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26 88 Cover
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A house with a difference – the second floor of this new house by Cameron Ireland resembles a large floating box. To read more, turn to pages 26-35. Photography by Jamie Cobel.
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Freestanding cookers from Smeg offer style that goes hand in hand with performance, user-friendliness and minimal energy consumption.
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REGIONAL VERNACULAR Close to nature Mature eucalyptus trees and a meandering stream provide the framework for this contemporary property nestled in the bush
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Winter wonderland This house responds to the views and a need to ski in and ski out – the design calls to mind old mining structures once seen in the area
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CITY HOMES Off the edge A cantilevered box accommodates the second storey of this city house, which was designed to make a bold architectural statement
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Outside the box Contrasting materials, layered planes and sculptural coutouts on the exterior of this new house inform the living spaces
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NEW TRADITIONAL Friendly face This new home has the character of an older, historic residence
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Social outlook From its neighbourly front porch to its pared-back interior, this Amish-style house offers simplicity and connectivity
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THE GREAT AUSTRALIAN DREAM Our country boasts some of the best residential architecture on the planet. This section highlights the companies that design and build these remarkable homes
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PRODUCTS & SERVICES Award-winning kitchen design · Paint systems · Climate control
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TOP 30 AUSTRALIAN NEW HOMES
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APARTMENTS Grand gesture Everything about this penthouse apartment, from the bold, sculptural furnishings to the spectacular view, signals a lifestyle less ordinary
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International flavour Designed for a high-end apartment, this interior reflects a distinctive, jewel-inspired approach
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INDEX
Editor Kathleen Kinney – kathleen.kinney@trendsideas.com Managing Director Australia Glenn Hyland – glenn.hyland@trendsideas.com
FROM THE PUBLISHER Architecture is usually most effective when it responds to all of its surroundings. For this reason, an ideal new build combines the architect’s own inspiration and style with the wants and needs of the homeowners, as well as reflecting the natural and built environment. @DavidJideas facebook.com/trendsideas
In this issue of New Home & Apartment Trends, we explore a variety of different residential
David Johnson
styles. These range from large-scale homes in spectacular rural settings, through to contemporary family living on more restricted city sites. And for those who prefer a more historic, traditional style, there’s no need to compromise on convenience, as two of our featured projects show. We also include a pair of dazzling apartments, sure to impress the most demanding of owners. As usual, our inspiring projects are augmented with a variety of goods and services aimed to equip you with the practical knowledge to complete your own project. Lastly, our Trends publications are also available as eBooks. This exponentially increases the potential audience for our featured designers and advertisers. Our readers benefit from the enhanced multimedia experience that eBooks provide, and of course, the environmental footprint of our publications is minimised. Visit our website, my.Trendsideas.com. Happy reading
Editorial Editorial Director Paul Taylor Managing Editor John Williams Subeditor Jane McKenzie Digital Editor James Gilbert Senior Writer Colleen Hawkes Staff Writer Charles Moxham Email editorial@trendsideas.com Sales – All Media Adrian Law – adrian.law@trendsideas.com Ben Trethewey – ben.trethewey@trendsideas.com Costas Dedes – costas.dedes@trendsideas.com Gill Angel – gill.angel@trendsideas.com Shailan Patel – shailan.patel@trendsideas.com International Business General Manager Trends Media Group Louise Messer Executive Assistant Olya Taburina President Judy Johnson – judy.johnson@trendsideas.com Director of Strategic Planning Andrew Johnson – andrew.johnson@trendsideas.com Executive Assistant Marinka Simunac Production Agency Manager Annette Nortje Project & Client Co-ordinator Terri Patrickson Client Co-ordinator Marijana Zeba Graphic Designers Joan Clarke, Sasha Fowler Staff Photographer Jamie Cobel Image Technician Ton Veele DV Camera Operator/Production Manager Bevan Read TV Editor Gene Lewis Digital Marketing Co-ordinator Miha Matelic Web Application Developer Lisa Kim Web, Production & TV Assistant Clint Lewis Digital Production Assistant Anthony Hunt Email production@trendsideas.com Finance Financial Controller Simon Groves – simon.groves@trendsideas.com Finance Manager Naresh Unka Accounts Manager Nina Adam Accounts Assistant Kirstie Paton IT & Administration IT & Systems Manager Charlie Western Systems Administrator Dennis Veele
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Anchored by a stone fireplace, the soaring roofline and fullheight glazing in this living area ensure the extensive bush and stream views are maximised.
At the rear of our cover project, a long timber deck leads down to a pool. Semitropical landscaping helps to screen the boundary walls.
Classic-look furnishings and soft wool carpets evoke the warmth of an older, much-loved family home — even though this house is a brand-new build!
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regional vernacular
Sense of place Architecture is constantly evolving, but different regions can be defined by specific materials and aesthetics
Close to nature Mature eucalyptus trees and a meandering stream provide the framework for this contemporary property nestled in the bush
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Natural materials invariably come to mind when building in the bush. After all, they are a guaranteed way to ensure a house is in harmony with the landscape. Homes in the Margaret River region of Western Australia are frequently built from local stone and timber – materials that allow a house to blend in with the natural surroundings. And so it was for this holiday home, designed by architect Simon Rodrigues of Rodrigues Bodycoat Architects. The house sits on a natural ridge above a stream that
meanders its way in a lazy arc around the bush-clad site. The red earth track leading to the house is lined with large boulders found on site, so it was an obvious choice to extend the stone through to the house. “The owners wanted to include as many natural materials as possible,” says Rodrigues. “Some of the stone used in the landscaping is from the property, while the rest is sourced locally to fit the colour and profile required by the owners. Here, it is teamed with Pacific teak wood, with the planks laid vertically.”
From the drive, the house gives little away – it appears as a long, low building that pushes out towards the bush on one side. The architect says playing down the significance of the entry was intentional. “It’s not until you open the front door that the house really reveals itself,” he says. “While the roof is pitched low over the entry and external circulation area along the south side, on the inside it rakes upward to embrace the view and northern aspect through full-height glazing in all the rooms on this side of the house.”
Preceding pages and facing page: Local stone and Pacific teak feature on this holiday home in the Margaret River region of Western Australia. Much of the site is covered with native bush – and there is a stream looping around the property. The owners have also established a small vineyard. Above: The house is positioned on a ridge, which drops away on the northern side. This allows the house to extend out into the landscape. A timber walkway runs the length of the house, linking it to a separate, self-contained guest wing. The area beneath the house is undeveloped, but houses pool equipment and other services.
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Above: A soaring roofline and full-height glazing in the open-plan living area ensure the extensive bush and stream views are maximised. Right: The east-west axis of the house is defined by a stone wall that runs the length of the house. Uplights highlight the colour and texture of the stone. Similar stone features on the fire surround. The floor and cantilevered hearth are concrete.
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Above and facing page, lower: The galley-style kitchen extends through to the covered deck, where the stone wall wraps around an outdoor kitchen. White lacquered cabinets are teamed with reconstituted stone benchtops. Facing page, top: An absence of overhead cabinets ensures the stone remains a key feature. The long window doubles as a splashback. Right: The living area and deck appear to float above the natural landscape.
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The stone wall forms the spine of the house, defining the east-west axis. It extends the entire length of the main building and is flanked by the timber walkway that connects with a separate self-contained guest wing. “This stone is part of the contemporary building aesthetic of the Margaret River region,” says Rodrigues. “Here, it forms the dominant feature of the interior – all the interior spaces are aligned with this wall. And we have placed uplights on the floor to highlight the stone at night.”
The architect says the wall was left as uncluttered as possible. For this reason there are no overhead cabinets in the galley-style kitchen, which is the social centre of the house. However, the owners did request a long window that doubles as a splashback. This provides a glimpse of the picturesque bushland on the south side of the house. A long island and matching perimeter cabinets reinforce the horizontal axis. The cabinetry along the wall appears to extend through the glass door to the timber deck
where it forms an outdoor kitchen with a separate cooktop. Rodrigues says the lines between inside and out are deliberately blurred, with the covered deck functioning as a key part of the living area. “The deck, on the northeast side of the house, floats across the landscape overlooking the stream and bush, and a swimming pool at the side. Because most of the bad weather comes from the opposite direction, it is very sheltered, so it can be enjoyed all year round.”
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Top: The master suite, at the western end of the house, features a wall of storage, which separates the bedroom from the bathroom. Above: With its white walls and pale wood veneer, the bathroom in the suite continues the neutral colour palette of the rest of the house. The shower is an open wet area near the expansive windows. The owners can also enjoy the view from the freestanding bathtub. Story by Colleen Hawkes Photography by Peter Hughes
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The large openings have insect screens that can be hidden if not required. However, there are fixed insect screens over the high louvre windows, which can be kept open to help with cross ventilation. “The house is not air conditioned, but can be kept at a pleasant temperature in summer and winter,” says the architect. “The concrete floor has underfloor heating, and there is a wood-burning fireplace in the living room.” In keeping with the relaxed nature of the holiday home, the master suite has
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an open layout. A bank of glossy painted cabinets separate the bedroom from the bathroom. These provide ample storage, so there is no need for additional furniture. Both the bed and freestanding bath are positioned to maximise the view through continuous full-height glazing. And with no near neighbours, privacy is assured. resource list | images | video Search 43931 at my.trendsideas.com
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Winter wonderland The layout of this multi-structure house responds to the views and a need for ski-in ski-out functionality – the design calls to mind old mining buildings that were once a familiar sight in the area
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Designing a home in a mountain resort can mean conforming to guidelines on architectural styles. However, it is possible to step away from the upscale rustic cabin forms typical of such developments, particularly when there is an alternative precedent to follow. For this house – by architect Barry Gehl and builders Rob McRae and Todd Thesing of Highline Partners – the owners wanted a design that would respond to resort restrictions but have a contemporary feel. The developer of this community had a new home guideline, that followed the rustic Montana look, says Gehl.
Above: Gabled roofs and weatherboards abound in this Montana house. However, this is only half the story – an exposed frame and specific structural treatments evoke the look of old mining buildings that once dotted the area. Three guest suites are to the right, with the great room and circulation tower to the left. Left: The master bedroom – with the lower chimney – has a self-contained feel, much like an old cottage.
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Left and above: An exoskeleton of chunky wood beams and extended rafters leads the eye beyond the house and invites contemplation of its structure. The open design, combined with large sections of glass, allows vistas right through the house to the mountains beyond. Glazed pocket doors 3.65m high and 5.5m wide retract into a cavity between the indoor and outdoor fireplaces to merge the interiors with the alpine environment.
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“However, mining industry structures were also once common in this landscape and we chose to reference these strong, raw forms instead to create a more edgy, modern feel.” To this end, the house was designed with a dramatic, highly visible wood structure that extends beyond the footprint of the interiors in some places, much like a wooden exoskeleton. Rob McRae says Gehl and the structural engineer worked through several possibilities to arrive at the intricate combination of raised shed roofs, supporting trusses and beams. “Diagonal steel tension members set into
giant trusses in the great room guard against seismic activity and winds. The chimney on the fireplace is steel, clad in stone, and this also anchors the house against lateral movement.” The exposed structure approach carries over to the connected buildings, too. “Of course, the other prominent material is glass, allowing the front of the home to open up to the views,” says Gehl. “On the street side smaller, cutout windows help create privacy.” The exterior walls are clad in weatherboards, specially dried in a microwave kiln to prevent warping in the dry alpine environment.
Facing page: Exposed rafters and beams ensure the architecture is part of the interior aesthetic as well. Waxed metal elements to the rear play up the industrial feel and contrast the warm hardwoods. Above: The corner cabinet in the dining area was designed by the architect for storage and for stereo speakers. Metal feet on the custom hardwood table continue the pairing of these two materials.
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Above: The sitting room is off the great room and provides a place for intimate conversation – important when there may be up to 20 visitors staying at any one time. Facing page: Going up? A climbing wall provides a white-knuckle ascent option for family and visitors. Two self-rappelling stations mean one person can climb without the aid of a partner. Metal door surrounds add to the home’s modern, industrial edge.
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“The exposed structure naturally forms part of the interior aesthetic as well, with the look of the beams and stonework extended by slate and oak floors,” says the architect. “We introduced an industrial accent with the waxed metal finishes on the fir cabinets, some large door entries and the stairway.” In terms of layout, the house steps across the mountainside, with the position of each build element optimising views one way and privacy the other. Part of the brief to the architect and builder was to site the house so family and guests would be able to ski in and ski out.
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The segmented house comprises the great room, a four-level circulation tower – calling to mind a mine shaft tower – a master bedroom, four guest suites, garaging, and ancillary spaces, such as a ski-tuning room. Enclosed walkways connect the various spaces. The great room encompasses a dining area, kitchen and sitting room. Giant 3.65m-high glass doors retract into a slot between the indoor and outdoor fireplaces, opening the interiors to an outdoor living area with an in-ground spa. “The tower accesses the garage at the first floor level, then the great room, followed by
walkways to the guest suites and master bedroom and finally, a study on the top floor,” says Gehl. “However, climbing the stairs isn’t the only way to reach the top of this tower. “A local specialist in competitive climbing walls was asked to create one here for the stair tower. This had to be suitable for both novices and experienced climbers and have two selfarresting rappelling stations. We also stepped the wall away from the windows – this prevents any swinging accidents,” says McRae. Furniture choices further the back-country mining aesthetic and the contemporary accent.
The dining table is made from a large, uneven wood slab, while the angled corner cabinet was designed by the architect along modern lines. A year after building was completed, the house was retrofitted with a geothermal heating system, which draws on the warmth of the ambient ground temperature. In a semi-remote area served mainly by propane gas, this has resulted in savings of 75% on power bills. resource list | save | share Search 44459 at my.trendsideas.com
Facing page: This guest suite builds on the exposed structural appeal, but tie-rods are used to hold the framing together rather than beams. Rungs on the ship’s ladder extend across the wall to form a desk and shelving. This page: The master bedroom has a fireplace that looks as if it has been there for a hundred years. Story by Charles Moxham Photography by Benjamin Benschneider
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city homes
Urban fringe Contemporary architecture is finding a new home in the city, as derelict buildings on prime sites are gradually replaced
Off the edge A cantilevered box accommodates the second storey of this city house, which was designed to make a bold architectural statement
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New housing is often clustered in established areas of the city, especially when it arises from a single, large subdivided property. Houses in such enclaves may have a complementary architectural style, but are most likely to have their own points of difference, as this project shows. The house, which was designed and built by Cameron Ireland, with architect Jack McKinney, is one of several modern homes built on the site of a former hostel for unmarried mothers. Because Ireland developed most of the new building sites, he was able to retain a similar architectural language. He was also able
to ensure each property would have a private outdoor living area, even though some houses are right on the boundary line. To bring a sense of drama to this house, the designer created a series of square-edged volumes linked by a central circulation spine. One of these volumes is a box-like element that accommodates the entire second storey. “The box is positioned on an angle, which exaggerates the sense that it is simply floating on top of the house,” says Ireland. “The skew makes it seem disconnected. At the front, the cantilevered end of the box pushes out towards
Preceding pages: It’s a two-storey house with a difference – the second floor of this contemporary home is designed to resemble a large floating box. Its skewed position heightens the sense of disconnection. These pages: Different materials define the various volumes. These include vertical cedar boards stained in black, and large-format porcelain tiles. The fence features cedar pickets, that are a nod to traditional villa fences in the neighbourhood.
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Above: The all-white kitchen has a calming influence. Positioned at one end of the large family living area, the kitchen incorporates a long, marble-topped island. There is a separate butler’s pantry behind the cooking centre. The textural flooring features polished aggregate concrete in varying tones of grey and dark charcoal.
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the street, commanding attention and signalling the entry. The cantilevered element also helps to enclose the front porch, creating an intimate sense of arrival.” Contrasting materials reinforce the notion of separate volumes. The garage and floating box are clad in black-stained vertical cedar boards, while the box accommodating the formal living room features a large-format porcelain tile that resembles grey marble – these 1.5m-long tiles are fixed to concrete. The single window in this living room is framed in black, which further enhances the visual drama.
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“The large tiles extend through to the inside of the house, where again they wrap around specific volumes,” says Ireland. “The sense of floating elements also continues here, with a suspended open staircase that has timber steps supported by white steel bands. The open nature of this graphic centrepiece means you can see right through the staircase and get a sense of what lies beyond.” And it’s the large, open-plan living area that draws the eye, right from the entry. This expansive space features almost 16m of sliders that open up the room to a long timber deck,
a grassed area, and a swimming pool at the far end of the garden. Contemporary furniture, chosen by interior designer Rachael Newnham, enhances the architecture. The designer also chose to have an all-white kitchen, so it is not visually intrusive. Colour accents, which can be changed out easily, help to enliven the look. In addition to the marble benchtops on the island and perimeter cabinets, there is a separate butler’s pantry. The flooring throughout the living area is polished aggregate concrete, which provides thermal benefits in winter.
Above: More than 16m of sliders open up the living area to the outdoors. Although the neighbouring house is close, all the properties have been designed to ensure privacy for the outdoor living areas. Left: The kitchen also features a bank of seamless white-lacquered cabinetry at one end.
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Four bedrooms and a study are positioned on the upper level. Because the site is elevated, these rooms have expansive views – helped by the 50 lineal metres of glazing featured within this volume. The master suite occupies the area within the cantilevered element at the front of the house. The marble-look porcelain tiles reappear in the ensuite bathroom, lining the walls and the floor. Because this room is internal, it has skylights, rather than windows. And there is a long, frosted-glass wall separating a hallway, which lets in plenty of natural light.
A freestanding, fully tiled wall supports a cantilevered vanity on one side, with shower fittings on the other side. Ireland says his own family has been living in the house since it was completed, enjoying the laid-back lifestyle it brings. “The other houses we are building on the block will have a similar emphasis on contemporary indoor-outdoor living,� he says. resource list | images | save Search 43690 at my.trendsideas.com
Preceding pages: The house incorporates an open staircase, with timber steps supported by steel bands. Also shown is the master suite, at one end of the upper level. These pages: At the rear, a long timber deck leads down to a pool. Semitropical landscaping helps to screen the boundary walls. Story by Colleen Hawkes Photography by Jamie Cobel
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Outside the box Contrasting materials, layered planes and sculptural cutouts on the exterior of this new house inform the interior living spaces Taking the less conventional approach to design is a sure way to give a house a strong identity and sense of place. Invariably, form is dictated by function, and building materials take on a whole new significance. For this project, architect Scott West created a bold, multi-layered facade where walls slice through windows and cutouts provide changing
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perspectives that blur the line between inside and out. The sculptural, geometric form of the architecture extends to the landscaping, where the entry path turns at right angles and is flanked by terraced gardens. “The house is on an exposed corner site,” says West. “Consequently, the owner wanted the suggestion of a barrier between the street and the house without the
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unfriendly look of a fence. We turned the front door sideways so it is not an open invitation for just anyone to wander up the path.” Strong, bold materials and an absence of large windows on the corner elevation also create a visual defense. West teamed natural slate, ipê hardwood and stucco with a new proprietary bamboo tongueand-groove siding. Each
material defines a separate piece of the 3-D composition. “Rather than presenting rooms as a collection of little boxes, I designed the house as a sculptural assembly of spaces,” says West. “The gaps in between the solid planes create a negative detailing, which is where the windows are positioned.” At the front, a chimney-like element wrapped in ipê wood
encloses mechanical services, while a matching horizontal plane forms an awning above the entry. “The ipĂŞ and bamboo help to bring a little organic softness to the modern design and the hard-edged stone and stucco forms,â€? the architect says. Most of the materials appear to slice through the house to form interior walls. Slate flooring also runs from
the inside to the outside, creating a seamless transition between indoor and outdoor living areas. A semi-freestanding wall of wood defines the main circulation axis through the house. As with the exterior, this features cutouts that allow glimpses of the kitchen and dining areas on the other side. West says the wall is clad in prefinished wood flooring with mitred
corners, which was a highly cost-effective solution. Interior designer Catherine Cocke enhanced the grey toneon-tone colour palette in the house. In the large, galleystyle kitchen, grey cabinets are teamed with custom marble benchtops and a Porcelanosa white tile splashback. However, it is the extra-long island that forms the centrepiece of the room.
Facing page: This new house designed by Scott West is a 3-D composition of intersecting vertical and horizontal planes. The recessed areas of the puzzle, often called negative detailing, are where the windows are positioned. Above: The landscaping follows similar orthogonal lines, and incorporates a runnel water feature. The original plans continue the axis of the water feature on the other side of the house.
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Preceding pages, above and facing page: A long dividing wall clad in prefinished wood flooring defines the main circulation axis. The kitchen floor is on two levels, so a dining area could be accommodated at one end of the long island. The textural wall in the living room is faux horse hair. Right: Designed as an extension to the living room, the patio features the same materials – a slate wall and flooring, and an ipê wood ceiling.
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“The site has a slight slope, which is absorbed within the design,” says West. “The floor level steps down in the hallway and kitchen. We designed a continuous island benchtop, but because the floor level is higher at one end than the other, the top is an ideal height for a dining table. At the other end the floor is 150mm lower, which is the right height for working at the island.”
Set on the lower level, the living room has a high ceiling and a light, airy feel. This is helped by the seamless flow to a patio, which effectively doubles the size of the room. Here, the ipê wood appears to slide through the glass to form a large wall and a suspended ceiling element. In the master suite, it is the slate as well as the ipê, that flows from inside to out.
Left and above: The master bedroom on the upper level opens out to a private balcony. Similarly, the adjoining bathroom has its own private terrace, with a garden and Japanese maple tree. Story by Colleen Hawkes Photography by Galina Coada
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new traditional
Time travellers These homes offer classic exteriors to the street. Inside, traditional elements dovetail with contemporary functionality
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Friendly face This new home has all the character of an older, historic residence Which is preferable, the warm appeal of a classically styled home or the convenience of a streamlined modern residence? This decision is mulled over by home builders every day. One approach is to choose a traditional facade that gives way to more user-friendly interiors. Seen from the street, this new house is a picture of historic charm. Designed by owner Dana Lane, who also completed the interior design, the home has front and side facades that have all the hallmarks of old-world architecture. The brick frontage is fully clad in hand-laid stone, with brick quoin corners painted white.
Preceding pages and these pages: With its classic roof forms, stone cladding, sash windows and old-world veranda, this new home looks like more like a cottage than a family home. The rear of the house, however, has a contrasting aesthetic, with contemporary bifolding doors opening to a pool and large deck. The house was designed by owner Dana Lane with draughting by Kelvin Read.
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Preceding pages and this page: The front door leads down a hallway to the open-plan family living space, which in turn opens to the rear of the property. With the front rooms finished in a traditional aesthetic, classic touches are brought through into this more contemporary living space. These include the timber floor, high skirting boards, and the trim around the white doors to the study and the butler’s pantry behind the kitchen.
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A finial sits atop each of the steeply pitched roof forms, and turned posts support the rustic veranda. Old-fashioned double-hung sash windows feature on the front and side walls of the house, and stone greyhounds stand to attention on either side of the solid front door. Dana Lane says her family loves the classic aesthetic, which continues into the front rooms – the master bedroom, three other bedrooms and a sitting room. Crown mouldings, high skirting boards and vivid colours that contrast the crisp white ceilings are all seen in these less frequently used spaces.
However, this is only half the design story of the large, single-level house. “Overall, we wanted this newly constructed home to look like an old building, but with an unashamedly modern rear addition,” says Lane. To this end, the back of the house comprises one large, open-plan room that incorporates the kitchen, dining and living areas – spaces that are in constant use by the whole family. The lightfilled volume has a wall of windows looking out to the rear deck and pool, a bell-shaped central ceiling that soars to nearly five metres at its centre, and clean, unadorned window and door
openings. While all the front rooms feature strong colours, for the sake of tradition and because they have a more internal focus, the open-plan rear volume is finished in a light grey that merges with the white ceilings, allowing the external views to draw the eye. “With such a marked change between the front and the back of the house, we chose some elements to draw the two together,” Lane says. “Smoked oak floorboards run through most areas, and the high skirting boards seen in the bedrooms and sitting room are also continued through to the rear.”
Top and above: The sitting room is at the front of the house and features ornate cornices, a traditional fireplace and a strong colour scheme. Pops of pink in the sofa and painting are picked up in lampshades in the family living room. The classic-look furniture was chosen by Candlewick Interiors, the owner’s interior design company. Wool carpet features in most private areas of the home, and in this semi-formal space.
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Above: This utility hall leading from the main hallway to a mud room has a dropped ceiling and hardwearing tile floor, chosen for this high-traffic area. Off-white walls are in keeping with the soft palette used in the more contemporary spaces towards the rear of the residence. Black picture frames continue the use of this linking tone, which features in most rooms of the house.
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“Other crossover elements include signature black doors in most areas of the house. The entry to the butler’s pantry to the rear of the kitchen, and doors to a study nook just outside it, also feature ornate trim and panelled doors.” The demarcation between old and new extends into the furniture and furnishings, with some areas featuring a little of each. In the kitchen the rich grain of the stained timber on the contemporary island contrasts with the classic subway tile on the feature splashback. A beadboard finish and traditional handles can be seen on the rear perimeter
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cabinets, while the side cabinets have a modern flat profile. The living area has an old-fashioned sofa with rolled arms and castors that sits alongside a clean-lined, modern sectional couch. These comfortable but contrasting pieces connect through shared colours and scale – a microcosm of the greater interior. And while the front rooms favour a stronger palette over the pale walls at the rear, there are colour connections between them, says Lane. “For instance, there’s a generous use of black and white in most rooms – everywhere from the
cabinetry and benchtops in the kitchen, to the picture frames and matts in the hallway, and the traditional two-tone floor tiles in the master suite and main bathroom. “Lighting also played a part in drawing together different areas. For example, the watermelon hues of the lamps over the kitchen island and living area are echoed in the pink settee in the sitting room.� resource list | save | share Search 43311 at my.trendsideas.com
Above and left: These bedrooms feature high ceilings and custom drapes made by Dana Lane through her materials company Matilda Lane. These are variations on traditional French toile patterns and feature subtle evocations of kangaroos and other Australian themes. Most bedrooms face the front of the lightfilled home. Story by Charles Moxham Photography by Andrew Ashton
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Social outlook From its neighbourly front porch to its pared-back, open-plan interior, this Amish-style house offers simplicity and connectivity
Preceding pages: This house is one of many created from an Amishstyle template designed by Shea Soucie for a lakeside development. Beadboard and weatherboard cladding, elongated windows and shutters, and attention to symmetry are typical of the historic style. For example, this house features two shuttered windows – one for privacy, the other for balance.
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When you work all week in the city, you want to make the most of the tranquil surroundings at your rural retreat. In design terms, this could mean anything from emphasising an easy indoor-outdoor flow, to echoing the lines of the neighbouring architecture. When designer Shea Soucie of architectural interiors firm Soucie Horner was asked to create a concept for a development of lakeside cottages in Indiana, she took her lead from nearby houses. There are 75 Amish farms in the surrounding area – the largest such community outside of Ohio and Pennsylvania.
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Whether ultimately used as holiday homes or family residences, it was important to build in a sense of community, says Soucie. “We evoked the Amish style to complement the surrounding farmhouses, and because the traditional front porch is conducive to social interaction and enjoying the outdoors.” To achieve the right look, the houses have tall, narrow windows, generous front porches and a mixture of board-and-batten and weatherboard facades. They all feature gabled roofs and a strong sense of symmetry. Most are painted plain white. Garages are designed to match the
homes, and resemble an Amish barn. Linked to the house by a covered walkway, and with the same elongated windows, each has an entrance that looks like a barn door, and a hip roof – a classic barn-like characteristic. The templated designs on the development can be tweaked to personal taste. In the house featured here, the garage has a bunkroom that sleeps 12 on the second floor, and an expansive conservatory to the rear that overlooks the lake. From the exterior, the house appears to have three storeys; however, the top floor is really for architectural balance and aesthetics. While in
some houses there is a study on this uppermost level, in this one it is open to the rooms below and acts as a windowed cupola, drawing natural light into the interior. This has the added benefit of creating an airy double-height space directly over the kitchen, which is the anchor point of the open-plan spaces, says Soucie. “In an idyllic setting, a house is much more about the exterior and surroundings – you don’t go to the country to sit indoors. That said, easy interior connections are essential for a relaxing experience, so the classic Amish exteriors give way to contemporary open-plan living.”
Facing page: The front entry is modest, to facilitate a sense of drama on encountering the large, open-plan public spaces. Above: Hickory floorboards, a brick fire surround, metal bar stools and a distressed coffee table continue the rustic aesthetic. A collection of fungi, collected from the nearby forest, sits on the tabletop. Used as a getaway from the cares of the city, this house includes reminders of the rural environment at every turn.
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Above: Most soft furnishings in the home are in the same muted beige linen. Distressed wood furniture picks up on the hand-scraped boards seen throughout this level. Facing page: The kitchen, like the decor, is intentionally understated, in deference to the exterior views. Light fixtures bring a touch of farmhouse rusticity to the modern layout. The pendants are suspended from two floors up.
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An understated entry into the home creates drama, especially in light of the volume and height of the living areas that follow. The great room, kitchen and dining room are all open to each other, and to an atrium gallery on the second level, which in turn opens to the three bedrooms and a study. In a house that is frequently used for entertaining large numbers of family and friends, this interconnectivity is a major design plus. “What makes this home even more suitable for entertaining is its ability to offer privacy, as well as bring people together,” says the designer.
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“For example, the entry to the conservatory is from the back garden, giving this space a sense of separation. In the same way, the bunkroom over the garage is the children’s domain. “However, while the layout meets the needs of modern family life, the interior design continues the simple Amish aesthetic, with a limited palette of colours and materials.” Hand-scraped hickory wide-plank boards used for the flooring add to the cottage-style atmosphere. A brick fire surround in the great room includes a sunburst pattern, a motif repeated elsewhere in the residence. Beadboard
Above, right and far right: The master bedroom and adjacent study are a picture of French grey and white. An agricultural conveyor belt adorns the wall leading to the study. This room, positioned at the top of the stairs, provides a vantage point from which to view the front entry and the open-plan living spaces below.
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ceilings feature in the outlying spaces, such as the conservatory and the bunkroom. There is some transitional detailing, but there are no crown mouldings – nothing overtly fussy that would detract from the form of the home or from the lakefront setting. For the same reason, the paint scheme is an understated French grey with white trim. These colours are carried through to the upstairs as well, but here floors are carpeted for a more pampering feel. “Simple rusticity was the theme for the soft furnishings, too. A muted Belgian linen was
selected for all the upholstery, bedding and drapery, ensuring none of these would detract from the views of the woods, lake and birdlife, which are the real features of the home,” says the designer. Soucie also extended the farmhouse theme by sourcing several authentic local accessories. Most prominent are the conveyor tracks from farm machinery that decorate the double-height space above the kitchen and a wall of the study at the top of the stairs. “Everything about this home reminds you that you’re out in the country, far from the city.”
Above: Two tall, narrow windows at the front of the barn-like garage building throw light down the bunkroom. This has eight bunk beds with four trundler beds underneath, so up to 12 children can sleep here at any one time. The traditional beadboard ceilings correspond to the shape of the hip roof. Separating the bunkroom from the main house provides a degree of privacy for adults and children alike.
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These pages: Lake views make the conservatory feel private and secluded. Flagstone floors accentuate the indoor-outdoor aesthetic. Grapevines on the pergola add to the sense of retreat. Story by Charles Moxham Photography by Eric Hausman
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THE GREAT AUSTRALIAN DREAM
BUILDING NEW SOUTH WALES NEW SOUTH WALES’ LEADING HOME BUILDERS AND LAND DEVELOPERS SHARE THEIR INSIGHTS AND GIVE YOU VALUABLE TIPS TO CONSIDER WHEN BUILDING YOUR DREAM HOME
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CONSTRUCTIONS
Nino Sanzari and Jon Vithoulka Managing Directors Starr Constructions puts customer satisfaction first when designing and building custom homes for its clients. Professional designers work closely with individual homeowners to design each home, which makes Starr Constructions a good choice for discerning clients.
Family first Everything about this home was designed for family living – from the open-plan layout to the five bedrooms, parent’s retreat and pool Above: Large overhangs and a series of double pillars introduce a strong geometric framework to this expansive family home built by Starr Constructions. The metal-looking pitted front door on the left is a key feature of the formal entry. Above right: Wood veneer adds visual warmth to the whitelacquered kitchen, which features 80mm Calacatta marble benchtops.
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There has been a sea change in the design of family homes in the past few decades. Today, so much more is expected and delivered, but the most obvious change centres on the hub of the home and the circulation areas around this. Starr Constructions, a specialist in design and construction, created this modern, designfocused home. But there was no question of sacrificing comfort – in fact it was right up there as a priority, says director Nino Sanzari. “The client sees this home as his castle, just like his artwork is his passion,” he says. Special features of the interior include a large
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family living area that opens to a covered loggia overlooking an inground pool, a separate theatre room, five bedrooms, three bathrooms and a separate lounge. With floor-to-ceiling glazing in the lounge, the pool seems to lap right up against the room. The house also features a full complement of Miele kitchen appliances and 80mm Calacatta marble benchtops. Starr Constructions, which was established more than 14 years ago, specialises in custom homes. Sanzari says the company’s reputation and proven workmanship has resulted in many awards, including a Building Excellence Award
from the Master Builders Association and an HIA NSW Housing Award. “Our professional designers meet with all clients to discuss designs to suit their lifestyle, and address the building logistics of each site.� For details, contact Starr Constructions Pty Ltd, PO Box 475, Moorebank, NSW 2170, phone (02) 9822 7799. Email: info@starrconstructions. com.au. Web: www.starrconstructions.com.au save | share Search 44556 at my.trendsideas.com
Top: Calacatta marble also lines the master bathroom, providing visual continuity. Above: Cappuccino travertine tiles feature throughout the living area and open, light-filled stairwell. Left: The property includes a large inground pool and frameless glass pool fencing. The covered loggia provides a large alfresco area, complete with outdoor kitchen.
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gahomes.com.au
THE GREAT AUSTRALIAN DREAM
BUILDING VICTORIA
HOME BUILDERS AND DEVELOPERS IN VICTORIA PRIDE THEMSELVES ON DELIVERING QUALITY PROJECTS. THEY ALSO UNDERSTAND THE IMPORTANCE OF LISTENING TO AND UNDERSTANDING THE REQUIREMENTS OF INDIVIDUAL CLIENTS
70 GRAEME
ALEXANDER HOMES
Graeme Alexander, Designer/Director With its highly skilled team of tradespeople, Graeme Alexander Homes places an emphasis on developing exciting designs and quality home construction. The company, which has been in business for more than 25 years, also believes the builder-owner relationship is vital. Staff will liaise with clients at every step – from initial consultation through to finishing.
Open to view This renovation has transformed an ideally sited residence, optimising outlooks, light and space. The project is by Graeme Alexander Homes
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Sometimes the best new house is the one you already own. If the views and location are right but the interiors are wrong it makes sense to consider the greenest option – renovation. Well known for its lifestyle residences, Graeme Alexander Homes is also experienced in unlocking the potential of an existing house, says owner Graeme Alexander. “This 1565m2 beachfront home enjoys broad views out over Westernport Bay. And it was this location that the owners fell in love with when they bought the house five years ago. However, as it stood, it was unsuitable for their needs.
“They wanted a home they could use as a retirement getaway that would accommodate their extended family when they came to visit.” The low roofline was retained to avoid blocking out the neighbours’ sea views. Otherwise it was a complete rebuild, with the upper level featuring the kitchen, living, and dining area, as well as a sitting room and master bedroom. The kitchen opens to the balcony, which has stair access to the pool. The roof was also opened up, and a courtyard added, bringing the northern sun into the home. Downstairs there are three bedrooms with
ensuites, a main bathroom, bunk room, nursery and a rumpus room. As the pool had to be on the shady side of the home, it is set away from the building so as to still capture the sun. A boat house, retaining wall and a path to the beach were also added, completing the transformation from great site to ideal home. Contact Graeme Alexander Homes, phone (03) 5975 4561. Website: www.gahomes.com.au save | share Search 44249 at my.trendsideas.com
Above left and above: This reinvented house by Graeme Alexander Homes optimises views and connections to the outdoors. The master suite is upstairs, with the children’s spaces on the level below. Top and centre: A new balcony was positioned in front of the kitchen, but to the side of the living room to avoid balustrades blocking the view. The warm timber floors are complemented by white walls which will set off the owners’ artworks.
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On a clear day The water sparkles and the boats in the bay bob on their moorings – this Pittwater home maximises a spectacular location
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Not every waterfront property has a house to match a magnificent view. Sometimes, there’s a need to simply start over and rebuild from the ground up. That was precisely the case with this project in picturesque Pittwater, NSW. When the new owner bought the property, it was clear the house had passed its use-by date, says Peter Best of Peter LM Best Constructions. “The site was fantastic, but the house was less so,” he says. “It was a very tired brick home, with an adjoining boatshed. With serious drainage issues needing to be resolved, the best
solution was to rebuild on the same footprint, retaining a couple of the concrete slabs and a little of the original brickwork.” The new house, which was designed by architect Mark Korgul of Watershed Design, climbs over four levels. The main living level captures the best views, thanks to a large, openplan living area and huge wood sliders that open up to a generously sized balcony. “Recycled blackbutt timber features right through the home, from the flooring to the decks and weatherboards,” says Best. “It even wraps around the structural steel elements.”
Facing page: This multi-level waterfront house was completely rebuilt by Peter LM Best Constructions to better suit contemporary living requirements. The new retaining walls feature white Sydney sandstone. Above and left: The main living level opens out to a large balcony overlooking the bay. A large cantilevered awning with Vergola automated louvres is framed with steel fabricated by Davebilt Industries.
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Preceding pages: Large sliders made from selected New Guinea rosewood were supplied by Stockwells Joinery. These span an 8.5m opening. Above: The house incorporates a renovated boatshed and a private pontoon. The boatshed – on the lower level – is equipped as a guest suite. Both the house and boatshed deck feature recycled materials, including blackbutt timber.
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Posts and beams are in recycled spotted gum. Other building materials include white Sydney sandstone, which features on a block wall and retaining walls. Many of the doors and windows, including the four massive sliders opening onto the deck, are in New Guinea rosewood. These were all fabricated by specialist supplier Stockwells Joinery. The company says because the joinery was to have a clear finish, the timber was selected for its uniform colour. Managing director Glenn Johnston says the doors and windows were fabricated not only to
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meet Australian standards, but also to cope with the coastal conditions. Peter Best says quality craftsmanship is essential on such a high-end project, and suppliers were chosen for their precision work and the quality of the finished product. Davebilt Industries was commissioned to fabricate and install approximately 14 tonnes of structural steel for the house, which included framing for the cantilevered Vergola louvre structure over the deck, and the steel staircase. Many of the steel assemblies exceeded 10m in length and 1.1 tonnes in weight.
The company liaised with steel detailer Otto Roos of 3D Solutions, who provided computer modelling that enabled all parties to see the interaction between new and existing elements during the design phase of the steel detailing. Davebilt Industries director Greg Byrne says the company, which frequently works on prestigious residential projects, had the experience and factory resources to fabricate the long, non-symmetrical structural assemblies with a straightness tolerance of 1mm or less. Peter Best says access was a challenge for the building team and subcontractors. At one stage
Above: Flooring throughout the main living area is also in blackbutt timber. The ceiling, which follows the shape of the skillion roof, features painted V-joint tongue-and-groove boards. Left: The kitchen, at one side of the main living level, is close to the barbecue area. A large island provides plenty of space for food preparation and serving. There is also a separate walk-in pantry.
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Top: A steel staircase is a sculptural feature of the main circulation area. Above: Steel also frames the wood louvres that open up the master bedroom to the void beside the stairs. Above right: A custom barbecue, built by Peter Best Constructions, sits on the side balcony off the main living area. The steel in all these areas was supplied by Davebilt Industries.
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three cranes were employed as a single large crane could not negotiate the narrow street and overhead powerlines. Not surprisingly, the latest technology has been utilised in the house as well as the construction. There is a 4.9kW solar electricity system, along with reverse-cycle air conditioning and motorised blinds. The house also comes with an internal lift for the upper two levels, and there is an external inclinator that runs from the street level to the first floor of the boatshed. “The house is also designed to maximise cross ventilation, and the breezes that come
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off the water,” says Best. “Louvre windows are strategically placed.” The waterfront location has influenced much of the aesthetics as well. For example, the ceiling in the main living area, and walls in the main circulation area, feature V-joint tongueand-groove panelling that mimics shiplap. The boatshed, which is on the lower level near the pontoon, has been remodelled to provide additional guest accommodation with a mezzanine bedroom. However, the house itself provides four bedrooms and five bathrooms. The attention
Builder: Peter L M Best Constructions, Unit 49, Northlight Corporate Park, 28 Barcoo St, Roseville, NSW 2069 phone (02) 9417 1666 www.peterbestconstructions.com Structural steel: Davebilt Industries, 116 Showground Rd, Gosford, NSW 2250, phone (02) 4325 738 Email: sales@davebilt.com.au www.davebilt.com.au Doors and windows: Stockwells Joinery, 16 Stoddart Rd, Prospect, NSW 2148, phone (02) 8863 1444 Email: glenn@stockwellsjoinery.com.au www.stockwellsjoinery.com.au Recycled hardwood: Australian Architectural Hardwoods, 55 Pattersons Lane, Kempsey, NSW 2240, phone (02) 6562 2788 Email: aah@midcoast.com.au www.aahardwoods.com.au Bathroom fixtures and fittings: Hardware & General, 68-70 Winbourne Rd, Brookvale, phone (02) 8456 1300; 60 Darley St, Mona Vale, phone (02) 9997 1711. Other showrooms at Marayong and Peakhurst www.hg.com.au Heated towel ladder: Avenir Future Design, PO Box 773, Hornsby, NSW 2077, phone (02) 9476 6917 Email: sales@avenir.com.au www.avenir.com.au In-wall toilet cisterns: Geberit Australia, Unit 8a, 6-8 Byfield St, North Ryde, NSW 2113, phone (02) 9889 7866 www.geberit.com.au Story by Colleen Hawkes Photography by Jamie Cobel
to detail in the bathrooms reflects the high-end nature of the build. Fixtures and fittings were supplied by Hardware & General, a company that specialises in building and plumbing supplies in the greater Sydney area. The bathroomware, which was specified by the architect in conjunction with the owner, includes a Kaldewei freestanding bath that introduces a bold sculptural element to the master suite. The tub is teamed with a Sussex Voda floormount mixer that enhances the sleek , contemporary look.
Other bathroom fixtures include Parisi undercounter basins and toilets. To keep the look streamlined, the toilets feature Geberit in-wall cisterns. Hardware & General staff have ongoing product training, and can help find the best solution for every project. With the buying power of six national groups, the company also offers competitive pricing. save | share Search 44354 at my.trendsideas.com
Top, left and right: Bathroomware from Hardware & General was chosen for the master suite on the top level of the house. This includes a Kaldewei freestanding bathtub. Above left and right: Other bathroom fixtures from Hardware & General include Parisi toilets and undercounter basins. The company also has a large range of fixtures well suited to powder rooms.
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INSOVER TA 60 LLE M D G ILLI LO ON BA LLY
Modern bathroom, Geberit cistern. CREATE CLEAN LINES IN YOUR BATHROOM AND MAXIMISE SPACE WITH A CONCEALED CISTERN AND FLUSH BUTTON FROM GEBERIT. Imagine a sleek expanse of wall where a bulky cistern would usually be. What was purely functional can become an elegant tribute to minimalism with Geberit’s selection of concealed cisterns and flush buttons. Choose from circular, rectangular or oval-shaped button designs and from endless colour options.
OUT OF SIGHT, OUT OF MIND With bathrooms shrinking, any plumbing that can be kept out of sight is a big plus! Geberit toilet cisterns sit behind the wall, concealing pipework and plumbing. > Save space in the bathroom by concealing the cistern behind the wall > Rich palette of colours and designs for flush plates > 1010-year warranty and 25-year spare part availability > Sustainable and water saving – 4.5/3L flush 4 Star > Fits any approved manufacturer’s toilet pan > Easy maintenance through the flush plate
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Talking point Colour enlivens the interior of the sustainably designed Hybrid Homes house. Resene paint features throughout Having a great view doesn’t mean you have to sacrifice colour on the interior of your home. Natalia and James Harrington of Hybrid Homes, the owners of this new house, have the best of both worlds. In addition to the expansive views from their house, they have incorporated pops of colour on the interior, with Resene paints. The backpainted glass splashback in the kitchen features Resene Tweet, a bold yellow-green that Resene describes as “reckless and bound to get a response.”
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This is calmed by Resene Sea Fog, a neutral tone that features on kitchen walls, cabinetry, ceiling, trim and doors. Colour reappears in the family room beside the kitchen. This is painted in Resene Hermitage, “a stony blue-green teeming with unusual watery influences.” Resene SpaceCote Low Sheen and Resene Zylone Low Sheen are recommended for broadwalls such as these. Both these paints are low VOC and Environmental Choice approved, which is in keeping with the Harrington’s wish to
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make the home as eco friendly as possible. For further details, contact Resene, phone tollfree 1800 738 383 or visit a Resene ColorShop or Reseller. Website: www.resene.com.au save | share Search 44321 at my.trendsideas.com This page: Environmental-Choice approved Resene paints feature throughout this house designed by architect Richard Harrington.
products & services
Make it work Professional advice, innovative design and top-quality products help ensure that your home meets your expectations
Winning form Sleek lines characterise the 2014 HIA Australian Kitchen Design partnered by Laminex Australia Award-winning kitchens invariably have standout qualities that put them ahead of the competition, and this project is no exception. The kitchen, which was designed by Samantha Simpson for International Cabinets – for a Craig Sheiles Homes display home – won the 2014 HIA Australian Kitchen Design partnered by Laminex Australia. In announcing the award the judges praised “the clever, practical design that takes this kitchen to another level”. “This kitchen has great balance of colour and materials, with an innovative use of shape and design.” The long, linear look of the kitchen is enhanced by the streamlined, whitelacquered cabinetry, which extends into a scullery. A timber veneer surround frames the perimeter cabinets in an L shape, while acting as a divider between the two spaces. Timber also features on the top row of drawers along the same cabinetry, providing visual warmth and continuity. Meanwhile, the preparation zone in the scullery has a more commercial feel, with a practical stainless steel benchtop. The judges also praised the interactive nature of the kitchen, and the way it links indoor and outdoor entertaining areas. For more details, contact International Cabinets Pty Ltd, 12 Stretton Pl, Balcatta, WA 6021, phone (08) 9240 9000. Website: www.internationalcabinets.com.au save | share Search 44251 at my.trendsideas.com This page: Samantha Simpson designed this new kitchen, which won the 2014 HIA Australian Kitchen Design partnered by Laminex Australia.
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Wow factor Innovation defines the 2014 HIA Australian Kitchen partnered by Laminex Australia Sleek and modern, with an immediate wow factor – this award-winning kitchen epitomises contemporary luxury. That’s the view of the judges, who voted this project the 2014 HIA Kitchen partnered by Laminex Australia. The kitchen, by AG Constructions in Victoria, features a double-sided fish tank, which provides the central focal point. The judges say the tank and the tasking lighting enhance the sparkle of the dramatic tiered stone work, which includes an island bar top that appears to fold across the top of the main work area. The judges also say the clean lines of the satin white cabinetry on the rear wall conceal the integrated appliances, while giving the kitchen a sense of grandeur. The high quality of the workmanship and the seamless integration of the kitchen and the cabinetry with the outdoors are also noteworthy. AG Constructions says this kitchen is a fine example of its ability to deliver unique projects, be they for the residential or commercial market. The company has a proven track record for delivering excellence in design, innovation and quality in building new luxury homes, townhouses and apartment developments. For further information, contact AG Constructions, 262 St Kilda Rd, St Kilda, Vic 3182, phone (03) 9534 7770. Email: info@agconstructions.com.au. Web: www.agconstructions.com.au save | share Search 44250 at my.trendsideas.com This page: AG Constructions in St Kilda, Victoria won the 2014 HIA Australian Kitchen award.
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Warm all winter Building or renovating this year? You can ensure your home is wonderfully warm, even on the coldest days, with a gas ducted heater from Brivis
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It’s that time of the year again. Heaters are turned up high, electric blankets are pulled out of the cupboard, and the kids are wearing their favourite pyjamas. But winter doesn’t have to be arduous, thanks to Brivis, a company that has been pioneering heating solutions in Australia for more than 50 years. The new SP6 series from Brivis is a high-efficiency 6 Star gas ducted heater, engineered to use less gas than traditional ducted heaters. Brivis has figures that show it uses 30% less energy annually
compared to a standard 3 Star gas ducted heater, which equates to annual savings of approximately $470. If you add Brivis ZonePlus™, your 6 Star gas ducted heater can heat up to four zones simultaneously – you can even set a different temperature in each zone, or turn off zones you are not using to save energy costs. After five decades in the business, Brivis has an established reputation for innovation, reliability and quality – the company pioneered the first 5 Star ducted
gas heater, and some of these heaters are still in operation. Today the company offers a wide range of systems that put total climate control at your fingertips. For more information, or to speak to a Brivis climate specialist, contact the national sales and service team, phone 1300 BRIVIS (274 847), or find your local dealer online: www.brivis.com.au save | share Search 44274 at my.trendsideas.com
Above left and above: Winter should be enjoyed, not endured. Brivis has introduced a new 6 Star gas ducted heater, the high-efficiency SP6 series, which takes the chill out of the harshest winter. Main image courtesy of Gabriel & Elizabeth Poole Design Company. Top and centre: With the addition of a Brivis ZonePlus™ system, you can duct heat to four separate zones in the house. Also shown is the NC-6 network controller that can operate in auto or manual modes. It is also possible to add a Brivis ICE system for refrigerated cooling in summer, which ensures all seasons are covered.
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The high life Luxury apartments frequently have a dual role to play – as a family retreat and a venue for entertaining on a grand scale
apartments
Grand gesture Everything about this penthouse apartment, from the bold, sculptural furnishings to the spectacular view, signals a lifestyle less ordinary
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Designing an interior for a penthouse apartment that covers more than 700m2 brings its own challenges, especially when the space needs to work for the family and corporate entertaining. However, for architects Kylie Fitt and Elida De Felice of Fitt De Felice, who were commissioned to design this penthouse, it helped to be involved early in the planning stages. Because the apartment sits on its own floor at the top of the Eureka Tower in Melbourne, the team was able to position key services without
interfering with the rest of the building. “We were given a lot of freedom with the planning, but the home needed to be dual purpose,” Fitt says. “The client is a leading developer who does a lot of entertaining, so there had to be a strong architectural element to the project. The interior needed to be contemporary and impressive, but we also had to provide subtlety and nuances in the planning to create intimate spaces for the family.” The sense of grandeur is evident right from the generously sized lobby, which
has delicately fluted walls that offer a post-modern version of a classical Doric column. A long passageway featuring a dropped ceiling in black steel leads the eye through the main living area to the expansive view beyond. “The dropped ceiling element links the public and private ends of the apartment, and acts as a visual anchor,” says Fitt. “It provides a way to orientate yourself, wherever you are within the apartment.” An unusual jagged diamond-shaped floorplate also helped determine the layout.
Preceding pages and above: An elevated tallow wood platform puts the living areas in this penthouse in the spotlight. Designed for private and corporate entertaining, the penthouse incorporates several seating areas and a dining area, with three linked marble-topped tables. Facing page: Fluted walls – a modern nod to Classicism – line the lobby. Following pages: The black steel suspended ceiling that defines the main circulation axis extends through to the living space. Furnishings are dark and softly rounded with sculptural forms.
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“There was no notion of a rectilinear floor space, so we had to generate an array of fairly complex spaces,” Fitt says. “We chose to celebrate the jagged triangulated shapes in the floorplate, by positioning the open-plan living area and master suite at the two sharp ends of the building. We then took the opportunity to create a sweeping, extroverted living space that sits on its own timber platform.” Dark, sculptural furniture in curved forms balances the geometric nature of the floorplate. The furniture also provides
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a quiet visual counterpoint to the drama provided by the ever-changing view. “The owner’s extensive art collection is displayed throughout the interior,” says Fitt. “Although there are not many spare walls for large artworks, the sculptures work well in the grand space.” The formal living area is positioned alongside a quieter, more intimate sitting area, defined by a dropped ceiling in figured black gum, and a circular rug. “This is a rather introspective space, even though it is in the middle of the living
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area,” says Fitt. “It has its own fireplace, and is set beside a leather-clad box that appears as an insertion within the overall living area. This upholstered box element, which accommodates two powder rooms, has been kept as streamlined as possible – there are no visible handles to the doors.” Travertine marble floors feature in the circulation areas, running through to the kitchen and casual dining area. The step between the travertine floor and the timber platform is defined by an LED lighting strip that makes the platform
appear to float. As well as enhancing the importance of the living area, the platform provides space for key services, including air conditioning. In keeping with the need to cater to corporate entertaining, the penthouse has two kitchens. The front-of-house kitchen features a travertine island, and crisp, brushed steel cabinetry in black. “The kitchen has a very sharp, almost industrial look,” says Fitt. “But the effect is softened by the tallow timber table top that cantilevers out from the island.”
Above left: Black brushed steel cabinets define the front-of-house kitchen – one of two in the apartment. The island is wrapped in the same travertine marble as the floor. The family room is behind the kitchen. Left and above: Rounded forms appear again in the study where two Arne Jacobsen Swan chairs occupy a prime corner with a view. The floorboards in this room feature an exaggerated chevron pattern.
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The second kitchen is tucked behind the main kitchen. A sliding door can be pulled to extend the size of this kitchen by blocking off the main living area from the family room behind. In the private wing of the penthouse, the master suite perches like an eyrie above the city. A freestanding circular tub sits within the pointy end of the floorplate. The two vanities are also positioned to maximise the view – one is cantilevered out across the floor-to-ceiling windows. The other vanity has a full-height mirror
that reflects the view back into the room. Round light fixtures attached to the ceiling, which resemble bubbles, reinforce the circular theme, and provide another counterpoint to the angled floorplate. Sheer curtains feature in the master bedroom and family room – there are also roller blinds throughout the penthouse. “These are used to block direct sun, rather than the view,” says Fitt. “Catching different glimpses of the city as you move through the apartment is all part of the amazing experience of living so high up.”
These pages: A circular bathtub (left) takes prime position at one of the two sharp ends of the building. Bubble light fixtures reinforce the round forms that help to counter the strong geometry of the architecture. The two vanities are also positioned to maximise the spectacular view. Story by Colleen Hawkes Photography by Jamie Cobel
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International flavour Designed for a high-end apartment in Singapore’s Embassy Row, this interior reflects a distinctive, jewel-inspired approach
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Every great interior has a starting point, that special something that provides the springboard for everything that follows. For this high-end Singapore apartment, which has a prestigious Nassim Road address, it was the custom screen at the entry that inspired the rest of the interior. Designer Cameron Woo says the screen replaces a wall separating the formerly dark entry foyer from the living area. “It was obvious that we needed to bring natural light into the foyer,” he says. “We consequently found a way to turn a
negative situation into a positive feature by introducing a bejewelled screen, which itself was inspired by gemstone settings in beautiful Bulgari jewellery.” The screen features a bronze frame inset with translucent rock crystal, capiz and mother-of-pearl mosaics, polished stainless steel and shagreen – stingray skin. Woo added a Macassar ebony and stainless steel table in front of the screen. As with most of the furniture pieces throughout the apartment, this was custom designed by Cameron Woo Design.
These pages: A new bejewelled bronze screen separates the entry from the living room in this high-end apartment. The interior has a sophisticated, international look, with jewel colours providing bold accents in key areas. The coffee and side tables, by Cameron Woo Design for Blanche Bay, are in Macassar ebony wood. Following pages: The screen, which replaces a wall, allows natural light to filter through to the foyer. The panels were designed to resemble a Bulgari necklace, and include capiz and mother-ofpearl mosaics, shagreen, rock crystal and polished stainless steel.
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“The colour palette for the rest of the interior comes from the jewel-like notion of the screen,” says Woo. “Immediately behind this piece, for example, is an emerald green sofa, which enlivens one end of the open-plan living area. We also introduced a dining table in a purple-sapphire shade, and a wonderful gold chair in the reading room, which I call the Bewitched chair, because it reminds me of that television show, and it’s a totally unexpected piece in a contemporary setting.” Woo says a lot of modern interiors are
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not particularly colourful, and he wanted to create something quite different. The interior also needed to have a strong international flavour, to reflect the clients’ background – the owners are well travelled, with homes in several countries. “The central linking element for the entire living room is the blue-grey rug, which has a shimmering pile that creates a shadow effect. The geometric pattern is reminiscent of underwater sea ferns, with the waving fronds bringing both halves of the room together.”
Other furniture in the living room includes lavender grey chairs, a dark navy sofa, which anchors the centre of the room, and custom Macassar ebony tables with drawers lined in emerald green velvet – even the handles resemble items of jewellery. “The interior is also about proportion,” says the designer. “Just as in the natural world, some things are small, others are large, some tall, others low. In every room, the furniture and furnishings are balanced to create a cohesive look.”
In the master bedroom, soft lavender grey reappears in a dramatic hand-painted silk wallcovering from de Gournay in Paris. Woo covered the headboard in the same fabric, so it appears as an extension of the pattern on the wall behind. “The rug in this room was inspired by the traditional Florentine flame-stitch motif. But it also has an Indonesian feel – an East meets West design approach. Other special features of this room include bronzed mirrored panels behind the nightstands, and a sensuous corner seat.
Above left and facing page, lower: A de Gournay custom hand-painted silk wallcovering is the pièce de résistance of the master suite. It is teamed with silver-grey bed linen and a custom floor rug with a Florentine flame-stitch motif. Top: Bronzed mirrors behind the two nightstands cast ethereal reflections. Above: The bedroom opens to an ensuite bathroom featuring a custom make-up table by Cameron Woo Design. The table presents a glamorous use for coconut wood. It also has drawers faced with mussel shell, and bronze legs.
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Legend to plan: 1 foyer, 2 living and dining area, 3 reading room, 4 kitchen, 5 bedrooms, 6 master suite, 7 terrace, 8 pool, 9 pavilion. Above: This bedroom was designed for a daughter who loves the colour purple. The room also features a large mirror with bevelled framed edges, and a custom trestle table. Right: Modelled on an antique Chinese piece, this dresser has a streamlined, contemporary silhouette. The table is teamed with a matching oval pedestal table. The nightstand is a similar pedestal placed on a plinth.
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We also added large patterned cushions, which always work well on beds.” Furniture in the other bedrooms includes other custom pieces, such as a contemporary dresser that offers a modern take on an antique Chinese design. “The essential line of the traditional design is there, but is has been refined to a contemporary silhouette,”says Woo. “As with all our furniture, it is versatile and multipurpose. Many of the pieces can be added onto or subtracted to change the functionality to suit the purpose.”
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Left: Large doors open up the living area to an outdoor terrace and swimming pool. The outdoor furniture includes a sofa and swing seat from European manufacturer Kettal. Bold, striped cushions enhance the relaxed feel of the terrace. The coffee table, by Cameron Woo Design, features a petrified stone top. Story by Colleen Hawkes
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index AG Constructions
85
Decolav
Alessi Design
88-97
Domain Lighting
American Standard
54-63
Dulux
6-14
ECC
Aquadux
16-25 6-14 88-97, 98-107 26-35
Armadale Doors
44-53
Electrolux
Artemide
88-97
Entre-Prises
Atrium
54-63
ET2 Contemporary Lighting
6-14
Hardwoods
IBC
Euroluce
54-63
Qasair
JD McDonald
Read, Kelvin
44-53
Ken Rouw
6-14
Kettal
98-107
88-97
36-43
KraftMaid
54-63
Robinson, David
88-97
Krannitz Gehl Architects
16-25
Rodrigues Bodycoat Architects
16-25
Krongold Constructions
88-97
Lane, Dana
44-53
Barazza
88-97
Fisher & Paykel
36-43
Leicht Kitchens
OBC
Fitt De Felice
88-97
Leland, Barbara
16-25
16-25
Fitt, Kylie
88-97
Lightwire
16-25
Big Ass Fans
36-43
Franke
6-14
Loewen
16-25
Blanche Bay
98-107
Gaggenau
26-35
Lysaght
6-14
GE
54-63
Marble and Cement Work 6-14
Geberit Australia
79, 81
Margaret River Structural
Gehl, Barry
16-25
44-53
Brivis Climate Systems
GeoComfort Geothermal Systems
5, 86-87 Busselton Aluminium
6-14
16-25 Godfrey Hirst
Graeme Alexander Homes
88-97
Cablik Enterprises
36-43
Cabot’s
16-25
Grohe
16-25, 26-35
44-53, 88-97
Grollo
88-97
68-71
Cameron Ireland Builders 26-35
Hardware & General
Cameron Woo Design
98-107
Harley Cabinets
Candlewick Interiors
44-53
Capral
79 6-14
Harvey’s Plumbing and Heating
6-14
Catherine Cocke Interiors 36-43
Engineering
6-14
Marmi Natural Stone
16-25 Heat Smart Plus
16-25
36-43
McKinney + Windeatt Architects 26-35
44-53
Cableman
Caesarstone
McKinney, Jack
26-35
McRae, Rob
16-25
Miele
6-14, 88-97
Mirror Image
16-25
Molecule
88-97
Monier
16-25
Montana Sash & Door
16-25
New Age Veneers Newnham, Rachael
6-14 26-35
6-14 26-35
Rylock
26-35
Selectafloor
54-63
Sette Windows
44-53
Signorino
88-97
Smeg
IFC-1
So, Richmond
16-25
Soucie Horner
54-63
Soucie, Shea
54-63
South West Concrete
88-97
Starr Constructions
64-67
Stockwells Joinery
72-79
The Golden Triangle
54-63
Tile Warehouse
26-35
Trends Publishing International 2, 15 True Homes
54-63 88-97
HIA
84-85
Nick Goode Construction
6-14
54-63
Highline Partners
16-25
Original Ceramics
6-14
Vaughan Lighting
Oscar Isberian
54-63
Unique Granite
44-53
6-14
6-14
Space Furniture
Christian Liaigre
Holcim
6-14
Rosenfeld Kidson & Co
Cavalier Upholstery
36-43
6-14
Rodrigues, Simon
V-Zug
CKS Cabinetry
26-35, 82 16-25
26-35
Bosch
Resene Rimex
Firth
6-14
6-14
44-53
Extreme Roofing
Bluescope Steel
44-53
Reece
Kitset
16-25
54-63
6-14, 88-97
Richmond So Engineers
BainUltra
Blanco
54-63
26-35
Avenir Furniture Design 79, 80
Barbara Leland Interior Design
Pottery Barn
Jayson Home and Garden 54-63
Kitchen Visage
16-25
Australian Architectural
James Hardie
54-63
Visual Comfort
98-107 54-63
Clearvue Glass
36-43
Holly Hunt
54-63
Paco Jaanson
88-97
West Architecture Studio 36-43
Cocke, Catherine
36-43
Hollytex
54-63
Parisi
88-97
West, Scott AIA
36-43
16-25
Westinghouse
6-14
Colorbond
44-53
Hub Furniture
Counties Joinery
26-35
Hudson Reed
Davebilt Industries
72-79
Hunter Douglas
De Felice, Elida
88-97
International Cabinets
De Gournay
98-107
de Spa, Anja
88-97
88-97
Parker Paint
36-43
PEC Structural Engineering 36-43
98-107 84
Ireland, Cameron
26-35
Jacksons Hardwoods
16-25
Peter L M Best Constructions
Wilson Cabinetry
36-43
98-107
Woodform Architectural 6-14, 88-97
72-79 Porcelanosa
16-25
Woo, Cameron
Zucchetti
88-97
Recycled Timber for
Contemporary Design
FINISHES
PRODUCTS
• • • • •
• • • • •
Dressed Grey Sawn Wire brushed Aged
Wide floorboards Decking Lining boards Bench tops Stairs
• • • • •
Structural timbers Large posts & beams Trusses Joinery Laminated beams
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