned between should be understood as atobecause key factor inKamikaze how we Afterplay and The Yalta Game. Best known should be as key factor inplaywrights? how we and now I’m itreally with Frances Barber. man doing it with Frances Barber. of film you will want see twice! Girls P!NK â– Butch Walker â– NK â– Butch Walker â‚Ź30-39.50, 8pm industry? Soul icon record label and toured around America. He went try? Soul icon record label and toured around America. He went involves taking and putting it inby touches on ato whole load ofrole. issues like ethnic cleansing tain this simplicity there are certain thi touches on ahas whole load ofsomething issues like ethnic cleansing tain this simplicity because there are certain things that many Friel fans will still not be overly familiar with it. many Friel will still overly familiar with it. so attractive to emerging playwrights? so attractive to emerging imagination to go to get abeen new monologue. Ifans had this idea for abe imagination and forward thinking that has made Japato go to get abeen new monologue. Ifamiliar had this idea for aAnnis by aunderstood local historian that really helped us to st aand local historian that helped us to start role. There’s always the question about whether I’d )&$#their process has ideally positioned between beautiful coming-of-age story about teenage friendsh their process has ideally positioned between beautiful coming-of-age story about teenage friendship Healer, Afterplay and The Yalta Game. Best known should be as a key factor in how we Healer, Afterplay and The Yalta Game. Best known Annis and now I’m doing it with Frances Ba Annis now I’m doing it with Frances Barber. and genocide, but primarily for me it represents a state you can say very directly and simply in French that rectly and simply in French that P!NK â– P!NK â– Butch Walker â– â‚Ź30-39.50, 8pm industry? â‚Ź30-39.50, 8pm industry? Soul icon record label and toured around America. He went involves taking something familiar and putting it in involves taking something familiar and putting it in many Friel will still not overly familiar with it. “I was talking to Abi Spillane about it, whose king to Abi Spillane about it, whose nese cinema an institution, affording Irish audiences script. The youngest character came from that. Then nese cinema an institution, affording Irish audiences understand the layers of history that inform Dublin. be able to have enough distance from the piece to yers history inform Dublin. beIfor able toit have enough from theenvirons. piece to Stoneybatter’s PCP and the IFSC-based Station shape the built environs. shape the built coming-of-age story about teenage friend forthat theWe’re classic Philadelphia Here Come and DancIRDS think it’s gentle satire. We’re not taking pot-shots toitcame London to that. pursue abeautiful music career but itsubcultures. didn’t k it’sof gentle satire. not taking pot-shots to London to pursue a music career itsubcultures. didn’t a The slightly different context. IFire think that’s where the and genocide, but primarily for me represents a state you can say very directly and simply in French and genocide, but primarily me represents a distance state you can say very directly and simply in French that The Gandhis â– Whelan’s Whelan’s Abomination to the human “Ienvirons. was talking to Abi Spillane about “Ibut was talking to Abi Spillane about it, whose nese cinema script. The youngest character from Then nese cinema an institution, affording Irish script. youngest character came from that. understand the history that inform understand the layers of history that inform Dublin. beI context. able to have enough distance from the piece to ! Stoneybatter’s PCP and the IFSC-based Station and fashion Shall We Dance, Stoneybatter’s PCP and the IFSC-based and Japanese fashion Shall We Dance, shape the built of consciousness that we know nothing you can’t say in English, and vice versa.â€? for the classic Philadelphia Here and Dancglish, and featured vice versa.â€? for the classic Philadelphia Here Come DancIRDS think it’sof gentle satire. We’re noiD IRDS think it’s gentle satire. We’re not taking pot-shots to London to pursue aJapanese music career but itlayers didn’t aappreciate slightly different IFire think that’s where the aidea slightly different context. IFire think that’sThen where the The Gandhis â– audiences The Gandhis â– and Whelan’s Abomination to the human own debut Punk Girls featured three actors deliverto the human unk Girls three actors deliverthe opportunity to the cinematic IAbomination had this for the granny’s character. IStation started the opportunity totwo appreciate the cinematic So yes, the city has certainly affected the work we dounique it Come justice.â€? as affected the work we dounique itI a justice.â€? Studios, allowing them to experience a aboutâ€?. cross section and Japanese fashion subcultures. Shall We Dance, at anybody. I and think the fact that they’re surrounded work out so he came to Ireland to do bathroom ybody. I think the that they’re surrounded work out so he came to Ireland to do bathroom idea of having clowns working menial jobs where of consciousness that we know nothing aboutâ€?. you can’t say in English, and vice versa.â€? ing atfact Lunasa he has also translated number of of consciousness that we know nothing aboutâ€?. you can’t say in English, vice versa.â€? And how different is it doing the same part with two iscertainly it63.20, doing the same part with â– Tir na nĂ“g Our Little Secrets â– Whelan’s â– Tir na nĂ“g Our Little Secrets â– â‚Ź58.30, 63.20, 8pm â‚Ź15, 8pm own debut Punk Girls featured three act 30, 8pm â‚Ź15, 8pm own debut Punk Girls featured three actors deliverrace. Have fans of Chekhov warmed to the play or dis + =3 Have fans of Chekhov warmed to the play or dis + =39 ;&28 71338- !*<= 397* 197.( 8-*2 =39 :* (31* 83 8-* 6.,-8 40&(* the opportun I had this idea for the granny’s character. I started the opportunity to appreciate the unique cinematic I had this idea for the granny’s character. I started So yes, the city has certainly affected the wor So yes, the city has certainly affected the work we do it justice.â€? Studios, allowing them to experience a cross section not to be confused with the Hollywood re-make, has Studios, allowing them to experience a cross section not to be confused with the Hollywood re-make, has Born in the West of Ireland of Breton parents, FouĂŠrÊ’s FouĂŠrĂŠ refers to a phobia or disinterest of Irish theatre hobia orwe disinterest of Irish theatre at anybody. I think the fact that t at anybody. I think the fact that they’re surrounded work out so he came to Ireland to do bathroom idea of having clowns working menial jobs where idea of having clowns working menial jobs where ing at Lunasa he has also translated a number of ing at Lunasa he has also translated a number of And how different is it doing the same part And how different is it doing the same part with two ing monologues, and we agreed that it’s just a matues, and agreed that it’s just a matWhelan’s â– Tir na nĂ“g Our Little Secrets â– output of one of the world’s largest and oldest film â‚Ź58.30, 63.20, 8pm thinking about how I was going to bring them Whelan’s output of one of the world’s largest and oldest film â‚Ź58.30, 63.20, 8pm â‚Ź15, 8pm race. have produced. doinstallation miss actingwith though. Inot have abe small part aphobia race. do miss acting though. Idifferent have a small part inahe aphobia Have fans ofparents, Chekhov warmed to the play or disofBorn the city, and the seismic-shifts that recent trends Sobrother. have you come across any buildings or infraSobrother. have you come across any buildings or infrato confused with the Hollywood re-make, h by over-the-top who are motivated by his The moment walked er-the-top characters who are motivated by installation with his moment walked they stand-out visually came from. The clowns Born inone the West ofby Ireland of“IBreton FouĂŠrÊ’s FouĂŠrĂŠ refers toin ahe orwe disinterest ofisof Irish incity, the West of Ireland of“IBreton parents, FouĂŠrÊ’s FouĂŠrĂŠ refers to orcharacters disinterest ofisthe Irish theatre Chekhov’s plays into English, giving them arecent new lease actors? 37 37- 36)32 40&=7 **4 397* +631

41 6** .2 4*2 &8* ing monologues, and agreed that ing monologues, and we agreed that just athe matoutput on thinking about how I giving was going to bring them output of of world’s largest and oldest film Whelan’s Whelan’s thinking about how I giving was going to bring them â‚ŹTBC, 8pm have produced. Whelan’s Whelan’s “Funhouse Summer CarFollowed Mincing Runner. have produced. “I do miss acting though. Idifferent have aThe small part in aany credited it? nhouse Summer CarFollowed by Mincing Runner. credited it? of city, and the seismic-shifts that recent trends become ayou modern classic in Japan. Departures ait’s fa oftogether the and the seismic-shifts that trends become aThe modern classic in Japan. Departures ait’s fasSobrother. have come across buildings or infrafluency in French affords her the freedom to splash in exploring European playwrights and the creative ean playwrights and the creative by over-the-top characters who a by over-the-top characters who are motivated by installation with his moment he walked they stand-out visually came from. The clowns they stand-out visually came from. TheHappy clowns ter of getting the piece up and getting it out there. If Chekhov’s plays into English, them a new lease the piece up and getting it out there. If Chekhov’s plays into English, them a new lease actors? different actors? industries. in a play and that’s how I came to write industries. romantic comedy called Happy Ever After which is romantic comedy called Ever After which is â‚ŹTBC, 8pm of boom and bust have wreaked. In the midst of all Whelan’s Whelan’s “Funhouse Summer Carâ‚ŹTBC, 8pm “Funhouse Summer CarFollowed by Mincing Runner. structure in Dublin that you think could benefit credited it? structure in Dublin that you think could benefit become a modern classic in Japan. Departures is a fame and money makes the clowns more sympain I knew that was perfect forofthe role.isthe He death and money makes the clowns sympain knew that was perfect forofthe role. He are symbolic of artists aIactor way. When we fluency in French affords herIthat’s the freedom toâ‚Ź15, splash inEver exploring European playwrights the cre fluency inmore French her the in freedom to splash in exploring European playwrights the creative piece up and getting it o of life. Totally Dublin spoke to esteemed Niall ter getting the piece up and getting it out there. Ifhave It’s great because itthere keeps one fresh. They’re both keeps one fresh. They’re both industries. together in asympaplay and how came to write industries. together in aaffords play and how I way. came to write romantic called After which of boom and bust wreaked. In midst ofPaulo all Zodiac Sessions â– cinating film about Japanese rites. Itand has of boom and bust have wreaked. In the midst ofPaulo allBellajane. Well have only ever done itHappy in Australia where there 8pm â‚ŹTBC, 8pm cinating film about Japanese death rites. Itand has become Upstairs. With Well Ithat’s have only ever done itstarted in Australia where â‚Ź15, 8pm â‚ŹTBC, 8pm nivalâ€?, if Pat Sharp and the structure inter Dublin that you think could benefit â€?, ifwork Pat Sharp and the about inwith aset sea of endless literary possibilities, as opwaves currently setting the stage of places like Paris ting the stage of places like Paris fame and money makes thebecom clow fame and money makes the clowns more inthe IIactor knew that Paulo was perfect forgetting the role. He are symbolic of artists in acomedy way. When we are symbolic of artists in aup When we started you do something really simple, with set changes, thing really with changes, the mother. of life. Totally Dublin spoke to esteemed Niall of life. Totally Dublin spoke to esteemed actor Niall Isfew itgreat fair to say your work also experiments with the great because itthere keeps one fresh. out January and its nice to just walk in, get your alsosimple, experiments the because itTheir keeps one fresh. They’re both out in January and its nice to just walk in, get your this fro-ing, caught with the from aIt’s few cracked windows? from aIt’s cracked windows? Zodiac Sessions Zodiac Sessions â– no cinating film about Japanese death rites. ItThey’re haslike bec Upstairs. With Bellajane. Well Iinhave only ever done itstarted in Australia where â‚Ź15, 8pm 8pm nivalâ€?, ifâ‚ŹTBC, Pat Sharp the Upstairs. With Bellajane. nivalâ€?, ifwork Pat Sharp the thetic. natural instinct isâ– no to entertain and completely empathized with Henry as he was also .urTheir natural instinct isto-ing to entertain and completely empathized with Henry as he was also shooting theArtsdesk film last year the whole global financial about in aset sea offro-ing, endless literary possibilities, as opwaves currently setting the stage ofand places about in aand sea of endless literary possibilities, as opwaves currently setting the stage ofand places like Paris #+,)$#- you do something really simple, with no you do something really simple, with no changes, the mother. Buggy about his role in Afterplay, and his history the mother. Is it fair to say your work also experiments w wonderful actors and both of them are friends, it’s Is it fair to say your also experiments with the nd both of them are friends, it’s out in January and its nice to just walk in, get your this to-ing and Artsdesk caught up with the more widely available because of its Oscar win so we this to-ing and fro-ing, Artsdesk caught up with the more widely available because of its Oscar win so we from a few cracked windows? was a very warm response to it. Friel has translated a Lost Colours â– was a very warm response to it. Friel has translated a posed to the majority of Irish actors who are confined and Germany alight. “There seems to be so little Bruxelles Lost Colours â– t. “There seems to be so little Influential duo crucially never A favourite phrase of pries Influential duo crucially never A favourite phrase of priests twins turned up, this might be thetic. Their natural instinct is to turned this might be thetic. Their natural instinct isis to entertain completely empathized with Henry as he was also of shooting the film last year the whole global financial the film last year whole global financial e ing or even effects. Was this aof dec scholar, as the perfect introduction to Becking or even effects. Was this afriends, decision that scholar, as perfect introduction to Beckjust three actors who can literally set up shop in ors who up, can literally set upis shop in sfinally The 1950s often regarded as the golden age ofare When Ishooting finally finished writing itso Ithe was too old to The 1950s often regarded as the golden age of built form in the aftermath of design, where users script, get dressed up and off you go.â€? aftermath ofThere’s design, where users script, get dressed up and off you go.â€? Buggy about his role inand Afterplay, and his history T Buggy about his role in Afterplay, and his history wonderful actors and of them are frien pair to suss out what they had in store for us‌ dsthe wonderful actors and both of them are it’s Well there does appear to be some newer developWell there does appear to be some newer developmore widely available because its Oscar win so u u not aget statement about ‘nothingness’ or anyVicar St and The Tivoli Theatre, Vicar St and The Tivoli Theatre, provide humour. There’s real generosity involved in trying to resurrect his career. So we signed him up a de humour. real generosity involved in trying to resurrect his career. So we signed him up meltdown had just started it seemed silly not was aactors very warm response to it. Friel has translated awho posed to the majority of Irish who confined and Germany alight. “There seems to be so litt Bruxelles Lost Colours â– T posed to the majority of Irish actors who confined and Germany alight. “There seems to be so little Bruxelles Influential duo crucially never Aboth favourite phrase pr twins turned up, this might be twins turned up, this might be e ! ! y just three actors can literally set up just three actors who can literally set up shop in s The 1950s isu When I regarded finally finished writing itso I itto was too old to The 1950s is often as the golden age of When Ie finished writing itso Iare was too old to was consciously made or is it designed to ett’s work. It’s very funny but it’s got the built form inprovide the aftermath of design, where ciously made or is it designed to built form in the aftermath of design, where users script, dressed up and off you go.â€? with Friel’s works. very important to get on with your co-stars because pair to suss out what they had in store for us‌ d are delighted that we managed to secure it for the fes get on with your co-stars because pair to suss out what they had in store for us‌ d are delighted that we managed to secure it for the festiWell there does appear to be some newer developto a more restricting paddling pool of scripts and crossover and that is something that I would like to be is something that I would like to be humour. There’s real gen a provide humour. There’s real generosity involved in trying resurrect his career. So we signed him up meltdown had just started seemed silly not number of Chekhov’s plays so he knows the material a meltdown had just started it seemed silly not number of Chekhov’s plays so he knows the material ideal for pre-theatre dinner Ivan Ilic â– Whelan’s Free, 9pm Whelan’s got off the horse. around the country. got off the horse. around the country. thing like that. When the words are strong less nightmarish. thing like that. When the words are strong ightmarish. your living room, people are more likely to take a oom, people are more likely to take a e y y Japanese cinema but the films you have selected show Amber and too young toitplay Kay or and Lorraine Japanese cinema the films you have selected show often ‘read’ and reconfigure theirwith own environShe finds writing quite lonely. “Your cast create econfigure theirwith environShe finds writing quite lonely. “Your cast create ve was consciously made or is itlikely des ett’s work. It’s very funny but it’s got the was consciously made or is designed to ett’s work. It’s very funny but it’s got the ments that certainly have suffered from both poor ments that certainly have suffered from both poor works. works. very important toroom, get on with your very important to get on with your co-stars because are delighted that we managed to the secure for the e what they do, which is in direct opposition to other and as soon as we posted about him on our blog we they do, which isown in Friel’s direct opposition to other and as soon as we posted about him on our blog we tobut comment on it but was a Kay love story we were to ait more restricting paddling pool of scripts and crossover and that is something that Iitco-stars would lit to aplay more restricting paddling pool of scripts crossover and that is something that IFriel’s would like to be $* $* -&:* '**2 033/.2, +36;&6) 83 8-.7 +36 & ;-.0*? 32 .&2 (3140*8*0= n number of Chekhov’s plays so he knows the material ideal for pre-theatre dinner Ivan Ilic ideal for pre-theatre dinner â– Ivan Ilic â– Free, 9pm Whelan’s Free, 9pm got off the horse. around country. less nightmarish. thing like that. When the words are strong less nightmarish. your living people are more your living room, people are more likely to take a e i Japanese cin play Amber and too young to play Kay or Lorraine Japanese cinema but the films you have selected show play Amber and too young to play or Lorraine often ‘read’ and reconfigure their own enviro often ‘read’ and reconfigure their own environShe finds writing quite lonely. “Your cast create v n v val. I think all five films are good representations of val. I think all five films are good representations of the ments that certainly have suffered from both poor naturally you have to spend a lot of time together. to spend a lot of time together. theatre work. Was it always her intention to exploit part of rectifyingâ€?. For now though, her focus is on e For now though, her focus is on e tie in with the idea of ‘nothingness’ that underbelly aswell. g h the idea of ‘nothingness’ that what do, which is inBig direct o what they do,downturn. which is in direct opposition other as soon as we posted about him on ourthey blog we to comment it bond but itand was a that love story we were to thing comment on it new but itshow? was a that love story we were andon characters inside out and knew how to respect n characters inside out and knew how to respect n risk on you.â€? sand â€? National Concert Hall â‚ŹTBC, 8pm snacks and drinks Weekliy acoustic showcase â‚ŹTBC, 8pm such imagination and innovation. Do you think and the last Ialways wanted, after spending so long such imagination and innovation. Do you think ments? this and the production have this bond, and this bond and the production have this bond, and iitton iitfrom What can we expect your enough then you don’t need to put anything planning and the recent economic downturn. enough then don’t need to anything planning and the recent economic Big n val. I ments? think all five films are good o characters’ more values. )*7 naturally you have to spend arepresentations lot‘nothingne ofher time tog started getting comments from his Portuguese fans. cters’ more selfish values. )*7863=*) 8-* 40&(* 0&78 1328- &+8*6 8-* 6*&/+&78 09' **4 #3(&0 397* naturally you have to spend aof lot ofher time together. started getting comments from his Portuguese fans. making and that’s what we decided to concentrate theatre work. Was always her intention tothe exploit part of rectifyingâ€?. For now though, focus theatre work. Was her intention toyou exploit part ofput rectifyingâ€?. For now though, focus isthe on tie inrecent with the idea of underbelly aswell. gI sand tie in with the ideaselfish ‘nothingness’ that underbelly aswell. g characters inside out and knew how to respect risk on you.â€? risk on you.â€? National Concert Hall snacks and drinks National Concert Hall Weekliy acoustic showcase â‚ŹTBC, 8pm snacks and drinks Weekliy acoustic showcase such imagina and last thing wanted, after spending so such imagination and innovation. Do you think that and the last thing Is wanted, after spending so ments? this bond and production have this bond, and economic What can we expect from your show? diversity and capabilities of Japanese cinema. What can we expect from your new show? diversity and of Japanese cinema. enough then you don’t need to put anything planning and the downturn. Big her heritage in this regard? her next few weeks at the Project Arts Centre performat the Project Arts Centre performCan you tell us aUpstairs. bit of the background the characters’ more selfish values. characters’ more selfish values. started getting comments from his Portuguese fans. making and that’s what we decided to long concentrate making and that’s what we decided to long concentrate Itcapabilities also provides new writers with aJapanese much greater new writers with aJapanese much greater them. them. modern cinema may have entered into ahuge writing the bloody thing, was to be inPallas it myself, so I empty modern cinema may have entered into aplay? percolates so much of Beckett’s work? Yes, our work specifically focuses upon how we there isnew a little part of you that’s looking on, waving ssvides so much of Beckett’s work?

ecifically focuses upon how we there is aof little part of you that’s looking on, waving 65s for Burma Green Day Keith Mullins & Band ■■■for Burma Green Day Keith Mullins & Band ■play? ■₏12, 1.05pm Upstairs. To lose one colour To lose one colour We have produced all new works for the new empty buildings with vacant public spaces new buildings with vacant public spaces &2) diversity and capabilities of Japanese cinema. &2) "*(-23 197.( &00 2.,-8 032, 6** 2 4*2 &8* He has a following over there. We’ve been very He has a huge following over there. We’ve been very on in the end. her heritage in this regard? her next few weeks at the Project Arts Centre p her heritage in this regard? her next few weeks at the Project Arts Centre perform Can you tell us a bit of the background of the play? Can you tell us a bit of the background of the up that will distract from them. up that will distract from them. It also provides new writers with a mu

It also provides new writers with a much greater 5>BC4A ?;024 C4<?;4 10A 3D1;8= ! 5>BC4A ?;024 C4<?;4 10A 3D1;8= ! them. modern Japa writing the bloody thing, was to be in it myself, so I modern Japanese cinema may have entered into a percolates so much of Beckett’s w writing the bloody thing, was to be in it myself, so I Yes, our work specifically focuses upon how percolates so much of Beckett’s work? Yes, our work specifically focuses upon how we there is a little part of you that’s looking on, waving 65s for Burma â– 65s for Burma Green Day Keith Mullins & Ba â– â– â– â‚Ź12, 1.05pm â‚Ź12, 1.05pm Upstairs. To lose one colour We have produced all new works for the Pallas We have produced all new works for the Pallas new empty buildings with vacant public spaces “It was something that happened organically. I wish ing what may seem like one small step on the trodden like one small step on the trodden Hestandards has aMarlay huge over there. We’ve been very on inregarded the Is end. on in the Is end. Well the play has borrowed two characters taken Afterplay was written in 2002, why do you think the ten in 2002, why do you think the up lucky that will distract from them. vehicle to present their voice. “You can tell soofmuch esent their voice. “You can tell so much period to rival that decade? it the meeting the left it in Paul Meade’s hands.â€? period to rival that decade? itwhilst meeting the standards following 5>BC4A ? understand ideas of ‘use’ and ‘misuse’ in terms of piece goodbye.â€? 5>BC4A ?;024 C4<?;4 10A 3D1;8= ! of ‘use’ and ‘misuse’ in terms of the piece goodbye.â€? show over the past month welucky have been in attached. attached. taken National Concert Hall Park onal Concert Hall Marlay Park Lunchtime solo piano recital may be as misformay be regarded as misforCan you tell us a bit about the background I suppose our philosophy in that regard our philosophy in that regard You had an interesting, diverse group people all the way through. Hopefully the next few had an interesting, diverse group of people all the way through. Hopefully the next few “It was something that happened organically. I wish ing what may seem like one small step on the t “It was something that happened organically. I wish ing what may seem like one small step on the trodden Brunch on sundays 11 am 4 pm Well the play has borrowed two characters Well the play has borrowed two characters taken Afterplay was written in 2002, why do you Afterplay was written in 2002, why do you think the vehicle to present their voice. “You can vehicle to present their voice. “You can tell so much >55 30<4 BCA44C period to riv left it in Paul Meade’s hands.â€? >55 30<4 BCA44C period to rival that decade? Is it meeting the standards left it in Paul Meade’s hands.â€? understand ideas of ‘use’ and ‘misuse’ in term Passion for food understand ideas of ‘use’ and ‘misuse’ inthat terms of the piece goodbye.â€? Passion for food show over the past month whilst welucky have been in Festival takes placeHall in Cineworld show over the past month whilst we have been insoloThe Japanese Film takes place in Cineworld attached. National Concert National Concert Hall Marlay Lunchtime soloThe piano recital Lunchtime recital

may be regarded as misforthat Idifferent had done so earlier. I’ve only twice performed of Ithe stage but is also, more significantly, aWe butand is also, more significantly, aWe Can you tell us a Ozu? bit about the background IFilm suppose our philosophy in that Can you us astudios. bit about the background suppose our philosophy in regard You had an interesting, diverse grt You had an interesting, diverse group of people all the way through. Hopefully the next few Brunch on sundays -the 11 am -Park 4Japanese pm more ofand aFestival story and go anywhere. People forget that Brunch on sundays -on 11 am -piano 4boards pm ory goFriel anywhere. People forget that from two Chekhov plays. play Andrey Gate chose such aYalta modern Friel play to celebrate his modern play tothat celebrate his set by the likes of and Little Gem istell ayou simple story, based three set by the likes of Kurosawa and Ozu? the public’s interaction with built environments. ction built environments. >55 30< >55 30<4 BCA44C residence at the Fire Station The show will Afterplay iswill playing alongside Faith Healer and Yalta Afterplay iswill playing alongside Faith Healer ,'$#- The Japanese Film Festival takes place in Cinewor onboard for film. How did they all become Thursday 17 June beAndrey same! ard forwith the film. How did they all become â‚Ź20-45, 8pm â‚Ź61.80, 5pm be the same! Why did chose aIonly monochrome color scheme? 45, 8pm â‚Ź61.80, 5pm of Chopin. that Idifferent had done so earlier. I’vestudios. only twice performed boards of20-22 the stage butand is also, more significant tune... Idifferent had done so earlier. I’ve twice performed boards of20-22 the stage but isthe also, more significantly, aKurosawa tune... more of a story go anywhere. People of Gare St Lazarre, Ireland and how you would be to ‘travel light’. First of all, you’re more of a story and go anywhere. People forget that from two Chekhov plays. I play to ‘travel light’. First of all, you’re from two Chekhov plays. I play Andrey Gate chose such a modern Friel play to celeb Gate chose such a modern Friel play to celebrate his set by the lik Little Gem is a simple story, based on three set by the likes of Kurosawa and Ozu? Little Gem is a simple story, based on three the public’s interaction with built environmen the public’s interaction with built environments. We FFF F0G<DB4D<?;DB 84 FFF F0G<DB4D<?;DB 84 residence at the Fire Station The show will on November residence at the Fire Station studios. The show will on November Afterplay is playing alongside Faith Healer and Yalta eggs benedict, french toast with bacon and much in French – once was in 1986 when my first very solo giant leap of faith for the future of theatre in Ireland. or the future ofbecause theatre in Ireland. onboard forinthe film. How did th Thursday 17 June onboard forinthe film. How did they all become Thursday 17 June St. Lazare park up atTheatre the Project â‚Ź20-45, 8pm will be the same! Why did you chose a phase monochrome color scheme? www.eataly.ie St. Lazare park up atTheatre the Project â‚Ź20-45, 8pm â‚Ź61.80, 5pm of Chopin. Why did you chose a phase monochrome color scheme? www.eataly.ie of Chopin. tune... it’s just one actor speaking because they are ctor speaking they are Ieggs think that we have entered into aGare new and that generations ofthe women from Murphy’s native of Gare St Lazarre, Ireland and how you would befor to ‘travel light’. First of Ieggs think that we entered into aGare new and that from Two Sisters, and other character is Sonya ofahave Gare St Lazarre, Ireland how you would befor to ‘travel light’. First of all, you’re are really in how public space isFrench designed Little Gem runs at The Peacock from the ed in how public space is designed Little Gem runs at The Peacock from the life’s work? consist of sculpture and wall-based works that are FFF F0 The Problem with Stability runs Pallas ContemFFF F0G<DB4D<?;DB 84 The Problem with Stability runs Pallas Contem on November 20-22 Game in The Gate Theatre, from the 9th -just 19th Game in The Gate Theatre, from the 9th -interested 19th involved? ved? We wanted the film to have aand unified style so benedict, french toast with bacon and much benedict, french toast with bacon and much in –preonce was in 1986 my first very solo giant leap faith the future ofbecause in Irw in French –preonce was in 1986 when my first very solo giant leap faith the future ofbecause in Ireland. Gare St. Lazare park up at the Project Featuring Christy Moore, Inative hope you have the time of ring Christy hope you have the time of it’s one speaking they it’s just one actor speaking they are preItheatre think that generations ofthe women from Itheatre think that we have entered into awhen new phase and that generations ofthe women from Murphy’s from Two Sisters, and other character is Sonya are really interested in how space is de from Two Sisters, and other character is Sonya aresented really interested in how space is designed Little Gem runs at The Peacock Theatre from theactor life’s work? life’s work? consist of a '"&" sculpture and wall-based works that are ^a 20;; %& For more, see www.accesscinema.ie consist ofto a '"&" sculpture and wall-based works that are ^a 20;; %& For more, see www.accesscinema.ie The Problem with Stability runs inpublic Pallas Contemand Judy ended up in the driving seat of it? presenting athese play in apublic theatre so you’ll start gbuilt athese play in from aMoore, theatre so you’ll start show went Avignon and we commissioned aInative transGame intoMurphy’s The Gate Theatre, from the 9th -with 19th involved? involved? We wanted the film have aFebruary. unified style so We wanted the film to have aFebruary. unified style so with all amazing images going through Featuring Christy Moore, all amazing images going through Featuring Christy Moore, Iseat hope you have the time of the value ofdidn’t Japanese film has changed. Departures’ Artane. It chronicles achanged. year in their lives. A simple the value of Japanese film has Departures’ with aApril certain in-built anxiety, an anxiety predicated 19 January-27 Tickets priced between â‚Ź15 anxiety, anmost anxiety predicated 19 January-27 Tickets priced between â‚Ź15 between the 12th and 17th of April between the 12th and 17th of with 8 7 8 8 7 8-* 8.1* 3+ 8-* ;**/ ;-*6* ;* 86*&8 =39 83 8-* (-*&4*78 '33>* .2 8-* Uncle Vanya. Friel has brought these characters an abstracted response to images and texts relating more, includes a free bloody mary or mimosa!! Writers always like to have their most recent work porary Projects from 30 January until 13 March, to have their recent work porary Projects from 30 January until 13 March, ^a 20;; ^a 20;; %& '"&" For more, see www.accesscinema.ie and Judy ended up in the driving of it? presenting a play in a theatre so y and Judy ended up in the driving seat of it? presenting a play in a theatre so you’ll start The idea of auditioning people really appeal More information on the film is to be found at dea of auditioning people didn’t really appeal More information on the film is to be found at everything had to have the same palette throughout. show went to Avignon and we commissioned a transSeptember show went to Avignon and we commissioned a transSeptember sented with all these amazing images goi â– Mary Black RTE National Symphony The Hep Cat Club â– â– sented with all these amazing images going through The Hep Cat Club â– Keith Donald and Eamon your life Donald and Eamon your life the value of Artane. It chronicles a year in their lives. A simple the value of Japanese film has changed. Departures’ Artane. It chronicles a year in their lives. A simple with a certain in-built anxiety, an anxiety pre with a certain in-built anxiety, an anxiety predicated 19 January-27 February. Tickets priced between â‚Ź15 between the 12th and 17th of April with from Uncle Vanya. Friel has brought these characters an abstracted response to images and texts relating more, includes a free bloody mary or mimosa!! from Uncle Vanya. Friel has brought these characters an abstracted response to images and texts relating more, includes a free bloody mary or mimosa!! Writers always like to have their most recent Writers always like to have their most recent work porary Projects from 30 January until 13 March, Sodome, my love runs atasof the Project Arts Centre from lation of itin into French soform, I did itaâ‚Ź18. one night in English, uns atasthe Project Arts Centre from idea people di The idea auditioning people didn’t reallyHep appeal information onSymphony the film is to beThe found atof auditioning everything had to have More the palette throughout. everything had to have the same palette throughout. September heads.â€? There was originally group Gare St the text the main thing. You’ll find ext the main You’ll find play, monologue with no extravagant sets â– Centre Mary Black RTE National â– same â– we Mary Black RTE National Symphony The Cat Club â– â– called (.8= upon awith fear and expectation of misuse. and â‚Ź18. (.8= 3@ &00 8-* )6.2/7 &00 )&= &2)731* &))= ;.00 '* *28*68&.2.2, 97 xpectation of misuse. and Keith Donald and Eamon Keith Donald and Eamon your life to how social spaces are designed and controlled. Thursday to Saturday, 12-6pm. Thursday totheir Saturday, 12-6pm. >?4= B4E4= 30HB 0 F44: >?4= B4E4= 30HB 0 F44: to me so we weren’t sure how we were going to http://henryandsunny.blogspot.com/ the End and the Calmative. For more ticket so we weren’t surething. how were going to http://henryandsunny.blogspot.com/ If we had shot in color we would have had a lot of the End and the Calmative. For more ticket Sodome, my love runs at the Project Arts Cent lation of it into French so I did it one night in English, Sodome, my love runs at the Project Arts from lation of it into French so I did it one night in English, ^^^ LH[HS` PL ¢ ! ^^^ LH[HS` PL ¢ ! www.eataly.ie www.eataly.ie their heads.â€? There was originally a group called Gare St with the text as the main thing. Y their heads.â€? There was originally a group called Gare St with the text as the main thing. You’ll find play, in monologue form, with no extravagant sets play, in Ifmonologue form, with no controlled. extravagant sets a16-27 fear to and expectation of misuse. a fearTickets and misuse. to how social are designed and controlled. how spaces are designed and Thursday to aSaturday, 12-6pm. >?4= B4E4= 30HB 0 F44: cost - of â‚Ź25 insocial French for weeks. I think I lost about ets cost â‚Ź15 - â‚Ź25 onetonight me so we weren’t sure>?4= B4E how+631 we to meexpectation so weâ‚Ź15 weren’t sure how we were going http://henryandsunny.blogspot.com/ If spaces we hadto shot inand color we would have had a lot upon of For theâ‚Ź18. End and the Calmative. more ticket we hadtwo shot in color we would haveBob had lot upon of March. +631 41 6** '*+36* 41 B &+8*6 Lazare inDublin Paris, an American as you’re along through rehearsgoing along through rehears ;0C4 >?4=8=6 C7DAB30H 5A830H 0=3 B0CDA30H 78 Thomas Street, 8two //up Tel:by01 4738807 // www.justofffrancis.ie eu’re 16-27 March. Tickets cost â‚Ź15 - â‚Ź25 one night in French for two details weeks. Isee think I lost about 16-27out March. Ticketsgoing cost â‚Ź15 - â‚Ź25;0C4 >?4=8=6 C7DAB30H 5A830H 0=3 B0CDA30H one night in French for set weeks. Isee think I lost about www.projectartscentre.ie details www.projectartscentre.ie

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Tel: 01 677 1085 Tel: 01 677 1085 www.acapulco.ie www.acapulco.ie

The Book of Kells ‘Turning Darkness into Light’

Exhibition & Library Shop open seven days a week

All

Admission Times Monday to Saturday 09.30 to 17.00 Sporting events live on the Big Screen Sunday (October to April) 12.00 to 16.30 Sundayuntil (May to September) Food served 2pm Daily09.30 to 16.30

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Proud Host Of Proud Host Of PARTY DUBLIN PRIDE LAUNCH DUBLIN PRIDE LAUNCH PARTY SALAMANCA AUTUMN SPECIALS SPECIAL MENU FOR PRIDE WEEK *when you show your pride PRIDE programme* WEEK SPECIAL MENU FOR *when you show your pride programme* Glass of Prosecco on arrival & Proud HostonOfarrival & Glass of Prosecco 3 course dinner for ₏28 September, October, November Proud Host Of Lunch Specials DUBLIN PRIDE LAUNCH PARTY 3 course dinner for ₏28 Lunch Specials DUBLIN PRIDE • LAUNCH PARTY 1 course ₏13 • corporate functions, Available for private and SPECIAL MENU FOR PRIDE WEEK 1 course ₏13 2 course ₏16 Available for private and corporate functions, *when you show pride programme* up your to 300 SPECIAL MENU FOR PRIDE WEEK 2 course ₏16 *when you show programme* 3arrival course up your to• pride 300 Glass of Prosecco on & ₏19 3 course ₏19 Glass of Prosecco on •management Under new 3 course dinner forarrival ₏28 & Under new management 3 Irish course dinner for ₏28 Pre-Theatre Specials Full artisan dinner menu • Pre-Theatre Specials Full artisan dinner menu • 2 course ₏23 Available forIrish private and corporate functions, New eclectic winelist 2 ₏23 Available forNew private corporate functions, eclectic winelist 3 course course ₏26 up and to• 300 3 course upMOVEMBER, to• Proud supporters of host₏26 of the Mon-Thurs • 300 Diamond, Wedding Proud supporters of MOVEMBER, host the Mon-Thurs • Under management 2011new launch party 5.30pm to of 7.30pm and Celtic Ring Specialists Under new management 2011artisan launch party 5.30pm Full Irish menu to 7.30pm • dinner Full Irish artisan dinner menu • Opened Wed-Sat 5 until New eclectic winelist Winelate Special Opened Wed-Sat 5 until late New eclectic winelist Wine Special • 20% off selected • • Proud supporters of MOVEMBER, host of the 20% off selected wines all week • 6 Ormond Upper, Dof 7 (Capel St Bridge) www.theormond.ie ProudQuay supporters MOVEMBER, host of the 20117 launch party wineswww.theormond.ie all week 874 9778 6 Ormond Quay Upper, D(01) (Capel St Bridge) 2011 launch party • 9778 (01) 874 • 5 until late Opened Wed-Sat Opened Wed-Sat 5 until late f• Neil Conway Jewellers, Trinity Street, Dublin 2 6 Ormond Quay Upper, D 7 (Capel Bridge) www.theormond.ie f •9b St

16 Montague Street, Dublin 2 16 Montague Street, Dublin 2 (01) 677 9065 (01) 874 9778 6 Ormond Quay Upper, D 7 (Capel St Bridge) www.theormond.ie 01 478 Neil 3373 Conway Jewellers@gmail.com (01) 874info@ilprimo.ie 9778 01 478www.neilconwayjewellers.com 3373 info@ilprimo.ie www.ilprimo.ie f www.ilprimo.ie

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Beautiful and original goods direct from the designers Fashion, Jewellery, Millinery, Sculpture, Knitwear, Photography, Homewares, Furniture, Gifts, Ceramics & Much Much more

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2HINESTONES IS HOME TO A CENTURY OF AMAZING COSTUME JEWELLERY !NTIQUE TO -ODERN 2ELFECTING !RT &ASHION (ISTORY AND 2OMANCE 7ALK THROUGH OUR DOOR AND YOU WILL EXPERIENCE A TREASURE TROVE OF MOMENTS CAPTURED IN TIME &ROM %ARLY 6ICTORIAN BROOCHES TO ROMANTIC %DWARDIAN KEEPSAKE LOCKETS TO EXQUISITE 6ENETIAN GLASS BEADS TO ONE OFF S STUDIO CREATIONS AND SELECTED !RTS AND #RAFT DESIGNS %UROPEAN AND !MERICAN DESIGNER JEWELLERY FROM THE S SUCH AS -IRIAM (ASKELL 4RIFARI $IOR ETC 7E HAVE A GREAT RANGE OF NEW PEARL JEWELLERY

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All trademarks are property of their respective owners.

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Acapulco Acapulco Mexican Mexican Restaurant Restaurant

THE CHOPHOUSE A NEIGHBOURHOOD GASTRO PUB SERVING MICHELIN QUALITY FOOD AT REALISTIC PRICES Fountain & Fine Stationary Specialists Fountain PenPen & Fine Stationary IN ASpecialists RELAXED PUB ENVIRONMENT

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situatedright rightininthe theheart heart situated )&$#- )&$#- RESTAURANT, BAR & VENUE SPECIAL MENU FOR PRIDE WEEK RESTAURANT, BAR &#)<=:,)A VENUE ofDublin Dublinon onSouth SouthGreat Great SPECIAL MENU FOR PRIDE WEEK of #)<=:,)A Authentic French patisserie " ! " ! *when pride programme* *when you you showshow youryour pride programme* & & GeorgesStreet Streetoffers offersthe thevery very Georges !4*(.&0 9*787 ** 968.7 $30+ &1' *863.8 =&2 637732 baked in house everyday. !4*(.&0 9*787 ** 968.7 $30+ &1' *863.8 =&2 637732 &- 81<+0 <016/; =8 ) *1< )6, ?-4+75- 76 1)6 &- 81<+0 <016/; =8 ) *1< )6, ?-4+75- 76 1)6 best in traditional Mexican Glass Prosecco arrival best in traditional Mexican Glass of of Prosecco onon arrival && Dublin’ s Lunch best *)+3 <7 <0- *77<0 $0-;- <?7 0)>- *--6 5)316/ 9=1<- ) #.7.3259*78 *60.2 3367 +631 41 B .2 *)+3 <7 <0- *77<0 $0-;- <?7 0)>- *--6 5)316/ 9=1<- ) #.7.3259*78 *60.2 3367 +631 41 B .2 Breakfast, &for... Dinner Proud Host Host OfOf ₏28 cuisine.Sizzling Sizzlingfajitas, fajitas,our our cuisine. ;<1: :-+-6<4A ;7 /-< 16 ) +0-+3 <0-5 7=< ;<1: :-+-6<4A ;7 /-< 16 ) +0-+3 <0-5 7=< 3 Proud course dinner 3 course dinner forfor ₏28 Homemade fresh bread until 10pm Mon-Fri 7=;- $-+067 )44 61/0< " 8-6 )<-nachos famoushomemade homemade nachos Lunch Specials 7=;- $-+067 )44 61/0< " 8-6 )<DUBLIN PRIDE LAUNCH PARTY famous #+,)$#- Lunch Specials DUBLIN PRIDE LAUNCH PARTY #+,)$#- •• andour ourtacos tacoswith withfresh freshsoft soft Pastries " ! and " ! 1 course ₏13 #=6,)A 1 course ₏13 Opening Hours: #=6,)A Available for private and corporate functions, $* (328.29* 8-* +*78.:.8.*7 ;.8- !*< !-34 =, .(63+92/ corn tortillas (gluten free Available for private and corporate functions, $* (328.29* 8-* +*78.:.8.*7 ;.8- !*< !-34 =, .(63+92/ corn tortillas (gluten free # ## # C # C SPECIAL MENU FOR PRIDE WEEK Cakes # ## SPECIAL MENU FOR PRIDE WEEK " ! 2 course ₏16 397* "*(-23 &00 2.,-8 6** .2 4*2 0&8* 2programme* course ₏16 397* "*(-23 &00 2.,-8 6** .2 4*2 0&8* bythe theway) way)complement complement &- ,7 1< )44 7>-: )/)16 7.. )44 <0- ,:163; )44 ,)A *when pride up to 300 by &- ,7 1< )44 7>-: )/)16 7.. )44 <0- ,:163; )44 ,)A *when you you show your pride programme* upshow toyour 300 # $ ! And sandwiches )::A )>1, : 84)A16/ 764A <0- ;-@1-;< ;577<0-;< <=6-; the most mouthwatering )::A )>1, : 84)A16/ 764A <0- ;-@1-;< ;577<0-;< <=6-; 3 course ₏19 the most mouthwatering ofof 3arrival course Glass Prosecco arrival ,'$#- Glass of of Prosecco & &₏19 0- +)6 .16, " *-.7:- 85 F ).<-: • • onon ,'$#0- +)6 .16, " *-.7:- 85 F ).<-: salads.InInthe theevening eveningour our salads. " !

#" # " # $ % new management " ! 3 course dinner ₏28 Under new management 3 Under course dinner forfor ₏28 Margaritas (made from 100% Drop in for breakfast, or :1,)A Margaritas (made from 100% 96 8-.6) 2.,-8 3+ +92 .2 8-* =, &2) ;* ;*0(31* !-32/= *&0 "32* :1,)A $ $ $ 96 8-.6) 2.,-8 3+ +92 .2 8-* =, &2) ;* ;*0(31* !-32/= *&0 "32* Pre-Theatre Specials %$ E+144- :-)< #<=.. "-+7:,16/; Full Irish artisan dinner menu pureAgave Agavetequila) tequila)are arethe the Pre-Theatre Specials daily %$ E+144- :-)< #<=.. "-+7:,16/; Full Irish artisan menu *(36)7 48.(- !944368 +631 =, 6*7.)*28 6&8'3= &'* !8*&0*6 =, pure • •dinner check out our specials

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41 Available for private and corporate functions, perfect accompaniment toto New eclectic winelist 2 course â‚Ź23 397* "*(-23 &00 2.,-8 032, B &+8*6 41 B

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3 course ₏26 • 3003 course ₏26 upup to•to 300 Proud supporters of MOVEMBER, host Mon-Thurs Proud supporters of MOVEMBER, host ofof thethe • • Mon-Thurs Under new management 2011 launch party 5.30pm 7.30pm Under new management 2011 launch party 5.30pm toto 7.30pm Full Irish artisan dinner menu • Full Irish artisan • dinner menu Opened Wed-Sat 5 until late New eclectic Wine Special Opened Wed-Sat 5winelist until late New eclectic winelist Wine Special • 20% selected • • 20% offoff selected • Proud supporters of MOVEMBER, host of Proud supporters of MOVEMBER, host ofweek thethe wines all wines all week 6 Ormond Quay Upper, D 7 (Capel St Bridge) www.theormond.ie 6 Ormond Quay Upper, D 7 (Capel St Bridge) 2011 launch party www.theormond.ie 2011 launch party (01) 874 9778 Fountain & Fine Stationary Specialists 874 9778 Fountain PenPen &(01) Fine Stationary Specialists •• Opened Wed-Sat 5 until late Opened Wed-Sat 5 until late College Green 12 12 College Green •f • fDublin 2

16Montague MontagueStreet, Street,Dublin Dublin22 16

Dublin 2St Bridge)www.theormond.ie 6 Ormond Quay Upper, 7 (Capel www.theormond.ie 6 Ormond Quay Upper, D 7D(Capel St Bridge) (01) 874 9778 Tel/Fax 01 679 3641 Tel/Fax 679 3641 (01) 01 874-9778

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01478 4783373 3373 info@ilprimo.ie info@ilprimo.ie 01 www.ilprimo.ie www.ilprimo.ie f

NOW NOW SERVINGOUR OUR SERVING NEWAL ALAACARTE CARTE NEW MENU.CHECK CHECKOUT OUTALL ALL MENU. g OURDiamond, MENUS ONLINE OUR MENUS ONLINE Wedding THE CHOPHOUSE Celtic- Ring Specialists Find us& on Facebook &and BOOK YOUR OWN NEIGHBOURHOOD BOOK YOURAOWN La Boulangerie Dublin Tryour ournew newlunch lunch GASTRO PUB Try TABLEONLINE ONLINE menu: Specials from TABLE SERVING MICHELIN menu: Specials from â‚Ź5available available every QUALITY FOODevery AT TOO! â‚Ź5 TOO! dayuntil until5pm. 5pm. REALISTIC PRICES day

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IN A RELAXED PUB ENVIRONMENT

#+,)$#- ;816616 ;75- <=6-; <77 :-- *-.7:- 85 F ).<-: #+,)$#- ! :1,)A ! :1,)A $* -&:* '**2 033/.2, +36;&6) 83 8-.7 +36 & ;-.0*? 32 .&2 (3140*8*0= %# %# & # $* -&:* '**2 033/.2, +36;&6) 83 8-.7 +36 & ;-.0*? 32 .&2 (3140*8*0= %# %# & # )*7863=*) 8-* 40&(* 0&78 1328- &+8*6 8-* 6*&/+&78 09' **4 #3(&0 397* 7=;- 1;+7 =63 ) *1< 7. ->-:A<016/ <761/0< ); )*7863=*) 8-* 40&(* 0&78 1328- &+8*6 8-* 6*&/+&78 09' **4 #3(&0 397* 7=;- 1;+7 =63 Open ) *1< 7. ->-:A<016/ <761/0< ); 7 days 14 )>- 1/0<.41/0< !A/ <)3-; +76<:74 &2) "*(-23 197.( &00 2.,-8 032, 6** 2 4*2 &8* Open 7 days 14 )>- 1/0<.41/0< !A/ <)3-; +76<:74 &2) "*(-23 197.( &00 2.,-8 032, 6** 2 4*2 &8* Lunch Mon - Sat 12 - 5pm, Sun 2 - 5pm2 " 9b 8-6 )<- Neil Conway Jewellers, Trinity Street, Dublin

BOOKINGS:www.pacinos.ie www.pacinos.ie BOOKINGS: Phone: 01 677 5651 Email: info@pacinos.ie

Phone: 01 677 5651 Email: info@pacinos.ie 212Shelbourne D4& 2 Lunch Mon - Sat - 5pm, Sun 2Rd, - Fri 5pm Pacino’s, 18Suffolk Suffolk Street, Dinner Sun - Thurs 5 - Dublin 10.30pm, Sat 5 - 11pm " 8-6 )<- Pacino’s, 18 Street, Dinner 9065 Sun - Thurs 5 - Dublin 10.30pm, Fri & 2 Sat 5 - 11pm ,'$#- (01) 677 For bookings: 660 2390

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Conway Jewellers@gmail.com 7 South Georges Street, Dublin 2 & Tel: 01Great 677 1085 10-11 Camden StNeil 465 SCR Rialto 47a-47b Bulfin Rd & 8 7 8-* 8.1* 3+ 8-* ;**/ ;-*6* ;* 86*&8 =39 83 8-* (-*&4*78 '33>* .2 8-* Tel: 01 677 1085 Email: info@thechophouse.ie www.acapulco.ie www.neilconwayjewellers.com 7;0 7:,76 )A "-1, <-)5 =8 .7: <0- 61/0< )6, ?- 8 7 8-* 8.1* 3+ 8-* ;**/ ;-*6* ;* 86*&8 =39 83 8-* (-*&4*78 '33>* .2 8-* Dublin 2 Dublin 8 Dublin 8 www.acapulco.ie 7;0 7:,76 )A "-1, <-)5 =8 .7: <0- 61/0< )6, ?- (.8= 3@ &00 8-* )6.2/7 &00 )&= &2)731* &))= ;.00 '* *28*68&.2.2, 97 +-4-*:)<- 7;0 ; 6-? ;078 --8 7=;- $-+067 )6, )44 (.8= 3@ &00 8-* )6.2/7 &00 )&= &2)731* &))= ;.00 '* *28*68&.2.2, 97 +-4-*:)<- 7;0 ; 6-? ;078 --8 7=;- $-+067 )6, )44 t:+631 41 6** '*+36* 41 B &+8*6 01 476 3818 t: 01 416 9678 t: 01 473 7111 <0- ;<=.. 16 *-<?--6 " 8-6 )<- +631 41 6** '*+36* 41 B &+8*6 <0- ;<=.. 16 *-<?--6 " 8-6 )<-

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Live gigs December

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Clubbing once-offs December ART DEPARTMENT // 9 December // Pyg

Clubbing weekly December

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Comedy December

Theatre December

Festivals December

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Visual Art December

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Open your business up Dublin’s urban market Hey, we got a kid sister!

We welcome Totally Stockholm to our world. TOTALLY DUBLIN Totally Dublin is Dublin’s premier source for culture, lifestyle and nightlife. The magazine was launched in 2004 and has published 87 issues to date on a monthly basis.

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