KITCHEN TRENDS USA Vol 29/12 by trendsideas.com

TRADITIONAL

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CONTEMPORARY

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FAMILY

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OUTDOOR

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contents 8

74 Cover

Owner and interior designer Wendy LeStage Hodgson opened up her kitchen to the wider living area. Turn to pages 88-93. Photography by Jamie Cobel.

TOP 50 AMERICAN KITCHENS

TRADITIONAL KITCHENS By special request Tall banks of dark cherry wood cabinetry wrap three sides of this kitchen, heightening the sense that the entire space is part of a single giant piece of millwork

Twice as good This remodeled traditional kitchen was inspired by legendary designer Johnny Grey, and is double the size of the original design

Past and present A Biedermeier-style kitchen achieves an easy balance between tradition and modernity

COLORFUL KITCHENS Science lesson Cooking experiments take on a whole new meaning in this vibrant kitchen, which is a laboratory for a scientist with a passion for molecular gastronomy

Splashing out Watery green glass with a subtle organic pattern contrasts with splashes of burnt orange, white, sea blue and warm oak in this dramatic kitchen

Amethyst jewel Inspired by an amethyst pendant, this new kitchen teams lavender granite and lilac glass mosaics with graphite and black cabinets, and flashes of silver

Clean platter Color, form and materials all play a central part in anchoring this kitchen to its environment

Hidden benefits Push-button technology and eco design are at the heart of these innovative new kitchen collections

CONNECTIONS TO THE OUTDOORS A closer look Past meets present in this playful kitchen which looks to the living room and deck

Familial connections This kitchen serves an extended family – several entry points and design elements draw the heart of the home and its adjoining spaces together

Breakfast and birdsong Natural finishes and numerous windows connect this kitchen to the outdoors – interior links are equally well considered

Alfresco lifestyle Entertaining outdoors has taken on a whole new meaning for the owners of this property, who created an alfresco paradise at the bottom of the garden

CHOOSING A STYLE From detailed traditional designs to the minimalist look of contemporary aesthetics, there’s no right or wrong style for your kitchen – let your personal taste and the overall decor of your home be the deciding factors

INDEX

official media partner R

Editor Kathleen Kinney – kathleen.kinney@trendsideas.com President Judy Johnson – judy.johnson@trendsideas.com

FROM THE PUBLISHER At heart, most kitchens are pretty much the same. They’re places to prepare meals, so there’s always going to be a refrigerator, a cooktop and oven, a sink or two. They’re places for working, so they need counter space and storage. People gather there – include a spot to sit and eat. @DavidJideas facebook.com/

With so many essential features common to every kitchen, how do we manage to produce

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four issues of Kitchen Trends a year, chock-full of kitchens from front cover to back – and each one of them is different? It’s simple, really – every kitchen is as unique as the individual who uses it, or the family for whom it is the most important room in the home. Each kitchen design begins with a few objective questions: how big is the space, how much money do we want to spend? But it’s in the more nebulous matters that the heart and soul of the room begins to be defined: who’s going to cook there, what kind of home do you have, what look appeals to you, what problem do you want to solve, what do you love, what inspires you, what does your dream kitchen look like? As usual, our editorial features are augmented with detailed information on products, retailers and design professionals to equip you with the practical knowledge to complete your own project. We trust this issue of Kitchen Trends exceeds your expectations. Lastly, our Trends publications are also available as eBooks. This exponentially increases the potential audience for our featured designers and advertisers. Our readers benefit from the enhanced multimedia experience that eBooks provide, and of course, the environmental footprint of our publications is minimized. Visit our website, www.trendsideas.com. Happy reading

Selected by Editor Kathleen Kinney

Chemical experiment or food prep? Both, actually. When a biomedical researcher likes to unwind by cooking, he needs a kitchen that’s part science lab.

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HIGHLIGHTS

Editorial Editorial Director Paul Taylor Managing Editor John Williams Deputy Editor Ellen Dorset Subeditor Jane McKenzie Senior Writer Colleen Hawkes Staff Writer Charles Moxham Contributing Writer Mary Webb Email editorial@trendsideas.com

Equipped with a full kitchen plus beer refrigerator, icemaker, grill, gas burners, smokers and oversized cooking pots, this outdoor area is ready for a party.

This remodeled kitchen in a 1930s home is our cover story. An island separating the workspace from the adjacent living area adds a splash of color.

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Eye for detail Beautifully crafted millwork, warm wood tones, hearth-style cooking centers and integrated technology all define todayâ&#x20AC;&#x2122;s traditional kitchen

traditional kitchens

By special request Tall banks of dark cherry wood cabinetry wrap three sides of this kitchen, heightening the sense that the entire space is part of a single giant piece of millwork Preceding pages and this page: A large addition has increased the size of this kitchen, providing space for two long islands. The dark cherry cabinetry was designed to evoke the sense of a kitchen set within an extra-large piece of beautifully crafted furniture. The counters and backsplashes are Carrara marble. Facing page: Extending the kitchen also provided space for a new breakfast area. Curved, leaded glass transom windows are a key feature.

Traditionally styled kitchens are often defined by expansive wood cabinets, either painted or stained. Balancing the heavy and dark elements is one of the secrets of a successful design. In this remodeled kitchen, designed by Robert Tretsch and the team from Harrison Design Associates, the cabinets are a dark-stained cherry, but the floor-to-ceiling units do not overpower the space.

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“We countered the dark wood with white Carrara marble countertops and seamless slabs of Carrara on the backsplashes right around the kitchen,” says Tretsch. “We also added a white ceiling and 50% of the checkered marble floor is white. So there is plenty of reflectivity – and lots of natural light to bounce around the room.” The key concept for the

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Legend for plan: 1 kitchen, 2 breakfast area, 3 butler’s pantry, 4 side porch, 5 rear entry, 6 dining room, 7 great room, 8 sunroom. Above right: A dramatic arched opening leads into a new sunroom. The depth of the casework in the opening reflects the storage provided on both sides of the wall. Right and far right: Now you see it, now you don’t. A mirror above a fireplace conceals a television.

design was the idea of the kitchen sitting within a single, giant piece of furniture. The furniture-like detailing reflects this – corbels, pilasters, crown mouldings and entablatures reference similar millwork in other areas of the Georgianstyle house. “We worked with one of the best cabinetmakers in town to ensure no detail was overlooked, and this even extends

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to the hardware,” says Tretsch. Functionality was also a given, the designer says. “The cabinets are chock full of accessories, with pullout pantries, crockery drawers and pull-out units in the pilasters. Everything is stored right where it is needed.” Tretsch says providing two islands was a practical response to the long kitchen. It makes it easier to cross the

room, and allows for several workstation areas – one island accommodates the main sink and the other has the prep sink. There are also small sinks for drinks areas on the perimeter countertops, either side of the arched entry into a new sunroom. Other key features include a butler’s pantry, a mirror that doubles as a TV, and numerous high-end appliances.

Kitchen designer: Robert A Tretsch III AIA, R Derek Hopkins AIA, Harrison Design Associates (Atlanta, GA) Architect: William H Harrison AIA, John Albanese AIA, Harrison Design Associates Cabinet company: Block and Chisel Builder: Unique Housing Concepts Cabinetry: Cherry wood Countertops and backsplash: Carrara marble Flooring: Carrara and Nero marble in checkerboard pattern Pendants: Schonbek crystal bell jar

Ovens, cooktop and ventilation: Wolf Refrigeration: Sub-Zero Story by Colleen Hawkes Photography by Christina Wedge

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Twice as good This remodeled traditional kitchen was inspired by legendary designer Johnny Grey, and is double the size of the original design

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Matching a kitchen to the architectural style of a house makes good design sense, although a complementary style can be a more appropriate response than a strictly enforced theme. This Tuscan-style house had a sleek, Melamine kitchen that seemed out of character with the house. It was also too small for the ownersâ&#x20AC;&#x2122; requirements, says kitchen designer Leon House. â&#x20AC;&#x153;The owners have a large family and love to entertain. To create space for a larger kitchen, we removed the wall

between the kitchen and dining room. This doubled the size of the kitchen, giving us plenty of room for an extra-large island and table, a separate cooking island and a lot of perimeter storage and work space.” But it was not just the size of the kitchen that doubled. There are now also two ovens either side of the cooking island – a freestanding Ilve range, and a Miele under-counter oven. And there are two porcelain butler sinks, plus a third sink on one end of the island, and two refrigerator drawers as well as a large refrigerator.

Having so many workstations makes it easy for several people to work in the kitchen at the same time. House says the design was influenced by the work of renowned US kitchen designer Johnny Grey, who has often incorporated round cabinets in his fitted kitchens. “The perimeter cabinets, which are all in American oak, are bookended by round cabinets that soften the look, and help with the circulation,” says House. “These feature handcrafted drawers that fit flush

Above left, above and following pages: This solid wood kitchen designed by Leon House features American oak perimeter cabinets and two painted islands. The larger island has an oak breakfast table at one end, with hand-carved cabriole legs and a drawer to accommodate newspapers. Legend to plan: 1 entry doors, 2 refrigerator, 3 counters with overhead display cabinets, 4 pantry, 5 cooking island, 6 dishwashers, 7 porcelain butler sinks, 8 coffee station, 9 stainless steel prep counter with sink, 10 main island, 11 breakfast table, 12 refrigerator drawers, 13 round cabinets.

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Above and facing page, top: The business end of the main island features a lowered stainless steel prep counter with integral sink and custom cutting boards. A custom square hood in American oak mirrors the shape of the cooking island below. The hood conceals a quiet Qasair ventilation system that is controlled remotely. Right: The original Melamine kitchen had a more modern feel that did not match the Italian style of the architecture. Facing page, lower: There are his-and-hers refrigerator drawers in the side of the main island.

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Before

with the unit. Other doors and drawers have raised and fielded panel doors.â&#x20AC;? The designer says the oak was custom stained to match the existing doors to the kitchen. However, because the kitchen is large, he wanted to avoid a monotony of wood cabinets. The islands are consequently painted a light almond shade, which tones with the floor tiles and the tiles on the backsplash. For added visual interest House added a low table to one end of the large island. This features hand-carved cabriole legs,

and incorporates a drawer designed to accommodate the daily newspaper. The other end of the island has a dedicated food prep area, with a stainless steel sink, custom cutting boards and built-in knife stand, waste disposal system and paper towel dispenser. This workstation is lower than the granite island top, ensuring this remains a distinctive feature of the kitchen. Granite also features on the tops of the round cabinets and on a coffee station, while the rest of the perimeter countertops are Corian.

Kitchen designer: Leon House Cabinet company: Silvestris Flooring: Composite travertine Cabinetry: American oak; lacquered Countertops: Corian; granite Backsplash: Almond tiles Paints: Dulux Blinds and drapes: Add Wow Interiors Lighting: Trilogy Sink: Belfast; stainless steel Faucets: Brass by Renaissance Range: Ilve Oven: Miele Ventilation: Qasair

Refrigeration: Sub-Zero; Fisher & Paykel Dishwasher: Miele Story by Colleen Hawkes Photography by Peter Ellery

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Above: Pendants with fabric shades cast a soft light on the mainly cherry wood Biedermeier-style kitchen created by designer Jennifer Gilmer. Right: The wall-height cabinetry includes several ovens, including his-and-hers microwaves.

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Past and present This Biedermeier-style kitchen achieves an easy balance between tradition and modernity Biedermeier was an influential furniture style popular in Germany from 1815 to the late 1840s. Based on utilitarian principles, and celebrating Neo-classical design, it is noted for a generous use of wood and pared-back detailing. Today, such features evoke a more transitional flavor and the Biedermeier look translates well into classic and modern homes. This was the style the clients requested when commissioning Jennifer Gilmer for this dramatic remodel. The existing kitchen had a large obstructive island and white laminate cabinets that had become outdated, says Gilmer. “As the kitchen doubles as a through space, I replaced the single island with two units to create an easy flow from the entry to the dining room. At right angles to this, there is a strong central axis from the dining room entrance to the double-height Palladian window opposite.” Most appliances, including a television, are at one end of the kitchen, while the large range and custom hood are at the other. “We took the graceful curve of the central window as our inspiration and repeated this in the arc on the alcove that houses the television, as a decorative element on the hood, and again in a similar design feature on the rear wall,” says Gilmer. “Because the kitchen gets plenty of light, the cherry wood cabinetry doesn’t look too heavy. Dark beading on most of the door panels also helps offset the expanses of wood, as do the white countertops on the islands. However, we chose black granite for the perimeter counters, as more white surfaces would have detracted from the richness of the Biedermeier style.” For the same reason, Gilmer specified the eye-catching tile backsplash in a predominantly black hue with a white trim. “The work triangles are efficient, and with cabinets on three walls and more in both islands, this kitchen offers plenty of storage.”

Above: An integrated refrigerator is set on the outer corner of the kitchen for speedy access. Following pages: Strong lines and shallow door panels give the dark cabinets a more modern sensibility. Glass fronts further lighten the presence of the richly grained wood.

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Kitchen designer: Jennifer Gilmer CKD, Jennifer Gilmer Kitchen & Bath (Chevy Chase, MD) Cabinet company: Premier Custom Built, Inc Cabinetry: Frameless, plywood in quarter-figured cherry with Rosewood finish; doors, full overlay Classic III Wood with black bead panel trim Builder: Eriksen Armstrong Corporation Hardware: Hettich Countertops: Quartz, black granite Refrigerator, freezer and refrigerator drawers: Sub-Zero Cooktop, griddle, oven, speed oven, microwave and dishwasher: Miele Range hood: Custom, by Premier Custom Built, Inc; insert by Rangecraft Sinks and faucets: Franke Waste disposal: InSinkErator Story by Charles Moxham Photography by Eric Hausman

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Top left: The dining room side of the kitchen includes a writing station. Top right: Perimeter counters in black granite complement the red cherry. Lower left: The black beading was left off some rear cabinets for variety. Lower right: A sunburst pattern created by piecing together wood strips decorates the hood. The soft curve echoes that of the Palladian window and is also used elsewhere.

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colorful kitchens

In the spotlight Colorful accents ensure these kitchens are the focus of attention â&#x20AC;&#x201C; and a fun place to work

Science lesson Cooking experiments take on a whole new meaning in this vibrant kitchen, which is a laboratory for a scientist with a passion for molecular gastronomy

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Passionate foodies and the proliferation of cooking shows have elevated the art of food preparation in recent times. But few have taken it as far as the owner of this kitchen â&#x20AC;&#x201C; with the possible exception of Heston Blumenthal. Architect Douglas Dick is quick to point out this is no family kitchen, and itâ&#x20AC;&#x2122;s not just the bright red accents that spell the difference.

“This is a kitchen expressly designed for experimentation. The client, a research scientist in the biomedical industry, has a passion for molecular gastronomy. This highly scientific way of cooking is reflected in every aspect of the design. For example, the kitchen incorporates gas jets, bunsen burners, a compressed air valve and a liquid nitrogen tank for the instant freezing of food.”

The architect says the kitchen is part of a large entertainment area in the basement – the family kitchen is on another level. The basement also includes a bar, wine cellar, fitness room and home theater. All these areas are linked by dramatic red accents. “The client is really attracted to vibrant colors, and red has a sports car quality that really appealed,” Dick says.

Preceding pages and above: Bright red accents enliven this entertaining area in the basement of a large family home. The space includes a bar with beer on tap, a wine cellar, home theater and kitchen. A tasting bar (above) is mounted between two columns. Pendant lights pierce the glass shelving above the bar, illuminating the edge of the glass. Above left and left: The kitchen resembles a science laboratory – complete with bunsen burner.

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Left and above: With five ovens, warming drawers, griddles and a salamander grill, the kitchen is equipped for every cooking need. Legend to plan: 1 bar, 2 wine cellar, 3 storage, 4 entertainment area, 5 fitness room with shower and bathroom, 6 sauna, 7 changing room, 8 tasting bar, 9 kitchen, 10 home theater, 11 mechanical plant, 12 conference room, 13 laundry, 14 bathroom, 15 crawl space.

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Architect: Douglas Dick AIA, LDA Architecture & Interiors (Cambridge, MA) Interior designer: David Nault, Paul White, Weena & Spook Cabinet company: MVK Architectural Millwork Corp Cabinetry: Tall storage cabinets in stained bamboo; island and perimeter cabinets in wood painted in Parapan Signal Red Countertops: Quartz on perimeter; stainless steel on island; bar in UltraGlas Squiggle Opaque Wall coverings: Teragren vertical grain caramelized bamboo Lighting: Cres Cor heat lamps; Tube 3 and Abbey pendants; LED lighting Backsplash: Quartz and stainless steel Main sink: Franke Island sink: Kohler Crevasse Dipper well sink and faucet: T&S Brass Main faucets: WhiteHaus Pot filler: Rohl Oven: Wolf Refrigeration: Sub-Zero Speed, steam and wall ovens, warming drawer, dishwasher and coffee system: Miele Built-in countertop blender: Blendtec Griddle and salamander: Vulcan Story by Colleen Hawkes Photography by Greg Premru Photography

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Above right: The bar, which has a sensuous, organic form, appears to slice through a glass wall separating a climate-controlled wine cellar. The bar top features cast glass with a smooth top above a rough, textural base pigmented with glass resin. The top is mounted on stainless steel pedestal legs. Glass also features on the side of the bar, in mosaic tiles in varying tones of red and iridescent charcoal. A metallic-look porcelain tile was specified for the floor throughout the entertaining area.

In the kitchen, red appears on quartzite countertops and backsplashes, on lacquered drawers on the island, bar stools, and in two pendant infrared lights that can be pulled down to keep food hot. The island, which is the main food preparation area, has a stainless steel top, with a flush-mounted blender and trash receptacle, as well as the gas jets and bunsen burner.

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Perimeter cabinets are in bamboo, chosen for its warm, natural look and its consistent, linear grain. “The contrasting surfaces set up a visual dialogue between the natural materials, such as the wood and stone in the bar area, and the highly polished man-made materials – the stainless steel, glass and aluminum,” says the architect. “There is another contrast

between the crisp nature of the kitchen cabinets and the curved, organic form of the bar. This has a more sensuous look, which is in keeping with the sensual nature of the red.” Other key features of the kitchen include an obscure glass pantry that is reminiscent of laboratory storage, and a wealth of appliances. The kitchen has five ovens, two griddles and a salamander.

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Splashing out Watery green glass with a subtle organic pattern contrasts with splashes of burnt orange, white, sea blue and warm oak in this dramatic kitchen

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For years, it seemed that whites and neutrals would dominate our kitchens and family living areas forever. Walking into one kitchen was a lot like walking into another, with just a slight tonal change to mark a point of difference. Kitchen designer Mal Corboy is the first to point out that this was never his thing anyway. As a designer who loves color, pattern and innovative lighting, Corboy prefers to look outside the square for his inspiration, and this kitchen in a seaside house is no exception.

“The existing kitchen had been built in the ’90s and was an uninspiring U shape, with poor access,” the designer says. “There were inaccessible corner cupboards and doors falling off, and the whole space had been poorly laid out.” Corboy consequently rearranged the entire space to create a much larger, more workable space that would also afford the owners a great view of the sea. “Because we renovated the entire house at the same time, continuity was essential. We specified white oak floors

throughout the living area, and for the steps and landing. Similarly, we picked up the American oak for the open shelving and a table top in the new kitchen.” The most significant reference for the design, however, was a newly wallpapered sitting room off one side of the kitchen. Corboy introduced the same soft bamboo pattern to watery green glass panels, with the printed glass covering walls and supporting the base of the table at one end of the island. LED lights enhance the translucent, watery effect.

Facing page: A central island takes pride of place in this new kitchen, designed by Mal Corboy. One end of the island steps down to form a breakfast table, topped in American oak. The base of the table features printed glass, backlit with LED lighting. The glass repeats a wallpaper pattern in an adjoining sitting room. The pendant lights have a folded paper look. Above: Decorative printed glass panels also enliven this area of the wall, which incorporates American oak shelving. Bright orange accessories were chosen to complement the bright orange toekicks and backsplashes.

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Designer: Mal Corboy, Mal Corboy Design Cabinet company: Mal Corboy Design Cabinetry: High-gloss lacquer Backsplash: DecoGlaze custom colored glass Hardware and storage systems: Hettich Countertops: Corian Rain Cloud; Oak Flooring: White oak plank Paints: Resene Lighting: Marset Pleat Box Faucets: Grohe Minta Waste disposal: InSinkErator Evolution 200 Water dispenser: Just Water Oven: Gaggenau Cooktop: Wolf Ventilation: Qasair Refrigeration: Sub-Zero Dishwasher: Miele Appliance supplier: Kouzina Story by Colleen Hawkes Photography by Kallan MacLeod

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Above: All living and dining areas flow from the kitchen, including the formal dining area, which features dramatic lighting fixtures. Above right: A new type of Corian was chosen for the countertops. Corian Rain Cloud, from the Organics collection, has a soft, swirling pattern that ties in well with the other elements inspired by nature. Generously sized appliances were specified to make entertaining easy. These include a Sub-Zero refrigerator, Gaggenau ovens, Wolf cooktop and Qasair range hood.

Tall cabinets are painted and lacquered in a soft blue-green, Resene Kumutoto, while the island and perimeter cabinets are white. To contrast these colors, the designer added another bright shade – one that is a favorite of the owner. The backsplash behind the cooktop, the perimeter edging of the cabinets and all the toekicks are painted in Resene Whizz Bang, a bright burnt orange. “We have definite blocks of color in the kitchen, but this is a big space that can handle it well,” says Corboy.

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Countertops throughout the kitchen are in a new Corian product – Rain Cloud, which is from the Organics range. This reinforces the link with nature. Because the owners love to entertain a lot, large-scale appliances were specified, including a Sub-Zero refrigerator, two Gaggenau ovens and a Wolf cooktop. “As the kitchen is large, we kept the layout simple, so several people can be working at any one time and not trip over each other,” says Corboy. “There is plenty of room to move.”

The very best kitchen successfully blends creative design, expert craftsmanship and impeccable products. Weâ&#x20AC;&#x2122;ve selected these outstanding projects from across the country as the Trends Top 50 American Kitchens. See them at http://top.trendsideas.com/Kitchens.aspx?region=4

Amethyst jewel Inspired by an amethyst pendant, this new kitchen teams lavender granite and lilac glass mosaics with graphite and black cabinets, and flashes of silver

Design inspiration can come from many quarters. But it was a favorite piece of jewelry that sparked the design of this remodeled kitchen in a house owned by Nancy and Robert Cohen. Elina Katsioula-Beall of DeWitt Designer Kitchens says Nancy came into her studio wearing an amethyst pendant set in silver. “She was very excited and

said these were the exact colors she wanted for her new kitchen – lavender and purple, mixed with graphite and black. Our search for materials started right there.” But the new kitchen was not just about the look. It was also about improving the functionality for the owner, who loves to bake. The U-shaped layout was changed so the space could be maximized

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lengthwise. A corner cooking and prep area was introduced and a new island was added, with bar stools at one end. But it is the materials that really spell the difference for this kitchen. Katsioula-Beall says the amethyst inspired the glass top on the curved end and one side of the island. “Violet lighting in the glass replicates the client’s favorite gemstone. We teamed this with

Lavender Mist granite counters and lilac glass mosaics, which line the concave alcove behind the cooktop. Matching curved soffits, mauve wallpaper and a custom wall mosaic of a cherry blossom echo these tones.” Dark graphite rift-cut oak cabinets, and pantry doors in black alder help to balance the more colorful elements – the floor is also graphite oak planks. The refrigerator is

concealed behind a Japanese tansu-style armoire with black and gray lattice panels, and the dishwasher is also integrated. Other stainless steel Miele appliances provide a flash of silver, just like the jewelry. â&#x20AC;&#x153;The pantry, coffee center and microwave are all mid height to provide improved access for the owner, who cannot reach high storage,â&#x20AC;? says Katsioula-Beall.

Interior and kitchen designer: Elina Katsioula-Beall, DeWitt Designer Kitchens (Pasadena, CA) Construction company: Baker Mechanical Cabinet company: Columbia Cabinets; Serrao Cabinets Cabinetry: Rift-cut white oak and alder in Graphite and Cottage Black Hardware: Top Knobs Flooring: European oak in Dark Gray Countertops: Glass from Think Glass; Lavender Mist granite from Marble Unlimited

Backsplash: Lava Lavender glass mosaics from WalkOn Tile Lighting: Halo; and Prisma pendants from WAC Lighting Co Wall tiles: UltraGlas Taffeta Bright White Feature wall: Francois & Co Faucets: KWC Eve Ovens, hood, refrigeration, coffee machine and dishwasher: Miele Cooktop: Wolf

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Preceding pages and above: Glass countertops illuminated with violet lighting ensure this kitchen sparkles like a jewel. The countertops also feature Lavender Mist granite. Most of the cabinets and the flooring are in graphite oak, while the pantry cabinets are black alder. Above left: Custom drawer storage maximizes the new cooking corner. Story by Colleen Hawkes Photography by Suki Medencevic

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Clean platter Color, form and materials all play a central part in anchoring this kitchen to its environment

Right: Bright orange cabinetry provides a contrasting highlight to the gray concrete surfaces in this kitchen. The wine cooler contributes to the kitchen’s semi-industrial feel. Translucent bar stools take advantage of interior lighting in the island cabinetry.

Connecting a kitchen to its surroundings is a balancing act. On the one hand you want the workspace to appear as part of the living areas; on the other, the kitchen is often the hub of the home, so deserves a little limelight of its own. In this kitchen, created by designer and homeowner Melvyn Kanny, what you see is only half the story. Through a door to the rear lies the wet kitchen, used for Asian-style food preparation and cooking. The dry kitchen, for Western-style meals, is intended to meld with the surrounding open-plan, double-height living spaces, says Kanny. “The contemporary home has an emphasis on green design and is built from sustainable pre-formed concrete. The kitchen island is also in concrete, for a visual and textural connection. In fact, its simple shape and waterfall end echo the linear forms of the house.” With gray the predominant hue, there are several colorful counterpoints through the home. The internally illuminated swimming pool is one, and the mandarin orange cabinetry and accompanying ruby-red bar stools and adjacent dining chairs provide others. “Lighting also plays a pivotal role,” says Kanny. “Internal lights on the frosted glass cabinets on the island, and cove ceiling lights throw additional illumination into the room. Together with the pool lighting, these give the space a different character at night – for example, the cove lights refract through the wine glasses hanging below.” The kitchen also melds with the dining area, in the sense that it presents a servery or bar-like appearance, a result of the glazed cabinetry, the industrial-style wine cooler, and the suspended wine glasses. “In keeping with the green agenda, most materials are VOC-free, such as the cabinetry carcasses, or recycled, such as the black basalt flooring,” Kanny says.

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Architect, kitchen designer: Melvyn Kanny APAM, MJKanny Architect Cabinet company: Signature Kitchen Window and door hardware: Blum Cabinetry: MDF, spray painted Countertops: Off-form concrete Flooring: Basalt stone Wallcoverings: Skim-coat finish Lighting: Tong Ging Lighting Oven, refrigeration: Electrolux Wine cooler: Speers Story by Charles Moxham Photography by Lin Ho

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Left: The use of off-form concrete for the walls and ceiling, together with the countertop of the island, ties the design of the kitchen to the architecture of the house. Glazed cabinetry, an industrial-style wine cooler, and suspended wine glasses give the island a bar-like appearance.

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Hidden benefits Now you see it, now you don’t – push-button technology and eco design are at the heart of the new Pandora and Cinetica kitchen collections from Bazzèo by NYLoft Space is often at a premium in lofts, apartments and city homes, and it’s usually the kitchen that’s compromised. However, all that is about to change, thanks to an innovative cabinetry line just released by Bazzèo by NYLoft – a multi award-winning USA manufacturer of high-end, eco-friendly designer cabinets. Bazzèo has teamed up with ODA – Office for Design and

Architecture – to introduce the Pandora and Cinetica collections. Bazzèo founders Ana Sternberg and Iko Aviv say Pandora rightly conjures up the mythological Pandora’s Box. Unlike that box, however, this Pandora’s Box opens up to reveal a host of good things, says CEO Ana Sternberg. “In many homes today, the kitchen is an integral part of an open-plan living area,

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and people want to conceal the more functional aspects. They want cabinetry that integrates with the entire space – and they don’t necessarily want to see appliances, faucets and cooktops. They also want to maximize counter space. Pandora and Cinetica provide an ideal solution.” It’s the ultra-modern design technology that makes it possible. At the simple touch of

a button, from smartphone, tablet or wall panel, entire shelves and small cabinets are concealed into the kitchen island or perimeter cabinets. Even faucets and cooktops can be installed with an automated system that allows them to vanish from view, freeing up space on the countertop. “Being able to conceal the more functional aspects of the kitchen means clutter can be

eliminated and the living space is not compromised,” says Aviv, the creative mind behind Pandora and Cinetica. In the Pandora cabinetry shown on these pages, a large wood tabletop can be pulled out at right angles to the island. And four stools can be wheeled out from within the island to provide an instant dining suite. There is also a swivel television stand that

can be raised from within the island, and the cabinetry hides drawers and shelving, so there is still plenty of storage. Aviv says elements can be raised or lowered individually, or all at once, with a one-touch button. Cabinets are customized, and are available in a wide variety of finishes, including wood veneer, Corian, natural stone and lacquer.

Facing page: This sleek kitchen blends seamlessly into the wider living space. But it’s what’s going on behind the scenes that spells the difference for the Pandora cabinetry line, designed in collaboration with Ryoko Okada of ODA and just released by Bazzèo by NYLoft. Above and left: The island opens up to reveal a concealed tabletop, four stools, hidden drawers and shelves and a swivel television stand. All images by Antony DiPrimo.

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Above: Entire shelving units can be raised at the touch of a button with the new Cinetica cabinetry collection designed by Yaarit Sharoni of ODA for Bazzèo by NYLoft, and seen here in the New York showroom. Cinetica’s raised shelving replaces conventional upper cabinets. Right: When the Cinetica shelving is lowered, it allows an unobstructed view within an open-plan living space. It also means the cabinetry can be placed in front of windows.

Sustainability is another bonus, with the cabinets presenting the latest advances in green design. From recycled and regenerated wood from certified resources to nontoxic laminates, aluminum, glass and technical veneers, products used by Bazzèo may contribute towards specific LEED credits. And every cabinet is made in the USA, at the company’s

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New Jersey factory, so clients can rest assured they are doing their bit for the economy. For more details, contact Bazzèo by NYLoft or visit the showroom, 6 West 20th St, New York, NY 10011, phone (212) 206 7400, fax (212) 206 9070. Email: info@bazzeo.com. Website: www.bazzeo.com. View, save or share this story at trendsideas.com/go/42147

connections to the outdoors

Right direction Free-flowing and seamless, these projects extend the function of the kitchen to the great outdoors

A closer look Past meets present in this playful kitchen which looks to the living room and deck

Architect: Kelly Condon Interior designer: Jeff and Tray Schlarb, Green Couch Interior Design (San Francisco, CA) Engineer: Mike Hom Kitchen cabinetry design and fabrication: Scott Martin, Blue Plum Countertops and backsplash: Calacatta Oro Island: Chroma by PentalQuartz; Thassos white marble Flooring: White oak Kitchen pendants: Currey and Company Sink: Blanco stainless steel Faucets, water dispenser: KWC in stainless steel Oven: Gaggenau Ventilation: Faber Microwave: Dacor Refrigeration: Liebherr Dishwashers: Thermador Story by Charles Moxham Photography by David Duncan Livingston

Preceding pages: Floor-to-ceiling glazed pocket doors pull back to make this kitchen and deck one. An integrated refrigerator is tucked just inside the recessed doors for easy access from the outdoor space. Right: Sculptural wood and metal stools contrast the mainly white surfaces. The light pendants have bronze linings that connect aesthetically with elements in the adjacent open-plan living room.

Connections between kitchens and outdoor spaces don’t have to be an exercise in shared wall tones and detailing. Most important is an open pedestrian flow between the outdoors and the kitchen workspace and serving areas. This project forms part of a whole-house design by owner-designers Jeff and Tray Schlarb. With all spaces conceived together, four pocket sliders roll back to create an open flow between kitchen and deck. This is a logical egress, with easy links between the refrigerator just inside the door and a barbecue directly outside. However, there’s much about the space that is more subtle, says Jeff Schlarb. “I wanted this kitchen to have a modern presence – with a difference. Key elements defy expectations, making you look twice.” The cabinetry is a good example. Classic Shaker door panels are used for most cabinets but these have contemporary recessed C-channel pulls. These metal grooves are anodized to match the white painted wood. “In some areas I couldn’t use negative handles – such as the integrated refrigerator front, and on the working side of the island. Here, I changed to a flat door to mix things up.” Another feature is the treatment of the book-matched marble slabs that form the backsplash. The stone creates a framing element around the ovens. Jeff Schlarb says this gives the impression that the appliances are set into a solid block. “Other unusual touches include the marble floor strip that completes a rectangle formed by the waterfall-edge countertop, although the work surface is artificial stone for easy upkeep. “We even created a break in the waterfall counter for further interest. This kitchen looks staid at first glance but is rich in design nuance.” To view and save this article online go to trendsideas.com/us2912p50

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Familial connections This kitchen serves an extended family â&#x20AC;&#x201C; several entry points and design elements draw the heart of the home and its adjoining spaces together

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Pedestrian flow can be a major consideration when a kitchen and adjacent living areas are in frequent use by a number of family members. Introducing multiple passageways to divide spaces is one response. These sightlines bring the added benefit of shared aesthetics and light. This modern kitchen is by interior designers Mary Jane Pappas and Patricia Undlin. Because the owners’ extended family visit often, part of the wish list was for people to be able to enter, exit, cook, or make coffee without getting in one another’s way. Another request was that the design optimize the immediate river views.

In response to the latter, the kitchen, living room and breakfast area are set on the river side of the house as these rooms benefit most from day views of the water, says Pappas. “The dining room, more often in use after dark, is located on the other side of the home. “For an easy pedestrian and aesthetic flow, connectivity was addressed in several ways. The kitchen’s rear bank of cabinetry defines one wall of a corridor running behind it. This arrangement is also repeated in reverse with an identical cabinet unit in the dining room forming the opposite side of the passageway that

Above left: A raised granite breakfast bar screens countertop clutter from sight in this kitchen by Mary Jane Pappas and Patricia Undlin. The design connects to adjoining spaces, including the breakfast room behind. Top: This plan shows the corridor between kitchen and dining room, shaped by two banks of cabinetry, one looking into each room. Above: The kitchen boasts granite work surfaces and ample storage.

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Above: The design creates sightlines between adjoining spaces while still having the benefit of cabinet storage and work surfaces. The ovens and refrigerator are set at outer points of the kitchen to avoid central congestion in a workspace that is used by a family of twelve. Both the blue and black granite countertop surfaces are repeated in the linear floor detailing. The veined white porcelain floor tile was chosen for its marble-like appearance.

runs between the two spaces. Broad apertures separating the upper and lower cabinets in both units provide sightlines from one room to the other and allow glimpses through to the river. A similar unit separates the living area and kitchen – again with an aperture that in this case doubles as a servery into the living room. Seen from above, this arrangement affords a dividing passage between kitchen and dining room but also along the sides of both spaces, creating a crisscross configuration. “This layout means there’s plenty of room to move between areas and family members can

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move through these adjacent spaces without feeling like they are under each other’s feet,” says Pappas. Architectural detailing brings harmony between areas. The ceiling soffits draw the rooms together and a rich veined porcelain tile floor, with a look of statuary marble, features throughout the public spaces. A rectilinear tile inlay in Blue Eyes granite, with a black accent in Cambrian granite, borders the kitchen and dining area, drawing the two spaces together. Material links appear throughout the spaces. The blue and black stone floor strips are seen

again in various combinations as countertops and backsplashes. Another prominent repeated surface is the pale wood finish on the cabinetry. “The positioning of appliances and storage was important in terms of letting multiple chefs loose in the kitchen at the same time,” says Pappas. “The island – trained on the views – is at the center of the design. This combines a double sink, a dishwasher and storage. The large range is a short step away from this on a wall of cabinets that includes vertical pull-out pantries.” The bank of cabinets and a countertop along the living room wall offer an area of operation

outside the main work arena. A microwave, coffee maker, second dishwasher and a bar sink are set here so anyone can make a snack or pour a coffee without entering the kitchen proper. “Perhaps the most frequented appliance in any kitchen is the refrigerator and this is also positioned at an outer corner of the kitchen so anyone can easily get a drink. “The cooking appliances that need the least attention when in use, the ovens, are positioned at the corner over by the windows – moving yet another important function away from the busy operational heart of the kitchen,” says Pappas.

Top: The living room cabinetry is a repeat of the kitchens’ rear cabinetry – the two framing a central corridor. The aperture between the cabinet end columns is used as a servery. Above: The corridors ensure natural light penetration and long views. The glass dining table was designed by Patricia Undlin and Erik Wyckoff. A chandelier echoes the table’s rectilinear form and adds to the sense of glamour.

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Architect: Michael Swinghammer AIA, River Architects (LaCrosse, WI) Interior designer, kitchen designer: Pappas Design, Patricia Undlin ASID, Mary Jane Pappas ASID, Heather Zappo Builder: Weiser Brothers General Contractor Cabinet company: Design Cabinetry Cabinetry: Custom plain sliced maple, custom stain with high gloss finish Countertops: Blue Eyes granite and Cambrian Black granite Backsplash: Blue Eyes granite, Cambrian Black granite; stainless steel Kitchen sinks: Executive Chef double basin undercounter enamel cast iron sink in color Cashmere by Kohler; single basin undercounter stainless steel sink by Kohler Faucets: Grohe Oven, warming drawer, cooktop and ventilation: Wolf Microwave: Sharp microwave drawer Refrigeration: Sub-Zero Dishwasher and dishwasher drawer: KitchenAid Lighting: Tech Lighting Flooring: Porcelain tile with granite inlay Doors and windows: Patio doors and casement windows, painted on interior, clad on exterior, from Marvin Windows and Doors Kitchen furniture: Elite Modern bar stool, Regal 421, swivel Story by Charles Moxham Photography by Brian Droege

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Left: The island was extended beyond the bar counter so children had an easy landing point for drinks or dishes. Sliding doors open up the kitchen and breakfast bar to the riverside environment while the choice of wood cabinetry connects with the natural outdoor setting. Although the colorway is generally subdued, blue glass pendants and red stools offer vibrant high points.

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Breakfast and birdsong Natural finishes and numerous windows connect this kitchen to the outdoors – interior links are equally well considered These pages: Limestone tiles and walnut finishes give this kitchen, by Gustave Carlson, a natural ambiance appropriate to its tree-lined canyon setting. Even the mahogany windows and doors have been given a rich walnut stain. The floors are in white oak to lighten the space and give the furniture-like cabinetry a floating look. Custom door panels of painted canvas bring color and texture to the kitchen.

Introducing a kitchen into a double-height space often requires an overview – literally. This kitchen is by designer Gustave Carlson. He says easy connections to surrounding interiors and the outdoor area, along with a lightness of spirit, were central to the design. “A walk-in pantry avoided the need for upper cabinets on the perimeter, allowing an expanse of windows to take in

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the hillside garden opposite. “I specified walnut for the cabinetry and island countertop to respond to the green outlook and to give the kitchen a furniture-like appeal. This look is a key feature of the design, as the kitchen is on show to adjacent rooms and an open loft space directly above. The ceiling under the loft and the baseboards are also in walnut.”

In terms of layout, the prep and cleanup sinks were oriented to the views, which in turn led to the placement of the tight, efficient work triangles. “An Indian cupboard is a playful touch, and is framed in walnut to draw it into the design. Similarly, on the opposite wall, a nook for the coffee maker and the pantry entrance are fronted by two canvaswrapped sliding panels. These

Above: The living room, known as the canyon room for its vertiginous outlooks, is open to the kitchen area. The low loft ceiling gives way to a soaring 16ft volume directly over the kitchen. The choice of bar stools adds to the furniture-like aesthetic. Above right: Concrete perimeter countertops balance the warm wood surfaces and provide durable work surfaces. Clerestory windows maximize light penetration and the connection to the hillside garden.

are painted blue and silver and are also framed in walnut.â&#x20AC;? Lighting in a double-height space can prove problematic. Here, Carlson designed a light trough that runs above the island. This holds pendants for ambient lighting and task lights for when the owners are cooking. For more images online go to trendsideas.com/us2912p60

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Architect: Gustave Carlson, Gustave Carlson Design (Berkeley, CA ) Interior designer: Carolyn Lawrence, Gustave Carlson Design Kitchen designers: Gustave Carlson, Carolyn Lawrence Cabinet company: Smallbone of Devizes Cabinetry: Walnut, matte finish; silver Hardware: Smallbone of Devizes Countertops and backsplash: Bateig Blue limestone, by J & A Stone & Tile Kitchen sink: Concrete, Cheng Design Faucets: Rohl Cooktop: La Cornue

Hood: Custom by Gustave Carlson Microwave, refrigeration: Gaggenau Dishwasher: Bosch Flooring: Wide-plank oak Walls: Bateig Blue limestone tile Doors, windows, skylight: Mahogany with walnut stain by Loewen Kitchen furniture: Stools by Christian Liaigre; custom oak table designed by Gustave Carlson and Carolyn Lawrence Lighting: Holly Hunt, Michael McEwen Story by Charles Moxham Photography by Tim Maloney

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Alfresco lifestyle Entertaining outdoors has taken on a whole new meaning for the owners of this property, who created an alfresco paradise at the bottom of the garden

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Take one steep, undeveloped back yard, terrace it with a series of decks and a pool, and you have a recipe for an idyllic outdoor entertainment area for all the family. This is precisely what CG&S Design-Build architect Gregory Thomas has done for this property, to maximize a previously undeveloped rear yard with a steep gradient. â&#x20AC;&#x153;There was an existing

ramp leading down from the house to the yard, but the two parts of the property felt very disconnected,” says Thomas. “The owners wanted to improve the link between the top and bottom. The terraced decks achieve this. They end with the pool house at the bottom, which is on a slightly lower level than the pool – we were always chasing the gradient.”

Thomas says the owners also wanted to leave as many of the mature live oak trees on the site as possible. “Working with an arborist, we tiptoed around the roots of the trees preparing the footings, and were able to leave most of the trees undisturbed so they can partially shade the decks and pool.” In keeping with the owners’ desire for a rustic,

cabin-style pool pavilion, there are tapered columns clad in 12in California Blend slate tiles. Smaller 6in Lueders limestone tiles clad planter boxes, a fire pit and spa pool. “The slate and the tapered columns repeat a design element at the front entry, so there is visual continuity,” says Thomas. “Handmade copper sconces match the copper hood above the fire pit, and also

Above: This pool pavilion comes into its own in the evening. Designed by CG&S Design-Build for easy entertaining, it features a fully equipped kitchen and dining area, a bar and casual seating area around a central fire pit. Other facilities include a spa pool beside the main pool, a foosball table, bathroom, outdoor shower and elevated planters. A custom copper hood removes smoke from the fire pit, which is used throughout the year for heating and cooking.

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Architect: Gregory Thomas AIA, CG&S Design-Build (Austin, TX) Builder: CG&S Design-Build Cabinet company: Honea Custom Cabinetry Cabinets: Cypress wood and shelving Countertops: Vyara granite from Architectural Tile & Stone Tile flooring: Buff from Stone Creek Pavers Pool coping, surrounds to fire pit, spa and planters: Lueders Limestone Doors and windows: Pella Windows Lighting and brazier hood: Copper vent hood and light fixtures from Two Hills Studio Blinds: Pella Designer Series in Tomato Grills, side burners, drawers and ventilation hoods: DCS Power cooker burner: Alfresco VersaPower cooker Kamado pots: Big Green Egg Sink: Kohler Undertone Faucet: Grohe Ladylux3 Refrigeration: DCS; U-Line Echelon

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reference copper fixtures on the front porch.” The pavilion caters to all the owners’ entertainment needs, and includes a full kitchen, dining area, bar and casual seating area around the fire pit – there is even a foosball table, an outdoor shower and a separate toilet room. To create the look of a rustic cabin in the woods, the interior is lined with weathered

ipe wood siding, with cypress boards on the ceiling. Storage is provided by open shelving and drawers. Kitchen facilities include a beer refrigerator, icemaker, grill, burners and two Big Green Egg kamado cooking pots for smoking meat and fish. Both the pots and the grill have overhead hoods to clear steam and odors. Thomas says a large ceiling

fan and the position of the building openings help to keep the dining area cool and maximize ventilation. Provision has also been made for adding insect screens at a future date, if desired. Similarly, an area at one side could one day become a small gym for the owners. In the meantime, the pool house is creating the perfect year-round escape for family and friends.

Facing page and above: Rustic, weathered ipe siding lines the interior of the pool pavilion. The open shelving is cypress, which contrasts with the darker color of the walls. Lighting illuminates the raked cypress ceiling. Above left: The kitchen incorporates a bar area with granite bartop. Story by Colleen Hawkes Photography by Paul Finkel, Piston Design

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choosing a style

Personal best Whether Spanish, rich traditional or quietly modern, these kitchens express the sensibilities of their owners

Tranquility base This understated kitchen evokes a serene ambiance that will never fall from grace

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Not all design projects are defined by feature elements. A kitchen remodel where every aspect of the room – from colors to materials – is in easy balance, can create a look that’s far greater than the sum of its parts. When kitchen designer Doug Durbin of nuHaus came to this project, architect Gary Beyerl had already set the scene. Fussy mouldings had been stripped out and soft plaster wall treatments introduced in the traditional home, creating an informal, relaxed backdrop that better suited the taste of the owners. One major change was the addition of a wall along

one side of the space. This provides separation from an adjacent stairway. It also defines a new corridor on one side and encloses the kitchen on the other, says Durbin. “Attention to an equality of form, materials and placement makes the kitchen a serene place to be, and symmetry plays an important role in achieving this.” Two substantial cabinets in American black walnut flank the new entrance to the kitchen, one for the freezer and the other for the refrigerator. Setting cabinets here created a smooth entry into the space – you are greeted by the attractive

wood grain, rather than exposed wall ends with cabinetry butted up against them, says Durbin. A muted, matt finish was specified for the cabinets to complement the rubbed wide-plank wood floors that were a springboard for the design. The quarter-sawn walnut also works well with the textured, leathered finish of the limestone countertops. Large-format tiles avoid an obtrusively busy surface on the contrasting white backsplash. “Many kitchens start with a traditional design, and modern pieces are introduced for a more transitional feel. Here, we wanted to go

Preceding pages and above left: In this kitchen remodel by Doug Durbin, the materials and color scheme ensure everything is in balance and nothing steals the scene. Cabinetry, countertops and the large-format tile backsplash all share a strong, simple sensibility. Top and above: Most appliances are integrated to keep the space as unfussy as possible. Weathered oak ceiling beams complement the American black walnut cabinetry.

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Architect: Gary Beyerl, Burns & Beyerl Architects (Chicago, IL) Kitchen designer: Doug Durbin, nuHaus (Chicago) Interior designer: Richar, Richar Interiors Builder: Eriksen Armstrong Corporation Cabinetry company: nuHaus Cabinetry: Quarter-sawn American black walnut, custom stain Countertops and sink: Sueded limestone from Etched in Stone Wall tiles: Custom from Etched in Stone Doors and windows: Loewen Flooring: Biehn’s Floorworks Faucets: Studio 41 Range and cooktop: Wolf, from Abt Ventilation: Vent-a-Hood Nepth hood with Best extractor, from Abt Microwave: Panasonic Refrigeration and wine cooler: Sub-Zero, from Abt Dishwashers and coffee maker: Miele Story by Charles Moxham Photography by Eric Hausman

Above right: The new return wall provided space for a drinks station that includes a large wine cooler. Facing page: Doug Durbin built two large cabinets into the new dividing wall, one for the refrigerator, the other for the freezer. Quartersawn American black walnut was chosen for its interesting grain and textural harmony with the rubbed wood floors. A custom matt finish helps downplay the presence of the cabinets.

the other way, creating a contemporary look and reintroducing some elements of a lightly classical nature,” says Durbin. To this end, there are pared-back cabinetry mouldings, and playful icebox-style latches are plated in bronze so they recede visually. However, most of the cabinets have no handles, and drawers on the island have thin, unobtrusive pulls. The weathered oak ceiling beams are also understated, and work well with the American black walnut cabinetry. No single element in this kitchen, either big or small, clamors for attention over anything else.

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Sightlines also play a part in achieving the kitchen’s tranquil air. The entry is centered on an axis running from the entry to the corridor to the middle of the kitchen windows. The latter were moved slightly to optimize symmetry and to make space for the backsplash. “Balance helps achieve a look that is hard to date,” says Durbin. “For example, the stainless steel ranges and hood sit easily under roughhewn rafters that could be from any period.” To view more images and a video online go to trendsideas.com/us2912p68

In keeping This adroit remodel has opened the kitchen to the great room, added functionality, and extended the rich adobe look When the interior of a house has been modified over the years, it may take work to reveal its original charm. Add the need for modern convenience, and dramatic design changes may be required. This makeover by interior designer Cheryl Hamilton-Gray has transformed the heart of a post-and-beam, adobe-style beach house for owners who wanted it to become a retirement retreat. The house had undergone previous remodels and in consequence lacked flow and functionality. Partly as a result of this,

the remodel had to meet several design objectives, says Hamilton-Gray. â&#x20AC;&#x153;These included opening up the space and introducing a dumb waiter to serve an upper patio. The owners also asked for a breakfast bar, to take in the sea views. All the alterations, including a new kitchen, had to fit with the overall aesthetic. â&#x20AC;&#x153;Accessed by a single door, the old, peninsula-style kitchen had felt cramped, so we started by revising all the spaces on the second level with a view to creating one large room. As part of this, we opened

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up the kitchen, and framed it with posts and beams, in line with the existing style of construction. And although the owners had initially wanted to demolish the fireplace, a stucco finish has given it a new lease of life. This corner of the room now looks much brighter, and we have created a dining area in front of it.â&#x20AC;? The ceiling beams had been painted white, downplaying their presence. These were stripped back to restore their impact. Cabinets are now set to the rear of the open-plan space, while a wash-up sink

remains in its original light-filled position. “We specified paneled cabinetry in quarter-sawn white oak,” Hamilton-Gray says. “This has been distressed, wirebrushed and stained to match the ceiling beams and adobe style. The new island is now a focal point of the kitchen, its arched alcoves and stucco frame adding to the overall look. The custom hood is also finished in plaster.” Mexican-style inlays to the hood and backsplash, and new terra cotta floor tiles are further traditional touches.

Before

Facing page and left: A reinvented layout opens this kitchen up to the adjoining great room. Wood framing at the entrance is in keeping with the ceiling beams and traditional adobe aesthetic. The existing brick fireplace was retained and given a new stucco finish, linking it to the island and hood. Above: The island, which is finished in stucco, offers a buffer from the living area – and a focal point. The pendant lighting has a traditional handcrafted appeal.

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Above: The dumb waiter is positioned in the corner of the kitchen, at the end of the counter with the wash-up sink. A walnut countertop on the island is a variation on the oak cabinetry and ceiling beams. Perimeter countertops are in limestone. Above and facing page top: A prospect of the sea – raising the windows in this area made space for a counter and seating beneath. A microwave is tucked discreetly into the rear of the island. Right: The original peninsula-style kitchen was closed off from the living space and lacked flow.

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Before

The designer says it was a challenge to find a place for the dumb waiter that wouldn’t interrupt the kitchen’s flow. “We resolved this by re-orienting the upstairs patio kitchen counter so the lift could be set in the corner of the kitchen, beside the wash-up sink.” To add the breakfast bar with a view, Hamilton-Gray raised the windows in the corner, creating sufficient height for a counter and seating. “Lighting the kitchen took some thought, as recessed downlights would

not fit in the exposed ceiling plane. Instead, we opted for pendants hanging from the plank ceiling to bring in task lighting and for general illumination.â&#x20AC;? Now open and more in tune with its surroundings, the kitchen boasts improved functionality and a logical pedestrian flow. And with its broad views to the ocean, the breakfast bar brings a sense of location to the design. To see a video and gallery online go to trendsideas.com/us2912p74

Interior designer and kitchen designer: Cheryl Hamilton-Gray CKD, NKBA, NARI, Hamilton-Gray Design (Carlsbad, CA) Cabinet company: Trosak Cabinets Cabinetry: Quarter-sawn white oak, distressed, wire-brushed and stained Hardware: Restoration Hardware Storage systems: Rev-A-Shelf Countertops: Perimeter, Jerusalem Gold from European Wholesale Countertops; island, natural walnut from Trosak Cabinets Backsplash: Snow Drift field tiles from Daltile, with Mexican tile inserts from Tierra y Fuego pendants from Pottery Barn, dining light from

Steven Handelman Studios Kitchen sink: Hammered copper sink by EcoSinks Faucets: Fontaine Classique pull-out faucet in brushed bronze from Home Depot Oven: Wolf Ventilation: Custom hood by Best Microwave drawer: Dacor Refrigeration: Sub-Zero, integrated Flooring: Terra cotta pavers from MA Tile & Stone Lighting: Island light from Lamps Plus Kitchen furniture: Ethan Allen bar stools Story by Charles Moxham Photography by Preview First

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Stand alone A freestanding bank of cabinets and a long island define this contemporary kitchen, which echoes the rectilinear form of the architecture in the desert house

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Visual consistency is a hallmark of contemporary design – when the same material palette features throughout a house, there is a uniformity that creates a sense of harmony. For this house in the Arizona desert, designed by Luis Ibarra and Teresa Rosano of Ibarra Rosano Design Architects, that uniformity is provided by a neutral color scheme and rift-cut white oak cabinets. Similar cabinets appear in the kitchen, living area, bedrooms and bathrooms. But it is also the design that reinforces

the architecture. A freestanding bank of cabinets in the kitchen and a matching island read as modern insertions within the large, open-plan living space. And the square-edged, horizontal design of the cabinets echoes the rectilinear form of the house itself. Architect Teresa Rosano says another design influence for the kitchen was the owners’ desire for an island that would hide much of the kitchen clutter from the adjoining dining and living areas. At the same time it was important that the

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owners could socialize with guests while working in the kitchen. “To achieve this, we raised the bar top on the island by creating a bank of oak cabinets that wraps around the upper part of the island. This provides a series of small appliance garages on the countertop where items can be hidden away when not in use. On the front of the island, the cabinetry provides storage for items needed for the dining table.” Because the kitchen is part of the living space, large appliances, including the

refrigerator, are integrated where possible, and a coffee station next to the ovens is concealed within the cabinetry. Additional storage is provided within a large scullery behind the freestanding cabinets. Here the cabinets, like the rear of the island, are in lacquered white oak. Air vents on the top of the rear wall push air right out over the top of the stand-alone cabinets, which makes the air conditioning more effective, Rosano says. A white island countertop, white walls and white dining furniture introduce a

crisp accent to the overall space, yet are in keeping with the neutral palette. But, the occasional bright splash of color is also in evidence – for example, in the living area there is a large red painting. “The owners took their cue from the desert landscape,” says Rosano. “The colors outside are mostly neutral, but at certain times of the year, the desert flowers burst into bloom with wonderful splashes of color.” And with floor-to-ceiling windows, the view of the landscape is maximized.

Preceding pages and above left: Rift-cut white oak cabinets feature in the kitchen of this contemporary Arizona desert house designed by architects Luis Ibarra and Teresa Rosano. The neutral tone of the wood is enlivened by accents of white and the occasional splash of color in the artworks. Top and above: To screen the kitchen clutter from the dining and living areas, the top part of the island is wrapped by a bank of cabinetry. Lift-up doors along the countertop conceal small appliances, while a freestanding bank of cabinets incorporates pantries, a refrigerator and ovens.

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Architect: Luis Ibarra and Teresa Rosano, Ibarra Rosano Design Architects (Tucson, AZ) Structural engineer: Harris Engineering Services Builder: Process Design-Build Paints: Dunn-Edwards Lighting: Flos Castiglione chandelier; Nora track and recessed can lighting; WAC InvisiLED tape light under deck Flooring: Concrete in Davis colors Kitchen cabinets: Rift-cut white oak; lacquered white oak Hardware: H채fele Countertops: Quartz Sink: Franke Faucets: Grohe Minta Ovens, cooktop and ventilation: Wolf Refrigeration: Sub-Zero Dishwasher: Fisher & Paykel DishDrawers Award: Regional winner Sub-Zero Wolf Kitchen Design Awards Story by Colleen Hawkes Photography by Bill Timmerman and Gustavo Ramirez

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See video and images of whole house at trendsideas.com/us2908p96

Left: With the sink and cooktop on the island, the owners can socialize with guests while preparing meals. They can also enjoy views out to the desert landscape. To avoid cluttering the view of the kitchen from the living area, the kitchen incorporates a downdraft ventilation unit rather than a hood. Above: Pocket doors within the freestanding cabinets fold back to reveal a coffee station next to the ovens.

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Balanced menu This design was led by the owner’s admiration for the efficiently laid-out commercial kitchens seen in local restaurants

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To take inspiration for the home kitchen from a professional eatery can be risky. What works in the city could come across as rather cold in a domestic setting. The secret to success lies in choosing the right materials. The outdated interiors of this ‘60s ranch house were gutted before the space was reinvented for modern living. The project was undertaken by Cablik Enterprises, says Beth Fore, on behalf of the building firm. “We took everything out, including the walls. Only the hardwood floors in the guest bedroom were salvaged and reused.”

The new kitchen has a commanding position within the house and is open to the adjacent living spaces, says Fore. “A large steel beam was installed across the ceiling between the kitchen and living area. This serves a structural role, but is actually much stronger than it needs to be. However, the beam is important to the overall look, and is a clear indicator of the design intentions.” Owner Andrew Bonhaus undertook the interior and kitchen design on the home. He says the beam sets the scene for the industrial chic feel that he wanted for the 250sq ft space.

“I admired the clean lines and functionality of the kitchens I’d seen in the restaurants in Westside Atlanta. I love cooking myself and wanted that same sense of purpose and efficient use of space in my own kitchen.” Dark gray under-counter cabinetry and one complete wall of blackboard set the scene. The BlueStar range has a commercial flavor and this is just a short step from the cutting board in the island countertop. The entire floor plan of the kitchen is an exercise in efficiency. Other industrial accents include the open display of the shiny stainless steel appliances.

Above left: Simple cabinet frames, an efficient use of space, and a palette of both warm and cool materials give this kitchen a clean, modern accent. The gray metal stools, blackboard wall, and a window box made from angle irons usually used for structural framework, all contribute to a commercial kitchen aesthetic. While some kitchens in open-plan spaces try to hide in plain sight, this design clearly announces its presence.

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Architect: Jeffrey Wren, Earthstation Architecture (Decatur, GA) Interior designer and owner: Andrew Bonhaus Builder: Cablik Enterprises Cabinetry company: HR Construction; Leicht Cabinetry: Melamine, matt in Lava and Pinta; walnut Countertops: Leathered granite in Kashmir White from Stone Solutions; walnut Flooring: Hickory, northern coloring, character grade Doors and windows: Andersen doors; Pella windows, Impervia in bronze Kitchen furniture: Industrial-screw chairs from Crate and Barrel Paints: Sherwin-Williams Lighting: Victory pendant lamps by CB2 Backsplash: Daltile subway tile in white from Atlanta West Carpets Kitchen sink: Kraus; prep sink Houzer Faucets: Blanco Linus Ovens: KitchenAid Cooktop: BlueStar Ventilation, refrigeration: KitchenAid Dishwasher: Bosch Waste disposal: InSinkErator Story by Charles Moxham Photography by Galina Coada

Above: White limestone countertops were chosen for durability and easy cleanup. Segmenting the island in this way down plays its size when viewed from the living room. With cabinets and open storage to the ceiling, not an inch of available wall space is wasted. Above right: The exposed rafters were originally going to be covered in drywall but the owner decided he preferred the open, honest look.

The stone sink surround at one end of the island is chunky and professional looking. Bare Edison bulbs in safety cages and the pendants over the island add to the industrial air, says Bonhaus. “I was careful to balance the colder elements with warm, natural surfaces. The hickory floors complement the walnut on the island. Walnut has a narrow grain that doesn’t trap dirt, so is easy to maintain. The upper cabinets are in the same wood.” Seen from the living area, tones alternate from light floors to dark gray cabinetry, a white backsplash and warm wood cabinets. This

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layering works to soften the overall impact. “It was important to choose elements that would give a commercial edge but also suit home use,” says Bonhaus. “For example, the blackboard can completely change the mood, depending on whether it’s covered with recipes, Christmas wishes, or a Halloween mural. This kitchen doesn’t meld with the nearby living room – it is a strong visual feature within the home.” See, share and save this story online at trendsideas.com/us2912p84

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Character strengths This kitchen melds seamlessly with its architectural setting â&#x20AC;&#x201C; classic detailing and a furniture-like aesthetic both play their part

There are several ways to downplay the impact of a kitchen that faces open-plan living spaces. One approach is to blend the design into its surroundings; another is to tuck functionality clean out of sight. This kitchen, in a traditional-style home dating back to the 1930s, forms part of a broader remodel by the owner Wendy LeStage Hodgson, interior designer at Carpenter & MacNeille. The design occupies the footprint of the original kitchen and mudroom, with further space provided by the addition, says Hodgson.

“A new great room led the makeover and I wanted the kitchen to merge with this adjacent space. We set out to connect the rooms visually in a variety of ways. “I introduced crown mouldings to the ceiling and custom range hood that match those found elsewhere in the home. And the classic paneled cabinetry is echoed by wall panels in the living room.” The modest island plays a pivotal role in assimilating one space into the other. Painted a contrasting color to the white perimeter cabinetry, it has the presence of

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a stand-alone piece of furniture. Its turned legs and slender countertop, much like a tabletop, add to the effect. “Building on this idea, we chose bureau hardware for the island and the wall cabinets,” Hodgson says. “These are in two different styles. Opting for drawers for the under-counter cabinetry helps tie these elements together.” The placement of an antique bureau and an oil painting in close vicinity to the island further blurs the line between kitchen and living space.

Attention to scale was important to establish a sense of connection between the dining table and chairs and the island, says the designer. Concealment was also part of the plan. The convection oven, microwave and storage are tucked away in the pantry alley. The pantries and refrigerator are integrated with the cabinetry, and the cooktop is partly concealed by the island. Some storage is relegated to another room – a crockery cupboard is set in the owner’s office, beyond the alley.

“New floors throughout the kitchen and surrounding areas are an important unifying element,” Hodgson says. “In fact, visitors often have trouble telling where the original house finishes and the addition begins. This flooring is in wide-plank pine that has been distressed and oiled for a more antiqued look. The tung-oil finish is easy to maintain.” The lighting is a combination of task spot lights and a traditional-style pendant lamp, to which the owner has added a few playful Christmas stars.

Preceding pages and left: This kitchen blends with its surroundings through architectural details. The front panels on the island are drawer fronts, but without tell-tale pulls, which would have signalled their presence. Top: Carrara marble perimeter countertops are the same thickness as the wood countertop on the island. A chunky farmhouse sink was an apt inclusion. Above: Pantries are set on one of three walls of cabinets that clad an existing chimney. Storage was maximized throughout the design.

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Interior designer, kitchen designer and owner: Wendy LeStage Hodgson, Carpenter & MacNeille Architects and Builders (Essex, MA) Cabinetry: Painted wood, Farrow & Ball in Bone Countertops: Carrara marble, honed Floors: Pine with tung-oil finish by Carlisle Flooring Doors and windows: Marvin Cooktop, integrated refrigeration: Viking Kitchen sink: Farmers sink from Whitehaus Faucets: Barber Wilsons & Co in polished nickel

Left: Living room walls feature panelwork that links to the ornate mouldings and cabinetry. The islandâ&#x20AC;&#x2122;s dimensions are on a similar scale to the dining table and chairs, drawing them together.

For a video and image gallery online go to

Story by Charles Moxham Photography by Jamie Cobel

trendsideas.com/us2912p88

Above: This china display cabinet is in the ownerâ&#x20AC;&#x2122;s office, at the end of the pantry alley. Even the shelving boasts a band moulding detail on its edges. An idiosyncratic cutlery lamp offers an eye-catching feature.

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index Abt 72 Add Wow Interiors 19 Albanese, John AIA 8-13 Alfresco 67 Andersen Windows & Doors 86 Architectural Tile & Stone 67 Atlanta West Carpets 86 Baker Mechanical 38-41 Barber Wilsons & Co 93 Bazzèo 46-49 Belfast Sinks 19 Best 77 Beyerl, Gary 68-73 Biehn’s Floorworks 72 Big Green Egg 67 Blanco 52, 86 Blendtec 32 Block and Chisel 8-13 Blue Plum 50-53 BlueStar 86 Blum 45 Bonhaus, Andrew 84-86 Bosch 62, 86 Burns & Beyerl Architects 68-73 Cablik Enterprises 84-86 Carlisle Flooring 93 Carlson, Gustave 60-62 Carpenter & MacNeille Architects and Builders 88-93 CB2 86 CG&S Design-Build 64-67 Cheng Design 62 Christian Liaigre 62 Columbia Cabinets 38-41 Condon, Kelly 50-53 Corboy, Mal 34-36 Corian 19, 36 Crate and Barrel 86 Cres Cor 32 Currey and Company 52 Dacor 52, 77 Daltile 77, 86 DCS 67 DecoGlaze 36

Design Cabinetry 54-59 DeWitt Designer Kitchens 38-41 Dick, Douglas AIA 26-32 Dulux 19 Dunn-Edwards 83 Dura Supreme 95 Durbin, Doug 68-73 Earthstation Architecture 84-86 ECC Lighting 36 Marset 36 EcoSinks 77 Electrolux 43 Elite Modern 59 Eriksen Armstrong Corporation 20-24, 72 Etched in Stone 72 Ethan Allen 77 European Wholesale Countertops 77 Faber 52 Farrow & Ball 93 Fisher & Paykel 19, 83 Flos 83 Fontaine Faucets 77 Francois & Co 41 Franke 24, 32, 83 Gaggenau 36, 52, 62 Gilmer, Jennifer CKD 20-24 Green Couch Interior Design 50-53 Grohe 2, 36, 59, 67, 83 Gustave Carlson Design 60-62 Häfele 83 Halo 41 Hamilton-Gray Design 74-77 Hamilton-Gray, Cheryl CKD 74-77 Harris Engineering Services 83 Harrison Design Associates 8-13 Harrison, William H AIA 8-13 Hettich 24, 36

Hodgson, Wendy LeStage 88-93 Holly Hunt 62 Hom, Mike 52 Home Depot 77 Honea Custom Cabinetry 64-67 Hopkins, R Derek AIA 8-13 House, Leon 14-19 Houzer 86 HR Construction 84-86 Ibarra Rosano Design Architects 78-83 Ibarra, Luis 78-83 Ilve 19 InSinkErator 24, 36, 86 J&A Stone & Tile 62 Jacobsens 36 Jennifer Gilmer Kitchen & Bath 20-24 Just Water 36 Kanny, Melvyn APAM 42-45 Katsioula-Beall, Elina 38-41 Kings Fourth Generation Woodworking 36 Kitchen Craft Cabinetry 96-IBC Kitchen Link 36 KitchenAid 59, 86 Kohler 32, 59, 67 Kouzina Appliances 36 Kraus 86 KWC 41, 52 La Cornue 62 Lamps Plus 77 Lawrence, Carolyn 60-62 LDA Architecture & Interiors 26-32 Leicht 84-86 Lenova Sinks OBC Liebherr 52 Loewen 62, 72 Lueders Limestone 67 MA Tile & Stone 77 Mal Corboy Design 34-36 Marble Unlimited 41

Martin, Scott 50-53 Marvin Windows and Doors 59, 93 MasterBrand Cabinets 96-IBC McEwen Lighting Studio 62 Miele 19, 24, 32, 36, 41, 72 MJKanny Architect 42-45 MVK Architectural Millwork Corp 26-32 Nault, David 26-32 Nora 83 NuHaus 68-73 Panasonic 72 Pappas Design 54-59 Pappas, Mary Jane ASID 54-59 Parex Industries 36 Paterson 36 Pedini IFC-1 Pella Windows & Doors 67, 86 PentalQuartz 52 Pottery Barn 77 Premier Custom Built, Inc 20-24 Process Design-Build 78-83 Qasair 19, 36 Rangecraft 24 Resene 36 Restoration Hardware 77 Rev-A-Shelf 77 Richar 68-73 Richar Interiors 68-73 Rigidized Metals 25 River Architects 54-59 Rohl 32, 62 Rosano, Teresa 78-83 Schlarb, Jeff 50-53 Schlarb, Tray 50-53 Schonbek 13 Serrao Cabinets 38-41 Sharp 59 Sherwin-Williams 86 Signature Kitchen 45 Silvestris 19 Smallbone of Devizes 60-62

Speers 45 Stainless Living 25 Steven Handelman Studios 77 Stone Creek Pavers 67 Stone Italiana 7 Stone Solutions 86 Studio 41 72 Sub-Zero 5, 13, 19, 24, 32, 36, 59, 72, 77, 83 Swinghammer, Michael AIA 54-59 T&S Brass 32 Tech Lighting 59 Teragren 32 Thermador 52 Think Glass 41 Thomas, Gregory AIA 64-67 Tierra y Fuego 77 Tong Ging Lighting 45 Top Knobs 41 Trends Publishing International 6, 33, 37, 63, 87 Tretsch III, Robert A AIA 8-13 Trilogy 19 Trosak Cabinets 74-77 Two Hills Studio 67 U-Line 67 UltraGlas 32, 41 Undlin, Patricia ASID 54-59 Unique Housing Concepts 8-13 Vent-A-Hood 72 Viking 93 Vulcan 32 WAC Lighting Co 41, 83 WalkOn Tile 41 Weena & Spook 26-32 Weiser Brothers General Contractor 54-59 Whitehaus 32, 93 Whitek Paul 26-32 Wolf 5, 13, 32, 36, 41, 59, 72, 77, 83 Wren, Jeffrey 84-86 Zappo, Heather 54-59

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