KITCHEN TRENDS USA Vol 30/9

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CONTENTS

Highlights from this issue of myTrends Kitchen

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Try out Sub-Zero and Wolf products in full-scale kitchens. Talk details with resident experts. Get a taste of all that your new kitchen can be. To find your nearest showroom, visit subzero-wolf.com/locator.


KITCHENS Every kitchen has a purpose – there are some that cater to gadget-loving culinary enthusiasts, while others provide a welcoming space for family and guests to gather. So how do you choose what’s best for your kitchen? You go to mytrends! On mytrends you can search for design ideas and solutions in our online showcase of hundreds of kitchens and homes, and connect with our community of architects and designers. And when you’re ready to start choosing, mytrends can suggest products, services and expertise to help make your final selections easier. In this issue of mytrends Kitchens we’ve collected some of the latest ideas to impress us. You’ll find these new and remodeled kitchens and many, many more on mytrends – where everyone who loves design can find each other, share ideas and collaborate on projects. Join us today and discover a whole new world of design inspiration!

HIGHLIGHTS mytrends contact – contact@mytrendsideas.com Phone: 011 649 571 5700

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An unusual tile was the perfect choice for this contemporary kitchen Find more colorful kitchens and eye-catching material choices at mytrends

Archetype is one of Manhattan’s best-known interior design firms. If you want great ideas for a small kitchen or bathroom space, search Archetype at mytrends

Counter surfaces need to be durable, but they don’t have to be boring! Go to mytrends to find options for traditional and contemporary kitchen designs.

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white kitchens

Light fantastic These kitchens all exhibit a classic colorway – detailing, accents and choice of materials bring individual charm


Connection and balance This transitional open-plan kitchen looks out to French doors and a sunny yard beyond – links to other rooms provide additional functionality

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Clean, classic and light, white is still the color of choice in many kitchens, new or remodeled. And with no connection to any particular style, this neutral tone blends readily into a variety of surroundings – all it takes is attention to detail. This kitchen, by architect Scott Javore, replaces several smaller rooms in a 1930s home, including a cramped kitchen built in the ’70s. The house was also extended to the rear with a bay window and floor-to-ceiling doors to gain additional space for the remodel. Pushed towards the garden views and light, the new kitchen is 25 percent larger than the

original, and close to the dining room. “It was important for the design to balance the classic detailing of the home with a more contemporary air, appropriate to a young family,” says Javore. “For this reason, the crown mouldings found in other areas of the home are repeated here. We also introduced pilasters and a traditional-look Imperial Danby countertop with an ogee edge on the island.” To offset and complement this detail, the perimeter countertop has a simple, square edge. For another contrast, Carrara marble features on the backsplash, but in a contemporary subway

Preceding pages: Contemporary pendants over the island and an oldworld chandelier over the breakfast table offer a clue to the contrasting yet complementary accents in this kitchen by architect Scott Javore. These pages: Pilasters, ogee edges and ornate mouldings all connect with the original style of the 1930s home. Square edges on the perimeter countertops and transitional cabinet doors add a modern sensibility.

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Above: The kitchen has a wealth of storage and behind-the-scenes functionality. Large cabinets to the left and right of the entry to the living room conceal refrigeration. Extending the room and adding a bay window provided space for a breakfast area. Right: Crown moulding and wall panels in the dining room are true to the home’s 1930s origins. The new design relocates the kitchen closer to the dining area.

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tile format. Under-cabinet lights illuminate the polished tilework and double as mood lighting when the kitchen is not in use. Transitional cabinet doors strike a mid-point between the old and modern accents. Hardware is also fairly neutral. While the overall impression is a picture of gleaming white, there are subtle tonal accents. Gray veining in the island countertop complements the gray walls just beyond the kitchen, as do the backsplash tiles in a similar stone. The Black Kodiak granite perimeter work surfaces and dark wood floors are the only dramatic


departures from the monochromatic palette. Another request from the owners was for plenty of storage. As well as above- and belowcounter cabinetry, two substantial cabinets flank the entry into the living room and conceal refrigeration. There is also a wall pantry beyond. The butler’s pantry was created from an internal space that was part of the old kitchen, and is now a hallway. It adds further storage and includes a wine fridge. The upper cabinetry features the same crisscross door fronts as the display cabinet at the outer edge of the kitchen, drawing these two work spaces together.

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Above: Set in a hallway, the butler’s pantry is slightly removed from the kitchen, but the square-edged black granite counters and crisscross door style make an aesthetic connection. A mirrored backsplash was specified to create interest and a feeling of space. Story by Charles Moxham Photography by Eric Hausman

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Finishing touch White cabinetry is enlivened with colorful accessories and sculptural designer light fixtures in this new kitchen



White kitchens help to create a crisp, clean look for a family living area. But that’s often where any similarity between white kitchens ends. And the reason is simple – white is the perfect backdrop for a variety of color accents that may be introduced through materials, products or accessories. For example, this family kitchen by designer Renae Keller avoids a sterile, allwhite look through the innovative use of color and form. Keller says the kitchen, which is in a new house, needed to have

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a modern, clean-lined look to complement the contemporary architecture. “An all-white kitchen would have been too stark, however,” the designer says. “So we introduced a subway tile backsplash in a warm putty color, with a crackle glaze. This has a little more of a traditional feel, yet it works with the classic, square-edged design of the cabinetry.” Keller says rail and stile doors on the cabinets also help to soften the look, so it is neither too clinical nor too ornate. But it is the finishing touches that

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really raise the kitchen out of the ordinary. Two sculptural LZF light fixtures featuring a ribbon-like wood veneer pigmented in a gray shade are suspended above the island. The dining table is also highlighted – by a Bocci pendant light comprising 14 borosilicate glass globes. “The lighting creates a focal point within the large, open-plan living space, which has 9ft ceilings,” says Keller. “The pendants have a round, organic feel that is another nice contrast to the crisp, square lines of the cabinetry.”


Preceding pages and above: Convention takes a back seat in this all-white kitchen designed by Renae Keller of Renae Keller Interior Design. Sculptural light pendants and bright blue and green ceramic and glass pieces create a lively, eye-catching family living area. Facing page, top and lower: The island features a square-edged quartz countertop with waterfall sides. The front of the island is painted in the same warm gray shade as the walls. Left: Putty-colored subway tiles with a crackle glaze offer a contemporary take on tradition.

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Above: A sea-blue F Schumacher and Co wallpaper with a traditional trellis pattern creates a colorful backdrop to the contemporary hutch dresser. Story by Colleen Hawkes Photography by Troy Thies

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Bright pops of color also enliven the kitchen. The owners’ collection of blue and green ceramic and glass pieces are displayed throughout the space, adding another organic touch. “Several of these pieces are displayed in a contemporary built-in sideboard, which features a fun wallpaper in a turquoise color with a traditional trellis pattern,” says Keller. “The shelves are glass, with white-painted wood edges. The glass enables the light to travel right down through all the shelves.”

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The designer custom designed an oval dining table with a wood and stainless steel base, and teamed this with Eames moulded plastic dining chairs. “Again, the softer shape of the oval ensures the table does not compete with the island. It is always about achieving a visual balance.” Functionality is also assured. As well as the ample storage in the kitchen, there is a separate walk-in pantry. Small appliances are hidden from sight in a cabinet to the right of the refrigerator.


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Long Island magic The Hamptons casts its spell – the design of this remodeled and enlarged kitchen was influenced by the owner’s upbringing in a very traditional home on a grand family estate Childhood memories impact on many areas of our lives – they even influence the decisions we make about where and how we want to live. For the owners of this vacation home in the Hamptons, nostalgia played a big role in the design of their new kitchen, says architect Erica Broberg Smith. “One of the owners had spent her childhood enjoying holidays on a grand family estate in East Hampton, which had an authentic 1920s kitchen. That home inspired the traditional look of this

kitchen, which replaces a much smaller, very cramped, claustrophobic room.” To gain more space, the house was extended, with the remodel introducing a soaring gabled ceiling that features traditional white-painted boards. “We added white collar ties to give the room a sense of scale and intimacy,” says Broberg Smith. “And the end gable has a large arched window, which adds a little femininity and brings in plenty of light.” The owners’ love of entertaining was another key influence in the design.

Facing page: This Hamptons vacation house was extended to create a much larger family kitchen that would be suitable for formal and informal entertaining. The new volume has a soaring gabled ceiling with collar ties crossing the void. These help to keep the scale a little more intimate, says architect Erica Broberg Smith. Above: White painted cabinets with inset panel doors and a bead detail reinforce the classical look. These are teamed with quartz and Carrara marble countertops. The 12ft-long island provides plenty of space for food preparation, serving, and cleanup. A second clean-up station is by the window.

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Left and top: A separate bar area is conveniently positioned outside of the main work space. The overhead display cabinets, which store crystal stemware, have a similar mullion pattern to the large windows at the end of the kitchen. There is also a home office area beside the window on the other side of the kitchen. The cabinetry is by Smith River Kitchens, Inc. Above: A small peninsula beside a banquette seating area incorporates tilt bins for vegetable storage. These feature punched tin panels with the same daisy motif that can be seen on the window blinds and upholstery fabric.

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Above: Colorful banquette seating is a feature of the casual dining area. Above right: The casual dining area is a place where the family can relax at any time of the day or night – there is a large television on the wall opposite. The windows on this side of the kitchen overlook the pool area, so the owners can keep an eye on the activity outdoors. Story by Colleen Hawkes Photography by Dalton Portella

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The kitchen needed to provide for formal and informal entertaining, so there are two clean-up stations – one by the window and one on the island. The large size of the 12ft-long island also makes it easy for more than one person to work in the kitchen at the same time. And a separate bar area ensures drinks can be made outside of the main work space. In keeping with the classical look, the lacquered cabinets feature panel doors that are recessed with a bead trim. There are also tilt bins for storing vegetables. The

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bins have punched tin panels in a custom pattern that replicates the daisy motif of the red upholstery fabric in the kitchen. Broberg Smith says the kitchen has a simple, flowing layout that works well for the family and their entertaining needs. “We incorporated a small home office, which we call the ‘Mom command center’, and a new mud room with additional pantry storage. We also introduced banquette seating around a breakfast table. This has storage space beneath, and there is a large TV opposite for family use.”


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Dressed for the occasion Contemporary faucets are just as much a part of your kitchen decor as your cabinets and countertops. These Kraus faucets team high fashion with high functionality There has been a sea change in kitchen design in recent years, and it follows the growing interest in cooking shows and healthy eating. Kraus, an established leader in faucet manufacture, says commercial-style faucets and sleek, contemporary designs are in great demand as homeowners and designers look to create kitchens fit for a professional.

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Not surprisingly, this also applies to functionality. Kraus faucets are manufactured with best-in-industry components, yet they remain cost effective. These components include a flow-optimizing Neoperl aerator that reduces water waste without compromising pressure, and the precision Kerox ceramic cartridge to regulate water flow for reliability and minimal maintenance.

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Another advantage of these faucets is the Kraus signature commercial-grade satin finish, which protects the faucets from rust and corrosion. This teams well with many modern appliances, creating a highly coordinated kitchen. Other key features of the Kraus commercial-style models include high-arc spouts and streamlined pulldown sprayheads, both of


which enhance an industrial aesthetic. For added convenience, selected models also have a side pot filler with a separate lever handle. Kraus recently launched the Geo Series of kitchen faucets, developed exclusively for Home Depot. These faucets feature distinctive two-tone designs in stainless steel and SpotLess Black Onyx finish. Both models have granite-like

black insets with a subtle sheen that reflects the natural beauty of stone. This ensures they pair well with both stainless steel and granite sinks. Geo Axis and Geo Arch are two models in the series that have an unmistakably modern look, and will make a bold statement in any kitchen – contemporary or classic. This style flexibility is partially due to design details such as the

transitional curve of the Geo Arch gooseneck spout, which makes these faucets versatile enough to complement a wide variety of decorating styles. For more information on Kraus faucets, phone 1800 775 0703. Or visit the website: www.kraususa.com save & share 44844 at trendsideas.com

Facing page, top and lower: The clean lines and two-tone designs of the Geo Series make these faucets increasingly sought after. Geo Axis (top) has a dual-function sprayhead and a sleek long-neck spout for maximum reach. The Kraus signature commercial-grade satin finish adds to the modern look of the high-arch kitchen faucet (lower). This page: Geo Arch (above left) and commercial-style models (above) are other featured Kraus faucets.

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In harmony Kitchens that respond to the architecture of a house provide a coordinated look for a home with a flowing, open layout


With respect In remodeling this kitchen, the architect-owner took her cue from heritage elements in the 1920s house, but gave it a 21st-century twist A small, dark kitchen that faced a hill to the north was not an inspiring place for the owners of this house to be cooking for and entertaining friends and family. So it was scarcely surprising that something had to give, says architect owner Linda Brettler. “We wanted to make the kitchen much bigger and lighter, so we took over the space formerly occupied by a maid’s room and an old pantry. We created one large living space that we can open up to the sunny rear yard with big French doors.

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This gives us views in all directions, including a particularly pretty view of the landscaped garden.” The single flowing space, which replaces four small self-contained rooms, includes a television area and a breakfast area as well as the kitchen. A double-sided glazed overhead cabinet provides a degree of visual separation between the kitchen and breakfast area, while still allowing easy communication. “I didn’t want to sacrifice the idea of the older house entirely, however,” the

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architect says. “I still liked the idea of keeping some point of reference to the original rooms, by giving each space its own flavor.” For the kitchen floor, Brettler chose a basketweave tile with strong diagonal lines. The tiles convey the look of an older home and help to disguise the fact that the kitchen is not symmetrical – the pattern makes the space look larger. “The island is like a piece of furniture that has simply been popped on top of the floor at some later date. It is made from


stained alder wood, while the perimeter cabinets are lacquered white. All the doors have recessed panels, with a semi-circular detail on the white cabinets.” Brettler says a lowered table top helps to break up the perceived mass of the island, so it doesn’t feel like such a giant piece of furniture sitting in the middle of the room. “Similarly, I chose stools that are not too busy visually, or too large, so we can fit several people around table top.” To lighten the center of the kitchen, and the main work area, the island top is

Carrara marble – in contrast to the black marble on the perimeter counters. A formed lip around the edge of the island top prevents water running off. Reflective tin inserts are another key feature of the cabinets. “Because I wanted full-height cabinets, but at the same time did not want these to overwhelm the space, I added these decorative reflective inserts to the doors along the top,” says Brettler. “The pressed tin catches the light and provides plenty of sparkle.”

Preceding pages: Vintage light fixtures set the tone for this remodeled kitchen in a 1920s house. Architect-owner Linda Brettler had several walls removed to create one large kitchen-family living area that flows seamlessly to a breakfast room. Facing page: The long island runs parallel to the cabinetry, with the main clean-up area positioned along the outside wall. There is a separate prep sink on the island, which has a Carrara marble countertop with a formed lip around the edge. Above: At one end of the island, a lowered table top helps to reduce its apparent bulk.

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Above: Cabinetry in the family living area matches the perimeter cabinets in the kitchen. To create a bold contrast to the mainly monochromatic look of the cabinets, the architect chose to paint all the walls in a warm vibrant red. The arched opening leads to a butler’s pantry and a vestibule – a small bathroom can be glimpsed through the doorway. Facing page: A double-sided glazed overhead cabinet forms a transparent partition between the living area and the breakfast room. Story by Colleen Hawkes Photography by Tim Maloney

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For visual continuity, white cabinetry in the family room echoes the kitchen cabinets. It incorporates open shelving, a niche for the television and a brown leather-upholstered bench seat. Brettler says the cabinetry creates a very monochromatic palette, so she experimented with a variety of different colours for the walls throughout the kitchen, sitting area and breakfast room. “The entire family living area needed a punch, and I could see that red would set off everything. It works with the black and

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white, and also with the woodwork and the vintage light fixtures. It even sets off a large art work to good effect.” Wherever possible, the architect likes to recycle materials and incorporated vintage items into her interiors. This kitchen features vintage light fixtures. The range hood and backsplash were recycled from the original kitchen. resources & more images 44438 at trendsideas.com



Polished performance Fit for a professional – this new kitchen features precision-built cabinets, countertops and sinks by Julien, in high-quality 16-gauge stainless steel Stainless steel will always be the undisputed champion when it comes to commercial kitchen design – with good reason. It’s highly durable, hygienic, heat resistant and low maintenance. But that same functionality is just as important for the home chef. And when you add in the crisp, contemporary design aesthetic provided by stainless steel, it’s easy to see why it has a growing appeal. Julien, a company that has been designing, manufacturing and installing professional kitchens for the past 70 years,

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also has a Home Refinements brand that offers a full range of standard kitchen sink models as well as a unique A la Carte concept. Customers can choose between 150 sink models, and modify their choice with 25 options for an exclusive sink solution. These may include different divider widths and heights and built-in drainboards. For more specific needs not included in the company’s extensive options catalog, the custom Signature program is an ideal solution. Julien uses top-of-the-line 16-gauge

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stainless steel, which is stronger and thicker than many higher gauge steel products. Designed to last a lifetime, the steel is non porous, so it is easy to clean and has great antibacterial properties. It is also corrosion resistant and is unaffected by heat. For many homeowners, sustainability is a consideration. Stainless steel is at least 80% recycled and is fully recyclable, so it ticks the box as a green product. Julien says the crisp aesthetics are enhanced by the No 4 brushed finish,


which is the same as many stainless steel appliances, including those in the kitchen shown on these pages. The other stainless steel elements here include cabinet doors and drawers, countertops and kickplates. For details, contact Julien customer service, phone 1 866 901 5624. Or email: customerservice@julien.ca. Alternatively, visit www.exclusivekitchens.ca

Facing page and above: Sleek stainless steel cabinets and countertops give this new kitchen by Julien a sharp, contemporary edge. Julien Signature stainless steel kitchens are custom designed to the same high standards as the company’s professional kitchens, which include kitchens at Harvard Law School in Cambridge, MA and MetLife Stadium in New York. Left: The kitchen also includes a seamless, integrated Julien Signature sink.

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Country fare This kitchen, in a rustic character home on an equestrian ranch, conveys the very essence of country

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In days gone by, families living on the land would often spend long days in the fields or riding the trails on horseback. But it was always the warm, inviting kitchen with its large, open fireplace and wonderful cooking smells that called them home. It’s not so different today. Many families still enjoy such a country lifestyle, with many deliberately setting out to re-create a similar home environment. And that’s exactly what the owners of this new home in Sonoma County wanted, says kitchen designer Neal Walden of Walden & Company.


Walden says that although this is a new house, designed by architect Thomas Stimpert, it has all the character and charm you would find in a much older rustic, ranch house. “The home is on a large property that is essentially a horse-riding ranch, and the owners wanted a character home in the old tradition,” he says. “The kitchen, for example, is at one end of a large great room with a huge fireplace. It’s the gathering place for the entire family.” In keeping with the theme, the design team chose handcrafted white hemlock cabinets – the wood was sourced locally, but it mimics the

look of older European and Scandinavian pine cabinets from centuries past. “The wood has small tight knots and has been given an aged finish to enhance the character,” the designer says. “However, at the same time, the owners wanted to introduce a more refined, classical look to the crown mouldings. So the detailing is more sophisticated than you would expect in such a kitchen, yet these features have been rendered in a casual fashion, with a distressed finish that softens the look. The owners didn’t want the kitchen to become a precious thing, not to be touched.”

Above left: Aged wood beams and distressed white hemlock cabinetry enhance the rustic appeal of this new ranch house in Sonoma County, CA. The kitchen, designed by Neal Walden of Walden & Company, also features a custom range hood with decorative wood mantel supported by concrete corbels. Above: The floors throughout the kitchen and great room feature reclaimed white oak that is in keeping with the old-world character.

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Above: A butler’s pantry provides additional storage and work space. Facing page: The granite on the countertops was honed to avoid a modern, reflective look. Story by Colleen Hawkes Photography by Tim Maloney

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The cabinets have a frame and panel door design – the recessed panels have a little extra detailing that elevates them above the ordinary. For added interest, the end of the island also features boards that give the appearance of tongue-and-groove panels, while the corners feature pilasters evocative of fine furniture. The steel-reinforced granite countertop is cantilevered to provide space for bar stools. Sliding wicker vegetable baskets help to lighten the visual mass of the island, and provide storage for onions and potatoes. The mass of the overhead cabinets is relieved by several display

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cabinets and traditional plate racks. The kitchen also features a custom-designed range hood with a handcrafted wood mantel and decorative limestone corbels by Francois & Company. The limestone wall tiles that create a backsplash right around the kitchen have been laid in a harlequin pattern to avoid the linear look that would have been created if they were laid in a regular, horizontal configuration. All the kitchen cabinets have custom drawer inserts, full-extension and soft-close systems. There is also a separate butler’s pantry with extra storage, a sink and dishwasher.




From the beginning Starting with a raw, empty shell, this condominium gradually took on a life of its own as the designer assembled a palette of warm neutrals and lively accents


Preceding pages and right: Mid-toned quartered maple cabinetry provides a calming backdrop to this contemporary interior in a new condominium. But the design, by Lisa Peck, also provides plenty of sparkle, thanks to the pendant lights, crystal-ringed downlights and custom stained glass backsplash. Above: The cooking center is defined by symmetrical cabinets that provide ample storage.

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Moving from a house to a condominium is not just a new way of living – it can also mean a whole new approach to interior design. When interior designer Lisa Peck of LiLu Interiors, Inc was commissioned to design this new condominium from scratch, she literally started with a blank canvas. “The space was just a raw shell,” she says. “But it was clear the kitchen was always going to be central to the concept, as it is right in the heart of the living space.” Peck says the owners knew they wanted a contemporary interior that would reflect who

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Above: Sculpture, paintings and two cream leather Mies van der Rohe chairs, which the owners brought from their former home, influenced the interior design, notably the choice of cabinet color. The island is wrapped in a light cream-toned quartz. It serves as the main food preparation work space, serving and casual eating area.

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they are and the way they live. It also needed to incorporate key artworks and two Mies van der Rohe chairs in cream leather. “These were virtually the only items brought from the former house; the design needed to be a foil for the cream chairs. This determined the backdrop of mid-toned cabinetry in warm quartered maple. It was important to make the space feel grounded and calm, rather than light and floating with too many light cream tones. The dark flooring helps to anchor the space visually – there is a gradual lightening from the floor to the cabinetry and then the walls.”

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In keeping with the contemporary design, flush doors create a seamless finish. However Peck introduced a more textural look to the front of the island where simple mouldings conceal the joins in the wood veneer. The entire island is wrapped in cream-toned quartz to contrast the maple, while the perimeter countertops are a dark quartz. This is offset by a custom backsplash featuring specially selected stained glass tiles. “With unobtrusive countertops and cabinets that recede visually, the backsplash could take a pattern,” the designer says. “We were able


to choose the exact proportions of each of the shades in the stained glass.” The glass adds a sparkle to the kitchen, as do the pendant lights over the dining table and the downlights above the island, which are encircled by crystal rings. “There is also a considerable amount of chrome on the furniture that helps to reflect the light in the room,” says Peck. Appliances are integrated where possible. The cabinetry also incorporates a hidden home office desk, and a sliding tray to accommodate small appliances close to a coffee-breakfast area.

Left: One corner of the kitchen serves as a breakfast area. In addition to a coffee machine, there is an appliance garage for a toaster and electric jug. Story by Colleen Hawkes Photography by Jamie Cobel

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Vive la diffÊrence There’s a subtle French influence in this remodeled kitchen, which has transformed the family living space and created a kitchen fit for a professional


Even in a home that’s a little traditional, an overly ornate kitchen can seem out of place today – highly decorative crown mouldings and corbels don’t always fit with modern family lifestyles. The original kitchen in this house was a case in point, says designer Janice Teague CKD, CBD of Drury Design Kitchen & Bath Studio, who was commissioned to design a new kitchen for the owners. “It had a very traditional styling and included a gazebo-like structure with columns in the middle of the room. This

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took up space and interrupted the flow of the kitchen. The cabinetry also looked tired and was starting to come apart.” Teague says the owners wanted a fairly simple, clean-lined kitchen that would be more open, yet not overly modern. “The house has a relatively traditional, slightly French look, which influenced the design. The huge size of the kitchen was another factor – this led to the idea of two large, square islands, one to be a workstation for the owner, who is a trained chef, and the other for entertaining, casual

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dining and homework. A suspended cloud ceiling also helps to break up the space. Lighting within this ceiling avoids the need for extra pendants, which would have blocked the view down the kitchen.” The designer says the material palette evolved as the design progressed. The team started with white cabinetry, and added dark wood accents that help to anchor the space visually. “We then brought in a third color for the islands – a soft taupe that provides a nice transition between the very light and


very dark. This makes the room blend more harmoniously. The door style also helps – the stile and rail design with a bead applied moulding is a little softer than a traditional Shaker style.” To avoid a totally linear look, the end of the second island has curved sides, and a lowered dark-stained hickory wood top. The same wood appears on the front of the integrated refrigerator. Here it is inset with decorative patterned mirrored glass. Similar translucent glass features in an overhead display cabinet.

“We framed the cabinets on this side of the kitchen with dark wood at either end,” says Teague. “It helps to relieve the long expanse of white cabinetry, without being too overpowering.” On the opposite side of the kitchen, a hammered zinc range hood adds a shiny, glitzy element to balance the mirrored glass. This is contrasted by the natural tones of the wall tiles. The countertops, a mix of quartz on the islands and granite on the perimeter, provide further visual definition.

Preceding pages: This large remodeled kitchen by designer Janice Teague features a custom, hammered zinc range hood. A metal finishing strip that runs through the wall tiles is another reflective element. There is a pewter insert on the countertop next to the cooktop, to provide a resting place for hot items. These pages: The furniture-style corners of the island are replicated in dark-stained hickory wood at either end of the white cabinets along one side wall. With ample storage, including two appliance garages, clutter is avoided. There is a separate home office area just beyond the kitchen.

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These pages: The kitchen is designed so that the main work area is separate from the entertaining area, but the owners can socialize easily while preparing meals. The large farmhouse sink has a center divider for easy washing up. Story by Colleen Hawkes Photography by Eric Hausman

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small spaces


Open response Working with constraining environments, these projects optimize space, light and function to create clean-lined, efficient kitchens


Natural presence The warmth of wood meets the cool of pristine white surfaces in this bright, breezy, and inviting family kitchen

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As the hub of the modern home, the kitchen has to be light and welcoming, with plenty of room to move. However, when available space is limited, the options include borrowing from nearby areas or evoking a sense of spaciousness through color and tone. For this contemporary kitchen, architect Lindy Small followed both these design paths. The house, which has spectacular views of a bay, was formerly rather dark, and broken into small rooms with an inefficient circulation. “As part of the wider remodel, the owners wanted a large, open-plan living space with an

airy presence,” says Small. “So there had to be plenty of natural light and cross ventilation.” Small gained additional space for the new kitchen in two ways. First, a double-height void, rising from the level below, was closed in, freeing up a corner of the room. Second, the architect removed two constraining walls between the kitchen and dining areas. “We added large windows at the rear of the kitchen, a corner window in the dining area, and enhanced the indoor-outdoor flow,” Small says. “In another move, we raised the ceilings and installed ash panels on the living room

Preceding pages and above left: Raised ceilings, new windows and a two-tone palette of white and wood give this kitchen a light-filled, expansive presence. Top and above: The new kitchen contains a wealth of storage – both in the floor-to-ceiling unit and in the perimeter and island cabinetry. Long, slender cabinet handles and a prominent grain in the wood both emphasize a horizontality that makes the kitchen seem larger than it is.

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Above: A deep composite wood bar top screens cooking clutter in the new kitchen. Story by Charles Moxham Photography by Tim Maloney

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ceiling. This evokes a more formal feel.� The sense of space was optimized in other ways, too. A food pantry, extensive storage and most appliances are contained in a single large cabinet volume set to one side of the kitchen. “Setting the cabinetry to one side, as a single block, keeps the heart of the kitchen clutter-free. It also means daylight from the rear windows penetrates right through into the living spaces.� A warm, natural palette and contrasting colors add to the generous feel. The substantial side cabinet is in European walnut, while the living room cabinetry is in a similar but lighter

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species, zebrawood, which also features in other areas of the home. The darkly grained walnut surfaces anchor the floor-to-ceiling kitchen cabinet, and the finish offers a dramatic juxtaposition to the gleaming white surfaces on the perimeter cabinets and island. This contrast makes the kitchen seem even lighter, and therefore bigger. The island bar and oak floors extend the warm wood tones. The stairs were also remodeled as part of the project. In another space-saving move, Small designed built-in zebrawood casework that doubles as furniture and a stair guardrail.


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Fresh approach This new kitchen has transformed the heart of a remodeled condominium, creating an inviting gathering spot for family and friends

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It’s only natural to want to change a few things when you move house. But for the new owner of this condo, the existing kitchen was so awkward to work in that she simply refused to use it. Interior designer Catherine Schager of Catherine Schager Designs, Northbrook, IL says creating a new kitchen was therefore a critical part of a whole-house remodel. “The original kitchen was large but not well organized,” she says. “There was a tiny, oddly shaped pantry and a peninsula that cut the space in two.”


Schager had a wall removed between the kitchen and dining room, creating space for a large island. She also changed the position of the refrigerator and microwave oven, and introduced a new double oven and a spacious pantry. “The kitchen features Holiday Kitchen cabinetry provided by Kitchen Design Partners, and two different Cambria countertops. The perimeter countertop resembles marble, while the island top has a more lively granite look, with a touch of blue to complement the cabinetry.�

Other features include an ocean-blue herringbone glass mosaic backsplash. Catherine Schager Designs specializes in kitchen and bath design that is focused on the client’s needs and desires. For details, contact Catherine Schager Designs, phone (847) 361 4358. Email: catherine@catherineschagerdesigns.com. Web: www.catherineschagerdesigns.com save & share 45059 at trendsideas.com

Facing page: Smoky blue cabinetry makes the island a focal point in this new kitchen designed by Catherine Schager. The granite-look Cambria countertop on the island has flecks of blue that match the paint color. The designer also introduced blue to the backsplash above the cooktop, which features ocean-blue herringbone glass mosaic tiles. Above: The off-white perimeter cabinetry and matching subway tiles impart a serene look. The lighting is also a key feature of the kitchen, providing decorative track and pendant lights.

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A place for everything Maximizing space was a priority for the design of this kitchen in a 19th-century row house in Capitol Hill, but it has not been at the expense of character Row houses built before the Civil War have a character to match their history, but this doesn’t always extend to the kitchens. The existing kitchen in this house in Capitol Hill, Washington DC had been built in the 1980s, in a rear addition. But architect Bruce Wentworth of Wentworth, Inc, hired to design and construct the remodeling for a new owner, says it made poor use of the space, and was not of good quality. “The owner, a single professional, loves to cook, and wanted a kitchen much better suited to her requirements,” he says.

As with many row houses, space was limited, but the architect was able to enlarge the kitchen by acquiring some space from a former utility room. “This meant we could provide a long galley kitchen with a large peninsula that is a social space where guests can stand or sit and chat with their host. It also created a more spacious area for the table beside the window. And it kept the working part of the kitchen away from the main circulation axis through the house from the front to the back door in the kitchen.”

Facing page: A peninsula forms the centerpiece of this remodeled kitchen in a 19th century row house. Both a work space and a social gathering spot for friends and family, this cabinetry has period detailing to match the era of the home. The dropped ceiling conceals ductwork – its slightly different color helps to define the work space. Above: The kitchen, designed by architect Bruce Wentworth of Wentworth, Inc, also incorporates a small dining table that sits beside casement windows overlooking the garden. The large farmhouse sink was requested by the owner, who loves to cook and entertain.

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However, the design was not without its challenges. The ceiling over the kitchen needed to be lowered 4 inches to accommodate ductwork. Wentworth used the dropped ceiling to define the work space, painting it a slightly darker shade to reinforce this point of difference. In keeping with the owner’s desire for a warm and cozy kitchen that would complement the traditional character of the home, simple painted cabinetry with flat, recessed panel doors was specified. A beadboard wainscot around the table

space and on one side of the peninsula provides further period detailing. “The kitchen also features a 9ft-long floor-to-ceiling wall of shallow shelving toward the back of the galley,” Wentworth says. “I call this grab-and-go storage.” White granite countertops are teamed with traditional gray subway tiles on the backsplash. These also complement the off-white cabinets. The harmonious palette is further enhanced by a rustic plank-like porcelain floor tile that is easy to maintain and well suited to the concrete slab floor.

Facing page: The traditionally styled cabinetry includes an overhead display cabinet and a 9ft-high wall of shallow open shelving. The door at the rear leads to a small utility room. This end of the kitchen was originally part of a larger utility room. Above left: A small work triangle provides a highly efficient kitchen. Appliances include a microwave in a drawer, next to the refrigerator. The color of the stainless steel is echoed by the mid-gray tones of the traditional subway tile backsplash. Story by Colleen Hawkes Photography by Stacy Zarin-Goldberg

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Out of the past This compact kitchen offers a pre-war look while tucking modern functionality behind the scenes Older apartments often celebrate living areas at the expense of more practical rooms, such as the kitchen. These were usually under-designed and allotted only a small share of the footprint. Such was the scenario when architect Alan Berman came to renovate this kitchen in a 1920s condominium. While units in the tower had been inexpensive at the time of building, today they are high-end inner-city residences and the new kitchen had to reflect this, says Berman. “One tricky aspect was remodeling within almost the same footprint, as space was limited by the architecture and services. A bathroom

behind the old kitchen was removed, gaining some room, but a gap behind the cabinetry was retained for the original plumbing lines.� To optimize a sense of space, the new kitchen is open to the living areas. However, Berman introduced a short peninsula and a millwork beam on the ceiling to provide a degree of separation. The hollow beam contains the elaborate wiring required for IT systems and air conditioning, and the peninsula doubles as a serving station and breakfast bar, and contains a wine cooler. Full-height cabinetry maximizes storage within the constrained space.

Facing page: Wraparound cabinets stretch floor to ceiling in this compact kitchen that delivers maximum function in a limited space. A peninsula with an undercounter wine cooler acts as a serving station and breakfast area. Above: Formwork on the ceiling resembles a structural beam – this fulfills the dual purpose of delineating the kitchen and concealing IT and air conditioning services.

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“Typically in a design like this, planning is modern and finishes are classic,” says Berman. “Aesthetically, the kitchen reflects the spirit of the building’s pre-war architecture. This is seen in the transitional recessed paneling, and in the choice of stainless steel hardware, sinks and appliances – a popular material of the time.” The apartment features classic mouldings throughout and these are continued in the kitchen for an eclectic feel. The double ogee edge on the Ice Brown granite countertops is another classic detail. This mottled surface also adds a sense of luxury to the space.

Internally lit glass-front display cabinets are also in keeping with the look, and offer restful ambient light when the kitchen is not in use. The chrome and glass pendant lights above the peninsula have a semi-industrial feel and would also have been popular in the earlier part of the last century, says Berman. “This kitchen includes a wealth of modern apartment functionality behind a 1920s face.” see a list of resources 44517 at trendsideas.com

Facing page: Stainless steel handles, appliances and fixtures are appropriate to the pre-war look. The refrigerator and freezer are integrated and positioned next to the display cabinets. Above left: An open pantry across from the main kitchen contains additional storage and a prep sink. Story by Charles Moxham Photography by Jamie Cobel

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Just one step away With its small work triangle, this new apartment kitchen puts everything in easy reach, while still providing ample work space

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When you live in a Manhattan apartment you learn all about maximizing space. But the owners of this unit were luckier than most. They had an opportunity to buy a small adjoining studio apartment and were able to combine the two spaces to create one large apartment. This meant their original kitchen could be transformed into a bar and breakfast area,


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and a new kitchen built within part of the former studio. Etienne Coffinier and Ed Ku of Coffinier Ku Design were commissioned to undertake all the interior design, including the kitchen. “The kitchen is not a huge space, so it had to be very efficient, simple and clean lined,” says Ku. “To this end, we teamed high-gloss blue-tinged white cabinetry with glass

countertops and reflective glass mosaic tiled walls that help bounce the light around.” To further enhance the sense of space, cabinets are flush, and most of the drawers and doors have recessed pulls. Overhead cabinets have a niche for cookbooks. There is also specific storage for large pots and pans, concealed garbage bins, and a tall, narrow cabinet for trays.

The team added a long, narrow shelf beneath a hanging pot rack. This can be used to store items temporarily while cooking. “We also ensured there is plenty of counter space,” says Coffinier. “And everything is within easy reach. “Other key features include a Porcelanosa floor. The large tiles mimic cement, but won’t crack and are not porous.”

Facing page: Gray-blue glass mosaics line the walls of this kitchen in Manhattan. To ensure the windowless space receives a lot of light, it is open to a large living area and well illuminated with downlights and under-cabinet lighting. Above left: A narrow shelf next to the cooktop is a handy set-down spot for items used while cooking. Story by Colleen Hawkes Photography by Michael Arnaud

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Bold composition Compact though it may be, this highly functional kitchen still makes a strong design statement With the right design, even a small kitchen can make a big impact, as this project shows. Designer Colin Wright of Porcelanosa Studio says the project was influenced by the original kitchen in the same spot. “The existing kitchen had an ungainly boxed soffit below the ceiling, and an equally unattractive corrugated steel backsplash. Because we didn’t

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know if these elements were concealing services and ducting, I chose to incorporate a wall cavity to allow for any potential obstacles, and the repositioning of all services.” The wood framing was clad with concrete panels that resemble a rendered concrete wall. This complements the new concrete floor, enhancing the minimalist, industrial look the owners wanted.

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To bring a sculptural feel to the wall, Wright introduced a long niche, and extended the lower concrete wall beyond the upper paneling. “This helps to dovetail the kitchen with the dining area,” he says. The cabinetry, which is by Porcelanosa Group, reinforces the sculptural look – a long peninsula turns at right angles to create an L-shaped work

top. The main cabinets feature a dark Marengo oak veneer, while the peninsula and overhead cabinets are a matte white lacquer. Together they create a strong visual composition. “The peninsula sits on a narrow aluminum frame, but is supported by steel within the cabinetry,” says Wright. “However, the overall effect is of a light, floating element that is nicely juxtaposed with


the owners’ heavy, rustic wood dining table. The effect is enhanced by negative detailing on the Corian countertop – an aluminum strip runs beneath the countertop, so it appears to float. This also meant we could have recessed pulls on the doors to keep the look very streamlined.” Storage is maximized by the cabinetry and high-end hardware systems.

Facing page and above: Geometric forms define this new kitchen designed by Colin Wright, who teamed precast concrete wall panels with cabinets by Porcelanosa Group in Marengo oak and white lacquer. A bench seat at one end creates a perching spot for family and guests. Left: A long niche in the concrete paneling enhances the kitchen’s sculptural look and provides a handy shelf. The overhead cabinets have lift-up doors.

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Left: The peninsula element is supported by concealed steel and a fine aluminum frame. The floating effect is further enhanced by a narrow Corian countertop and negative detailing – there is a solid aluminum strip running right around the cabinetry beneath the countertop surface. Keeping the floor clear makes the entire space seem larger.

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Fine outlook There’s no hiding away in the kitchen in any of these homes – the kitchens are not just on view, but also open to the view


rooms with a view



The big picture Remodeling this house was all about opening it up to the views front and back, with a kitchen right at the center It makes sense to position kitchens and living areas where you can enjoy the best view, and this may well be on the top floor of a house. This inner-city San Francisco house, which has been extensively remodeled by architect Jonathan Feldman and his team at Feldman Architecture, already had the living areas on the top floor. But the rooms were compartmentalized and the kitchen was a small galley area in between a bedroom and the living room. To create the large, contemporary living space the new owners required, the entire floor was gutted – along with the rest of the house. This opened up the top floor to the spectacular views at the front and back. As well as floor-toceiling glazing at either end, light penetrates the kitchen in the middle of the space through large skylights above a perforated metal ceiling. “This screen runs across the ceiling and wraps right down the wall beside the stairs, connecting all four stories,” Feldman says. “Light travels through the screen not only from the skylights, but also from windows and artificial lighting behind the metal, including LED lighting within a reveal at the top. Additional natural light travels down to the floor below through a glazed floor beside the island.” Because the owners are both serious cooks, the kitchen is highly functional, yet it maintains an uncluttered, minimalist aesthetic. The cabinetry, which extends beyond the kitchen on both sides, conceals an entire wall of storage and large amenities, including a fridge-freezer, powder room, media center and elevator. High cabinets can be accessed by a ladder on a rail. “We crammed a lot into a sleek facade,” says Feldman. “There is even extra-deep storage behind the cooktop and sink.” The architect teamed a mid-toned gray wood veneer with a lighter laminate and durable quartzite countertops. All the materials are hard wearing and easy to clean.

Preceding pages and left: The entire living area is on the top floor of this extensively remodeled house, to maximize great views across San Francisco. The kitchen is positioned in the center of the space. Skylights above a perforated metal ceiling bring in plenty of natural light. Above: The open-plan family living area opens to balconies at both the front and rear. This small balcony, at the front of the house, replaces a former bay window in a bedroom.

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This page: Cabinets mix a mid-gray veneer with a lighter laminate. Facing page: A kinetic sculpture by Reuben Margolin appears to extrude from the perforated metal ceiling. Story by Colleen Hawkes Photography by Joe Fletcher

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Center of attention This expansive indoor-outdoor kitchen and living space combines a relaxed aesthetic with a show-stopping illuminated surface

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In a climate that allows alfresco living most months of the year, it makes sense to open up a home’s interiors to fresh air and sunshine. Designers may even go so far as to blur the line between indoors and outdoors completely. This project by kitchen designer Kim Duffin forms part of a redeveloped home in an innercity suburb. Duffin says he took the client’s initial brief and applied his own vision. “The design places a dining area, kitchen, appliance pantry, powder room and a large outdoor space at the rear of the home. We wanted to bring all these various elements together in

one large volume, in a way that would optimize space and create a connection between all zones. “The outdoor and indoor areas read as one space, separated only by large bifolding doors and a change in flooring direction. Similar tones and finishes link the two spaces visually.” The kitchen is set to one side of the room, downplaying its presence, with the prep areas out of sight, in the new appliance pantry. “We were able to reconfigure the rear walls to assimilate the appliance pantry on the right, by the kitchen, and powder room to the left, near the stairs. Both ancillary spaces are hidden

Above left: Created by designer Kim Duffin, this multi-use space benefits from a restrained palette and natural finishes that draw the various areas together. With bifolding doors opened, the indoors and outdoors merge. A glass backsplash, vertical herb garden and exterior cladding on the alfresco walls add to the effect. Above: An appliance pantry and a powder room are set behind cabinet panels at the rear of the room.

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Above: A polished stainless steel plinth supports the table, giving it a floating appearance. Transparent acrylic chairs allow an unobstructed view of the entire tabletop. Above right: A high-backed booth seat screens clutter. Perimeter cabinetry in the alfresco living area is a continuation of the indoor cabinets, but with an all-weather finish. Story by Charles Moxham Photography by Steve Ryan

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from view behind doors in the paneling. The refrigerator and freezer are also integrated, to the left of the appliance pantry door.” A window backsplash forms a connection to the outdoors and brings additional natural light onto work surfaces. Glass fronts on the upper cabinets also help make the room feel lighter. The long, linear nature of the cabinetry is accentuated by recessed aluminum pulls. The run of cabinets continues outdoors to the alfresco area. While the finished effect is seamless, all-weather finishes have been used outside. To maximize floor space and downplay its

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presence, the island backs onto the booth seat at the head of the dining table. The raised seat back conceals kitchen clutter from diners. “The tabletop is the centerpiece of the kitchen,” says Duffin. “It has a clear acrylic substrate that allows the engineered stone to be side and backlit. LED lighting colors can be matched to any RGB-paint value – the possibilities are almost endless.” As the room is open to a shared driveway, laser-cut aluminum screens bring a degree of privacy. This feature is repeated on the other side of the room, by the stairs.


Left: Adroit space-planning optimizes flow, connections and floor space. The floor-to-ceiling panels feature mechanisms imported from Japan that allow the doors to pop out before sliding to one side. The niche on the rear wall separates the appliance pantry from the powder room, and is home to a handy beverage center, close to dining and kitchen areas. Recessed handles on the cabinetry accentuate the long, linear design.

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Garden party Designed for a family who love to entertain, the kitchen in this Federal-style townhouse opens to a greenhouse dining room that overlooks a leafy garden Manhattan townhouses built in the 19th century typically have the kitchen positioned below the living area on the garden floor, where it can open to the outdoors. This arrangement did not suit the owners of this rebuilt townhouse, however. They love to entertain and wanted a large open-plan living space where they could cook and relax all on one level.

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Architect Jane Sachs of HS2 Architecture, who was commissioned to design the extensive rebuild, says this didn’t mean the garden needed to be sacrificed however. “On the contrary, we were able to create a fully glazed greenhouse dining area overlooking the garden – it is just like a garden room. “We also pushed out part of the kitchen, and introduced

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10ft windows and a wide opening to the dining area, so the kitchen is flooded with natural light and sunshine.” The architect designed a large 7ft square island as the main food preparation and serving area. The island also provides extensive storage, including shelving for cookbooks, and has a concealed appliance shelf that can be raised by remote control.

White cabinets with a mix of simple panel doors and beadboard help to keep the space light and airy. So, too, do white subway tiles on the backsplash. The white palette also makes a strong contrast to the exposed brick of the building, and the reclaimed brick fireplace positioned on one wall of the kitchen. The fireplace is flanked by symmetrical white cabinets,


with Sub-Zero refrigeration on one side and a pantry on the other. The dishwashers are also integrated. Because this is a kitchen for a busy family that thrives on informality and likes to gather around and watch the cook at work, all the utensils, dishes, oils and spices are right at hand beside the cooking center. There is also a pot filler above the large range.

Facing page: Designed for the serious cook, this kitchen features a large Wolf range. A niche within the subway-tile backsplash, and utensil racks keep everything within reach. Above: Tall windows let in plenty of natural light, making the kitchen an inviting room in all seasons. A wood fire is a cozy addition. Left: The large 7ft-square island conceals a food mixer shelf that can be raised by remote control.

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Textural finishes help to retain the traditional character of the townhouse. The countertops feature black granite with a rough, hammered finish. And the flooring throughout the house is hand-hewn engineered walnut that imparts a rich glow to the rooms. resources & more images 43680 at trendsideas.com

Facing page and left: The kitchen opens to a new greenhouse dining area that overlooks the garden below. Stairs lead down to the lower level. Above: A bank of double-hung windows and French doors ensure the entire south side of the house is exposed to the sunlight. Story by Colleen Hawkes Photography by Gross & Daley Photo

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Chef’s eyrie Light and open, this kitchen connects with its natural setting in several ways One of the most important features of a new kitchen is its placement in the home – both in terms of its relationship to the living areas and the exterior outlooks. Set on an outer corner of a home that hugs a steep hillside, this kitchen is in an ideal position to enjoy views across the valley and bay. The house, by Eric Haesloop and Mary Griffin with interiors by Margaret Turnbull, optimizes connections to the setting at every angle. This includes picture windows and sliding doors that open to a spacious wooden deck. There are attractive vistas to the rear of the kitchen, too, says Haesloop. “A diagonal sightline from the breakfast table through the kitchen takes in the pool, and clerestory windows allow glimpses of the hill behind. This is an immersive kitchen space – standing at the island, you feel you’re part of the wider environment.” Appropriate to its natural setting, the house has an eco-friendly makeup, with recycled elm featuring on the floor and walls. This species is continued as a veneer on the kitchen cabinets, making for a seamless flow. The countertops and backsplash are in a similar-toned granite. Specifying the two countertops in a slim profile adds to the light, airy ambiance, says Haesloop. “The owners wanted the kitchen to connect to the adjacent open-plan living and dining spaces, but not be on show. To achieve this, we introduced a dividing wall of freestanding cabinets across the center of the room. This acts as a screen between the kitchen and dining table without blocking the sightlines that run along the front and rear of the interior on this level.” Margaret Turnbull chose the round Noguchi table to fit in the available corner space. “This chic, slender table also has a light feel,” she says. “And the Bocci chandelier above it provides an eye-catching sparkle without detracting from the panoramic outlooks.”

Left: This kitchen was designed by Turnbull Griffin Haesloop. A wealth of under-counter storage on the island allowed the pair to limit the number of overhead cabinets. This optimizes visual corridors and light penetration across the space. Above: A round Noguchi table provides the perfect place to enjoy breakfast and take in 270° degree views out over the valley and bay.

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Left: Clerestory windows provide views of the hillside rising behind the house, and sliding doors open onto the pool and courtyard area. The freestanding wall of cabinets contains integrated appliances and screens cooking mess from the dining table on the other side. The rear wall of cabinets – also freestanding – helps define the circulation corridor behind. Story by Charles Moxham Photography by David Wakely

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