HOME
search trendsideas.com
CONTENTS
Highlights from this Issue of myTrends New Home
myTrends official media partners
6
20
30
44
54
64
72
78
88
Manor Homes – the country home specialist
Life’s good in the wide open spaces of the picturesque countryside. And there’s no better way to live your active, healthy rural lifestyle than in a Manor home. Built for living, our homes are the very picture of country life – the perfect haven to enjoy the outdoor lifestyle you’ve been waiting for. Manor homes sit in harmony with their surrounds, with wide, breezy verandahs and sun-drenched spaces seamlessly connecting indoor and outdoor living to maximise the beauty of the Hunter’s stunning scenery. Our system-built, precision construction method paves the way for a streamlined build that is efficient and simplified, delivering a quality home completed on time and budget. We’ve been country homes specialists for more than 20 years and we’ll partner with you to tailor your home and deliver a complete turn-key service that brings your lifestyle vision alive. Now’s the time to start making it happen. Come and visit our display home at Branxton or call us on 1800 55 18 18 to find out why so many people trust us to build a home that achieves their lifestyle vision.
www.manor.net.au
|
Freecall 1800 55 18 18
DISPLAY HOMES
Branxton, Hunter Valley
Central Coast
Corner Station Street and New England Highway Branxton
2 Warringah Close Somersby
NEW HOME Every home has a personality – there are some that stand out proudly from their environments, while others nestle comfortably into their surroundings. So how do you choose the style that’s best for your new home? You go to mytrends! On mytrends you can search for design ideas and solutions in our online showcase of hundreds of completed homes and connect with our community of architects and designers. And when you’re ready to start choosing, mytrends can suggest products, services and expertise to help make your final selections easier. In this issue of mytrends New Home we’ve collected some of the latest ideas to impress us. You’ll find these new home projects and many, many more on mytrends – where everyone who loves design can find each other, share ideas and collaborate on projects. Join us today and discover a whole new world of design inspiration!
HIGHLIGHTS Editor Kathleen Kinney – kathleen.kinney@trendsideas.com Media Sales Adrian Law – adrian.law@trendsideas.com Ben Trethewey – ben.trethewey@trendsideas.com Leslie Johnson – leslie.johnson@trendsideas.com Shailan Patel – shailan.patel@trendsideas.com Sonia Fredrick – sonia.fredrick@trendsideas.com
20
54
30
Timber decks and a swimming pool flush with the interior blur the boundaries between inside and out. See more from Ong&Ong on myTrends.
Not sure how much work gets done when there’s a fully-stocked wine cellar adjacent to the home office! You can find many more wine cellars on myTrends.
Bustling by day, sparkling by night. Views from an urban apartment have a unique drama. Browse our “Outdoors in the City” collection on myTrends.
More ideas, information and inspiration, plus the full multimedia experience at trendsideas.com
Email sales@trendsideas.com production@trendsideas.com subscriptions@trendsideas.com Phone + 64 9 571 5700 Trends Publishing New Zealand Ltd ISSN 2230-6927 (Digital) All rights reserved. Trends is subject to copyright in its entirety. The contents may not be reproduced in any form, either in whole or in part, without written permission of the Publisher. No responsibility is accepted for unsolicited material,nor for loss of submitted manuscripts, photographs or artwork. Opinions expressed are those of the contributors, not necessarily those of Trends Publishing New Zealand Ltd. While every effort has been made to ensure accuracy of information, the Publisher assumes no responsibility for errors or omissions or for any consequences of reliance on this publication.
Trends proudly promotes great ideas, products and services on every page facebook.com/trendsideas
twitter.com/trendsideas
pinterest.com/trendsideas
blog.trendsideas.com
classic THE SMEG CLASSIC • WHILE FASHIONS MAY COME AND GO, STYLE REMAINS ETERNAL
smeg.com.au SMA14675
Far horizons Planning a new home in a scenic location is all about the big picture – maximising the site, the light and the view
in the landscape
On a clear day Double-height gables, overhanging eaves and a solid cedar and schist exterior reinforce the alpine architecture of this new house
8
search | save | share at trendsideas.com
Falling in love with a holiday destination often leads to repeat visits. But sometimes it can lead to an even bigger commitment. For the owners of this new house high above Lake Wakatipu in Queenstown, a love of the great outdoors – Central Otago in particular – sparked their own property investment. The couple, from Australia, had already bought a holiday villa in the Commonage Close development by Trinity Development Alliance. They subsequently commissioned the same company to build a new home on the spectacular site they discovered further up the
mountain. After receiving concept drawings from several architectural companies, they also chose the same architect for their new home – Francis Whitaker of Mason & Wales Architects. “The owners really appreciated the natural beauty of Queenstown, the lake, the mountains and the outdoor lifestyle on offer,” Whitaker says. “They also loved the alpine architecture of the Commonage villas, which is highly appropriate to this location. They could see that the new building site provided an opportunity to create something even more dramatic and exciting in a very powerful setting.”
Preceding pages and above: This new house in Queenstown is set back into the hill to maximise a steep site. There are terraces on the mid level and the upper level. The gabled roofline, overhanging eaves and solid cedar exterior enhance the alpine architecture. Above left and left: The house sits on a schist stone plinth, which accommodates garaging and a formal entry. The schist also anchors the house to the land.
search | save | share at trendsideas.com
9
Above: A spiral staircase leads up from the garage entry. The walls around the stairwell feature a batten grid that introduces a strong textural element to this key circulation area. Right: The stairs, and most of the floors on the ground floor, are in slate. With the exterior wall of the stairwell glazed, the owners can enjoy the view from the stairs.
10
trendsideas.com
Above and right: A double-height library-study-music room occupies one gable. The stairs lead to a mezzanine floor that provides an alternative access to the master suite on the top floor. Fijian kauri panelling matches the window framing. Facing page: The library commands a spectacular view of Queenstown and Lake Wakatipu. Most of the furnishings in the house feature natural materials. The curtains in the library are velvet.
12
search | save | share at trendsideas.com
Above: Exposed painted beams and ceiling battens, and a schist stone column reinforce the traditional character of the interior. In keeping with the theme, the kitchen in the open-plan living area features panelled doors and a brick-style splashback. Interior designer Julia Foley of Queenstown Interiors teamed these elements with classic contemporary furnishings. Right: The living room also has a schist wall and large gas fireplace.
14
search | save | share at trendsideas.com
Whitaker says the architecture is defined by its tall gabled volumes, simple, sloping roofs that shed the snow, and large overhanging eaves. “The glazed gable facades open up the house to the expansive views. The forms step forward, which means the gables can have return windows that bring the views, light and sun into the house through 180°. In keeping with the alpine aesthetic, natural materials include local schist stone and cedar. “The cedar window facings at the front of the house extend through the two storeys, creating a strong, elegant, vertical proportion to
the structure’s design,” the architect says. Schist clads the base of the building and the large garage that forms a plinth for the house. Wayne Foley, director of Trinity Development Alliance, who also managed the entire project and commissioned the consultants, says the steep site created construction challenges. “Terracing the slope to provide three flat levels involved huge cuts into the site, some of which were up to 11m deep,” he says. “It also required massive structural concrete beams in the 5m-high garage, which has a lawn and landscaping above. The building itself mainly
sits apart from the cliff, with just a couple of connections, so it is seismically isolated in the event of an earthquake.” Entry to the house is through the garage, which acts as a porte cochère – it leads to a lift and a large spiral staircase. Access is also provided by an outdoor stair, and stairs that descend from the street above, to the main living level of the house. “The sculptural spiral staircase linking all three levels of the house is part of the excitement of the building,” says the architect. “With a fully glazed wall, the views are maximised. We also
Top: The games-media room behind the kitchen opens to an outdoor terrace. A bar at one end of the room features a marble counter and leather-upholstered bar stools. Above: At the other end of the media room a climate-controlled wine cellar features bricks salvaged from the Manchester Court Building in Christchurch following the first earthquake. The curtains in the media room, living room and bedrooms are natural linen.
search | save | share at trendsideas.com
15
Above and above right: The alpine character is reinforced by raked ceilings in the bedrooms on the top floor, and by solid wood doors. Far right: The master suite commands sweeping views of the lake and mountains. The site – believed to be the largest private landscaped area on the hill – backs on to an extralarge bush reserve. Story by Colleen Hawkes Photography by Jamie Cobel
16
introduced a textural wall that defines this area and helps to capture the natural light washing across the surface.” The main living floor accommodates a large, open-plan living room with a kitchen and dining area. This is open to a breakfast area, an outdoor entertaining terrace and a games room with a bar and climate-controlled wine cellar. The kitchen is in the heart of the home to allow a close communication with people in both the living and dining areas. The owners can also enjoy the same amazing views while preparing food at the island.
search | save | share at trendsideas.com
The library-study-music room is the pièce de résistance of the house. Here, the full drama of the view is exposed through the doubleheight glazed gable end. This room features a raked ceiling with Fijian kauri battens, and a spiral staircase to a mezzanine level. A traditional rug is teamed with a slate floor, edged with Fijian kauri. Interior designers Julia Foley and Kylie Symister of Queenstown Interiors say furnishing a home this size took meticulous planning. “From designing the extensive joinery to selecting colour palettes and finishes, we
worked closely with the client to create a timeless interior that complements the architectural features and is also beautifully comfortable,” says Foley. “We took pride in the fact that most of the furnishings were sourced and made in New Zealand, with the exception of the library rug, which was flown in from Afghanistan.” Whitaker says the alpine architecture is also enduring, and its prominent location means it makes a significant contribution to the character of Queenstown. “This property is not just a home, it’s a visual amenity for the township for years to come.”
resources & more images 46128 at trendsideas.com
search mason & wales at trendsideas.com
video about this project at 56443 at trendsideas.com
search | save | share at trendsideas.com
17
Gimme shelter On a perfect coastal site, architect Gary Banham has crafted a home that makes the most of indoor-outdoor flow in all seasons
18
search | save | share at trendsideas.com
While oceanside building sites have the obvious attractions of great views and access to the beach, they can also present specific design challenges. Architect Gary Banham says that’s particularly so along the Western Australia coastline. “There are blustering southwesterlies in the winter and afternoon sea breezes in the summer,” he says. “Plus you have to have shelter from the sun and allow for the sunsets over the Indian Ocean.” So when he came across a site south of Perth several years ago, he realised he’d
stumbled across one of the best beachfront locations in the region. It sat on a promontory immediately in front of the sand dunes, with 270° ocean views. But its unusual north-facing aspect meant the house could be designed to make the most of those views without being fully exposed to prevailing winds. “There were also advantages with the orientation for the sun,” says Banham. “Our winters can be quite cool, but the lower winter sun can penetrate into a house if it faces north.”
However, for much of the year the interiors and outdoor living areas had to be shaded from the sun. “We needed extensive overhangs, so we used the roof and balconies to give protection,” says Banham. “We’ve tapered the steel beams to cantilever the overhangs and clad them with Scyon.” These roof planes became the driving force behind the design, penetrating the interiors to form bulkheads. They also tie the house to the view, with the prominent line of the horizon in the distance.
Facing page, top: Architect Gary Banham has spent a lifetime designing houses. He realised the potential of this site when it first came on the market and perfected the plans for his own home over several years before building began. Facing page, lower: The house makes the most of the north-facing aspect with 270° views to the Indian Ocean. Above: While the oceanside site provides a great outlook, it also presented two issues that the design of the house needed to address – blustery winter winds and intense summer afternoon sun.
search | save | share at trendsideas.com
19
search | save | share at trendsideas.com
21
Previous pages: As you enter the house, it opens up to a light-filled living space containing lounge, dining and kitchen areas. These all maximise the ocean views and seamlessly flow into outdoor living areas. Top: The all-white kitchen has been kept deliberately simple. It is fully integrated, with flush doors and cabinets and a linear finger groove that runs through all drawer fronts.
22
The strong horizontal planes in white contrast with the vertical support elements clad in dark basalt stone. These form a central spine through the house, starting at the front exterior, penetrating into the entrance way, through the living spaces and out to a west-facing outdoor entertaining and cooking area. In the living area, this vertical element houses a central fireplace and divides the seating and dining areas. As seen elsewhere in the house, associated cabinetry is designed to give the sense of floating.
search | save | share at trendsideas.com
“I tried not to have cabinetwork touch the floor,” says Banham. “I wanted to have it cantilever as much as I could, like the balconies and roof line.” The west outdoor area is covered by a six-metre cantilevered roof, including operable louvres. However, this alone doesn’t provide enough protection from the prevailing winds. For that, the architect created an even more sheltered area on the north face of the building. Referred to as the atrium, this inset terrace is glazed on three sides.
Bifolding doors can be opened up all round to give a completely protected indoor-outdoor space, Banham says. “It’s possible to sit there with candles lit on the table even when there’s quite a wind blowing from the west.” This seamless flow from indoors to outdoors is enhanced by using frameless glass doors to open to the entertaining areas and the limestone tiles used on the interior floors and on the terraces. The upper level of the two-storey home contains a well-equipped home
studio, a retreat area, guest bed and bath and the main bed and bath. For Gary Banham, this house by the ocean is the culmination of a lifetime designing homes. For this one, he also had the luxury of time to perfect the design. “I worked on the ideas with my son Steeg for several years – making models, discussing and making changes,” he says. “That’s meant we’ve made the right decisions architecturally and aesthetically. I couldn’t say there’s anything I would consider as being a mistake.”
Above and facing page, lower: The shape of the site allowed most interiors to face north and so be protected from prevailing winds. This includes a space that architect Gary Banham refers to as the atrium – an outdoor space that can be opened to the indoors on three sides. Even in blustery conditions, this provides a calm and sheltered outdoor entertaining area.
search | save | share at trendsideas.com
23
search | save | share at trendsideas.com
25
resources & more images 44882 at trendsideas.com more beach homes beach at trendsideas.com video of this home 44884 at trendsideas.com
Previous pages: The upper storey contains a home studio as well as the master suite and retreat. Throughout the interior, cabinetry has been designed to have the appearance of floating rather than touching the floor. These pages: The main living area flows into this west-facing terrace. The outdoor kitchen is also an extension of the living room cabinetry. A six-metre cantilevered roof with mechanical louvres provides shade for the terrace. Story by Paul Taylor Photography by Jamie Cobel
trendsideas.com
27
From inside out Wide openings, century-old rain trees and the use of natural materials ensure this contemporary new home is at one with nature
28
search | save | share at trendsideas.com
In a city where land is at a premium, it’s a luxury to be able to design a new house around mature trees on site. The extra-large size of this Singapore property and the position of two 100-yearold rain trees not only made such a design possible; it also influenced every aspect of the architecture. The house, designed by architects Maria Arango and
Diego Molina of Ong&Ong, was positioned at one end of the 2000m2 site. “This maximised the view of a ficus tree and the rain trees, which have a very sculptural form,” says Arango. “It also meant we could have a strip of lawn in front of the trees, which enhances the outlook and ensures the trees don’t drop too many of their fine leaves into the pool.”
Above: A ribbon of white stone wraps around the upper level of this contemporary Singapore house designed by Ong&Ong. Other natural materials include teak and splitgranite slabs. These form a solid wall that extends from the entry right out into the landscape. Left: This entry to a room on the lower level features a bridge across a reflection pool. It creates a deep portal into the house.
search | save | share at trendsideas.com
29
Creating an attractive and private outdoor living area was another priority. This helped to determine the decision to create a long stone wall that forms a key axis parallel to the boundary. “We chose granite because we wanted something organic and textural that would be a strong landscape feature,” says Arango. “The wall features vertical panels of split slate,
30
cut from the end blocks of the stone. Vertical slots allow light to pass through. They also provide glimpses of the view beyond without compromising privacy.” Arango says the client wanted a very clean-lined, contemporary house, with a design that wouldn’t date. “It was important that the house would not be able to be attributed to a specific period.”
search | save | share at trendsideas.com
The architecture recalls Modernist themes with strong horizontal lines and extensive glazing. The upper level is clad in teak wood and glass, and framed by a deep band of white stone. “The top storey is a more monolithic element, which provides a strong contrast to the transparent, glass-walled base of the house,” says Molina. “The heavy upper
floor appears to float above the ground.” The formal entry to the house passes through the granite wall, but the pathway first crosses a bridge over a reflection pool. “We wanted the entry to be quite processional,” Molina says. “The bridge invites you to step over towards the front door. The entry is also very deep, with stone wrapping
around both sides, so there is a strong sense of passing through a portal.� The main entry opens up to a large living room, with a sculptural spiral staircase in the foreground. With its solid balustrading, the staircase acts as a screen, shielding the living room from the front entry. It also anchors the space visually, and forms a dramatic backdrop for the interior.
Above: The upper level of the house was designed to convey the sense of a monolithic element that floats above a transparent glass base. At ground level, sliding doors open right up to the tropical landscape. Left: Sculptural trees and lush planting create an idyllic outlook. On the far left, the land drops away, so basement rooms can also open up to the landscape.
search | save | share at trendsideas.com
31
Preceding pages: With timber decks and a swimming pool flush with the interior, the boundaries between inside and out are blurred. Stepping stones lead across the pool to the lawn and the century-old rain trees that provide welcome shade. Above: A sculptural staircase is a defining part of the interior architecture. It helps to screen the living room from the entry.
34
As with all new houses designed by Ong&Ong, the home has a close connection with the landscape. “Blurring the transition between inside and out is a trademark of our residential architecture,” says Arango. “We always like to emphasise the tropicality of our projects. Removing the barriers between inside and out also makes the spaces feel much larger.”
search | save | share at trendsideas.com
The architect says the owners can enjoy the landscape more readily when there is a seamless flow between the interior and outdoors. “It is not the same looking out through glass,” she says. “With the doors open, it’s also possible to create cross ventilation, so the breezes pass through the house, doing away with the need for constant air conditioning.”
White marble floors feature throughout the ground floor. These flow out to teak decks and a long lap pool with a Jacuzzi at one end – on the other side of a stepping stone bridge that leads to the lawn and the rain trees. An imported Japanese bonsai tree and a large sculpture that echoes the form of the spiral staircase are additional focal points in the landscape.
Natural materials are much in evidence, both inside and out. The dry kitchen features a mix of stained pine wood cabinetry and gleaming white lacquer. All the cabinets have recessed pulls so the streamlined look is maintained. The split-level island incorporates a pine wood table and a chunky marble work counter. Marble also appears in the master and guest bathrooms,
Above: Ong&Ong worked with interior design specialist Design Studio to ensure the living room would enhance the sense of a peaceful retreat. Subtle, energyefficient lighting was used throughout the home. Left: Stained pine wood cabinets make a bold textural contrast to glossy lacquer doors in the dry kitchen. The splashback is a window providing a view back into the wet kitchen.
search | save | share at trendsideas.com
35
Above: This guest bathroom features a split-granite wall, which has a bold organic form. The other walls and floor are in silver travertine marble. Right: Silver travertine also lines the master bathroom, although a darker stone was used for the floor of the shower and toilet room. The cantilevered vanity cabinets are teak. Story by Colleen Hawkes Photography by Derek Swalwell
36
which both feature walls and floors lined in silver travertine. In contrast to the smooth marble, the guest bathroom has a split granite wall behind the vanity, which gives the space a raw, organic look. This room is beside the entry to the house, so the designers added timber slats to the outside of the window, for privacy. Bathrooms throughout the house have cantilevered
search | save | share at trendsideas.com
timber vanities and mirrored medicine cabinets. The master suite also features a large freestanding bathtub, which reinforces the sense of luxury evident at every turn. resources, images & plans 45565 at trendsideas.com more by these architects ong&ong at trendsideas.com
THE GREAT AUSTRALIAN DREAM
BUILDING NEW SOUTH WALES NEW SOUTH WALES’ LEADING HOME BUILDERS AND LAND DEVELOPERS SHARE THEIR INSIGHTS AND GIVE YOU VALUABLE TIPS TO CONSIDER WHEN BUILDING YOUR DREAM HOME
40 S TARR
CONSTRUCTIONS
Nino Sanzari and Jon Vithoulka Managing Directors Starr Constructions puts customer satisfaction first when designing and building custom homes for its clients. Professional designers work closely with individual homeowners to design each home, which makes Starr Constructions a good choice for discerning clients.
Cool breeze With its covered alfresco living area, wide openings to the outdoors and spacious, flowing interior, this new home by Starr Constructions is light, bright and airy
40
search | save | share at trendsideas.com
Australia’s temperate climate has ensured outdoor living is a key consideration for most people planning a new home. This contemporary home, built by Starr Constructions, maximises the outdoors at every turn. The spacious family living area flows out to a covered terrace with an outdoor kitchen and plunge pool. Large windows overlook the pool and terrace, and bring
plenty of natural light into the house. A floating cantilevered staircase in the double-height void further enhances the sense of openness. As with all projects by Starr Constructions, the home features high-quality building products and reflects a great attention to detail – every project has a supervisor to ensure the build runs as smoothly as possible.
Director Nino Sanzari says Starr Constructions’ proven workmanship and a direct approach to all aspects of construction have helped the company win major awards from the Master Builders’ Association and HIA NSW. “Every house is designed to suit the owner’s requirements and lifestyle,” he says. “Our professional designers meet with clients to discuss
designs, and to address the logistics of building on a site.” For details, contact Starr Constructions, PO Box 475, Moorebank, NSW 2170, phone (02) 9822 7799. Email: info @starrconstructions.com.au. Alternatively visit the website: starrconstructions.com.au save & share 45621 at trendsideas.com
Facing page, top and lower: High-quality materials are a feature of this contemporary home, which was built by Starr Constructions. The large covered terrace overlooking a plunge pool features an outdoor kitchen. Above left, top and above: The spacious, light-filled interior continues the contemporary theme. Special features include a high-end galley kitchen and a cantilevered staircase that appears to float.
search | save | share at trendsideas.com
41
outdoor living
Read
Look
Watch
Business
Paving, Porches & Patios Photos
Outdoor Furniture & Rooms Photos
Let’s sit on the deck! Photos
Relax in the shade Photos
Feeling inspired?
See more ideas for Outdoor Living
Project Collections
Outdoor Spas & Tubs Photos
Photos
Soak up the sun Photos
Barbecues & Outdoor Kitchens
Pool Party Photos
Sign up to myTrends, and start your new project today - trendsideas.com
Top of the world Innovative design is transforming modern apartment buildings as architects and designers explore new ways to revitalise our cities – and our lifestyles
apartments
Space age Futuristic digital technology created the fluid, rippling form of this new apartment building in the heart of the Sydney CBD Technology is not only changing the way we live, it’s also changing the way our homes are designed. The Eliza Apartments building in downtown Sydney is one of the first of a new breed – a high-rise built to a parametric design model that enables every floor to have different dimensions. Designed by architect Tony Owen and developed by Ceerose, the 17-storey building in Elizabeth Street was created from hundreds of tessellated, individually shaped sandstone and metal panels.
The result is a fluid, sculptural form that pays homage to the surrounding heritage architecture while still providing a highly contemporary design expression. “It is a bold, curvaceous contrast to the egg-crate box style of architecture that has typified Sydney’s apartment buildings in recent years,” Owen says. “Yet it respects the historic buildings by borrowing their materials and some of their form – the balconies are a nod to the traditional bay windows common to heritage buildings in Elizabeth and Macquarie Streets.”
Preceding pages and facing page: Eliza Apartments in the Sydney CBD was designed by Tony Owen Partners Architects using parametric modelling to create a fluid, undulating facade where every floor is different. While the lower levels of the building have two two-bedroom units per floor, the upper levels have single four-bedroom units. Apartments on the upper levels look across Hyde Park to the historic Gothic Revival architecture of St Andrews Cathedral. Above: The tessellated motif on the facade can be seen in the sandstone walls of the lobby.
search | save | share at trendsideas.com
47
The geometry of the curving bays of the front facade gradually changes as the building rises, with the three-level penthouse stepped back to maximise the sun and views. “We took the geometry right down to the ground, with a protruding metal canopy over the entry,” says the architect. “The neighbouring buildings tend to have a decorative solid sandstone podium, so we created a similarly detailed podium.” The tessellated motif continues in the lobby, which features a long, sculpted
sandstone wall that curves to form the ceiling. The same motif appears in mirrored timber screens in lift lobbies, and at the rear of the building, in a 10-storey green wall. “This glazed living wall, on the north side of the building, creates a pleasant green outlook for bedrooms at the rear,” says Owen. “It also lets in plenty of natural light and sun.” The building has two two-bedroom apartments on the lower levels and single four-bedroom apartments on the upper
Facing page: Every apartment in the Eliza building opens out to a large balcony, where views are framed by the curve of the balustrading. Each of the tessellated metal and sandstone panels is individually shaped. Above: :The ripple of the balustrades brings a fluid look to the exterior as seen in this rendering. The penthouse occupies the top three floors, which are stepped back to maximise the sun and views.
search | save | share at trendsideas.com
49
levels. The penthouse comes with its own swimming pool and roof terrace. Open-plan living areas and master bedrooms are positioned to maximise the views of Hyde Park opposite or the harbour beyond. The views are framed by the curved metal balustrades on the balconies, which are designed as wintergardens that extend the living space. The apartment interiors have high-end fixtures and fittings, in keeping with the prestigious location. Each unit has limestone floors throughout the living spaces,
50
search | save | share at trendsideas.com
dark timber cabinets and wall panelling, and C-Bus lighting, with fixtures fully recessed in troughs. Each apartment also has a contemporary gas fireplace set within a bronze mirrored wall. Designed for easy entertaining, the kitchens have islands with marble benchtops. Some kitchens also have a butler’s pantry and a separate preparation area for catering purposes. Bathrooms are lined with stone, with marble slabs on tub surrounds and vanities chosen for their distinctive veining.
Above left: Each apartment features dark timber panelling and cabinetry, and a bronze mirrored wall with a gas fireplace and television. Facing page lower: Limestone floors in all the main circulation areas enhance the light, airy look. Above: A 10-storey living wall at the rear of the building incorporates the same tessellated motif as the facade and lobby. The glazing brings natural light into bedrooms and bathrooms. Left: Mirrored walls in the lift lobbies have decorative timber screens with a similar patterning.
search | save | share at trendsideas.com
51
Above: Marble lines the walls and forms the vanity and tub surround in this master bathroom. Right and far right: Other apartments also feature marble, in the kitchen and bathrooms. Story by Colleen Hawkes Photography by John Gollings
resources & more images 44833 at trendsideas.com
52
search | save | share at trendsideas.com
Crisp in white A fresh, cool backdrop to black-stained timber – Resene Wan White makes a bold statement A monochromatic colour palette can pack a lot of punch, especially when the contrasting shades are black and white. This contemporary country house designed by Guy Shallard of Latitude Forty-five features such a palette. Walls and ceilings in the house are painted in Resene Wan White by Karen Walker, chosen from The Range Whites & Neutrals fandeck, which offers a collection of classic, contemporary and favourite whites and neutrals. Resene Wan White is described as an umber white that is a little warmer than grey. Here, it is teamed with black-stained American oak, blackened steel and black aluminium joinery. Shallard says he used the same colours throughout the house to provide visual continuity. In the bathrooms, Resene Wan White is painted on rough-sawn cedar boards to enhance a raw country look. To help with your colour choice, The Resene Whites & Neutrals fandeck has an extensive collection of whites and neutrals, with up to six strength variations of the most popular colours. This can help you create a tone-on-tone colour scheme. For further details, contact Resene, phone tollfree 1800 738 383 or visit a Resene ColorShop or Reseller. Website: www.resene.com.au save & share 45619 at trendsideas.com This page: Resene Wan White by Karen Walker features in this contemporary country house.
search | save | share at trendsideas.com
53
Question of scale Large laser-cut screens, pleated aluminium panels and a double core bring a human scale to this high-end apartment development
With a scarcity of prime building sites in our large cities, apartment buildings are on the increase. But look around the new projects and it’s easy to see the low-cost cookie-cutter development is becoming a thing of the past. Modern apartment design is much more people focused – today it’s all about space and light, and bringing a human scale to apartment buildings. Architect Colin Leuschke of Leuschke Group says it is also about innovation – exploring new technology and materials
56
that will help achieve these objectives. The new Balfour apartment building, which was developed by New Sun Company with Leuschke Group architects Colin and Lindy Leuschke, epitomises the new approach to multi-unit architecture. “Apartment buildings can look very regular and ordinary, so it is essential to introduce detail to the exterior,” Colin Leuschke says. “But this needs to be in proportion to the size of the structure. To break down the scale of this large building, for example, we introduced massive
search | save | share at trendsideas.com
three-storey screens that look a little like Corten steel. They are made from laser-cut powdercoated aluminium that has been painted to resemble timber.” Leuschke describes the screens as modern-day shutters. “The screens provide privacy for the master bedrooms, but they can be folded back. They help to animate the exterior of the building, so it is never static. From the inside they look like timber, but they are completely low maintenance, which is essential for an apartment.”
The building also features a series of pleated vertical aluminium panels that run the full height of the building, concealing service rooms in the apartments. Another point of difference in the design is the provision of two central cores. “Rather than have a single core with long corridors and walkways leading to the apartments, we opted to provide two cores, each serving apartments on both sides. So the development is essentially two buildings positioned side by side,� says Leuschke. “These cores receive
Preceding pages and above left: The new Balfour apartment building steps down a steep site to maximise space and views. To bring a human scale to the development the architects introduced three-storey powdercoated aluminium screens that resemble Corten steel. From the interior, the laser-cut panels have a timber appearance. Left: The screens can be folded back like shutters to open up the bedrooms behind. Top and above: Four penthouse apartments have large entertaining terraces with glass balustrading allowing uninterrupted views.
search | save | share at trendsideas.com
57
plenty of natural light from full-height windows on two sides. And they each feature a wide central staircase – we hope to encourage residents to use the stairs rather than the lift. There are spectacular views from the core, and in this location, many of the residents will be walking to work, shops and cafés.” Leuschke says the developer wanted the building to exude quality, and this is evident throughout the building. “This is exactly the sort of apartment building encouraged by the city planners.
58
It’s a classic design where nothing has been compromised. Even in the smaller apartments, the same attention has been paid to design detail as in the four penthouses, and the same high-quality materials have been used. This ensures that all the apartments will appeal to the same type of people – the socialisation aspect is a critical element of apartment planning today.” Colin Leuschke says no two apartments are exactly the same. Even if they have a fairly similar layout, they have different views and the design detail varies.
search | save | share at trendsideas.com
“Another less common feature that we introduced was a common pathway at ground level – it is possible to navigate right around the outside of the property, which also helps to retain a human scale to the development.” Architect Lindy Leuschke says the penthouse, shown on these pages, highlights the unassuming backdrop the team created for the apartment interiors. “Because these apartments were built speculatively, we needed to establish a palette for everyman. The concept was
all about longevity and good taste. This couldn’t be a Flash Harry type of interior – it had to be visually quiet, yet solid and enduring.” To this end, the apartment interiors feature American white oak cabinetry. This can be seen in the kitchen, which includes a cube-like volume that accommodates the walk-in pantry. Similar cabinetry conceals the television in the living area, and reappears in the bathrooms, so visual continuity is assured. The apartments also feature wood
Facing page: Tall timber slats define the entry to this Balfour penthouse apartment. The floor is stepped up from the lobby. Above: The entry opens to a generously sized, open-plan living area that opens to the rooftop entertaining terrace. Audiovisual equipment is concealed behind the cabinetry above the gas fireplace. Left: Unlike most apartment buildings, there is a wide central stairway in this development – and plenty of natural light from the windows that form the exterior walls of the two central cores.
search | save | share at trendsideas.com
59
floors and carpet in the centre of the living area and bedrooms. “While the interiors are perfectly fine just as they are, we anticipate some residents may wish to personalise their space, and that will be easy enough to do,� says Lindy Leuschke. All the apartments are positioned to maximise sunlight and views. The penthouses on the top floor are set back from the edges of the building, so each residence has a large entertaining terrace with space for a barbecue and outdoor seating.
Left: A modular sofa retains the open, spacious look of this penthouse interior. With windows wrapping right around the two exterior walls of the living area, the interior is flooded with light. By night there are views to enjoy. Above: Each penthouse features a galley kitchen with a separate walk-in pantry. Designed with entertaining in mind, the kitchen includes a large Caesarstone island with seating. The cabinetry throughout the apartment is American oak.
search | save | share at trendsideas.com
61
resources & more images 45280 at trendsideas.com townhouses by this designer 36270 at trendsideas.com search leuschke at trendsideas.com
Above right: Spacious master bathrooms are a feature of the four penthouse apartments. This penthouse features a double shower, freestanding bathtub and cantilevered vanity cabinet in American oak with a Caesarstone top. Right: Penthouse bedrooms are painted white to provide a neutral backdrop that gives homeowners plenty of opportunity to personalise their space.
62
search | save | share at trendsideas.com
Recycled Timber for
Contemporary Design
FINISHES
PRODUCTS
• • • • •
• • • • •
Dressed Grey Sawn Wire brushed Aged
Wide floorboards Decking Lining boards Bench tops Stairs
• • • • •
Structural timbers Large posts & beams Trusses Joinery Laminated beams
Visit aahardwoods.com.au P: 61 2 6562 2788 F: 61 2 6562 2789
aah@midcoast.com.au PO Box 79 Kempsey NSW 2440 55 Pattersons Lane Kempsey NSW 2440
Cloud nine You can expect a designer to make a statement with his own apartment, and that’s precisely the case with this Miami high-rise project, which was designed to maximise light and space
apartments & interiors
Preceding pages: A soft white colour palette and sheer drapes give this apartment an ephemeral look. The interior was designed by ownerarchitect Andreas Charalambous. Above: With its corner position, the apartment provides expansive views in two directions, with the outlook equally dramatic by night or day. A corner sofa with a chaise is low enough to ensure views are not blocked from further back in the room.
66
When the owner-designer of this apartment came to Miami to help a client choose a new apartment, he didn’t expect he would end up purchasing an apartment himself. But that’s what happened to Washington, DC architect Andreas Charalambous of Forma Design, who fell in love with the city and could see a market potential for his business.
search | save | share at trendsideas.com
“Miami is unique. It’s a very modern, international city – the number of Spanishspeaking residents is among the highest in the USA,” he says. “I made a commitment to fly down once a month for the business, and it made sense to have my own apartment.” The Modern architecture evident throughout the city strongly influenced the architect’s design for the interior
of his apartment, which is in a building that dates back to the 1970s. Charalambous says that while the corner position and the spectacular views of the Miami skyline were engaging, the interior was very dated. “There was wall-to-wall carpet right through the apartment, and the kitchen looked as though nothing had changed since the ’70s – even the appliances were old. The
kitchen also had a low ceiling to accommodate the lighting. But, fortunately the apartment didn’t appear to require major structural changes.” Working with co-designer Juan Gutierrez, the architect gutted the interior, replacing all the flooring with off-white porcelain tiles that create a flowing, uncluttered look. “These tiles also have the advantage of being highly
reflective, so they bounce the light around the apartment. The large tiles are almost like mirrors on the floor.” The concrete slab ceilings and walls were painted in a similar shade to the floor. “The white palette creates a very calm, neutral backdrop, that doesn’t detract from the spectacular view,” Charalambous says. “Colour is provided by the view itself – mainly the
blue of the water and the sky.” Contrasting textures also enliven the interior – sleek acrylic, glass, and smooth leather are contrasted with an animal skin rug, upholstered furniture and a textured wall. This features a white, Mid-century-style patterned wood panel that is completely framed with coloured LED lighting that creates a threedimensional effect.
Above: All eyes on the view – or perhaps the decorative wall panelling. Charalambous suspended a patterned wood panel a few centimetres out from the wall, and framed the panel with LED lighting. The colour can be changed to create different mood lighting. Track lighting overhead is fixed directly to the concrete slab.
search | save | share at trendsideas.com
67
Facing page: A Mid-century-style dining suite in white enhances the neutral, tone-on-tone colour palette. The Twiggy lamp can swing across to illuminate the table, or to provide a reading light for the living area. Above left: A new door to the bedroom allows a long view from the living room. Top and above: The kitchen incorporates new cabinetry and space-saving refrigerator drawers.
search | save | share at trendsideas.com
69
Above: The master bedroom continues the sleek, contemporary look, with off-white furnishings punctuated with accents of red. The low platform bed, which helps to make the room seem bigger, appears to float above the floor. Both of the bedrooms in the apartment are positioned to maximise the view. Story by Colleen Hawkes Photography by Geoffrey Hodgdon
70
“The panel is suspended a few centimetres in front of the wall, and at night it appears to float within the space,” says the architect. A full-length mirror sits on the floor in the dining area, where it reflects a slice of the panoramic views back into the adjoining kitchen, which incorporates new cabinetry and space-saving refrigerator drawers.
search | save | share at trendsideas.com
“The original kitchen had overhead cabinets on all the walls,” says Charalambous. “To open up the room and make it appear more spacious, I chose to have overhead cabinets only at the end. But I did add a painting and a Rococo mirror – the design of the kitchen is so simple, I felt it needed a little jolt.” The sense of space is also increased by changes to the
master suite. A walk-in closet was removed, so the bedroom gained an extra 1.5m. This created enough room for a king-sized bed – the architect chose a low platform bed that makes the ceiling seem higher. The position of the door to the master bedroom was also moved, which opened up a direct sightline from the living area down the passageway to the bedroom.
resource list & images 45979 at trendsideas.com more from this designer forma at trendsideas.com
“This is a much longer perspective than was there before, so the apartment feels a lot bigger,� the architect says. To enhance the natural light pouring into the apartment, the door to the bathroom was glazed and covered with a privacy film. The architect also replaced a bathtub with an open vanity and a large shower lined with natural pebbles.
Left: The door to the master bathroom was glazed to bring in natural light. To make the room appear more spacious, the architect specified an open Axor vanity with a vessel basin. Far left: Natural pebbles line the wall and floor of the new shower, which replaces a bathtub.
search | save | share at trendsideas.com
71
Finishing touch White cabinetry is enlivened with colourful accessories and sculptural designer light fixtures in this new kitchen
White kitchens help to create a crisp, clean look for a family living area. But that’s often where any similarity between white kitchens ends. And the reason is simple – white is the perfect backdrop for a variety of colour accents that may be introduced through materials, products or accessories. For example, this family kitchen by designer Renae Keller avoids a sterile, allwhite look through the innovative use of colour and form. Keller says the kitchen, which is in a new house, needed to have
74
a modern, clean-lined look to complement the contemporary architecture. “An all-white kitchen would have been too stark, however,” the designer says. “So we introduced a subway tile backsplash in a warm putty colour, with a crackle glaze. This has a little more of a traditional feel, yet it works with the classic, square-edged design of the cabinetry.” Keller says rail and stile doors on the cabinets also help to soften the look, so it is neither too clinical nor too ornate. But it is the finishing touches that
search | save | share at trendsideas.com
really raise the kitchen out of the ordinary. Two sculptural LZF light fixtures featuring a ribbon-like wood veneer pigmented in a grey shade are suspended above the island. The dining table is also highlighted – by a Bocci pendant light comprising 14 borosilicate glass globes. “The lighting creates a focal point within the large, open-plan living space, which has high ceilings,” says Keller. “The pendants have a round, organic feel that is another nice contrast to the crisp, square lines of the cabinetry.”
Preceding pages and above: Convention takes a back seat in this all-white kitchen designed by Renae Keller of Renae Keller Interior Design. Sculptural light pendants and bright blue and green ceramic and glass pieces create a lively, eye-catching family living area. Facing page, top and lower: The island features a square-edged quartz benchtop with waterfall sides. The front of the island is painted in the same warm grey shade as the walls. Left: Putty-coloured subway tiles with a crackle glaze offer a contemporary take on tradition.
search | save | share at trendsideas.com
75
Above: A sea-blue F Schumacher and Co wallpaper with a traditional trellis pattern creates a colourful backdrop to the contemporary hutch dresser. Story by Colleen Hawkes Photography by Troy Thies
see a list of resources 44368 at trendsideas.com watch a video of this kitchen 44369 at trendsideas.com
76
Bright pops of colour also enliven the kitchen. The owners’ collection of blue and green ceramic and glass pieces are displayed throughout the space, adding another organic touch. “Several of these pieces are displayed in a contemporary built-in sideboard, which features a fun wallpaper in a turquoise colour with a traditional trellis pattern,” says Keller. “The shelves are glass, with white-painted wood edges. The glass enables the light to travel right down through all the shelves.”
search | save | share at trendsideas.com
The designer custom designed an oval dining table with a wood and stainless steel base, and teamed this with Eames moulded plastic dining chairs. “Again, the softer shape of the oval ensures the table does not compete with the island. It is always about achieving a visual balance.” Functionality is also assured. As well as the ample storage in the kitchen, there is a separate walk-in pantry. Small appliances are hidden from sight in a cabinet to the right of the refrigerator.
Two sides to every story A lush, landscaped inner courtyard splits this remodelled house in two, and places the kitchen and dining room across from each other
78
search | save | share at trendsideas.com
Kitchens and family living areas are increasingly designed to connect to the outdoors, but this project puts a new spin on the concept. The traditional Singapore shophouse, which was extensively renovated by architects Maria Arango and Diego Molina, comprises two separate volumes. The larger of the two accommodates the main living areas on the ground floor, with
bedrooms on the upper two levels. The second volume houses the kitchen, maid’s quarters and a swimming pool on the upper level. “This family home needed to be light filled,” says Molina. “Splitting the house into two volumes with a small connecting courtyard allows sunlight to stream into the middle. It also lets breezes ventilate the interior naturally.”
With a living green wall to one side, a shade tree in the opposite corner, and the floor covered entirely in carpet grass, the setting forms an attractive indoor garden and play area. “The green space is the visual focus of the ground floor,” the architect says. “And because there are no partitions, the garden can be enjoyed from the kitchen at the back
Above left: This remodelled Singapore shophouse features an internal courtyard with a grass carpet, shade tree and living wall of greenery. The kitchen is positioned on one side and the dining room on the other – in two separate volumes. Above: Traditional meets modern – contemporary cabinets and materials in the kitchen are paired with specially sourced cement tiles that are replicas of original shophouse tiles.
search | save | share at trendsideas.com
79
and from the living area at the front.� Molina says because the client is both a family man and an avid cook, it was important for him to be able to interact with his children at play in the garden, while he is working in the kitchen. “The seamless transition between the living areas makes this possible.� In keeping with the old
80
search | save | share at trendsideas.com
meets new design approach that defines other areas of the house, the kitchen features modern cabinets in sleek timber veneer. These are teamed with an island wrapped in Calacatta Gold marble. The galley-style workspace puts everything within close reach, and with the island open at both ends, circulation is also streamlined. As with most Singapore
homes, there is a separate wet kitchen. This is positioned behind the front kitchen, next to the spiral staircase. Decorative cement floor tiles help to anchor the room visually, and provide a link to the home’s past – they are replicas of traditional shophouse tiles. The tile pattern is repeated in the master suite on the top level of the house. Across the courtyard in the
living space, the dining table is separated from the seating area by a large staircase. “This is another point of illumination,” says Molina. “Sunlight streams in from the skylights in the lantern roof directly above.” While the stair has a bold, sculptural contemporary form, its simplicity ensures it does not detract from the original shophouse features.
resources & more images 46148 at trendsideas.com
Above left: Bifold doors open up the main living and dining space to the internal courtyard.
see the rest of this house 43504 at trendsideas.com
Far left: A breakfast table echoes the kitchen’s monochromatic palette.
see bathroom story 46142 at trendsideas.com
Legend to plan of ground floor: 1 entry, 2 living area, 3 dining area, 4 inner courtyard, 5 main kitchen, 6 wet kitchen. Story by Colleen Hawkes Photography by Aaron Pocock
search | save | share at trendsideas.com
81
Rise and shine This family bathroom reflects decor contrasts in the rest of the home – with touches of sparkle and glamour Bathrooms and powder rooms present an opportunity to break with a home’s principal interior design. Alternatively, they can allow a designer to extend a concept and have some fun with it at the same time. This bathroom and powder room are in a house that features traditional and modern spaces with a black-and-white palette, says interior designer and homeowner Dana Lane. “All these themes can be seen to varying degrees in the family bathroom, which has a predominantly old-world emphasis, with some playful modern touches. A traditional dado rail and beadboard wall set the scene, and the high skirting boards featured elsewhere in the home are continued here. “Two principal elements lead the design,” says Lane. “We reclaimed an old dresser and gave it a new lease of life, painting it black and adding a white engineered stone benchtop. This solid piece is finished with a curved mixer tap and freestanding basin. The clawfoot bath is another old-world piece. This builds on the black-and-white scheme seen in the vanity and chequered floor tiles.” More contemporary accents include the clean-lined glass shower stall. Subway tiles used to line the interior are in a modern, large format, similar to the splashback in the kitchen. Reflection and sparkle provide modern glamour – the room contains three contemporary mirrors, a Deco-style mirror over the vanity, and two other mirrors with frames decorated in reflective glass studs. The claw feet on the bath were dipped in chrome to make them shine. The modest powder room has the same high skirting boards and Smoked Oak limewashed floors found in most rooms of the house. This space also features a large mirror, but both the washstand and tapware are contemporary. A large painting of butterflies brings colour and lightness to the space.
Left and following pages: This largely black-and-white bathroom forms part of a house that has traditionally styled rooms at the front and contemporary spaces to the rear. The bathroom picks up on both looks, featuring coloured walls, high skirting boards and a dado rail that are in keeping with the older-style rooms, but also offering touches of glamour and shiny modernity.
search | save | share at trendsideas.com
83
Resources and information 43495 at trendsideas.com See the rest of this house 43311 at trendsideas.com See the kitchen 43494 at trendsideas.com
Right: Neutral wall tones and engineered timber flooring that feature in the contemporary areas of the house also create a light modern look for the powder room. This is further set off by the painting of butterflies. The modern vanity and tap enhance the crisp, relaxed aesthetic, while the high skirting boards are a nod to the home’s more traditional accents. Story by Charles Moxham Photography by Andrew Ashton
86
search | save | share at trendsideas.com
XXX search | save | share at trendsideas.com
Upon reflection This traditional Singapore shophouse has been transformed by a contemporary remodel – the top floor accommodates a spacious, light-filled master suite
search | save | share at trendsideas.com XXX
Just as family rooms have been opened up in recent years to provide spacious, flowing living areas, so are master suites becoming a lot more seamless. The entire top floor of this traditional Singapore shophouse, which has been remodelled by Ong&Ong Architects, is given over to a new master suite. The bedroom, at one end, is open to the bathroom at the other, with a staircase between. Architect Maria Arango says despite the fact that these two rooms are separated by what appears to be a communal space,
90
they have a strong sense of connection. “Both rooms have wide openings, soaring ceilings with timber beams, and a long limestone vanity top in the bathroom extends right along the wall to form a desk area beside the bedroom.” A long, low mirror, backlit by LED lighting, and additional lighting beneath the cantilevered cabinetry reinforce the connection between the spaces. To provide privacy, the toilet room and shower next to the stairs are screened by a sandblasted glass wall. This also allows
search | save | share at trendsideas.com
the natural light to pass through the space, from a skylight in a lantern roof directly above the stairs. High-gloss wardrobe doors lining one wall of the bedroom also help to reflect the light. A sculptural freestanding tub takes centre stage in the bathroom. This sits on a replica shophouse-tile floor, and is positioned so the owners can enjoy an attractive garden outlook – glass sliding doors open to a living wall of greenery. There is also a slatted timber screen on the balcony to provide privacy.
resources & more images 46142 at trendsideas.com see story on the house 43504 at trendsideas.com see more by these architects ong&ong at trendsideas.com Story by Colleen Hawkes Photography by Aaron Pocock
Preceding pages: Natural light streams into this bathroom from a glazed roof over a balcony. To provide a connection with nature, the bathroom overlooks a living wall of greenery that extends the full height of the three-storey house. Facing page, above and left: A dramatic sculptural staircase winds up all three floors, to the centre of the master suite. Skylights in a lantern roof above the staircase bring additional light into the space. Facing page, lower: Sandblasted glass doors and walls screen the toilet and shower. The decorative floor tiles replicate traditional shophouse tiles.
search | save | share at trendsideas.com
91
index Creative Hardwood Floors 72-76
Lighting Plus
54-62
Real Flame
Advanced Precast (Aust) 44-52
Designa Tiles
Line Design Plumbing
64-71
Remarkable Glass
Aero Drapery & Blind
72-76
Dulux
LZF Lamps
72-76
Renae Keller Interior Design
6-17
Eames
72-76
M+G Consulting
44-52
72-76
Aluminium Facade Solutions
Escea
54-62
Manor Group
44-52
European Ceramics
54-62
Mason & Wales Architects 6-17
Roca
82-86
Arango, Maria
F Schumacher & Co
72-76
Max Klause Designer/Builder
Room and Board
72-76
Fisher & Paykel
54-62
Absolute Stone
18-27
Aitken Joinery
28-37, 78-81, 88-91
6-17 18-27, 82-86
3
18-27
Resene
6-17
53, 54-62
18-27
Rust Brothers
72-76
Architectural Roofing Company
Flooring Xtra
6-17
McLean, Sue
54-62
Rylock
54-62
6-17
Foley, Julia
6-17
Micos Glass
44-52
Santa Rosa Marble
64-71
Aspire
82-86
Foley, Wayne
6-17
Miele
Scarbro Construction
54-62
Attica
18-27
Forma Design
64-71
Mike Hedin Custom
Scyon
18-27
Formwest
18-27
Woodworking
Silestone
64-71
Franke
18-27
Site Landscape
44-52
Australian Architectural
18-27, 28-37
72-76
Hardwoods
63
B+N Industries
64-71
GasCo Queenstown
Banham Architects
18-27
GE
64-71
Banham, Gary
18-27
GE Monogram
72-76
myTrends
Bastow
82-86
Geneva
64-71
Benjamin Moore
64-71
Gutierrez, Juan
64-71
New Sun Company
54-62
Bocci
72-76
H채fele
54-62
Ng, Benny
44-52
Boffi
28-37
Halo Lighting
18-27
Ng, Raymond
44-52
Hansa
54-62
NKS Artsource
72-76
Hansgrohe
64-71
Nuralite
54-62
Caesarstone
Harrex Glass
18-27
Oiz, Gerardo
44-52
Harvey Norman
18-27
Olivari
28-37
Bosch
54-62, 72-76
Bose
18-27
6-17, 18-27, 54-62, 82-86
6-17
Moen
72-76
Molina, Diego
Smeg
28-37, 78-81, 88-91 IFC-1, 42-43, 77, 87, 93
Candlewick Interiors
82-86
HomeKo
64-71
Ong&Ong 28-37, 78-81, 88-91
Cardno ITC
44-52
Homewerks
28-37
Owen, Tony
44-52
5
Sonoma Tilemakers
72-76
Spence Developers
6-17
Starr Constructions Stoneplus NSW
38-39, 40-41 44-52
Sue McLean Landscapes 54-62 Swishwood
6-17
Symister, Kylie
6-17
Symonite Panels
54-62
TLC Surfaces
72-76
Tong, Wendy
44-52
Tony Owen Partners Architects
Jacobsens
54-62
P5
28-37
Cavalier Bremworth
54-62
Jenn-Air
72-76
Pella
72-76
Ceerose
44-52
Johnson Tiles
82-86
Philippe Starck
64-71
Top Knobs
72-76
Central Joinery
54-62
Keller, Renae ASID
72-76
Porcher
82-86
Toto
64-71
44-52
Trinity Development Alliance 6-17
Carpet Court
6-17
Charalambous, Andreas AIA
Kohler
64-71
Lane, Dana
82-86
Premier Builders of Rochester
U-Line
64-71
Christophe Gordon-Brown 28-37
Leuschke Group
54-62
72-76
Vent-A-Hood
72-76
Civovic, Michael
Leuschke, Colin
54-62
Price & Humphreys
6-17
WAC
64-71 18-27 6-17
44-52
64-71, 72-76
44-52
Porly, Claudio
Cladding Systems NZ
54-62
Leuschke, Lindy
54-62
Queenstown Interiors
6-17
West Coast Hi Fi
Contempo
18-27
Lewis Bradford Consulting 6-17
Quintero Saul, Diana
44-52
Whitaker, Francis
Crate & Barrel
72-76
Liebherr
Rahmani, Esan
44-52
Wiser
72-76
18-27