Everyone's a Hero in Valhalla - Tom Penney

EVERYONE’ SAHERO I NVAL HAL L A

T omPe nne y& T heDar kAr t sofAr t

CONT ENT S ACKNOWL E DGE ME NT S ABS T RACT I NF L UE NT I ALI DE AS ARTMAKI NGS T RAT E GI E S PRI MARYMAT E RI AL S S E L E CT E DWORKS( T heBody ) T HEOUROBOROS KI NGS T HET AROTS E L FPORT RAI T QUE E NS T HEONEMI NUT ES OULCAPT URE S E L E CT E DWORKS( Cl a y ) CADAVE R/ DE AT HMAS K CL AYPE RF ORME RS VAL HAL L A/ VI RT UALWI L L I AM S T I NANDOUTOFT HEL OOP RE F E RE NCE S BI BL I OGRAPHY I MAGERE F E RE NCE CV Cov e rI ma g e : T omPe nne y , Di ямАe r e ntKi ngs( Ae rBi l l Vi ol a) , 2010 I ns i deCov e r : T omPe nne y , E s s e nc e# 5, 2010

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i v v 1 3 5 10 11 13 15 17 19 22 25 27 29 37 39 39 40 41

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ACKNOWL EDGEMENT S Iwi s ht oa c k nowl e dg emys upe r v i s orJ ul i a nGodda r d,myf a t he rRus s e l l Pe nne y a ndmyf r i e ndsHa r r yCour t ,Moy aT homa s ,Ma r k e l aPa ne g y r e sa ndDa r r y n Ans t e df ort he i rs uppor tov e rt hec our s eoft hi spr oj e c t .

I a l s owi s ht ot ha nkKe v i nRa x wor t hy , Ma r kPa r ďŹ , S ha nnonL y onsa ndBe n Kov a k s yf ort he i rg e ne r oust e c hni c a l a s s i s t a nc e .

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ABST RACT “Il o n gt ob ema n ys e l v e sd i s t r i b u t e dt h r o u g ht h en e t wo r k s . . .IAM ma n ys e l v e s . . .

Ad i s t r i b u t i o no fc o n s c i o u s n e s s . . .Iwa n tt or e c o g n i s emyp o t e n t i a lo fb e i n g i mmo r t a li nt h a ts e n s e ”.( RoyAs c ot , 1998) T hr oug houtt hepr oj e c tE v e r y one ’ saHe r oi nVal hal l a, myi nt e n onha sbe e nt o que sont e c hnout opi a npos t mode r ni s m.

S pe c i fic a l l yI a mi nt e r e s t e di nt hewa y s ubj e cv ie s‘ pe r f or m’a se n e s :l os t ,c onf us e d,s pl i t ,me r g e d,unwr a ppe dor a ppr opr i a t e dbyt he i rt r a ns l a oni nt ov i r t ua l s pa c e .

Us i nga ni nt e r di s c i pl i na r ya ppr oa c h, I na v i g a t et hi swor l da sas c hi z ophr e ni ca nd s ha ma ni cfig ur e .F r om a ni r r e v e r e nts t a t eofpr e c a r i ous ne s sbe t we e nas y s t e m of bi na r i e s : t he‘ r e a l ’ a ndt he‘ notr e a l ’ , t he‘ s e l f ’ a ndt he‘ nots e l f ’ , ort he‘ s c r e e n’ a nd‘ t hebody ’-Ipl a ya sal i mi na lt r i c k s t e r ,c a pi t a l i s i ngonas unnyi r onya nd s e ns eofhumour .

Us i ngt hi ss t r a t e g i cpe r s ona ,at e c hnoma di c“ onepe r s onar tmak i ngmac hi ne ” ( Ame r i k a ,2008) ;Ibe c omema nybe i ng s ,a ndg i v ebi r t ht oe v e nmor e .Byus i ng myownbodyorc l a y ,Ii ma g i nehow ps y c hol og i e sc ont a i ne dwi t hi nt he s e ‘ ma t e r i a l s ’c a nbee i t he ri mmor t a l i s e dorf r a g me nt e dwhe ns ubj e c t e dt ot he c omput e r .

Myi nt e r e s tl i e si nt hepa r a dox i c a lna t ur eoft hepos t di g i t a la g e .I st hes c r e e n be ne fic i a lorc ons umi ng ?Ar ewee mpowe r e dorna r c i s s i sc ?Ca ns pi r i t ua l i t y f or mf r om as y mbi os i swi t ht e c hnol og y ,ori st hi sk i ndofhopel os t ?Whe nwe v or a c i ous l yc ons umeourowni ma g e si nt hef or m ofpr ofil epi c t ur e sorv i de o g a mea v a t a r s ,a r ewebui l di ngas t r ong e rs e ns eof‘ s e l f ’orme r e l yc ons umi ng di s pos a bl e , di g is e d, pr oj e c t e d‘ v e r s i ons ’ of‘ s e l f ’ ?

Pa g eOppos i t e : T omPe nne y , E s s e nc e# 6, 2010

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I NF L UENT I ALI DEAS “Th ec h a l l e n g ef a c i n gt h ep o s t mo d e r na r t i s t i st oma k ea r t t h a t b r i n g sma t e r i a l , s p i r i t u a l , a n d me d i awo r l d st o g e t h e ri nc r e a t i v ei n t e r p l a y ”( Me l Al e x e nbe r g , 2007) Ia m pr i ma r i l yi nflue nc e dbyt woa r e a sofa r tt he or y ;s ha ma ni s ma ndde c ons t r ucv e pos t mode r na r t .

Oneof t he s ea r e a si ss e e na s‘ s pi r i t ua l ’ orbe ne fic i a l whe r et heot he ri ss e e n a s ; ‘ pa r a dox i c a l ’ , ‘ f r a udul e nt ’ a ndi ndi s c e r ni bl ef r omde huma ni s i ngt e c hnol og i e s .

POS T MODE RNS CHI Z OPHRE NI A: F r e de r i cJ a me s onc ha r a c t e r i s e sl a t epos t mode r ni s ma ss uffe r i ngf r om t hei na bi l i t yt o de t e r mi ne‘ r e a l ’ f r om ‘ f a k e ’ a nd‘ s e l f ’ f r om ‘ ot he r ’ .L a t ec a pi t a l i s m ha sc ons ume da l l s t a t e s of‘ ot he r ne s s ’t ha nk st os i mul a on.Ia ma l s oi nt e r e s t e di nhow De l e uz ea ndGua a r i a l t e r na v e l yc e l e br a t et hes c hi z ophr e ni ca rsca bi l i t yt oha c k , r e mi xa ndde c ode .

S UZ I GABL I K’ SRE E NCHANT ME NTOFARTANDS HAMANMODE L : I nT heRe E nc hant me ntofAr t :Re fle consont heT woPos t mode r ni s ms( 1991)S uz iGa bl i k oppos e sde c ons t r ucv epos t mode r na r t ,t e c hnol og ya nde c onomi s e da r ti nf a v ourofa mode l f ors ha ma ni ca rs t swor k i ngwi t h‘ mode l bui l di ng ’ a ndr e l a ona l i s mi nc ommunie s .

It hi nkGa bl i k ’ smode l i sr e s t r i cv e ,f ort hes ha ma nha sl ongbe e nac onne c t oroft he‘ r e a l ’ a ndt he‘ f a k e ’( s pi r i t ua la ndma t e r i a lr e a l ie s )whi c hc a na ppl yt oapos t mode r ns ha ma ni c pr a cc ewhe r ea rs t sa r ee mpowe r e dbywha tI c a l l ‘ t hede l i r i umoft e c hnol og i c a l f a nt a s y ’ .

NI CHOL ASBOURRI AUD’ S“ PRE CARI OUS NE S S ” : Whe nc r ic i s e dbyJ a c que sRa nc i è r ef orc ha mpi oni ng“ wor k sof ar tt hati mme di at e l ypr e s e nt t he ms e l v e sass oc i al r e l a ons ”( Bour r i a ud, 2010) , Bour r i a udr e s pondsbys a y i ngt ha tt oda y ’ s a r ti snotonl yc ha r a c t e r i s e d byr e l a ona l i s m,buta l s ot hr oug h at e ns i on be t we e n ma t e r i a l i t y / a e s t he c sa nde t hi c s / a con.T hi sr e s ul ti swor kt ha tdi s pl a y s“ pr e c ar i ous ne s s ” ( Bour i a ud,2010) ;de ma t e r i a l i s i nga ndr e ma t e r i a l i s i ngbe t we e ns ol i da ndc onc e pt ua l s t a t e s a ndi ss uc c e s s f ul t hr oug ha mbi g ui t y .

I be l i e v et hes ha ma ns houl df a c i l i t a t et hi ss t a t e , a si ti s r e l e v a ntt oourc ont e mpor a r yv i r t ua l a ndt e c hnol og i c a l ( de ) ma t e r i a l i t y .

T HES UPRE MAT I S TBL ACKCI RCL E/“ E NDGAME ” : i nv e sg a ngt he‘ pr obl e m’oft e c hnol og i c a ls i mul a ona ndpa r a doxi sf ormeas ha ma ni c a cv i t y .I ti sl i k el ook i ngi nt oav oi d,orbe i nga s k e daZ e n‘ k oa n’ .T omeMa l e v i c h’ sBl ac k Ci r c l ei sbot has pi r i t ua l ,s i l e ntv oi da ndaf r i g ht e ni ng l yr e ducv e ,s ha l l ow fla t ne s s .He pr e s e nt st heulma t ea rscpa r a dox .Ha l fac e nt ur yl a t e r ,t hi sk i ndofi ma g e r yr e a ppe a r s i nAl l a nMc Col l um’ sPl as t e rS ur r ogat e s .I nt hi sk i ndofwor kpe opl ei nc l udi ngS uz iGa bl i k e nv i s i on‘ T heE nd’ .

I st hee a s i l yr e pr oduc i bl e , me c ha ni c a l bl a c ks ur r og a t ei mmor t a l / s pi r i t ua l orobs ol e t e / v oi dt hr oug hi t suni v e r s a l a r c he t y pa l bl a c k ne s sa ndl a c kofs ubj e cv i t y ?

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I nf l uent i alI deas

Ma r c usCoa t e s , Vi s i onQue s twi t hChr omeHoof , He y gat eE s t at e , L ondon, 2009

Ma r c usCoa t e sf e a t ur e di nNi c hol a sBour r i a ud’ sAl t e r mode r ns how a tt heT a t eGa l l e r yi n 2009.Ia mi nt e r e s t e di nt hepr e c ar i ousna t ur eofCoa t e s ’wor k ,whe r eat e ns i oni sbui l t be t we e nt hea e s t he cs pe c t a c l eofhi ss ha ma ni cpr a cc ea ndc ons i de r a onofhows e r i ous ore ffe cv ehi sa consr e a l l ya r e , orc oul dbe .

Ka z i mi rMa l e v i c h, Bl ac kCi r c l e , 1915

Al l a nMc Col l um, Pl as t e rS ur r ogat e s , 1984

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ARTMAKI NG ST RAT EGI ES “Hu ma n i t yn e e d san e wr e l i g i o n .

On l yn o w, t h er e a l r e l i g i o u sa r t c a nh a p p e n . . .

I t ’ sar e l i g i o n wi t h o u tg o d s ,ar e l i g i o no fo t h e rh u ma nb e i n g s .I ’ maj e s t e ra n dac a t a s t r o p h i cc l o wn .I ’ ma p e r s o nwh od o e s n ’ tu n d e r s t a n da n y t h i n g ,wh oc a n ’ tg i v ea n ya n s we r s .I ’ mt h a tk i n do f me s s i a h .

Myo n l yme s s a g ei st h a tIu n d e r s t a n dn o t h i n g . ”( Ol e gKul i c , 2009) Ia m apos t mode r n“ onepe r s onar tmak i ngmac hi ne ”( Ame r i k a ,2008)whopl a y sbe t we e n ma e r sof s ubj e cv i t y / s pi r i t ua l i t ya ndt e c hnol og y / de c ons t r ucon.

I ha v el ook e dt ot hi nk e r s s uc ha sRoyAs c ota ndMa r kAme r i k awhoa e mptt or e s ol v et hi st e ns i onbyde v i s i ng s t r a t e g i e ss uc ha st e c hnomadi s m.

Butdoe si tne e dt ober e s ol v e d?I na ni r r e v e r e ntf a s hi on, Ius ur pt hi sa r g ume ntus i nghumoura ndpunss uc ha s“ T heDa r kAr t sofAr t ” .It a k ea s ubv e r s i v ea ppr oa c ht obe i nga‘ me s s i a h’ byus i ngt heNa v eAme r i c a nmode l ofCoy ot et o j usf yt hes ha ma n’ sr ol ea sat r i c k s t e r , de v i l ’ sa dv oc a t ea nda nhe r o.

T E CHNOMADI S M: I nMa r kAme r i k a ’ sa rc l eMak i ngS pac ef ort heArs t( 2008)t hea rsc“ . . . j our ne yi sf ul l of wr ing,pe r f or mi ng,hac k i ng and di r e cng”( Ame r i k a ,2008) .Ha v i ng g r own up wi t h c omput e r s ,v i de og a me sa nda ne duc a onwhe r ee v e r y onei st ol dt he ya r ei nt e l l i g e nt e noug ht obea ny one ; t hes t r a t e g yoft het e c hnomadi suns ur pr i s i ng l yana t ur a l onef orme .

T hr oug ht hepe r f or ma nc eofa nynumbe rofr ol e se ma na ngf r om t hes e l fi nor de rt o ope r a t ei na nyma t e r i a lt e r r i t or y ,Iha v ec omei ns omer e s pe c t st oe mbodywha tAme r i k a c a l l s“ t heonepe r s onar t mac hi nemac hi ne ”( Ame r i k a , 2008) .

T HEDARKART SOFART : Y ouma yno c et hi spr oj e c ti ss ub t l e dorf r a me dbyt hewor ds“ T heDa r kAr t sofAr t ” .

T hi s i sa t ong ue i nc he e k wa y ofdr a wi ng a e n on t ot he f a c tt ha tt e c hnol og ya nd de c ons t r ucv epr a cc e sa r eape r c e i v e de ne myoft hes ubj e c t .Ia m he r ei nflue nc e dby s t a t e me nt ss uc ha sJ e ff Koons ’“ Puppyc ommuni c at e sl ov e ,war mt handhappi ne s st o e v e r y one . . .Ihav ec r e at e dac ont e mpor ar ys ac r e dhe ar tofJ e s us ”( But l e r ,2009)whobui l ds c l a i msofs pi r i t ua l i t yi nt ohi spa r a dox i c a l , c onc e pt ua l a r t .

T HEROL EOFCOY OT E : Whe nDa v i dL e v i S t r a us sc omme nt sont hepr a cc eofJ os e phBe uy s , henot e st ha tt he r ei s a not he rf unconf ort hes ha ma n;t ha tt hec oy ot e( a s s oc i a t e dwi t hs ha ma ni s m)ha sDa da i s t unde r t one s :“ I ti st y pi c alofNa v eAme r i c ant houghtt hatc omi ci ndi r e conpar adox i c al l y i ndi c at e st hewayofr i ghtacon. . . t heNav aj o…sl l ae ndt hedoubl ef unconoft hec ul t ur e he r oase t hi c all awmak e randf r i v ol ouspr ank s t e r ,be ne f ac t orandbuf oon. ”( L e v i S t r a us s , 1997)Ibe l i e v ei ti st her ol eoft hepos t mode r na rs tt oa s kque sons ,notpr ov i det r ut hs , a ndt oe mbr a c eas t a t eofpa r a dox i c a lc onf us i ont ha tmi g htpr oduc ec omi ca ndnov e l ( i n) di r e con.

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T omPe nne y , T heNe wS pi r i t ual Ne t wor k , 2009

L a s ty e a rIpr oduc e dT heNe wS pi r i t ualNe t wor kwhi c he mbodi e saf r a nc ,t e c hnoma di c s t r a t e g y .I ti sav a s t ,c a c ophoni cdi s pl a yofs c r e e nss howi ngma nyofmype r f or me d c ha r a c t e r s .E v e r y one ’ saHe r oi nVal hal l abe g a na sar e a cont omev i e wi ngt he s ema ny “ NOTS E L VE S ”( Ame r i k a , 2008)t hr e a t e ni ng l yc utf r ommybodyf ort hewhol ewor l dt os e e .

T omPe nne ywi t hJ oa nneRi c ha r ds ona ndOs c a rChur c hi l l Ri l e y , T heGoogl yE y eWor k s hop, 2009

T heDar kAr t sofAr tbe g a nwhe nIa s k e dt woofmyf r i e ndst ohe l pmepe r f or m ar e l a ona l a e s t he c swor k s hopwi t hat wi s t .

T heGoogl yE y eWor k s hopwoul dbr i ngor di na r yobj e c t st o l i f et hr oug ht hea ddionofc r ae y e swi t ht hes a r c a sci nt e n ont o‘ he a l c ommunie s ’ .

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PRI MARYMAT ERI AL S Mypr oj e c tha st woma i na r e a sofma t e r i a l i nv e sg a on.

T he ya r ewor k sus i ngmybody , a nd wor k sus i ngc l a y .

I t r a ns l a t ebot hi nt odi g i t a l , 2di me ns i ona l , v i r t ua l ordi g i t a l f or ma t s .

PE RF ORMANCE / T HEBODY : I ti si mpor t a ntt ha tt het e c hnomaddr a wf r om al i br a r yofficona l pe r s ona si nor de rt odo a ny t hi ngt he yne e dt odoa tt he me .

T het r a diona l s ha ma nmi g htt r a ns f or mi nt oa ni ma l s orc ha nne ls pi r i t s ,butIt r a ns f or mi nt o huma na r c he t y pe sa nd c ha nne ls pe e c ha nd i nf or ma onI r e c e i v et hr oug hne t wor k soft e c hnol og y .

I nt hi swa ymybodya c t sonma ny‘ pot e na l ’ps y c hol og i e s .T odot hi s ,Ine ur oc a l l yflu e r a r oundPe r t hl ook i ngf orc he a p,s i mpl e ,t a c k ya nds y mbol i ci t e msofc os t umei nor de rt o f a c i l i t a t et he s e‘ be c omi ng s ’ a ndt r a ns f or mf oras hor tpe r i od.

Dur i ngt hi spr oj e c tI ha v ebe e n awi t c h, af a mousphi l os ophe r , as ha ma n, ak i ng , adr a g que e n, apr og r a mme ra nde v e r yone oft he78me mbe r soft heT a r otde c k .

VI DE OGAMI NG/T HEBODYI NVI RT UALS PACE : Ourbodi e sdonotpe r f or mi nv i r t ua l s pa c e ;r a t he rwepr oj e c tours e l f i ma g eont oav i r t ua l bodyt ha ts t a ndsi nf orus .Us ua l l yop onsf ort he s e‘ bodi e s ’a r ec ons t r uc t e df r om a n a r c he t y pa lba s e ,c ompl i me n ngt hec ol l e cv ec ons c i ous ne s st ha ti st hei nt e r ne t .Iha v e be e nav i de og a me rf ora sl onga sIc a nr e me mbe r .Whe ne v e rIpi c kupac ont r ol l e r ,Iha v e t heoppor t uni t yt ope r f or ma ss ome oneors ome t hi nge l s e .

Il i k et ot hi nkt ha ti nt hedi g i t a la g e ,ours c r e e nsha v ebe c omet hes t a g e sa ndourown ps y c hol og i e s( r a t he rt ha n bodi e s )ha v e be c ome t he a c t or swa ing t o be c ome t he c ha r a c t e r s .T hi si se s pe c i a l l yt r ueofv i de og a me s ,whe r ewepl a ya ss t oc k‘ a v a t a r s ’ ,ori n s oc i a lne t wor k i ngs pa c e swhe r ewepr oj e c tphot osofour s e l v e si nt os ma l lwi ndowst ha t s t a ndi nf orourma t e r i a li de nt y .Wea r ec ons t a nt l y‘ pe r f or mi ng ’i nc y be r s pa c e ,a ndour s c r e e nsbe c omemi r r or st hr oug hwhi c hwec ons umei de a st ope r f or m.

Aswec ons umet he s e‘ t y pe s ’ weg l e a nf r omt he mat a s t eof i mmor t a l i t ywhi l s tpe r s ona l i s i ng t he mwi t hourownfla v our .

S uc hi st her e fle x i v i t yoft hes c r e e n.

T hi st e mp ngf or mul af ue l s ourc ur r e ntna r c i s s i s m.Iwoul dnotde nyt ha tIa m na r c i s s i sc ;i ti swhe t he rna r c i s s i s mi sa f r i e ndorf oet ha ti st heque son.

I donotpr e t e ndt oha v et hea ns we rt ot ha tque son, a nd t hr oug ht hef r us t r a onofa e mp ngt ofindoutmywor ki spr oduc e d.

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S c r e e ns hotf r omWor l dofWar c r a, 2004

T heonl i nemulpl a y e rr ol epl a y i ngg a meWor l dofWar c r a i sa‘ Va l ha l l a ’i nwhi c he v e r y pl a y e ri sahe r ot hr oug ht hes e l e conofa r c he t y pa l c ha r a c t e r i sc s .

S c r e e ns hotf r omS upe rS mas hBr ot he r s , 1999

I nt heNi nt e ndog a meS upe rS mas hBr ot he r spl a y e r sc hoos ef r om apa nt he onoff a mous Ni nt e ndoc ha r a c t e r st ofig hte a c hot he rwi t h.

7 “Th eu n i f o r m, wo r t h l e s sma t e r i a lh o l d sd i s p a r a t ee l e me n t st o g e t h e r ” ( F i s c hl i a ndWe i s s , 2005) CL AY : Cl a yi sa l wa y st or nbe t we e ne x i sngma t e r i a l l ya nds ubmi ngt ot hei de a sa ndt houg ht s t ha tde t e r mi nei t sne x tf or m –i ti sc ha r a c t e r i s e dbypr e c ar i ous ne s s .Iv i e wc l a ya sa n i mpor t a nta l c he mi c a l t ool .

T hr oug hi t se ndl e s smor pha bi l i t y , c l a yha sbe c omea na r c he t y pa l ma t e r i a l f e a t ur e di nc r e a onmy t hol og i e sa l l ov e rt heWor l d.

I nna v eAme r i c a nmy t hol og y , Coy ot ema det hefir s thuma nbe i ng sf r omc l a y .

Be c a us eoft hi s ,us i ngmybodyort hebodi e sofot he r si snott heonl ywa yIe x a mi ne s ubj e cv ie si nv i r t ua ls pa c e .Ia l s o us ec l a yt os y mbol i s e a pl i a bl e ps y c hol og yor pe r f or ma nc epos s i bi l i t y .

I v i e wc l a yfig ur e sa s‘ pos s i bl e ’ f or msf orhuma nbe i ng s ; f ormec l a y a nds k i na r es y nony mous .

AsI be g a nwor k i ngwi t hc r udec l a yf or msay e a ra g o, I c ons i de r e d t ha tt he s ef or mswe r el i k e myown body ;a ppr opr i a ngs ha pe s ,c ha r a c t e r i sc sa nd ‘ pe r f or mi ng ‘ t hei de n e sI g r a nt e dt he m.

CL AYI NVI RT UALS PACE : T hr oug ht heus eofa3Ds c a nne r ,It r a ns l a t et hec l a yf or msIma k ei nt ov i r t ua lf or ms .I n E v e r y one ’ saHe r oi nVa l ha l l aIha v eus e dc l a yt oc ons t r uc tv i r t ua lc ha r a c t e r s .Re a lc l a y mode l sha v ebe e nt r a ns l a t e di nt odi g i t a l mode l sus i nga3Ds c a nne r .

T hi ss ome wha ts e t st he be i ng si ns t onea st he ya r enol ong e re a s i l ymoul de d.I ns i det hema c hi ne , I t he nl i k et ot hi nk a bouthowt hec l a yi ss ubj e c tt oadi ffe r e nts e tofr ul e s .

Att hepr i c eofl os i ngi t ss t a t eofflux , a nya r c he t y pe si mpr e s s e duponbl obsofc l a yc a nbe c omee t e r na l i s e dwi t ht hepos s i bi l i t yof e ndl e s sr e pl i c a on.

Be l owa r eas e r i e sofi ma g e ss howi ngac l a ymode l be f or e ,dur i nga nda e ri tha sbe e n3D s c a nne d.

T omPe nne y , wor ki npr ogr e s s( 3Ds c a nni ngc l a y ) , 2010

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T omPe nne y ,Coy ot eCr e a onT ot e ma ndBot c he dCr e a onMy t h, 2009

He r ea r eas e r i e sofwor k sf r om 2009r e s pondi ngt oCoy ot e ’ sr ol ei nc r e a onmy t hol og y .

Abov ea r es omesl l sf r omt hr e es t a c k e dv i de ost ha tf or me dana r r av ei nwhi c hI t ookc l a y f r omhe a v e n( t hel a dde r )t obui l df r om.

Ne x tt oi ti saBot c he dCr e a onMy t h.

Be l owi smei n aCoy ot ec os t ume , a ndac r udec l a yfig ur ei mmor t a l i s e dt hr oug hbr onz ec a l l e dHe r c ul e s .

T omPe nne y , i ma g eofCoy ot ec os t ume , 2009a ndHe r c ul e s , 2009

SEL ECT EDWORKS/T HEBODY

11

T HEOUROBOROS

T omPe nne y , wor ki npr og r e s s( our obor osdi a g r a m)2010

T heOur obor osi sapa r a dox i c a l , s e l fc ons umi ngs na k eda ngba c kt oAnc i e ntE g y pt .

I tc oul d bes e e na saut opi a ns y mbol t hr oug hi t se t e r na l mor phi ngbe t we e ns e l f / nots e l f , howe v e ri t i sa l s os e l f de f e a ng .

S c hi z ophr e ni at hr oug hs i mul a onme a nsweha v ebe c omena r c i s s i sc , c ons umi ngma nypr oj e c t e dv e r s i onsofs e l ft hr oug ht hes c r e e n.

12

T omPe nne y , Our obor osS pi nCy c l e( F ool KI ng) , v i de osl l , 2010

Asat e c hnoma di cpe r f or me r , I c hur nt hr oug hma nya r c he t y pe sa ndc ha r a c t e r sa l l t he me , buta r et he s ej us tr e duc e d,i nt e l l i g i bl euni t si nt hes a mewa yMa l e v i c h’ sBl ac kCi r c l ei sa r e duc e d,a r c he t y pa lf or m?I nt hea bov ev i de owor k ,Our obor osS pi nCy c l e ,Ipe r pe t ua l l y r ot a t ewi t ha na r c he t y pa l k i ng .

13

KI NGS E a r l yon, I de c i de dt opl a ya sa‘ k i ng ’ .

I e nt e r t a i ne dt hei de at ha ta sa‘ k i ng ’ ( i nt heT a r othe ’ s a c t ua l l y‘ T heE mpe r or ’ )Iwoul dber ul e rov e rmyownpa t he cl i br a r yof“ s e l v e s ” ,ak i ndof s i ng ul a r i t yf ort ha ti nt e r na l uni v e r s e .

T hewor kbe l owi sc a l l e dDi ffe r e ntKi ngs .I ti sl i k eOur obor osS pi nCy c l ei nt ha ti ti sa ne a r l y s y mbol i cwor kf r om whi c hma nywor k se v ol v e d.T hema nys ubt l ev a r i a onsonat he me ( he r edi ffe r e nte l e me nt sofc os t umeon‘ t hek i ng ‘ )i l l us t r a t e st he t l eofmypr oj e c t E v e r y one ’ saHe r oi nVal hal a.

I fe v e r y onei sa‘ Ki ng ’ ora‘ he r o‘ i nv i de og a me sl i k eWor l dof War c r a ,nobodyi si nf a c t‘ k i ng ’be c a us ee v e r y onei st hes a me ,a l be i tf ors omeme r e v a r i a onsonamode lors e tofmode l ss uppl i e dbyc y be r s pa c e .I t ’ sl i k eg oi ngt oI KE A, s e l e cng‘ k i ngou i t ’ a ndt he nt hes l i g htv a r i a onsy oumi g htpr e f e rt oma k ei t‘ y ourown‘ .

Ae r wa r dsIa l s o be c a me ot he ra r c he t y pe s ,e s pe c i a l l yf r om t he T a r ot .Ide c i de dt o i nv e sg a t ehow s uc c e s s f ul l ye a c ha r c he t y pewoul dope r a t ei fa ni ma t e df r om e t e r na l s l umbe ra nds oI pr oduc e das e r i e sofv i de osc a l l e dT heCandi dAr c he t y pe s( r i g ht ) , i nwhi c h e a c ha r c he t y peha dt oc ons umemunda nef ooda nddr i nk .T hi swa si nt e nde dt opl a y down a nds ubv e r tt he i rde a d, fla t , i mmor t a l i t yt hr oug ha na bs ur dl yov e r a ni ma t e d, c os t ume da nd c ol our e ds e tofme di a t e dpe r f or ma nc e s .

T omPe nne y , wor ki npr og r e s s( Di ffe r e ntKi ngs ) , 2010

14

T omPe nne y , T heCandi dAr c he t y pe s( T heE mpe r or ) , v i de osl l 2010

15

T HET AROTSEL FPORT RAI T Ca nIde nyas i ng l es pi r i t ua l‘ s e l f ’i nf a v ourofapos t mode r nov e r a ppr e c i a onoft he mulpl e ?

Ipe r f or m t he s e l fis h na r c i s s i s twho i nt e nds t oa ppr opr i a t ea ne x ha usv es e tof r e pr e s e nt a onsofhuma ne x pe r i e nc eunt omyownbody .T hust hr oug ht hea r c he t y pa l c ol l e conIa m‘ i mmor t a l ’i nt hes e ns eRoyAs c otmi g htputi t–Iha v es pl i tmys oul i nt o78 e t e r na l f or ms .

Ic oul de v e nus et he s efla t ,t he a t r i c a luni t sofs pa c ea smyonl i nea v a t a r si fIs oc hos et o.

Vi s ua l l y ,t hec a r dsc a na r r a ng el i k eag r i d.I t ’ sl i k ev i e wi ngmyl i br a r yofpr ofil ei ma g e son F a c e book .

T hes y mbol ofOur obor osa ppe a r sont heba c kofe v e r yc a r d.

Myhi dde ni nt e n onhe r ei st o s ubt l e t ye x pos et hepe r f or me ront hef r ont ;as i ng ul a rbe i nge a ngi t s( l a c kof )s e l fby be c omi nge v e r ypos s i bl e‘ s e l f ’ .T heme s s a g eoft he s ec a r dsl i e si nt hena r c i s s i s m or ‘ numbne s s ’ c i r c ul a ngi nt hec onfine dfla t ne s soft heuni t sofc a r ds pa c e .

T hee t e r na l pos e s a r es t uc ki naf e e dba c kl oop.

16

T omPe nne y , c onc e pti ma g ef orpa c k a g i ngofT ar otS e l fPor t r ai t , 2010

T omPe nne y , T ar otS e l fPor t r ai t , I I ofWands( l e) , I XofPe nt ac l e s( mi ddl e ) , XofCups( r i g ht ) , di g i t a l i ma g e s , 2010

17

QUEENS Wha tha ppe nswhe ny out a k eE mpr e s sAa ndE mpr e s sBoutf ort e ai nt hemi ddl eofWi l l i a m S t , Nor t hbr i dg e ?

Unf or t una t e l ywhe nbr oug htt ol i f e ,T heE mpr e s si sa ne t e r na l ‘ wa nna be ’ .I t ’ sv e r ydi ffic ul t t os t oma c hy ourhi g ht e awhe nt he r ei sbr ok e ng l a s s , ov e r g r ownwe e ds , dogf a e c e s , s t r ong wi ndsa ndme ni nut e ss hou ng“ Wha tt heF uc k ! ? ”t os poi l y oura i rofpr opr i e t y .

T heno onof‘ pe r f or mi ng ’ a na r c he t y pei nNor t hbr i dg ebe c a mev e r yi mpor t a ntf ur t he ri nt o t hepr oj e c t , wi t ht hede v e l opme ntofVal hal l a/ Vi r t ual Wi l l i amS t .

T omPe nne y , AnAi rofPr opr i e t y , v i de osl l s , 2010

18

T omPe nne y , AnAi rofPr opr i e t y , v i de osl l s , 2010

19

ONEMI NUT ESOULCAPT URE Ca na l c he mi c a lpr oc e s s e sbeus e df orde c ons t r ucv epur pos e sr a t he rt ha nc ons t r ucv e one s ?T hi si st heDa r kAr t sofAr ta twor k .

Arscwi t c he sk e e pupt oda t ewi t ht e c hnol og yi nor de rt oc a pt ur e‘ e s s e nc e ’ qui c k l yi nt he f or m ofc a r i c a t ur e .Phot os hopi saus e f ula l c he mi c a lt ool .2Di me ns i ona lPe r s ona l ie sa r e r a mpa ntonne t wor k i ngwe bs i t e sl i k eF a c e book , a nds os oul sa r ev e r ye a s yt oc opy , s t e a l a nd t r a ns f or m.

Al l oft he s es oul c a pt ur e sha v ebe e ndoneus i nge ffic i e ntdi g i t a l fil t e r si nonemi nut e .

T omPe nne y , wor ki npr og r e s sf orOneMi nut eS oul Capt ur e , 2010

20

1.

3.

2.

1, S t ea l af r i end’ spr ofil e pi c t ur ef r om f a c ebook , or us eadi g i t a l c a mer at o c a pt ur et hei rs oul 2.

Us i ngDa r kAr ts t r a t eg i es ( phot os hop) , us et he t a c k i es tdi g i t a l fil t er sa nd t ool st o“ c a pt ur e”t hei rs oul es s enc ei nonemi nut e.

3.

Addaf r a mef or g oodt a s t e.

Af r a me hel pst ohous eor “ bo l e”t hes oul .

SEL ECT EDWORKS/CL AY

23

T omPe nne y , wor ki npr og r e s sf orNe wE de n, 2009

He r ei sawor kf r om 2009whe nIs t a r t e dt ous ec l a yi nv i r t ua le nv i r onme nt s .I nt hi s pa rc ul a rs c e neI a s k e dme mbe r sofmyc l a s st os ubmi thuma nf or msf ora‘ Ne wE de n’ .

T hi s i sVal hal l ai ni t se a r l i e s tf or m.

T omPe nne y , Ne wE de n, 3Da ppl i c a on, 2009

24

T omPe nne y , wor ki npr og r e s s( unwr a ppi ngc l a ymode l s ) , 2010

Us i nganumbe rof di ffe r e ntc omput e rpr og r a ms , i t i spos s i bl et ot a k eav i r t ua l( s c a nne d)c l a yf or m a ndpa i nti t ,g i v ei tas k i n,a ndpl a c ei ti nt oane w wor l dwi t hane wou i t .Ma nyi ma g e sha v ebe e n pr oduc e df r omt hes t a g e soft hi spr oc e s s .

I c a l l t he mov e me ntbe t we e nt he s es t a g e s‘ ma s k i ng ’a nd ‘ unwr a ppi ng ’ .

25

CADAVER/DEAT HMASK Whe nwepe r f or mt her ol e sofv i de og a mec ha r a c t e r si nv i r t ua l s pa c e , weha v et hec ha nc e t obe c omei mmor t a l .

S i mi l a rt oOneMi nut eS oul Capt ur e ;Cadav e r/De at hMas k‘ unwr a ps ’as e r i e soff or ms de r i v e df r omf a mousNi nt e ndoc ha r a c t e r s , wi t ht hei nt e n onofr e mov i nga nd‘ bo l i ng ’ t he a l c he mi c a l e s s e nc eoft hos ef or mswi t hi na na bs t r a c t e d, 2Di me ns i ona l i ma g e .

Ca da v e ra ndMa s ka r epr e s e nt e da ss e pa r a t et oe a c hot he r-as pl i tbe t we e nt he‘ body ’ a nd t he‘ pe r f or ma nc e ’ .

T omPe nne y , wor ki npr og r e s sf orCadav e r/De at hMas k , 2010

27

CL AYPERF ORMERS

T omPe nne y , T heE mpr e s sa ndT heWi t c h, 2010

Cl a yi sl i k et hebody ,f r om whi c ha ny“ t y pe ”orps y c hol og yc a nbeg e ne r a t e d.Amor phous , pr e c a r i ousma t e r i a l swa i tt obeg r a nt e dpe r s ona l i t ywhi c hc a nt he nbet r a ns l a t e di nt ov i r t ua l orme di a t e ds pa c e .

28

T omPe nne y , T heF ool a ndT heCul t ur al Ot he r , 2010

T hema c hi neg r a nt st hema t e r i a lapa r a dox i c a li mmor t a l i t y .Onet ha te x i s t sa spur eda t ai s sl l s ubj e c tt oe ndl e s smor phi ng , r e pl i c a on, s c a l i nga ndmov e me nt .

Anys uc he nt yc a nbe s t ol e na nda l t e r e d.

29

VAL HAL L A/ VI RT UALWI L L I AM ST Wha t e v e ri spe r f or mi ngne e dsas t a g et odoi t .

J us ta sE mpr e s sAa ndE mpr e s sBpe r f or me d i nNor t hbr i dg e , nowt hec l a ype r f or me r sne e de dt odot hes a me .

Vi r t ual Wi l l i amS ti sac ha nc et oe x pl or et he‘ S pi r i t ua l Di me ns i on’ of Pe r t hc i t y .

Wi l l i a mS t , a n a noma l ousz onebe t we e nc i t ya nds ubur b, ha sl ongbe e nas i t ef ormi s fit sa nds t r a ng e r s .

Cons i de r i ngt hi si nhe r e ntps y c hog e og r a phy ;e mpt ys pa c e sa ndunde v e l ope dl ot sha v e be c ome‘ c r os s ov e r ’ poi nt si nwhi c ht os i t ua t ebi z a r r ea nds e x ua l s c ul pt ur a l c ha r a c t e r s .

T wopl a y e r sc a nna v i g a t et hi sv i r t ua l l ya ug me nt e dPe r t he x pe r i e nc et og e t he ri ni t sownc l a y a r c a deboot h.

T omPe nne y , wor ki npr og r e s s( i de af orpr e s e n ngVal hal l a) , 2010

30

T omPe nne y , wor ki npr og r e s s , c ov e rde s i g ni de af orVal hal l a, 2010

31

Phot oswe r et a k e nofWi l l i a mS ta ndme r g e dt og e t he rt of or mt hewa l l soft heVi r t ual Wi l l i amS t .

E mpt yl ot swe r ef ul l yphot og r a phe dt of or ms e pa r a t es pa c e s , or‘ s t a g e s ’ f orc l a y mode l s .

T omPe nne y , wor ki npr og r e s s , phot oma ni pua onofWi l l i a mS tf orma ppi ngt o3Ds ur f a c e si nVal hal l a, 2010

32

33

T omPe nne y , wor ki npr og r e s s , c ov e rde s i g nf orVal hal l a, 2010

34

T omPe nne y , wor ki npr og r e s s , v i e wofpl a y e rmode l f orVal hal l a, 2010

T omPe nne y , wor ki npr og r e s s , a e r i a l v i e wofVal hal l a, 2010

35

T omPe nne y , s c r e e nv i e wsofVal hal l a, 3Da ppl i c a on, 2010

36

37

I NANDOUTOFT HEL OOP Dur i ngt hi spr oj e c tIha v ef e l te x a c t l yl i k et heOur obor os ;mor phi nga ndme r g i ngbe t we e n mea ndv i r t ua l , di g i t a l wor l ds .

He nc eI c onc l udewi t hI na ndOutoft heL oop.

Whe nI f a c emy ownbodyofwor kac e nt r a l que sona r i s e s :a sa na rs t , a mI i ns i deorout s i deoft hel oop?

S ome me si twoul ds e e m Ia m‘ di s a ppe a r i ng ’i nt ot hes y s t e msIa mc r ic i s i ng .AsIha v e pr e c a r i ous l yna v i g a t e dt hebounda r ybe t we e nmyowni nt e g r i t ya ndt hepr e v a l e nc eof me c ha ni c a l s y s t e ms ; I c e l e br a t et hema nyf ur t he rque sonst hi sbl ur r i ngi nf e r s , f orwi t hout t he mI woul dbema k i ngnof ur t he ra r t .

S omeoft he s eque sonsmi g htbe : •I smywor kac e l e br a onofpa r a dox i c a l a ndc onf us e ds t a t e s , ori si tac r ic i s m?

•S houl dt hi se v e nbea ni s s ue ?

•AmI f r us t r a t e dwi t hmyowna rscna r c i s s i s m?

•I st hi se g oc onfir me d/ s ol i di fie dors c ae r e d/ f r a g me nt e da e rs uc hapr oj e c t ?

•Whe r ei st he‘ me ’ i nt hewor k , ori si ta l l ‘ me ’ be c a us eI g e ne r a t e di t ?

•I st he‘ k i ng ’ a‘ f ool ’ ?

•Wha tf ur t he rpot e na l ha spr e c a r i ousa r t ?

Al l of t he s eque sons , a l t houg hI a ma s k i ngt he ma e rt hepr oj e c tha sfini s he d, di da l s oe x i s t i nv e r ys i mi l a rf or msa tt hes t a r toft hepr oj e c t .

T hi st e l l smeI ha v eal ott og oonwi t hi nt hi s l i neofi nqui r y .T hef or m ofmywor kha st e nde dt obe c omec a r ni v a l e s que ;s ubv e rngmy ownc ont e mpor a r ya t mos phe r et hr oug hhumoura ndc ha os , howe v e rI a ma l s oi nt e r e s t e di n s ubv e rngc a r ni v a l i t s e l fa sade f a ul tmodeofc ont e mpor a r yt hi nk i ng .

I nma nyr e s pe c t st he fig ur eof‘ k i ng ’ I por t r a yi nt hi spr oj e c ti sa‘ f ool k i ng ’ , a ndI f or e s e ea not he rpa r a doxt hr oug h whi c ht oc r iquec a r ni v a l he r e .

T hr oug hs omef or e c a sngoutoft hi sf r us t r a t e ds t a t eofmi nd, t he r ec oul da ts omepoi ntbe ar e v e a l i ng , as t r i ppi ngba c k , orar e t ur nt ot he‘ a ut he nc ’ whi c hl i e sbe hi nda l l oft hef a c e s I por t r a yt hr oug ha r t .

I ns omec a s e s , e s pe c i a l l yi nVa l ha l l a / Vi r t ua l Wi l l i a mS t , i tma yhe l pt o di sl e l e me nt sof t hewor kt of or ma rscc r iquer a t he rt ha npr e s e ntt hewor ka si s , whe r e i t sa r ti sc l os et o‘ di s a ppe a r i ng ’e nr e l yi nt ot hef or m oft hev i de og a me .F ort hemome nt howe v e rI ’ mha ppywi t ht hec ur r e nts t a t eofpr e c a r i ous ne s sorque soni ng .

Cons i de r i ngs ha ma ni s m,i twoul dbebe ne fic i a lf orat hi r dpa r t yt os t a r tc ons i de r i nga nd t a l k i nga boutmywor ki nape r f or ma v ea nt hr opol og i c a lwa y ,orpe r ha psIc oul ddot hi s us i ngadi ffe r e ntpe r s ona .T hi smi g htbei nt hef or m oft he a t r i c a l l e c t ur e sonT heDa r kAr t s ofAr ta ndot he rf or msofl i v epe r f or ma nc e ,t he a t r e ,i nt e r v e n ona ndr i t ua l .Iha v ea l r e a dy s t a r t e dt hi nk i ngofwa y st oi nt e r a c twi t hPe r t hCi t y ,e s pe c i a l l yPe r t hCul t ur a lCe nt r e ,i na Coa t e s l i k ema nne r( wi t hmyownt wi s tofc our s e ) .Pe r t hi sac i t yt ha tl a c k s‘ s pi c e ’ ,a nd pe r f or ma nc ei nt e r v e n oni sawa yt odophy s i c a l l ywha tVa l ha l l a / Vi r t ua lWi l l i a mS tha s ae mpt e d.

Oppos i t e : T omPe nne y , E s s e nc e # 3, 2010

38

Aswemov ef ur t he ri nt ot hepos t di g i t a l a g ei tbe c ome smor ea ndmor eunc l e a rwha tr ol e s ouri ndi v i dua lc ons c i ous ne s s e swi l lpl a y .Wea r enol ong e ra r g ui ngbe t we e n‘ s i ng ul a r ie s ’ a nd‘ mulpl i c ie s ’ a ndi ns t e a dr e a l i s i ngt ha tt og e t he rt he yf or m hy br i d, t ot a l i s i ngs y s t e ms .

T hi sk i nd of‘ c a t c ha l l ’a ppr oa c hc ha r a c t e r i s e st he g l oba lc ommuni t yt hr oug hs oc i a l ne t wor k i nga ndc ommuni c a ons y s t e ms , g ov e r nme nt s , i nt e r ne t , t hee c onomya nde v e nt he wa ywea r es ol dc ommodie s .

I i nt e ndt oc on nuepl a y i nga st hes ha ma ni ca rs t , s l i ppi ngi nt ot hec r a c k soft he s es y s t e ms a nde x pos i ngt he i rt ot a l i s i ng ,pa r a dox i c a lna t ur e ,a l t houg hi nt hef ut ur eImi g hta l s ot hi nk a boutc r e a ngpr ov i s i ona l ‘ mi c r out opi a s ’us i ngmyowna rscv i s i onst ha te i t he rc onfir m ors ug g e s ta l t e r na v e st ot he‘ Our obor osc ondion’ ofourme di a t e dl i v e s .

39

REF ERENCES/BI BL I OGRAPHY

40

I MAGEREF ERENCE F RONTCOVE R: T omPe nne y , Di ffe r e ntKi ng s( Ae rBi l l Vi ol a ) , 2010 Di g i t a l i ma g eonl y( di me ns i onsv a r i a bl e ) Col l e conoft heArs t I NS I DEF RONTCOVE R: T omPe nne y , E s s e nc e # 5, 2010 Di g i t a l i ma g eonl y( di me ns i onsv a r i a bl e ) Col l e conoft heArs t ACKNOWL E DGE ME NT S : T omPe nne y , E s s e nc e # 6, 2010 Di g i t a l i ma g eonl y( di me ns i onsv a r i a bl e ) Col l e conoft heArs t I NF L UE NT I ALI DE AS : Vi s i onQue s twi t hChr omeHoof , He y g a t eE s t a t e , L ondon, 2009 di g i t a l c t y pepr i nt , 115x163c m Phot og r a phy : Ni c kDa v i d,Pr oduc e dbyNoma d Cour t e s yoft hea rs ta ndWor k pl a c eGa l l e r y , UK Ka z i mi rMa l e v i c h, Bl a c kCi r c l e , 1915 Oi l onCa nv a s , 105.

5x105.

5c m S t a t eRus s i a nMus e um, S t .

Pe t e r s bur g Al l a nMc Col l um, Pl a s t e rS ur r og a t e s , 1984.

E na me l onc a s thy dr os t one , F or t ypa ne l sr a ng i ngf r om5x4 1/ 8"( 12.

8x10.

2c m)t o201/ 4x161/ 4"( 51.

3x41.

1c m) , ov e r a l l 64"x9' 2"( 162.

5x279.

4c m) .

Robe r ta ndMe r y l Me l t z e ra ndRobe r tF . a ndAnnaMa r i eS ha pi r oF unds . © 2010Al l a nMc Col l um ARTMAKI NGS T RAT E GI E S : T omPe nne y , T heNe wS pi r i t ua l Ne t wor k , 2009 T e l e v i s i ons , DVDpl a y e r s , unfir e dc l a y , di g i t a l pr i nt s , br onz e .

S i t es pe c i fic , di me ns i onsv a r i a bl e Col l e conoft heArs t

T omPe nne y , T a r otS e l fPor t r a i t( T heE mpr e s s ) , 2010 Di g i t a l i ma g ef orpr i nt e dc a r ds Col l e conoft heArs t T omPe nne y , T a r otS e l fPor t r a i t( T heS un) , 2010 Di g i t a l i ma g ef orpr i nt e dc a r ds Col l e conoft heArs t QUE E NS : T omPe nne y , AnAi rofPr opr i e t y , 2010 Vi de osl l s16ofS .

D. v i de o( 640x 480px ) Col l e conoft heArs t ONEMI NUT ES OULCAPT URE : T omPe nne y , wor ki npr og r e s sf orT heOneMi nut eS oul Ca pt ur e , 2010 I ma g e s14, di g i t a l i ma g e sonl y Col l e conoft heArs t T omPe nne y , i ns t r uconsf orT heOneMi nut eS oul Ca pt ur e , 2010 Di g i t a l i ma g eonl y Col l e conoft heArs t T omPe nne y , i ma g ef r oma rs t ’ sF a c e bookpi c t ur e s , 2010 Di g i t a l i ma g eonl y Col l e conoft heArs t CL AY : T omPe nne y , E de n, 2010 Unfir e dc l a y , MDFa ndhobbyg r a s s , 60x 60c m Col l e conoft heArs t T omPe nne y , wor ki npr og r e s sf orNe wE de n, 2009 Unfir e d, we tc l a yobj e c t sa ppr ox10x 10x 15c me a c h Col l e conoft heArs t

T omPe nne ywi t hJ oa nneRi c ha r ds ona ndOs c a rChur c hi l l Ri l e y , T heGoog l yE y eWor k s hop, 2009 Di g i t a l i ma g eonl y Col l e conoft heArs t

T omPe nne y , Ne wE de n, 2009 Uni t y3Da ppl i c a on, r e s ol u onv a r i a bl e Col l e conoft heArs t

PRI MARYMAT E RI AL S : T omPe nne y , s c r e e ns hotf r omWor l dofWa r c r a( 2004, Bl i z z a r dE nt e r t a i nme nt ) , Col l e conoft he Ars t

T omPe nne y , wor ki npr og r e s s( unwr a ppi ngc l a ymode l s ) , 2010 7di g i t a l i ma g e s , di g i t a l onl y Col l e conoft heArs t

T omPe nne y , s c r e e ns hotf r omS upe rS ma s hBr ot he r s( 1999, Ni nt e ndoofAme r i c a ) , Col l e conoft he Ars t

CADAVE R/ DE AT HMAS K: T omPe nne y , wor ki npr og r e s sf orCa da v e r / De a t hMa s k , 2010 5di g i t a l i ma g e s , di g i t a l onl y Col l e conoft heArs t

T omPe nne y , wor ki npr og r e s s , 3Ds c a nni ngc l a y , 2010 Di g i t a l i ma g eonl y Col l e conoft heArs t T omPe nne y , Coy ot eCr e a onT ot e m, 2009 Vi de osl l sof3S .

D. v i de os( 640x 480px ) Col l e conoft heArs t T omPe nne y , Bot c he dCr e a onMy t h, 2009 Unfir e dCl a y , 25x 20x 20c m Col l e conoft heArs t

CL AYPE RF ORME RS : T omPe nne y , T heE mpr e s sa ndT heWi t c h, 2010 Di g i t a l i ma g e sonl y Col l e conoft heArs t T omPe nne y , T heF ool a ndT heCul t ur a l Ot he r , 2010 Di g i t a l i ma g e sonl y Col l e conoft heArs t

T omPe nne y , He r c ul e s , 2009 Br onz e , 10x 10x 25c m Col l e conoft heArs t

VAL HAL L A/ VI RT UALWI L L I AM S T : T omPe nne y , wor ki npr og r e s s( i de a sf orpr e s e n ngVa l ha l l a ) , 2010 Di g i t a l dr a wi ngonl y Col l e conoft heArs t

T omPe nne y , Coy ot eCos t ume , 2009 Di g i t a l i ma g eonl y Col l e conoft heArs t

T omPe nne y , c ov e rde s i g nf orVa l ha l l a , 2010 Di g i t a l i ma g eonl y Col l e conoft heArs t

T HEBODY : T omPe nne y , c ov e ri ma g ef orT a r otS e l fPor t r a i t , 2010 Di g i t a l i ma g eonl y Col l e conoft heArs t

T omPe nne y , wor ki npr og r e s sf orVa l ha l l a , 2010 Di g i t a l i ma g e sofpr oc e s s Col l e conoft heArs t

T HEOUROBOROS : T omPe nne y , wor ki npr og r e s s( di a g r a mofour obor os ) , 2010 Di g i t a l dr a wi ngonl y Col l e conoft heArs t T omPe nne y , Our obor osS pi nCy c l e( F ool Ki ng ) , 2010 Vi de osl l ofS .

D. v i de o( 640x 480px ) Col l e conoft heArs t KI NGS : T omPe nne y , Di ffe r e ntKi ng s , 2010 Di g i t a l i ma g eonl y Col l e conoft heArs t T omPe nne y , T heCa ndi dAr c he t y pe s( T heE mpe r or ) , 2010 Vi de osl l ofS .

D. v i de o( 640x 480px ) Col l e conoft heArs t T AROTS E L FPORT RAI T : T omPe nne y , T heCa ndi dAr c he t y pe s( T heHe r mi t ) , 2010 Vi de osl l ofS .

D. v i de o( 640x 480px ) Col l e conoft heArs t T omPe nne y , T heCa ndi dAr c he t y pe s( T heDe v i l ) , 2010 Vi de osl l ofS .

D. v i de o( 640x 480px ) Col l e conoft heArs t

T omPe nne y , c ov e rde s i g nf orVa l ha l l a , 2010 Di g i t a l i ma g eonl y Col l e conoft heArs t T omPe nne y , wor ki npr og r e s s , pl a y e rmode l f orVa l ha l l a , 2010 S c r e e ns hot , di g i t a l i ma g eonl y Col l e conoft heArs t T omPe nne y , wor ki npr og r e s s , a e r i a l v i e wofVa l ha l l a , 2010 S c r e e ns hot , di g i t a l i ma g eonl y Col l e conoft heArs t T omPe nne y , Va l ha l l a , 2010 4s c r e e ns hot sofUni t y3Da ppl i c a on, r e s ol u onsv a r i a bl e Col l e conoft heArs t I NANDOUTOFT HEL OOP: T omPe nne y , E s s e nc e # 3, 2010 Di g i t a l i ma g eonl y( di me ns i onsv a r i a bl e ) Col l e conoft heArs t I NS I DEBACKCOVE R: T omPe nne y , E s s e nc e # 2a ndE s s e nc e # 1, 2010 Di g i t a l i ma g e sonl y( di me ns i onsv a r i a bl e ) Col l e conoft heArs t BACKCOVE R: T omPe nne y , S ha ma ni cDa da i s m, 2010 Vi de osl l ofS .

D. v i de o( 640x 480px ) Col l e conoft heArs t

T omPe nne y , boxde s i g nf orT a r otS e l fPor t r a i t , 2010 Di g i t a l i ma g eonl y Col l e conoft heArs t T omPe nne y , T a r otS e l fPor t r a i t( T heF ool ) , 2010 Di g i t a l i ma g ef orpr i nt e dc a r ds Col l e conoft heArs t

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