Deathtrap Playbill 2015 by Triad Stage

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4 .................... The Production 5 ......................... The Company 14 .............................. Our Story 21 .......................... Core Values 37 .......................... SUPPORTERS 38........ Annual Contributors 46 .................... Board & Staff

NEXT UP AT triad stage _____________________ greensboro _____________________

A BEAUTIFUL STAR an appalachian nativity by preston lane original music by laurelyn dossett

__________________ NOV. 27 -DEC. 24, 2015 3

Preston Lane Founding Artistic Director

Richard Whittington Founding Managing Director

DEATHTRAP by Ira Levin Directed by Bryan Conger Scenic Design by John Coyne

Costume Design by Dina Perez

Lighting Design by Robert Perry

Sound Design by Jon Fredette

Production Manager Liza Vest

Casting By Cindi Rush Casting

Movement Coach Denise Gabriel

Vocal Coach Christine Morris

Fight Director Jim Wren

Fight Captains Amy da Luz* Chandler Black

Dramaturg Bryan Conger

Stage Manager Emily J. Mails*

Presented with support from

Disaster One, Triad City Beat, and Wellâ&#x20AC;˘Spring

Deathtrap is presented by special arrangement with Dramatists Play Service Inc., New York

THE SCENE The action takes place in Westport, Connecticut in October 1978. Act One Scene One: An afternoon. Scene Two: That evening. Scene Three: Two hours later.

Act Two Scene One: Two weeks later, morning. Scene Two: A week later, night. Scene Three: A week later, afternoon. CAST

(in alphabetical order)

Helga ten Dorp ............................................................... Bonnie Black* Myra Bruhl ........................................................................ Amy da Luz* Clifford Anderson ......................................................... Christian Daly* Sidney Bruhl ............................................. Robert Emmet Lunney* Porter Milgrim .................................................................... Jeffery West* Bonnie Black* (Helga ten Dorp) Triad Stage debut. NYC credits include: HB Playwrights Foundation, CAP21, Pan Asian Rep, NY International Fringe Festival, Theatre for the New City, Equity Library Theatre. Regional: Residency with Adrian Hall’s Trinity Repertory Company; Company memberships with the Alley Theatre and Great Lakes Theatre Festival; The Old Globe; Shakespeare Theatre Company; CATF; L.A. Theatre Works; Cincinnati Playhouse; among others. Television: Law & Order; Law & Order: Criminal Intent; recurring on Loving; films for PBS.

Amy da Luz*◊ (Myra Bruhl) Triad Stage: A Doll House, Picnic, The Little Foxes, Night of the Iguana, A Streetcar Named Desire. Off-Broadway: Brutality of Fact (Cardinal Group at Urban Stages). Regional/Local: Clybourne Park (Hangar Theatre); End Days, Time Stands Still (Paper Lantern Theatre); Reynard the Fox (North Carolina Shakespeare Festival). Film/TV: Akron (directed by Brian O’Donnell); Main Street (directed by John Doyle); Lost Stallions; One Tree Hill. Education: MFA, UNCG. Other: Founding member of Paper Lantern Theatre Company. 5

Christian Daly* (Clifford Anderson) Triad Stage debut. Regional/Local: Two Gentlemen of Verona (Shakespeare & Co.); Romeo and Juliet, Man of La Mancha (Cygnet Theater); Vanya and Sonya and Masha and Spike (Playmakers Repertory Company). Film/TV: Frank, Unforgettable. Education: BFA, UNCSA.

Robert Emmet Lunney* (Sidney Bruhl) Triad Stage debut. Broadway: A Delicate Balance, Born Yesterday, Mauritius, The Graduate, Dancing at Lughnasa, The Night of the Iguana. OffBroadway/Potomac Theatre Project (PTP/NYC): Gertrude – The Cry, Victory, Gary the Thief (World Premier), The Europeans. Other Off-Broadway: Remembering Mr. Maugham, The Dying Gaul, The Breadwinner. Regional: To Kill a Mockingbird (Ford’s Theater); An American Daughter (Long Wharf); The Homecoming (Olney); Angels in America (Guest Artist, University of Alabama); No End of Blame (Potomac Theatre Project, D.C.). Television: Elementary, Boardwalk Empire (Season 4), Royal Pains, The Good Wife, Law & Order. Writing: Famous Blue Raincoat (Finalist, 2015 O’Neill National Playwrights Conference), For Nina, An Occurrence at Yankee Stadium, Cannon Beach, When You Wake (screenplay). Co-Director of the Barker Project, dedicated to exploring the works of Contemporary British playwright, Howard Barker. Jeffery West*◊ (Porter Milgrim) is happy to be playing his second Porter at Triad Stage! Triad Stage: All’s Well that Ends Well, New Music, The Woman in Black, Providence Gap, Ghosts, Bloody Blackbeard, On Golden Pond. Directing: Red (Triad Stage at the Hanesbrands Theatre). Regional: August: Osage County (HSN/Theatre Raleigh); True West, Death of a Saleman, King Lear, The Miser (PlayMakers Repertory Company); The Night Before Christmas Carol (Temple Theatre and Raleigh Ensemble Players); Angels in America (AEA Guest Artist, Duke University); How I Learned to Drive (Manbites Dog Theater); Showboat, Gypsy, 42nd Street, Big River (North Carolina Theatre). Television: All My Children, Guiding Light, Surface, Dawson’s Creek, One Tree Hill, Brookfield (pilot). Artistic Director, Raleigh Ensemble Players, 1993-1997. Faculty UNC-Chapel Hill, Duke University, UNCG, Elon University, Greensboro College. Education: BA, College of William and Mary; MFA, University of Virginia. Proud member of AEA and SAG/AFTRA. 6

Bryan Conger◊ (Director and Dramaturg) is in his 5th season as Artistic Associate at Triad Stage. Triad Stage directing credits include: Dirty Blonde; Pump Boys and Dinettes; A Christmas Carol (2011- 2014); My Fair Lady; tick, tick . . . BOOM!; The Mystery of Irma Vep (2011); Billy Bishop Goes to War; Associate Director for New Music (2011); Assistant Director for A Christmas Carol (2010), Around the World in 80 Days, and Ghosts. Local directing credits include: Souvenir (Paper Lantern Theatre Company); Sister Mary Ignatius... (THTR 232); Oklahoma!, Balm in Gilead, and Blind Date (UNCG). Other directing credits include Gypsy, Kiss Me Kate, Always Patsy Cline, Little Shop of Horrors, Burial at Thebes, and Fashion (Or Life in New York). Education: MFA, UNCG. Bryan currently serves as an adjunct faculty member at UNCG. Ira Levin (Playwright) was twenty-two when he wrote his first novel, the awardwinning thriller A Kiss Before Dying, and twenty-five when, fresh from military service, he wrote his first play, the smash-hit adaptation of Mac Hyman’s No Time for Sergeants. In the years since, he has continued to work both sides of the literary street. His plays include the comedy hit Critics Choice, the musical Drat! The Cat!, and the thrillers Veronica’s Room and Deathtrap. Among his novels are Rosemary’s Baby, generally credited (or blamed) for having sparked the current revival of occultism, The Stepford Wives, and the international best-seller, The Boys from Brazil, all of which have been made into successful films. His later plays include Footsteps and Cantorial, which enjoyed runs both Off-Broadway and in Florida. His best-selling novel Sliver has been made into a film. A native-born New Yorker, Mr. Levin is an alumnus of New York University and has three sons. In addition to his other accomplishments, he is a four-time winner (retired) of the New York Magazine Competition. Mr. Levin’s Deathtrap garnered a 1978 Tony Award nomination for Best Play and was awarded a special Edgar Award by Mystery Writers of America. John Coyne◉ (Scenic Designer) Triad Stage: A Christmas Carol (201314), Wait Until Dark, Trouble in Mind, Other Desert Cities. Regional: Charley’s Aunt (Guthrie Theater); Macbeth (Shakespeare Theater); Rough Crossing (Old Globe Theatre); You Never Can Tell, First Lady (Yale Rep); 3 Tall Women (Center Stage); Henry IV, Pride & Prejudice, Moonlight & Magnolias, My Fair Lady, The Importance of Being Earnest, The Front Page, Of Mice and Men, The Real 7

Thing, Tartuffe, Colossal, Les Miserables (Dallas Theater Center); Hamlet (The Public Theatre); Boston Commonwealth Shakespeare; California Shakespeare Festival; Juilliard; Bard College; Goodspeed Musicals; TheaterWorks Hartford; Barrington Stage; Sante Fe Stages. Education: Yale School of Drama. John is currently the director of scenic design at UNCSA. Dina Perez (Costume Designer) Triad Stage debut. Off-Broadway: Triassic Parq: The Musical (AMAS Musical Theatre). Regional/Local: Around The World in 80 Days (Florida Repertory Theatre); The Comedy of Errors and The Foreigner (Texas Shakespeare Festival); Hairspray (Mcleod Summer Playhouse); The Bikinis (Broadway Rose Theatre Company). Robert L.B Tobin Director-Designer Showcase Grant Recipient for The Cradle Will Rock (sponsored by Opera America). MFA Costume Design, UNCSA. www.dinaperezdesigns.com Robert Perry (Lighting Designer) Triad Stage: Julie’s Dance, Steel Magnolias, All’s Well That Ends Well. Off-Broadway: The Water Engine (Atlantic Theater); Reefer Madness (Variety Arts); Boston Marriage (NY Public Theater); Kingdom of Earth (Drama Dept.). Regional/Local: Vanya and Sonia and Masha and Spike (Goodman Theatre & Arena Stage); Crowns (McCarter Theatre); Billy the Kid (LaJolla Playhouse); Coriolanus (Shakespeare Theatre Company). Education: MFA, Yale School of Drama; BFA, UNCSA. Other: Associate Professor of Lighting Design, University of Illinois at Urbana Champaign. www. robertperrydesign.com. Jon Fredette (Sound Designer) Triad Stage: Wait Until Dark, Reverse Psychology. Film/TV: Beyond the Door, Revelation, Mirror Lake, Catalyst. Education: BFA Media Studies, UNCG (2005); MFA Theater Sound Design, UNCSA 2014. www.jonfredette.com Denise Gabriel◊ (Resident Movement Coach) Triad Stage since 2009 where coaching recently includes Common Enemy, Abundance, Snow Queen, and The Glass Menagerie. In 2015 she joined Living Pictures, UK as an Artistic Associate. Other credits include: Resident Movement Director at Alabama Shakespeare Festival (over 30 productions); Midsummer Night’s Dream and Comedy of Errors (Old Globe Theatre); Alchemy of Desire/Deadman’s Blues and King Lear 8

(Cincinnati Playhouse); Romeo and Juliet, The Three Sisters and Nora (Clarence Brown Theatre); Ascension Day (Working Theatre NY). International: Shanghai Theatre, Schloss Leopoldskron Salzburg Austria, and Artscape Theatre Center and Dance for All (Cape Town South Africa). Denise is an Associate Professor at UNCG, a founding board member of American Theatre for Movement Educators, and associate member of Stage Directors and Choreographers Society. Christine Morris◊ (Resident Vocal Coach) At Triad Stage since 2006, where coaching has included dialects for The Glass Menagerie, Shipwrecked, Snow Queen, Dirty Blonde, Abundance and many others, and voice/text for All’s Well That Ends Well. Other coaching: A Thousand Clowns (starring Tom Selleck); Kudzu (with The Red Clay Ramblers); and Sheridan’s The Critic at American Players Theatre in Wisconsin. Also an actor, roles at Triad Stage include: Silda Grauman in Other Desert Cities, Taw Avery in New Music: Better Days, Cordie Grindstaff in Providence Gap; Marthy Owen in Anna Christie. Christine is an Associate Professor at UNCG and holds memberships in the Actors’ Equity Association, Screen Actors Guild, and Voice and Speech Trainers Association (VASTA). Jim Wren◊ (Resident Fight Choreographer) Jim Wren has staged the violence for over a dozen Triad Stage productions, including the battles in Bloody Blackbeard, the fantastical fights in Brother Wolf (2006 and 2014), and the general behavior of the Lesters in Tobacco Road. Education: MFA, University of Florida. Jim is Performance Program Coordinator for the UNCG Department of Theatre, and is a two-time recipient of the Kennedy Center Gold Medallion for Excellence. Cindi Rush, C.S.A (Casting Director) New York: Silence! The Musical, My Mother’s Jewish Lesbian Wiccan Wedding (NYMF Winner 2010), Jay Alan Zimmerman’s Incredibly Deaf Musical, Bonnie and Clyde, Rooms, Jacques Brel, Six Dance Lessons, The Thing About Men, Urinetown, The Hurricane Katrina Comedy Festival. Regional: Penguin Rep, Triad Stage, Act II Playhouse, Arena Stage, Goodman, Humanafest. Film: Ghoul, The Woman (Top 9 Sundance 2011), In the Family, Offspring, Jack Ketchum’s The Girl Next Door, Headspace. Tours: “Barney”, “Curious George”, “Kidz Bop.”

Emily J. Mails* (Stage Manager) Triad Stage: Cat on a Hot Tin Roof, Common Enemy, Crimes of the Heart, Dirty Blonde, The Member of the Wedding, The 39 Steps, All’s Well that Ends Well, Pump Boys and Dinettes, Anna Christie, Snow Queen (2013, 2014),The Mountaintop, Wait Until Dark, Tennessee Playboy, My Fair Lady, Kingdom of Earth, A Christmas Carol (2012), Shipwrecked!, Trouble in Mind, The Illusion, Ain’t Misbehavin’, The Mystery of Irma Vep (2011). Regional: A Thousand Cranes (North Carolina Shakespeare Festival); Rigoletto (Greensboro Opera); Crime and Punishment, Merry Wives of Windsor, Into the Woods (Orlando Shakespeare Festival). Education: BFA Technical Production, UNCG. * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States ◊ Faculty Member at the University of North Carolina at Greensboro Theatre Department. ◉ Faculty Member at the University of North Carolina School of the Arts.

ACTORS’ EQUITY ASSOCIATION Actors’ Equity Association (AEA) was founded in 1913 as the first of the American actor unions. Equity’s mission is to advance, promote and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production. AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.

Buy your tickets now for the World Premeire of Preston Lane and Laurelyn Dossett’s newest collaboration weaving together story, music and outsider art.

February 21 - March13, 2016 at The Pyrle Theater in Downtown Greensboro

This production is made possible with support from the National Endowment of the Arts.

TRIAD STAGE CO-FOUNDERS Preston Lane (Triad Stage Founding Artistic Director) is in his 15th season at Triad Stage where he has directed more than 50 productions. Preston is a 2014 finalist for the SDC Zelda Fichandler Award, a recipient of an NC Arts Council Playwright Fellowship and the Betty Cone Medal of the Arts. Other productions include the US premiere of Inexpressible Island (Dallas Observer Best of Dallas Awards: Best Director, Best Production) and The Night of the Iguana (Dallas Morning News: 2002 Top Ten Theatre List). As a playwright, Preston’s plays and adaptations have been produced at Triad Stage and other theaters and universities. His work with musician Laurelyn Dossett includes Brother Wolf, Beautiful Star, Bloody Blackbeard, Providence Gap and Snow Queen. Preston has taught at UNCG, NC A&T, UNCSA, Greensboro College, SMU, and the Professional Actors Workshop at the Dallas Theater Center. He is an alumnus of the Drama League of New York’s Director’s Project. A native of Boone, NC, Preston received his BFA from UNCSA and his MFA from the Yale School of Drama.

Richard Whittington (Triad Stage Founding Managing Director) has served as Managing Director of Triad Stage since its inception. Rich earned an MFA in Theatre Management from the Yale School of Drama and has a BFA in Acting and Directing from Marymount Manhattan College. In 2007, Rich was appointed by the Governor to serve on the board of the NC Arts Council, where he is currently a member of the Executive Committee. He has previously served on the boards of ArtsNC and Downtown Greensboro, Inc. and has served on numerous grant panels throughout the state as well as for the Florida Division of Cultural Affairs and the National Endowment for the Arts. Rich has taught Theatre Management at Greensboro College and NC A&T University and has guest lectured at UNC Chapel Hill, UNC School of the Arts, Wake Forest University and UNCG. A native of Dallas, Texas, Rich served as Artistic Administrator for the Dallas Theater Center and Associate Producer of Dallas’ The Big D Festival of the Unexpected. Experience also includes work at the Roundabout Theatre in New York and StageWest in Springfield, Massachusetts. In 2010, Preston and Rich were honored with Downtown Greensboro, Inc.’s J. Edward Kitchen Leadership Award. In 2013, they received the Adelaide F. Holderness/H. Michael Weaver Award from UNCG for distinguished public service.

Special Thanks for DEATHTRAP Daniel and Kathy Craft Down Fenix Media Elizabeth and Eric Johannesen VanderVeen Photographers 1564-A Highwoods Blvd. Greensboro NC 27410

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Triad Stage began as a dream... Co-founders Preston Lane and Richard Whittington forged their artistic partnership as graduate students at the Yale School of Drama. After managing a theater in Connecticut for two years, they undertook the three-year task of opening their own theater in the heart of historic downtown Greensboro.

Photo courtesy of Greensboro Historical Museum

In September 1999, Triad Stage purchased the former Montgomery Ward building, which had been built in 1936 and sat vacant for almost 40 years. Renovations transformed the five-story building into a world-class theater center now called The Pyrle Theater, complete with a 300-seat theater and thrust stage, rehearsal hall, offices, two spacious lobbies, and other audience amenities.

The Grand Opening took place in January 2002 with Tennessee Williams’ modern classic Suddenly Last Summer. In 2008, Triad Stage finished a second round of renovations to The Pyrle. A scene shop annex was added in the basement. The top floor underwent major construction to create the 90-seat UpStage Cabaret performance space, the Sloan Rehearsal Hall, and the studio and office facilities of WUNC Public Radio’s new Greensboro Bureau. In 2011, Triad Stage purchased a 30,000 square foot building near the Greensboro Coliseum Complex to serve as the theater’s new production facility, relocating its scene, costume, and properties shops as well as its warehouse.

The Pyrle Theater, Greensboro

Hanesbrands Theatre, Winston-Salem

In 2013, with significant support from The Arts Council of Winston-Salem and Forsyth County, Triad Stage announced a major expansion of programming to be produced at the Hanesbrands Theatre in downtown Winston-Salem. Now in its 15th season, Triad Stage has over 3,000 Season Passholders and more than 600 annual donors. The company has received accolades on national, state and local levels, including being named “One of the 10 Most Promising Emerging Theatre Companies” by the American Theatre Wing and “One of the Best Regional Theaters in America” by New York Drama League. Triad Stage has been voted the Triad’s “Best Live Theater” by the readers of the News & Record’s Go Triad ten years in a row and named “Professional Theatre of the Year” by the North Carolina Theatre Conference in 2003 and 2011. Its production of Tobacco Road was listed among the “Best of 2007” by The Wall Street Journal, its production of The Glass Menagerie was named “Best North Carolina Production of 2010” by Triangle Arts & Entertainment, and 2012’s production of Reynolds Price’s New Music trilogy was named among the “Best Productions” of the year in Triangle Theatre by Independent Weekly. Production Photos by VanderVeen Photographers

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CORE VALUES

Triad Stage is guided by core values that inspire all aspects of our operations. These core values are a daily reminder to our entire company of why and how we produce theater for our community.

EXCELLENCE

We strive for bold, daring excellence in all of our endeavors as we seek to create professional theater with regional and national impact.

ARTISTIC RISK

Striving to constantly challenge ourselves, we reserve the right to take artistic risks and make mistakes.

IMAGINATION

Triad Stage delights in the imaginative process. We uphold freedom of expression as indispensable to the power of imagination.

COMMUNITY

As individuals are united in their shared experience of the theatrical event, strangers become friends, common ground is discovered, and dialogue begins. In imagining the lives of others, our capacity for empathy is strengthened.

LEARNING

Theater is a valuable part of a lifetime of learning. Our work and the dialogue it creates should spark curiosity and inspire creative ways of thinking for our artists, staff and audience.

INCLUSION

Our community’s varied diversity must not only reflect itself in Triad Stage’s casting and staffing, but also in the selection of the stories we choose to tell.

COLLABORATION

We celebrate and encourage an artistic process rooted in collaboration. We seek to mirror this process in all aspects of our operations and actively seek partnerships with other organizations to benefit the well-being of our communities.

REJUVENATION

We are committed to revitalizing our historic downtowns by greatly enhancing the cultural life of the Piedmont Triad through entertainment and by providing an economic impact benefiting other area businesses.

A SOUTHERN VOICE

By placing the best of Southern writing in juxtaposition with classic and contemporary world drama, we foster a unique Southern voice, allowing our audience the pride of saying, “This theater is ours.”

NORTH CAROLINA

We seek to play a leading role in the North Carolina arts community. We actively work to create an artistic home for artists with North Carolina connections and to provide a bridge to the profession for emerging artists. 21

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Triad Stage is very proud of the name of our theater building — The Pyrle Theater — made possible by a generous donation by Tobee and Leonard Kaplan in honor of Tobee’s mother, Pyrle Gibson.

Pyrle Gibson (1909-2000) was a

woman with a great sense of humor, who found goodness in all people and beauty in the world around her. Her family always came first in her life and with them she shared her love of theater, music and the thrill of sports. The theater is named for her in loving memory by the children, grandchildren and great-grandchildren of the Kaplan family with whom she shared her love, wisdom and joy of life.

Set

at the turn of the laSt

century,

A LittLe Night Music

inter-

weaveS a tangled web of former and current loverS among the upper cruSt elite of

Sweden. eSteemed lawyer fredrik egerman haS recently married a young virgin,

anne,

with whom hiS Son,

henrik,

haS alSo fallen

madly in love.

fredrik’S

dedication to hiS bluShing bride iS teSted when he reuniteS

with a former flame, the famed

(and fading) actreSS deSirée armfeldt. thingS grow more

complicated when her jealouS

Sondheim’s Tony Award winning

A Little Night Music March 18, 20 & 22, 2016

(and married) lover count carl-magnuS malcolm getS wind of the reunion. the

A new production by

coupling and uncoupling comeS to a head when

deSirée

convinceS her

mother to hoSt

fredrik

and hiS family for a weekend on her laviSh

country eState—and the

count,

with wife in tow,

craSheS the party.

Tickets at 336.725.7101 or PiedmontOpera.org The Stevens Center of the UNCSA, Winston-Salem Coach transportation is available from Greensboro for the March 20th performance.

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7/30/15

9:26 AM

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Institutional Supporters Triad Stage wishes to thank the following corporations and organizations that have generously contributed.

UNDERWRITERS ($20,000+)

STARS ($10,000-19,999) ITG Brands

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Kilpatrick Townsend & Stockton LLP

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Mercedes-Benz of Winston-Salem

DIRECTORS ($5,000-9,999) Arbor Acres • Bernard Robinson & Company, LLP The Clifford Division of Clifford Clendenin & O’Hale, LLP • Cone Health • Disaster One O.Henry Hotel • Piedmont Natural Gas • Well•Spring • Zuraw Financial Advisors BENEFACTORS ($2,500-4,999) BB&T • Center for Creative Leadership • Community One Pennybyrn at Maryfield • Schell Bray PLLC • The Fresh Market ANGELS ($1,000-2,499) Carolina Bank • Frank L. Blum Construction

Media Partners Graffiti Ads 88.5 WFDD

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News & Record/GoTriad

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O.Henry Magazine

Triad City Beat

Triad Stage is proud to be a member of the following organizations.

SUPPORT

TRIAD STAGE

To learn about supporting Triad Stage through donations or sponsorship, please contact: Jennifer Woodward | Development Director jennifer@triadstage.org | 336.274.0067 ext. 222 Triad Stage is a 501(c)(3) not-for-profit organization, with donations tax-deductible to the extent provided by law. 37

Annual Campaign Contributors Please consider joining the following individuals, corporations, and foundations who have contributed generously to Triad Stageâ&#x20AC;&#x2122;s 2015 Annual Campaign. Annual Campaign contributors as of October 2, 2015 PRODUCERS CIRCLE ($10,000+) Suzanne & Bud Baker Vanessa & Roy Carroll Clem & Hayes Clement Aldona Wos & Louis DeJoy Cynthia & William Graham James G. Hanes Foundation John W. & Anna H. Hanes Foundation Maureen & Bob Ihrie Kyle Jackson, MD Kathy Manning & Randall Kaplan Tobee & Leonard Kaplan The Michel Family Foundation Linda & Tom Sloan Pam & David Sprinkle Ken Steele Betty & Bob Strickland The Winston-Salem Foundation Susan & Eric Wiseman CENTER STAGE ($5,000-$9,999) Anonymous Lindsey & Frank Auman Wendy & Mike Brenner Joseph M. Bryan, Jr. Community Foundation of Greater Greensboro Rob DaVanzo Ginger & Haynes Griffin J.A. King Sylvia & Norman Samet Martha & Harrison Turner Lydia & Keith Vaughan FRONT ROW ($2,500-$4,999) Mary Katherine & Durant Bell Louise & Jim Brady Jeb Brooks Linda & Jim Carlisle Joann & Bill Cassell Rebecca & Rick Craig

Jean & Ralph Davison Christine & Chris Hobson Laura & Alan Irvin Barbara Kretzer Ernest & Shelby Lane Preston Lane Carol & Seymour Levin Donna & Bob Newton Mindy & Chad Oakley Julie Olin Margaret & Brad Penn Debby L. Reynolds Ron Johnson & Bill Roane Dabney & Walker Sanders Holly Chambers & Richard Steedle Ruthie & Alan Tutterow Jane & Jonathan Ward Courtney & Richard Whittington STAGE HAND ($1,000-$2,499) Kate R. Barrett Phil Barrineau Betty & Dennis Barry Mr. & Mrs. James Becher, Jr. Marianne & Jim Bennett Sylvia & Michael Berkelhammer Joseph M. Brantley, III Nicole Brockmuell Lynn & Scott Brogan Lisa & Willie Bullock Carol & Jeff Burgess Janis & Marc Bush Kristin & Craig Carlock Sally & Alan Cone Pat & Pete Cross Candace & Roger Cummings Barbara & Michael Curry Carol & David DeVries Susie & Rasmus Fenger Karen & Joe Grady Rusty & Van Gunter Kelley & Drew Hancock 38

Beth Harrington Tomasita & Sam Jacubowitz Joia Johnson Emily & David Johnston Ashley & Frankie Jones Sue & Neil Lutins Kelly Sigle & George Marple Cathleen & Ray McKinney Victoria & Ron Milstein Barbara Morgenstern Randi Palmer Cissy & Bill Parham Richard A. Parker Meredith & Gary Piatt Kim & Todd Rangel John Riley Roberts Family Foundation Lynn Wooten & Paul Russ Steve Shavitz William R. Soles, Jr. Amy Speas Kay Stern Ernestine & Stuart Taylor Dianne & Glenn Whittington Judy & Bob Wicker Woodruff Family Law Group GALLERY ($500-$999) Anonymous Annette Benson Bill & Gay Bowman Karen M. Dyer Karen & Joe Grady Hanes-Lineberry Funeral Homes Cynthia Soemita & Tony Hooimeijer Maggie Jeffus Howard Jones Amy & John Kelly Ray & Doris Kiszely Leigh Ann & Steve Klee Harriette & Bob Knox

Laura & Paul Kotz Lex & Brent Kulman Barb & Greg Laskow Sherry Dickstein & Kurt Lauenstein Gail & Gene LeBauer Susan Ireton & Valerie Leschber Mimi Levin Susan & George Little Mary & Robert McIver Karen & Rob Melhem Jane & Dan Moore Linda & Rod Mortenson Angie Murphrey David Murphy Nancy & Brian Napier Margaret Norfleet-Neff Jane & Ron Norwood IHO Mindy Oakley Betsy & Mitchell Oakley Jane & Lloyd Peterson Nancy & Gordon Peterson Susan & Jim Phillips David & Claudia Reich Carolynn & Tim Rice Dee & Jason Roghelia Heather & Mark Setzler Nancy & Frank Sharpless Kim & Bassam Smir Linda & Jim Starmer Shaun Edward Stewart Fund Maggie & Tom Styers Willie Taylor May Toms Mary & Will Truslow Shirley & Jeffrey Vestal Karen & John Whiteside Martha & Calder Womble Carmen & Robert Wood Beverly & Pat Wright PATRON ($250-$499) Mary Alexander Dick Allen Alexa Aycock Jonathan Brady & Morgan Bain Ben Baker Dee & Wes Bartlett Mary & Frank Biggerstaff

Barbara & Tony Blake Louise & Jerry Boothby Drs. Bruce & Dora Brodie Kate & Joe Brower Barbara Levin & David Brown Jerry Cunningham & Terry Brown Nancy & Jim Bryan Mr. & Mrs. David Christenson Lori & Murray Clayton Sallie & Jim Clotfelter Irene & Irv Cohen Harvey Colchamiro Faye & Michael Collins Betty Cone Doug & Jean Copeland Janet Ward Black & Gerald Davidson Jo & David Delman Phyllis H. Dunning Richard & Nancy Evans Bert & Debbie Fields Ellen & Gary Fischer Dana & Jim Fisher Patti & Douglass Gilbert Dionis Griffin Kay & Chip Hagan Melinda Hamrick Robert Hansen Sherry & Bob Harris Judith & Cyril Harvey Cindi & Dave Hewitt Donna & Robert Hoekstra Nancy Hoffmann Anne & Sam Hummel Sallie & Hoke Huss Carroll Johnson Randall T. Johnson Marcia & Orton Jones Ginger & Ken Karb Milton Kern Kayce King Diana Knox Lynne & Glenn Ogden IHO Karen Krone Robin & Tim Lane Louise & Bill Latture Jim Battinelli & Victor Lindsley Sandra & Francis LoNano Nancy Y. Madden

Connie Mahan David & Kathy Mazzola Bonnie & Dan McAlister Amanda McGehee Peg & Skip Moore Eberhard Mueller-Heubach Linda & Al Munns B.J. Weatherby & Verne Nielsen IHO Chad & Mindy Oakley Marion Oâ&#x20AC;&#x2122;Brien William Osborne Cora & Justin Outling April & David Parker Mary Price Eileen & Brian Robinson Cary Root Connie & Ben Schroeder Susan & Jerry Schwartz Phillis Shavitz IMO Stanley Shavitz Kathleen Smith Sonitrol Security of the Triad Michiko Stavert Matthew Sergio & Steve Stonecypher Charlotte A. Straney Marti & Andy Sykes Suzanne & Tom Tilley Bryan & Billie Toney Susan B. Wall Barbara & James Walls Christine Morris & Jeffery West Barbara Ann Peters & David Westfall Carol & Tom Wood Jennifer Woodward FRIEND ($100-$249) Anonymous (4) John & Virginia Achey Rose & Victor Ackermann Ann & Trip Adams Hattie & John Aderholdt Martha Albertson Sandra & Rondal Alexander Leanne Angell Margaret & Howard Arbuckle Mr. & Mrs. Bruce M. Babcock Samantha McDermott & Robert Bailey

LaVerne M. Bass Fred & Sally Beck Elizabeth Bennett Anna Berdahl Catherine & Peter Bergrstrom Kate Black Christel Bullock Becky & Julian Bullock Elizabeth & George Burfeind Nancy Cameron Edna & John Canny Julia Smith Capone Myrna Carlock Kathy & Bill Cissna Louann A. Clarke Benita & Ron Cole Diane Conrad Jan Cooke Pat W. Copeland Mr.& Mrs. David Craft Deb Bell & Keith Cushman Pam & Alan Duncan Debra Dykes Lexi & John Eagles Mona & Emanuel Edwards Theresa Egan Grace Ellis Linda Faltin Marcia Freed Gerald Freedman Ann McCarty & Robert Fried Dr. Deborah Friedman Denise Gabriel Karen A. & J. Ronald Gaffeâ&#x20AC;&#x2122; Silvia & Thomas Gahm Bonnie & Martin Gallo Betty Godwin Jennifer & Paul Grosswald Christy Gumbiner Deb & Jay Gyure Anne & Bill Hardin Jerry & Melissa Harrelson Gloria & Walter Harris Angela Hays Dr. & Mrs. Joseph R. Hedgepeth Miriam & Tom Herrin Pat Hester Carolyn & Ed Hines Mr. & Mrs. Michael Hoggard Marion & Fary Hosey David & Rodna Hurewitz

Judith Hyman Frances & Jim Jochum Bob Johannesen Jenna Johnson Karen & Joe Johnson Linda Morris & George Johnson Christine Jones Carole Keeler Lou Bouvier & Denny Kelly Karyn Harrell & Cindy Kimbrell Virginia & David King Bonnie & John Knab Yolanda Leacraft Carolyn C. Lester Michele & Pat Levy Kathy & Mike Lewis Annabel Link Clarence Lloyd, Jr., MD Jose Lopez Jack MacDowall Samantha A. Magill Mary & Gustav Magrinat Joe Manson Bud & Reba Maxson Eleanor & Donald McCrickard Doris McGinn Angus &Wynn McGregor Carol H. Melvin Benedicte & Christian Mengel Tracy Nash & George Michel Gary & Nancy Miller Barbara & Bill Moran Dan & Ninevah Murray J.T. ( Judith) Nebenzahl Karol & John Neufeld Stacey & Mitchell A. Neuhauser Margaret & Vernon Newlin Gaynelle Nichols Nancy Osborne Cathy & Ray Owen Paula Pile Robert Porter Eleanor Procton Jesse Pugh Wendell & Phoenix Putney Bene & George Ralls Kathy Ramsay Jennifer & Tommy Robards George & Bobbie Roberts Ruth & Lloyd Roghelia The Rose Family 40

Debbie & Eugene Russell Jim & Nancy Sands Kathryn Lochra & Rett Saslow Bill & Jayne Satterfield Beatrice Schall Barb & Bill Sharpe Mary Ellen & Lee Shiflett Joyce & Bob Shuman Anne Smith Kathryn & R.C. Smith Beverly & Ray Snively Laurey Solomon Suci Sorensen Mary & Nickolas Steffen Marylou & Glenn Strohl David Sullivan Janice & John Sullivan Joan Sullivan IMO of John L. Sullivan Frieda Taylor Mrs. Lee Templeton Melanie & Charles Tuttle Barbara Van Cleve Carol & Carol VanSchoick Robert C. Walker Nancy & David Wallace Laura & John Warren Andrea West Gayle & Richard Wiley Barbara & Butch Williams Kay & Charlie Zimmerman MATCHING GIFTS American Express Bank of America Compass Financial ITG Brands Johnson & Johnson Family of Companies Lincoln Financial Group Reynolds America Foundation R.J. Reynolds Family Foundation LEGACY DONORS Anonymous Claire King Sylvia Samet Linda & Tom Sloan Martha & Harrison Turner Ruthie & Alan Tutterow Legacy Donors have made bequests in support of Triad Stage.

Give us a helping hand! “One of the top ten most promising emerging theatres in America.” -The american theatre wing (founder of the tony awards®) “An immensley powerful piece of theatrical goods.” -wall street journal “Say hello, triad, and welcome to your stage.” -Winston-Salem journal

Pictured: Nick Cartell and Julia Osborne in 2013’s production of My Fair Lady. Photo by VanderVeen Photographers.

GIVE YOUR SUPPORT

donate @ triadstage.org 41

I’ve never been too comfortable on the sidelines. That’s why I chose Well•Spring. From the basketball court to business and community, I believe the more you put into life, the more you get out of it. I’m happy to have found teammates at Well•Spring that share my passion for life.

www.well-spring.org 4100 Well Spring Dr., Greensboro, NC 27410 (800) 547-5387 • (336) 545-5400 A member of Well•Spring Services, Inc.

CARF/CCAC ACCREDITED SINCE 2003

Hayes Clement

Resident since 2011

House Rules and Other Helpful Information •

Food and beverages purchased at the lobby bar are allowed inside the theater, but we ask that you are respectful of your fellow audience members and enjoy them quietly.

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Smoking is strictly prohibited throughout the building.

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Latecomers are seated at the discretion of the House Manager.

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Personal electronic devices, including cellular phones, must be turned off prior to the performance.

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Listening assistance devices are available at the Box Office.

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Photographing or sound recording of the performance is expressly prohibited by law. So, no cameras or recorders, please. Your cooperation is appreciated.

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For the enjoyment of all audience members, every attendee must have a ticket and sit in his or her own seat (no “babes in arms” or children in laps).

Thank you for respecting all Triad Stage facilities. If you have any questions, please ask the bartender, House Manager or a Box Office Associate for clarification.

Proud supporter of Triad Stage

BY PRESTON LANE ORIGINAL MUSIC BY LAURELYN DOSSETT

November 27-December 24 Triad Stage in downtown Greensboro THE PYRLE THEATER 232 SOUTH ELM STREET

BY CHARLES DICKENS ADAPTED BY PRESTON LANE

November 27-December 24 Triad Stage in Winston-Salem HANESBRANDS THEATRE 209 N. SPRUCE STREET

BOARD OF TRUSTEES __________________

TRIAD STAGE STAFF __________________

Officers Mindy Oakley, Chair Dabney Sanders, Chair Elect Chris Hobson, Vice Chair Ernestine Taylor, Vice Chair Margaret Penn, Treasurer Kathy Manning, Immediate Past Chair Linda Sloan, Founding Chair Preston Lane, Founding Artistic Director Richard Whittington, Founding Managing Director

Artistic Preston Lane, Founding Artistic Director Bryan Conger, Artistic Associate Tamera Izlar, Artistic Associate Kylah Comer, Artistic Intern Morgan Ellis, Dramaturgy Intern Administrative Richard Whittington, Founding Managing Director Jason Bogden, General Manager Ramon Perez, Company Manager Joseph Rollins, Facilities/House Manager Dawn Erdner, Office Assistant

Members at Large Kate R.Barrett, Jeb Brooks, Linda Carlisle, Karen Dyer, Danny Gatling, Drew Hancock, Tomasita Jacubowitz, Frankie Jones, Jr., John Kelly, Leigh Ann Klee, Samantha Magill, Dan McAlister, Cathleen McKinney, Donna Newton, Justin Outling, Cissy Parham, Erica Parker, Nancy Peterson, Todd Rangel, Debby L. Reynolds, Paul Russ, Tom Sloan, Kathleen Smith, Tom Styers, Steve Sumerford, Alan Tutterow, Lydia Vaughan

Development & Marketing Jennifer Woodward, Development Director Megan Mabry, Marketing & Social Media Manager Stacy Calfo, Graphic Designer Tiffany Albright, Marketing & Development Associate Zion Daniel, Marketing Intern Laneese Ray, Marketing Intern Audience Services Sherry Barr, Director of Audience Services Justin Nichols, Box Office Manager Rachel Grimes, Assistant Box Office Manager Becky McLaughlin, Group Sales Manager Tyler Barringer, Aralys Castillo, Bonnie Pachasa, Alysa Rambo, Amanda Wils, Nicole Swofford, Box Office Associates Joseph Rollins, House Manager Alysa Rambo, Lobby Bar Associate

Winston-Salem Advisory Council Lydia Vaughan, Chair Linda Carlisle, Mary Walker Fry, Drew Hancock, Sue Henderson, Joia Johnson, Susan Little, Cathleen McKinney, Angie Murphrey, Tog Newman, Randi Palmer, Gordon Peterson, Nancy Peterson, Milton Rhodes, Keith Vaughan, Sue Wall, Jason Wenker Greensboro Advisory Council Holly Chambers, Judy Wicker, Co-Chairs Hayes Clement, Ralph Davison, Sandra Hughes, Lesley Hunt, Ron Johnson, Tobee Kaplan, Ancella Livers, Dennis Quaintance, Sylvia Samet, Joy Shavitz, Harrison Turner

Production Liza Vest, Production Manager Emily J. Mails, Resident Stage Manager Chris Simpson, Technical Director Skip Johnson, Lead Carpenter Ryan Gentry, Carpenter Jennifer Speciale Stanley, Costume Shop Manager Mary Beth Pazdernik, First Hand Mahealani Jones, Costume Shop Assistant Andy Cutler, Wardrobe Supervisor & Rentals Coordinator Eric Hart, Props Master Lisa Bledsoe, Props Assistant Liz Stewart, Master Electrician Jessica Holcombe, Scenic Charge Taylor Dankovich, Sound Supervisor

FOR DEATHTRAP ___________________ Annie Barker, Assistant Stage Manager Kris Julio, Props Carpenter Mary Crockett, Angelina Rodriguez, Scenic Painters Olivia Langford, Light Board Programmer Bobby L. Pittman, Sound Board Operator Claire Sellers, Run Crew

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