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kitchen bathroom home VOLUME 31 NO 10(U)

CONTENTS

Highlights from this issue of myTrends Home

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KITCHEN BATHROOM HOME Inspirational kitchen design is in the spotlight in this edition of myTrends HOME, with an international selection of contemporary projects leading the way. Plus we've got four superb homes for you .

Where do you go for inspiration for your new home project, or ideas for your kitchen and bathroom? You go to myTrends!

On myTrends you can search for design ideas and solutions in our online showcase of hundreds of homes, kitchens and bathrooms and connect with our community of architects and designers. And when you’re ready to start choosing, myTrends can suggest products, services and expertise to help make your final selections easier.

In this issue of myTrends we’ve collected some of the latest ideas to impress us. You’ll find these projects and many, many more on myTrends – where everyone who loves design can find each other, share ideas and collaborate on projects. Join us today and discover a whole new world of design inspiration!

HIGHLIGHTS Editorial Director Paul Taylor – paul.taylor@trendsideas.com Sales Judy Johnson – judy.johnson@trendsideas.com Costas Dedes – costas.dedes@trendsideas.com Enquiries info@trendsideas.com production@trendsideas.com

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Our kitchen section showcase a wealth of design talent and expertise to help you with your own project. See even more kitchens at myTrends

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Inspiring bathroom design is right at your fingertips. Check out contemporary and traditionally styled bathrooms with freestanding tubs at myTrends

Outdoor living all year round – in this new home, adjustable louvres screen a magnificent patio. See more cool courtyards at myTrends

More ideas, information and inspiration, plus the full multimedia experience at Trendsideas.com

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Unified spaces Modern kitchens seldom stand alone. Today they’re invariably part of the bigger picture, so they need to fit right in

kitchen design

Out of sight The secrets of this highly functional kitchen are only revealed when the doors are opened

Preceding pages: Artworks and designer furnishings are key features of this great room – they also helped to determine the design of the kitchen. The dining table is by Norman Foster for Tecno and the sofa by Flexform.

Above and right: The kitchen features a bank of Boffi Graphite Grey Oak cabinets on the rear wall, which conceal a freezer, refrigerator and storage.

Open-plan living spaces put the kitchen right in the heart of the great room, which invariably means it has a prominent role to play in the overall look of the space.

This kitchen sits within such a family room, in a new addition to an older home.

Interior designer Nestor Santa-Cruz says not surprisingly, it was important that the kitchen complement the contemporary-classic interior, which features many designer furniture pieces.

“Boffi cabinetry, including a bank of Graphite Grey Oak wood veneer cabinets on the rear wall was specified. This conceals a vast amount of storage and all the refrigeration.”

Julia Walter of Boffi Georgetown says with hidden handles incorporated into the aluminum spacers between the doors, the cabinetry is very sleek and streamlined, which works with the whole interior aesthetic.

“The cabinetry choice was serendipitous – the cabinets had been used in a display kitchen in the Boffi showroom and happened to be an exact fit for the space. Both the height and the length were just right. Not a hair’s breadth of space was left over.”

The custom designed island is in white polyester, with a locally sourced Nero Assoluto granite countertop, to match a fireplace surround in a nearby room.

“We positioned the microwave oven in the island, to avoid interfering with the sleek wall of cabinets – all that shows on the wall are the two ovens,” says Walter. “The island accommodates a fully integrated dishwasher, more storage and waste and recycling bins.”

The concealment of the more utilitarian elements has been successful – the owner says visitors have asked her where she has hidden the kitchen.

“I tell them they are standing in it,” she says. “And although it may be hidden, but we haven’t sacrificed any of the functionality.”

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Remodeling architect: David M Knudson Interior designer: Nestor Santa-Cruz IIDA with architect Pedro Aguirre Kitchen manufacturer: Boffi spa Flooring: Oak in existing area; American walnut in addition Floor lamp beside dining table: Noguchi Furniture: Various, including B&B Italia armchairs, Mies van der Rohe Barcelona tables, Edouard de la Marque coffee table, Peter Marino sofa by Poltrona Frau, Flexform sofa, Norman Foster dining table by Tecno, Arne Jacobsen Swan dining chairs, Hans Wegner Wishbone dining chairs; Danish pieces from Furniture From Scandinavia Gallery Pendant over dining table in great room: Orten’zia by Terzani Kitchen cabinetry: Boffi wood veneer in Graphite Grey Oak; polyester in white Storage systems: Boffi Countertops: Honed Nero Assoluto granite Ovens and refrigeration: Gaggenau Cooktop, ventilation and microwave oven: Wolf Dishwasher: Miele integrated Bathtub: Boffi Swim Vanities and basins: Boffi Universal with basins in Corian Bathroom faucets: Boffi Minimal and Cut series Story by Colleen Hawkes Photography by Jamie Cobel resources & images 46646 at trendsideas.com story on home interior 46644 at trendsideas.com bathroom in this home 46645 at trendsideas.com video on home interior 46709 at trendsideas.com

Top right: The microwave oven is a drawer set within the island.

Right: A place for everything and everything in its place – doors open to reveal modern storage systems.

Facing page: Other designer pieces in the great room include a Mies van der Rohe Barcelona coffee table, Hans Wegner Wishbone dining chairs and two Arne Jacobsen Swan dining chairs. The interior design is by Nestor Santa-Cruz.

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From the inside out Part of a modern extension to an Edwardian cottage, this kitchen opens up to the outdoors with large doors and awning windows Updating an older home to suit modern living can require a ruthless approach.

And most often, it’s the earlier add-ons and renovations that need to go.

That’s exactly what was needed for this project, says architect Julie Firkin, who designed a two-storey extension to an Edwardian cottage.

“There was a lean-to added in the 1970s that needed to be demolished,” she days. “It took up too much of the small site and was in bad shape – and the living areas were very crammed.”

Firkin says the kitchen needed to be central to the design. The owners, who are very keen cooks, wanted to be able to keep an eye on their children playing, both inside and out, while they were working in the kitchen.

“They also wanted a sustainable design, so we teamed natural timbers from a renewable resource with concrete.

Other passive design features, including a cantilevered upper level, help to ensure the space is warmed by the sun in winter, yet shaded in summer.”

Facing page: Solid silvertop ash features throughout the interior of this new addition to an older home, designed by architect Julie Firkin. The timber is teamed with concrete floors, a concrete breakfast bar, and copper light pendants.

Above: Designed for a family with three children – soon to be four – the kitchen is command central.

The owners can keep an eye on the family from the kitchen, no matter whether they are playing inside or out.

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Top and above: An integrated refrigerator and pantry are provided within a tall, timber-wrapped, box-like element at the entry to the kitchen. Other cabinetry features white laminate. Matching storage is provided across the passage (above).

Right: Large awning windows with hydraulic gas struts open up the kitchen to the outdoors – food can be served directly from the counter. The overhead cabinets in front of the windows feature blue and green glass.

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Architect: Julie Firkin, Julie Firkin Architects Builder: Overend Constructions Cabinetry: Solid silvertop ash wood; Laminex Ash White; coloured glass from Axess Glass Benchtops: Solid honed black granite from Parthenon Marble; concrete on bar top Splashback: Dechirer Hexagon Moasia Decor from Urban Edge Ceramics Sink: Abey Lago from Rogerseller Taps: Fantini from Rogerseller Flooring: Mentone Mini Mix concrete topping in Snowstone with Quartz, with hydronic heating Lighting: Rastaf recessed LED downlights from Artemide; Mr Copper pendants by Kate Stokes from Tongue & Groove Oven, cooktop and ventilation: Smeg Refrigeration and dishwasher: Miele Story by Colleen Hawkes Photography by Christine Francis

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Above right: The contemporary extension includes a cantilevered element and a large overhang that shade the kitchen and dining area in the summer.

In winter the space can be warmed by the sun, which is lower in the sky. The renovations included the addition of a modern bay window to the living room within the old part of the house, which is on the left in this image. Handpainted glass windows on the upper level were created by the sculptor brother of one of the owners.

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Because the addition has two levels, the overall footprint could be minimised, creating space for a deck and grass. The kitchen, tucked beneath the cantilever, has large awning windows with gas struts that open up to this outdoor living area.

“The indoor-outdoor connection is great for entertaining,” says the architect.

“The counter has already been used as a soup kitchen and an ice-cream bar.”

In keeping with the exterior of the addition, the kitchen cabinetry is crisp and contemporary, rather than rustic and busy.

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“The solid silvertop ash joinery has a clarity that makes it simple and soothing, yet is also warm and natural,” says Firkin. “We teamed with this honed black granite benchtops and an expressed concrete breakfast bar and floor.”

A timber-wrapped box-like element accommodates the refrigerator and pantry.

The low cabinetry is in white laminate.

Other features include colourful green and blue glass cabinets in front of the windows, which cast an inviting glow throughout the space.

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Informal gathering A sleek galley-style kitchen makes indoor-outdoor entertaining a breeze in this new holiday home

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Simplicity is the order of the day when you’re at the beach, and increasingly this is reflected in the design of modern beach houses.

This new holiday home, which was designed by architect Evelyn McNamara, comprises one large central pavilion with two smaller pods, one on either side. Not surprisingly, making the most of the view and providing a

good indoor-outdoor flow were key considerations.

With this in mind, the architect designed a simple, galley-style kitchen in the main pavilion. This allows an easy flow out to a large deck that is flush with the floor.

“The house itself resembles a black box, so it appears to merge with the natural bush backdrop,” says McNamara.

“This helped to determine the

colour on the inside, where we have introduced white to create a bold contrast to the black – it’s a very strippedback palette that plays on the separation of light and dark.”

In the open-plan living area the monochromatic look is defined by a white lacquered island with waterfall sides, dark-stained American oak cabinetry and a similar dark oak floor.

“We selected a crown-cut grain for the American oak on the wall cabinets, which has a much larger, textural grain than a quarter-sawn cut. This adds visual interest, while keeping the overall look quite minimal,” says the architect.

Recessed pulls on the oak cabinets are in powdercoated black. The island cabinetry is in a similar flush design, but with white recessed pulls.

Above left and top: A crisp, monochromatic palette defines this new beach house, both inside and out. Architect Evelyn McNamara specified dark-stained American oak and white lacquered cabinets in the kitchen, to continue the look of the exterior – the house has black walls, a black roof and white eaves.

Above: The kitchen flows straight out to a deck that is flush with the floor. The bright red Vola tap provides a playful touch.

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Top: The American oak was crown cut to provide a larger grain pattern that a quarter-sawn cut. This creates a sense of movement that adds visual interest.

Above left and right: Fisher & Paykel appliances feature throughout the kitchen – two DishDrawers are integrated into the island cabinetry.

Story by Colleen Hawkes Photography by Dan Max

Caesarstone benchtops in White Snow help to lighten the interior, countering the shading effect of the 2.4m eaves requested by the owners.

The design avoids a harsh feel, however, thanks to the natural materials. The veining on the Alarti marble splashback, for example, provides a textural contrast that helps to soften the look. And a red Vola tap specified by the owners

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introduces a playful touch.

Functionality is also assured. There is plenty of storage, and high-end appliances, many of which are integrated, reinforce the seamless design. resources & images 46800 at trendsideas.com search tida at trendsideas.com

Architect: Evelyn McNamara, Evelyn McNamara Architecture Kitchen manufacturer: Mastercraft Kitchens Cabinetry: Dark-stained American oak Benchtops: Caesarstone Snow Splashback: Alarti marble from Artedomus Sink: Ecogranit Aoraki from Heritage Hardware Tapware: Arne Jacobsen Vola in red from Metrix Flooring: Stained American oak Appliances: Fisher & Paykel

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Good company This clean-lined kitchen downplays its functional role in visual terms, offering dramatic contrasts of texture and colour, and a light, airy feel

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Today’s kitchens are almost always on show to adjacent living areas. Part of the designer’s role is to consider harmony not only within the work space but also with its surroundings.

This minimalist kitchen by designer Milvia Hannah of German Kitchens connects with the nearby living spaces, and the outdoors. Hannah says the owners requested a streamlined look, stainless steel benchtops, and plenty of storage as well as indoor-outdoor flow.

“I took several approaches to assimilate the kitchen into its environment and play down its function. First, we set tall white gloss cabinetry

under the bulkhead at the end of the kitchen to blend effortlessly, without being on show to the adjacent dining and living areas. This contains storage, integrated refrigeration, two pantries and a corner storage unit. Cabinetry in the same finish runs above the windows, accommodating further storage and an integrated rangehood. “ The white cabinet surfaces merge with the bulkhead and walls in the same colour, all but disappearing visually. The upper units include illuminated glass bases that light up the cabinet interiors, and also shine downwards providing discreet task lighting.

“For contrast, the base cabinets are textured dark oak veneer,” says Hannah. “These connect with the exterior cladding and interior wood furniture.”

Stainless steel benchtops are another feature of the space. Together with toekicks in the same alloy they provide wide linear bands that visually frame the lower cabinetry. The horizontal emphasis is further accentuated by the choice of long, sleek stainless steel cabinet handles.

“We ran the benchtops flush into each window, bringing the outside in,” says Hannah.

“The cantilevered end of the sink bench offers

Above left: This kitchen by designer Milvia Hannah responds to its situation in several ways. Upper cabinets merge with white walls, while the contrasting under-bench cabinets are in a timber veneer, connecting visually with the adjacent outdoor deck and timber furniture in the living areas. Deep stainless steel toekicks and benchtops frame the lower cabinets. These introduce a horizontality accentuated by cabinet handles in the same finish.

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Architect: Milvia Hannah, German Kitchens Cabinetry: Alno Class horizontal woodgrain carbon oak veneer and Alno Charme high gloss white laminate Benchtops: 130mm stainless steel Flooring: Polished concrete Sink: Filo Quadra from Heritage Hardware Oven, cooktop, dishwasher: Miele Ventilation: Asko Refrigeration: Liebherr Waste disposal: InSinkErator Story by Charles Moxham Photography by Paul McCredie

casual seating and ensures easy access via bifold doors to the deck. Given the length and width of the benchtop, internal steel bracing was required to achieve the cantilever. The homeowners had asked for this prominent element to float, without the visual clutter of a support.

“The kitchen achieves a minimalist aesthetic that belies its function in other ways, too.

The minimalist hob and double sinks merge discreetly into the benchtop and are positioned away from the public eye.”

A polished concrete floor runs throughout the house, visually grounding the kitchen and

offering another connection between spaces.

“With windows on three sides, the finished kitchen is light, open and a pleasure to use,” says the designer.

This kitchen was highly commended in the Trends International Design Awards.

Facing page top: Internal steel support was required to achieve this cantilevered benchtop. This feature offers a relaxed connection between the outdoor and indoor living areas.

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Facing page lower: The designer continued the stainless steel surfaces right out to the windows, reinforcing the a link to the outdoors.

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Above left: The sinks are strategically positioned out of sight from the dining area just around the corner.

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Pied-à-terre An international hotel-style city retreat – this hip apartment in a converted warehouse is just what the out-of-town owners ordered Converting warehouse space into an apartment provides a great opportunity to take a more adventurous approach to design.

And that’s precisely what architect Daniel Ash did with this conversion – he used highend materials, strong textural contrasts and bright colour accents to create an apartment that gleams like a jewel box in a semi-industrial setting.

“The entire apartment needed to have the look and feel of an international hotel, which would be a major change from the owners’ main residence – a coastal property out of town,” the architect says.

“And the kitchen needed to be the dynamic centrepiece.

It had to be highly functional, suitable for entertaining and part of the living space, rather than a separate area.”

At the same time, however, the architect wanted to create a sense of arrival for the apartment, with a front door that would not open directly into the living room.

With this in mind, Ash positioned the kitchen cabinetry in a freestanding U shape.

Because it is set away from the walls, there is a circulation space around the back that creates an entry passage.

Left: A bright red laser-cut screen door signals the entry to this new apartment in a converted warehouse space. Architect Daniel Ash kept the entry separate from the main living area to create a sense of arrival, but it is still possible to glimpse activity within the kitchen.

Above and following pages: Black powdercoated aluminium ribs support dark veneer shelves and overhead cabinets. Sleek stainless steel folds up and over the splashback.

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Architect: Daniel Ash, Daniel Ash Architects Cabinetry: Timber veneer with black powdercoated aluminium ribs Benchtops: Reconstituted stone from Stone Italia; stainless steel Splashback: Stainless steel Sink: Franke Mythos Taps: Franke Kubus Oven, cooktop and dishwasher: Miele Ventilation: Qasair Refrigeration: Liebherr Flooring: Mirror-finish polished concrete Pendants: Sonic Lighting Story by Colleen Hawkes Photography by Richard Whitbread resources, images & plan 46831 at trendsideas.com search tida at trendsideas.com

Above right: The concrete ceiling and services in the apartment have been left exposed – the original sprinkler system in the building was painted red, so this was retained. Storage is maximised at every turn, with doors opening on all sides of the cabinets.

A vertical pantry next to the oven slides out to provide accessible storage for food items. The flooring features highly polished and painted concrete that is highlighted by LED lighting around the toekicks.

A series of shelves and overhead cabinets supported by black powdercoated steel ribs provide transparency, so it’s possible to glimpse activity in the kitchen. This also helps to increase the sense of space.

“The material palette acknowledges the industrial building and the city location,” says Ash. “We have exposed the concrete ceiling and walls, and used a lot of grey and black

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to create a rich, dark palette.

The cabinets are a dark timber veneer, but this is lightened by highly polished concrete flooring and benchtops in stone and gleaming stainless steel.”

The stainless steel on the perimeter cabinets turns up to form the splashback and then folds over the top and down the rear of the cabinetry to provide sleek panels at the back.

“There are four large

blocks of joinery, with storage provided on every side – every square inch of space is used.”

The long island doubles as a table. One end is on castors, so it can be wheeled outside or into the garage for parties.

Another key feature is the use of bright red accents.

High-gloss lacquered doors, including the laser-cut front door, provide inviting pops of colour, visible from all corners.

bathrooms

Soaking it all in Today’s bathrooms are designed very much to be relaxation zones – and freestanding tubs play a major part in achieving that aim

Fresh start Pared back to the essentials, this suite in a new house has a bold geometry and natural, raw materials that complement the modern architecture

Space is often considered the ultimate luxury, and that is precisely what this suite offers. Architect Anthony Rechichi planned the layout so there would be enough room for a separate shower and toilet room.

“This leaves the main bathroom area as a true sanctuary that can be left open to the bedroom, although there is a sliding door to close it off if required,” he says.

Rechichi placed two long his-and-hers vanities with light grey Villeroy & Boch wading basins at right angles.

“Recessed mirrored toekicks reflect the room and give the impression the vanity units are cantilevered, while concealing the plumbing services,” the architect says.

The composition reinforces a design theme seen throughout the home, whereby solids are contrasted with voids, and there are light versus heavy elements, and varying layers of the colour white.

A large rectangular Kaldewei Conoduo tub forms the centrepiece – this is raised on a tile slab and appears to slot into the stone surround like a 3-D puzzle.

Preceding and facing pages: There is no compromise in this master suite in a new house designed by architect Anthony Rechichi. The generously sized space provides enough room for a separate shower and toilet room, so the main part of the bathroom forms a quiet sanctuary with a freestanding tub and wading basins.

Above: Coffered ceilings in both the bedroom and the bathroom feature uplighting for added visual interest. They also help to ensure the rooms’ proportions are the right scale, and complement the rest of the architecture.

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Architect: Anthony Rechichi, Anthony Rechichi Architect Builder: Imperial Homes Bathroom manufacturer: Fremantle Furniture Factory Window and door joinery: Ultriva Citi Matt from Avanti Glass & Aluminium; custom jarrah frames and doors on interior Floor and wall tiles: Ankara limestone from Bernini Stone Lighting: Alti Lighting Bathtub: Kaldewei Conoduo Basins: Villeroy & Boch Taps: Astra Walker from Sea of White Shower fittings: Hansgrohe from Sea of White Story by Colleen Hawkes Photography by Jamie Cobel

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Above right: The Kaldewei Conoduo tub appears to slide into a stone surround on an elevated platform. The angular forms are softened visually by the texture on both the tub and the tiles.

Right: In the centre of the bathroom a freestanding wall supports a vanity unit on one side, and accommodates the shower fittings on the other.

The shower functions as a wet area, and has a raised platform at one end.

Story by Colleen Hawkes Photography by Jamie Cobel

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Room with a view Wrapped in natural timber, and designed to maximise a great view, this bathroom offers the ultimate escape

Perched high above Lyttleton Harbour, this new build is a get-away-from-it-all retreat. But it’s not just about play – the building is both a holiday home and a satellite office for staff from the Aucklandbased firm, Bull O’Sullivan Architecture.

Architect Michael O’Sullivan, who designed and built the studio himself, says the lower level accommodates a living area, bedrooms and the large bathroom featured on these pages.

“Like the studio itself, the design and the materials used in the bathroom were

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Architect: Michael O’Sullivan, Bull O’Sullivan Architecture Carpenter: Michael O’Sullivan, Bull O’Sullivan Architecture Wall panelling: American oak boards from Timspec Wall and floor tiles: Lunar Azul French pattern in antique finish from Italian Stone Basin: Roca Meridian Taps: Robertson Urban Freestanding Shower fittings: Hansgrohe Select slide shower; Methven Echo Kick ultra shower mixer Toilet: Kyo Accessories: Formbathware; Heirloom; Yatin Elite glass shelf Lighting: LED Hot water system: Rinnai Continuous Flow Story by Colleen Hawkes Photography by Patrick Reynolds

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inspired by the surrounding landscape, which is continually changing in colour, texture and mood.”

Two of the walls and the ceiling are lined with widegrain American oak tongue-and-groove boards. The oak and sapele mahogany alternately feature throughout the interior.

The other two walls of the bathroom are lined with Lunar Azul marble tiles in differing sizes and tones. These create a pattern that references the landscape of the Port Hills.

“I wanted this bathroom to be a conscious act of indulgence,” O’Sullivan says. “The freestanding tub, positioned to maximise the wonderful view, is the centrepiece – there is even a ceremonial feel to the spout. You can glimpse the tub from the far end of the gallery, and from the window seats that line this key circulation area. The view, and the sunlight in the mornings, draw you through.”

The view can also be enjoyed from the shower, and is reflected in the mirror above the basin.

Preceding pages and facing page, above: American oak boards line walls and ceilings in this studio with bathroom – a satellite office and staff accommodation for Bull O’Sullivan Architecture.

Facing page, lower: The exterior of the building by was designed to blend in with the environment.

Above left: A shaving mirror is mounted on the wall on the other side of the bathtub. The door handle is the horn of a red stag.

Above: The bathtub is positioned in front of the window so the view can be enjoyed while bathing.

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Let there be light This master bathroom achieves lightness and privacy Architect: Mark Peters AIA, Studio Dwell Architects Design consultant: Bernard Morauw General contractor: McLeod Builders Bathroom vanity: Wenge wood veneer; solid surface countertops Paints and stains: Benjamin Moore Master bathroom floor and shower: Dark grey porcelain tile Lighting: Interior ambient lighting, Lightology Lighting controls: Lutron Master bath faucets, shower head and controls, tub filler: Vola, chrome Tub: Lacava TUBo4 soaking tub

Above: In this master bathroom by Studio Dwell, clerestory windows, a long vanity mirror and concealed lighting all give a potentially dark bathroom a light, airy feel.

Right: The handleless wenge vanity consists of two cantilevered forms. A light court is to the right.

A two-storey house built on sloping terrain to optimise outlooks often has downstairs rooms situated in the shadow of the hillside. This can make it tricky to introduce sufficient natural light into these potentially darker spaces.

Such was the case with this bathroom, part of a first-floor master suite in a contemporary home designed by architect Mark Peters of Studio Dwell.

“The expansive bedroom faces outwards to spectacular river views, with the bathroom tucked in behind,” Peters says. “I brought light into this rear space in several ways. Instead of separating the rooms completely, I bisected the suite with a 2.1m-high privacy wall. This allows light to filter across from the 2.7m-high bedroom into the bathroom. There is also a light court at the end of the bathroom that bathes the shower stall in sunlight while still retaining privacy for the owners.”

Clerestory windows, a transparent shower wall and a long vanity mirror were other ways the light flow is optimised. Concealed diffused lights enhance the airy effect and enliven the room by night.

The elongated vanity is a feature within the pared-back space. Designed in two overlapping forms, this is a nod to the shape of the contemporary house. In addition, it accentuates the room’s linear form.

“Given the clean-lined, minimalist look of the bathroom, adding textural interest was important,” says Peters. “The large, smooth tiles and sleek wenge wood on the vanity are contrasted by the coarse concrete dividing wall.”

Story by Charles Moxham Photography by Marty Peters

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new homes

Hidden depths Not all is visible at first glance with the new homes on these pages – the architecture provides a gradual reveal that heightens a sense of anticipation

What lies beyond It may have an unassuming entry, but this country house is all about the big picture – sweeping views and close links with the great outdoors

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Rural architecture that takes its cue from nature is most often at one with the landscape.

That was the approach taken for the design of this house, where the weathered cedar exterior matches the silvery bark of the gum trees, and a drystone wall seems part of the hillside.

Architect Andrew Piva of BE Architecture says the crest of a hill provided an ideal place

to position the house, which is reached via a long driveway that meanders through native trees and shrubs.

“It’s an unassuming entry – you don’t get a sense of the dramatic views until you actually reach the house and walk inside,” he says. “The owners liked the idea of a quiet entry where not everything is revealed at once. So we set out to create a sense of

Preceding pages, above and left: Designed as a series of linked pavilions, this house incorporates a massive drystone wall that anchors the home to the landscape.

Facing page: BE Architecture created an unobtrusive entry, so the spectacular views could be revealed gradually. The low, horizontal form of the house is a counterpoint to the slender trunks of the gum trees, which are a similar shade to the weathered cedar exterior.

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surprise, whereby the building gradually unfolds and provides these special moments as it opens up to the rolling hills and the ocean beyond.�

To enhance the effect, the design team created an understated entry to the house itself, with a door almost concealed within the cedar. The low horizontal design of the building, and the absence of large windows on the side facing the

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driveway also serve to heighten a feeling of anticipation. “The material palette was important. We liked the idea of a silvery weathered timber exterior that would not be ostentatious. Rather, we chose to celebrate the honesty of the craftsmanship, by detailing the cedar with shiplap and V-groove boards.�

The design team also took a lead from traditional rural

properties, which often feature a cluster of buildings.

“The site lent itself to the idea of a series of connected pavilions, one of which would provide guest quarters, and another the master suite. This allowed us to break up the building and introduce pergola walkways as linking elements.

The pavilions minimise the mass, downplaying the scale of the five-bedroom house.”

There is also another defining characteristic of the architecture on the more exposed side of the property – a massive drystone wall that runs the full length of the house. The wall is cut into the earth, simultaneously anchoring the house and countering the exposure of the site.

“This was a conscious intervention,” says Piva. “We knew we had to deal with a fall

in the land, so decided to make it a clean drop, excavating to provide a lower building platform for the pool. It also means there is an element of surprise to the pool – it is an unexpected part of the view from the living area.”

Stone steps lead down to the pool, with a 90° turn set within the wall.

“The turn around allows you to experience the texture

Above left and top: The minimal material palette continues on the interior where polished stained concrete floors are teamed with blackbutt timber cabinets in the kitchen. Painted V-groove boards feature on walls and ceilings.

Above: The master bedroom occupies a separate pavilion. Traditional radiators are a feature of the interior.

Far left: Throughout the house there are direct sightlines to the view.

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of the stone, and gives the wall a larger-than-life quality.”

The link with the landscape continues on the interior, where all the rooms and walkways have clear sightlines to the views – glazing is aligned and clerestory windows and cutouts provide glimpses of the tree canopy and the sky.

“There’s a little bit of a hierarchy to the interior,” says the architect. “The roof

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above the living area is raised to enhance the sense of space, and conversely the ceiling above the kitchen drops down to contain this more intimate area.”

The material palette is a more refined version of the exterior – the V-groove timber wall lining is painted, the kitchen features solid blackbutt timber, and the flooring is polished stained concrete.

Lower ground floor

Ground floor

Living areas flow to an outdoor room within an open pavilion supported by large solid cedar columns and concrete. The ceilings of this pavilion and the pergola walkways feature cane screens beneath clear roof sheeting.

“The delicate cane creates a lovely soft play of light,” Piva says. “As with the house itself all the materials have been left to weather naturally.”

Architect: Andrew Piva, Broderick Ely, Jonathon Boucher, BE Architecture Builder: Good Constructions Kitchen manufacturer: Creative Design Cabinets Cladding, window and door joinery: Western red cedar Flooring: Polished concrete with Keims Stain Paints: Dulux China White Lighting: Masson For Light Pool: The Pool Group Outdoor fire: Corten Cabinetry: Solid blackbutt; lacquered

Benchtops: Blackbutt timber Splashback: Glass Range: Smeg Ventilation: Qasair Refrigerator: Fisher & Paykel Dishwasher: Bosch more images & resources 47426 at trendsideas.com search contemporary homes at trendsideas.com

Above left and far left: The massive stone wall reinforces the strong visual links with the landscape.

Legend to plans: 1 main living area, 2 kitchen, 3 glazed walkway, 4 master bedroom, 5 second living area, 6 bedrooms, 7 guest house, 8 outdoor living area, 9 gymnasium, 10 pool.

Story by Colleen Hawkes Exterior photography, entry and kitchen image by Peter Clarke; other interior photography by Trevor Mein

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Straight and true A solid foundation – this new house replaces an older home destroyed in the Christchurch earthquakes Keep calm and carry on, says the popular poster, and that’s just what the owners of this property had to do following the devastating Christchurch earthquakes.

Their old weatherboard home on the site needed to be demolished after the earthquakes, along with their plans for a major renovation.

But the need to build a new house did provide an opportunity to improve on what went before, says local architect Chris Wilson of Wilson and Hill Architects, who had already been contracted to design the original remodel.

“Having already planned a new kitchen for the family, which we didn’t have a chance to build, I knew what they wanted and what would work for their busy lifestyle,” Wilson says. “But firstly, our attention was focused on siting the house in a different position.

We decided to move it back from the street to provide better access and space for cars at the front. This also brought the house closer to a picturesque stream that runs along the rear of the property – the stream can now be seen from inside the house.”

Wilson says the house has a precast concrete panel construction to convey a sense of scale.

“Houses are often built from small modules, such as bricks, but we wanted a material that would articulate the sheer size of this house.

The concrete brings a sense of solidity, mass and permanence – at the front the panels extend past the top of the building, so they appear to sandwich the roof, which makes the house seem taller. And at the side they wrap right along the house, reinforcing the strong, solid feel.”

Concrete also features inside. The slab for the first floor has high acoustic performance, which helps to separate the children’s area upstairs from the living areas and parents’ retreat on the ground floor. And the concrete has passive thermal benefits, absorbing the heat from the sun in winter to release it in the evening.

Left: With its soaring precast concrete panels, this new house radiates a sense of permanence and security. The house, which was designed by architect Chris Wilson, replaces an older weatherboard house destroyed in the Christchurch earthquakes.

Top and above: The tall panels appear detached from the sandwiched roof element. The house is sited further back on the site than the original, making more space for vehicles.

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In terms of what lies beyond, the front of the house gives little away. Narrow windows frame a large concrete panel, with frosted glass providing privacy for the master suite behind.

A pivoting front door opens to the entry within a void that is almost two storeys high.

Wilson says the ceiling levels vary throughout the house, depending on the space.

“The changes in height make the scale a little harder to read, which is interesting visually – there is a sense of ambiguity,” the architect says.

A dark-stained timber wall defines one side of the key circulation route down to the family living space at the rear, where the kitchen occupies the central space.

“This kitchen is similar to our original plan,” says Wilson. “It is literally the heart of the home – we wrapped the house around it, so the kitchen is a seamless part of the architecture. The entire house flows, both visually and practically.

All the walls are white, so the kitchen cabinetry is also white. But we specified a high-gloss lacquer to give the cabinets a reflective quality and to make them different to the walls.”

The interior designer specified warm neutral furnishings to complement the monochromatic architectural palette.

“The downstairs area is more of an adult space, so this is a little moody, with an Italian feel, while the children’s area upstairs has a brighter, slightly Scandinavian look,” she says.

“There was not a lot of furniture we could re-use from the original house – the contemporary architecture needed a more minimalist interior.

There are some bespoke furniture pieces, such as the cabinets in the living areas.”

Both the family living area and formal lounge open up to a large, covered terrace with an outdoor kitchen and gas fireplace. Operable louvres in the roof above the deck can be opened to let in the sun in winter, and closed to keep the area shaded through the summer.

Preceding pages: A dark-stained timber wall lines one side of the main circulation axis – an Italian café influence from the owners’ time spent living in Australia.

Left, top and lower: The living areas include a media room with bespoke cabinet, and the formal lounge.

Top and above: The master suite opens to a private courtyard.

Hexagonal Carrara marble tiles line the walls of the guest bathroom.

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Architect: Christopher Wilson NZIA, Wilson and Hill Architects Interior designer: Philippa Keenan, Philippa Keenan Interior Design Builder: James MacKay Builders Kitchen and joinery manufacturer: General Joinery Window and door joinery: APL Metro Series by Hagley Aluminium Cladding: Aluminium composite panel; Resene Rockcote Roofing: ColorSteel Tiling: SCE Stone Flooring: American white oak; honed basalt Paints: Resene Lighting: Accent Lighting: ECC Lighting Heating: Hartnell Coolheat; Central Heating New Zealand Furniture: PJK Design; Bauhaus, Trenzeater Audiovisual systems: Teltrac Communications Kitchen cabinets: Lacquer Benchtops: Caesarstone Oven and hob: Gaggenau Refrigerator: Samsung Vanity basin: Duravit Bathroom tiles: Brymac Tiles resources & more images 47261 at trendsideas.com see kitchen story 47110 at trendsideas.com search wilson and hill at trendsideas.com

Above: The outdoor entertaining area incorporates stainless steel cabinets with a barbecue, and a separate outdoor gas fireplace.

Right: Basalt pavers also feature on the terrace, but these pavers are flamed to provide a non-slip surface.

Pavers lead to the pool on the far left, which has a glass fence.

Story by Colleen Hawkes Photography by Jamie Cobel

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renovations

Born again With the right design approach, it is possible to reinvent heritage buildings and apartments without sacrificing the qualities that make them unique

Past is present This loft-style residence in a converted brick laundry plays up the heritage character of the 100-year-old building, but adds a modern spin

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Remodelling a character building is often a balancing act – heritage aesthetics versus modern convenience and comfort.

Architect Chris Hawley says he took a softly-softly approach when converting this century-old brick building into a private residence. The building, which was originally a laundry, had many heritage features that needed to remain intact.

“The project was about restraint,” he says. “You don’t get a second chance if you make a mistake and drill a hole in the wrong place. The inherent qualities of

Preceding pages and above: Originally painted white throughout, this heritage building has been stripped back to its essence. The exposed brickwork, floorboards and exposed structural columns form the backdrop to a new three-level home that replaces a former laundry operation.

Above: Architect Chris Hawley introduced a curved, suspended ceiling element on the main living floor to define the sitting areas and kitchen, and to create a sense of intimacy.

Left: New steel windows with triple glazing replicate the original windows in the building.

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the architecture need to be respected – the more you touch the fabric of the building, the more likely you are to do harm. We wanted to celebrate the architecture with simple gestures that would be in keeping with the heritage character – we especially wanted to avoid awkward connections between the old and the new.”

With the building providing two floors at 650m2 each and a half-basement floor, organising the huge space was another challenge. Hawley says the owners chose to position the main living area and most

of the bedrooms on the top floor, with an extensive entertaining area on the first floor. The lower level accommodates a gymnasium and mechanical services.

“At some stage before the current owners acquired the property, the interior of the building was painted white from top to bottom,” the architect says. “There was also some very dark wood panelling in an office area, and a water-damaged ceiling on the second floor concealed all of the original beams and joists.”

The entire building was dry ice blasted

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to remove the white paint. Every last trace of paint was removed from the main living level, but remnants remain on the first floor – the distressed finish serving as a reminder of what went before.

The panelling and low ceiling were also removed, and all of the original steel windows were replaced.

“We introduced triple glazing to the new windows, which are otherwise exact replicas of the original, single-glazed windows,” says Hawley. “The old windows had not weathered well – the high levels

of condensation and humidity in the laundry had rusted out the steel frames.�

All the large Douglas fir structural columns with their original cast iron capitals were exposed in the refurbishment.

Even columns within bedrooms and wardrobes were exposed so the original architecture can be read at a glance.

New insertions include a curved, dropped ceiling that defines the seating areas on the top floor and conceals mechanical services. Cutouts in the ceiling ensure the columns remain exposed.

Above left: On the second floor of the building, which is the main living level, furniture is grouped to provide several different seating areas.

Firewood is stored in the concrete block fireplace in the centre of the room – it fuels a pizza oven on the other side.

Top: The Bulthaup kitchen features dark-stained walnut and grey quartzite countertops.

Above and left: The formal dining area is positioned on the rear wall, near to stairs. The door leads out to a sheltered rooftop terrace (left), which has an outdoor kitchen.

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“The owners, who are well travelled, wanted a world-class interior with international influences,” the architect says.

“But there were some constraints. They did not want a strong warehouse aesthetic in the areas where they would be eating, sleeping and brushing their teeth. These spaces needed to be more intimate, so we also introduced dropped ceilings to the bedrooms and bathrooms.”

The original concrete floor on the first floor was ground and polished to expose the aggregate. On the top floor, the existing

maple floors were retained, complete with oil spots and holes where folding tables were originally bolted to the floor.

Large barn doors, in keeping with the semi-industrial character of the building, were added to the entertaining floor, so that the different areas, which include a bar and home theatre, could be separated as required. Wood and milled steel feature on these doors, and on most of the other built-in cabinetry in the building.

“It’s a very simple material palette,” says Hawley. “The architecture provides

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the texture, with the wood and steel adding to the patina.”

Interior designer Shelly Neal of McNeal & Friends worked closely with the owners on the choice of furnishings for the interior. To break up the huge expanse of the main living area, the furniture was grouped in key areas, some of these defined by large area rugs.

Here, also, the palette is simple, with warm neutrals, natural materials and strong textural elements complementing the tone and texture of the brickwork and

timber. And there is a visual softness to the form of the furniture pieces that balances the strong lines of the architecture, without detracting from the heritage character.

Some furnishings, such as the I-beam light fixtures above the bar, were custom designed to provide an appropriate visual weight to the space.

Other key features of the refurbishment include a porch with a fire door-style window that can be raised to open up the space to the street. There is also a rooftop terrace with barbecue facilities.

Above left and left: Entertainment facilities, including a large bar, are provided on the first floor of the building. The lighting fixtures were custom made from steel I-beams fitted with low-voltage halogen lights. The original concrete floor has been ground to expose the aggregate mix, and then sealed and polished to a high shine. In this part of the building, the walls and ceiling were only partially ice-blasted – remnants of the original white paint remain, adding character.

Top and above: A large sliding barn door can be pulled across to screen the bar from a sitting area.

The barn door incorporates its own hinged door.

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Architect: Chris Hawley, Chris Hawley Architects Interior designer: Shelly Neal, McNeal & Friends Kitchen designer: Alexander Adduci, Bulthaup Builder: Mutchler, Bartram Architects Kitchen manufacturer: Bulthaup Structural engineer: Solien & Larson Engineering Windows: Wausau aluminium by Custom Window Co Wall panelling: Douglas fir Paints and varnishes: Sherwin Williams Lighting: Tech Lighting from Visual Comfort Blinds: Lutron Kitchen cabinetry: Walnut in Smoke Benchtops: Grey quartzite from Stone Holdings Splashback: White glass Kitchen sink and faucets: Kohler Oven, cooktop, microwave oven and dishwasher: Wolf Ventilation: Bulthaup Refrigerator: Sub-Zero Bathroom tiles: Walker Zanger Story by Colleen Hawkes Photography by Scott Amundson

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Facing page: Bathrooms on the main floor continue the material palette of the rest of the interior. The cabinets are a combination of milled steel and wire-brushed Douglas fir. And the sliding doors are small replicas of the large barn doors. These rooms also feature dropped ceilings, which bring a more refined look to these intimate spaces.

Left: This porch on the ground floor can be opened up to the outdoors – a large tilt window is raised and lowered as desired. The owners say they can stand at the window and cheer on runners in the local marathon as they pass on the street. Here, the bricks and wood have a whitewashed finish.

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New identity Originally part of a public housing development, this 1970s apartment is now a spacious, contemporary living space with a Mid-century Modern influence

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It wasn’t just the great view that caught the eye of the new owners of this 1970s apartment. It was also the character of the development, the size of the unit and its design potential.

Interior designer Christopher Kwek, who was commissioned to design a complete refit, says the apartment is within the Laguna Park complex in Singapore – a large development with approximately 500 units and a restaurant on site.

“It’s a well-established compound, with a charming, old-world character

Above: New full-height double glazing maximises the spectacular views from this remodelled 1970s apartment. Interior designer Christopher Kwek of Forward 50 integrated the original balcony into the living area, and removed a wall to create additional living space from a former bedroom.

The new ceiling features prefinished teak floorboards intersected with black conduits that house the lighting.

Left: The interior also features a mix of naturaland dark-stained teak veneer, which provides a neutral backdrop for the owners’ extensive art and furniture collection.

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and plenty of mature trees on site,” Kwek says. “And it’s just across the road from the beach, which means there are fantastic sea views.”

Kwek says the existing apartment was not especially interesting, but it had the potential to be redesigned to create a much larger, more modern interior.

“Because there was nothing worth keeping in the apartment, we were free to explore the best option for the new owners, who wanted a contemporary living space where they could entertain.

“The owners are keen art collectors and required plenty of space to display artworks. They also have several Midcentury Modern furniture pieces that they wished to incorporate, but they didn’t want an obvious retro look.”

Improving the layout was the first priority. To gain more space for the openplan living area, the existing balcony was integrated into the interior. And the wall between the living room and one of the three bedrooms was removed to create space for a media area at one side.

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“The window joinery is all new, with floor-to-ceiling glazing in the living area to maximise the view,” says the designer.

“We also introduced double glazing to reduce noise from a freeway that runs alongside the beach.”

Kwek says it was essential to open up the entry, which was a rather tight space.

A new angled wall of concealed cabinetry, in slatted walnut veneer, provides a dramatic entry and a place to display art.

The wall accommodates plenty of hidden storage and screens a new bar.

A new teak ceiling defines the living spaces – prefinished floorboards were chosen for their distinctive graining and large scale, notably their width and length. The boards are separated by black conduits that accommodate the lighting, which helps to keep the look modern. “The use of natural materials was a common theme in the artworks, so we have continued this with the interior palette, introducing a range of different natural- and dark-stained teak and walnut veneers,� the designer says.

Above: A more generous entry to the apartment was created by moving an angled interior wall. The new wall, in slatted walnut veneer, incorporates concealed storage. Because the owners like to entertain, the designer also introduced a bar in an area formerly taken by the dining furniture. One entire wall is clad in vintage ceramic tiles in jade green.

Left: The kitchen sits behind the angled wall of the entry. Vintage tiles also feature on the splashback in this area. The door to the left leads to a powder room and laundry.

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Before

After

Preceding pages: Teak veneer wraps around the large structural columns in the living area.

Legend to plan: 1 entry, 2 living area, 3 bar, 4 kitchen, 5 bedrooms, 6 master suite, 7 powder room, 8 utility room, 9 balcony.

Above right, right and facing page: The master suite occupies a space formerly taken by two bedrooms. It includes a walk-in wardrobe and home office featuring a refined walnut wood veneer.

Story by Colleen Hawkes Photography by Luke Tan

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A custom shelving unit in the living area features a mix of the light and dark teak, with metal side panels. Natural teak also wraps two of the large structural columns. The veneer is installed on an angle on the column nearest to the bar, which keeps the look lively.

Key Mid-century Modern furniture pieces include an Eames recliner and vintage Beauborg dining chairs that once graced the Pompidou Centre in Paris.

Vintage glazed ceramic tiles were also sourced for the splashback in the

bar and kitchen. These are a jade colour that changes with the light. In the kitchen the tiles are teamed with black laminate cabinets and a stainless steel splashback behind the cooktop.

Other substantial changes were made to the other two bedrooms, which were transformed into a large master suite with a walk-in wardrobe and small home office.

A cutout in the wall between the bedroom and office maintains a visual link between the two spaces and provides a direct sightline to the view. Two

bathrooms were replaced with a large ensuite bathroom for the master suite.

On the other side of the apartment, there is a new powder room featuring a mirrored wall with a concealed door that leads through to the laundry. resources & more images 47465 at trendsideas.com search apartment at trendsideas.com

Interior designer: Christopher Kwek, Forward 50 Pte Ltd Blinds: Somfy Motorized Blinds Televisions: Panasonic Speakers: Sonos Oven and cooktop: Ariston Refrigerator: Samsung Dishwasher: Fisher & Paykel Shower fittings: Toto Flooring: Terrazzo Display unit: Natural-stained walnut veneer with dark-stained teak veneer Dining chairs: Vintage Beauborg by Michel Cadestin and George Laurent

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