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CONTENTS
Highlights from this issue of myTrends Home
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HOME KITCHEN BATHROOM You’re in for a real treat in this edition of myTrends HOME. Not only do we have some spectacular beach homes, kitchens and bathrooms, we also have a special section on sustainable living. Where do you go for inspiration for your new home project, or ideas for your kitchen and bathroom? You go to myTrends! On myTrends you can search for design ideas and solutions in our online showcase of hundreds of homes, kitchens and bathrooms and connect with our community of architects and designers. And when you’re ready to start choosing, myTrends can suggest products, services and expertise to help make your final selections easier. In this issue of myTrends we’ve collected some of the latest ideas to impress us. You’ll find these projects and many, many more on myTrends – where everyone who loves design can find each other, share ideas and collaborate on projects. Join us today and discover a whole new world of design inspiration!
HIGHLIGHTS Editor John Williams – john.williams@trendsideas.com Sales Judy Johnson – judy.johnson@trendsideas.com Adrian Law – adrian.law@trendsideas.com Costas Dedes – costas.dedes@trendsideas.com Leslie Johnson – leslie.johnson@trendsideas.com Tracy Fairey – tracy.fairey@trendsideas.com
This house makes the most of the north-facing aspect with 270° views to the Indian Ocean. See more contemporary beach houses on myTrends
With a mirror wall above and below, this double vanity appears to be cantilevered across the room. You can see more ideas for vanities on myTrends
This award-winning terraced town house is packed with sustainable design features. To find more eco-friendly products go to myTrends
More ideas, information and inspiration, plus the full multimedia experience at my.Trendsideas.com
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ISSN 1175 5121 (Print) ISSN 2230 6927 (Digital) All rights reserved. myTrends HOME is subject to copyright in its entirety. The contents may not be reproduced in any form, either in whole or in part, without written permission of the Publisher. No responsibility is accepted for unsolicited material, nor for loss of submitted manuscripts, photographs or artwork. Opinions expressed are those of the contributors, not necessarily those of myTrends HOME. While every effort has been made to ensure accuracy of information, the Publisher assumes no responsibility for errors or omissions or for any consequences of reliance on this publication.
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contemporary homes
Modern language Expressive architecture is teamed with simple, pared-back interiors in these homes, which redefine the concept of a sanctuary
La dolce vita Inspired by the owners’ Italian heritage, this house offers a modern interpretation of traditional Mediterranean island architecture It’s easy to conjure up a picture of the Mediterranean islands off the coast of Italy and Greece, where sun-kissed whitewashed buildings are contrasted by a deep blue sea and a vivid sky. The character and sense of escape that define such islands has influenced the design of this new house overlooking the Swan River in Perth. Architect Anthony Rechichi says he has known the owners for many years, and designed their former home. “The family is originally from Sicily
and has a very proud Italian heritage that I wanted to reference in the design. There are similarities between the Mediterranean islands and this site, which is perched up high, with sweeping 180° views across the deep blue river to the city beyond. “There was a clear opportunity to provide a Modernist interpretation of the archetypal Mediterranean architecture. Preceding pages and these pages: This new house by architect Anthony Rechichi is a composition of layered planes, solid forms and transparent voids.
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It seemed an appropriate design response to the site.” On both the exterior and interior, the house appears as a layered composition of horizontal and vertical planes. “The design also contrasts solid forms with voids and transparency, establishing a dialogue between open and closed elements,” says Rechichi. “And there is a sense of attachment and detachment. Some forms appear to float, while others are anchored, and punctuations in the facade are contrasted by extrusions.”
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At street level these opposing elements include the layering of different roof types. “There is the solid cantilevered roof, which is topped by a high, louvred roof that is semi transparent. This in turn is overlapped by a dark charcoal steel framework that offers just a hint or suggestion of a roof.” Rechichi says the architecture also references the work of American architect Richard Meier, who is renowned for his bold, geometric designs that frequently feature the colour white.
“For this project, white elements are layered on both the exterior and interior. In some areas there is a very pure white, while in other places it deepens to a grey.” Surfaces on the interior are mainly polished plaster or Turkish limestone, which clads a double-height void that connects the two main living areas. “The main entry to the three-storey house is at mid level, which we call the ground floor because it is accessed from street level,” says Rechichi. “This is where we positioned the main outdoor
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living area, pool, sun terrace and outdoor kitchen, along with two bedrooms and a guest suite.” With expansive glazing across the entire end of the void and on the upper level, the lines between inside and out are blurred. A high louvred roof above the outdoor living area heightens this connection. The louvres close automatically when it rains. A lowered timber slat ceiling provides a more intimate space for the outdoor kitchen-bar area. The timber slats are laid
Preceding pages, above and left: The main entry to the house is on the ground floor, which features a large indoor-outdoor entertaining area with a swimming pool and sun deck. The seating area is sheltered by a high louvred roof, while a lower timber ceiling creates a more intimate setting for the outdoor kitchen and dining area. Glazed walls provide a transparency between the two main living levels. Facing page: The fully equipped outdoor kitchen designed by Leon House incorporates an island with a mirrored base and a granite bar top that serves as a teppanyaki table.
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Top and above: A second terrace on the top floor forms a bridge across the void. This level accommodates the main living areas, as well as the master suite and an additional bedroom. Above right and facing page, lower left: Leather sofas in charcoal contrast the Turkish limestone floors – the same stone features throughout the house. The main kitchen, also designed by Leon House, reinforces the layered composition of the architecture. Facing page, lower right: Pared-back geometric forms define the master bathroom.
both flat and on edge, in an alternating pattern that introduces a subtle texture for added visual interest. Two sets of stairs lead up to the main living area on the upper floor. “A terrace on this level wraps around and embraces the double-height void – it is almost like a bridge,” says Rechichi. “It provides a strong visual connection between the two floors that enhances the sense of openness.” This floor accommodates the main indoor living and dining areas, a second
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terrace with outdoor seating and a dining area, the kitchen, master suite and an additional bedroom. Ample natural light floods the interior through a ribbon of clerestory windows. Both the indoor and outdoor kitchens were designed by Leon House. The galley-style indoor kitchen teams white lacquered cabinets with a marble island, timber bar top and timber veneer doors that conceal a drinks cabinet. The semi-freestanding cooking centre also resembles an island, providing views
through to a second prep area behind, and continuing the sense of layering that is evident throughout the house. The outdoor kitchen features a large island with a teppanyaki bar that is perfect for relaxed entertaining. resources, plans & more images 46274 at trendsideas.com a video about this project 46275 at trendsideas.com
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Two sides to every story Despite the challenges of a narrow, steep site, the design of these two city townhouses maximises space, privacy and views front and back
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There are advantages to developing the last available site in a dense urban area. There are no surprises in terms of the neighbouring buildings, and the view can never be built out. But that doesn’t mean a project is not challenging, especially when the site is steep, long and narrow, and surrounded by apartment buildings from a different era, as was this case with this site in a sought-after suburb close to the city. Designer Paul Izzard says the site had languished for more than a decade, after
the original plans for two townhouses were put on hold. The floor slab and basement were built, but the work had not progressed any further. Izzard was commissioned by a new developer to complete the design. “With property prices at a premium in this suburb, it was essential to maximise every square inch of the site,” the designer says. “This helped to dictate the shape of the building, as did the need to comply with local government regulations that had changed considerably over
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the 10 years. It was like working with a 3-D version of the height-to-boundary restrictions. Key views to the harbour and volcano summits needed to be retained from various points, not just from the site.” Izzard says all these factors meant the building acquired a monolithic form that needed to be minimised visually. “Introducing contrasting materials and interesting textural elements was a way to reduce the building’s visual impact. Vertical black-stained cedar boards are teamed with a natural stone tile.
Preceding pages: These two three- and four-level townhouses, designed by Paul Izzard, have a vertical cedar board cladding in a black stain. The dark panels are contrasted by lighter stone tiles and decorative laser-cut metal screens that provide a textural, layered effect. Each townhouse has its own gated entry. These pages: The front townhouse, nearer the street, features a galley-style kitchen with a large island and a recessed mirrored splashback on the wall behind. The spacious living area opens to a sunny patio for alfresco living. Large windows on the upper levels maximise the spectacular views.
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Top floor
First floor
Ground floor
Basement
This page: The front townhouse is shown on the left of each floor plan, and the rear townhouse is on the right. The grey pathway at the top of the first-floor plan leads to the front door of the rear townhouse. The first floor of this same townhouse incorporates a second sitting room or media room. Facing page: Indoor-outdoor living is provided by large terraces with space for dining tables and seating areas. Greenery helps to soften the terrace of the front townhouse.
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Above: This decorative laser-cut gate and fence signal the entry to the rear townhouse. Above right: The rear townhouse has a similarly large open-plan living area with solid oak floors. Here again, there is a green outlook that helps to soften the built environment. Facing page, lower left: A peninsula provides a large food preparation and serving area. Facing page, lower right: The master suite has a freestanding wall that conceals the passage to the ensuite bathroom and dressing room.
“The stone helps to anchor the narrow end of the building facing the street. “We also introduced several laser-cut powdercoated metal screens coloured black and stone. These appear on the gates to each townhouse, and on the exterior of the building. They create a layering effect that is a little different to the timber slats that are commonly used as screens. And they give the building a slightly Mediterranean look that complements the sea views and neighbouring palm trees, reminiscent of the south of France.”
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Eyebrow awnings also help to give the townhouses a sense of identity, and they provide shade and shelter to the entries to each unit. To provide privacy, each townhouse has a separate gated entry. The front unit is also higher, so the living area and patio are on a different level to the rear unit. “A fire wall between the units extends out past the end of the building, which also helps with privacy,” says Izzard. The outdoor living areas are on the northwest side of the building, which
ensures they benefit from the sun. The open-plan living areas are also positioned for the sun. Planter boxes on both terraces provide greenery that helps to soften the built environment. Spectacular views of the harbour to the northeast are also maximised from the living areas of both units. On the inside, the interior architecture continues the contemporary look. Solid oak floors flow through the living areas. The kitchens, designed for entertaining by Bespoke on Khyber, feature sleek, white
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lacquered cabinets. The monochromatic interior colour palette extends to a blackstained timber bar top in one unit and a black stone benchtop in the other. The design provides flexibility, so rooms can be used in different ways. The lower unit, for example, features four bedrooms and a second living room, or media room. This room could also function as a fifth bedroom if required. There is also room to install a lift in the future. Each townhouse has a double garage on the basement level, with internal access.
resources & more images 46848 at trendsideas.com another great use of space 43296 at trendsideas.com search modern townhouse at trendsideas.com
Facing page: The monolithic shape of the building was determined by the need to maximise the space and meet local regulations aimed at preserving key view corridors and sunlight. In addition to the fixed screens, the stepped design of the building adds visual interest to the exterior. Above: As with the front townhouse, the rear unit has an easy flow between inside and out. Story by Colleen Hawkes Photography by Jamie Cobel
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Gimme shelter On a perfect coastal site, architect Gary Banham has crafted a home that makes the most of indoor-outdoor flow in all seasons
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While oceanside building sites have the obvious attractions of great views and access to the beach, they can also present specific design challenges. Architect Gary Banham says that’s particularly so along the Western Australia coastline. “There are blustering southwesterlies in the winter and afternoon sea breezes in the summer,” he says. “Plus you have to have shelter from the sun and allow for the sunsets over the Indian Ocean.” So when he came across a site south of Perth several years ago, he realised he’d
stumbled across one of the best beachfront locations in the region. It sat on a promontory immediately in front of the sand dunes, with 270° ocean views. But its unusual north-facing aspect meant the house could be designed to make the most of those views without being fully exposed to prevailing winds. “There were also advantages with the orientation for the sun,” says Banham. “Our winters can be quite cool, but the lower winter sun can penetrate into a house if it faces north.”
However, for much of the year the interiors and outdoor living areas had to be shaded from the sun. “We needed extensive overhangs, so we used the roof and balconies to give protection,” says Banham. “We’ve tapered the steel beams to cantilever the overhangs and clad them with Scyon.” These roof planes became the driving force behind the design, penetrating the interiors to form bulkheads. They also tie the house to the view, with the prominent line of the horizon in the distance.
Facing page, top: Architect Gary Banham has spent a lifetime designing houses. He realised the potential of this site when it first came on the market and perfected the plans for his own home over several years before building began. Facing page, lower: The house makes the most of the north-facing aspect with 270° views to the Indian Ocean. Above: While the oceanside site provides a great outlook, it also presented two issues that the design of the house needed to address – blustery winter winds and intense summer afternoon sun.
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Previous pages: As you enter the house, it opens up to a light-filled living space containing lounge, dining and kitchen areas. These all maximise the ocean views and seamlessly flow into outdoor living areas. Top: The all-white kitchen has been kept deliberately simple. It is fully integrated, with flush doors and cabinets and a linear finger groove that runs through all drawer fronts.
The strong horizontal planes in white contrast with the vertical support elements clad in dark basalt stone. These form a central spine through the house, starting at the front exterior, penetrating into the entrance way, through the living spaces and out to a west-facing outdoor entertaining and cooking area. In the living area, this vertical element houses a central fireplace and divides the seating and dining areas. As seen elsewhere in the house, associated cabinetry is designed to give the sense of floating.
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“I tried not to have cabinetwork touch the floor,” says Banham. “I wanted to have it cantilever as much as I could, like the balconies and roof line.” The west outdoor area is covered by a six-metre cantilevered roof, including operable louvres. However, this alone doesn’t provide enough protection from the prevailing winds. For that, the architect created an even more sheltered area on the north face of the building. Referred to as the atrium, this inset terrace is glazed on three sides.
Bifolding doors can be opened up all round to give a completely protected indoor-outdoor space, Banham says. “It’s possible to sit there with candles lit on the table even when there’s quite a wind blowing from the west.” This seamless flow from indoors to outdoors is enhanced by using frameless glass doors to open to the entertaining areas and the limestone tiles used on the interior floors and on the terraces. The upper level of the two-storey home contains a well-equipped home
studio, a retreat area, guest bed and bath and the main bed and bath. For Gary Banham, this house by the ocean is the culmination of a lifetime designing homes. For this one, he also had the luxury of time to perfect the design. “I worked on the ideas with my son Steeg for several years – making models, discussing and making changes,” he says. “That’s meant we’ve made the right decisions architecturally and aesthetically. I couldn’t say there’s anything I would consider as being a mistake.”
Above and facing page, lower: The shape of the site allowed most interiors to face north and so be protected from prevailing winds. This includes a space that architect Gary Banham refers to as the atrium – an outdoor space that can be opened to the indoors on three sides. Even in blustery conditions, this provides a calm and sheltered outdoor entertaining area.
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Previous pages: The upper storey contains a home studio as well as the master suite and retreat. Throughout the interior, cabinetry has been designed to have the appearance of floating rather than touching the floor. These pages: The main living area flows into this west-facing terrace. The outdoor kitchen is also an extension of the living room cabinetry. A six-metre cantilevered roof with mechanical louvres provides shade for the terrace. Story by Paul Taylor Photography by Jamie Cobel
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It’s personal Design flexibility is everything when you are looking for a new home builder, as these projects demonstrate
Love at first sight Once seen, never forgotten – the owner of this new home, a former UK resident, first fell in love with Lockwood homes on a visit to New Zealand 30 years ago
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Three decades after first walking into a Lockwood show home, the owners of this new house are still enamoured of the design and construction. Peter Wood experienced his first Lockwood on a visit to New Zealand in 1985, so it was no surprise that he and his wife Lyn chose to build with Lockwood when they came to live in this country. Their latest home, in
Pegasus, Canterbury, is the second Lockwood for the couple – the first was built by Lockwood in Rotorua. “We love how a Lockwood is cool in summer and warm in winter,” says Peter Wood. “We also like the strong, sturdy nature of the homes, and the way they are built.” Their latest home is based on the Lockwood Parnell plan, which was altered to include
a scullery. The Woods also extended the roof above the two wings to provide large covered terraces off the formal living room and enlarged master bedroom. The roof is supported by schist columns. The couple chose a blonded solid wood interior that gives the home a very light and airy look. The wood is contrasted by bright red doors with a hint of pink. Peter Wood says
the pop of colour enlivens the interior and is a great point of difference. For further information, contact Lockwood Canterbury, 431 Main South Rd, Hornby, Christchurch 3844, phone (03) 344 0299. Or visit the website: www.lockwood.co.nz save & share 47011 at trendsideas.com
Facing page, top and above: This new Lockwood, built by Lockwood Canterbury, is based on the Parnell plan. It features a central living area with two wings. The overhanging roof is supported by schist stone columns. Facing page, lower: Owners Peter and Lyn Wood chose a blonded solid wood interior. The kitchen features a large square island and a scullery.
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Laid-back lifestyle With its spacious, flowing interior, sheltered outdoor room and great views, this new home by GJ Gardner Homes is ready for relaxed entertaining
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Take one picturesque building site with expansive views; add a custom-designed home that opens up to the outdoors, and you have the recipe for an idyllic lifestyle. That’s precisely what the owners of this new home have achieved, thanks to GJ Gardner Homes Hawkes Bay. The 395m2 home sits on a flat building platform tucked below the ridgeline of the hills behind. The position of the home, and the angled wings, maximise the sun and the spectacular views from the living areas and bedrooms.
Grant Lee, GJ Gardner Homes Hawkes Bay managing director, says the owners wanted a spacious home that would be well suited to formal and informal entertaining. They also wanted to be able to have overseas visitors staying in comfort. The open-plan living area features exposed trusses that enhance the light, airy feel of the interior. These are painted in Wattyl Dreamtime, while the exterior steel truss features Resene Black Jack for added definition. This complements the oil-stained cedar weatherboards.
Facing page, top: This custom-designed home by GJ Gardner Homes features a gabled roofline that echoes the sculpted form of the hills behind. The wings of the house are angled to maximise expansive views of the Hawkes Bay countryside. Facing page, lower: Bifold doors open up the living areas to large decks. The easy-care carpet is SmartStrandÂŽ Rhino in Slate Tile. Above: The house is clad in Enduron 50mm plaster painted in Resene Barely There, and cedar weatherboards oil-stained in Resene Crowshead.
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To provide an easy indoor-outdoor flow for relaxed entertaining, the design team introduced decks right around the north side of the home. A large, covered outdoor room with a gas fireplace and skylight takes pride of place in a central position. “This alfresco living area can be enjoyed through all seasons,” says Lee. “Bifold doors open up the living area to this deck and another timber deck that extends out towards the view.” The monochromatic, galley-style
kitchen adds further visual drama. Both the island and base cabinets are lacquered in white, while the overhead cabinets have a high-gloss black lacquer finish. There is also an adjoining scullery, and two internal doors to the garage. GJ Gardner Homes created a separate guest suite for visitors. This features two guest bedrooms with ensuite bathrooms. Each bedroom opens to a private deck. “We also provided flexibility in terms of the layout,” says Lee. “There is an extra bedroom and bathroom in the same part
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of the home, and a separate media room that can be converted to a children’s area when there’s a full house.” Every home designed and built by GJ Gardner comes with a fixed contract price and pre-agreed completion date. For details, contact GJ Gardner Homes, phone 0800 42 45 46. Or visit the website: www.gjgardner.co.nz save & share 46893 at trendsideas.com
Facing page, top: Exposed trusses are a distinctive feature of the open-plan living area – they also reference the country setting. GJ Gardner Homes says the house ticks all the boxes on the clients’ wishlist for both aesthetics and functionality. Facing page, lower: The large kitchen is well equipped for entertaining. Above: A covered outdoor room with a gas fire can be used through all seasons. Far left and left: Bedroom suites reflect the high standard of specification throughout the home.
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In touch with your world From advanced magnetic locking systems to crisp architectural designs, Chant supplied custom and standard hardware to set off this upmarket, contemporary Parnell home Above: A Chant standard product, the VS locking flush pull combines simplicity of form with a secure, seamless locking mechanism. The designer hardware company’s extensive manufacturing premises also allow it to create almost any concept from an architect’s sketch, all with the knowledge of what will work well in terms of wear and function. Design integrity has made Chant popular in Australia, New Zealand, and the United States.
Whatever style of home you’re building, it’s the finishing touches that make the project sing. Solid, well-designed handles, door stops, locks, even robe hooks all play their part, and the sense of luxury starts when opening the front door. New Zealand quality hardware specialist Chant supplied custom and standard solutions for this sculptural home in a high-end suburb. Director Byron Chant says the owners wanted strong pieces that would extend the aesthetic of monastic simplicity and raw, textural surfaces. “To match a palette of wood-cast concrete, stone, steel and brass, we provided satin brass
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hardware that will develop an attractive patina over time. Some elements were made to the specifications of the architect, Julian Guthrie, while others were designed by us.” The pared-back appeal of these products is backed by high-tech functionality, says Chant. “For example, the custom minimalist front door push plate features an electronic lock and strike mechanism. Elsewhere, steel doors are fitted with magnetic locks that avoid protruding latches until the lock and strike plate are flush.” At the rear of the home, full-height sliding doors roll back to open the interior to the pool,
yard, and spectacular views. These close with Chant VS locking flush pulls. Handleless on the outside, on the inside, these pulls weather gracefully with every touch. Robe hooks, stair rail brackets, magnetic stops and tri-lever handles were other brass elements supplied by the hardware design leader. For detailed information on Chant products, visit the website: www.chanthardware.com save & share 46856 at trendsideas.com
Above: Satin brass stair rail brackets together with coat and robe hooks are dyno-bolted to the home’s rough-cast concrete and plaster walls. The electronic lockplate on the front door (top right) solved key design issues and is a picture of minimalist restraint. Chant’s brass tri-handles, selected by the architect, complement the metal doors. Left: Magnetic brass door stops by Chant contribute to the understated charm of the interiors.
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High exposure Fully glazed walls don’t have to mean a compromise in comfort. This home features aluminium joinery from the Fairview Architectural series, which maximises the view and the benefits of double glazing This page: No matter what the weather outdoors, the interior of this South Wairarapa home basks in a warm glow, thanks to the highly insulated windows and doors. The house features powdercoated aluminium joinery from the Fairview Architectural series with low-e double glazing. The colour Silver Pearl was specified for the joinery, to complement the exposed site and the raw look of the concrete panel construction.
When storms roll in from the sea the owners of this new home can simply sit back and enjoy the elements, thanks to the insulating effect of the full-height windows that are double glazed. The house, in South Wairarapa, was designed to take advantage of 360° views, but this also meant it would be exposed to the full force of the wind. To counter this exposure, the home features powdercoated aluminium joinery from the Fairview Architectural series, manufactured by Fairview Langford in Greytown. This joinery is designed to accommodate large expanses
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of double glazing, and to perform well in very high wind zones. Kate Langford says the company was able to advise the owners on suitable solutions. “We recommended low-e double glazing, particularly for the large areas of glass in the living area. This helps to keep the home cooler in summer by cutting down the heat coming through the windows. And it keeps it warmer in winter by reducing heat loss through the glass.” Langford says several extra site visits for planning, measuring and fitting were required, as the house was a non-standard build with a
highly insulated concrete panel construction. “The house has been truly tested in virtually all conditions and is standing strong.” Details from Fairview Systems Ltd, phone (09) 574 2900. Email: info@fairviewgroup.co.nz. Web: www.fairviewwindows.co.nz Or Fairview Langford, phone (06) 304 9441. Email: enquiries@fairviewlangford.co.nz. Web: www.fairviewlangford.co.nz save & share 46942 at trendsideas.com
Above: In addition to full-height windows, the living area features a band of clerestory windows around a lantern roof. Concrete blade walls either side of the glazed doors extend through to the interior, enhancing the connection with the outdoors. Fairview Systems has been making aluminium joinery for nearly five decades. Over that time the company has built a strong reputation for its innovative, highperformance products and custom solutions.
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For a patisserie chef With a nod to tradition, this new kitchen teams beadboard cabinetry with soft Resene shades to subtly evoke a bygone era Retaining the character of a house built in 1910 is often the best way to approach such a renovation project, but it can be tricky combining tradition with modern convenience. This kitchen is within a Remuera home that was extensively restored over a 20-year period. Rogan Nash Architects was responsible for the design of the final stages of the project, including a new kitchen for the owners, one of whom is a patisserie chef. Although the kitchen is a stand-alone
room, the colours needed to work with the adjoining rooms. Resene Jungle Mist, a serene grey blue, was specified for the walls. This is paired with Resene Mystic – a tint of esoteric grey – on the cabinets and trim. The colours are soft and calm, and have a sense of refinement well suited to the era of the house. The blue references traditional English manor houses, but is also seen in more modern settings. Resene recommends walls are painted in Resene SpaceCote Low Sheen, a highly
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durable waterborne enamel, while the trim is best painted in Resene Lustacryl, and the ceiling in Resene SpaceCote Flat. For details and the latest fandeck, visit a Resene ColorShop, or phone 0800 RESENE (737 363) Web: www.resene.co.nz save & share 46887 at trendsideas.com Above: This new kitchen in a traditional Remuera bungalow teams Resene Jungle Mist (a serene grey blue) with Resene Mystic on the cabinets and trim.
Here to infinity With its long weir edge, this pool by Mayfair Pools merges with the picture postcard scenery beyond Designing an outdoor living area and poolscape isn’t always about providing lots of detail. Sometimes it’s best to just let the view do the talking. This 25m-long infinity pool, built by Mayfair Pools, is a perfect example. With dramatic views of the Marlborough Sounds as a backdrop, the pool is a sleek oasis of blue that merges with the horizon. Mike Freeth of Marlborough Pools & Spas, the local agent for Mayfair Pools, says the owners chose the colour Fiji Sands for the interior of the fibreglass pool. “This has a creamy look when applied, but it becomes a beautiful turquoise blue once the water is in the pool.” To operate the 25m weir a separate booster pump was installed. This can be isolated from within the house when the pool is not in use. The pool is heated by two large 30kW heat pumps hidden beneath the deck. There is also an automated Coverstar pool cover, concealed in a pit when not in use. The cover avoids the need for a pool fence, which would have obstructed the view. Freeth says construction challenges included changing the size of the pool mid-build from 12m to 25m long. “Both ends of the original pool were removed and the pool extended in both directions for the new owners.” Mayfair Pools is a specialist in custom fibreglass pools, with agents nationwide. For details, phone 0800 MAYFAIR (629 324). Website: www.mayfairpools.co.nz save & share 46862 at trendsideas.com This page: Filtration equipment for this 25m x 6m pool includes a multi-speed circulation pump.
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Inspiration
is to design, as movement is to dance A creatively perfect partner
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TRENDS INTERNATIONAL DESIGN AWARDS RECOGNISING EXCELLENCE IN DESIGN
For more than 30 years, Trends has promoted great home design ideas through its print, digital and online media. The Trends International Design Awards – TIDAs – take that involvement to the next level with the search for the best kitchens, bathrooms and homes across a number of the countries where Trends has a presence. Here’s a selection of Highly Commended projects from the 2015 TIDA Kitchen Awards.
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Extending this apartment out towards a
This kitchen by Pepper Kitchens was
Black cabinets ensure this architect’s own
picturesque lake view created space
designed to provide a strong focal point in
kitchen by DKO Architcture recedes into
for a new kitchen by Fraser Cameron that
an apartment owned by a couple who love
the background, but it’s all action stations
seamlessly integrates with the living area
to cook and entertain
when it comes time to entertain
Pushing the boundaries Extending this apartment out towards a picturesque lake view created space for a new kitchen that seamlessly integrates with a remodelled living area
It’s rare to see an apartment’s floor area extended, but that’s precisely how more space was created for this renovation. Architect Fraser Cameron says the terraced apartment, on the shores of Lake Taupo, was at the end of a row and the title included an area of land. This meant the owners were able to push out one side of the building towards the lake. “As well as increasing the overall floor area, we raised the ceiling height in the addition, while still providing a seamless integration with the existing living space.”
Cameron says the owners wanted an open, light-filled interior that would be a radical change from the original 1980s design, which was a heavily detailed, complex structure with a lot of rimu. To this end, the architect created a new bay window in the extension and added a large skylight above the kitchen. And the original stairs were replaced with open treads and a glass balustrade. “The client also wanted the entire project to be of the highest standard of specification, with no compromise.”
Facing page and following pages: This kitchen and dining area are positioned within a new extension to a 1980s apartment on the shores of Lake Taupo. Architect Fraser Cameron introduced a bay window to maximise the light and the view. Above: Dark-stained American oak cabinets with a custom profile form a backdrop to the living area. A fully integrated refrigerator and sleek ovens enhance the seamless look. The wall of utility cabinets at the rear feature folded copper with the same profile. The dark elements are contrasted by a mosaic tile splashback, which references the watery hues of the lake.
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Top: White marble contrasts the dark timber on the island – the rest of the benchtops and shelves throughout the living space are in steel plate. Visual continuity is also provided by similar timber cabinetry in the living area. Above: This long entertainment unit is one of the first things people see on entering the apartment. Downlighting enhances the sense that the cabinet is floating. Cameron says the success of the project reflects the highly co-ordinated response from the team, which included co-designer Belinda Ellis, interior designer Mike Steiner from Steiners Rotorua, and Allan Crompton of Crompton’s Joinery.
The kitchen and utility cupboards were designed to provide a continuous, flowing backdrop to the living spaces. Dark-stained American oak cabinets with a custom profile feature in the kitchen and living area, while the utility cupboard doors at the rear are in folded copper, with the same profile. “The dark timber echoes the trunks of the acacia trees outside the window and creates a dramatic contrast to the white walls and ceilings, which are illuminated by concealed lighting,” Cameron says.
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To enhance the completely seamless look of the kitchen, appliances are integrated wherever possible – handles are formed within the timber profile. And a near-invisible induction cooktop is flush with a sleek, stainless steel benchtop. resources & images 46648 at trendsideas.com search more tida projects at trendsideas.com
We didn’t reinvent the wheel. But we taught it how to cook. Introducing Bosch Series 8.
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Design matters This kitchen was designed to provide a strong focal point in an apartment owned by a couple who love to cook and entertain
There was no disguising the kitchen in this apartment – in fact the owners requested the exact opposite. Designer David Kane of Pepper Design in Melbourne says the couple had clear priorities and tastes, and wanted a kitchen that would dominate the designated space. “The owners both love to cook and entertain, so they wanted their kitchen to be an efficient working space, but it also had to be a design showcase – a strong focal point for the entire apartment,” says Kane. With this in mind, the designer’s solution
was a bespoke fusion of two Poggenpohl styles. The +Modo design, which provides a floating work top and open sliding storage, was selected for the island, while +Integration was specified for the perimeter cabinetry to complement the rest of the apartment. “The clients didn’t want glossy finishes or luxurious marble surfaces. So we have a subtle combination of finely textured grey and white lacquers with light timber elements.” The deep worktop on the island measures 1.2m x 4.6m, and is one continuous surface, which adds to the visual drama of the kitchen.
Facing page and following pages: Sunlight pours into this new kitchen, which is the social heart of a Melbourne apartment. Designed by David Kane of Pepper Design, the kitchen features Poggenpohl cabinetry in two styles – +Modo island cabinetry and +Integration perimeter cabinets. Above: The 4.6m-long island has a continuous high-pressure laminate worktop that provides ample space for food preparation and serving.
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Above: A cantilevered end to the island forms a place for guests to perch while meals are prepared. The kitchen incorporates a coffee-making workstation on the perimeter, with a Miele coffee machine and instant hot water on tap. Story by Colleen Hawkes Photography by Mike Long
Both the cooktop and main sink are on the island. Because the owners are devotees of Asian and fusion cooking, the cooktop incorporates a powerful wok burner and an induction hob. A separate coffee-making area on the perimeter features a Miele coffee machine and a sink with a Zip tap that provides instant hot water. Other key features of the kitchen include a bank of refrigeration and a pantry on the rear wall, with two Siemens wine coolers in the centre. The position of the wall ovens, at the opposite end of the kitchen, makes it easy for more than one person to work at the same time.
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One of the most successful innovations to come out of the Black Forest. And a cuckoo clock.
The difference is Gaggenau. In the Black Forest, some things never change – others have been evolving since 1683. Innovation has become a tradition for us ever since our company was founded as a hammer & nail works, along with unique design that is highly regarded the world over. Such as the 400 series shown here with oven, combi-steam oven and warming drawer – a combination that unites cutting-edge technology and premium materials with superior design. The only thing that stays the same is that they just keep looking better and better. www.gaggenau.com/nz
Stealth kitchen Black cabinets help to ensure this architect’s kitchen recedes into the background, but it’s all action stations when it comes time to entertain
It’s often what you can’t see at first glance that spells the difference between a stand-out kitchen and an average one. For this new kitchen, designed by owner-architect Michael Drescher of DKO Architecture, it’s a combination of high functionality and the innovative use of materials that set the space apart. Drescher says he had plenty of time to plan the new
kitchen, as he had rented the house for many years, and only recently bought it. “The original kitchen was very impractical, and tucked away behind a wall,” he says. “It wasn’t a place you wanted to be in, and it wasn’t at all suited to entertaining. My partner and I love to entertain, whether it’s friends over for a casual lunch or massive, formal dinners.”
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Opening up the kitchen to the main living area was the first priority. And aesthetics were just as important as high functionality. “I conceived the kitchen as a beautiful piece of joinery in the room,” Drescher says. “When all the cabinets are closed, it appears very black and monochromatic.” The architect specified dark Evaneer Ravenna cabinet
doors, which are teamed with 6mm black porcelain slab benchtops and splashback. “We also wrapped the porcelain beneath the overhead cabinets above the cooking centre, so the entire niche is in black. The porcelain is very hardwearing – it won’t scratch or stain.” Drescher added a strip of LED lighting that shines down on the work surface from the
back of the overhead cabinets, providing task lighting. The perimeter benchtop not only incorporates a flush induction cooktop, but also a massive steel sink that can accommodate large platters and oven trays. “The tap is of a similar scale to keep it all in proportion,” says Drescher. “With the sink at one end, the cooktop at the other and the position of
Preceding pages, above left and left: Although the cabinets in this kitchen appear black, the grain of the wood veneer gives them a strong textural presence. The veneer is teamed with sleek, 6mm black porcelain slabs that form the benchtops and splashback, and wrap the bottom of the overhead units. Left: The ground floor of the city house has a strong relationship with the outdoors – the patio becomes an extension of the room inside.
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Above: Two Askö wall ovens anchor the side wall of the kitchen – Drescher says the steam oven is in constant use. Additional small appliances used infrequently are stored in a pantry behind the kitchen. The concrete floor incorporates latex, which ensures it won’t crack and is not cold to the touch, nor too hard underfoot. Story by Colleen Hawkes Photography by Peter Bennetts
the wall ovens on the side wall, it is possible for three to four people to work in this kitchen at the same time without getting in each other’s way.” Social aspects determined other elements of the design as well, notably the position of bar stools at the sides of the island, rather than the front. This avoids having people sitting in rows. “Guests seated at the
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dining table can converse with anyone working in the kitchen – the view is not blocked by people sitting on the bar stools,” says Drescher. In keeping with the desire to provide a sleek, uncluttered kitchen, appliances are fully integrated wherever possible. Small appliances are hidden within the pantry, which has a bench and can serve as a breakfast, coffee-making area.
The flooring features lateximpregnated concrete, which is more giving than traditional concrete – items dropped are less likely to break and it’s easy to stand on for long periods. resoureces & more images 46819 at trendsideas.com search tida at trendsideas.com
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Congratulations to Strachan Group Architects Winner of the TIDA New Zealand Architect-designed Kitchen category TIDA and Kitchen Things welcome this winning category entry into the TIDA New Zealand National Kitchen Awards, to be announced in November
Strachan Group Architects has designed a kitchen that truly is at the heart of the home. The judges noted how the kitchen’s U-shape was the ideal functional layout for the space, which was designed to be highly organised, They were also impressed with the way the architect met the client request for a commercial feel. It’s an aesthetic that fits perfectly with the semi-industrial look created in the adjacent living area.
Great architecture makes nature more beautiful Claudio Silvestrin
Kitchen Things is proud to bring the world’s best appliances to you, so you can bring your best to the world.
Living the high life Residents of the new Rose Garden apartments beside Albany Lakes will enjoy an urban lifestyle with every modern convenience, including designer kitchens with high-end Smeg appliances Apartment living in Auckland has spread well beyond the confines of the inner city, with a number of new developments on the outskirts creating plenty of interest. Rose Garden apartments in Albany is one such development. Situated on the picturesque shores of Albany Lakes, this project features a cluster of sevenstorey buildings with a total of 200 units. Architect Stephen Voyle of Context Architects says each building has its own defining character and architectural language. Together they wrap around
the perimeter of the site, enveloping a central raised courtyard for the enjoyment of all the residents. Apartments range from one to four bedrooms and all the interiors will be fitted out to a high standard of specification, with designer kitchens and bathrooms. Smeg appliances have been specified for all the kitchens. NZ Rose Garden Ltd manager Robin Lee says Smeg fitted the design brief for good-quality products and materials. “Smeg is a European brand that has
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been available in New Zealand for a long time. It has a very good reputation. We also appreciated the aesthetics – Smeg appliances have a contemporary look that fits with the apartment interiors.” The appliances include the Smeg 60cm ceramic cooktop, which has residual heat indicators and an automatic safety cut-off, and the Smeg built-under dishwasher. This can accommodate 14 place settings. A wide range of cooking functions are provided in the Smeg 60cm stainless steel wall oven, including fan bake, fan
grill and an eco function. The oven has a triple-glazed door that is safe to touch when the oven is in use. For more details on Smeg appliances, visit the website: www.smeg.co.nz. For more information on the Rose Garden apartment development phone 0800 666 999. Alternatively, visit the website: www.nzrosegarden.co.nz save & share 45013 at trendsideas.com
Facing page: Architect’s perspectives of the planned Rose Garden apartments beside Albany Lakes in Auckland show retail outlets at street level. Altogether there will be 200 apartments. Top and far left: A range of apartment sizes is on offer at Rose Garden – from one to four bedrooms. The interiors will be fitted out to a high standard of specification, with Smeg appliances. Above, left to right: Smeg appliances will include the 60cm stainless steel dishwasher, 60cm ceramic cooktop and 60cm stainless steel multifunction oven with triple-glazed safety door.
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With you in mind Taste is personal, so it makes sense to choose a kitchen designer who specialises in responsive, individualistic projects Are you looking for a chef’s kitchen, a sleek entertainer’s hub, or a practical family gathering point where everyone has elbow room to spare? Or all three? Award-winning kitchen, bathroom and interior designer Natalie Du Bois has a reputation for creating one-off spaces that respond to a client’s wishes. You will never find the same design repeated, which means a homeowner’s project is individual to them, says Du Bois. “I try to tune into the exact needs of all our clients to create an environment they
feel good in. We have the ability to work with any aesthetic style from ultra-ornate country to sleek and contemporary.” The diverse high-quality kitchens seen on these pages are a result of the designer’s professional understanding of materials, colours and performance – essentially, what works well and what doesn’t in terms of functionality and aesthetics. “And because we contract only the very best artisans, meticulous attention to detail is a hallmark of all our work.” Du Bois Design is also an approachable
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company – making creating your kitchen or bathroom a fun, exciting experience. For details, contact Du Bois Design, phone 021 608 236 or (09) 555 6868. Email: natalie@duboisdesign.co.nz. Or visit the website: www.duboisdesign.co.nz save & share 46859 at trendsideas.com These pages: From a warm, long-grain birch design, to a classic country, crisply modern or detailed Palm Springs look, all Du Bois kitchens are one-off.
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Tomorrow calling High fashion Italian appliances are on display in the showroom of global brand Eisno Preceding pages, above, and above right: Eisno Lifetech Appliances is an international company focused on modern, fashionable appliances at affordable prices. The company’s boutique showroom in Parnell offers a dramatic setting for its highly modern cooktops, rangehoods, wine coolers, refrigerators and dishwashers.
It’s one thing to know what is in fashion now in the evolving world of kitchen appliances, but quite another to understand what is emerging in terms of new design and technologies. To find out what’s exciting on the horizon simply takes a visit to the right, well-appointed showroom. Eisno Lifetech is a joint-venture Italian brand, sold around the world, that offers a broad range of clean-lined kitchen appliances that are at the forefront of design technology, says marketing manager Robert Xia. “Our dynamic company has more than 20 years of experience in this fast-evolving
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industry, manufacturing for internationally respected brands such as Whirlpool, Electrolux and Haier, to name just a few.” Now, appliances by Eisno are available here in New Zealand. The many options include innovative cooktops, ovens, powerful rangehoods and dishwashers, as well as high-spec refrigerators and integrated wine coolers. “Our sleek, dramatic show space right at the entry to the Home Ideas Centre in Parnell, Auckland, carries high-quality, technologically advanced items in an exciting array of models and styles – all at affordable prices,” says Xia.
Eisno’s design team will help you select the right look and appliances for your project. All models have a two-year warranty, backed with Eisno’s famous customer service. For further details, visit Eisno Lifetech Appliances at Stand 280, The Home Ideas Centre, 165 The Strand, Parnell, Auckland, phone: 0800 2 EISNO. Email: sales@eisno.co.nz. Website: www.eisno.co.nz
Top, above, and left: While the show space is modest, the appliance range is not. Comparing different models side by side offers an invaluable way to see which model will best suit your own kitchen environment. All Eisno models have a two-year warranty, backed by decades of professional, friendly customer service, and easy access to spare parts and accessories.
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Nature underfoot Real wood floors have a warm, rich character, bringing a sense of the natural world into your home – Forte Flooring offers an array of enduring options The most visually arresting surface in your kitchen, living room or dining area is the expanse of flooring beneath your feet. Get this feature right and the scene is set. Forte Flooring imports an extensive range of pre-finished and unfinished wood floors, with an option to suit every home interior, says owner James Piesse. “Our range is always evolving and closely follows European trends. Recent additions include a herringbone parquet and a vintage-look oak floor. Ultimately, we aim to provide the latest and best in
natural flooring, helping New Zealanders to create attractive, lasting home interiors. “Increasingly, we are seeing trends where these products are not only used for flooring, but on walls and ceilings as well. The results are outstanding.” Forte Flooring is a leader in specialist pre-finished wood floors, a hassle-free option that requires no finishing on site. The company also offers custom solutions where you can select wider plank widths and special effects, such as saw marks. Combine this with your choice of colour
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or finish and the possibilities are endless. A variety of imitation wood products are also carried by Forte. Free samples of all products are shipped nationwide. For details on Forte Flooring options, visit the website: www.forteflooring.co.nz save and share 46928 at trendsideas.com This page: Prefinished, engineered real wood floors from Forte Flooring come in a wide range of colours and stains. Longer lengths add to a natural appeal.
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Create. Enjoy. Relax.
nonsequatut
Exer ipsum Sense of connection Em incin ea feui blan ex ercipiscilit alissed el ent iuscincipit pratet am eum dignis augiam dreriur This master suite achieves the refined ambience ercilla faccumsan
of an upmarket hotel room – crisp architectural elements and a warm, “Name here for Asia” natural palette both play their part
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When a master bedroom is positioned to take in spectacular views it makes sense to share the outlook with the master bathroom behind. One way to achieve this is to retain an open visual connection between the rooms. However, with this approach issues of decor continuity, privacy, and moisture control have to be addressed. This large master suite with outlooks to the river and city forms part of a high-end residence by designer and builder Steve Gliosca of Urbane Projects. The owners gave Gliosca free rein for the bedroom. Their only request was that the room have the feel of a plush hotel.
Exer ipsum
The bathroom and adjoining dressing room Above: The inclusion of a glass are located to the rear of the suite, says Gliosca. wall and glass sliding doors in “We decided early on to keep the bathroom this master suite by designer and open to the bedroom visually, so someone builder Steve Gliosca, allows the to look right through showering bathing canfeui look blan throughex theercipiscilit bed- homeowners Em orincin ea alissed el ent the bathroom to the dressing room room to the generous deck and scenic outlook. behind.augiam Conversely, views can be iuscincipit pratet am eum dignis dreriur However, with acoustics and moisture as two enjoyed from the bathing space out ercilla faccumsan potential issues we chose to design a glass box through the glazing to the bedroom, insertion to separate the two areas.” wrap-around deck, and the city and This not only makes the scenery accessible “Name here for Asia” river beyond. from the bathroom, it also allows natural light to penetrate the rear spaces. At the same time it provides a dramatic, modern feature.
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Above: Wood and glass – the timber veneer wall to the left of the tub forms a large headboard in the bedroom. Abutting this, black satin glass, smooth to the touch, provides separation from the large shower stall beyond. The sculptural tub spout and minimalist tapware are other touches of modernity in the warm-toned bathroom.
Gliosca’s strategic placement of the bathing area, shower and dressing room provides a degree of privacy from the bedroom and also within the bathroom itself. The half-wall between the bedroom and bathroom brings privacy to the tub, and forms the headboard on the bedroom side. The generous shower stall has one blade wall in black satin glass on the bathtub side, and is screened from the vanity on the other by a wall in textured tile. Another bank of cabinetry shields the vanity from the dressing room, which can also be entered from the other end of the suite.
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“Storage was important but we didn’t want a cluttered effect,” says Gliosca. “To avoid this, cabinetry space is seamlessly built into the timber veneer vanity and the wall separating the dressing room from the bathroom.” The same timber finish also runs across the ceiling formwork at the end of the bathroom, framing the floor-to-ceiling mirror behind the vanity, and helping to draw the room together. “While the glass walls and large expanse of mirror optimise light play, we also added recessed lights along the top of the cabinetry. These create a light, airy feel, and with only
Left: The wall-height mirror behind the vanity makes the expansive room seem even larger, and also maximises natural light. The black mosaic tile wall fronting the shower stall to the left has a strong textural quality. The other blade wall that separates the shower area from the curvaceous tub is in black satin glass.
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Above: With the mirror wall above and below, the double vanity appears to be cantilevered across the room. Deep wall niches and cabinetry, denoted only by minimalist handles, provide a wealth of unobtrusive storage in both rooms. Story by Charles Moxham Photography by Joel Barbitta, D-Max Photography
glass separating the two rooms, they double as subtle glowing nightlights that won’t disturb anyone sleeping in the bedroom. With the two spaces open to each other in visual terms, overall harmony was important. “One strong connection is the use of the same wood veneer in both rooms,” says Gliosca. “The rooms also share a common tonal palette of warm hues, such as browns, taupes, white and greys. The overall feel is refined and relaxed, with an emphasis on nature. The tub’s stainless steel base, the square basins and the glass walls offer crisp counterpoints.”
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Better together With space a premium in this inner-city loft, opening the bathroom to the bedroom creates an airy, inviting master suite Above: Sandblasted brick walls and new hand-scraped, distressed French oak floors help this loft renovation reconnect with the wool store origins of the building. With an internal wall removed, the bathroom is now open to the bedroom. A new sculptural, freestanding bathtub and Calacatta marble mosaic wall behind have become features of the wider space.
When demand elevates an under-considered apartment to premium real estate, it’s likely the interior will have to improve to match the times. Such was the case for the private spaces in this loft renovation by builder Kris Johnson. The master bedroom and separate bathroom were inappropriately modest given the unit’s increased value, says Johnson. “To create a sense of space and bring natural light to the bathing area we decided to remove the internal wall and combine the two rooms.” The reworked suite continues the look of the public spaces, with hand-scraped French oak
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floors and refreshed brickwork – the loft is part of an old building that once was a wool store. In opening the bathroom to the bedroom, Johnson made a feature of the freestanding bathtub, introducing a Calacatta marble mosaic privacy wall behind it. The wall has touches of grey that pick up on purple tones in the brickwork, the dark accent wall and the large area rug, drawing the space together. In addition, the mosaic wall is edged in wood, providing a visual connection with the distressed flooring and large structural beam. An understated double vanity faces the bed
and benefits from plenty of natural light. The marble wall behind screens the shower from the bedroom area. Two individual blown-glass pendants, one near the window and the other suspended from the bulkhead over the tub, help to draw together the overall space. images & resources 45830 at trendsideas.com see the apartment 45567 at trendsideas.com
Above: Large mirrors above the vanity conceal storage and add to the feeling of spaciousness. Left: The mosaic blade wall hides the toilet and sets off the bathtub. Darker tiles pick up on the purple in the brickwork, as well as the grey of the accent wall and the area rug. Story by Charles Moxham Photography by Brett Gray
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Contrast and harmony Classic dovetails with contemporary, and vibrancy is balanced by the understated in this sparkling powder room Above right: This powder room by designer Natalie Du Bois combines a refined, old-world sensibility with touches of modernity, such as the Cascade tapware, elliptical basin and crystal pendants. Facing page: Shell mosaics and crystal elements in the brown granite vanity top sparkle in the light of the transparent sculptural pendants. Story by Charles Moxham Photography by Kallan MacLeod
The smallest room in the house brings the opportunity for an individual design statement. However, materials and tones can also connect this intimate space to the wider interior. This reinvented powder room in a Tuscanstyle home is by Natalie Du Bois. The designer says the owners had requested a glamorous feel. “To maximise light in the windowless room, I introduced reflective shell mosaics to the rear wall, and a retro-look gilded mirror from Italy. “The dark-stained oak wood vanity has a long brown granite top embedded with crystal elements. These catch the light in the same way
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as the mosaic tiles, creating a twinkling effect.” Wallpaper is a feature of the home, and Du Bois chose a floral wallpaper for this space to bring in splashes of colour, further enlivening the decor. The red finds balance with the muted shades of champagne, brown and taupe. The room has an eclectic make-up. Classic elements are balanced by the modern crystal pendants, elliptical basin and Cascade tap. An emphasis on nature seen in the florals, stone-like porcelain wall tiles and shell mosaics quietly furthers the home’s Tuscan sensibility, as does the tonal range.
powder rooms
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Right: A dark houndstooth-patterned wallpaper enhances the intimate feel of this internal powder room in a modern country house designed by Guy Shallard of Lat Forty Five. Wallhung fixtures and a wall-mounted tap enhance the contemporary look.
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Behind closed doors This powder room may be a room without a view, but it still packs plenty of punch Playing up a downside can a great way to inject a little excitement into a home interior, as this project illustrates. In this case, it was a powder room without windows. Designer Guy Shallard of Lat Forty Five chose to emphasise the dark, internal nature of the bathroom with a houndstooth wallpaper from Design Country. The houndstooth pattern is an appropriate choice for the country house, which sits on 2.8ha of land near Queenstown. But the slightly metallic sheen of the wallpaper ensures the interior avoids any sense of a rustic look.
The contemporary feel is reinforced by the sleek, imported wall-hung basin and toilet, and a Boffi wall-mounted tap. As with all the bathrooms in the house, the vanity continues the moody theme – black-stained American oak is teamed with a blackened steel drawer. “These materials and the monochromatic palette feature throughout the house, in the bathrooms and also the kitchen, providing visual continuity,” says Shallard. Large-format stone floor tiles also help to tie the spaces together visually.
Above: The black-stained oak vanity has a blackened steel drawer. These materials feature in all the bathrooms in the house, and also on the kitchen cabinetry. The crisp edges of the vanity are contrasted by the organic form of the basin.
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Soft and subtle A play of opposites in this powder room sets the texture of pebbles against the smoothness of polished stone Above: A curved wall and contrasting textures create interest in this powder room renovated by interior designer Jennifer Corredor. The circular toilet looks much like an ottoman and with no visible cistern, increases the impression of space. Facing page: The sculptural basin is the centrepiece of the room and is carved out of solid Italian marble. Story by Charles Moxham Photography by Daniel Newcomb
Enclosed and most often without windows, the powder room offers designers a chance to break with a home’s overall decor for a more individual, even playful air. This modest space has been renovated by Jennifer Corredor of J Design Group as part of a condominium refurbishment. Several elements combine to give this central, yet almost concealed powder
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room a one-off aesthetic, says Corredor. “To complement the existing wave-shaped wall I introduced a textured pebble tile surface, with a contrasting smooth marble feature wall. I set the vein of the stone two ways for interest. “The focus of the room, however, is the sink. This is carved from a single, solid marble slab imported from
Italy, and weighs over 360kg.” The wider decor combines the classic and modern and this theme is echoed here. “An ornate mirror adds a touch of the exotic, while the sculptural toilet, also circular, offers a more minimalist, hightech presence. “The curved wall and pristine white marble floors draw you into the space,” says Corredor.
Upon reflection It has no windows, but this renovated powder room still feels light and airy, thanks to the glossy mosaic wall tiles and multifaceted mirror
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Powder rooms always pose their own design challenges, especially in apartments where they are likely to be internal rooms. This new powder room, designed by architect Alan Berman and the design team at Archetype Design Studio, with direction the client, replaces the original bathroom that dated back to the ’50s. “The owner wanted the
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new powder room to feel less enclosed,” the designer says. “It also needed to have a much more modern look and be as light and airy as possible, given that it has no windows.” Project manager Ingrid Rancier says the room was gutted and slightly enlarged. The walls were clad in white tiles with a textural finish that adds visual interest and reflects light.
“White walls and ceilings always help to make a space seem larger and lighter,” she says. A new bevelled mirror also reflects the light from two sconces and a ceiling lamp. With its square edges and negative detailing, the vanity has a contemporary aesthetic. A calming Zen influence is evident in the shaped sides and dark wenge wood finish.
The cabinet doors feature a subtle pattern of plants and leaves that keeps the look soft. Laid on the diagonal, the Lite Emperador marble floor tiles have a matching border. “The diagonal pattern creates a sense of movement, so the flooring doesn’t look too staid or square,” says Berman. “It doesn’t appear to be restrained by the walls, which makes the room seem larger.”
Facing page: With its floor-to-ceiling glossy white mosaic tiles, this renovated powder room reflects plenty of light. Accessories sconces with a rustic gold finish. Browntoned Lite Emperador marble floor tiles were laid on the diagonal to enhance the sense of space. Above left: The wenge wood vanity cabinet reflects a Zen influence. Story by Colleen Hawkes Photography by Jamie Cobel
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Touch of class Refined aesthetics meet advanced functionality in the new Axiss tapware range from Felton Family safety, designer looks, differing water pressures, broad functionality – a lot is expected of today’s tapware. Luckily, there’s a New Zealand brand that more than comes to the party. Soft curves and tapering planes create a sculptural, enduring aesthetic in the new Axiss tapware range by Felton Industries, says general manager Roger Marty. “The all-pressure range is equally big on functionality, boasting a rugged cartridge, dezincification-resistant brass bodies, and a swivel function in the basin, sink and bath mixers,” says Marty. These taps also meet stringent Watermark and WELS water-efficiency ratings. Axiss products make home life simpler and safer, too. The Axiss Vege Spray Sink Mixer’s convenient 360° swivel, twospray nozzle lets users switch between jet and spray as desired – avoiding the risk of a pull-out hose leaking under the bench. The Axiss Bath Spout allows the user to swivel the spout away from the bath, maximising available space in the tub. Incorporating the swivel action into mixers, Felton has also created the Axiss fountain basin mixer, which enables you to easily drink or rinse from the tap. “The Axiss range changes how we use our mixers, bringing homeowners a new level of flexibility in a refined aesthetic.” For detailed information on the Axiss range of taps and mixers, visit the Felton Industries website: www.felton.co.nz save & share 47016 at trendsideas.com This page: Minimalist, durable and with advanced functionality, the new Axiss tapware from Felton offers safety, water-savings and good looks.
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Leading by example Eco-friendly design is transforming the way we live, and in Southeast Asia, architects are pioneering many new sustainable design initiatives
sustainable living
Floating pavilion Cooled by the breezes passing over ponds on two levels, this new house proves that sustainable architecture can also be at the forefront of modern design Preceding pages: Water surrounds all sides of this living pavilion on the upper level of a new two-storey Singapore house designed by Wallflower Architecture + Design. Above and facing page, top: The cladding is a mix of textural surfaces, including slate and rough plaster. Facing page, lower: A 40m-long koi pond inside the house helps to cool the interior. Light wells overhead are open to the elements.
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A tropical climate poses a few challenges for architects looking for sustainable design solutions. Adequate cooling is an obvious priority, but houses also have to accommodate rain storms and high humidity. The owner of this house designed by Wallflower Architecture + Design was eager for the design team to explore natural cooling alternatives, says architectural consultant
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Cecil Chee. At the same time, it was essential to maximise the great views from the site, which is at the end of a long, sloping driveway. “We noticed the best views were from the upper level of the original house on the site, which started us thinking about inverting the way the living spaces are used. This led to a plan to put the living room on the second floor.�
The deisgner says the team, which is renowned for designing houses that respond to the climate, believed a watercooled house would be the best option. But the need to have the living areas on the upper level interfered with the idea of a house that would be cooled by the breezes coming off large ponds. “This sparked the idea of bringing the water right up to
This page: A large oculus in the roof of the car porch provides a view through the rooftop pool. It also allows a round patch of sunlight to highlight the formal entry to the house. Facing page: The circular shape of the oculus is echoed by the stairwell opening on the upper level. The sculptural spiral stairs create a strong sense of arrival and herald the journey to the living pavilion on the top floor.
the living area,” says Chee. “So the second floor takes the form of a large, glass-walled floating pavilion set within a large, rooftop pool. “The water creates a reflective boundary for the building, with the infinity edges blurring to merge with the tree canopy and sky. This focuses the eye on the outlook. At this level the house itself is very transparent – it is little
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more than a roof over your head. With all the glass walls opened up, the pavilion is cooled by the breezes coming off the water.” Chee says these breezes are created naturally by temperature variations between the water and hard landscaping elements, such as the paving and solid walls. These are heated by the sun to a greater degree than the water.
The entry to the house hints at what lies beyond. The design team created a large oculus in the roof of the car porch, directly beneath the pool. “The sunlight casts a circle on the ground, like a spotlight that defines the entry,” says Chee. “It’s possible to look up through the water and glimpse the tops of the palm trees and the sky.”
First floor
Ground floor
Legend: 1 entry, 2 dining room, 3 kitchen, 4 pools, 5 bedrooms, 6 master suite, 7 family room, 8 media room, 9 living room, 10 terrace. Above right and facing page: The living pavilion resembles a floating platform. Glass walls open up the space and provide cross ventilation for the cooling breezes off the water, ensuring the owner rarely needs to use air conditioning.
Further visual interest is provided by contrasting textural elements. A blade wall of slate crosses the front of the house, intersecting with a white plastered beam. “We like to use textures to illustrate the different forms of a building,” the designer says. “Here the rough-plastered white surface defines the edge of the pool above.” The front door is a simple
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timber-framed cutout in the slate wall. This exposes a view of the large sculptural spiral staircase leading up to the pavilion. “Creating a hierarchy in the journey through a house is important,” says Chee. “It should be instantly clear where you are expected to go when you enter through the front door. The spiral staircase immediately draws the eye.
In contrast, a wall across the back of the entry screens the private areas from view.” The ground floor of the house comprises two long rectangular forms. The wider volume, which is just one room deep, accommodates the entry with dining table, bedrooms and a family living room at the far end. The narrower form houses the service rooms hidden behind the long wall.
The passage between these two volumes incorporates a 40m-long koi pond, with bridges linking the walkway to the individual rooms. “Because this volume is just one room deep, it’s possible to open doors on both sides to get good cross ventilation,” says Chee. “Here again, the pond creates cooling breezes. Large air wells in the roof above the pond provide
further ventilation. These openings echo the shape of the pools. They also allow rain water to cool the interior. Even in a severe rain storm, the raindrops come straight down, not at an angle, so the doors to the bedroom doors can be left open.” Water run-off from the rain is channelled into a hidden reservoir and used for garden irrigation.
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resources & more images 45588 at trendsideas.com another sustainable home 43691 at trendsideas.com search wallflower at trendsideas.com
“The pools on both levels enliven the interior spaces,” says the designer. “Sunlight reflecting off the water casts reflections on the ceilings, and the wind creates ripples.” Materials used inside the house reinforce the sleek, minimalist architecture. Travertine lines the entry, and the floor in this area is white marble. “We also used white marble for the floor in the
pavilion to enhance this more formal space,” says Chee. “In contrast, all the joinery and the ceiling, which extends out to form the sweeping eaves, are in teak. This is a very tropical, Southeast Asian design response.” Balau hardwood was specified for the raft-like platform that extends out above the pool, linking the living areas with the views beyond.
The designer says the house is being cooled exactly as planned. Since the owner moved into the house, she has not often had to use the air conditioning. “It is not just the breezes that are helping to cool the interior. The water on the upper level also helps to cool the rooms below. Water lost to evaporation is topped up from the hidden reservoir.”
Facing page: The entire corners of the living pavilion can be peeled back to integrate the indoors and outdoors. Above left: Ripples on the water enliven the interior spaces. The pool has an infinity edge so the water appears to merge with the lush tropical greenery beyond. Story by Colleen Hawkes Photography by Albert Lim
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Slice of heaven Although this new terrace house is just 4.9m wide, it packs a lot of punch with its crisp interior and award-winning eco design features Slotting a modern terrace into a row of 19th-century heritage buildings is as much of a challenge as it sounds. And when you add in a width of just 4.9m and a requirement for extensive green features, the challenge simply compounds. This was the task that Chris Knierim of Code Green and Designer Constructions Group faced when he set out
to design a new home for his family – wife Belinda and sons Dieter and Liam – in Sydney. “This was the only vacant site in the area,” Knierim says. “It was part of a property we bought many years earlier, and consequently it had never been built on. Despite the narrow width, I was determined to prove we could have a family home that delivered high performance and comfort.”
The designer says that his longstanding passion for contemporary sustainable design techniques was reinforced by working in the US and Europe. “I was very impressed with the design applications of green roofs and vertical gardens in particular, and how they could help to heat and cool a home naturally. It became a priority to incorporate these elements into the design.”
Facing page: The Forest Lodge Eco House is a new terrace house in Sydney squeezed between two 19thcentury heritage terraces. The new build embraces sustainable design to set a new benchmark for modern living. The street frontage features two vertical gardens, including a 7m-high garden at the entry. The sliding glass gate is automated. Above: A recessed mirror strip that sits flush with the wall expands the view to make the space look larger.
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Knierim says the design was also influenced by local regulations that required the house to be a modern insertion into the heritage row. “It had to read like a contemporary addition, not a replica. Even the materials needed to be different.” To meet this requirement the designer specified exposed steel, a textured concrete render in both black and
white, and extensive glazing front and back. Even the front gate is a sliding glass door. The custom front entry features a photographic laser print etched onto the door, which is an aerial view of the house taken by Belinda, a photographer. Equally dramatic is the 7m-high vertical garden at the entry, and the boundary garden, which signals the sustainable design approach
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taken throughout the entire build – even wastewater was recycled during construction. “The gardens stop reflected heat from entering the house. They also help to insulate noise from the street,” Knierim says. A flowering rooftop garden plays a similar role, insulating the house and providing an aesthetically pleasing view for neighbours, and a natural environment for birds and
insects, including bees. On the inside, the house is open from front to back on the ground floor. To enhance the sense of space, the living room features a long mirrored strip recessed into the wall to create a flush surface. The mirror expands the view and helps to bounce reflected natural light throughout the interior. Strip mirrors also feature in all the other rooms.
“The ceiling in the living area is another highly reflective element,” the designer says. “This is a high-gloss black latex material that reinforces the drama of the black and white colour theme.” Knierim describes the use of black and white as a yin and yang concept. “Every white surface is balanced by a black one. For example, the right side of the
living area features a white wall, while the opposite side is black – even the kitchen cabinets are a high-gloss piano black, so they seem to disappear from view. Instead the eye is drawn out to the courtyard garden at the rear.” The steel stairs are also black, and the bathrooms feature black and white tiles that create a pixellated effect. “The black and white tiles
reference photography. At the floor level they are mainly black, but as they move up the wall they get more pixellated till they are white at the top.” To bring light into the centre of the house the designer added long skylights above the stairs and bathroom. And internal doors are glazed with an opaque glass that provides privacy while letting the light pass through.
Preceding pages and these pages: The house has a black and white theme, both inside and out. Pixellated mosaic tiles feature on the wall of the courtyard. The outdoor table on the patio incorporates a water feature – the water runs between a glass sheet and a reflective mirror base. Elevating this dining area on a plinth ensures it can be enjoyed from the dining area on the inside. The indoor table has a two-way mirrored top illuminated by LED lighting strips.
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Above and right: This bedroom overlooks a green roof. Windows have been coated with EnduroShield to minimise the need for cleaning. Black and white tiles in pixellated patterns enliven the bathrooms. Facing page: The glass door at the rear of the house is an electric horizontal folding door that can open up the entire space to the outdoors. Story by Colleen Hawkes Photography by Danny Kildare
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In keeping with the green approach, there are solar tubes on the rooftop. These heat water that is then diverted to an underground storage cell beneath the house, which keeps the water at a temperature of around 25째C. This water is used to heat the concrete floor slab as required, and also fills the hot water tank. A cross ventilation system helps to keep the house cool in
summer, so air conditioning is seldom required. There is also an underground 3500-litre water storage tank to irrigate the rooftop and vertical gardens, and a suspended outdoor table incorporating a waterfall between sheets of glass. resources & more images 46787 at trendsideas.com
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