PORTFOLIO
Flexible Modelling for Design and Prototyping
TRIA A NINGSIH
Master of Design Innovation and Technology RMIT University
InteriorInterior ArchitectArchitect
Tria Amalia Ningsih
TRIA AMALIA NINGSIH
An Indonesian designer who currently study at RMIT majoring Master of Design Innovation and Technology. An experienced architectural and interior designer, part time lecturer in Universitas Indonesia, passionate yogis, art lover and a highly enthusiastic maker.
Educational Background Majoring Interior Architecture at Universitas Indonesia GPA 3.54 (to 4.0) Semester 7 (Acceleration Study) Credits 147
Jakarta, October 16th 1991
Professional Experiences st.
Internship with Popo Danes Architecture and Interior (2012)
811 / 58 Jeffcot Street West Melbourne VIC 3003
As a junior designer design and response many projects. The responsibilites were responsing and reporting design project with head consultant.
+61 403 308 482
Interior Architect in PT. titik I garis I bidang (2013-2015)
tria.amalianingsih@gmail.com s3574695@student.rmit.edu.au
As Junior Architect in Architecture and Interior Consultant. It designed from beginning of the project, analysed site, brainstromed, formulated concept, until made architectural drawing.
RMIT University Student Master of Design Innovation and Technology
Design and Built Freelancer (2014-2018) As Interior architect currently have own clients and involved in working on a varity of exiting projects. To encourage my passion with Architecture, responsible with all project activity from the beginning and associating in following consultant, then personally meeting and dealing with clients about contract and theme of the project.
Lecturer at Universitas Indonesia (2016-2018)
Professional Traits Working Vision
Invited as one of best Alumni at Universitas Indonesia, sharing about working experience as Interior Architect. each week, give lecture about “building technology” relate to interior construction and be fasilitator in Interior Architecture Studio 4.
Leadership
Professional Experiences
Time Management
2007 - The Chief of Photography Club in High School 2007 - The Chief of Wall Magazine in High School 2009 - Publishion at Sunday Architecture Event 2010 - Event Officer at Architecture UI fair 2011 - Finance Regulator at Organization of Architecture Student 2012 - Staff and Tutor at Architecture for Kids - Popo Danes Architect 2012 - Sponsorship staff at Architecture UI fair 2012 - Designer in Architecture UI Fair Project - Imagination
Awards 2007 - 2nd winner Wall magazine in High School of Jakarta 2008 - 1st winner musical poetry in High School of Jakarta 2013 - Cumlaude Predicate Graduated at Universitas Indonesia 2014 - finalist Indonesia Furniture Design Award 2014 2014 - 3rd winner Design Competition “Batik Museum Taman Mini Indonesia Indah” 2015 - 2nd winner Design Competition Office in CoContest 2016 - Finalist of Falling Wall Lab DAAD Jakarta 2017 - 3rd winner of Design Competition Tiny sustainable house in Cina. 2017 - Indonesia’s Endowment Fund for Education
Publishion
2017 - “Local Material as a Character of Contemporary Interior Design in Indonesia” (ICADU) 2018 - Exploring Materiality in Learning Interior Architecture
Teamwork
Creativity
Technical Skill AutoCAD - 2D Sketchup - 3D Autodesk 360 Fusion Revit - 2D 3D Rendering Rhino Adobe Photoshop, Illustrator Freehand Drawing
1
CONTENT Biography
Page 1
POLIO A Task 1. Creating 20 Compositions of Pattern 2D
Page 5
Precedence - Pattern Ideas
Page 7
Composition 1-5
Page 9
Composition 6-10
Page 11
Composition 11-15
Page 13
Composition 16-20
Page 15
Task 2 Creating 20 Compositions of Pattern 3D
Page 15
Workflow of Pattern
Page 16
Composition 1-5
Page 17
Composition 6-10
Page 26
Composition 11-20
Page 37
Application for Background
Page 48
POLIO B Task 3.
2
Creating 40 Compositions of Pattern 2D Using Grasshoper
Page 49
Workflow
Page 50
Composition 1-10
Page 51
Composition 11-20
Page 55
Composition 21-30
Page 59
Composition 31-40
Page 63 Flexible Modelling for Design and Prototyping
POLIO B Task 4. Creating 40 Compositions of Pattern 2D Using Grasshoper
Page 67
Workflow
Page 68
Composition 1-10
Page 69
Composition 11-20
Page 73
Composition 21-30
Page 77
Composition 31-40
Page 83
Composition 40-45
Page 85
Task 5 Creating Physical model with digital fabrication
Page 87
Precedent 1
Page 88
Precedent 2
Page 89
Digital Fabrication
Page 91
Precedence Model Making
Page 93
Task 6 Reverse Engineering
Page 94
Composition 1 - 20
Page 96
Composition 20 - 25
Page 89
Task 7 Flexible Modelling
Page 104
Initial Ideas
Page 105
Design Process
Page 106
Design Ideas
Page 107
Flexible Modelling for Design and Prototyping
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Flexible Modelling for Design and Prototyping
4
Flexible Modelling for Design and Prototyping
TASK 1
Creating 20 Components of Pattern (2D)
Flexible Modelling for Design and Prototyping
5
Presedence
Task 1
2 building from Architect Zaha Hadid Using Parametric Pattern King Abdullah Financial District (KAFD) Metro Station in Riyadh, Saudi Arabia
Residential Tower Project at the Former Australian Broadcasting Headquarters in Toowong, Brisbane.
This building is designed by Zaha Hadid with design-engineered by Newtecnic. the pattern of the facade is focused to reduce the solar gain and produce air that helps the air circulation of the building [1]. the material of the facade is using 650-footlong concrete-composite for covering the walls and roof which creates building components with fixing methods to support the structure of the building.
These towers are also design by the architect Zaha Hadid that has prupose as residentital tower near river in Toowong, Brisbane. the pattern of facade represent a vibrant urban village, using the curtain wall glazing covered with a diamond pattern made by glass reinforced concrete [2].
Precedent 1
Precedent 2
rotate - mirror - scale
rotate - mirror
Idea of Pattern Combine Pattern Precedent 1
6
Precedent 2 Flexible Modelling for Design and Prototyping
Composition 1-5 Workflow
mirror
rotate
Mirror
1 1 1’
1’
1’
1 1’
1
1’
1’
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7
Modification
Task 1
Composition 2
Composition 3
Composition 4
Composition 5
8
Flexible Modelling for Design and Prototyping
Composition 6-10 Workflow
scale
mirror
1’
copy
1’ 1
1
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1’
1
1’
9
Modification
Task 1
Composition 7
Composition 8
Composition 9
Composition 10
10
Flexible Modelling for Design and Prototyping
Composition 11-15 scale
mirror
1 1’
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Mirror
1
1’
11
Modification
Task 1
Composition 12
Composition 13
Composition 14
Composition 15
12
Flexible Modelling for Design and Prototyping
Composition 16-20 Workflow
scale
Flexible Modelling for Design and Prototyping
mirror
rotate
13
Modification
Task 1
Composition 2
Composition 3
Composition 4
Composition 5
14
Flexible Modelling for Design and Prototyping
TASK 2
Creating 20 Components of Pattern (3D)
Flexible Modelling for Design and Prototyping
15
Task 2
Composition 1-20 Workflow
line
loft
line
line
16
contour
pipe
loft
flow along surface
offset
copy - mirror
offset surface
Flexible Modelling for Design and Prototyping
Composition 1 Workflow
line
contour - planar surface
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loft
offset
17
Task 2
18 14
Flexible Modelling for Design and Prototyping
Composition 2 Workflow line
offset
Flexible FlexibleModelling Modellingfor forDesign Designand andPrototyping Prototyping
loft
contour - planar surface
19
Task 2
20
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Composition 3 Workflow line
loft
mirror
contour
contour mirror
pipe
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21
Task 2
22
Flexible Modelling for Design and Prototyping
Composition 4 Workflow
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23
Task 2
24
Flexible Modelling for Design and Prototyping
Composition 5 Workflow
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25
Task 2
26
Flexible Modelling for Design and Prototyping
Composition 6 Workflow line
pipe
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rotate
copy - mirror
27
Task 2
28
Flexible Modelling for Design and Prototyping
Composition 7 line
pipe
Flexible Modelling for Design and Prototyping
rotate
copy - mirror
29
Task 2
30
Flexible Modelling for Design and Prototyping
Composition 8 line
pipe
Flexible Modelling for Design and Prototyping
rotate
copy - mirror
31
Task 2
32
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Composition 9
line
pipe
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rotate
copy - mirror
33
Task 2
34
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Composition 10
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35
Task 2
36
Flexible Modelling for Design and Prototyping
Composition 11 line
flowalongsurface
offset
Flexible Modelling for Design and Prototyping
loft
offset
offset
37
Task 2
38
Flexible Modelling for Design and Prototyping
Composition 12
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39
Composition 13
40
Task 2
Flexible Modelling for Design and Prototyping
Composition 14
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41
Composition 15
42
Task 2
Flexible Modelling for Design and Prototyping
Composition 16
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43
Composition 17
44
Task 2
Flexible Modelling for Design and Prototyping
Composition 18
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45
Composition 19
46
Task 2
Flexible Modelling for Design and Prototyping
Composition 20
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47
Application in Background
Task 2
furniture & artwork
Facade of building
Structure and pattern of architecture
48
Flexible Modelling for Design and Prototyping
TASK 3
Creating 40 Compositions of Pattern (2D) Using Grasshopper
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49
Workflow
Task 3
Pattern 1
Pattern 2
Pattern 3
50
Flexible Modelling for Design and Prototyping
Composition 1-10 workflow
Composition 1
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Task 3
Composition 2
Composition 3
Composition 4
Composition 5
52
Flexible Modelling for Design and Prototyping
Composition 6
Composition 7
Composition 8
Composition 9
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Task 3 Composition 10
54
Flexible Modelling for Design and Prototyping
Pattern 11-20 workflow
Composition 11
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Task 3
56
Composition 12
Composition 13
Composition 14
Composition 15
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Composition 16
Composition 17
Composition 18
Composition 19
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57
Task 3
Composition 20
58
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Pattern 21-30
Composition 21
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59
Task 3
Composition 22
Composition 23
Composition 24
Composition 25
60
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Composition 26
Composition 27
Composition 28
Composition 29
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Task 3 Composition 30
62
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Pattern 31-40
Composition 31
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Task 3
64
Composition 32
Composition 33
Composition 34
Composition 35
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Composition 36
Composition 37
Composition 38
Composition 39
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Task 3 Composition 40
66
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TASK 4
Creating 45 Complex Compositions of Pattern (2D) Using Grasshopper (Part II)
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67
Workflow
68
Task 4
Flexible Modelling for Design and Prototyping
Pattern 1-10
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Attractor
69
Task 4
70
Composition 2
Composition 3
Composition 4
Composition 5
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Composition 6
Composition 7
Composition 8
Composition 9
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71
Task 4 Composition 10
72
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Pattern 11-21 Transformation
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Task 4
74
Composition 2
Composition 3
Composition 4
Composition 5
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Composition 16
Composition 17
Composition 18
Composition 19
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75
Task 4 Composition 20
76
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Pattern 21-35 Differentiation
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Task 4
78
Composition 22
Composition 23
Composition 24
Composition 25
Flexible Modelling for Design and Prototyping
Composition 26
Composition 27
Composition 28
Composition 29
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Task 4 Composition 30
80
Flexible Modelling for Design and Prototyping
Composition 31
Composition 32
Composition 33
Composition 34
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Task 4 Composition 35
82
Flexible Modelling for Design and Prototyping
Pattern 35-40 Remapping
Composition 31
Composition 32
Composition 33
Composition 34
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83
Task 4 Composition 35
84
Flexible Modelling for Design and Prototyping
Pattern 40-45 voronoi
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85
Task 4
86
Composition 42
Composition 43
Composition 44
Composition 45
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TASK 5
Creating Physical model with digital fabrication
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Precendence 1
Task 5
Maneuvrable Structure Designer : Studio Moritz Putzier Material : AxpetÂŽ plastic Fabrication process : subtractive technique by using laser cut
Inspired by the japanese art of origami, developing the idea to transfer folded structures into the conception of lightweight construction. Maneuvrable Structure is based on fundamental geometric studies. Pointed notches create a segmentation of the surface into a regular grid enabling the transformation from a two dimensional sheet into a three-dimensional structure that combines both stability and flexibility.
source : Studio Moritz Putzier. 2010. Maneuvrable Structure. Accessed from http://www.moritzputzier.com/maneuvrable-structure/
88
Flexible Modelling for Design and Prototyping
Precendence 2 Kinetic Wall by Barkow Leibinger Designer : Barkow Leibinger Material: Translucent synthetic fabric Fabrication process : The timber scaffolding is an anchoring framework for the fabric and houses the mechanisms that activate the surface.
The Kinetic Wall is a prototype based on the utopian dream of an architecture that can move, kinetically, first realized in the 20th century through modernism. One of the highlights of the 2014 Venice Biennale’s Elements of Architecture exhibition is Barkow Leibinger’s Kinetic Wall, appropriately found in the Wall Room and signaling the way forward through its moving parts and elastic skin [3]. Surface movement is activated by a series of motorized points which extend and retract [to] transform an elastic (stretched) translucent synthetic fabric into a topographical section of peaks and valleys.
source : Hill, John. 2014. Kinetic Wall. Accessed from https://www.world-architects.com/en/architecture-news/ products/kinetic-wall
Flexible Modelling for Design and Prototyping
89
Task 5
the four categories that are achived from the kinetic wall, Vault, Niche, Pattern, Texture.
90
Flexible Modelling for Design and Prototyping
Digital Fabrication Pattern Excercise Inspiration Material Fabrication
: Task 2 Pattern : Plywood 3 mm : subtractive technique by using laser cut
the pattern is based on 2D modelling that was explored on the task 2, using polyline to create a curve. The pattern needs to be adjust in the connection between the curve by doing the trim in intersection to give the connectvity between the curve. the initial idea here is to create a pattern that can be used as interior element in the building, such as partition or pattern lamp which can give the reflection from the pattern. stage of fabrication starts with modifide the pattern from rhino until it has connection between pattern. then, by using the laser cut, the initial pattern cut entirely, while the connection is cut by etching technique
Flexible Modelling for Design and Prototyping
91
Digital Fabrication
Task 5
Bended Excercise Inspiration Material Fabrication
: Task 2 Pattern : Plywood 3 mm : subtractive technique by using laser cut
the pattern is based on 2D modelling that was explored on the task 2, using polyline to create a curve. to create a bending technique, the pattern needs to adjust in the connection and the size, so it can follow the force of bending. it the end of pattern, it is used wood joint without any glue.
92
Flexible Modelling for Design and Prototyping
Digital Fabrication Model Making Inspiration Material Fabrication
: Week 3 :MDF 3 mm : subtractive technique by using laser cut
the process of creating model is based on 3D pattern exersice. it starts with creating 2 curves then it is form by creating a sweep from the curve. then the model is cut by countour to create the structure. in order to print in laser cut, the model needs the thickness of material by creating the offset on the model. finally, it continues to create flat surface by using unroll surface. it is nessesary to put number on the surface to remind the order of the curve
Flexible Modelling for Design and Prototyping
92
Digital Fabrication
Task 5
Precedence Model Making Precedence Material Fabrication
: Kinetic Wall : Streched Fabric with acrilic structure : subtractive technique by using laser cut
the model is based on the precedence studies that is form by syntetic fabric and timber structure. to see the movement of fabric clearly, the model uses acrylic sheet as the structure that gives transparancy on the fabric. the fabric is connected with wood structures give a movement on the fabric that create dynamic surface.
93
Flexible Modelling for Design and Prototyping
TASK 6 Reverse Engineering
Flexible Modelling for Design and Prototyping
94
Reverse Engineering
Task 6
Based on Presedence Studies
connect between anchors with mesh
Create anchors to create a mesh
Create a base points on the mesh
95
Flexible Modelling for Design and Prototyping
Pattern 1-20
Flexible Modelling for Design and Prototyping
Kangoroo
96
Task 6
97
Composition 2
Composition 3
Composition 4
Composition 5
Flexible Modelling for Design and Prototyping
Composition 6
Composition 7
Composition 8
Composition 9
Composition 10
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Composition 11
Task 6
Composition 12
Composition 13
Composition 14
Composition 15
99
Flexible Modelling for Design and Prototyping
Pattern 16-20
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100
Composition 18
Task 6
Composition 19
Composition 20
Flexible Modelling for Design and Prototyping
101
Pattern 20-25 Wavebird Composition 21
Composition 22
Composition 23
Composition 24
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102
Task 6 Composition 25
103
Flexible Modelling for Design and Prototyping
TASK 7
Flexible modelling - Weekly Exercise
Flexible Modelling for Design and Prototyping
104
Pattern 1-10
Remapping
Pattern 1-20
Kangoroo
105
Task 7
Flexible Modelling for Design and Prototyping
Composition 1
Composition 2
Composition 3
Composition 4
Composition 5
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106
Composition 6
Task 7
Composition 7
Composition 8
Composition 9
Composition 10
107
Flexible Modelling for Design and Prototyping
Composition 1
Composition 2
Composition 3
Composition 4
Composition 5
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108
Composition 6
Task 7
Composition 7
Composition 8
Composition 9
Composition 10
109
Flexible Modelling for Design and Prototyping
TASK 8
Flexible modelling - Group Presentation
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110
Initial Ideas
Task 8
Water Awarness
In order to create awarness of water waste, we try to innovate an interactive Pathway. it is based on surface of the design that is aim to be kinetic. It must be able to response and when people walk in and the movement of the kinetic must be human friendly.therefore, the design will be as the boundary of architecture space such as wall or ceiling. the final design will be mimicking the behaviour and movement of water that is connected to the storyline which will go hand in hand with the path.
Water - Kinetic structure Identifialbe shape Water Resistant Material
Drop
Awarness Target Audience
walls
Movement
Wastage Flexbilility
Strechable Syntectic Fabric
Ceiling
Kinetic Structure
Ripples
water
conservation
Resource
Facade Circle
Interactive
Wave Path
Sensor
Site Context
Location : Plaza Library City RMIT (Semi Outdoor) Dimension : 3m x 6m. Height : 5m Boundary : canopy glass, canopy structure, wooden parquet floor, outdoor bench.
111
Flexible Modelling for Design and Prototyping
Design Process
Task 8
Interactive Kinetic Structure Input
siwarness aout water context people movement
Concept Exploration
Process
Output
form mechanism material digital fabrication
responsive kinetic structure
Mechanism : Water Movement Interactiveness : Water Pattern
Flexible Modelling for Design and Prototyping
Storyline : Water Path
Exit : Waterfall
112
Design Component
Task 8
Input Parameter
1
113
2
Form
Frame
Distance Frame Shape Sinousity
Material Strength Number of Frame
3
Material Stretch Opacity Printadability
4
Mechanism Space Motor Movement
Flexible Modelling for Design and Prototyping
Design Form
Task 8
Matrix Iteration
Original Form
Path with no frames
Multi Frames
No Frames
Scaled Frames
Scaled + Shaped Frame
Scaled + No Frames
Scaled + No Frames
No Frame
Shaped + No Frames
Scaled + Shaped + Frames Drawing by Jorge Flexible Modelling for Design and Prototyping
114
Design Form
Task 8
Matrix Iteration
Original Structure
Scaled Structure
Adjust to the surface
Drawing by Jorge
115
Flexible Modelling for Design and Prototyping
Structure Simulation
Task 8
Matrix Iteration
Proposed Structure
Structure Simulation Weakest Area
Strongest Area Drawing by Jack
Material Experiment Matrix Iteration
Nylon Spandex
Nylon Silk
50% Stretch 10% Opacity Can be Printed
130% Stretch 90% Opacity Can be Printed
Flexible Modelling for Design and Prototyping
Nylon Cotton
140% Stretch 40% Opacity Can be Printed
116
Fabric Simulation
Task 8
Form exploration based on group ideas Option 1 kinetic walll structure
structure
Mechanism
Mechanism
Option 2 kinetic walll
kinetic walll
kinetic walll
structure
structure
structure
Mechanism
Mechanism
Mechanism
Fabric Simulation using Kangoroo Physic 117
Flexible Modelling for Design and Prototyping
Structure for Mechanism
Task 8
Waved structure wit gears
Final Mechanism
Box
Dowel
Gears
Mechanism rings Motor connect to power
Flexible Modelling for Design and Prototyping
118
Mechanism Experiment
Task 8
Waved structure wit gears
119
Flexible Modelling for Design and Prototyping
Digital Fabrication
Task 8
Design Context and Exisiting Structure
Scale Material Fabrication
: 1 : 100 : Acrilyc 3mm : Subtractive technique by using laser cut
the process of creating model is started with creating a overall form. it is a series of frames that are connected by a path on the bottom of frames. the frames are made to create a rotation structure in overall form. Then, each frame is also filled by fabric in order to add twisted form in the structure and represent the kinectic structure along the frame
Flexible Modelling for Design and Prototyping
120
Digital Fabrication
Task 8
Design Context and Exisiting Structure
121
Flexible Modelling for Design and Prototyping
Digital Fabrication
Task 8
Detail of Responsive Kinectic Structure Scale Material Fabrication
: 1 : 20 : Acrilyc 3mm : Subtractive technique by using laser cut
After understanding the overall form, it continues with creating the detail of each frames that is connected by fabric. this model also tries to develop the relation between the frame structure and the mechanism on the top of the frame. therefore, this model has 3 frames represent a detail of overall structure with the join system for fabric. then, it has extended space on the top of the structure in order to put the mechanism model.
Flexible Modelling for Design and Prototyping
122
Digital Fabrication
Task 8
Detail of Responsive Kinectic Structure
123
Flexible Modelling for Design and Prototyping
Digital Fabrication
Task 8
The Mechanism Scale Material Fabrication
: NS : Acrilyc 3mm : Subtractive technique by using laser cut
The mechanism is the important part of the model, therefore it needs to be detail in the digital fabrication. the motor is connected with the gears in order to moved the rings. then the rings will create the waved for the fabric that is attached. this mechanism is constructed on transparant box in order to see the mechanism clearly.
Flexible Modelling for Design and Prototyping
124
Digital Fabrication
Task 8
The Mechanism
125
Flexible Modelling for Design and Prototyping
Final Design
Task 8
Frame structure
Top View of Design
Side View of Design Flexible Modelling for Design and Prototyping
126
Final Design
Task 8
Illustation
Design attach to site context
Drawing by Jorge
127
Flexible Modelling for Design and Prototyping
Design Reflection
Task 8
Further Development Posibillities
Form Kinetic Wall for Exhibition Interior Wall Facade Surface
Design Context Energy Pavilion
Material Glass Panel Wood Concrete
In the future, this proposal can be developed in certain parameters, including the form, design context, and material experience in order to get different solution. the result can be diversed depend on the proposed of design, creating new iterations but still relates with the main concept of responsive kinectic structure.
Flexible Modelling for Design and Prototyping
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Reference Glass layers make up this wavy reception desk by Tamás Ábel. January 4, 2015 Accessed http://www.contemporist.com/glass-layersmake-up-this-wavy-reception-desk-by-tamas-abel/ Zahner Factory Expansion / Crawford Architects. 19 Sep 2011. ArchDaily. Accessed 23 Oct 2018. https://www.archdaily.com/169206/ zahner-factory-expansion-crawford-architects/> ISSN 0719-8884 The Sculptural Design Of This Chapel Emulates The Mountains That Surround It. March 7, 2017. http://www.contemporist.com/ sculptural-chapel-emulates-mountains-that-surround-it/ ArchTriumph Present the “Energy Pavilion” Now Open at Museum Gardens” 26 Jun 2016. ArchDaily. Accessed 25 Oct 2018. <https:// www.archdaily.com/790178/archtriumph-present-the-energy-pavilion-now-open-at-museum-gardens/> ISSN 0719-8884
Studio Moritz Putzier. 2010. Maneuvrable Structure. Accessed from http://www.moritzputzier.com/maneuvrable-structure/ Hill, John. 2014. Kinetic Wall. Accessed from https://www.world-architects.com/en/architecture-news/products/ kinetic-wall
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