KITCHENS RENOVATIONS
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CONTENTS
Highlights from this issue of myTrends Kitchens & Renovations
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KITCHENS & RENOVATIONS It’s a challenge at the best of times – updating, expanding, blending the best features of the old with the convenience of the latest innovations. Where to begin? And how do you choose what’s best for your project? You go to mytrends! On mytrends you can search for design ideas and solutions in our online showcase of hundreds of kitchens and homes, and connect with our community of architects and designers. When you’re ready to start choosing, mytrends can suggest products, services and expertise to help make your final selections easier. In this issue of mytrends Kitchens & Renovations we’ve collected some of the latest ideas to impress us. You’ll find these remodeled homes and kitchens and many, many more on mytrends – where everyone who loves design can find each other, share ideas and collaborate on projects. Join us today and discover a whole new world of design inspiration!
HIGHLIGHTS Editor Kathleen Kinney – kathleen.kinney@trendsideas.com Media Sales Adrian Law – adrian.law@trendsideas.com Ben Trethewey – ben.trethewey@trendsideas.com Leslie Johnson – leslie.johnson@trendsideas.com Shailan Patel – shailan.patel@trendsideas.com Sonia Fredrick – sonia.fredrick@trendsideas.com Vanessa Matson – vanessa.matson@trendsideas.com
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How fabulous! This living room opens directly onto a large pool area and a spectacular view. Find even more idyllic poolside locations at myTrends.
Adding a multi-function island is an integral part of most kitchen remodels. From traditional to contemporary, you’ll find hundreds of them at myTrends.
Home to one of the oldest cities in the country, the Boston area is full of historical residences. Go to myTrends to find new and old homes from this vibrant region.
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Modern outlook Extensive renovations have revitalized these homes, and captured the essence of their design heritage
mid-century makeovers
Design integrity intact Against a Mid-century Modern backdrop, this 1960s house has undergone a major transformation that respects the original architecture, but tailors it for contemporary living Mid-century Modern architecture can be a perfect fit for the way we live today, but there’s no doubt the original examples of such homes built in the ’50s and ’60s do benefit from an extensive makeover. This Southern California house, in a prestigious Beverly Hills location, had a Mid-century Modern decor, but it wasn’t designed to maximize the spectacular views from the property. Developer Izzet Levi Uzyel of DIJ Group, working with Xten Architecture, says he took on the project because of the
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views and the distinctive architecture of the Trousdale neighbourhood. “We envisioned creating a home with vast walls of glass opening to a pool – a home that would epitomize the true California indoor-outdoor lifestyle,” he says. “At the same time, great consideration was given to the exterior architecture, to make sure it would blend with the existing Mid-century Modern architecture in the neighborhood. It was very important that this house fit the mould while creating a new-generation family home.”
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Building contractor Jon Mut of Boswell Construction says the changes began with the exterior and the street elevation. “The original house had many small windows facing the road, which gave the facade a rather chopped-up look. We removed all of these, creating a single large circular window that better reflects the Mid-century Modern style. The new plastered exterior was also extended to enclose a gated entry, and the entire house painted white. With new landscaping, it has a much more dramatic presence.”
The remodeled forecourt also provides a strong sense of arrival. The design team created a highly symmetrical entry to the house, over a linear pond. The facade incorporates a substantial beam that crosses in front of the house. The space between the beam and the building has the same dimensions as the pond, which brings sunlight right down to the water. “We introduced a fully glazed entry, so there is a direct sightline to the view, right through the house and out across the pool terrace on the other side,� says Mut.
Before
Preceding pages: The major renovation of this 1960s house has created a seamless link between the interior and a resort-style outdoor living area and pool. The renovation was also designed to maximize spectacular views. Facing page and above: With its sleek new facade, the house has a strong street presence. There is also a new gated entry and forecourt. The former carport is now a garage. Top and left: The entry has been transformed beyond recognition, with glass walls and doors, and a linear pool with a stepping stone.
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Top and above: The opening in the main living area was increased in size from 15ft to 27ft. Pocket doors slide away into the wall on the left side of the room. New screens, made from laser-cut powdercoated aluminum, are backlit with LED lighting at night. Above right and right: With white-painted walls and ceilings, the remodeled house is much lighter and brighter than the original. The ceiling in the living room is also higher, as the floor level is now stepped down from the entry.
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Before
On the inside, several structural walls were removed to open up the space and provide a more flowing interior. “The existing house had a lot of very confined small spaces – it was very compartmentalized, which didn’t fit with the way most people like to live today.” Arched openings, an ornate fireplace, wood paneling and a parquet floor were also banished, and the living room was stepped down from the entry to create an airy, spacious living space. “We added powdercoated aluminum
screens to divide the living area from the entry,” says Mut. “These are double screens with custom patterns cut by a laser water jet. They are backlit with LED lighting, so they are especially decorative at night.” But one of the biggest changes is the improved connection with the outdoors. The original 15ft opening to the pool terrace was extended to 27ft. Huge pocket doors slide out of sight within the walls, so the living room appears to be part of one enormous terrace.
“The weather in Southern California allows us to enjoy the outdoors all year round, so the entire house was reoriented to maximize this,” the builder says. “We also painted all the walls and ceilings white so they would reflect the light and reinforce the resort ambiance.” Even the kitchen was moved from its original position at the rear of the house. This room is now at one end of the living space, and the entire corner opens up to the sunny terrace and the pool. “We chose a galley-style kitchen with
a long island and bar stools,” says Mut. “It’s a very social space, well suited to entertaining. A short feature wall separating the kitchen from the dining room is clad in porcelain tiles that resemble natural stone. These were chosen to resist the heat given off by the double-sided fireplace in the wall. Having this fireplace means these two rooms are not completely isolated – you can catch a glimpse of what’s happening on the other side.” But it’s not just the public areas that were the focus of attention for the remodel.
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Top, above and right: The original kitchen was replaced with a new galley-style kitchen with a long island. A porcelain-tiled wall with a doublesided fireplace separates this room from the dining space. This room is beside the round window that provides views back to the street. Above right and facing page, lower: Before-andafter images highlight the changes to the master suite. The bedroom opens right up to the terrace. In the new bathroom, a 4ft-wide pocket door slides away to expose the swimming pool – the owners can dive into the pool from the doorstep.
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Before
The master suite was also repositioned to the front of the house. Here again, there is an extra-wide opening to the terrace, with pocket doors sliding out of sight. “We wanted to minimize the visual impact of the doors throughout the house,” says Mut. “The goal was always to concentrate on the view.” Pocket doors also feature in the new master bathroom, which is an extension to the original house. Two 4ft-wide openings provides slices of the view, one towards the pool and the other providing
a more distant vista. This opening is directly aligned with the door to the bedroom, so the owners can see right through the bathroom and out the other side. However, the pièce de résistance of the marble-lined bathroom is the opening right beside the pool. “The owners can get up in the morning and literally dive off the doorstep and into the pool,” says Mut. Other features of the bathroom include a sculptural, freestanding tub and an open, wet-area shower.
Before
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resources & more images 46145 at trendsideas.com another mid-century home 34602 at trendsideas.com search: modernist at trendsideas.com Before
Above: A kidney-shaped pool and terra cotta paving were typical '60s features of the original house. Not all rooms were focused on the outlook, however. Right: Lush greenery, new landscaping and an entirely new outdoor living area have created a private sanctuary. The home is now awaiting new owners. Story by Colleen Hawkes Photography by Jamie Cobel
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On the rooftops High above San Francisco, this sleek, minimalist eyrie captures views in all directions, thanks to an extensive remodel Above: Glass screens enclose a sheltered terrace at the top of this extensively remodeled city house. Although this balcony existed prior to the renovation, Feldman Architecture added a bright red shade canopy, seating and planter boxes. The glass has self-cleaning properties to ensure the view remains clear.
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San Francisco is renowned for its tall, slender houses that sit cheek by jowl on some of the city’s most prestigious real estate. But at just 21ft wide, this house was narrower than most. Architect Jonathan Feldman of Feldman Architecture says despite its narrow width and dilapidated state, the property had the potential to be a spectacular home for the new owners. “The four-story house was in a great location and there were views in all directions from the top level,” says Feldman. “But in its original state, the house was unattractive and dark, with narrow stairs leading to the living area at
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the top. This floor was compartmentalized with several small rooms, so there was no view from front to back. And although the living area had high ceilings, it was not well suited to modern living. A small, galley-style kitchen didn’t help.” Changes were made at every level, both inside and out. The unarticulated stucco facade was reclad in gray limestone, and deep metal frames introduced around the windows and garage. A bay window that cantilevered out over the street was replaced with a balcony. Feldman’s team also made significant changes to the stairs. The narrow stairway was
replaced with wider stairs in wood, steel and glass, with open treads to let the light flow through. Skylights on the top level, and a glass floor below, allow natural light to filter down through the stairwell, which in turn helps to draw people up to the living area at the top. For further definition, the architects wrapped the stairwell with a perforated metal screen that runs along the ceiling and folds down the stairs, connecting all four levels. “Light travels through the screen not only from the skylights at the very top, but also from windows and artificial lighting behind
the metal,” says Feldman. “There is also LED lighting within a reveal at the top where the metal screen meets overhead cabinets.” In keeping with the owners’ preference for a clean, uncluttered aesthetic, the top floor was gutted and the space opened up to create one large living space with views to the front and rear. Both the living and dining rooms open out to balconies – the balcony off the dining room was formerly a bay window in a bedroom. And because both owners are serious cooks, the kitchen takes pride of place right in the center of the space.
Above: Floor-to-ceiling glass walls encircle one end of the living space, which now occupies the entire top floor of the house. The flooring is fumed French oak, which complements the mid-toned gray wood veneer of the cabinetry. The wall behind the media center conceals a new elevator.
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Top and above: New wood, steel and glass stairs were introduced to the remodeled stairwell. These are wider than the original, and have open treads to enhance the natural light. A perforated metal screen wraps right down one entire wall from top to bottom. In places it partially conceals windows and artificial lighting. Right: Natural light travels through the metal screen from skylights. Light also flows through the glass panels on the floor of the kitchen.
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“The kitchen receives plenty of diffused light through the perforated metal screen, even if the view is compromised at the side,” says the architect. “These windows did not align with the architecture, so it works in our favor to have them covered. It also focuses attention on the spectacular framed views front and back.” As with many city townhouses, storage can be a challenge. With this in mind, the team created deep cabinets that extend past the kitchen in both directions. These conceal a wall of storage and large amenities, including a media center and elevator on the left. To the right, the
Facing page: A custom kinetic sculpture by Reuben Margolin enlivens the void, and is in keeping with the light industrial aesthetic. Above: Cabinets beside the dining area hide a powder room and a lot of storage. Left: The dining area opens out to the front balcony, which features a barbecue grille.
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cabinets hide a fridge-freezer and a powder room. High cabinets can be accessed by a ladder on a slide rail. “We crammed a lot into a sleek facade,” says Feldman. “There is even extra-deep storage behind the cooktop and sink.” Interior designer Lisa Lougee specified a warm, gray and white palette throughout. In the kitchen, a mid-toned gray wood veneer is teamed with a lighter grained laminate and quartzite countertops. Overhead, a large kinetic sculpture by local artist Reuben Margolin appears to extrude through the metal screen.
On the floor immediately below the living level, the passage is flooded with light from the glass floor in the kitchen. This hallway leads to the master suite at the rear of the house. One wall in the suite is placed at a 45° angle to maximize the view from the bed out towards downtown San Francisco. On the other side of the wall, the angle adds interest to the bathroom, which Lougee lined with Athens Silver Cream marble tiles. Other special features of the home include photovoltaic panels on the roof – these are angled in the opposite direction to the skylights.
Facing page: Marble tiles line the walls of the master bathroom, and the ceiling within the shower. The bathroom wall is angled to accommodate the position of the bed in the bedroom on the other side. Above: Built-in furniture in the master suite includes an upholstered window seat where the owners can enjoy the sun and view.
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Left: The top floor living area maximizes views out to the bay and Golden Gate bridge. This small balcony, off the dining area at the front of the house, replaces a former bay window in a bedroom. Story by Colleen Hawkes Photography by Joe Fletcher
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Ship shape This nautical-themed residence is anchored by tall columns featuring Natural Stone Veneers Natural stone is as old as the hills, but it still sits perfectly well in a contemporary home, both inside and out. This waterfront house, designed by architect Vernon Pierce of Pierce Architectural Group, has a distinct nautical reference, reflecting the boating interests of the owners. It is anchored by soaring, three-story stone columns clad in Virginia Ledgestone™ from Natural Stone Veneers International, Inc (NSVI) . The Virginia Ledgestone columns extend through into the interior, blurring the boundaries between inside and out. They also give the home a dramatic textural presence, which contrasts the sleek modernity of the rest of the interior. NSVI says stone facing is a technique that dates back centuries, but in recent years the company has developed and patented equipment that creates thin slices of stone and 90° corner pieces. Stone can be cut and installed in a fraction of the time it would once have taken. Because NSVI natural stone is light, it also saves installation and shipping costs, and it negates the need for heavy structural supports. The stone is highly durable, scratch resistant, colorfast and weathers beautifully. NSVI offers more than 60 product lines quarried from around the world. These are categorized into 11 collections. For more ideas, high-resolution photo galleries, and to download the 40-page catalog, visit www.nsvi.com. save & share 45795 at trendsideas.com This page: Virginia Ledgestone stone veneers feature on this new house. Photo by Myro Rosky
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kitchen remodeling
Personal agenda Whatever the scope or size of the project, these kitchens reflect an individual response to their owners’ needs
Depth of character These remodeled New York City apartment kitchens deliver some effective ways to optimize functionality and visual impact in a restricted space
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Apartments in Manhattan, in the heart of the Big Apple, are notorious for having small kitchens. By necessity, NYC apartment remodels are often about thinking big in a limited space. The reinvented kitchens on these pages are by architect Alan Berman and interior designer Juliana Codas of Archetype Design Studio. The pair share some of their professional insights on designing in a constrained environment. Common issues with an apartment remodel are having to work in with fixed services and coping with space limitation, says Berman. “Organization is imperative to dealing with
the waterworks. Often building unit guidelines prevent delving into ceilings or floors to reroute plumbing. To avoid this, it pays to position the sink or sinks near the chase wall – where the hot and cold risers are concealed – and organize the design around that. “Another good space and budget measure is to specify standard cabinets, arranging them in interesting compositional forms that avoid the need for filler elements. Savings on custom cabinetry can be channeled into a dramatic backsplash and more upmarket appliances for maximum aesthetic impact.”
Preceding pages: Designed on a relatively modest budget, this kitchen by architect Alan Berman and interiors specialist Juliana Codas sets customized standard cabinetry in a tight, space-saving and efficient composition. These pages: The two-tone mosaic tile backsplash and glass-fronted upper cabinets add a sense of depth and bounce light though the windowless space. Contrasting countertops denote areas of use.
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Above: For this remodel, introducing cabinetry storage in an adjacent corridor freed up space in the combined kitchen and informal eating area. Having the cabinets, countertop and backsplash in the same style as the kitchen draws the two areas together. The narrow countertop acts as a servery to the formal dining room. The upper cabinets display glassware and vases.
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Berman says this was the approach taken for the cabinetry in the first kitchen featured. “These standard cabinet heights don’t reach up to the ceiling. This gives them a furniturelike appeal and evokes a sense of space – as if the pieces sit freely within a much larger volume.” The backsplash is in a two-tone mosaic tile that has a different look from different angles, creating luster and a 3-D effect. And the shiny tilework reflects light through the space. Berman and Codas also chose translucent glass-fronted upper cabinets that add to a feeling of depth without revealing their contents.
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“The owners wanted to enjoy casual eating at the island so we specified a different countertop to the perimeter work surfaces. The change from light to dark gray provides interest and a degree of separation,” says Codas. The other kitchen is used by the family as a self-contained living and casual eating space. “To optimize usable area here we set some cabinets in the corridor to the dining room, meaning less storage was needed in the kitchen. The slender hallway countertop doubles as a serving counter between the two rooms.” Berman says that this kitchen layout is
tiered, again for space reasons, but interest comes as much from materials as composition. The casual dining table is in solid teak and the cabinetry is all solid oak. Although this has been painted, the grain of the wood can still be seen close up. This kitchen also benefits from a glossy, feature backsplash. Lighting can be another tricky issue in an apartment kitchen – for similar reasons to the plumbing, says Berman. “For the first kitchen, we avoided entering the ceiling by running spot lights from three existing light sockets. For the second design, the
wiring was more accessible. This kitchen has a lower ceiling than the adjacent rooms and recessed lighting gives the illusion of a larger space. I always try to have three light sources in a design – overhead, under the cabinets, and internal lighting if the cabinets have glass fronts. “Under-cabinet lighting shows off a feature backsplash and also provides a subtle night light when all the other lights are switched off.” resources & more images 46129 at trendsideas.com
Above: This kitchen is laid out in tiers to optimize floor space. Positioning the sink near the chase wall that conceals the hot and cold risers allowed Alan Berman to avoid additional plumbing. The cabinetry is in solid oak and the table is teak. Leather upholstery has been used on the bench seating. Small cubbies provide interest and niche storage. Story by Charles Moxham Photography by Jamie Cobel
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Fresh and crisp White cabinets are always in vogue for kitchen design, no matter the style: traditional, classic, country, eclectic or contemporary. Sleek, polished Kraus faucets are an ideal complement for this clean look Above: Substance meets style in the new Nola single-lever pull-down faucet. With its sleek lines and soft curves, the balanced silhouette of this faucet is well suited to kitchens in a wide range of styles. The faucet has an ergonomic pull-down sprayer with a flexible smooth-retracting hose. The dual-function sprayer can be switched from an aerated stream to a powerful spray. As with all Kraus products, Nola comes with a Limited Lifetime Warranty.
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Light, bright kitchens are the order of the day for most households, and this is why white cabinets never go out of fashion. White cabinetry can be perfectly offset by glossy stainless steel appliances, which are enjoying a renewed popularity. Shining fixtures, such as the Kraus faucets pictured on these pages, help create a refined, enduring look. Both contemporary and commercial-style faucets are available. These are designed to suit a range of decor styles, from classic to ultra modern. All Kraus faucets are manufactured using
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best-in-industry components for reliable, water-efficient use with minimal maintenance. Kraus has also ensured the products are very cost effective, which leaves homeowners free to splurge on other wish-list items to create their perfect kitchen. Kraus contemporary pull-down faucets feature high-arch spouts and sleek, single-lever handles. The commercial-style models have an innovative coiled-spring design that provides an industrial aesthetic with modern flair. The Nola™ is a new faucet that fits right in with other sleek modern designs in the Kraus
collection. This faucet has a diverse array of applications, and can be customized with a polished chrome or satin stainless steel finish. Since contrasting textures are another key trend, Kraus has introduced the Geo Series™ of kitchen faucets, with the signature matte black look of the Spotless Black Onyx finish. For more information, contact Kraus, phone 1800 775 0703. Website: www.kraususa.com save & share 46135 at trendsideas.com
Above: A kitchen can make a strong design statement when complementary products are teamed. This kitchen features a Kraus Geo Arch faucet with the signature two-tone design of the Geo Series. The faucet is paired with a Kraus sink made from high-quality 16-gauge T-304 stainless steel. Left: This design pairs a Kraus Geo Axis faucet with a Kraus stone sink made from 80% natural stone.
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With a classical flavor Diamond-patterned glass and hand-painted cabinets ensure this new kitchen is in keeping with the gracious character of an older home
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Successfully merging the old with the new was the key to this extensive renovation. The existing house – a grand, three-story 1960s home on a prime riverside site – has been completely remodeled inside and out. Not surprisingly, a new kitchen is at the heart of the home. Designer Lee Hardcastle of Enigma Interiors says the original kitchen was smaller and
did not lend itself to modern living. “It was rather hidden and it was an awkward space. The owners, Andrew and Karen Baildon, wanted to make a statement with their new kitchen. It needed to be beautiful and uncluttered, with a separate work area at the rear.” The ground floor area was subsequently remodeled and several walls removed to
create a spacious kitchen and open-ended scullery within an extra-large family living area that opens up to the outdoors. Hardcastle says it was important to maintain the traditional character of the older home. “The owners have always admired the Art Deco period, and this greatly influenced the design,” he says. “The home already boasted large columns
Above left: Simple, hand-painted cabinets in dark gray and off-white enhance the traditional Art Deco look of this new kitchen in an older home. Wherever possible, appliances are integrated – a large refrigerator drawer on the side of the island serves as a butler’s pantry. Top and above: The kitchen also features decorative display cabinets with diamond-patterned glass – the motif can also be seen above the range and below the banquette seat.
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Above: A large black Falcon range is accommodated within a semifreestanding cooking center. The scullery can be accessed from either side of this unit – tiled walls wrap around the corners, providing a practical surface.
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and archways, wooden floors and Art Deco detailing.” Hardcastle, who worked closely with Karen Baildon on the project, says she had collected many images, mostly featuring American projects. “Many of these designs expressed a Georgian feel. This also helped to determine the design of the hand-painted cabinetry, which features simple recessed panel doors
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and fluted glass display cabinets with a distinctive diamond pattern. “The cabinets even show slight brush marks, which ensures they can be touched up easily if needed.” Hardcastle says a central island was another request – as well as providing plenty of counter space, this needed to accommodate dining seating and bar stools.
The L shape evolved from these requirements. One end of the island forms a bar top, while velvet banquette seating wraps the inside of the L. The exposed peninsula on the island is supported by a square-edged column on a pedestal base. A similar base features on the banquette seating – this is highlighted by a subtle repetition of the diamond motif.
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“We also introduced this pattern to the wall above the range,” says the designer. “And the motif reappears on display cabinets in the scullery, which can be seen from the kitchen. This provides visual balance, but the pattern is used sparingly so that it doesn’t overwhelm the space.” In keeping with the need to retain a traditional character, all the modern appliances are
integrated or concealed in the scullery. The bank of cabinets on the side wall conceal a large refrigerator and freezer, while the island hides a dishwasher and a large refrigerator drawer. But a traditional black Falcon range takes pride of place in a hearth-style cooking center. White subway tiles line the backsplash and the outside walls of the center, creating a highly practical surface.
Left: Rather than introduce modern modular shelving to the scullery, designer Lee Hardcastle created three stand-alone units that appear as furniture inserts within the wall behind the cooking center.
Story by Colleen Hawkes Photography by Lee Hardcastle
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It’s a wrap Stainless steel bands bind the crisp cabinetry in this new kitchen, bringing a bold, contemporary edge to an older bungalow
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A major home renovation can provide plenty of scope for creativity, especially when space is not an issue. For the owners of this older bungalow, which was extended up and out, the remodeling created room for a new kitchen within a spacious family area. Designers Melanie Craig and Stacey Anderson of Melanie Craig Design say the owners love to entertain and wanted something modern and a little different. “They wanted a kitchen that spoke design, rather than a standard kitchen
in the corner of the room,” Craig says. “They were happy to let us explore various options and materials. The extension incorporates exposed structural steel elements, which prompted the decision to go for a slightly industrial look. “The starting point for the design was the 2in compressed stainless steel material, which we have used in several projects. Here, we decided to wrap it around the end of the cabinets, rather like a giant elastic band. At one stage we even considered using bands of yellow rubber, but then
chose to introduce color through bright lemon accessories that can be changed out if required in the future.” A dark-toned quartz island countertop and concrete flooring reinforce the industrial look, but these elements are offset by light American oak cabinets and smooth white lacquer. “The wood warms the space visually,” says the designer. “It gives the kitchen personality, and helps to ensure it interacts with the wider living area and is not too hard or clinical.”
Above left: Citrus lemon accents contrast dark gray walls and concrete surfaces in this kitchen, which is in a new extension to a 60-year-old bungalow. The team from Melanie Craig Design also introduced contemporary lacquer and American oak cabinetry, with cantilevered elements wrapped in bands of 2in compressed stainless steel. Above: The stainless steel wrapping the cabinetry is reminiscent of giant elastic bands. To enhance the crisp look, the cabinetry has mitered corners.
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As well as the asymmetry created by the banded ends of the cabinets, there is a change in levels on the rear countertop. “Rather than having a tall oven tower like a standing soldier, we prefer to elevate ovens side-by-side at waist height – like a traditional tallboy,” says Craig. “This makes the ovens much more accessible, and creates a place on top for hot dishes to rest, which keeps the cooking zone free.” The designers say the kitchen is divided into a number of zones. “We like to work with a working star
rather than the traditional work triangle,” says Craig. “There are separate zones for food preparation, cooking, cleaning and storage. Everything is right where it is needed, and drawers are customized for cutlery, utensils, oils and spices.” The design team placed the refrigerator near the door in the scullery, where it can be accessed by the family without entering the main kitchen. The scullery itself is large enough to be a separate food prep and cleanup area, making it easy for several people to work.
Facing page: Side-by-side ovens are elevated and sit within an American oak cabinet that is also wrapped in stainless steel. The overhead cabinets have a high-gloss finish and feature Blum Aventos lift doors – all the hardware is also Blum. Above left and above: The adjoining scullery provides additional bench space and storage, and a second sink and dishwasher. Large sliding doors open up the family room to the outdoors. Story by Colleen Hawkes Photography by Jamie Cobel
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Italian flavor Italy is the home of great design – and the latest Italian appliance technology can be in your home also, with Ilve from EuroChef USA When you’re passionate about food, near enough is never good enough. Your appliances need to deliver professional results every time. EuroChef USA understands just how important this is. The company also recognizes that Italy is a leader in the design of high-end cooking appliances, which is why EuroChef has been supplying quality European-designed appliances since 2001. EuroChef is the exclusive US importer of Ilve and Verona Italian-manufactured cooking appliances.
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Ilve, featured above, is a luxury brand providing ranges that can be completely customized from an almost endless array of options. Each range is hand assembled by Italian artisans, and is designed to provide stand-out functionality and aesthetics. EuroChef also supplies Ilve ovens, cooktops and ventilation systems. Special features of Ilve ranges include multifunction ovens, a removable griddle, warming drawer and rotisserie. Ilve ranges shown here are the 48in Techno in Burgundy (top left); the Ilve
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48in range in stainless steel (lower left); and the Ilve 60in Techno in Midnight Blue (right). Other color options include Emerald Green, Matt Black and Antique White, with either brass or chrome trim. To contact EuroChef, phone 1 866 844 6566. Website: www.eurochefusa.com save & share 46388 at trendsideas.com Above: Ilve ranges are imported by EuroChef USA. The image at lower left is by Jamie Saloman.
FIND U S O N
Command center A large, multi-function island is an integral part of most remodeled kitchens these days. Here are eight great projects to give your creativity a kick-start
kitchen islands
Carrara marble is used to create a centerpiece in this new kitchen by designer Robyn Labb. The marble flows over the top and down three sides of the kitchen island, so it looks as if it has been honed from a single block of stone. The same marble features on the backsplash behind the oven and cooktop, tying the design together. The rest of the home is more traditional, which influenced the design of the cabinetry. Photography by Jamie Cobel Search 33291 at trendsideas.com
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Furniture-style cabinetry is a key feature of this new kitchen in an extensively remodeled 1920s house. The kitchen, designed by Mikal Otten of Exquisite Kitchen Design, includes a mahogany island that forms a table at one end. The detailing on the legs mimics an original newel post in the adjacent entry hall. A white Carrara marble countertop and white-painted maple cabinets provide a quiet backdrop to the owner’s collection of colorful Fiestaware. Photography by Tim Murphy/FotoImagery.com Search 34672 at trendsideas.com
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A light-filled space was the result when architect Stuart Silk reworked an existing, closed-off period kitchen. Where the original island cut across the space, the new island follows the room’s orientation – leading the eye out to the views. The transitional cabinetry bridges the gap between the home’s origins and the need for a contemporary, practical kitchen suitable for cooking and socializing in. The Calacatta marble countertops by Fairweather Stone Works provide a prominent accent material. Photography by Buck Usher Search 34768 at trendsideas.com
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A 12ft-long island with a composite stone countertop is the focal point of this kitchen in a beachside house. Cabinets in the galley-style kitchen have a white lacquer or matte black finish. The floors in the kitchen are American white oak with a black oil finish. Black and white is also a theme on the exterior of the house, which was designed by Chris Tate Architecture. Photography by Jamie Cobel Search 36638 at trendsideas.com
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This kitchen by designer Lisa Grider combines Italian laminate and engineered stone to create crisp, clean-lined cabinetry. The island holds storage on both sides and has a freestanding component – a side table that seats four and can be moved away from the island or set over it to gain additional floor space. Photography by John Umberger Search 35248 at trendsideas.com
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Rather than specifying natural wood cabinets for this log cabin country house, the architect chose traditionally styled painted cabinets in different colors, which are reminiscent of cupboards pushed up against the wall. The island with a butcher’s block countertop has a similarly furniture-style look. The house was designed by Rill Architects. Photography by James Lee Spahn Search 33286 at trendsideas.com
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Architectural designer Mark Williams specified sleek Bulthaup walnut cabinetry for this new kitchen, which is four times larger than the original kitchen in the remodeled apartment. A wall between the kitchen and formal dining room was removed to create space for the large island that doubles as a casual dining table. The island features a quartz countertop. Photography by John Umberger Search 34382 at trendsideas.com
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AWARD RECIPIENTS 1 TURNBULL GRIFFIN HAESLOOP MERIT AWARD Hupomone Ranch
AIACC 2014 RESIDENTIAL DESIGN AWARDS Recognizing excellence in residential architecture and design The American Institute of Architects, California Council (AIACC) Residential Design Awards program was established to celebrate the spaces where we all live, work and play. The program recognizes the best in residential architecture and design in the state of California. Eligible programs include: affordable housing units, condominiums, mobile residences, single family and multi-family residences. Executive Vice President, Paul Welch, Jr, Hon AIA, believes the competition serves an important function of honoring Californian architects. “We are pleased to recognize these residential architects. Each of the projects demonstrates in a very tangible way the real value of good design.” This year’s awards, judged by a panel of architects throughout California and Washington, were open to architects and firms whose projects are located in California, as well as to Californian architects who have completed work elsewhere. Winners received Merit awards for their work. In addition, the projects will be individually featured in Trends books and eBooks.
2 STEVEN CHRISTENSEN ARCHITECTURE MERIT AWARD Heptagon House 3 BOHLIN CYWINSKI JACKSON MERIT AWARD Halls Ridge Knoll Guest House 4 MOORE RUBLE YUDELL ARCHITECTS & PLANNERS MERIT AWARD 2802 Pico 100% Affordable Housing 5 JONATHAN SEGAL FAIA MERIT AWARD The Cresta 6 ARTHUR DYSON ARCHITECTS MERIT AWARD Fawcett House Restoration 7 LEDDY MAYTUM STACY ARCHITECTS MERIT AWARD Sweetwater Spectrum Community 8 STUDIO PALI FEKETE ARCHITECTS MERIT AWARD Oberfeld Residence
AIACC and Trends congratulate the winners for their innovative projects, each contributing to the idea and lifestyle of “California Living”.
JURY Jennifer Luce LUCE et Studio Kava Massih, AIA Kava Massih Architects Ron Goldman, FAIA Goldman Firth Rossi Architects
AIACC 2014 RESIDENTIAL DESIGN AWARDS
MERIT AWARDS TURNBULL GRIFFIN HAESLOOP – HUPOMONE RANCH
Hupomone Ranch is an LEED Platinum house designed to reflect the owner’s commitment to sustainable farming and the natural serenity of the site. The simple grounded form of the barn is sited to capture the long southern views to the pool and coastal range beyond.
ARCHITECT Turnbull Griffin Haesloop
Jury Comments “This is really, really beautiful. It’s an unassuming structure with an elegant simplicity. It takes an agrarian form and transforms it into a modernist box.”
LANDSCAPE ARCHITECT Lutsko Associates Landscape
GENERAL CONTRACTOR Sawyer Construction CIVIL ENGINEER Adobe Associates, Inc STRUCTURAL ENGINEER MKM & Associates MECHANICAL ENGINEER Meline Engineering
GEOTECHNICAL CONSULTANT Bauer Associates ENERGY CONSULTANT Loisos + Ubbelohde LEED CONSULTANT Michael Heacock + Associates INTERIOR DESIGN Erin Martin Design Photography by David Wakely
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AIACC 2014 RESIDENTIAL DESIGN AWARDS
STEVEN CHRISTENSEN ARCHITECTURE – HEPTAGON HOUSE
This project is an experiment in micro housing that offers a geometric solution to a peculiar regulatory challenge. Required to adhere to the 195sq ft footprint of an existing century-old foundation near Heceta Beach, this highly compact guest house angles outward from its base, taking advantage of the simple properties of plan rotation in order to simultaneously expand the area of the upper floors and align them toward the spectacular ocean view.
ARCHITECT Steven Christensen Architecture
Jury Comments “It feels like a fun, big boulder in the landscape. I felt that if I were climbing in the mountains and I’d come upon this, I’d smile.”
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AIACC 2014 RESIDENTIAL DESIGN AWARDS
MERIT AWARDS BOHLIN CYWINSKI JACKSON – HALLS RIDGE KNOLL GUEST HOUSE
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The Halls Ridge Knoll Guest House is the first building as part of a three-building master plan designed to choreograph movement along an extraordinary ridge-top site. The building is anchored to its site with a stone wall and chimney that support a modest house tucked under a shed roof.
ARCHITECT Bohlin Cywinski Jackson
Jury Comments “The simplicity of this is remarkable. The floor plan is so predictable, and yet I’m not sure how you’d do it any other way. The stone walls settle so quietly into the landscape. It’s really well detailed, no doubt about that.”
PLANNING CONSULTANT Maureen Wruck Planning Consultants
GENERAL CONTRACTOR Stocker & Allaire STRUCTURAL ENGINEER Jon Brody Structural Engineers MEP ENGINEER LMR Engineers LANDSCAPE ARCHITECT Bernard Trainor + Associates
LIGHTING CONSULTANT Francis Krahe & Associates Photography by Nic Lehoux Architectural Photography
AIACC 2014 RESIDENTIAL DESIGN AWARDS
MOORE RUBLE YUDELL ARCHITECTS & PLANNERS – 2802 PICO 100% AFFORDABLE HOUSING
This project provides 100% affordable family housing on a previously underutilized site in Santa Monica’s commercial corridor. There are 33 units above active retail and community spaces organized around an engaging courtyard. Addressing the different densities, height limits, setbacks, stepbacks and parking requirements required by the site’s two zones became the central challenge in making the project feasible. Jury Comments “This is such a successful program. One of the details we love is the picket fencing made contemporary. It’s playful. It’s serious. Also, there is a sense of privacy even though it’s a dense project.”
ARCHITECT Moore Ruble Yudell Architects & Planners CLIENT Community Corporation of Santa Monica GENERAL CONTRACTOR Morley Construction Company/Benchmark Contractors, Inc CONSTRUCTION MANAGER Egan Simon Architecture STRUCTURAL ENGINEER CW Howe Partners Inc CIVIL ENGINEER VCA Engineers LANDSCAPE ARCHITECT Pamela Burton & Company Landscape Architecture ACOUSTICS CONSULTANT Schaffer Acoustics Inc WATERPROOFING CONSULTANT Independent Roofing Consultant
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AIACC 2014 RESIDENTIAL DESIGN AWARDS
MERIT AWARDS JONATHAN SEGAL, FAIA – THE CRESTA
The Cresta is a sustainable net-zero 5300sq ft Southern California residence that uses wood and concrete to process a reductive design form bridging the gap between indoor and outdoor. The home is one story below grade and two above. It is framed by a delicate concrete roof and wall structure over a reflecting pool. The large expanses of glass enhance the floating appearance.
ARCHITECT Jonathan Segal FAIA ENGINEER AND ELECTRICAL DESIGNER Huey Electric METAL FABRICATOR Carroll Metal Works Inc CONCRETE TECHNICIAN Markey Masonry FINISH CARPENTRY Jacobs Woodworking Photography by Matthew Segal
Jury Comments “This project is surprisingly subtle, due to the way the house is tied into the property line, and fact that the concrete becomes a horizontal plane. It’s overall a very successful expression.”
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AIACC 2014 RESIDENTIAL DESIGN AWARDS
ARTHUR DYSON ARCHITECTS – FAWCETT HOUSE RESTORATION
An extensive historic restoration of this mid-century Frank Lloyd Wright structure in Central California returns this farm home to its original grandeur. The home is now being used as a residence and is available for limited tours. Jury Comments “Thoroughly researched and carefully restored. For that we are giving the architect an award and for Frank Lloyd Wright we give a posthumous award.”
RESTORATION ARCHITECT Arthur Dyson Architects GENERAL CONTRACTOR BMY Construction Group STRUCTURAL ENGINEER Barcus Structural Engineering LANDSCAPE ARCHITECT Robert Boro Landscape Architect PAINTING AND FINISHING CONTRACTOR Wm B Saleh Co
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AIACC 2014 RESIDENTIAL DESIGN AWARDS
MERIT AWARDS LEDDY MAYTUM STACY ARCHITECTS – SWEETWATER SPECTRUM COMMUNITY
Sweetwater Spectrum is a new national model for supportive housing for adults with autism, offering life with purpose and dignity. Created to address a growing national housing crisis for adults with autism, this community for 16 residences integrates autism spectrum-specific design, universal design and sustainable design strategies. Jury Comments “One of the design strategies seems to be to make it as simple as possible so the autistic resident doesn’t get conflicted with too much color, pattern, etc. The design team really researched this and based the design on those principles, and that is to be commended.”
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ARCHITECT Leddy Maytum Stacy Architects LANDSCAPE ARCHITECT Roche + Roche Landscape Architecture GENERAL CONTRACTOR Midstate Construction STRUCTURAL ENGINEER Structural Design Group MEP ENGINEER Timmons Design Engineers CIVIL ENGINEER Adobe Associates, Inc GEOTECHNICAL ENGINEER Miller Pacific Engineering Group LIGHTING CONSULTANT Architectural Lighting Design ACOUSTICS CONSULTANT Charles M Salter Associates INTERIOR DESIGN One Workplace
AIACC 2014 RESIDENTIAL DESIGN AWARDS
STUDIO PALI FEKETE ARCHITECTS – OBERFELD RESIDENCE
This L-plan house burrows into its sloping site to stay within the mandatory height limit of 18ft. Its street facade is clad in a rain screen of cement panels with minimal openings that conceal the fully glazed interior from the street. The house is cut into the hillside, and a retaining wall and reflecting pool flank the long wing of living spaces that extend almost to the edge of a canyon where there is an angled infinity pool.
ARCHITECT Zoltan E Pali, FAIA GENERAL CONTRACTOR Dugally Oberfeld, Mauricio Oberfeld CIVIL ENGINEER Rothman Engineering, Inc STRUCTURAL ENGINEER Norman Epstein MEP ENGINEER IBE Consulting Engineers LANDSCAPE ARCHITECT Andrea Cochran Landscape Architecture
Jury Comments “We love this house. It’s pretty special. There’s a lightness to it and that seems to quiet it all down.”
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historical renovations
History becomes us Whether it’s a modest remodel that’s grown in scope or a new vision for a grand home, these projects all celebrate the elegance of times past
In harmony Set on a rocky outcrop, this 1890s house takes in spectacular views of the ocean. A 1920s addition has been transformed to share the outlooks
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With small rooms and poor connections to the outdoors, many historic homes benefit from a 21st-century makeover, in which light, space and connectivity are the order of the day. This majestic coastal home began life in 1892, with a servants wing added in the 1920s. Most recently, a substantial remodel to the house, annex and the connection between them was designed by architect Rob Carty of TMS Architects. Carty says the owners wanted to restore the home’s original charm and
improve access to the wing, while giving it a similar aesthetic to the house for a more inclusive appeal. “To achieve this, we replaced missing external stonework on the house, using new stone from the original quarry, and refinished the detailing, right down to the intricate diamond window patterns. The wing’s exterior has also been reworked to match the main house.” The owners lived in the house for many years before remodeling, so had a clear idea of what they wanted. While the
family had used the bedrooms of the main house, they found they spent most of their time in the less formal kitchen, dining and family rooms of the addition. The layout of the house remains much the same, but features such as paneling and fireplace surrounds were restored and a circulation stair moved to improve flow. “We also transformed the connection to the wing, turning a narrow passage into a broad hall with arches and columns, in line with existing elements in the formal living and dining rooms,” says Carty.
Preceding pages: This historic home has been returned to its original glory, while a later addition has been reinvented from the basement level up. These pages: A new external entry opens into the informal living room in the extension. Interior detailing is matched to that of the original 1890s house. A hallway now provides an easy transition from the formal part of the home to the wing. Following pages: A new kitchen in the wing is designed without upper cabinetry to avoid blocking the views. From this vantage, the effect is like looking out to sea from the prow of a ship.
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The architect also introduced a new two-story tower entry to the extension. This brings visual balance to the overall composition. Designed along utilitarian lines for use by the servants, the 1920s extension had suffered from cramped living spaces and limited connections to the water views. To address these problems, the wing was redesigned and rebuilt with open-plan interiors. Dustin Corbett, project manager for builder Windover Construction, says
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with so much work needed to bring the extension into line with the house, his team needed to raze the first floor, making the substantial project more like a new build than a remodel. “Construction access to the coastal side of the home was also tricky. The house and wing were temporarily separated, with a lane built in between.” The upper level of the extension now accommodates a family room, media room and teenagers’ room, while the new kitchen is positioned by the windows, on
the ocean side of the home. Although the layout is contemporary, the new detailing includes crown mouldings, pillars, cove ceilings and archways modeled on the interiors of the main house. Designer Michael Cebula says that, as with the exterior, one aim for the decor was to integrate the two parts of the home. “Between the owners, the architects, Windover and ourselves, we were able to meet this challenge in a relatively short time frame.” To add the functionality required
for the young family, the wing was transformed. In the great room, a softly vaulted ceiling was introduced. This is painted gray blue, to reference traditional New England porch ceilings. “This is the room the family spends most of their time in, so we chose comfortable, relaxing furniture,” says Cebula. With the warren of small rooms reconfigured into an open-plan layout to take advantage of harbor and ocean views, the kitchen became a focal point. “TMS designed a beautiful trim detail,
Above left: The renovated formal dining room has new windows that match the original versions elsewhere on the home. A colorful Chinoiserie wallpaper was introduced to lighten the space. Top and above: The formal living room and sun room have been restored but with softer wall colors and more relaxed furniture. Far left: A new teenagers’ suite in the wing includes a disco ball and a hard-wearing, and sound-absorbent, custom-designed cork floor.
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which Windover executed so well we wanted to ensure the furnishings didn’t take away from the craftsmanship – or the view. We devised a simple eased valance to outline the windows, thereby reintroducing the overall scheme into the kitchen and dining room.” For a new teenagers’ living area, the designer introduced a durable, quiet cork flooring. Cebula worked with TMS to simplify the detailing to create a contemporary look. This room has a game table, wet bar, and faux metallic painted ceiling.
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“For the original home, the decor is more subtle,” says Cebula. “Old mantels were missing in the formal living room. Working with TMS and Windover, we were able to reinstate these architectural details. The owners loved the original Brunschwig & Fils window treatments, but the fabric had suffered water and sun damage. We managed to bring these draperies back to life, repurposing what we could salvage, and updating the style. Existing furniture was also re-covered.” A hand-blocked Chinoiseie wallpaper
that complements the original golden yellow marble fireplace surround was chosen for the formal dining room. “Here, the original drapes were a bit heavy, so we redesigned the treatments to span the large window, with a soft blue silk and multicolored tassel fringe bringing out the colors of the wallcovering. “TMS introduced an outdoor entertaining area. We chose durable teak furniture from Gloster that performs well in the sea air. The owners could easily host a seaside party in this space.�
The new patio aids indoor-outdoor connections and makes the most of the location. Built from the same quarried stone as the 130-year-old residence, the arched carriage-style garage doors are in keeping with its historic character. more images & resources 45479 at trendsideas.com another oceanfront estate 23052 at trendsideas.com
Above: Stonework on the home continues on the newly built terrace in front of the wing, at left. This area now provides a seamless indoor-outdoor flow. An arched entry below signals a throughway underneath the terrace. Far left: This screened porch is accessed from the new hallway connecting the house and wing. Durable hardwood furniture and an overhead heater ensure the space is welcoming year round. Story by Charles Moxham Photography by Michael Rixon
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Slice of history The restoration of this traditional Singapore shophouse has recaptured its original character and charm, and created a light-filled family home Every era produces its own defining architectural style, but there’s no doubt that some periods leave a more enduring heritage than others. The traditional Singapore shophouse evolved from such a period. Built between 1900 and 1940, shophouses were best known for their spectacular ornamentation. Not surprisingly, these buildings are now highly sought after, and many are part of an exclusive residential enclave in Singapore, known as the Blair Plain Residential Historic District.
This shophouse in the precinct was one of three that came up for sale together. At some time in the past, it had been gutted and drastically altered from its original state to create offices. Architects Diego Molina and Maria Arango of Ong&Ong, who were commissioned to design a major renovation, say the building had retained most of its original facade, but very few of the other traditional shophouse features. “The ground floor was a poorly lit single space that stretched all the way to
Facing page: Decorative cornices, capitals, fanlights and enamel-finished dado tiles enhance the character of this traditional Singapore shophouse, which is located in an historic precinct. The building, formerly converted into office space, was extensively remodeled by architects Diego Molina and Maria Arango of Ong&Ong to create a bright and airy family home. Above: The new front door opens directly into the large open-plan family living space. The hardwood floor and new wooden beams reinforce the traditional look.
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the back of the site,” says Molina. “It was not suitable for residential use. The traditional roof structure, material and design had also been significantly altered. And there were two office doors in the front facade, rather than a single entry.” The architect says these two doors were removed and replaced with one painted door with a double-leaf wood panel. This has the ornamental details of the late shophouse period when the house was built – in accordance with the URA’s conservation facade guidelines.
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Double casement wood panel windows were reinstated with vertical iron bars in front of the wood-framed glass screen. And painted rectangular transoms with carved panels and frames were restored. “The second-floor facade was also returned to the late shophouse style,” says Maria Arango. “It now has longer double French windows with operable louvres, carved wood post and rail balustrades, and segmented, arched fanlights with clear glazed panels. The existing moulded cornices, composite column capitals
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and decorative facade reliefs were also repaired carefully and restored. The shiny enamel-finished dado tiles on the facade are another link to the Peranakan roots of the shophouse.” The architects worked with the local conservation authorities to restore the roof to its correct design, reinstating the original unglazed tiles that were found on site. One structural change was possible, however – a lantern roof with a skylight was introduced to bring more light into the center of the house.
Above: The main living space on the ground level now features a dramatic sculptural staircase that leads to bedrooms on the two upper floors. The stairs also help to define the separate living and dining areas. A new internal courtyard and the kitchen lie beyond the dining room. Left: A sense of symmetry, first introduced on the exterior, continues on the interior, where matching niches accommodate contemporary artworks.
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“This needed to be a light-filled family home,” says Molina. “So we split the house into two volumes, creating a connecting courtyard that allows sunlight to stream in, and lets breezes ventilate the interior naturally. With a green wall to one side, a young tree in the opposite corner, and the floor covered entirely in carpet grass, the setting forms a charming indoor garden where the children can play. “The green space is the visual focus of the ground floor, and because there are no partitions, the garden can be enjoyed from
Left and above: Green carpet grass and a living wall create a small garden area in the centre of the house. The courtyard brings sunlight and breezes into the home. Top: The kitchen is in the rear block of the house, with the island positioned so the owners can look out to the courtyard garden. Traditional glazed tiles and a steel spiral staircase reference the shophouse’s early days. These stairs lead up to a maid’s room and a pool on the top level.
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the kitchen at the back and from the living area at the front.” Molina says because the client is both a family man and an avid cook, it was important for him to be able to interact with his children at play in the garden, while he is working in the kitchen. “The seamless transition between the living areas makes this possible.” The different spaces are clearly defined, however. A dramatic, curving staircase separates the living and dining areas, and is another point of illumination.
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Sunlight streams in from the skylights in the lantern roof directly above. While the stair has a bold, sculptural contemporary form, its simplicity ensures it does not detract from the original shophouse features. “The client was insistent on bringing back the home’s old-world charm,” says Arango. “New wooden beams were installed in the ceiling of the ground floor, and also beneath the roof, to evoke the traditional character.” The second floor of the front part of
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the house features two bedrooms, one at the front and the other at the back, with a bathroom between. White-painted bookshelves enliven the passage between these two rooms. “We added a balcony to the bedroom at the rear of the house, and introduced a screen for privacy,” Arango says. “The screen functions as a dividing wall, and is in line with conservation restrictions that would not permit a solid wall.” The top floor accommodates the master bedroom, which is separated from
the master bathroom by the staircase. “Despite the fact that these two rooms are separated by what appears to be a communal space, they have a strong sense of connection,” says Arango. “They both have soaring ceilings with wooden beams, and the long limestone vanity top extends right along the wall to form a desk area beside the bedroom.” The living wall of greenery reaches right up to this level, so there is an attractive garden outlook, which the owners can enjoy while bathing.
Facing page, top: This bedroom on the second level benefits from the decorative front facade. Arched fanlights and shuttered windows provide plenty of character. Facing page, lower and left: The white staircase in the main part of the house continues its sculptural spiral up to the top level. A lantern roof and skylights above the stairwell ensure it is flooded with natural light. Above: A screened balcony softens the outlook from this bedroom and provides privacy. The balcony is above the internal courtyard.
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Top and above: The master suite occupies the entire top story, with the stairs positioned between the bedroom and bathroom. Wide openings and the use of similar translucent glass walls maintain a sense of connection between the two rooms. The limestone vanity top extends right along the perimeter wall to form a desk area. Right: A rooftop deck and swimming pool are located on the top of the rear volume. Story by Colleen Hawkes Photography by Aaron Pocock
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At the rear of the house, the volume accommodating the kitchen also has a spiral staircase – one that references the shophouse origins. This leads up to a maid’s room on the second floor, and a rooftop deck and pool on the top level. more images & plans 46144 at trendsideas.com a similar project 31283 at trendsideas.com
Small beginnings Hidden stonework on a 19th-century worker’s cottage is unveiled in this renovation, which includes a modern addition at the rear
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Heritage-listed properties pose plenty of challenges for architects and designers, especially when the homes are small and the building sites are tight. This property, in a prime location not far from the beach, fell into that category. An 1897 worker’s cottage on the site, built from limestone, needed to be restored. But at just one room deep, it was never going to suit a family, says project director Adrian Fratelle of Ecohabit Homes. “We needed to build an entirely new house behind the cottage, but it was not
Preceding pages: To restore the original limestone blocks and brick quoins on this 19th-century worker’s cottage, the owners needed to strip back several layers of plaster that had been added over the years. Ecohabit Homes designed the contemporary addition at the rear. Left: With its blackwashed cedar siding, the new volume has a sleek, pared-back aesthetic that offsets the traditional character of the cottage, without detracting from it. Top and above: The renovation of the cottage is in keeping with the era, both inside and out.
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straightforward,” Fratelle says. “Local regulations determined that the addition had to be a complementary, yet standalone structure – there needed to be a clear separation physically and aesthetically.” The architect’s solution was to contrast the traditional character of the cottage with a blackwashed cedar volume that frames the building in front. “In addition to planning a new house, we needed to restore the cottage, which was derelict,” says Fratelle. “The owners, who undertook all the building work
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themselves, chipped off numerous coats of plaster, which had completely hidden the beautiful limestone. At some stage, many decades ago, lean-to accommodation had been added to the house. This was all removed, and the interior was gutted and completely relined.” The team also rebuilt the veranda, with new balustrading providing separation from the sidewalk – the woodwork was painted a soft smokey blue shade. The cottage is now an inviting home office, complete with sofa and wine cellar.
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The old building is connected to the new volume via a flat-roofed linking element that provides a circulation area and laundry. But the main entry to the house is reached by a narrow path to the right of the cottage. “This is a very tight site, so every square foot had to be maximized, both inside and out,” says Fratelle. “We also wanted to orientate the house so it would be warmed by the sun in winter. At the same time, we needed to be able to cool it down quickly in summer.”
Facing page: A boardwalk leads to the main entry to the house, in the modern addition at the rear. A pond alongside the path lends a Zen-like quality to the entry. Above: Chairs of different colors enliven the dining area within the main family living space. On the right is a chalkboard wall and doors to the lift. These are covered with a photographic mural. Left: The kitchen wraps around two walls and includes a large island. Overhead cabinets, in white, provide additional, unobtrusive storage.
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Above: Designed to provide natural cross ventilation, the house opens to a small outdoor living area on the sunny side. A retractable awning provides plenty of shade in summer. Facing page: An elevated plunge pool is reached by a series of stone steps, with a glass gate at the bottom providing a safety fence. Right: A small, flat-roofed linking element fits between the two buildings. As well as providing a circulation route, the space accommodates laundry facilities. It opens to a small courtyard where the laundry can be hung out to dry.
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Fratelle says the wood construction helps achieve these aims. The house is well insulated, but the bedrooms on the upper level can be cooled more quickly in the evenings, than would be the case with a traditional double-brick construction. The house opens to an outdoor living area on the left side of the site. The architect managed to include an elevated plunge pool at one end of the patio, and a children’s play area at the other. A retractable awning over the 15ft-wide opening provides welcome shade in the summer.
“With plenty of cross ventilation, the owners rarely need to use the air conditioning,” says the architect. “Being so close to the coast, the house benefits from the sea breezes.” The main living area runs the full length of the house, with the kitchen wrapping around the walls on two sides. A large island helps to separate the work area from the dining table, and provides plenty of storage and counter space for food preparation and serving. And although dark materials were used, these are
reflective, so they bounce light around the room. A door in the kitchen opens to the transition zone linking the old and new buildings. The kitchen also overlooks a small landscaped courtyard between the two buildings, where laundry can be hung to dry. Bedrooms are positioned on the upper level, and can be reached by stairs or by elevator. In the living room, the doors of the elevator feature a photographic mural depicting the interior of an old cottage.
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Above: Tiles with a rusty metallic look line the master bathroom. A full-height window on the far side of the shower ensures there is plenty of light pouring into the room. Above right: The closet in the master bedroom features sliding Perspex panels with a reflective finish that helps to make the room light and airy.
“Again, we had to maximize the space on the upper floor, to accommodate three bedrooms and two bathrooms,” Fratelle says. “We positioned the family bathroom so the sun can warm the space in winter, and help to keep it dry.”.
Story by Colleen Hawkes Photography by Robert Gordon
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index Advanced Building Engineers
Cockburn Joinery
92-101
92-101
Codas, Juliana AIA
30-35
92-101
Grider, Lisa
57
Ong&Ong
82-90
OnViu
16-25
Osborne & Little
30-35
Advanced Shading
16-25
Cosentino
AIA California Council
62-71
Craig, Melanie
44-47
Hanssem
30-35
Otten, Mikal
Alan Paterson Joinery
44-47
CrystaLite
16-25
Hardcastle, Lee
40-43
Parisi
Amber Flooring
16-25
Custom Glassworks
16-25
Hawthorne Electric
American Standard
6-15
Custom Visions
AMS
6-15
Delray
Anderson, Stacey
44-47
5
Godfrey Hirst
6-15 16-25
Delta Light
16-25
Halo Lighting
IFC-1
HTP
16-25
Pratt & Larson
72-81
Hunter Douglas
72-81
Rancier, Ingrid
30-35
72-81
Resene
44-47
Reuben Margolin
16-25
Jenn-Air
Dornbracht
16-25
Jonathan Segal FAIA
Arango, Maria
82-90
Dreamscape
16-25
Julien
Architectural Lighting Works 16-25 Artemide
Dura Supreme
103
Eby Construction
16-25
62-63, 68 39
Juno
16-25
Kelly, Austin
6-15
16-25
Eclipse Stainless
16-25
Kohler
16-25
Arthur Dyson Architects 62-63, 69
Ecohabit Homes
92-101
Kraus
36-37
Artistic Tile
30-35
Electrolux
92-101
Labb, Robyn
50-53
Athena Marble & Granite
72-81
Elephants Custom Furniture 30-35
Lea Ceramiche
16-25
Elitis
16-25
Leddy Maytum Stacy Architects
Australian Energy Efficiency 92-101
Enigma Interiors
40-43
BainUltra
16-25
Estiluz
16-25
Lightolier
16-25
Bega
16-25
EuroChef USA
Ligne Roset
16-25
Lougee, Lisa
16-25 16-25
Attica
92-101
48
62-63, 70
Benjamin Moore
6-15, 72-81
Berman, Alan AIA
30-35
Exquisite Kitchen Design
54
Lutron
Blanco
30-35
Fairweather Stone Works
55
Ma Maison Floors
Blum
40-43, 44-47
Bocci
16-25
European Ceramics
92-101
6-15
Falcon
40-43
Marvin Windows & Doors 72-81
Farrow & Ball
30-35
Matarozzi Pelsinger Builders 16-25
Bohlin Cywinski Jackson 6 2-63, 66
Feldman Architecture
16-25
Melanie Craig Design
44-47
Bosch
Feldman, Jonathan AIA
16-25
Metro Eighteen
16-25
30-35
Boswell Construction Brunschwig & Fils
6-15 72-81
Bulthaup
59
Final Touch Roofing Fisher & Paykel
6-15
44-47, 92-101
40-43
Pedini Cucine
16-25
30-35
54
6-15
Ann Sacks
Archetype Design Studio
92-101
Miele
6-15, 30-35
RG Lester & Associates
92-101
Rill Architects
58
Ryall, Grainge and Jess
92-101
S&S Architectural Design 30-35 Savant Systems
16-25
Silk, Stuart
55
Simons Hardware
30-35
Stark
72-81
Steven Christensen Architecture 62-63, 65
Stone Source
30-35
Strandberg Engineering
16-25
Studio Pali Fekete Architects 62-63, 71
Sub-Zero Tech Lighting
3, 35 16-25, 30-35
TMS Architects Trencode True Professional Series TruStile
72-81 6-15 49 72-81
Mokum Textiles
40-43
Turnbull Griffin Haesloop 62-63, 64
82-90
Ventana
16-25
Viking
30-35
Visual Comfort
72-81
Fleetwood
16-25
Molina, Diego
Formica
30-35
Moore Ruble Yudell Architects
California Closet Company OBC
Fox Marble
16-25
Carty, Rob
72-81
Franke
30-35
Catherine Martin Fabrics
40-43
Fratelle, Adrian
Cebula Design
72-81
Gaggenau
16-25
myTrends
Windover Construction
72-81
Cebula, Michael
72-81
Gammalux
16-25
28-29, 38, 60-61, 91, 104-IBC
Wolf
30-35
CertainTeed
72-81
GE
16-25
Natural Stone Veneers
Xten Architecture
Chris French Metal
16-25
GE Monogram
72-81
Glassos
30-35
Caesarstone
30-35, 44-47
Chris Tate Architecture
56
92-101
& Planners
62-63, 67
Mottl Builders & Cabinetry 72-81
Vitra
Murphy, Sharmiette
Williams, Mark
International Omnia
30-35
92-101 59
6-15
26, 27
Zephyr
30-35
30-35
Zip
40-43
E N D L E S S
P O S S I B I L I T I E S
www.durasupreme.com Howard Lake, MN 320.543.3872
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