Abundance

A WILD WESTERN

by Beth Henley presented in connection with Beth Henley’s Crimes of the Heart in Greensboro

May 6 - 17, 2015 209 NORTH SPRUCE STREET, DOWNTOWN WINSTON-SALEM, NORTH CAROLINA WWW,TRIADSTAGE.ORG / 336.272.0160 / TOLL-FREE 866.579.TIXX

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SEASON

FOURTEEN 4 ........................... Welcome 6 ............... The Production 7 ..................... The Company 11 ............. Director’s Notes 12 .............. program notes 14 ........................ Our Story 19 ..................... Core Values 21 ..................... Supporters 23 ............................. Annual Contributors 29 ............... Board & Staff

NEXT UP AT THE HANESBRANDS _____________________ Winston-Salem _____________________

Wit

a story of courage

Sept. 30 - Oct. 18, 2015

by Margaret Edson

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A N N I V E R S A R Y

JOIN THE CELEBRATION! For Triad Stage’s 15th Anniversary Season we are pulling out all the stops! The 2015-2016 Season is filled with plays we love – each a celebration of what Triad Stage does best.

WHY BECOME A SEASON PASSHOLDER? Our Passholders save an average of 20% off single ticket prices, that’s like seeing one show for FREE! Stop by the Box Office at intermission or after the show and learn how you can join us for the 15th Anniversary Season!

DON’T MISS THE LAST SHOW

OF THE SEASON! JUNE 7 - 28, 2015 4

2015 - 2016 TRIAD STAGE SEASON

Cat on a Hot Tin Roof Aug. 23 - Sept. 20, 2015

Wit Sept. 30 - Oct. 18, 2015

Deathtrap Oct. 18 - Nov. 8, 2015

A Christmas Carol Nov. 27 - Dec. 24, 2015

Beautiful Star: An Appalachian Nativity Nov. 27 - Dec. 24, 2015

VROOOMMM! Jan. 27 - Feb. 14, 2016

Radiunt Abundunt Feb. 21 - March 13, 2016

Fences April 10 - May 1, 2016

Don Juan June 5 - 26, 2016

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Preston Lane Founding Artistic Director

Richard Whittington Founding Managing Director

by Beth

Henley

directed by Preston Lane

Scenic Design by Robin Vest

Costume Design by Becki Leigh

Lighting Design by Laura J. Eckelman

Sound Design by Elisheba Ittoop

Movement Director Denise Gabriel◊

Vocal Coach Christine Morris◊

Fight Director Jim Wren◊

Dramaturg Bryan Conger

Casting by Cindi Rush Casting

Stage Manager Janine Wochna*

ABUNDANCE is presented by special arrangement with Dramatists Play Service, Inc., New York.

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Cast (in alphabetical order) William Curtis ....................................................... Brent Bateman* Jack Flan ...................................................................... Zachary Clark* Macon Hill ...................................................................... Amy Hamel* Professor Elmore Crome .......................................... Jeremy Kuhn◊ Bess Johnson ................................................................. Roya Shanks* This play is performed with an intermission.

The play spans 25 years, starting in the late 1860’s.

The action takes place in the Wyoming Territory and later in St. Louis, Missouri.

Brent Bateman* (William Curtis) Triad Stage debut. NATIONAL TOUR: Radio City Music Hall Christmas Spectacular. REGIONAL: Bull Durham: The Musical (Alliance); Buddy: The Buddy Holly Story (Ogunquit Playhouse, Arrow Rock Lyceum, Riverside Theatre); Oklahoma! (Pennsylvania Shakespeare); The Winter’s Tale (Asolo Repertory Theatre). FILM/TV: Birdman; Mania Days; Boardwalk Empire. EDUCATION: MFA, Florida State University/Asolo Conservatory for Actor Training. OTHER: Grand Theft Auto V (Rockstar Games).

Zachary Clark* (Jack Flan) Triad Stage debut. A graduate of Columbia University’s MFA acting program, Zach spent most of his high school years in Raleigh, North Carolina. He attended UNCSA’s high school program before college. New York Credits include Macbeth at Classic Stage Company and Twelfth Night with the Queen’s Players. Regional Credits include End of the Rainbow at the Arvada Center for the Arts as well as Spring Awakening and Measure for Measure with City Lit Theatre. TV: Boardwalk Empire. Zach is a proud teaching artist for Stages on the Sound.

Amy Hamel* (Macon Hill) TRIAD STAGE: Snow Queen (2013-2014), Tennessee Playboy. BROADWAY: Cats (Bombalurina, Tantomile).

NATIONAL TOURS: Cats (Demeter). REGIONAL: As Thousands Cheer (Kravis Centre for Performing Arts); Oklahoma!, The Music Man, Fiddler on the Roof (Royal Palm Dinner Theatre); Sugar Babies ( Jupiter Theatre); Fiorello!, Hair (Florida Repertory Theatre). EDUCATIONAL: Spamalot!, Top Girls, Hedda Gabler (UNCG); Noodle Doodle Box (Theatre 232). EDUCATION: MFA Acting, UNCG. BA Theatre Arts, Palm Beach Atlantic University.

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Jeremy Kuhn◊ (Professor Elmore Crome) TRIAD STAGE: A Christmas Carol (2014), Brother Wolf (2014). REGIONAL/LOCAL: Legally Blonde (Barn Dinner Theatre); Rent (Open Space Theatre); Spring Awakening (Theatre Alliance); Altar Boyz (Theatre Alliance). FILM/TV: Exploder (Tough Spun Films); Dangers of Daggermore (Invader Films); Promo Shoot (SV2 Studios).

EDUCATION/EDUCATIONAL SHOWS: Spamalot! (UNCG); Hot ’n Throbbing (UNCG); The Last Supper (APO Show); Fantastic Mr. Fox (TYP at UNCG); Senior in the BFA Acting program at UNCG. Roya Shanks* (Bess Johnson) Triad Stage debut. OFF-BROADWAY: How I Fell in Love (Abingdon); Ah, My Dear Andersen (Urban Stages). REGIONAL: Clybourne Park (Geva Theatre / Cleveland Playhouse); Farragut North (Premiere Stages); Texas Shakespeare Festival, Summer Theatre of New Canaan, Old Globe. FILM/TV: The Slap, The Blacklist, Gossip Girl, One Life to Live, The Longest Week, Dogs Lie. EDUCATION: BA, Yale University, Maggie Flanigan Studio, NYC. www.royashanks.com Preston Lane (Director & Triad Stage Founding Artistic Director) is in his 14th season at Triad Stage where he has directed over 50 productions. Preston is a 2014 finalist for the SDC Zelda Fichandler Award, a recipient of an NC Arts Council Playwright Fellowship and the Betty Cone Medal of the Arts. Other productions include the US premiere of Inexpressible Island (Dallas Observer Best of Dallas Awards: Best Director, Best Production) and The Night of the Iguana (Dallas Morning News: 2002 Top Ten Theatre List). As a playwright, Preston’s plays and adaptations have been produced at Triad Stage and other theaters and universities.

His work with musician Laurelyn Dossett includes Brother Wolf, Beautiful Star, Bloody Blackbeard, Providence Gap and Snow Queen. Preston has taught at UNCG, NC A&T, UNCSA, Greensboro College, SMU, and the Professional Actors Workshop at the Dallas Theater Center. He is an alumnus of the Drama League of New York’s Director’s Project. A native of Boone, NC, Preston received his BFA from UNCSA and his MFA from the Yale School of Drama.

Robin Vest (Scenic Designer) TRIAD STAGE: Crimes of the Heart; All’s Well that Ends Well; Mirandolina; The Rainmaker; Dracula; The Diary of Anne Frank; Brother Wolf (2006); The Little Foxes; Bell, Book and Candle; Black Pearl Sings. NYC: MTC, MCC, Playwright’s Horizons, Lincoln Center LCT3, Second Stage Uptown, Juilliard’s Drama Division, Barnard, TACT, Clubbed Thumb, 13p, and WET. REGIONAL: Yentl(Cleveland Playhouse); Animal Crackers (The Goodman); The Mystery of Irma Vep (The Old Globe); Animal Crackers, One Slight Hitch, The Bluebird, A Servant to Two Masters(Williamstown Theatre Festival); Hansel and Gretel (Washington National Opera); Ariadne Auf Naxos (Utah Opera, Vancouver Opera); It Pays to Advertise (Yale Rep). EDUCATION: Yale School of Drama. OTHER: Faculty for Guilford College’s Theatre Studies program.

Becki Leigh (Costume Designer) Triad Stage debut. REGIONAL/LOCAL: The Water Engine, As You Like It, [title of show], The Cherry Orchard (Asolo/FSU Conservatory); The Little Prince, The Grind or How We Became Posthuman, These Seven Sicknesses: Oedipus, The Map of Lost Things (World Premiere), This Property is Condemned (Hangar Theatre); Spring Awakening (Florida Players); Guys & Dolls, Ajax in Iraq, Who’s Afraid of Virginia Woolf? (University of Florida). EDUCATION: MFA, University of Florida. OTHER: KCACTF Region IV Costume Design Winner, 2014; SETC Ready for Work Award Recipient, 2014.

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Laura J. Eckelman (Lighting Designer) TRIAD STAGE: Snow Queen (2013-2014). NEW YORK: Crave, Somewhere in the Pacific, Scenes from an Execution (PTP NYC); Evolution (Associate, 59E59).

REGIONAL: CARRIE the musical (Studio Theatre); Bitter Homes and Gardens (Bearded Ladies); Romeo and Juliet, Bossa Nova (Yale Rep); Animals Out of Paper (Perseverance); A Lifetime to Master (Generator). OTHER: Assistant Professor of Drama at Washington College; Lighting Designer & Associate Producer for Shakespeare on the Vine; Associate Lighting Designer for Asphalt Orchestra’s Unpack the Elephant tour; 2012 S&R Washington Award winner. EDUCATION: MFA, Yale School of Drama; BA, Middlebury College. www.laurajeckelman.com Elisheba Ittoop (Sound Designer) Triad Stage debut. OFF-BROADWAY: And I And Silence (Signature Theatre); The Architecture of Becoming (Women’s Project); Washeteria (Soho Rep).

REGIONAL: Elephant and Piggie, American Scrapbook, Teddy Roosevelt and the Ghostly Mistletoe, Mermaids Monsters… (Kennedy Center); Love in Afghanistan, Our War (Arena Stage); Chapatti (Cincinnati Playhouse); Yentl (Cleveland Playhouse); Barefoot in the Park (Trinity Repertory Theatre); Driving Miss Daisy (Ford’s Theatre); Beneatha’s Place, Clybourne Park (Centerstage); We Are Proud to Present, You for Me for You, Mr. Burns (Woolly Mammoth). TRAINING: NYU, North Carolina School of the Arts. www.elishebaittoop.com Denise Gabriel◊ (Resident Movement Director) Triad Stage: Snow Queen, A Christmas Carol, Tennessee Playboy, Kingdom of Earth, The Illusion, A Doll House, Masquerade, The Glass Menagerie, Providence Gap. Previous regional theatre credits include Resident Movement Director at Alabama Shakespeare Festival, The Old Globe, Cincinnati Playhouse in the Park, Clarence Brown and Working Theatre, NY. International credits: Shanghai Theatre Academy, Salzburg Austria at Schloss Leopoldskron and Artscape Theatre Center and Dance for All (Cape Town, South Africa). Directing credits: This Wide Night by Chloe Moss (Paper Lantern Theatre Company; Triad Stage’s UpStage Cabaret). Ms. Gabriel is a Founding Board Member of American Theatre for Movement Educators and theatre faculty member at UNCG. Christine Morris◊ (Resident Vocal Coach) At Triad Stage since 2006, where coaching has included dialects for The Glass Menagerie, Shipwrecked, Snow Queen, Dirty Blonde and many others, and voice/ text for last season’s All’s Well That Ends Well. Other coaching: A Thousand Clowns (starring Tom Selleck); Kudzu (with The Red Clay Ramblers); and Sheridan’s The Critic at American Players Theatre in Wisconsin. Also an actor, roles at Triad Stage include “Silda Grauman” in Other Desert Cities; “Taw Avery” in New Music: Better Days; “Cordie Grindstaff ” in Providence Gap; “Marthy Owen” in Anna Christie. Associate Professor, UNCG. Memberships: Actors’ Equity Association, Screen Actors Guild, Voice and Speech Trainers Association (VASTA).

Jim Wren◊ (Resident Fight Director) Jim Wren has staged the violence for over a dozen Triad Stage productions, including the battles in Bloody Blackbeard, the fantastical fights in Brother Wolf (2006 and 2014), and the general behavior of the Lesters in Tobacco Road. EDUCATION: MFA, University of Florida. Jim is Performance Program Coordinator for the UNCG Department of Theatre, and is a two-time recipient of the Kennedy Center Gold Medallion for Excellence.

Bryan Conger (Dramaturg) Bryan is in his fourth season as Artistic Associate at Triad Stage. Triad Stage directing credits include: Dirty Blonde; Pump Boys and Dinettes; A Christmas Carol (20112014); My Fair Lady; tick, tick . . . BOOM!; The Mystery of Irma Vep (2011); Billy Bishop Goes to War; Associate Director for New Music (2011); Assistant Director for A Christmas Carol (2010); Around the World in 80 Days and Ghosts. Local directing credits include: Souvenir (Paper Lantern Theatre Company); Sister Mary Ignatius . . . (THTR 232); Oklahoma!; Balm in Gilead and Blind Date 9

(UNCG). Other directing credits include Gypsy; Kiss Me Kate; Always Patsy Cline; Little Shop of Horrors; Burial at Thebes; and Fashion; Or Life in New York. Education: MFA, UNCG. Bryan currently serves as an adjunct faculty member at UNCG. Cindi Rush, C.S.A. (Casting Director) New York: Silence! The Musical, My Mother’s Jewish Lesbian Wiccan Wedding (NYMF Winner 2010), Jay Alan Zimmerman’s Incredibly Deaf Musical, Bonnie and Clyde, Rooms, Jacques Brel, Six Dance Lessons, The Thing About Men, Urinetown, The Hurricane Katrina Comedy Festival. Regional: Penguin Rep, Triad Stage, Act II Playhouse, Arena Stage, Goodman, Humanafest. Film: Ghoul, The Woman (Top 9 Sundance 2011), In the Family, Offspring, Jack Ketchum’s The Girl Next Door, Headspace. Tours: “Barney,” “Curious George,” “Kidz Bop.” Janine Wochna* (Stage Manager) TRIAD STAGE: Underneath the Lintel, Brother Wolf.

REGIONAL/LOCAL: Tribes, Santaland Diaries, Around the World in 80 Days (Florida Repertory Theatre). EDUCATION: BFA, University of Cincinnati/CCM. OTHER: proud member of Actors Equity.

Richard Whittington (Triad Stage Founding Managing Director) has served as Managing Director of Triad Stage since its inception. Rich earned an MFA in Theatre Management from the Yale School of Drama and has a BFA in Acting and Directing from Marymount Manhattan College. Rich serves on the board of the NC Arts Council, where he is currently a member of the Executive Committee. He has previously served on the boards of ArtsNC and Downtown Greensboro, Inc. and has served on numerous grant panels throughout the state as well as for the Florida Division of Cultural Affairs and the National Endowment for the Arts.

A native of Dallas, Texas, Rich served as Artistic Administrator for the Dallas Theater Center and Associate Producer of Dallas’ The Big D Festival of the Unexpected. Experience also includes work at the Roundabout Theatre in New York and StageWest in Springfield, Massachusetts. In 2010, Preston and Rich were honored with Downtown Greensboro, Inc.’s J. Edward Kitchen Leadership Award. In 2013, they received the Adelaide F. Holderness/H. Michael Weaver Award from UNCG for distinguished public service. * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States ◊ Student or Faculty Member with the University of North Carolina at Greensboro Theatre Department ◉ Student or Faculty Member with the School of Drama at the University of North Carolina School of the Arts

ACTORS’ EQUITY ASSOCIATION Actors’ Equity Association (AEA) was founded in 1913 as the first of the American actor unions.

Equity’s mission is to advance, promote and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production. AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.

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FROM THE DIRECTOR PR E S TON LA N E As Triad Stage makes another artistic home here at the Hanesbrands Theater, we decided to celebrate our unique two city/two stages model by inviting our audiences in both communities to experience a single playwright with two surprisingly different plays. With a core value of fostering a Unique Southern Voice, it seemed extremely fitting that we would focus on one of the greatest of all Southern writers, Beth Henley.

This past month our Greensboro theater offered a heartfelt and honest production of the classic Pulitzer Prize winning CRIMES OF THE HEART. And today we welcome you to one of my very favorite of all Henley plays. Surprisingly, for a writer so identified with the South, ABUNDANCE, is rooted in the western frontier of the Wyoming Territory. And unlike the small town Mississippi kitchen setting of CRIMES, this play sprawls across the western expanse, hurtling through 25 years in the lives of two remarkable women.

“Go west young man and grow up with the country,” wrote John Babsone Lane Soule in an 1851 editorial promoting western expansion and Manifest Destiny.

Politicians, preachers, marketing executives, and real estate developers embraced and promoted a western mythology of the rugged, independent American man in fierce battle to claim Native lands for the glory and good of the USA. But Henley upends the myth. For it wasn’t just men who answered the westward call.

Countless women headed west for love, opportunity, adventure or to “see the elephant.”

And the Manifest Destiny of these women settlers and the men they marry is much more complicated than early Hollywood and dime store novels might have wished to portray.

For there is a darker side to the wild west tale – constant struggle, enormous hardship, awesome peril, and a life or death against an unyielding and unforgiving environment.

America’s wild west expansion was actually a grand laboratory for the American Dream. And I think it is this dream that is at the heart of Henley’s play. These pioneers of hers are people searching for an American Dream of abundance. But this abundance is too often created by taking away or gathering up. These pioneers carved up a land once shared amongst the Native people. They seek to own, to control, to bend the will of nature. They fill the emptiness inside them with material things. They cannot see an abundance of riches, of wonder, or of love without seeking to take more than their share. As Henley explores this hunger for abundance, she proves the wild west was never as wild or an untamed as the human heart.

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FOR BETH HENLEY the places she inhabited have always had a tremendous impact on her writing.

Whether it is in the Deep South or the Great Western frontier, these lands have whispered their magic in her ear as she created her quirky, dark characters and their complex and often times brutal relationships.

Henley was born on May 8, 1952 in Jackson, Mississippi to Charles Boyce Henley and Elizabeth Josephine Henley. The second oldest of four daughters, she was constantly around and influenced by women. Her mother, a wellknown community theatre actress in Jackson, introduced a shy and reclusive young Beth to theater and all its wonder. It was there that she found sanctuary and where her love affair with plays began. After graduating high school in 1970, Henley attended Southern Methodist University as a theatre major specializing in acting, but began to see the desperate need for women’s roles onstage and turned to writing. For Crimes of the Heart, her first full-length play, Henley returned to the place she grew up—Mississippi. She says, “It’s always inspiring to go home, simply because people are such good storytellers. I don’t know if it’s my family particularly, but they always inspire me because they’ve always got so much life going on around them.”

The play premiered at Actor’s Theatre of Louisville with subsequent productions off Broadway at Manhattan Theatre Club and then on Broadway in 1981. The play won the Pulitzer Prize in 1981 and was followed by the film adaptation in 1986 for which Henley was nominated for an Academy Award for Best Adapted Screenplay.

At 31 the young Henley was an overnight sensation with theatre critics, practitioners, and audiences eagerly awaiting her next play. They didn’t have to wait long with the premiere of The Miss Firecracker Contest in 1980, a play which Henley once again set in her home state of Mississippi. For the next 12

decade Henley continued to write plays including The Wake of Jamey Foster, The Debutante Ball, and The Lucky Spot. Henley, often compared to Eudora Welty and Flannery O’Connor, continued to grapple with the absurdity and grotesqueness of daily existence in the South. However, in 1989 she turned away from the South and set her eyes to another place that helped shape her as an artist—the West.

In the summer of 1976, Henley moved with friends to Los Angeles to make it big in the film industry but like so many others she found that it could be a cold, hard place for an aspiring actress. However, it was there that she began to write and the California spirit infused her writing. Henley says, “I think I was dealing with what happens with people’s dreams in Abundance—how people come out to California so full of hope to be an actress or to be in movies and slowly they find themselves working at Chicken Bob’s, or they want to be great novelists and they’re trying to write bad TV scripts. How do your dreams get chipped away?”

It was also at this time Henley picked up Wisconsin Death Trip, a book about the grim and desperate realities of the Western settlers and found the time and place for Abundance. Commissioned by South Coast Repertory Theater, Henley took five years to research nineteenth-century frontier life before writing the play.

She departed from her normal aesthetic with an epic form using a large sweeping landscape, spanning a twenty five year period. The play had its Off Broadway debut in 1990 with Frank Rich of the New York Times calling it Henley’s “most provocative play in years.”

With its core value of a commitment to fostering a unique Southern voice, Triad Stage is thrilled to present Crimes of the Heart and Abundance.

These plays represent two distinct periods in Beth Henley’s life and career. However, from naturalistic to experimental, one thing remains constant in both plays—the women. From 1970’s Mississippi to 1860’s Wyoming, it is the female voice that we hear and women’s stories that Henley explores with complexity and unabashed honesty.

Program Notes by Bryan Conger, Dramaturg 13

Triad Stage began as a dream...

Co-founders Preston Lane and Richard Whittington forged their artistic partnership as graduate students at the Yale School of Drama. After managing a theater in Connecticut for two years, they undertook the three-year task of opening their own theater in the heart of historic Greensboro.

In September 1999, Triad Stage purchased the former Montgomery Ward building, which had been built in 1936 and sat vacant for almost 40 years. Renovations transformed the five-story building into a world-class theater center now called The Pyrle Theater, complete with a 300-seat theater and thrust stage, rehearsal hall, offices, two spacious lobbies and other audience amenities.

Photo courtesy of Greensboro Historical Museum

The Grand Opening took place in January 2002 with Tennessee Williams’ modern classic Suddenly Last Summer.

In 2008, Triad Stage finished a second round of renovations to The Pyrle. A scene shop annex was added in the basement. The top floor underwent major construction to create the 90-seat UpStage Cabaret performance space, the Sloan Rehearsal Hall, and the studio and office facilities of WUNC Public Radio’s new Greensboro Bureau.

In 2011, Triad Stage purchased a 30,000 square foot building near the Greensboro Coliseum Complex to serve as the theater’s new production facility, relocating its scene, costume and properties shops as well as its warehouse.

In 2013, with significant support from The Arts Council of Winston-Salem and Forsyth County, Triad Stage announced a major expansion of programming to be produced at the Hanesbrands Theatre in downtown Winston-Salem.

The Pyrle Theater, Greensboro

Hanesbrands Theatre, Winston-Salem

Now in its 14th season, Triad Stage has over 3,000 Season Passholders and more than 600 annual donors. The company has received accolades on national, state and local levels, including being named “One of the 10 Most Promising Emerging Theatre Companies” by the American Theatre Wing and “One of the Best Regional Theaters in America” by the Drama League of New York.

Triad Stage has been voted the Triad’s “Best Live Theater” by the readers of the News & Record’s GoTriad ten years in a row and named “Professional Theatre of the Year” by the North Carolina Theatre Conference in 2003 and 2011. Its production of Tobacco Road was listed among the “Best of 2007” by The Wall Street Journal, its production of The Glass Menagerie was named “Best North Carolina Production of 2010” by Triangle Arts & Entertainment, and 2012’s production of Reynolds Price’s New Music trilogy was named among the “Best Productions” of the year in Triangle Theatre by Independent Weekly.

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Publication: Triad Stage Playbill Pub. Contact: Tracy Garner

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Core Values Triad Stage is guided by core values that inspire all aspects of our operations. These core values are a daily reminder to our entire company of why and how we produce theater for our community.

EXCELLENCE

INCLUSION

We strive for bold, daring excellence in all of our endeavors as we seek to create professional theater with regional and national impact.

Our community’s varied diversity must not only reflect itself in Triad Stage’s casting and staffing, but also in the selection of the stories we choose to tell.

COLLABORATION

ARTISTIC RISK

We celebrate and encourage an artistic process rooted in collaboration. We seek to mirror this process in all aspects of our operations and actively seek partnerships with other organizations to benefit the well-being of our communities.

Striving to constantly challenge ourselves, we reserve the right to take artistic risks and make mistakes.

IMAGINATION

REJUVENATION

Triad Stage delights in the imaginative process. We uphold freedom of expression as indispensable to the power of imagination.

We are committed to revitalizing our historic downtowns by greatly enhancing the cultural life of the Piedmont Triad through entertainment and by providing an economic impact benefiting other area businesses.

COMMUNITY

A SOUTHERN VOICE

As individuals are united in their shared experience of the theatrical event, strangers become friends, common ground is discovered, and dialogue begins.

In imagining the lives of others, our capacity for empathy is strengthened.

By placing the best of Southern writing in juxtaposition with classic and contemporary world drama, we foster a unique Southern voice, allowing our audience the pride of saying, “This theater is ours.”

LEARNING

NORTH CAROLINA

Theater is a valuable part of a lifetime of learning. Our work and the dialogue it creates should spark curiosity and inspire creative ways of thinking for our artists, staff and audience.

We seek to play a leading role in the North Carolina arts community. We actively work to create an artistic home for artists with North Carolina connections and to provide a bridge to the profession for emerging artists.

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Institutional Supporters

Triad Stage wishes to thank the following corporations and organizations that have generously contributed.

UNDERWRITERS ($20,000+)

STAR ($10,000-19,999) Atlantic Capital Advisors

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Lorillard, Inc.

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Mercedes-Benz of Winston-Salem

DIRECTORS ($5,000-9,999) Arbor Acres • Bernard Robinson & Company, LLP Clifford Division of Clifford Clendenin & O’Hale, LLP • Cone Health Ice Age Management/McDonald’s • Kilpatrick Townsend & Stockton, LLP O.Henry Hotel • Piedmont Natural Gas • Wells Fargo • Well•Spring Zuraw Financial Advisors BENEFACTORS ($2,500-4,999) BB&T • Center for Creative Leadership • Dean’s Office Machines First Citizens Bank • Genuity Concepts • Mercedes-Benz of Greensboro Pennybyrn at Maryfield ANGEL ($1,000-2,499) Craft Insurance • Frank L. Blum Construction Carolina Bank

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Media Partners ________________________________________ Entercom

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Triad Stage is proud to be a member of the following organizations.

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Annual Campaign Contributors ________________________________________ Triad Stage wishes to thank the following individuals, corporations and foundations who have contributed generously to our 2014-2015 Annual Campaign.

Annual Campaign contributors as of April 24, 2015 * Donors who have renewed commitments for 2015 PRODUCERS CIRCLE ($10,000+) Anonymous Cemala Foundation Suzanne & Bud Baker Vanessa & Roy Carroll Clem & Hayes Clement* Cynthia & William Graham James G. Hanes Foundation* John W. & Anna H. Hanes Foundation* Maureen & Bob Ihrie* Kyle Jackson, MD* Kathy Manning & Randall Kaplan* Linda & Tom Sloan* Pam & David Sprinkle* Betty & Bob Strickland* Susan & Eric Wiseman The Honorable Aldona Wos & Mr. Louis DeJoy* CENTER STAGE ($5,000–$9,999) Anonymous Lindsey & Frank Auman* Steve & Jackie Bell Brandon Bensley Wendy & Mike Brenner* Pat & Pete Cross* Rob DaVanzo* Ecolab Foundation Haynes & Ginger Griffin Tobee & Leonard Kaplan* J.A. King Mindy & Chad Oakley* Sylvia & Norman Samet Bill Soles Harrison & Martha Turner* Lydia & Keith Vaughan FRONT ROW ($2,500–$4,999) Mary Katherine & Durant Bell* Joanne Bluethenthal Louise & Jim Brady* Dr. Helen Brooks Jeb Brooks* Lisa & Willie Bullock Linda & Jim Carlisle* Kristin & Craig Carlock Joann & Bill Cassell* Holly Chambers & Richard Steedle* Rebecca & Rick Craig* Jean & Ralph Davison* Bill & Hoppy Hervey Christine & Chris Hobson Laura & Alan Irvin* Joia Johnson* Ron Johnson & Bill Roane* Barbara Kretzer* Ernest & Shelby Lane* Carol & Seymour Levin* Donna & Bob Newton* Julie Olin* Margaret & Brad Penn* Debby L. Reynolds*

FRONT ROW (continued) Anna Reilley & Matt Cullinan The Roberts Family Foundation Dabney & Walker Sanders* Kay Stern Ruthie & Alan Tutterow* Jane & Jonathan Ward* Courtney & Richard Whittington* STAGE HAND ($1,000–$2,499) Anonymous (2) Kate R. Barrett* Phil Barrineau* Betty & Dennis Barry Mr. & Mrs. James Becher Jr. Marianne & Jim Bennett Sylvia & Michael Berkelhammer Joseph M. Brantley III* Carol & Jeff Burgess Janis & Marc Bush Sally & Alan Cone Roger & Candace Cummings Michael & Barbara Curry Carol & David DeVries* Susie & Rasmus Fenger Joe & Karen Grady David & Sheila Groves Rusty & Van Gunter Beth Harrington Tomasita & Sam Jacubowitz Dina & Burney Jennings David & Emily Johnston Frankie Jones* Amy & John Kelly * Preston Lane Vicky Larkin Mike & Kathy Lewis Sue & Neil Lutins* Cathleen & Ray McKinney Kellie Melinda Victoria & Ron Milstein* Randi Palmer* Cissy & Bill Parham* Richard A. Parker The Poteat-Smiths Todd & Kim Rangel* Tim & Carolynn Rice John Riley Lynn Wooten & Paul Russ* Pat & Gordon Soenksen Amy Speas* Paula Stober & Bill Bucklen Ernestine & Stuart Taylor* Mary & Will Truslow The Thomas Ralph Wear III Family Katie & Randall White Len & Judy White Dianne & Glenn Whittington Judy & Bob Wicker* Greg and Wallace Williams T. Henry & Dell B. Wilson Family Fund

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STAGE HAND (continued) Woodruff Family Law Group* Ann & Ben Zuraw GALLERY ($500–$999) Lee & John Atkinson Mr. & Mrs. Bruce M. Babcock Annette Benson Bill & Gay Bowman* Lynn & Scott Brogan Nancy & Jim Bryan Lori & Murray Clayton Irene & Irv Cohen Joe and Fran Craycroft Christie DaVanzo Sherry Dickstein & Kurt Lauenstein Mary Dubuisson & Jeff White Karen M. Dyer* Bob Hansen* Susan Ireton & Valerie Leschber Maggie Jeffus & Ted Thompson Carole Keeler Ray & Doris Kiszely Harriette & Bob Knox Lex & Brent Kulman Greg & Barb Laskow Mimi Levin* Judy & Dan McGinn Rob & Karen Melhem Jane & Dan Moore Peg & Skip Moore* Rod & Linda Mortenson David & Mary Mounts David Murphy Angie Murphrey Brian & Nancy Napier* Jane & Ron Norwood* IHO Chad & Mindy Oakley April & David Parker Tim & Denise Pastoor Lloyd & Jane Peterson* Mike & Joanna Phillips Meredith & Gary Piatt* Nancy & Ed Pleasants Donna & Don Pulitzer David & Claudia Reich Mark & Heather Setzler Kelly Sigle & George Marple In Honor of Tom & Linda Sloan Kim & Bassam Smir* Cynthia Soemita & Tony Hooimeijer Jim & Linda Starmer* Bonnie Stewart Tom & Maggie Styers* Willie Taylor* May Toms Shirley & Jeff Vestal* Katherine & Mike Weaver Jack & Karen Whiteside* Carmen & Robert Wood*

PATRON ($250–$499) Mary Alexander Richard Allen Alexa Aycock Benjamin S. Baker Dee & Wes Bartlett Catherine & Peter Bergstrom Frank & Mary Biggerstaff* Barbara & Tony Blake Louise & Jerry Boothby* Dora & Bruce Brodie Joe & Kate Brower Patrick & Elizabeth Burns Greer & Scott Cawood Mr. & Mrs. David Christenson Lynda Brown Clifford Sallie & Jim Clotfelter Harvey Colchamiro Faye & Michael Collins Betty Cone Doug & Jean Copeland Jerry Cunningham & Terry Brown* Janet Ward Black & Gerard Davidson* David & Jo Delman Phyllis H. Dunning Laura Eckelman Pete & Sandra Ennever Nancy & Richard Evans Marsha Ferree Bert & Debbie Fields* Ellen & Gary Fisher Jim & Dana Fisher Mr. & Mrs. Kirk Fry Patti & Douglass Gilbert* Dionis Griffin Kay & Chip Hagan* Melinda Hamrick Sherry & Bob Harris Judith & Cyril Harvey* Sue & Doug Henderson Cindi & Dave Hewitt Laura & Bryan Hochstein Robert & Donna Hoekstra Nancy Hoffmann Anne & Sam Hummel Chip Johnson Randall T. Johnson Mr. & Mrs. Orton Jones Ginger & Ken Karb* MXIII, LLC. - Milton Kern Diana Knox* Robin & Tim Lane* Louise & Bill Latture Marilyn & John Lauritzen Cathy Levinson Victor Lindsley & Jim Battinelli Mr. & Mrs. George L. Little, Jr.* Sandra & Francis LoNano Ernest J. Lunsford Nancy Y. Madden* Connie Mahan David & Kathy Mazzola Bonnie & Dan McAlister* Amanda McGehee* Lou & Don McMillion Christine Morris & Jeffery West Eberhard Mueller-Heubach Al & Linda Munns Angie Murphrey Maureen & Doug Murray Mitchell A. Neuhauser Michael & Tog Newman Marion O’Brien* Lynne & Glenn Ogden* William Osborne

PATRON (continued) Susan & Jim Phillips Sheri & Ray Raymer Dee & Jason Roghelia Susan Samuelson Susan & Jerry Schwartz* Matthew Sergio & Steve Stonecypher Donna & Mark Shapiro Nancy & Frederick Sharpless Phyllis Shavitz Misa & Alex Shuford Kathleen Smith* Melanie R. Soles Sonitrol Security of the Triad Michiko Stavert Charlotte A. Straney Adeline & David Talbot Suzanne & Tom Tilley Bryan & Billie Toney* Jody & Mike Troxler VanderVeen Photographers Susan B. Wall* James & Barbara Walls B.J. Weatherby & Verne Nielsen* David Westfall & Barbara Ann Peters* Jeffrey White W. Fred Williams Carol & Tom Wood* Beverly & Pat Wright Richard & Jeanne Young FRIEND ($100–$249) Anonymous (3) Clare & Mike Abel Rose & Victor Ackermann Sophie & Eric Adamson Hattie & John Aderholdt Janet Allard & Josh Foldy Lynn Allison Leanne Angell* Margaret & Carl Aquilino Margaret & Howard Arbuckle Jane Ariail R.B. and Kay Arthur Carl Ashby Led & Sally Austin Robert Bailey & Samantha McDermott* Bill & Laura Barrier Deborah Bartz & James Peterson Laverne M. Bass* Shari & Richard Beavers Fred & Sally Beck Clark & Beth Bell Deb Bell & Keith Cushman* Anna & Robert Berdahl Robert Beseda Arnette E. Beverly, PhD Hugh Black & Laura Allred Kate Black, Realtor Judy Blake Lou Bouvier & Denny Kelly Treana A. Bowling Lynn Bresko David Brown & Barbara Levin Patty and Malcolm Brown Tom & Marie Brown Becky & Julian Bullock Elizabeth & George Burfeind* Alex & Maureen Burns Pearl Burris-Floyd Nancy Cameron Edna & John Canny* Julia Smith Capone Myrna Carlock

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FRIEND (continued) IHO Linda Carlisle John Carney Waban P. Carter Kay Cashion Kathy & Bill Cissna* Pat Shore Clark Louann Clarke Thomas & Elizabeth Clary Benita & Ron Cole Diane Conrad Pat W. Copeland Gwyneth & John Cote Ross & Debbie Cox Mr. & Mrs. David Craft Catherine Crowder Gail & Bruce Crozier Jack & Kathi Dubel Pam & Alan Duncan Debra Dykes* Mona Gillis Edwards Nancy & Jim Edwards Theresa Egan David Formisani Susan & Bill Fraser Gerald Freedman Larry French Dr. Deborah Friedman Denise Gabriel Karen A. & J. Ronald Gaffe’ Silvia & Thomas Gahm* Bonnie & Martin Gallo Myra & John Gebbie Allen & Mary Ann Gerhard Mr. & Mrs. Edward N. Gideon, Jr. Betty Godwin Terri & Robert Goldberg Celeste Gonzalez Carolyn & Art Green Jennifer & Paul Grosswald* Christy Gumbiner* Dr. & Mrs. David L. Gutterman Patricia Gutzwiller & Alan Spiewak Deb & Jay Gyure Linda & Hale Barbara H. Hall Marty & Porter Halyburton Brenda C. Hampton Ron & Becky Hampton Susan Hanks Anne & Bill Hardin Karyn Harrell & Cindy Kimbrell, DVMs Jerry & Melissa Harrelson Gloria & Walter Harris Hon. & Mrs. A. Robinson Hassell Angela Hays* Miriam & Tom Herin* Dr. & Mrs. Joseph R. Hedgpeth Pat Hester Carolyn & Ed Hines* Wes & Rose Hood Betsey & David Horth Gary & Marion Hosey Larry Hungerford David & Rodna Hurewitz* Sallie & Hoke Huss* Ms. Judith Hyman* Heather & Jay Jahnes Frances & Jim Jochum Bob Johannesen* Christina & Kenneth Johnson Jenna Johnson* Sue & Jim Kennedy Sandra Kessler & Larry Cravey

FRIEND (continued) Eleanor Ketcham Virginia & David King Martha & Charles Kirkman Suzannah Kleese Bonnie & John Knab* David & Virginia Knox Kelly Krantz Derek Krueger & Gene Rogers Eric Lee Jean & Paul Leslie Carolyn C. Lester* Michele & Pat Levy Grey Lineweaver Annabel Link Clarence Lloyd, Jr., M.D.* William Lowder Jr. Ann Lynch & Russell Williams Diane & Bob Mabry Jack & Judy MacDowall Barbara & Dennis Machuga Samantha A. Magill* Gustav & Mary Magrinat Joe Manson* David Marker Linda & Leon Marsh Marcy Maury Bud & Reba Maxson* Tom & Marilou May Ann McCarty & Robert Fried Eleanor & Donald McCrickard* Doris McGinn* Angus & Wynn McGregor* Jane W. & Thomas F. McKim Carol H. Melvin Benedicte & Christian Mengel Cliff & Kathryn Miller Gary & Nancy Miller* Jane Tucker Mitchell Hal & Amy Mohorn Diane P. Monnier Agnes & David M. Moore II Barbara & Bill Moran* Donna Moran & Garnett Hughes Dan & Ninevah Murray* The Nash Family J.T. (Judith) Nebenzahl Floyd & Joann Nesbitt Karol & John Neufeld* Stacey & Mitchell A. Neuhauser* Margaret & Vernon Newlin* Gaynelle Nichols* David Olson Nancy Osborne* Nancy Oschell Cathy & Ray Owen Jill A. Painter Jackie Palmer & Robert Kilpatrick Caroline Panzer Dorothy Peters Roger & Nan Poplin Margaret Y. Price Mary Price* Eleanor Procton Jesse Pugh*

SUPPORT

TRIAD STAGE

FRIEND (continued) Wendell & Phoenix Putney Fern Ragan Bene & George Ralls* Kathy Ramsay Kim Record Peter Reyher Jennifer & Tommy Robards* Susan & Thomas Rieke Sharon A. Rimm & Robert G. Muecke George & Bobbie Roberts William & Beverly Rogers Cary Root The Rose Family Margaret Rowlett & David Gilbert Debbie & Eugene Russell Lisa & John Saari Laurel & Greg Sanders Jim & Nancy Sands Dr. Cindy Wall Sarwi Rett Saslow & Kathryn Lochra Bill & Jayne Satterfield Beatrice Schall Bill & Barb Sharpe Lee & Mary Ellen Shiflett Jewell Shipley Sandra & Wayne Shugart Joyce & Bob Shuman William Sigona Judy & Irwin Smallwood Anne Smith David & Diane Smith Kathryn & R. C. Smith Susan L. Smith Beverly & Lawrence Snively Laurey Solomon Suci Sorensen* Donna Speas Andy Stern & Judy Pellarin Bud & Jill Amidon Strickland Glenn & Marylou Strohl David Sullivan Janice & John Sullivan Joan Sullivan in loving memory of John L. Sullivan St. Matthews UMC First Fruits Ministry Peggy R. Tager Zee Tart E. B. & David Taylor Frieda Taylor* Julie & Tom Taylor Mrs. Lee Templeton* Barbara Van Cleve Dave & Carol VanSchoick Cheryl A. Viglione & John T. Curnes Anita & Joe Vigorito Dean & Kate Wahlberg Robert C. Walker Nancy & David Wallace* Leon & Peggy Wessel Andrea West Barbara & Jim Williams Anne & Charles Wilson

FRIEND (continued) Mary & Robert Woodrow Anne Woodward & Robert W. Lee Kay & Charlie Zimmerman MATCHING GIFT COMPANIES American Express Compass Financial Dow Corning IBM The Johnson & Johnson Family of Companies Kinder Morgan Foundation Lincoln Financial Foundation Reynolds American Foundation Weaver Foundation LEGACY DONORS Anonymous Claire King Sylvia Samet Linda & Tom Sloan Martha & Harrison Turner Ruthie & Alan Tutterow Legacy Donors have made bequests in support of Triad Stage.

To learn about supporting Triad Stage through donations or sponsorship, please contact: Jennifer Woodward | Development Director jennifer@triadstage.org | 336.274.0067 ext. 222 Triad Stage is a 501(c)(3) not-for-profit organization, with donations tax-deductible to the extent provided by law.

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Board of Trustees __________________

Triad Stage Staff (cont.) __________________

Officers

Development

Kathy Manning, Chair Mindy Oakley, Vice Chair Susan Schwartz, Vice Chair Tom Styers, Treasurer Amy Speas, Secretary Alan Tutterow, Past Chair Linda Sloan, Founding Chair Preston Lane, Founding Artistic Director Richard Whittington, Founding Managing Director

Jennifer Woodward, Director of Development Cedric Blue II, Development Associate

Marketing & Communications

Megan Mabry, Marketing & Social Media Manager Ainsley Johnston, Sales Manager Ellis Anderson, Marketing Associate

Audience Services

Sherry Barr, Director of Audience Services Justin Nichols, Box Office Manager Rachel Rutz, Assistant Box Office Manager Aralys Castillo, Becky McLaughlin, Bonnie Pachasa, Alysa Rambo, Savannah Relos, Amanda Wils Box Office Associates Alysa Rambo, Joseph Rollins, Claire King House Managers Jessie Alexander Gulley, Alysa Rambo Lobby Bar Associates

Members at Large

Kate Barrett, Jeb Brooks, Pearl Burris-Floyd, Linda Carlisle, Craig Carlock, Karen Dyer, Drew Hancock, Chris Hobson, Tomasita Jacubowitz, Christina Johnson, Frankie Jones, John Kelly, Samantha Magill, Dan McAlister, Donna Newton, Cissy Parham, Margaret Penn, Todd Rangel, Debby L. Reynolds, Paul Russ, Dabney Sanders, Tom Sloan, Kathleen Smith, David Sullivan, Ernestine Taylor

Production

Winston-Salem Advisory Council

Liza Vest, Production Manager Emily J. Mails, Resident Stage Manager Chris Simpson, Technical Director Jason Korff, Lead Carpenter Skip Johnson, Carpenter Kathleen Ludwig, Costume Shop Manager Mary Beth Pazdernik, First Hand Jennifer Stanley, Costume Shop Assistant Andy Cutler, Wardrobe Supervisor & Rentals Coordinator Eric Hart, Props Master Lisa Bledsoe, Props Assistant Liz Stewart, Master Electrician Jessica Holcombe, Scenic Charge

Linda Carlisle, Chair Wendy Brenner, Mary Walker Fry, Drew Hancock, Sue Henderson, Joia Johnson, Carroll Leggett, Susan Little, Cathleen McKinney, Angie Murphrey, Tog Newman, Randi Palmer, Gordon Peterson, Nancy Peterson, Milton Rhodes, Keith Vaughan, Lydia Vaughan, Sue Wall, Jason Wenker

Greensboro Advisory Council

Holly Chambers, Judy Wicker, Co-Chairs Hayes Clement, Ralph Davison, Danny Gatling, Sandra Hughes, Lesley Hunt, Ron Johnson, Tobee Kaplan, Ancella Livers, Dennis Quaintance, Sylvia Samet, Joy Shavitz, Ralph Shelton, Harrison Turner

For “Abundance� ___________________

Triad Stage Staff __________________

(in alphabetical order)

Mariah Berkowitz, Assistant Stage Manager Mary Crockett, Scenic Artist Jon Fredette, Sound Supervisor Matthew Gulley, Sound Board Operator Jonah Hargett, Production Assistant Angelina Rodriguez, Scenic Artist Elura Rogers, Wardrobe Assistant Adam Taylor, Light Board Programmer/Operator

Artistic

Preston Lane, Founding Artistic Director Bryan Conger, Artistic Associate Tamera Izlar, Artistic Associate Haylee Pittenger, Dramaturgy Intern

Administrative

Richard Whittington, Founding Managing Director Jason Bogden, General Manager Jessie Alexander Gulley, Company Manager Dawn Erdner, Office Assistant

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By attending this performance tonight, you are supporting the concept of “triad” in the arts community at large & are strengthening the entire theatre community in winston-salem.

TO HELP US TO CONTINUE TO BRING PROFESSIONAL THEATRE TO THIS STAGE, PLEASE KEEP THE ARTS COUNCIL’S ANNUAL CAMPAIGN AT THE TOP OF YOUR LIST OF ANNUAL GIFTS.

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