RMIT MDIT Flexible Modelling Class

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PORTFOLIO

Flexible Modelling for Design and Prototyping

TRIA A NINGSIH

Master of Design Innovation and Technology RMIT University


InteriorInterior ArchitectArchitect

Tria Amalia Ningsih

TRIA AMALIA NINGSIH

An Indonesian designer who currently study at RMIT majoring Master of Design Innovation and Technology. An experienced architectural and interior designer, part time lecturer in Universitas Indonesia, passionate yogis, art lover and a highly enthusiastic maker.

Educational Background Majoring Interior Architecture at Universitas Indonesia GPA 3.54 (to 4.0) Semester 7 (Acceleration Study) Credits 147

Jakarta, October 16th 1991

Professional Experiences st.

Internship with Popo Danes Architecture and Interior (2012)

811 / 58 Jeffcot Street West Melbourne VIC 3003

As a junior designer design and response many projects. The responsibilites were responsing and reporting design project with head consultant.

+61 403 308 482

Interior Architect in PT. titik I garis I bidang (2013-2015)

tria.amalianingsih@gmail.com s3574695@student.rmit.edu.au

As Junior Architect in Architecture and Interior Consultant. It designed from beginning of the project, analysed site, brainstromed, formulated concept, until made architectural drawing.

RMIT University Student Master of Design Innovation and Technology

Design and Built Freelancer (2014-2018) As Interior architect currently have own clients and involved in working on a varity of exiting projects. To encourage my passion with Architecture, responsible with all project activity from the beginning and associating in following consultant, then personally meeting and dealing with clients about contract and theme of the project.

Lecturer at Universitas Indonesia (2016-2018)

Professional Traits Working Vision

Invited as one of best Alumni at Universitas Indonesia, sharing about working experience as Interior Architect. each week, give lecture about “building technology” relate to interior construction and be fasilitator in Interior Architecture Studio 4.

Leadership

Professional Experiences

Time Management

2007 - The Chief of Photography Club in High School 2007 - The Chief of Wall Magazine in High School 2009 - Publishion at Sunday Architecture Event 2010 - Event Officer at Architecture UI fair 2011 - Finance Regulator at Organization of Architecture Student 2012 - Staff and Tutor at Architecture for Kids - Popo Danes Architect 2012 - Sponsorship staff at Architecture UI fair 2012 - Designer in Architecture UI Fair Project - Imagination

Awards 2007 - 2nd winner Wall magazine in High School of Jakarta 2008 - 1st winner musical poetry in High School of Jakarta 2013 - Cumlaude Predicate Graduated at Universitas Indonesia 2014 - finalist Indonesia Furniture Design Award 2014 2014 - 3rd winner Design Competition “Batik Museum Taman Mini Indonesia Indah” 2015 - 2nd winner Design Competition Office in CoContest 2016 - Finalist of Falling Wall Lab DAAD Jakarta 2017 - 3rd winner of Design Competition Tiny sustainable house in Cina. 2017 - Indonesia’s Endowment Fund for Education

Publishion

2017 - “Local Material as a Character of Contemporary Interior Design in Indonesia” (ICADU) 2018 - Exploring Materiality in Learning Interior Architecture

Teamwork

Creativity

Technical Skill AutoCAD - 2D Sketchup - 3D Autodesk 360 Fusion Revit - 2D 3D Rendering Rhino Adobe Photoshop, Illustrator Freehand Drawing

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CONTENT Biography

Page 1

POLIO A Task 1. Creating 20 Compositions of Pattern 2D

Page 5

Precedence - Pattern Ideas

Page 7

Composition 1-5

Page 9

Composition 6-10

Page 11

Composition 11-15

Page 13

Composition 16-20

Page 15

Task 2 Creating 20 Compositions of Pattern 3D

Page 15

Workflow of Pattern

Page 16

Composition 1-5

Page 17

Composition 6-10

Page 26

Composition 11-20

Page 37

Application for Background

Page 48

POLIO B Task 3.

2

Creating 40 Compositions of Pattern 2D Using Grasshoper

Page 49

Workflow

Page 50

Composition 1-10

Page 51

Composition 11-20

Page 55

Composition 21-30

Page 59

Composition 31-40

Page 63 Flexible Modelling for Design and Prototyping


POLIO B Task 4. Creating 40 Compositions of Pattern 2D Using Grasshoper

Page 67

Workflow

Page 68

Composition 1-10

Page 69

Composition 11-20

Page 73

Composition 21-30

Page 77

Composition 31-40

Page 83

Composition 40-45

Page 85

Task 5 Creating Physical model with digital fabrication

Page 87

Precedent 1

Page 88

Precedent 2

Page 89

Digital Fabrication

Page 91

Precedence Model Making

Page 93

Task 6 Reverse Engineering

Page 94

Composition 1 - 20

Page 96

Composition 20 - 25

Page 89

Task 7 Flexible Modelling

Page 104

Initial Ideas

Page 105

Design Process

Page 106

Design Ideas

Page 107

Flexible Modelling for Design and Prototyping

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Flexible Modelling for Design and Prototyping

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Flexible Modelling for Design and Prototyping


TASK 1

Creating 20 Components of Pattern (2D)

Flexible Modelling for Design and Prototyping

5


Presedence

Task 1

2 building from Architect Zaha Hadid Using Parametric Pattern King Abdullah Financial District (KAFD) Metro Station in Riyadh, Saudi Arabia

Residential Tower Project at the Former Australian Broadcasting Headquarters in Toowong, Brisbane.

This building is designed by Zaha Hadid with design-engineered by Newtecnic. the pattern of the facade is focused to reduce the solar gain and produce air that helps the air circulation of the building [1]. the material of the facade is using 650-footlong concrete-composite for covering the walls and roof which creates building components with fixing methods to support the structure of the building.

These towers are also design by the architect Zaha Hadid that has prupose as residentital tower near river in Toowong, Brisbane. the pattern of facade represent a vibrant urban village, using the curtain wall glazing covered with a diamond pattern made by glass reinforced concrete [2].

Precedent 1

Precedent 2

rotate - mirror - scale

rotate - mirror

Idea of Pattern Combine Pattern Precedent 1

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Precedent 2 Flexible Modelling for Design and Prototyping


Composition 1-5 Workflow

mirror

rotate

Mirror

1 1 1’

1’

1’

1 1’

1

1’

1’

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Modification

Task 1

Composition 2

Composition 3

Composition 4

Composition 5

8

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Composition 6-10 Workflow

scale

mirror

1’

copy

1’ 1

1

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1’

1

1’

9


Modification

Task 1

Composition 7

Composition 8

Composition 9

Composition 10

10

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Composition 11-15 scale

mirror

1 1’

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Mirror

1

1’

11


Modification

Task 1

Composition 12

Composition 13

Composition 14

Composition 15

12

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Composition 16-20 Workflow

scale

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mirror

rotate

13


Modification

Task 1

Composition 2

Composition 3

Composition 4

Composition 5

14

Flexible Modelling for Design and Prototyping


TASK 2

Creating 20 Components of Pattern (3D)

Flexible Modelling for Design and Prototyping

15


Task 2

Composition 1-20 Workflow

line

loft

line

line

16

contour

pipe

loft

flow along surface

offset

copy - mirror

offset surface

Flexible Modelling for Design and Prototyping


Composition 1 Workflow

line

contour - planar surface

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loft

offset

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Task 2

18 14

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Composition 2 Workflow line

offset

Flexible FlexibleModelling Modellingfor forDesign Designand andPrototyping Prototyping

loft

contour - planar surface

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Task 2

20

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Composition 3 Workflow line

loft

mirror

contour

contour mirror

pipe

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Task 2

22

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Composition 4 Workflow

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Task 2

24

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Composition 5 Workflow

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Task 2

26

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Composition 6 Workflow line

pipe

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rotate

copy - mirror

27


Task 2

28

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Composition 7 line

pipe

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rotate

copy - mirror

29


Task 2

30

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Composition 8 line

pipe

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rotate

copy - mirror

31


Task 2

32

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Composition 9

line

pipe

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rotate

copy - mirror

33


Task 2

34

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Composition 10

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Task 2

36

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Composition 11 line

flowalongsurface

offset

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loft

offset

offset

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Task 2

38

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Composition 12

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Composition 13

40

Task 2

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Composition 14

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Composition 15

42

Task 2

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Composition 16

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Composition 17

44

Task 2

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Composition 18

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Composition 19

46

Task 2

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Composition 20

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Application in Background

Task 2

furniture & artwork

Facade of building

Structure and pattern of architecture

48

Flexible Modelling for Design and Prototyping


TASK 3

Creating 40 Compositions of Pattern (2D) Using Grasshopper

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Workflow

Task 3

Pattern 1

Pattern 2

Pattern 3

50

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Composition 1-10 workflow

Composition 1

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Task 3

Composition 2

Composition 3

Composition 4

Composition 5

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Composition 6

Composition 7

Composition 8

Composition 9

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Task 3 Composition 10

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Pattern 11-20 workflow

Composition 11

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Task 3

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Composition 12

Composition 13

Composition 14

Composition 15

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Composition 16

Composition 17

Composition 18

Composition 19

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Task 3

Composition 20

58

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Pattern 21-30

Composition 21

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Task 3

Composition 22

Composition 23

Composition 24

Composition 25

60

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Composition 26

Composition 27

Composition 28

Composition 29

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Task 3 Composition 30

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Pattern 31-40

Composition 31

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Task 3

64

Composition 32

Composition 33

Composition 34

Composition 35

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Composition 36

Composition 37

Composition 38

Composition 39

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Task 3 Composition 40

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TASK 4

Creating 45 Complex Compositions of Pattern (2D) Using Grasshopper (Part II)

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Workflow

68

Task 4

Flexible Modelling for Design and Prototyping


Pattern 1-10

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Attractor

69


Task 4

70

Composition 2

Composition 3

Composition 4

Composition 5

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Composition 6

Composition 7

Composition 8

Composition 9

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Task 4 Composition 10

72

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Pattern 11-21 Transformation

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Task 4

74

Composition 2

Composition 3

Composition 4

Composition 5

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Composition 16

Composition 17

Composition 18

Composition 19

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Task 4 Composition 20

76

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Pattern 21-35 Differentiation

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Task 4

78

Composition 22

Composition 23

Composition 24

Composition 25

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Composition 26

Composition 27

Composition 28

Composition 29

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Task 4 Composition 30

80

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Composition 31

Composition 32

Composition 33

Composition 34

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Task 4 Composition 35

82

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Pattern 35-40 Remapping

Composition 31

Composition 32

Composition 33

Composition 34

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Task 4 Composition 35

84

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Pattern 40-45 voronoi

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Task 4

86

Composition 42

Composition 43

Composition 44

Composition 45

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TASK 5

Creating Physical model with digital fabrication

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Precendence 1

Task 5

Maneuvrable Structure Designer : Studio Moritz Putzier Material : AxpetÂŽ plastic Fabrication process : subtractive technique by using laser cut

Inspired by the japanese art of origami, developing the idea to transfer folded structures into the conception of lightweight construction. Maneuvrable Structure is based on fundamental geometric studies. Pointed notches create a segmentation of the surface into a regular grid enabling the transformation from a two dimensional sheet into a three-dimensional structure that combines both stability and flexibility.

source : Studio Moritz Putzier. 2010. Maneuvrable Structure. Accessed from http://www.moritzputzier.com/maneuvrable-structure/

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Flexible Modelling for Design and Prototyping


Precendence 2 Kinetic Wall by Barkow Leibinger Designer : Barkow Leibinger Material: Translucent synthetic fabric Fabrication process : The timber scaffolding is an anchoring framework for the fabric and houses the mechanisms that activate the surface.

The Kinetic Wall is a prototype based on the utopian dream of an architecture that can move, kinetically, first realized in the 20th century through modernism. One of the highlights of the 2014 Venice Biennale’s Elements of Architecture exhibition is Barkow Leibinger’s Kinetic Wall, appropriately found in the Wall Room and signaling the way forward through its moving parts and elastic skin [3]. Surface movement is activated by a series of motorized points which extend and retract [to] transform an elastic (stretched) translucent synthetic fabric into a topographical section of peaks and valleys.

source : Hill, John. 2014. Kinetic Wall. Accessed from https://www.world-architects.com/en/architecture-news/ products/kinetic-wall

Flexible Modelling for Design and Prototyping

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Task 5

the four categories that are achived from the kinetic wall, Vault, Niche, Pattern, Texture.

90

Flexible Modelling for Design and Prototyping


Digital Fabrication Pattern Excercise Inspiration Material Fabrication

: Task 2 Pattern : Plywood 3 mm : subtractive technique by using laser cut

the pattern is based on 2D modelling that was explored on the task 2, using polyline to create a curve. The pattern needs to be adjust in the connection between the curve by doing the trim in intersection to give the connectvity between the curve. the initial idea here is to create a pattern that can be used as interior element in the building, such as partition or pattern lamp which can give the reflection from the pattern. stage of fabrication starts with modifide the pattern from rhino until it has connection between pattern. then, by using the laser cut, the initial pattern cut entirely, while the connection is cut by etching technique

Flexible Modelling for Design and Prototyping

91


Digital Fabrication

Task 5

Bended Excercise Inspiration Material Fabrication

: Task 2 Pattern : Plywood 3 mm : subtractive technique by using laser cut

the pattern is based on 2D modelling that was explored on the task 2, using polyline to create a curve. to create a bending technique, the pattern needs to adjust in the connection and the size, so it can follow the force of bending. it the end of pattern, it is used wood joint without any glue.

92

Flexible Modelling for Design and Prototyping


Digital Fabrication Model Making Inspiration Material Fabrication

: Week 3 :MDF 3 mm : subtractive technique by using laser cut

the process of creating model is based on 3D pattern exersice. it starts with creating 2 curves then it is form by creating a sweep from the curve. then the model is cut by countour to create the structure. in order to print in laser cut, the model needs the thickness of material by creating the offset on the model. finally, it continues to create flat surface by using unroll surface. it is nessesary to put number on the surface to remind the order of the curve

Flexible Modelling for Design and Prototyping

92


Digital Fabrication

Task 5

Precedence Model Making Precedence Material Fabrication

: Kinetic Wall : Streched Fabric with acrilic structure : subtractive technique by using laser cut

the model is based on the precedence studies that is form by syntetic fabric and timber structure. to see the movement of fabric clearly, the model uses acrylic sheet as the structure that gives transparancy on the fabric. the fabric is connected with wood structures give a movement on the fabric that create dynamic surface.

93

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TASK 6 Reverse Engineering

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Reverse Engineering

Task 6

Based on Presedence Studies

connect between anchors with mesh

Create anchors to create a mesh

Create a base points on the mesh

95

Flexible Modelling for Design and Prototyping


Pattern 1-20

Flexible Modelling for Design and Prototyping

Kangoroo

96


Task 6

97

Composition 2

Composition 3

Composition 4

Composition 5

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Composition 6

Composition 7

Composition 8

Composition 9

Composition 10

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Composition 11

Task 6

Composition 12

Composition 13

Composition 14

Composition 15

99

Flexible Modelling for Design and Prototyping


Pattern 16-20

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100


Composition 18

Task 6

Composition 19

Composition 20

Flexible Modelling for Design and Prototyping

101


Pattern 20-25 Wavebird Composition 21

Composition 22

Composition 23

Composition 24

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102


Task 6 Composition 25

103

Flexible Modelling for Design and Prototyping


TASK 7

Flexible modelling - Weekly Exercise

Flexible Modelling for Design and Prototyping

104


Pattern 1-10

Remapping

Pattern 1-20

Kangoroo

105

Task 7

Flexible Modelling for Design and Prototyping


Composition 1

Composition 2

Composition 3

Composition 4

Composition 5

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106


Composition 6

Task 7

Composition 7

Composition 8

Composition 9

Composition 10

107

Flexible Modelling for Design and Prototyping


Composition 1

Composition 2

Composition 3

Composition 4

Composition 5

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Composition 6

Task 7

Composition 7

Composition 8

Composition 9

Composition 10

109

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TASK 8

Flexible modelling - Group Presentation

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110


Initial Ideas

Task 8

Water Awarness

In order to create awarness of water waste, we try to innovate an interactive Pathway. it is based on surface of the design that is aim to be kinetic. It must be able to response and when people walk in and the movement of the kinetic must be human friendly.therefore, the design will be as the boundary of architecture space such as wall or ceiling. the final design will be mimicking the behaviour and movement of water that is connected to the storyline which will go hand in hand with the path.

Water - Kinetic structure Identifialbe shape Water Resistant Material

Drop

Awarness Target Audience

walls

Movement

Wastage Flexbilility

Strechable Syntectic Fabric

Ceiling

Kinetic Structure

Ripples

water

conservation

Resource

Facade Circle

Interactive

Wave Path

Sensor

Site Context

Location : Plaza Library City RMIT (Semi Outdoor) Dimension : 3m x 6m. Height : 5m Boundary : canopy glass, canopy structure, wooden parquet floor, outdoor bench.

111

Flexible Modelling for Design and Prototyping


Design Process

Task 8

Interactive Kinetic Structure Input

siwarness aout water context people movement

Concept Exploration

Process

Output

form mechanism material digital fabrication

responsive kinetic structure

Mechanism : Water Movement Interactiveness : Water Pattern

Flexible Modelling for Design and Prototyping

Storyline : Water Path

Exit : Waterfall

112


Design Component

Task 8

Input Parameter

1

113

2

Form

Frame

Distance Frame Shape Sinousity

Material Strength Number of Frame

3

Material Stretch Opacity Printadability

4

Mechanism Space Motor Movement

Flexible Modelling for Design and Prototyping


Design Form

Task 8

Matrix Iteration

Original Form

Path with no frames

Multi Frames

No Frames

Scaled Frames

Scaled + Shaped Frame

Scaled + No Frames

Scaled + No Frames

No Frame

Shaped + No Frames

Scaled + Shaped + Frames Drawing by Jorge Flexible Modelling for Design and Prototyping

114


Design Form

Task 8

Matrix Iteration

Original Structure

Scaled Structure

Adjust to the surface

Drawing by Jorge

115

Flexible Modelling for Design and Prototyping


Structure Simulation

Task 8

Matrix Iteration

Proposed Structure

Structure Simulation Weakest Area

Strongest Area Drawing by Jack

Material Experiment Matrix Iteration

Nylon Spandex

Nylon Silk

50% Stretch 10% Opacity Can be Printed

130% Stretch 90% Opacity Can be Printed

Flexible Modelling for Design and Prototyping

Nylon Cotton

140% Stretch 40% Opacity Can be Printed

116


Fabric Simulation

Task 8

Form exploration based on group ideas Option 1 kinetic walll structure

structure

Mechanism

Mechanism

Option 2 kinetic walll

kinetic walll

kinetic walll

structure

structure

structure

Mechanism

Mechanism

Mechanism

Fabric Simulation using Kangoroo Physic 117

Flexible Modelling for Design and Prototyping


Structure for Mechanism

Task 8

Waved structure wit gears

Final Mechanism

Box

Dowel

Gears

Mechanism rings Motor connect to power

Flexible Modelling for Design and Prototyping

118


Mechanism Experiment

Task 8

Waved structure wit gears

119

Flexible Modelling for Design and Prototyping


Digital Fabrication

Task 8

Design Context and Exisiting Structure

Scale Material Fabrication

: 1 : 100 : Acrilyc 3mm : Subtractive technique by using laser cut

the process of creating model is started with creating a overall form. it is a series of frames that are connected by a path on the bottom of frames. the frames are made to create a rotation structure in overall form. Then, each frame is also filled by fabric in order to add twisted form in the structure and represent the kinectic structure along the frame

Flexible Modelling for Design and Prototyping

120


Digital Fabrication

Task 8

Design Context and Exisiting Structure

121

Flexible Modelling for Design and Prototyping


Digital Fabrication

Task 8

Detail of Responsive Kinectic Structure Scale Material Fabrication

: 1 : 20 : Acrilyc 3mm : Subtractive technique by using laser cut

After understanding the overall form, it continues with creating the detail of each frames that is connected by fabric. this model also tries to develop the relation between the frame structure and the mechanism on the top of the frame. therefore, this model has 3 frames represent a detail of overall structure with the join system for fabric. then, it has extended space on the top of the structure in order to put the mechanism model.

Flexible Modelling for Design and Prototyping

122


Digital Fabrication

Task 8

Detail of Responsive Kinectic Structure

123

Flexible Modelling for Design and Prototyping


Digital Fabrication

Task 8

The Mechanism Scale Material Fabrication

: NS : Acrilyc 3mm : Subtractive technique by using laser cut

The mechanism is the important part of the model, therefore it needs to be detail in the digital fabrication. the motor is connected with the gears in order to moved the rings. then the rings will create the waved for the fabric that is attached. this mechanism is constructed on transparant box in order to see the mechanism clearly.

Flexible Modelling for Design and Prototyping

124


Digital Fabrication

Task 8

The Mechanism

125

Flexible Modelling for Design and Prototyping


Final Design

Task 8

Frame structure

Top View of Design

Side View of Design Flexible Modelling for Design and Prototyping

126


Final Design

Task 8

Illustation

Design attach to site context

Drawing by Jorge

127

Flexible Modelling for Design and Prototyping


Design Reflection

Task 8

Further Development Posibillities

Form Kinetic Wall for Exhibition Interior Wall Facade Surface

Design Context Energy Pavilion

Material Glass Panel Wood Concrete

In the future, this proposal can be developed in certain parameters, including the form, design context, and material experience in order to get different solution. the result can be diversed depend on the proposed of design, creating new iterations but still relates with the main concept of responsive kinectic structure.

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Reference Glass layers make up this wavy reception desk by Tamás Ábel. January 4, 2015 Accessed http://www.contemporist.com/glass-layersmake-up-this-wavy-reception-desk-by-tamas-abel/ Zahner Factory Expansion / Crawford Architects. 19 Sep 2011. ArchDaily. Accessed 23 Oct 2018. https://www.archdaily.com/169206/ zahner-factory-expansion-crawford-architects/> ISSN 0719-8884 The Sculptural Design Of This Chapel Emulates The Mountains That Surround It. March 7, 2017. http://www.contemporist.com/ sculptural-chapel-emulates-mountains-that-surround-it/ ArchTriumph Present the “Energy Pavilion” Now Open at Museum Gardens” 26 Jun 2016. ArchDaily. Accessed 25 Oct 2018. <https:// www.archdaily.com/790178/archtriumph-present-the-energy-pavilion-now-open-at-museum-gardens/> ISSN 0719-8884

Studio Moritz Putzier. 2010. Maneuvrable Structure. Accessed from http://www.moritzputzier.com/maneuvrable-structure/ Hill, John. 2014. Kinetic Wall. Accessed from https://www.world-architects.com/en/architecture-news/products/ kinetic-wall

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