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BATHROOM BOOK 2015 WHeRe inspiRATiOn sTARTs... Your new bathroom - whether it’s a revamp of an existing bathroom or a brand-new design, choosing how it will look and function can seem a daunting task. There is a lot to think about - what tapware styles will suit, how much flow do you want from your shower head, where should the towel racks be placed, would you prefer the vanity to have a recessed or abovecounter basin, how much do you want to spend. The MiCO Bathroom Book 2015 presents options for all these considerations, and all the other elements, hidden or apparent, that will ensure your new bathroom meets your requirements and fulfills your dreams.
PICK UP YOUR COPY IN-STORE OR VISIT OUR WEBSITE 0800 844 448 www.micobathroombook.co.nz
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CONTENTS
Highlights from this issue of myTrends Home
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BATHROOM HOME KITCHEN We present the crème de la crème of bathrooms in this edition of myTrends HOME, which showcases the TIDA award-winning projects, plus fabulous homes, kitchens and more. Where do you go for inspiration for your new home project, or ideas for your kitchen and bathroom? You go to myTrends! On myTrends you can search for design ideas and solutions in our online showcase of hundreds of homes, kitchens and bathrooms and connect with our community of architects and designers. And when you’re ready to start choosing, myTrends can suggest products, services and expertise to help make your final selections easier. In this issue of myTrends we’ve collected some of the latest ideas to impress us. You’ll find these projects and many, many more on myTrends – where everyone who loves design can find each other, share ideas and collaborate on projects. Join us today and discover a whole new world of design inspiration!
HIGHLIGHTS Editor Colleen Hawkes – colleen.hawkes@trendsideas.com Sales Judy Johnson – judy.johnson@trendsideas.com Adrian Law – adrian.law@trendsideas.com Costas Dedes – costas.dedes@trendsideas.com Leslie Johnson – leslie.johnson@trendsideas.com Tracy Fairey – tracy.fairey@trendsideas.com
This TIDA award-winning bathroom in an older bungalow teams beautiful native timbers with sleek tiles. You can see more vanities at myTrends
Large windows front and back give this home a wonderful transparency. See more exciting new home collections at myTrends
Raw natural materials, including limestone, feature in this kitchen, which has a pared-back, ecofriendly design. To see more green solutions go to myTrends
More ideas, information and inspiration, plus the full multimedia experience at my.Trendsideas.com
Email sales@trendsideas.com production@trendsideas.com subscriptions@trendsideas.com Phone + 64 9 571 5700 ISSN 1175 5121 (Print) ISSN 2230 6927 (Digital) All rights reserved. myTrends HOME is subject to copyright in its entirety. The contents may not be reproduced in any form, either in whole or in part, without written permission of the Publisher. No responsibility is accepted for unsolicited material, nor for loss of submitted manuscripts, photographs or artwork. Opinions expressed are those of the contributors, not necessarily those of myTrends HOME. While every effort has been made to ensure accuracy of information, the Publisher assumes no responsibility for errors or omissions or for any consequences of reliance on this publication.
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A touch of elegance for your home Chant Productions Limited, 8/136 Marua Road, Ellerslie, Auckland, New Zealand Telephone: + 64 9 5264048 | Fax: + 64 9 5264049 | Site work assist: 0800 4 CHANT *within new zealand www.chanthardware.com | sales@chanthardware.com
TRENDS INTERNATIONAL DESIGN AWARDS RECOGNISING EXCELLENCE IN DESIGN NEW ZEALAND ARCHITECT-DESIGNED MASTER SUITE I NEW ZEALAND ARCHITECT-DESIGNED BATHROOM
AWARD RECIPIENTS
For more than 30 years, Trends has promoted great home
NEW ZEALAND ARCHITECT-DESIGNED MASTER SUITE
design ideas through its print, digital and online media. The
CAAHT STUDIO ARCHITECTS
Trends International Design Awards – TIDAs – take that involvement to the next level with the search for the best kitchens, bathrooms and homes across a number of the
NEW ZEALAND ARCHITECT-DESIGNED BATHROOM FRASER CAMERON ARCHITECTS
countries where Trends has a presence. The TIDAs start with awards programmes within a country,
HIGHLY COMMENDED
and we’re pleased to announce two of those winners here.
CALLIDUS ARCHITECTS
CAAHT Studio Architects is the winner of the category,
STRACHAN GROUP ARCHITECTS
TIDA New Zealand Architect-designed master suite.
BULL O’SULLIVAN ARCHITECTURE
Fraser Cameron Architects is the winner of the category,
STUDIO 106 ARCHITECT
TIDA New Zealand Architect-designed bathroom. Both bathrooms scored very highly against the judging criteria, which considered ways the design met the client brief, functionality and aesthetics. These two bathrooms now progress to be judged alongside winners of other New Zealand bathroom award programmes to identify the TIDA New Zealand Bathroom Supreme Award winner. And this New Zealand winner will go forward to the international awards, to be announced in November 2015. Trends and TIDA congratulate CAAHT Studio Architects and Fraser Cameron Architects for their winning designs and look forward to seeing how they progress through the next stages of the competition.
WINNER: ARCHITECT-DESIGNED MASTER SUITE CAAHT Studio Architects, Auckland
Makeover magic Keeping an exposed brick chimney intact not only melded the traditional with the modern in this renovation, it also helped meet heritage requirements Traditional villa-style homes in older areas where there is a conservation overlay can make renovations challenging. But heritage requirements can also turn potential negatives into positives as this project demonstrates. Architect Chris Holmes of CAAHT Studio Architects says the master suite was probably a bedroom or living area in the original house – it has a
double-sided fireplace on an internal wall. “At some stage in the 1980s the fireplace was exposed and painted white. Because the local heritage requirements demand that the top of the chimney remains unaltered on the outside of the house, it was easier to keep the fireplace, than rebuild a new structure within the roof to support the bit on top.”
Holmes says the space was gutted and the white paint soda-blasted off the bricks. “The bricks have a visual warmth and a rough texture that introduce a rustic feel. This contrasts the sleek, contemporary look of the bank of cabinets that line one entire wall of the bedroom. The owners, who worked closely with our team on the design, enjoy the juxtaposition and the
Preceding pages: The original double-sided fireplace in this renovated villa has been retained and is now a feature of the master suite. Facing page and above left: A bank of modern cabinets lines one entire wall of the bedroom. Above right: Futura plywood with an exposed endgrain defines the edges of the cantilevered vanity. The woodgrain has a subtle warmth that complements the exposed brick.
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Above: The plan of the suite shows the centred positions of the fireplace and window. Above right: A compressed ceiling in the bathroom gives way to a lightfilled void above the shower, created by a long light shaft. Large-format light grey tiles were specified for most of the walls and the floor. The end wall of the shower features smallformat subway tiles in white. These define the light shaft, enhancing the vertical nature of the space.
sense of history provided by the fireplace.” To retain the proportions of the room visually, the cabinets stop short of the ceiling and there is LED uplighting above. “The eye reads the room as being the size of the original space,” says Holmes. “This means the symmetry is maintained in respect of the centred positions of both the fireplace and the bay window.”
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In the ensuite bathroom, the other side of the fireplace incorporates glass shelving, which offers another juxtaposition of light versus heavy and modern versus traditional.” Here both light and space have been maximised. A low ceiling compresses the entry, containing the area around the vanity. But a new shaft that extends up to a skylight on the gabled roof explodes the rest
of the space visually, creating a light-filled void above the shower. “The skylight relieves an otherwise very tight space,” Holmes says. “This end of the room is bathed in natural light by day, and by night you can see the stars. It is further defined by a change in the wall tiles. Subway tiles signal the shower as a wet room and reinforce the verticality.”
High quality craftsmanship
WINNER: ARCHITECT-DESIGNED BATHROOM Fraser Cameron Architects, Taupo
Past meets present With its cedar panelling and pedestal vanity, this new bathroom in an early 1920s bungalow references tradition, but keeps the look fresh and modern When a bungalow is nearly a century old, you can be sure it’s gone through a few changes in its time. The family bathroom in this bungalow built around 1920 was last remodelled 32 years ago, by renowned architect Paris Magdalinos. Fast forward three decades and it was time for a total makeover. The homeowner called in Fraser Cameron Architects to
reconfigure the bathroom to better suit his requirements. Belinda Ellis, the practice interiors consultant, says a new bath was on the list – to replace one that had been removed in the previous renovation. “The owner also wanted a better quality of light,” Ellis says. “And it was important to respect the style of the bungalow, which features a lot of native timbers. It also has an
Art Deco heritage, as a result of work done following the Napier earthquake in 1931. “Our design intention was to create a handsome, yet functional family bathroom, achieved through careful detail and a masculine palette.” Oiled western red cedar, in irregular-depth shiplap, was chosen for its visual warmth, texture and similarity to native timbers in the house.
Preceding pages: Natural light floods this remodelled bathroom in an older-style bungalow. The semifreestanding walls help to separate the wet area shower from the bathtub, vanity and toilet. The walls are clad in grey finger mosaics, as is the tub surround. These pages: Oiled western red cedar shiplap wraps around the top of the bathroom, and forms a cabinet beside the vanity. It references native timber panelling in the house.
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Above right: There is extensive uplighting in the bathroom, including a band of LED lighting around the base of the cedar panelling. The shower features two showerheads, and has a shaving mirror attached to one wall. To reflect the natural light, the ceiling was painted white. Story by Colleen Hawkes Photography by Jamie Cobel
“The cedar forms a band around the top of the room, which is like an inverted version of the way wood panelling was used originally around the base of a room,” says Ellis. “Uplighting enhances the visual warmth of the timber.” Cedar also forms a cabinet and towel box, both of which are recessed into the wall. The cedar is teamed with fresh white 100mm x 300mm
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tiles, which line the vanity wall and the wet area shower. Semifreestanding walls separate the shower from the toilet, vanity and bathtub are clad in grey finger mosaic tiles. “The tiler also laid mosaics around the end of the tub, cutting each tile individually to accommodate the curve,” says the architect. “Both the tiler and builder had to work with the fact that nothing was
square, as is often the case in an older home.” A pared-back pedestal vanity with a chrome stand offers another link to the past, but it is teamed with contemporary tapware and a modern, wall-hung toilet. An existing tall window, designed by Paris Magdalinos to frame a Norfolk pine view, extends to the ceiling bringing in plenty of natural light.
New Zealand Bathrooms Highly Commended 1
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1. Callidus Architects A spacious bathroom in terms of floor area, but a challenge because of
2. Strachan Group Architects This master suite is designed as a luxurious retreat which incorporates
the sloping rooflines. The dominant design feature is the mosaic tile feature wall in black and white which fades to white as it rises to the peak of the gabled ceiling. Custom storage pieces and strong fittings and fixtures give the space a modern, crisp look.
3. Bull O’Sullivan Architecture The material palette in this bathroom draws inspiration from the
surrounding landscape, with Lunar Azul Antique Finish French patterned tiles reflecting the natural surrounding beauty of the Port Hills. The bath, however, takes centre stage, allowing you to peer out over the port of Lyttleton and beyond.
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views to the beach. The spacious bathroom includes a freestanding bath, separate shower and a double basin vanity. Full height sliders allow the space to be opened to the outdoors, while mechanical vertical louvres ensure that privacy is retained.
4. Studio 106 Architect The design of this bathroom was implemented to provide a new taste
of contemporary that would contrast and respect the classic New Zealand villa. The major challenge was to work around a chimney that had to be retained. It has now been enclosed, resulting in a series of alcoves that accommodate the various functional zones of this ensuite.
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DESIGN FOLIO 2014
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Divide and conquer This master suite in a contemporary new home combines texture, natural materials and feature surfaces to dramatic effect
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An architect looks at an interior project from many angles. As well as ensuring a bedroom and bathroom work well together, the design might celebrate the good bones of the home – or even provide a nod to the house next door. This master suite does just that. It forms part of a contemporary house with a warehousestyle sawtooth roof. The high, raking ceiling over the bedroom and bathroom references this iconic roof form and prompted architect Joe Chindarsi to keep the room as one space. “Retaining the one, large volume made it easier to appreciate the ceiling form and make
the wider aesthetic connection,” says Chindarsi. “So for privacy, we introduced a central cabinet-vanity element as a divider. Up-lighting in this freestanding wall further accentuates the sloping ceiling and provides ambient light to both areas.” The design optimises light play between the rooms and creates a sense of space. Materials and textural contrast were an important part of the design,” says Chindarsi. “For example, the Tasmanian blackwood cabinetry brings warmth to the space, and plays off the cooler stone and concrete elements.”
Above left: Polished plaster walls, concrete floors and a freestanding vanity wall with rich wood cabinetry, combine to create a masculine yet cocooning aesthetic for this master bedroom and bathroom. Above: Non-slip granite flooring and a brass tile mosaic feature in the shower area. Following pages: The privacy wall provides the vanity niche on one side and hidden storage in the bedroom.
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Above: The freestanding wall provides privacy for showering and shaving, while the toilet has its own cubicle. Natural light spills around and over the wall into the bathroom. Above right: The white floating vanity is underlit, adding to the sense of space. Glass walls on the shower ensure both brass mosaic surfaces are seen together. Strip lighting over the vanity is echoed by an embedded strip of light over the bed in the adjoining room.
“The floors are concrete, while black-flamed and brushed granite on the walls and floors of the shower provide a textural, non-slip surface.” “Lighting is also integrated into a niche in the shower. This highlights a brass mosaic tile that lines the back of the niche, providing accents of colour, texture and scale. The same tile is seen on the vanity splashback, and the use of brass is continued in the basin mixer and spout, integrating these elements.” The mosaics are also a reference to the Art Deco style of the neighbouring Californian bungalow at the front of the property, as are the
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Bianco Carrara tiles lining the sides of the niche. The island bath and Boffi air ceiling fans act as organic sculptural elements within the space. In addition, sheer curtains and the light play from laser-cut operable screens in the bedroom help to soften the aesthetic. more images of this kitchen 34543 at trendsideas.com similar projects search tida bathrooms
Looking back This contemporary bathroom, set within a heritage space, reflects its surroundings A heritage renovation comes with its own set of rules, not least the need to acknowledge and celebrate what’s gone before. A refit that effectively extends the period style is one way forward, while another option is to contrast the traditional with the strikingly contemporary. When the team at Architect Prineas designed this master bathroom in an 1890s Grand Italianate terrace home, they took both approaches. The brief was to create a modern ensuite and walk-in robe in the original two-bedroom space, while at the same time respecting the character of the terrace, says principal Eva-Marie Prineas.
Left and above: For this master bathroom project by Architect Prineas, a contemporary, mirror-clad pod is inserted into a heritage space. This plays up the contrast between old and new and celebrates the period detail in myriad reflections at the same time.
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Above: The floorplan shows the pod insertion in grey. There are several entry points into the space. Above right: Period details include the restoration of the original fireplace. Facing page: A chamfered shaft with a skylight defines the shower space and helps to emphasise the insertion.
“For example, the original fireplace was to be retained. Another requirement, typical of a heritage project, was the ability for the changes to be reversed so the room can be converted back into a bedroom in the future, if required. “Practical requirements included two basins, a large shower and ample storage.” To achieve all of the above, the team designed the bathroom as a central pod insertion clad in mirrors. The mirrored surfaces make the bathroom disappear to the eye, and also reflect and effectively double the period detail all around. “The basin wall is completely mirrored so
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the fireplace behind is reflected and celebrated,” says Prineas. All-new materials were selected for their ability to not detract from the original fabric – so the bathroom’s colour is provided by the original materials, including the floorboards. A feature of the space is a large skylight that exactly fits the dimensions of the shower. “The skylight includes a shaft that descends through the level above. This is chamfered, much like a funnel, to create natural light variance.” The generous 2m x 2m pod contains both the toilet and shower. To keep the interior
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This page: The shoes standing sentry on stools are the only clue that this floating wall plane is really the door to a storage cabinet. The effect is created by having the door overlap the cabinet on all sides. This tall element is tucked away at the end of the rear corridor formed by the existing wall and the enclosed back wall of the pod insertion.
clean-lined and minimalist, tiles and grout lines were avoided – Laminam panels feature on the inside walls and the flooring is terrazzo. This clean, uncluttered design approach extends to the washbasins, which are resin and so have no visible joins. However, despite the visual simplicity of the design, there is a wealth of discreet storage. A row of mirror-fronted cabinets stretches right up to the top of the pod. There is also a mirror-fronted wardrobe on another side of the pod. A shoe storage unit in the corner downplays its presence in another way. The handleless door
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was designed by Prineas to overlap the cabinet behind, creating the effect of a floating plane, rather than a door. This understated feature is backlit to accentuate its abstract quality. “Together with the diffuse, natural light from the skylight, strategic concealed lighting accentuates the inserted element in another way,” says Prineas. “We stopped the pod’s walls short of the ceiling to highlight and at the same time protect that heritage feature, with powerful ventilation avoiding any issues of rising steam. The entire glass and mirror element is lit from above, showcasing its form at night.”
Design. Innovation. Inspiration
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Rise and shine There are plenty of fresh ideas for great bathrooms on the following pages – and more in store
It’s all on show There’s no better way to appreciate new design than to experience it first hand. Mico Bathrooms showrooms put bathrooms in the limelight
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Admiring fabulous new bathrooms in glossy magazines is always inspiring, but it takes a visit to your local bathroom store to truly see the potential for your own home. Mico Bathrooms brings it all together, no matter whether you are planning to replace a single fixture or require a whole new bathroom. The 45 showrooms nationwide present a huge spectrum of products and brands, because Mico Bathrooms understands that clients have different tastes, and different-sized budgets. General manager Bryn Harrison says the company supplies high-quality products in
varying price brackets, so customers can rest assured they are always getting the best value for money. “Because we are such a large bathroom merchant, we partner with the best global brands and are able to provide very competitive pricing,” he says. “Our focus is on aspirational design. A great bathroom can add value to your home. Typically the bathroom is not a room that is changed out frequently; therefore at Mico we work with you to ensure we select the perfect solution for your needs.”
Key products on show include fixtures and fittings that reinforce a sense of sanctuary and simplicity. Freestanding sculptural bathtubs, refined vessel basins, sleek, contemporary tapware and minimalist vanity units are just the start. There are also myriad shower systems, and toilets featuring the latest water-saving technology. The spotlight is also on accessories, which take on an important role. Harrison says Mico can assist with pulling your ideas together to make the process as smooth as possible. “This is where our experienced bathroom
Preceding pages: Simple yet sculptural – this new bathroom features Axor Massaud tapware from Hansgrohe, supplied by Mico Bathrooms, which has 45 showrooms nationwide. These pages: Axor Starck Organic from Hansgrohe features in the bathroom shown above left. The bathroom above features a Reve basin and bath from Kohler. These products were supplied by Mico Bathrooms.
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Above: This new bathroom features the Bianco bath by Adesso, available at Mico Bathrooms stores. Right and far right: Other featured brands at Mico Bathrooms include the Singulier basin mixer with Antilia wading pool glass basin from Kohler (right) and the Metris basin mixer from Hansgrohe (far right).
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consultants can help,” he says. “They know exactly what items work well together and how you can get the best-looking bathroom no matter what size your budget.” Harrison suggests customers book a time with their local store to talk to a bathroom consultant, who can discuss what’s involved in choosing a new bathroom, and help with the design and product selection. It is also a great idea to study the 2015 Mico Bathrooms book, which has many new and exciting design suggestions. This can be ordered by phone, online or picked up in a showroom.
There are also two other very good reasons to come into a store – there is easy access, with car parking, and the stores always have a great range of specials on offer. More often than not, they are the very products you may have had your eye on for your own project. For more information , or details of your nearest Mico Bathrooms showroom, phone 0800 844 448. Website: www.micobathrooms.co.nz
Top: The Metris Classic collection by Hansgrohe, available from Mico Bathrooms, brings a refined look to this new bathroom. Above: Small, but perfectly formed – no matter what size your bathroom, the consultants at Mico Bathrooms can help you design the perfect space, with the right mix of products and materials.
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Fresh sensation Occasionally technological advances can make a real difference to quality and comfort – enter the Aurajet™ by Methven If showering is the only ten minutes of the day you get to yourself, you certainly want it to be a pampering experience. Methven – a leading New Zealand designer and manufacturer of premium showers and tapware for 125 years – has now developed a pioneering technology called Aurajet™. The breakthrough showerhead design delivers improved spray coverage, more force, better nerve stimulation and a luxurious showering experience, says Methven Group CEO, David Banfield.
“The new halo-shaped showerhead has myriad hidden nozzles that generate individual jets of water. These collide with angled surfaces to create a wider, more even shower spray that has no gaps and a much greater droplet density. “Put simply, this creates a completely new showering experience for our clients.” Aurajet delivers up to 20% more spray force and twice the coverage compared to traditional showers – yet uses as little as nine litres of water per minute. This technology continues Methven’s drive for
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savings on energy and water bills without compromising the shower experience. For details, contact Pecks Plumbing Plus, 28D, Lambie Drive, Manukau, phone (09) 262 1462. Email: vicki@pecks.co.nz. Website: www.pecks.co.nz save & share 47144 at trendsideas.com Above: The Aurajet™ showerhead by Methven has revolutionised the shower experience. It is available at the multi-brand company Pecks Plumbing Plus.
Taste of the tropics The centrepiece of this Pacific-style bathroom is a shower box wrapped in timber stained with Resene Colorwood Mahogany Good often comes from bad, and this serene and decadent master bathroom is a great example – the entire renovation was sparked by the discovery of a water leak. Homeowners Fraser and Sandy Gillies took the opportunity to gut the entire bathroom and start again. Fraser Gillies, an architectural designer, says the couple wanted something special. “So many bathrooms have a standard look and lack atmosphere. We wanted this bathroom to reflect our personalities.” The result is a Zen-like space that
would look perfectly at home in a Pacific island resort. The vanity, painted in Resene Black Sheep, was retained, but given a new top made from floor tiles. A circular vessel basin adds an almost ceremonial feel. But the centrepiece of the room is the sculptural shower box clad in macrocarpa slats. These were stained in Resene Colorwood Mahogany, then finished with three coats of protective Resene Aquaclear on all sides. Resene All Black was painted on the shower box walls beneath the slats,
providing distinctive black shadowlines. To provide a quiet visual counterpoint to the timber slats, the walls are painted in Resene Black White. For details, visit a Resene ColorShop, or freephone 0800 RESENE (737 737). Or visit the website: www.resene.co.nz save & share 47203 at trendsideas.com Above: Timber slats stained in Resene Colorwood Mahogany bring a tropical look to this ensuite.
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modern living
Inside the box Crisp architecture and simply styled interiors define these projects, which offer three different responses to a contemporary design brief
Quietly confident A restrained palette of materials ensures this new home exudes an air of subtle sophistication Modern luxury isn’t about bling – it’s about restraint. Spacious, free-flowing interiors and simple, natural materials create a perfect backdrop to busy modern lifestyles. This three-level house, which was designed by architect Jesse Linardi of DKO Architecture, is in a prestigious neighbourhood, but the owners did not want the house to stand out. “They are quite private people, and they didn’t want an ostentatious, lookat-me style of house,” says Linardi. “This
Preceding pages and facing page: Blackbutt timber lines the deep soffits on this contemporary house designed by DKO Architecture. The timber provides a visual warmth to contrast the extensive use of glass, steel, zinc and concrete. Above: Zinc forms the balustrading on a balcony off the master bedroom on the second floor. The balustrading provides privacy, yet the owners can still enjoy the view from the upper level. When the large pivoting entry door is open, it is possible to look right through the house to the landscaped outdoor living area and pool beyond.
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Above: Slot skylights and cut-outs in the ceiling allow light to penetrate deep into the house. The cut-outs also provide a visual connection between the ground floor and upper level. Right: A central volume in the centre of the house forms a services core. The door on the left is the entry to a lift. The core also conceals an integrated refrigerator and an extra-large scullery and pantry behind the oak veneer cabinetry in the kitchen. To offset the square-edged lines of the island, the design team specified two sculptural Qasair rangehoods.
was not about having all the bells and whistles. Both the form of the building and the material palette were driven by a desire for restraint.� Linardi says the design needed to accommodate the mature trees on site. These helped to define the footprint and the building envelope. “It was also essential to maximise the sun to the north at the rear of the property, and views to the south, at the front.� With this in mind the design team wrapped the house within a large, simple,
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Above: The living room runs the full depth of the house, maximising the view to the front, and the sunlight to the rear. A cantilevered hearth features similar concrete to the kitchen island. The wall on the right is one side of the central core, which is defined by a polished plaster finish that reflects the light. Right: At 4m x 2m, the concrete island is oversized. This makes it ideal for entertaining, when it can be used for both meal preparation and serving. The family living area is on the left.
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box-like volume that provides fully glazed walls with extended deep soffits at the front and back. The exterior materials are limited to concrete, zinc, glass and blackbutt timber. Blackbutt lines the soffits of the front and rear facades, and defines the front entry, which incorporates a large pivoting door. “The interior has a simple layout, with an open-plan living area flowing right through the house, from front to back,” says Linardi. “This maximises both the view and the sun. Even at the front door,
you can glimpse what lies beyond the glazing at the other end of the house.” Although there are no windows in the side walls of the house, there is ample natural light, thanks to a series of slot skylights and voids that let sunlight penetrate down to the ground floor. “We cut slices out of the ceiling, so you get these special moments throughout the house, as the light changes and moves across the walls,” says Linardi. “It’s a three-dimensional aspect, rather than a single horizontal or vertical plane of light.”
The light is further enhanced by the reflective quality of the polished plaster finish that defines a large, box-like core in the centre of the house. “This is essentially a services core, much like you would find in a commercial building – you can walk right around it,” says the architect. “The core encloses a storeroom, powder room, lift, pantry and scullery, and has doors opening off the centre hallway and kitchen. The polished plaster features on three sides of the core, with cabinets on the fourth side.”
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The core reinforces a sculptural quality that is also evident in a single, continuous, blackened solid steel stair balustrade that rises from the basement to the top floor. “Again, this is an understated feature of the house, but it enhances the paredback material palette and complements the black detailing seen elsewhere. It also helps to visually link the different levels,” says the architect. Glazed walls in a children’s play area on the upper level provide a view down into the family living area, reinforcing the
sense of connection between the floors. In the kitchen, warm timbers reappear, with a bank of oak veneer cabinets forming part of the central core. The refrigerator is integrated, and the door to the scullery and pantry is also concealed. The veneer cabinets are contrasted by an oversized solid concrete island that measures a massive 4m x 2m. “This is a gathering space for friends and family,” says the architect. “There is plenty of additional storage and bench space within the scullery that comes in
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handy when the owners entertain.” In keeping with the demands of modern living, the rear facade is fully operable, with glazed sliding doors helping to blur the line between inside and out. “The social areas of the kitchen, living room, barbecue and poolscape seamlessly morph to create one large entertainment hub,” says Linardi. Further entertaining facilities are provided in the basement, which features a cinema and wine cellar, in addition to a gym, laundry and garaging.
Facing page: The blackened solid steel balustrade on the main staircase was manufactured from a single, continuous piece of steel. On the right is the central core, with doors opening to a powder room and storeroom. Above: Skylights and glass walls enliven a children’s play area on the upper level. There is also a skylight in the master bathroom. Left: Marble and bluestone are the two key materials in the master bathroom. The custom vanity echoes the sleek, square-edged nature of the architecture.
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Above: The entire rear facade is a wall of glass that opens out to a fully landscaped garden and poolscape designed by Jack Merlo. With the extradeep soffit, much of the intensity of the summer sun is kept at bay. The house also features retractable fly screens. Story by Colleen Hawkes Photography by Peter Bennetts
Architect: Jesse Linardi, Anna Rozen, DKO Architecture Interior designer: Michael Drescher, Laura Saunders, DKO Architecture Landscape designer: Jack Merlo Design Builder: Melbourne Homes of Distinction Interior decorator: Georgie Trigg, Corn & Celeste Artworks: Barbara Tyson, Craig Parnaby Stair designer: CeraStribley Kitchen manufacturer: Jensen and Row Cladding: VM Zinc; Renderoc FC by Parchem Flooring: Mafi natural wood Wallcoverings: Bishop Decor render Paints: Ecolour Paint
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Metal and steel works: Prostain Fabrications Lighting: Light Project; Hotbeam; Archilux Fireplace: Real Flame Cabinet veneer: Oak crown cut, George Feathers & Co Concrete benchtop: Rutso Concreting Oven and cooktop: Gaggenau Ventilation: Qasair Refrigeration, dishwasher: Miele Marble in bathroom: High Definition Stone Bathtub, basin and taps: Rogerseller
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On a clear day From this holiday eyrie high above the beach, it’s easy to see when the surf’s up, and the orcas are close to shore This new holiday home may be perched on a cliff, but there is nothing remote about it – the waves crash on the rocks below, the salt spray drifts and there’s a strong sense of being at one with the ocean, which is just how the owners like it. Architect Darren Jessop says the home is the first stage of a three-part project, that will see the house step down the hill. “The building just completed is a long slender box that functions as a holiday studio on the lower level of the site – the owners will eventually live in a new house
above. The house will resemble a series of stepped boxes, with the two main buildings separated by a swimming pool. The pool structure has already been built, and can be glimpsed above the rear of the studio. It has a temporary roof so it can be used for storage in the meantime.” The architect says the steepness of the site meant extensive engineering was required to anchor the house back into the hillside. But the end result is a home that feels as though it is cantilevered over the cliff, reaching out towards the sea.
Facing page: Hidden from the street above, the holiday home in the foreground of this image is the first phase of a three-part project. Architect Darren Jessop designed the house as a studio apartment. The raised rectangular structure behind the house will become a swimming pool, and the main house will be built on the land above, creating a home that steps down the hillside. Above: A deck runs the length of the studio, with enough space for sun loungers and a barbecue. Clear glass balustrading allows an uninterrupted view of the beach and ocean.
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Jessop says one of the owners is a keen surfer, and it was essential to provide a close connection with the sea and the beach. To this end, the studio has fullheight glazing along one entire wall to maximise the view and sunlight. “The wall features large sliding glass doors that can be moved either left or right. Because the columns supporting the roof are inset, the window joinery is independent of the structure, which enhances the sense of being at one with the landscape beyond.”
The doors open to a long deck, with composite decking boards that won’t warp, splinter or fade in the sun. At one end, there is enough room for a barbecue and sun loungers. “Eventually we will add a lower deck that will help link the studio to the track down to the sea,” says Jessop. On the inside, the studio reflects the owners’ desire for a sleek simple look. The building features one large open-plan living area, a hallway lined with storage cabinets, two bedrooms and a bathroom.
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To add visual interest and texture to the main living area, there are several feature walls and cabinets in Bestwood woodgrain veneer. These are contrasted with white painted walls and kitchen cabinets. Further contrast is provided by a black island. “Making the island black was a way to keep it independent of the kitchen,” says Jessop. “It is more like a stand-alone element that is part of the living room.” The position of the island, as with the dining table, affords a spectacular view
Preceding pages: A glass wall peels right back to open up the living area to the view. The glass sliding doors can move to the left and right. The feature wall is in Bestwood woodgrain veneer. Above: A galley kitchen is positioned at one end of the open-plan space. It features a black island, designed to be a stand-alone element. The backpainted glass reflects the light and the view. Left: The simplicity of the design is a large part of its appeal. Modular seating maximises the available space, and enhances the relaxed ambience of the interior.
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Above: The galley kitchen features composite stone benchtops, one light and one dark. Ceramic floor tiles run throughout the house, providing a practical option for a beachside home. Far right: Black joinery frames the view from this bedroom, one of two in the studio. With the large sliding glass door open, cross ventilation is maximised. Story by Colleen Hawkes Photography by Jamie Cobel
straight down the beach. The view is reflected in a sea-blue glass splashback in the kitchen. To reinforce the beach connection, the benchtops are in stone, with the perimeter surfaces reminiscent of sand. The architect says many of the pantry items are stored in the bank of cabinets that line the passageway leading to the bedrooms. Laundry facilities are also positioned along this wall. Both bedrooms are doubles, and the end bedroom juts out with a wrap-around
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window on one corner. A large sliding door peels back to open up the space to the outdoors, where a frameless glass balustrade provides a safety barrier. “Wherever you are in the house, there is a close connection with the sea,” says Jessop. “The owners can look out the window to see if the surf’s up, and they frequently see orcas and dolphins close to shore. In terms of the view, there is always plenty happening. But the house is still private. From the beach below, it reads as a simple dark box on the hillside.”
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Look through any window This modern house offers water views from most rooms, and the transparent design means they can also be enjoyed from the approach to the entry
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The higher you go, the better the views. This simple premise can be enough for an architect to turn a house on its head, positioning the living areas upstairs and the bedrooms downstairs. This large riverside home by architect Mark Peters of Studio Dwell offers a case in point. The owners requested a house that responded to its site, framing the outlooks of the natural grass terrain running down to the river, says Peters. “To maximise the river setting, the traditional arrangement of public and private spaces was inverted. And to further optimise the outlooks, the upper level is largely transparent, meaning
someone approaching the house can look right through the interior to the views beyond.” While the home’s front and rear facades on the top floor are essentially walls of glass, a quite different treatment was required for the sides. “There are neighbours in close proximity to left and right, so the side walls have narrow clerestory windows that admit natural light but retain privacy. The street side of the downstairs master wing has similar slot windows.” From the curving approach road, the house has a strong sculptural presence that celebrates simple box-like forms. Seen from the rear, the
Above: This house by architect Mark Peters consists of strong, block-like forms that nestle into the landscape. Concrete and aluminium is combined with touches of îpe wood for a durable exterior that connects to the colours of the landscape. The upper level is walled in glass, providing a view right through the interior to the scenic river outlooks.
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Top: Slender windows on the garage and internal entrance way offer natural light while maintaining privacy. They also accentuate the long, low nature of the home, as do the grooves in the metal cladding. Above: The kitchen cantilevers out to one side of the house. The long arrow windows in this area form a glass kitchen splashback on the interior, optimising natural light on the perimeter work surfaces.
upper level features an exposed, cantilevered terrace and roof. This is suspended over the lower level which is partially nestled into the hill, providing sun protection and a connection to the land. The design helps cool the house over summer and offers wind protection in winter. “The cantilevered framework is also a visual feature,” says Peters. “It runs up from the ground floor master wing, across the roof, then down and back across to form the base of the deck. From there, it turns upwards again, forming the deck’s side balustrade. The result is a crisp, yet functional architectural flourish.”
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The exterior highlights a simple palette of sustainable and highly durable materials. The base of the house is in exposed concrete with the upper storey clad in long anodised aluminium panels, specified in a complementary charcoal tone. Both of these cladding treatments are accented at several points with îpe wood for balance and warmth. A distinctive entry adds to the street appeal and further encourages an appreciation of the wider setting. To minimise the footprint on the land, the house and double garage are separated, but also connected by a suspended
Above: The main entry to the home is via an Îpe wood footbridge running alongside the enclosed internal access. Glass balustrades were introduced over the suspended section of the bridge. Left: The lay of the land – the house is ideally situated, taking in a gently sloping hillside that continues right down to the river’s edge.
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Above: The open-plan living area is separated from the pivoting front doors by a freestanding wall. Stained walnut floors run throughout the upper level of the home. Facing page: A double-height void adds drama and transparency to the interior. The custom steel staircase has stained open riser treads and a tempered glass enclosure, both adding to the see-through aesthetic.
tube element that continues as a distinct form on the interior. This forms the internal, private entry from the garage to the interior and is the only enclosed space on the top floor. It includes a mud room and powder room in the external section. Guests, on the other hand, enjoy a different arrival experience. They reach the house via an open walkway that runs alongside the tube. This pedestrian bridge suspends visitors over the landscaped hill, inviting them to take in the wider surroundings. These is also a view right though the interior to the river from the path to
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the large front doors. The walkway floor is in ĂŽpe, an exotic hardwood, as is the cladding on the internal access. And it is the choice of surfaces generally that helps ground the house in its natural setting. Pivoting double front doors open to reveal a freestanding wall that arrests the immediate impact of the dramatic setting. Beyond this to the left, there is a glass balustrade and beyond that, a double height void with an exposed steel staircase. “Part of the brief was to have plenty of wall space to hang the owners’ substantial collection
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of artworks, and this void effectively doubles as an art gallery,� says Peters. “A sculpture of a warrior and horse fixed high on the wall can be appreciated from both levels, as well as through the window from the pedestrian bridge.� The owners have many smaller art pieces, too, and elongated display niches were built into the white walls to accommodate these. Looking to the right, the indoor section of the entryway houses a fireplace on the open side and a pantry, storage components and an oven wall on the far side, where the kitchen is located. This area cantilevers off the side of the
Left: Casual seating and the dining area are ideally positioned to take in the river views. The internal section of the connecting tube is to the right. Top: The kitchen has a central island with inset hob so the chef can easily look out in all directions. The tube accommodates appliances and storage in this area. Above: Wall niches display small sculptures and further accentuate the low, long nature of the architecture.
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Right: This diagram shows how the house relates to the sloping hillside and how the connecting tube between garage and home continues into the interior. The house hugs the hill and at the same time offers a minimal footprint on the land. The combination of the cantilevered form and dropping-away hillside gives occupants of the upper floor a sense of being suspended over the scenery.
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home, optimising light and views for the chef. Downstairs, the bunker-like master suite wing extends out from the other side of the home. There are also three large bedrooms and a shared bathroom at this level. This private floor is carpeted except for the double-height void, which has large format, sound-absorbent tiles. Other finishes on the interior include stained walnut flooring, îpe, glass and steel. “Openness and transparency are the home’s predominant character traits,” says Peters. “Even the grey steel staircase has open stairs so you can see right through it to the scenery.”
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Above: The wrap-around nature of the cantilevered formwork creates a dramatic architectural feature on the river side of the home. Îpe wood sliding panel doors are interspersed with glass on the first floor to optimise connections to the natural setting. The master bedroom is to the right. This includes a light well that brings natural light into the rear master bathroom, which is tucked into the hillside.
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Winter welcome When you are all set up for the colder months, it can feel like summertime lingers on – Warmington puts that welcoming warmth into winter Your time away in a seaside bach, farm cottage or holiday home can be extended into the cooler months just by adding an indoor and outdoor fire. And of course no mountain getaway would be complete without a flickering fireplace at the ready. Warmington has wood, gas and outdoor fires that are ideal for a snug retreat, says marketing co-ordinator Deborah Grey. “Whatever style your getaway is, we have a fireplace to match. There are clean air-approved fires for urban areas and rural models, with optional wetback.
“Gas fireplace inserts are warm and cosy and can be installed just about anywhere. Or, for a more traditional aesthetic, it’s hard to beat the sound and smell of a real wood-burning fireplace.” Warmington has a custom, hands-on approach, offering design, manufacture, and on-going support – with spare parts readily available from the online shop. “Our team includes qualified design and production draftspeople who ensure a fire is installed to your total satisfaction and complies with all requirements.”
Contact Warmington Industries to find your local retailer, or visit the Auckland showroom: Fires by Design, 47 Sir William Ave, East Tamaki, phone (09) 273 9227. Email: sales@firesbydesign.co.nz. Or visit the website: www.warmington.co.nz Save & share 47114 at trendsideas.com Above: Built from quality materials, Warmington fires offer high efficiency and reduced heating costs, and are an ideal option for your holiday retreat.
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A professional eye Getting the most from your interior is all about tapping into the knowledge and experience of design professionals, such as Yellowfox Above: Yellowfox designed this kitchen, dining and living area in a traditional residence in Devonport. The mainly black-and-white colour scheme is punctuated by warm touches, such as the copper interiors on the modern pendants and the tan leather on the banquette seating. Much of the homeowner’s original furniture was incorporated into the design.
What works aesthetically and what doesn’t? How to achieve more usable workspace – or a feeling of cosiness? You could spend weeks on addressing your interiors and still get it wrong. A call to a professional designer is all it takes. The owner of this traditional Devonport villa asked interiors specialist Yellowfox to create contemporary open-plan living, dining and kitchen spaces that would complement the good bones of the original home. Yellowfox stripped the space back to the floorboards, now stained black, and designed the space afresh, says designer Ursula Vlasic.
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“There were a few challenges, such as limited wall area for taller cabinetry, and a modest area in which to achieve a decent-sized dining and kitchen area while optimising the sea outlooks. “We addressed the first issue by introducing a floor-to-ceiling blade wall that screened off part of the kitchen and made space for upper cabinets. The choice of bench seating for the dining area saved floor space for a roomy feel.” To optimise clear sightlines to the water, all appliances are set under the benchtops. “Colour was also important in this design. We painted the living area black to contrast the
pristine white kitchen, and black windows and door joinery in the kitchen frames the views. Beadboard cabinetry, designed by Yellowfox, matches the original charm of the home. However, for a modern touch they are handle-free. For details, contact Yellowfox Auckland or Yellowfox Waiheke, PO Box 11282, Ellerslie, phone (09) 525 3450. Email: design@yellowfox. co.nz. Website: www.yellowfox.co.nz47043 save & share this story 34543 at trendsideas.com
Above: The rear wall contains a cooktop niche, while most appliances and a wealth of storage are tucked under the engineered stone benchtop. Wall niches are used for display. Black window and door joinery in the kitchen area frames and draws attention to the water views. Left: The home’s original architectural detailing, such as the ornate fireplace surround and tall baseboards, were painted white, bringing balance to the dark walls.
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TRENDS INTERNATIONAL DESIGN AWARDS RECOGNISING EXCELLENCE IN DESIGN
For more than 30 years, Trends has promoted great home design ideas through its print, digital and online media. The Trends International Design Awards – TIDAs – take that involvement to the next level with the search for the best kitchens, bathrooms and homes across a number of the countries where Trends has a presence. Here’s a selection of Highly Commended projects from the 2015 TIDA Kitchen Awards.
Black cabinets bring drama to this kitchen
The extension of this 1940s house by
Solid limestone walls and Tasmanian oak
in the home by Ponting Fitzgerald – but
architect Erik Rudolfsson created a
cabinets in this kitchen by Officer Woods
the design also respects the 1950s
contemporary garden pavilion that can
reinforce the strong geometry of the
streetscape and relaxed coastal setting
open up the entire kitchen to the outdoors
double-height space
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With a dash of nostalgia Black cabinets bring plenty of drama to this kitchen in a designer’s own home, but the design also respects the 1950s streetscape and relaxed coastal setting Seen in isolation, this black kitchen is a real conversation piece. But it’s not so surprising when you come from the outside in – the house itself is entirely black and wrapped in corrugated steel. But the architecture was not about making a bold contemporary statement, says designer-owner David Ponting of Ponting Fitzgerald. “It was more about making
a reference to the location. The house is in a street of 1950s brick-and-tile homes, beside the water. Both these elements have influenced the design of the house and the kitchen. “The house resembles a coastal barn, unashamedly inspired by the Team New Zealand boatsheds in Auckland, while the interior was generated from the simple Kiwi ideals of the ’50s and ’60s.”
Ponting says he and his wife Atlanta Miles wanted a pre-loved look. “We chose materials and products that enhance a sense of items collected over time, – a cobbled-together look. The doors in the house are from an old bungalow, and the walls, which are painted in high-gloss black, are vertically grooved plywood reminiscent of tongue-and-groove boards.”
Facing page and above: Hand-glazed tiles in varying shades of inky blue reflect the light and water views from this kitchen in a new house designed by owner David Ponting. The wire-brushed oak veneer cabinets and grooved plywood walls are painted black to match the curtains, window joinery, and the colour of the house exterior. Following pages: A sparkling, transparent 1970s Sciolari chandelier contrasts the solid black elements.
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Above: A Vibiemme Domobar coffee machine was plumbed into the kitchen for ease of use. The refrigerator occupies a niche behind a door. This space juts out from the house, which makes it reminiscent of a traditional food safe. Above right: Three brass pendant lights, custom made from old artillery shells, have LED fittings. Although modern, the square-edged sink recalls the shape of washtubs from the ’50s.
In keeping with this theme, the cabinets feature oak veneer over plywood. The oak was wire brushed to strip out the soft grain, and hand-painted to achieve a black gloss finish. The cabinets are teamed with stainless steel benchtops and hand-glazed inky blue tiles on the splashback. “We wanted the space to be dark and moody – a little bit theatrical,” says Ponting.
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“The tiles create a touch of drama. They reflect the estuary beyond, and the varying tones create a lovely ripple effect.” Doors on either side of the kitchen open to a pantry and refrigerator respectively. “The space accommodating the refrigerator space pops out from the side of the house, much like a traditional food safe in an older home,” the designer says. “Although this
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Garden pavilion Designed for passionate foodies, this pared-back kitchen is both supremely functional and at one with the outdoors
Indoor-outdoor living is a prerequisite for most modern kitchens, but the designer of this renovation project took the concept one step further. Architect Erik Rudolfsson’s extension to the 1940s house created a contemporary garden pavilion, where glass walls peel back to open up the entire kitchen and living area to the outdoors. To ensure the kitchen would be flooded with natural light, Rudolfsson also introduced polycarbonate glazing to the roof, and lined the ceiling beneath this
with white-painted timber slats. The slats continue on the outside, forming a shade canopy while simultaneously blurring the boundary between inside and out. Matching basalt floor tiles also flow between the indoors and outdoors. The connection is further reinforced by a long low window directly above the perimeter benchtop in the kitchen, which also functions as a glass splashback. “The window framing is set down below the height of the cabinets to create a seamless appearance,” Rudolfsson says.
Facing page: This new kitchen is part of a large extension designed by architect Erik Rudolfsson of Rudolfsson Alliker Associates Architects. Polycarbonate glazing on the roof and a whitepainted timber slat ceiling allow filtered light into the kitchen and living area. At night, LED lighting replicates the daylight. Above: With large sliding glass doors wrapping around the extension, the entire corner of the house can be opened up to the outdoors. Following pages: Parallel cabinets reinforce the strong horizontality of the kitchen.
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Above: With two sinks on two benches, there is ample space for more than one person to work in the kitchen at the same time. Wherever possible appliances are integrated so the kitchen retains its sleek, pared-back look. The pod of full-height cabinets accommodates functional elements, including a Miele steam oven, full-height pantry, integrated refrigerator and laundry. Rudolfsson says the crisp finish is a credit to the entire team, including builder Okima Constructions.
The white base cabinets are teamed with American oak cabinetry stained in Japan black. A steel strip edge lightens the look and makes the units appear to float above the floor. A tabletop extension to the island is also in dark American oak. “Because the kitchen doubles as a test kitchen for a newly established catering company, there are two long benchtops and two sinks for food preparation and serving,” the architect says. “We essentially created two work triangles – a preparation triangle between the full-height cabinets
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and the island, and a second triangle for cooking further along.” The dark cabinets create a service pod that conceals a full-height pantry, an integrated fridge-freezer and a laundry behind bifolding doors. resources & more images 46814 at trendsideas.com video about this kitchen at 46987 at trendsideas.com
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Pared-back living Solid limestone walls and Tasmanian oak cabinets reinforce the strong geometry of this double-height living space Above and right: Natural raw materials feature throughout this new house designed by Fremantle architectural firm Officer Woods. Facing page: A mezzanine bridge compresses part of the living volume, providing a more intimate dining area. Flush thresholds between all rooms on the ground floor were designed for universal accessibility. The space between the island and perimeter cabinets can accommodate a wheelchair.
Simplicity can make a strong design statement – in this new house it is the materials and the spaces they frame that speak the loudest. Designed by Fremantle firm Officer Woods, the house is built from local limestone, with the stone exposed both inside and out. Architect Trevor Woods says the clients were very interested in using natural materials with a low embodied energy footprint. “We extended this to the kitchen, opting for natural Carrara marble benchtops, for example, over reconstituted stone. The tactile qualities were important as there are
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Above right: Because the mezzanine bridge is isolated from the limestone walls of the house, the entry sits within the double-height volume. This gives it an appropriate generosity. The design also allows natural light to spill into this end of the room from the high windows. The concrete floor has a trowelled finish.
not that many places in a home where you are constantly touching a surface. For these areas we had a more lavish budget, so the surfaces are not only hard and durable but also memorable – a sumptuous counterpoint to the raw materials of the house itself. The owners are happy to let all the materials weather naturally.” The marble is teamed with Tasmanian oak cabinets that feature hardwood edges and veneer doors. These were treated with an Osmo environmentally friendly finish, in keeping with the desire for sustainable alternatives. A timber shroud wraps the island, helping to hide any
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clutter on the benchtop. The island also features a flat bar top that serves as a breakfast area. Additional storage is provided within a large walk-in pantry directly behind the kitchen. While the living space has a generous, double-height ceiling, a wide mezzanine bridge compresses the kitchen-dining area, creating a more intimate space. “The bridge modulates the scale and volume and allows interaction between the living areas on both levels,” says Woods. “It also extends outdoors where it forms a balcony and provides a shade canopy above the terrace.”
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Congratulations to Poggenpohl-Akzente Winner of the TIDA New Zealand Imported Kitchen category TIDA and Kitchen Things welcome this winning category entry into the TIDA New Zealand National Kitchen Awards, to be announced in November
Poggenpohl-Akzente’s winning kitchen demonstrates how constraints can sometimes bring out the best from a designer. Lara Farmilo had two main issues to resolve for this kitchen – it had to work within existing fixed elements and make the best of limited natural light. The judges were impressed with the innovative solutions, and how the resulting design fits naturally into the available space despite the challenges that had to be overcome.
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Tomorrow calling High-fashion Italian appliances are on display in the showroom of global brand Eisno Above, and above right: Eisno Lifetech Appliances is an international company focused on modern, fashionable appliances at affordable prices. The company’s boutique showroom in Parnell offers a dramatic setting for its highly modern cooktops, rangehoods, wine coolers, refrigerators and dishwashers.
It’s one thing to know what’s in fashion now in the evolving world of kitchen appliances, but quite another to understand what is emerging in terms of new design and technologies. To find out what’s exciting on the horizon simply takes a visit to the right, well-appointed showroom. Eisno Lifetech is a joint-venture Italian brand, sold around the world, that offers a broad range of clean-lined kitchen appliances that are at the forefront of design technology, says sales manager Emma Ren. “Our dynamic company has more than 20 years of experience in this fast-evolving
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industry, manufacturing for internationally respected brands such as Whirlpool, Electrolux and Haier, to name just a few.” Now, appliances by Eisno are available here in New Zealand. The many options include innovative cooktops, ovens, powerful rangehoods and dishwashers, as well as high-spec refrigerators and integrated wine coolers. “Our sleek, dramatic show space right at the entry to the Home Ideas Centre in Parnell, Auckland, carries high-quality, technologically advanced items in an exciting array of models and styles – all at affordable prices,” says Ren.
Eisno’s design team will help you select the right look and appliances for your project. All models have a two-year warranty, backed by Eisno’s renowned customer service. For further details, visit Eisno Lifetech Appliances at Stand 280, The Home Ideas Centre, 165 The Strand, Parnell, Auckland, phone: 0800 2 EISNO. Email: sales@eisno.co.nz. Website: www.eisno.co.nz
Top, above, and left: While the show space is modest, the appliance range is not. Comparing different models side by side offers an invaluable way to see which model will best suit your own kitchen environment. All Eisno models have a two-year warranty, backed by decades of professional, friendly customer service, and easy access to spare parts and accessories.
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Gather round Your kitchen is the heart of your home, so why settle for second best? Mastercraft Kitchens ensured this kitchen is as good as it gets
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For most of us, planning a new kitchen is something we may do only once or twice in a lifetime, so it makes sense to talk to the experts. That’s what the owners of this new kitchen did – they commissioned a custom kitchen from Mastercraft Kitchens on the Hibiscus Coast. As with every kitchen by Mastercraft, this project was designed and manufactured to meet the clients’ specific requirements and budget. The kitchen, designed by Jo Harris, features a mix of contrasting high-gloss
metallic lacquer cabinets, in silver and grey-brown. These are teamed with Laminex solid surface acrylic benchtops in Real White, and a dramatic, curved American oak bar top with a resin finish. The curve of the bar top matches the curve of the cabinets that wrap around the perimeter of the kitchen. The shape of the cabinets and the reflective finish recalls high-end yacht fit-outs, which is an appropriate reference for the beachfront home. Other special features include a drinks area near the refrigerator, and a niche on
the side of the large island with a narrow reed glass backdrop. Mastercraft offers a 10-year transferable guarantee on every kitchen, providing reassurance to future purchasers should you ever wish to sell your home. The company has 30 locations around New Zealand. View the full list on the website: www.mastercraft.co.nz save & share 47204 at trendsideas.com
Above far left: High-gloss metallic lacquered cabinetry features in this new kitchen, which was designed, manufactured and installed by Mastercraft Kitchens on the Hibiscus Coast. Mastercraft has showrooms throughout the country – these are a great place to start if you are planning a new kitchen. Top and above right: Soft curves balance the square edges on the large island and enhance the circulation through the kitchen. Above left: A key feature of the design is a deep American oak bar top with a gleaming resin finish.
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One of a kind Every new project from Kitchens By Design reflects an individual design response They say imitation is a form of flattery, but most people would prefer a kitchen that makes a unique design statement. And that’s exactly as it should be, say the designers at Kitchens By Design. Because every household and every space is different, every kitchen designed by the company is a custom project. This kitchen, for example, designed by Sue Gillbanks of Kitchens By Design, has a strong connection with the outdoors. The colours and materials were chosen to provide a visual link to the bush beyond. The kitchen cabinets, painted to match Aalto Cornerstone, enhance this connection. The designer says the colour also gets away from the white-on-white look that defines many contemporary kitchens. Other materials in the kitchen include a timber floor and benchtops in Silestone Lyra with a suede finish. Recessed handles reinforce the modern, minimalist design. So too, does a large slider window that is flush with the benchtop, which helps to bring the outdoors in. Kitchens By Design oversees every project through design, manufacture and installation. The company’s success is reflected in the 70+ design awards it has won since its inception in 1989. For details, contact Kitchens By Design or visit the showroom at 7 Melrose St, Newmarket, phone (09) 379 3084. Website: www.kitchensbydesign.co.nz save & share 47084 at trendsideas.com This page: Sue Gillbanks of Kitchens By Design designed this kitchen, which features cabinets in a warm neutral shade and benchtops in Silestone Lyra.
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Because it’s your space for inspiration. The latest look, made to last. From couples entertaining friends to families with young children, laminate surfaces, benchtops, and cabinetry can create the look you desire with all the added benefits of a softer, warmer and long-lasting material. The sheer variety and durability of laminate makes it the perfect décor solution for all lifestyles. Available in various finishes reflecting the latest international and local trends, laminate provides all the inspiration you need to personalise your space.
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Centre of attention Originally tucked away in a corner, the kitchen in this home has well and truly moved into the limelight Above and facing page: Striped zebrino marble features on the long island and benchtops in this new kitchen designed by Mal Corboy. The marble, which was coated to provide a nonporous surface, is teamed with pearl-blasted oak veneer. Right: The original U-shaped kitchen in the house occupied a small corner of the family living space, and was not conducive to socialising. The owners say they had to turn their backs to guests to use the cooktop.
Always in the kitchen at parties – that’s where you’ll find everyone these days, with good reason. The modern kitchen is the hub for both entertaining and family life. The existing kitchen in this home, however, was rather bashful. Built in a U shape, it was tucked away in the corner of a large living space, with the cook somewhat isolated. In fact, with the cooktop on the rear wall, the hosts had to turn their backs to guests when cooking. Designer Mal Corboy was commissioned to create a more social kitchen – a contemporary design with plenty of the wow factor.
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Before
Above: For the new kitchen, the designer placed the cooktop on the island, to provide a more social layout. The custom rangehood is wrapped in backpainted glass with a copper metallic paint. The same finish was used for the splashbacks and toekicks. Corboy says the new layout creates a better flow to the outdoor terrace, maximising a picturesque view across the harbour.
“The original kitchen did not really do the house justice,” the designer says. “Not only did the space require a larger kitchen – it also needed a lot more drama.” Corboy says the design of the new kitchen was inspired by a beautiful and unusual zebrino marble he had found, which became the pièce de résistance. “I had put the stone on hold, waiting for an opportunity to use it. It has a great texture and the stripes give it a strong linear look. For this project, I teamed it with a pearl-blasted oak veneer. This treatment removes the soft grain of
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the timber, allowing the harder, more prominent grain to feature. It’s a very textural surface that is in keeping with current design trends – the highly lacquered glossy look is giving way to more textured finishes.” Corboy wrapped the cabinetry down one long wall and around a corner to create a partially hidden scullery area. A marble-clad island with a large work surface incorporates a breakfast table at one end. The oak of the table appears to slice through the marble on the island unifying the two elements. “We positioned the cooktop on the island so
the owners can socialise while preparing meals. With the sink on the perimeter benchtop, there is ample room for more than one person to work in the kitchen at the same time.” A custom-designed rangehood with a Smeg powerpack is wrapped in backpainted glass in a copper metallic shade – this also appears on the splashbacks. “The position of the hood makes a feature of a change in ceiling height,” says Corboy. “And the copper metallic finish helps to reflect light in the room. This is especially useful in the corner of the kitchen, which is on the darker, south side of
Before
Above: A bank of four black Smeg ovens is positioned at the end of the kitchen. The designer says he avoided using stainless steel in the kitchen – even the sink and taps are black, and the handle on the beverage centre. Left: Corboy says the former kitchen was at the darker end of the space, and featured black granite benchtops that sucked up the light.
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Above right: The new kitchen creates a much more inviting social space that’s ideal for indoor-outdoor entertaining. Right: In lieu of a separate scullery, the designer created a nook at one end of the kitchen. LED lighting and the reflective splashback add a touch of glamour.
the house. The metallic paint on the splashback, and LED lighting under each shelf, ensure this area is bright and cheerful. We also ran the backpainted glass along the toekicks and added LED lighting to these as well.” Unlike many modern kitchens, there is no stainless steel on show. The sink and the taps are black, as is an industrial-style pendant. The designer also specified black appliances – there are four black Smeg ovens at the end of the kitchen. And the recessed pulls for the drawers are in black. Other appliances are fully integrated to maintain visual continuity.
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Surface attraction Part of a Craftsman-style makeover, this kitchen combines a wealth of natural materials with more contemporary accents It’s a puzzle interior designers often have to solve – how to continue a traditional theme into the kitchen while achieving the functionality and presence required by a busy modern chef. The answer is likely to lie in the details. This kitchen by designer Nadia Subaran is part of a house remodel by architect Jim Rill. The project has transformed an unexceptional brick house into a roomy Craftsman-style cottage. There is also a new family room and kitchen in an extension at the rear, says Subaran. “In keeping with the American Arts and Crafts feel, the walls and ceilings now have
mouldings and panels – a level of detailing that reflects the style’s handcrafted aesthetic,” says Subaran. “But because one owner is passionate about cooking the kitchen needed to have all the contemporary bells and whistles.” To connect with adjacent rooms, the kitchen is lightly detailed, with an abundance of natural surfaces, continuing the layered, hand-worked appeal. There are three benchtop materials, two splashback treatments, and more than one cabinet finish, for example. “The perimeter benchtop is in Taj Mahal quartzite, a hard-wearing surface with the look
Facing page: This open-plan family room and kitchen are part of a whole-house remodel in the Craftsman style, by architect Jim Rill. The kitchen design is by designer Nadia Subaran. The family room features natural surfaces and has a soaring, barn-like ceiling. Above: Natural materials and warm tones in the kitchen are in keeping with the style. These elements are balanced with more contemporary stainless steel accents.
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Top: Stainless steel cabinetry under the cooktop has compartmentalised interiors for large pots and pans. Above: A penny-round tile splashback and Silver Waves marble island benchtop are features of the kitchen. Above right: The butcher’s block is in end-grain walnut, connecting with the cabinet below and the nearby dining table, which are in the same wood.
of marble. The butcher’s block is in walnut and the island benchtop in a Silver Waves marble. “Cabinetry on the island is also walnut, a wood the owners love, but this was too dark for the perimeter cabinets, which are in a pale oyster. This colour complements the darker wall tones in other rooms – also typical of the style – but at the same time is near to the white shade you might expect in a professional kitchen.” The space has other contemporary accents as well. For example, the island benchtop is separated from the dark wooden cabinetry by a stainless steel band. Stainless steel can also be
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seen on cabinets under the cooktop and on the penny-round tile backsplash. These elements, together with the ventilation hood, create a feature tower of stainless steel. The designer says the reflective surfaces bounce light through the room, which does not have its own windows. The kitchen is equally well set up in terms of functionality. Disparate counter levels address the different heights of the owners, and every cooking convenience is close at hand. The butler’s pantry provides a buffer from the dining room, and features glass display cabinets and iridescent mosaic tiles.
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Left: The butler’s pantry provides a degree of separation between the kitchen and dining room. Specialty White Riverstone iridescent mosaic tiles add another dimension to the design. Natural wood floors run right through the house, helping to merge the existing interiors and the extension. Story by Charles Moxham Photography by Jamie Cobel
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