Wit Playbill 2015

WAKE FOREST BAPTIST HEALTH PRESENTS

by Margaret Edson

SEPTEMBER 30 - OCTOBER 17, 2015 H A N E S B R A N D S T H E AT R E , 2 0 9 N . S P R U C E S T R E E T W I N S TO N - S A L E M W W W. T R I A D S TA G E . O R G / 3 3 6 . 2 7 2 . 0 1 6 0 / T O L L - F R E E 8 6 6 . 5 7 9 . T I X X

SEASON SPONSORS

THE JOHN W. & ANNA H . HANES FOUNDATION THE JAMES G. HANES MEMORIAL FUND

PRESENTING SPONSOR

Congratulations, Triad Stage

A Story of Courage

by Margaret Edson

Wake Forest Baptist Health is proud to support the Triad Stage production of Wit, the story of a woman’s battle with cancer and her journey through the health system.

Through her eyes, we all gain important insights about life, family and compassion for others.

We salute the cast and crew of Wit.

A Mission to Care. A Mission to Cure.

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4 .................... The Production 5 ......................... The Company 12 .............................. Our Story 21 .......................... Core Values 37 .......................... SUPPORTERS 38........ Annual Contributors 46 .................... Board & Staff

NEXT UP AT triad stage _____________________ WINSTON-SALEM _____________________

A Christmas Carol

by CHARLES DICKENS ADAPTED BY PRESTON LANE

__________________ NOVEMBER 27 DECEMBER 24, 2015 3

Preston Lane Founding Artistic Director

Richard Whittington Founding Managing Director

Wake Forest Baptist Health presents

by Margaret Edson Directed by Dani Keil Scenic Design by Fred Kinney

Costume Design by Sofia Gonzalez

Lighting Design by Norman Coates

Sound Design by Taylor Dankovich

Production Manager Liza Vest

Casting By Cindi Rush Casting

Dramaturgy Tamera N. Izlar

Stage Manager Lara Tenenbaum

Produced in New York City by MCC Theater (Bernard Telsey and Robert LuPone, Executive Directors; William Cantler, Associate Director), Long Wharf Theatre, and Daryl Roth, with Stanley Shopkorn, Robert G. Bartner and Stanley Kaufelt. Lorie Cowen Levy, Associate Producer, Roy Gabay, General Manager.

New York production originally premiered at Long Wharf Theatre, New Haven, Connecticut.

Doug Hughes, Artistic Director; Michael Ross, Managing Director.

Originally produced by South Coast Repertory, David Emmes, Producing Artistic Director; Martin Benson, Artistic Director.

THE RUNAWAY BUNNY by Margaret Wise Brown CopyrightŠ 1942, Harper & Row, Inc. CopyrightŠ Renewed 1970, Roberta Brown Rauch Used by permission of HarperCollins Publishers.

THE DIVINE POEMS by John Donne, edited by Helen Gardner.

Used by permission of Oxford University Press.

WIT is presented by special arrangement with Dramatists Play Service, Inc., New York

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ABOUT THE PLAYWRIGHT Margaret Edson lives in Atlanta, Georgia, where she is an elementary school teacher. Between earning degrees in history and literature, she worked in the cancer and AIDS unit of a research hospital. WIT is her first play.

CAST

(in alphabetical order)

Harvey Kelekian ............................................................... Mark Coffin* Vivian Bearing .............................................................. Kate Goehring* E.M. Ashford .................................................................... Lesley Hunt * Jason Posner .................................................................. Jackson Moran* Susie Monahan ........................................................ Mari Vial-Golden* Ensemble .............................................................................. Alex Bodine Brittany Polk Chesley Polk Alysa Rambo

Alex Bodine (Ensemble) Triad Stage debut. Regional/Local: Charley’s Aunt (Peterborought Players). Educational: Angels in America: Part 1, Learned Ladies, Winter’s Tale (UNCSA). Education: UNCSA.

Mark Coffin* (Harvey Kelekian) Theater: Wearing Black (NYMF 2015, Outstanding Individual Performance); Steinbrenner! (Guild Hall, E. Hampton); My Fair Lady (Pittsburgh Public); Transport (The Irish Repertory Theatre, directed by Tony Walton); Life on the Mississippi (Workshop Theater Company, N.Y.); Joe Pintauro’s Men’s Lives (Bay Street Theatre, directed by Harris Yulin). Film: Confession, directed by Angelique Letizia (Starr Films, Ltd); R & J: the Web Series; and By Jingo. Mr.Coffin has performed internationally from Vancouver, B.C. to St. Petersburg, Russia (The Hermitage), and throughout the United States (Carnegie Hall).

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Kate Goehring* (Vivian Bearing) Triad Stage: Underneath the Lintel; The Glass Menagerie; The Blonde, The Brunette and the Vengeful Redhead; and The Little Foxes. National Tour: Angels in America (LA Pride and Miami Carbonell Awards). Off-Broadway/ Regional: Heartbreak House (Intiman Theatre); Orpheus Descending and Dancing at Lughnasa (Arena Stage); How I Learned to Drive and Lost in Yonkers (Arizona Theater Company); Collected Stories (A Contemporary Theater; Footlights Award); Machinal, St. Joan, and The Syringa Tree (Kansas City Repertory Theatre). World premieres include Emily Mann’s adaptation of The Cherry Orchard; Slavs! (Actors Theatre of Louisville); and The Fairytale Lives of Russian Girls (Alliance Theatre; Bass Award/Ensemble) and work with the Goodman, Court and Bailiwick Theaters (After Dark Award/Jeff Citation).

Film/TV: BBC, Comedy Central, PBS; on ER and Gossip Girl; and playing various people messing up on Law & Order (Criminal Intent, SVU and the Flagship).

Lesley Hunt* (E.M. Ashford) Triad Stage: Baby with the Bathwater, Hedda Gabler, Tobacco Road, Bell Book and Candle. Broadway: The Visit, A Man for All Seasons, Oliver, The Loves of Cass McQuire. OffBroadway: Eh, The Waters of Babylon. National Tour: Duel of Angels.

Regional: Steel Magnolias; Dracula; A Christmas Carol, The Merry Wives of Windsor, Born Yesterday, Romeo & Juliet, The Taming of the Shrew (N.C. Shakespeare Festival); Long Days Journey into Night. Local: The Dead (Paper Lantern Theater Company). Film/TV: Devious Maids, The Barbara Stanwyck Show (Screen Gems); Soldier in Love, The Admirable Crichton (NBC Hallmark Hall of Fame Productions); Juvenile Court, Squad Car (Paramount Pictures). Education: The Rose Bruford School of Drama, England.

Jackson Moran* (Jason Posner) Triad Stage debut. Off-Broadway: October in the Chair (American Theatre of Actors & Amsterdam Fringe Festival); The Oedipus Cycle, The Constant Couple (Pearl Theatre Company). Regional: Parfumerie (Wallis Annenberg Center, L.A.); Romeo & Juliet (New Jersey Symphony Orchestra); The Winter’s Tale, Romeo & Juliet (Yale Repertory Theatre); The Tempest, The Comedy of Errors, A Midsummer Night’s Dream, Taming of the Shrew, The Grapes of Wrath, Noises Off (Shakespeare Theatre of New Jersey); Angels in America, Sunday in the Park with George, Wintertime, All’s Well That Ends Well (Yale Drama); Writer/Performer of All This Noise, a solo show about mental health and families (Yale Cabaret).

Education: M.F.A. Yale School of Drama.

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Brittany Polk (Ensemble) Triad Stage: The Illusion, Masquerade, Fashionistas, The Bombitty of Errors. Local: The 27 Club (NY Fringe Festival). Eduational: Bloody Bloody Andrew Jackson, The Threepenny Opera, The Long Christmas Ride Home, In the Blood, Orpheus Descending (UNCG); Winnie the Pooh (Theatre 232). Education: UNCG. Chesley Polk (Ensemble) Triad Stage debut. Regional: The New Teacher; Lift Ev’ry Voice and Sing; Big Shoes; Much Ado About Nothing; Faye Drummond (NY Theater). Educational: Much Ado About Nothing, Blood Knot, Light Up the Sky, 1776, The Mystery of Edwin Drood, The Shape of Things (UNCSA). Film/TV: Living On Laughs (Pilot); Bonnie And Clyde Pre-Production (A&E/Lifetime); Futuro; The Pink Triangle; Telenovela. Education: UNCSA Alysa Rambo (Ensemble) Triad Stage debut. Local: Don’t Dress for Dinner (Barn Dinner Theatre); The Last Hotel for Women (Birmingham Festival Theatre); A Raisin in the Sun (Community Theatre of Greensboro). Educational: 12 Angry Jurors, King Lear, NINE (Samford University). Education: Samford University.

Mari Vial-Golden* (Susie Monahan) Triad Stage: Common Enemy. Off-Broadway: Pentecost, Serious Money (Atlantic Stage 2).

Educational: In the Next Room (or The Vibrator Play) (Middlebury College). Education: Middlebury College; British American Drama Academy.

Dani Keil (Director) Triad Stage: Snow Queen (2014, 2013, Assistant Director), Tennessee Playboy (Assistant Director). Regional/ Local: Little Shop of Horrors (Farmville Arts Council), Proof (Ayden Community Theatre), Angels in America: Part One and Two and The Miracle Worker (Peoria, IL). Education: Hedda Gabler, Quake, Judith of Bethulia, Long Christmas Ride Home, Crazy Eights (UNCG).

Puppetry credits: The Secret Garden (East Carolina University), The Oresteia (Bradley University) and Schweik in the Second World War (Illinois State University). Dani was a high school drama teacher in Michigan, California and Illinois. Education: MFA (UNCG), MA (Illinois State University), BA (Western Michigan University).

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Fred Kinney (Scenic Designer) Triad Stage: Common Enemy, Anna Christie, Tennessee Playboy, Ain’t Misbehavin’, Masquerade, Steel Magnolias, Ethel Waters, Tartuffe, Sleuth, Noises Off, Bus Stop, Proof, Angel Street, On Golden Pond.

OTHER CREDITS include: Ordinary Days, A Wrinkle in Time, A Year with Frog and Toad and Sunlight (South Coast Repertory); Peter Pan and Wendy (Prince Music Theater); A Picasso (Pittsburgh City Theatre); Intimate Apparel (San Diego Repertory Theatre). Fred holds an MFA from the Yale School of Drama.

Sofia Gonzalez (Costume Designer) Triad Stage debut. Past work includes The Learned Ladies (UNCSA). Education: UNCSA. Norman Coates◉ (Lighting Designer) Triad Stage: 13 productions including Underneath the Lentil last fall. BROADWAY: The News and Prince of Central Park. TOURS: The Who’s Tommy, Guys and Dolls, Encounter 500, Camelot with Richard Harris.

REGIONAL: Great Lakes Theatre Festival, Idaho Shakespeare Festival, American Stage Festival, PlayMakers Repertory, Burt Reynolds’ Jupiter Theatre, The Hirschfield Theatre, North Carolina Theatre, Piedmont Opera. The Princeton Festival. Founder and Director of the Winston-Salem Light Project, creating public art events in light, www. lightproject.org. Currently Director of Lighting at the UNCSA. Taylor Dankovich (Sound Designer) Triad Stage debut. Regional: Oklahoma!, Mary Poppins, Big Fish, Billy Elliot, Les Miserables, The Little Mermaid, Spamalot, A Little Night Music (Lyric Theatre of Oklahoma – Audio Technician); Pinkalicious The Musical, With Two Wings, James and the Giant Peach, A Year with Frog and Toad, The Wiz (Hangar Theatre – Assistant Sound Designer). Local: Child’s Play (Atlantic Stage – Sound Designer). Educational: Boeing-Boeing, Lost in Yonkers, Intimate Apparel, The Rocky Horror Show, The Shape Of Things, Into The Woods, Hair, Metamorphoses, She Loves Me. Education: Coastal Carolina University.

Tamera N. Izlar (Dramaturge) is an Artistic Associate at Triad Stage. As an Advocate of the Arts, she has worked as a director, acting coach, actress, playwright, dramaturge, and storyteller. At Triad Stage, she has served as dramaturge for Other Desert Cities and Common Enemy. Dedicated to dramaturgically supporting the playwright, director, and actors, Tamera explores traditional and non-traditional ways to access the text. During Wit’s rehearsal process, Wake Forest Baptist Health (WFBH) provided hospital tours, interviews, and medical education; Tamera is appreciative of WFBH’s collaborative spirit and willingness to provide experience-based learning opportunities.

Denise Gabriel ◊ (Resident Movement Coach) TRIAD STAGE since 2009 where coaching recently includes Common Enemy, Abundance, Snow Queen, and The Glass Menagerie. In 2015 she joined Living Pictures, UK as an Artistic Associate. Other credits include : Resident Movement Director at Alabama Shakespeare Festival (over 30 productions); Midsummer Night’s Dream and Comedy of Errors (Old Globe Theatre); Alchemy of Desire/Deadman’s Blues and King Lear (Cincinnati Playhouse); Romeo and Juliet, The Three Sisters and Nora (Clarence Brown Theatre); Ascension Day (Working Theatre NY). International: Shanghai Theatre, Schloss Leopoldskron Salzburg Austria, 8

and Artscape Theatre Center and Dance for All (Cape Town South Africa). Denise is an Associate Professor at UNCG, a founding board member of American Theatre for Movement Educators, and associate member of Stage Directors and Choreographers Society.

Cindi Rush, C.S.A (Casting Director) New York: Silence! The Musical, My Mother’s Jewish Lesbian Wiccan Wedding (NYMF Winner 2010), Jay Alan Zimmerman’s Incredibly Deaf Musical, Bonnie and Clyde, Rooms, Jacques Brel, Six Dance Lessons, The Thing About Men, Urinetown, The Hurricane Katrina Comedy Festival. Regional: Penguin Rep, Triad Stage, Act II Playhouse, Arena Stage, Goodman, Humanafest. Film: Ghoul, The Woman (Top 9 Sundance 2011), In the Family, Offspring, Jack Ketchum’s The Girl Next Door, Headspace. Tours: “Barney”, “Curious George”, “Kidz Bop.” Lara Tenenbaum* (Stage Manager) Triad Stage debut. Off-Broadway: Empire.

Regional: Les Miserables (Dallas Theater Center). Other: Norwegian Cruise Lines.

International Tour: Empire. National Tour: Riverdance, Altar Boyz, Rainbow Fish, Cabaret, Monty Python’s Spamalot. Education: Goucher College.

* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States ◊ Faculty Member at the University of North Carolina at Greensboro Theatre Department. ◉ Faculty Member at the University of North Carolina School of the Arts.

Special Thanks Brad Meyers and Salem Electric Robin Petro, Precision Oncology Nurse and Medical Consultant for WIT Southeastern Center for Contemporary Art (SECCA) University of North Carolina School of the Arts

ACTORS’ EQUITY ASSOCIATION Actors’ Equity Association (AEA) was founded in 1913 as the first of the American actor unions.

Equity’s mission is to advance, promote and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production.

AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions.

For more information, visit www.actorsequity.org.

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TRIAD STAGE CO-FOUNDERS Preston Lane (Triad Stage Founding Artistic Director) is in his 15th season at Triad Stage where he has directed more than 50 productions. Preston is a 2014 finalist for the SDC Zelda Fichandler Award, a recipient of an NC Arts Council Playwright Fellowship and the Betty Cone Medal of the Arts. Other productions include the US premiere of Inexpressible Island (Dallas Observer Best of Dallas Awards: Best Director, Best Production) and The Night of the Iguana (Dallas Morning News: 2002 Top Ten Theatre List). As a playwright, Preston’s plays and adaptations have been produced at Triad Stage and other theaters and universities. His work with musician Laurelyn Dossett includes Brother Wolf, Beautiful Star, Bloody Blackbeard, Providence Gap and Snow Queen. Preston has taught at UNCG, NC A&T, UNCSA, Greensboro College, SMU, and the Professional Actors Workshop at the Dallas Theater Center. He is an alumnus of the Drama League of New York’s Director’s Project. A native of Boone, NC, Preston received his BFA from UNCSA and his MFA from the Yale School of Drama.

Richard Whittington (Triad Stage Founding Managing Director) has served as Managing Director of Triad Stage since its inception.

Rich earned an MFA in Theatre Management from the Yale School of Drama and has a BFA in Acting and Directing from Marymount Manhattan College. In 2007, Rich was appointed by the Governor to serve on the board of the NC Arts Council, where he is currently a member of the Executive Committee. He has previously served on the boards of ArtsNC and Downtown Greensboro, Inc. and has served on numerous grant panels throughout the state as well as for the Florida Division of Cultural Affairs and the National Endowment for the Arts. Rich has taught Theatre Management at Greensboro College and NC A&T University and has guest lectured at UNC Chapel Hill, UNC School of the Arts, Wake Forest University and UNCG. A native of Dallas, Texas, Rich served as Artistic Administrator for the Dallas Theater Center and Associate Producer of Dallas’ The Big D Festival of the Unexpected. Experience also includes work at the Roundabout Theatre in New York and StageWest in Springfield, Massachusetts. In 2010, Preston and Rich were honored with Downtown Greensboro, Inc.’s J. Edward Kitchen Leadership Award. In 2013, they received the Adelaide F. Holderness/H. Michael Weaver Award from UNCG for distinguished public service.

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Triad Stage began as a dream...

Co-founders Preston Lane and Richard Whittington forged their artistic partnership as graduate students at the Yale School of Drama. After managing a theater in Connecticut for two years, they undertook the three-year task of opening their own theater in the heart of historic downtown Greensboro.

Photo courtesy of Greensboro Historical Museum

In September 1999, Triad Stage purchased the former Montgomery Ward building, which had been built in 1936 and sat vacant for almost 40 years. Renovations transformed the five-story building into a world-class theater center now called The Pyrle Theater, complete with a 300-seat theater and thrust stage, rehearsal hall, offices, two spacious lobbies, and other audience amenities.

The Grand Opening took place in January 2002 with Tennessee Williams’ modern classic Suddenly Last Summer.

In 2008, Triad Stage finished a second round of renovations to The Pyrle. A scene shop annex was added in the basement. The top floor underwent major construction to create the 90-seat UpStage Cabaret performance space, the Sloan Rehearsal Hall, and the studio and office facilities of WUNC Public Radio’s new Greensboro Bureau.

In 2011, Triad Stage purchased a 30,000 square foot building near the Greensboro Coliseum Complex to serve as the theater’s new production facility, relocating its scene, costume, and properties shops as well as its warehouse.

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The Pyrle Theater, Greensboro

Hanesbrands Theatre, Winston-Salem

In 2013, with significant support from The Arts Council of Winston-Salem and Forsyth County, Triad Stage announced a major expansion of programming to be produced at the Hanesbrands Theatre in downtown Winston-Salem.

Now in its 15th season, Triad Stage has over 3,000 Season Passholders and more than 600 annual donors. The company has received accolades on national, state and local levels, including being named “One of the 10 Most Promising Emerging Theatre Companies” by the American Theatre Wing and “One of the Best Regional Theaters in America” by New York Drama League. Triad Stage has been voted the Triad’s “Best Live Theater” by the readers of the News & Record’s Go Triad ten years in a row and named “Professional Theatre of the Year” by the North Carolina Theatre Conference in 2003 and 2011. Its production of Tobacco Road was listed among the “Best of 2007” by The Wall Street Journal, its production of The Glass Menagerie was named “Best North Carolina Production of 2010” by Triangle Arts & Entertainment, and 2012’s production of Reynolds Price’s New Music trilogy was named among the “Best Productions” of the year in Triangle Theatre by Independent Weekly.

Production Photos by VanderVeen Photographers

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About the Playwright

Margaret Edson (July 4, 1961 -) On July 4, 1961, Margaret Edson was born in Washington, D.C. to a syndicated newspaper columnist (father) and a medical social worker (mother). As a child and teenager, Edson had a noted affinity for theatre. A performer and early improviser, Edson, along with her siblings and childhood friend Julia Louis-Dreyfus, would create and perform plays. One play, Sorry, Wrong Number by Lucille Fletcher, was meticulously rehearsed and performed in Julia Louis-Dreyfus’ basement. As a high school student, Margaret continued to engage in theatre arts as a performer at Sidwell Friends School in Washington, D.C. In 1983, Margaret Edson graduated magna cum laude from Smith College in Northampton, Massachusetts with a major in Renaissance history. Of her many jobs, Edson worked as an AIDS-oncology unit clerk at a major research hospital in Washington, D.C. In 1991, she began writing Wit. Edson graduated from George Washington University with a Master of Arts degree in English Literature in 1992. Wit was the first (and only) play Margaret Edson wrote. Wit won the 1999 Pulitzer Prize for Drama, the 1999 George Oppenheimer Playwriting Award, the 1999 Drama Desk Award for Outstanding Play, and the 1999 New York Drama Critics’ Circle Award for Best Play. Edson currently teaches sixthgrade social studies at a middle school in Atlanta. Previously, she has taught kindergarten, first grade, and English as a Second Language.

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John Donne’s Holy Sonnets Holy Sonnets (also called Divine Meditations or Divine Sonnets) are a series of 19 devotional poems written by John Donne during the early 17th century. In the Holy Sonnets, Donne utilized paradoxes and wit to create unlikely comparisons (conceits). Published posthumously in the first edition of Songs and Sonnets, the Holy Sonnets poetically revealed Donne’s thoughts on faith, morality, judgment, salvation, and death. Helen Gardner, a noted Donne scholar, stated in the introduction to The Elegies and the Songs and Sonnets of John Donne, “(t)he literary sources of Donne’s poems can be suggested. It is a fascinating study for he transforms whatever stimulates his imagination. Some actual experiences we may see reflected; others we may guess at, if we wish.”

Hence, although writing the Holy Sonnets galvanized Donne’s imagination, the process also provided an avenue to reflect Donne’s personal challenges and disappointments.

Among the well-known verses of the Holy Sonnets are “If poisonous minerals,” and “Death, be not proud.”

Death be not proud, though some have called thee Mighty and dreadful, for, thou art not so, For, those, whom think’st, thou doest overthrow, Die not, poor death, nor yet canst thou kill me; From rest and sleep, which but thy pictures be, Much pleasure, then from thee, much more must flow, And soonest our best men with thee go, Rest of their bones, and soul’s delivery.

Thou art slave to fate, chance, kings, and desperate men, And dost with poison, war, and sickness dwell, And poppy, or charms can make us sleep as well, And better than they stroke; why swell’st thou then? One short sleep past, we wake eternally, And death shall be no more, Death thou shalt die.

“Holy Sonnet 10” 15

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CORE VALUES

Triad Stage is guided by core values that inspire all aspects of our operations. These core values are a daily reminder to our entire company of why and how we produce theater for our community.

EXCELLENCE

We strive for bold, daring excellence in all of our endeavors as we seek to create professional theater with regional and national impact.

ARTISTIC RISK

Striving to constantly challenge ourselves, we reserve the right to take artistic risks and make mistakes.

IMAGINATION

Triad Stage delights in the imaginative process. We uphold freedom of expression as indispensable to the power of imagination.

COMMUNITY

As individuals are united in their shared experience of the theatrical event, strangers become friends, common ground is discovered, and dialogue begins. In imagining the lives of others, our capacity for empathy is strengthened.

LEARNING

Theater is a valuable part of a lifetime of learning. Our work and the dialogue it creates should spark curiosity and inspire creative ways of thinking for our artists, staff and audience.

INCLUSION

Our community’s varied diversity must not only reflect itself in Triad Stage’s casting and staffing, but also in the selection of the stories we choose to tell.

COLLABORATION

We celebrate and encourage an artistic process rooted in collaboration. We seek to mirror this process in all aspects of our operations and actively seek partnerships with other organizations to benefit the well-being of our communities.

REJUVENATION

We are committed to revitalizing our historic downtowns by greatly enhancing the cultural life of the Piedmont Triad through entertainment and by providing an economic impact benefiting other area businesses.

A SOUTHERN VOICE

By placing the best of Southern writing in juxtaposition with classic and contemporary world drama, we foster a unique Southern voice, allowing our audience the pride of saying, “This theater is ours.”

NORTH CAROLINA

We seek to play a leading role in the North Carolina arts community. We actively work to create an artistic home for artists with North Carolina connections and to provide a bridge to the profession for emerging artists.

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BUY YOUR TICKETS TODAY! Sidney Bruhl is a successful playwright and thrillers are his specialty.

He thinks he has found his next box office smash, but it is a script written by one of his former students. Together with his wife, he hatches a deadly plan to make the story his own. However, everything is not what it seems. This Broadway thriller is sure to have you on the edge of your seat until the shocking end.

OCTOBER 18-NOVEMBER 8

at the Pyrle Theater 232 South Elm Street Street in Downtown Greensboro

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GREENSBORO

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Institutional Supporters Triad Stage wishes to thank the following corporations and organizations that have generously contributed.

UNDERWRITERS ($20,000+)

STARS ($10,000-19,999) ITG Brands

•

Mercedes-Benz of Winston-Salem

DIRECTORS ($5,000-9,999) Arbor Acres • Bernard Robinson & Company, LLP The Clifford Division of Clendenin & O’Hale, LLP • Cone Health Piedmont Natural Gas • Well•Spring • Zuraw Financial Advisors

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O.Henry Hotel

BENEFACTORS ($2,500-4,999) BB&T • Center for Creative Leadership • Community One Pennybyrn at Maryfield • Schell Bray PLLC • The Fresh Market ANGELS ($1,000-2,499) Carolina Bank • Frank L. Blum Construction

Media Partners Graffiti Ads 88.5 WFDD

• •

News & Record/GoTriad

•

O.Henry Magazine

Triad City Beat

Triad Stage is proud to be a member of the following organizations.

SUPPORT

TRIAD STAGE

To learn about supporting Triad Stage through donations or sponsorship, please contact: Jennifer Woodward | Development Director jennifer@triadstage.org | 336.274.0067 ext. 222 Triad Stage is a 501(c)(3) not-for-profit organization, with donations tax-deductible to the extent provided by law.

37

Annual Campaign Contributors Please consider joining the following individuals, corporations, and foundations who have contributed generously to Triad Stage’s 2015 Annual Campaign.

Annual Campaign contributors as of September 10, 2015 PRODUCERS CIRCLE ($10,000+) Suzanne & Bud Baker Vanessa & Roy Carroll Clem & Hayes Clement Aldona Wos & Louis DeJoy Cynthia & William Graham James G. Hanes Foundation John W. & Anna H. Hanes Foundation Maureen & Bob Ihrie Kyle Jackson, MD Kathy Manning & Randall Kaplan Tobee & Leonard Kaplan The Michel Family Foundation Linda & Tom Sloan Pam & David Sprinkle Ken Steele Betty & Bob Strickland Susan & Eric Wiseman CENTER STAGE ($5,000-$9,999) Anonymous Lindsey & Frank Auman Wendy & Mike Brenner Joseph M. Bryan, Jr. Community Foundation of Greater Greensboro Rob DaVanzo Ginger & Haynes Griffin J.A. King Sylvia & Norman Samet Martha & Harrison Turner Lydia & Keith Vaughan FRONT ROW ($2,500-$4,999) Mary Katherine & Durant Bell Louise & Jim Brady Jeb Brooks Linda & Jim Carlisle Joann & Bill Cassell

Rebecca & Rick Craig Jean & Ralph Davison Christine & Chris Hobson Laura & Alan Irvin Barbara Kretzer Ernest & Shelby Lane Preston Lane Carol & Seymour Levin Donna & Bob Newton Mindy & Chad Oakley Julie Olin Margaret & Brad Penn Debby L. Reynolds Ron Johnson & Bill Roane Dabney & Walker Sanders Holly Chambers & Richard Steedle Ruthie & Alan Tutterow Jane & Jonathan Ward Courtney & Richard Whittington STAGE HAND ($1,000-$2,499) Kate R. Barrett Phil Barrineau Betty & Dennis Barry Mr. & Mrs. James Becher, Jr. Marianne & Jim Bennett Sylvia & Michael Berkelhammer Joseph M. Brantley, III Nicole Brockmuell Lynn & Scott Brogan Lisa & Willie Bullock Carol & Jeff Burgess Kristin & Craig Carlock Sally & Alan Cone Pat & Pete Cross Candace & Roger Cummings Barbara & Michael Curry Carol & David DeVries Susie & Rasmus Fenger Rusty & Van Gunter Kelley & Drew Hancock Beth Harrington 38

Tomasita & Sam Jacubowitz Joia Johnson Emily & David Johnston Ashley & Frankie Jones Sue & Neil Lutins Kelly Sigle & George Marple Cathleen & Ray McKinney Victoria & Ron Milstein Barbara Morgenstern Randi Palmer Cissy & Bill Parham Richard A. Parker Meredith & Gary Piatt Kim & Todd Rangel John Riley Roberts Family Foundation Lynn Wooten & Paul Russ Steve Shavitz William R. Soles, Jr. Amy Speas Kay Stern Ernestine & Stuart Taylor Dianne & Glenn Whittington Judy & Bob Wicker Woodruff Family Law Group GALLERY ($500-$999) Anonymous Annette Benson Bill & Gay Bowman Karen M. Dyer Hanes-Lineberry Funeral Homes Cynthia Soemita & Tony Hooimeijer Maggie Jeffus Howard Jones Amy & John Kelly Ray & Doris Kiszely Leigh Ann & Steve Klee Harriette & Bob Knox Laura & Paul Kotz Lex & Brent Kulman

Barb & Greg Laskow Sherry Dickstein & Kurt Lauenstein Gail & Gene LeBauer Susan Ireton & Valerie Leschber Mimi Levin Mary & Robert McIver Karen & Rob Melhem Jane & Dan Moore Linda & Rod Mortenson Angie Murphrey David Murphy Nancy & Brian Napier Margaret Norfleet-Neff Jane & Ron Norwood IHO Mindy Oakley Betsy & Mitchell Oakley Jane & Lloyd Peterson Nancy & Gordon Peterson Susan & Jim Phillips David & Claudia Reich Carolynn & Tim Rice Dee & Jason Roghelia Heather & Mark Setzler Nancy & Frank Sharpless Kim & Bassam Smir Linda & Jim Starmer Shaun Edward Stewart Fund Maggie & Tom Styers Willie Taylor May Toms Mary & Will Truslow Shirley & Jeffrey Vestal Karen & John Whiteside Martha & Calder Womble Carmen & Robert Wood Beverly & Pat Wright PATRON ($250-$499) Mary Alexander Dick Allen Alexa Aycock Jonathan Brady & Morgan Bain Ben Baker Dee & Wes Bartlett Mary & Frank Biggerstaff Barbara & Tony Blake Louise & Jerry Boothby

Drs. Bruce & Dora Brodie Kate & Joe Brower Barbara Levin & David Brown Jerry Cunningham & Terry Brown Mr. & Mrs. David Christenson Lori & Murray Clayton Sallie & Jim Clotfelter Harvey Colchamiro Faye & Michael Collins Betty Cone Doug & Jean Copeland Janet Ward Black & Gerald Davidson Jo & David Delman Phyllis H. Dunning Richard & Nancy Evans Bert & Debbie Fields Ellen & Gary Fischer Dana & Jim Fisher Patti & Douglass Gilbert Dionis Griffin Kay & Chip Hagan Melinda Hamrick Robert Hansen Sherry & Bob Harris Judith & Cyril Harvey Cindi & Dave Hewitt Donna & Robert Hoekstra Nancy Hoffman Anne & Sam Hummel Sallie & Hoke Huss Carroll Johnson Randall T. Johnson Marcia & Orton Jones Ginger & Ken Karb Milton Kern Kayce King Diana Knox Lynne & Glenn Ogden IHO Karen Krone Robin & Tim Lane Louise & Bill Latture Jim Battinelli & Victor Lindsley Sandra & Francis LoNano Nancy Y. Madden Connie Mahan David & Kathy Mazzola Bonnie & Dan McAlister Amanda McGehee

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Peg & Skip Moore Eberhard Mueller-Heubach Linda & Al Munns B.J. Weatherby & Verne Nielsen IHO Mindy & Chad Oakley Marion O’Brien William Osborne April & David Parker Mary Price Eileen & Brian Robinson Cary Root Connie & Ben Schroeder Susan & Jerry Schwartz Phillis Shavitz IMO Stanley Shavitz Kathleen Smith Sonitrol Security of the Triad Michiko Stavert Matthew Sergio & Steve Stonecypher Charlotte A. Straney Marti & Andy Sykes Suzanne & Tom Tilley Bryan & Billie Toney Susan B. Wall Barbara & James Walls Christine Morris & Jeffery West Barbara Ann Peters & David Westfall Carol & Tom Wood Jennifer Woodward FRIEND ($100-$249) Anonymous (4) John & Virginia Achey Rose & Victor Ackermann Ann & Trip Adams Hattie & John Aderholdt Martha Albertson Sandra & Rondal Alexander Leanne Angell Margaret & Howard Arbuckle Mr. & Mrs. Bruce M. Babcock Samantha McDermott & Robert Bailey LaVerne M. Bass Fred & Sally Beck Elizabeth Bennett Anna Berdahl

Catherine & Peter Bergrstrom Kate Black Christel Bullock Becky & Julian Bullock Elizabeth & George Burfeind Nancy Cameron Edna & John Canny Julia Smith Capone Myrna Carlock Kathy & Bill Cissna Louann A. Clarke Benita & Ron Cole Diane Conrad Jan Cooke Pat W. Copeland Mr.& Mrs. David Craft Deb Bell & Keith Cushman Pam & Alan Duncan Debra Dykes Lexi & John Eagles Mona & Emanuel Edwards Theresa Egan Grace Ellis Linda Faltin Marcia Freed Gerald Freedman Ann McCarty & Robert Fried Dr. Deborah Friedman Denise Gabriel Karen A. & J. Ronald Gaffe’ Silvia & Thomas Gahm Bonnie & Martin Gallo Betty Godwin Jennifer & Paul Grosswald Christy Gumbiner Deb & Jay Gyure Anne & Bill Hardin Jerry & Melissa Harrelson Gloria & Walter Harris Angela Hays Dr. & Mrs. Joseph R. Hedgepeth Miriam & Tom Herrin Pat Hester Carolyn & Ed Hines Mr. & Mrs. Michael Hoggard David & Rodna Hurewitz Sallie & Hoke Huss Judith Hyman Frances & Jim Jochum Bob Johannesen Jenna Johnson

Karen & Joe Johnson Linda Morris & George Johnson Christine Jones Carole Keeler Lou Bouvier & Denny Kelly Virginia & David King Bonnie & John Knab Yolanda Leacraft Carolyn C. Lester Michele & Pat Levy Kathy & Mike Lewis Annabel Link Susan & George Little Clarence Lloyd, Jr., MD Jack MacDowall Samantha A. Magill Mary & Gustav Magrinat Joe Manson Bud & Reba Maxson Eleanor & Donald McCrickard Doris McGinn Angus &Wynn McGregor Carol H. Melvin Benedicte & Christian Mengel Tracy Nash & George Michel Gary & Nancy Miller Barbara & Bill Moran Dan & Ninevah Murray J.T. ( Judith) Nebenzahl Karol & John Neufeld Stacey & Mitchell A. Neuhauser Margaret & Vernon Newlin Gaynelle Nichols Nancy Osborne Cathy & Ray Owen Paula Pile Robert Porter Eleanor Procton Jesse Pugh Wendell & Phoenix Putney Bene & George Ralls Kathy Ramsay Jennifer & Tommy Robards George & Bobbie Roberts Ruth & Lloyd Roghelia The Rose Family Debbie & Eugene Russell Jim & Nancy Sands Kathryn Lochra & Rett Saslow Bill & Jayne Satterfield Beatrice Schall 40

Barb & Bill Sharpe Mary Ellen & Lee Shiflett Joyce & Bob Shuman Anne Smith Kathryn & R.C. Smith Beverly & Ray Snively Laurey Solomon Suci Sorensen Mary & Nickolas Steffen David Sullivan Janice & John Sullivan Joan Sullivan IMO of John L. Sullivan Frieda Taylor Mrs. Lee Templeton Melanie & Charles Tuttle Barbara Van Cleve Carol & Dave VanSchoick Robert C. Walker Nancy & David Wallace Laura & John Warren Andrea West Gayle & Richard Wiley Barbara & Butch Williams Kay & Charlie Zimmerman MATCHING GIFTS Bank of America Compass Financial ITG Brands Johnson & Johnson Family of Companies Lincoln Financial Group Reynolds America Foundation R.J. Reynolds Foundation

Give us a helping hand!

“One of the top ten most promising emerging theatres in America.”

-The american theatre wing (founder of the tony awards®) “An immensley powerful piece of theatrical goods.”

-wall street journal “Say hello, triad, and welcome to your stage.”

-Winston-Salem journal

Pictured: Nick Cartell and Julia Osborne in 2013’s production of My Fair Lady. Photo by VanderVeen Photographers.

GIVE YOUR SUPPORT

donate @ triadstage.org 41

I’ve never been too comfortable on the sidelines.

That’s why I chose Well•Spring.

From the basketball court to business and community, I believe the more you put into life, the more you get out of it. I’m happy to have found teammates at Well•Spring that share my passion for life.

www.well-spring.org 4100 Well Spring Dr., Greensboro, NC 27410 (800) 547-5387 • (336) 545-5400 A member of Well•Spring Services, Inc.

CARF/CCAC ACCREDITED SINCE 2003

Hayes Clement

Resident since 2011

42

House Rules and Other Helpful Information •

Food and beverages purchased at the lobby bar are allowed inside the theater, but we ask that you are respectful of your fellow audience members and enjoy them quietly.

•

Smoking is strictly prohibited throughout the building.

•

Latecomers are seated at the discretion of the House Manager.

•

Personal electronic devices, including cellular phones, must be turned off prior to the performance.

•

Listening assistance devices are available at the Box Office.

•

Photographing or sound recording of the performance is expressly prohibited by law. So, no cameras or recorders, please. Your cooperation is appreciated.

•

For the enjoyment of all audience members, every attendee must have a ticket and sit in his or her own seat (no “babes in arms” or children in laps).

Thank you for respecting all Triad Stage facilities. If you have any questions, please ask the bartender, House Manager or a Box Office Associate for clarification.

Proud supporter of Triad Stage

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BY PRESTON LANE ORIGINAL MUSIC BY LAURELYN DOSSETT

November 27-December 24 Triad Stage in downtown Greensboro THE PYRLE THEATER 232 SOUTH ELM STREET 44

BY CHARLES DICKENS ADAPTED BY PRESTON LANE

November 27-December 24 Triad Stage in Winston-Salem HANESBRANDS THEATRE 209 N. SPRUCE STREET 45

BOARD OF TRUSTEES __________________

TRIAD STAGE STAFF __________________

Officers Mindy Oakley, Chair Dabney Sanders, Chair Elect Chris Hobson, Vice Chair Ernestine Taylor, Vice Chair Margaret Penn, Treasurer Kathy Manning, Immediate Past Chair Linda Sloan, Founding Chair Preston Lane, Founding Artistic Director Richard Whittington, Founding Managing Director

Artistic Preston Lane, Founding Artistic Director Bryan Conger, Artistic Associate Tamera Izlar, Artistic Associate Kylah Comer, Artistic Intern Morgan Ellis, Dramaturgy Intern Administrative Richard Whittington, Founding Managing Director Jason Bogden, General Manager Jessie Alexander Gulley, Company Manager Joseph Rollins, Facilities/House Manager Dawn Erdner, Office Assistant

Members at Large Kate R.Barrett, Jeb Brooks, Linda Carlisle, Karen Dyer, Danny Gatling, Drew Hancock, Tomasita Jacubowitz, Frankie Jones, Jr., John Kelly, Leigh Ann Klee, Samantha Magill, Dan McAlister, Cathleen McKinney, Donna Newton, Justin Outling, Cissy Parham, Erica Parker, Nancy Peterson, Todd Rangel, Debby L. Reynolds, Paul Russ, Tom Sloan, Kathleen Smith, Tom Styers, Steve Sumerford, Alan Tutterow, Lydia Vaughan

Development & Marketing Jennifer Woodward, Development Director Megan Mabry, Marketing & Social Media Manager Stacy Calfo, Graphic Designer Tiffany Albright, Marketing & Development Associate Audience Services Sherry Barr, Director of Audience Services Justin Nichols, Box Office Manager Rachel Grimes, Assistant Box Office Manager Becky McLaughlin, Group Sales Manager Aralys Castillo, Bonnie Pachasa, Ramon Perez, Alysa Rambo, Amanda Wils, Nicole Swofford, Box Office Associates Joseph Rollins, House Manager Alysa Rambo, Lobby Bar Associate

Winston-Salem Advisory Council Lydia Vaughan, Chair Wendy Brenner, Linda Carlisle, Mary Walker Fry, Drew Hancock, Sue Henderson, Joia Johnson, Susan Little, Cathleen McKinney, Angie Murphrey, Tog Newman, Randi Palmer, Gordon Peterson, Nancy Peterson, Milton Rhodes, Keith Vaughan, Sue Wall, Jason Wenker Greensboro Advisory Council Holly Chambers, Judy Wicker, Co-Chairs Hayes Clement, Ralph Davison, Sandra Hughes, Lesley Hunt, Ron Johnson, Tobee Kaplan, Ancella Livers, Dennis Quaintance, Sylvia Samet, Joy Shavitz, Harrison Turner

Production Liza Vest, Production Manager Emily J. Mails, Resident Stage Manager Chris Simpson, Technical Director Skip Johnson, Lead Carpenter Ryan Gentry, Carpenter Jennifer Speciale Stanley, Costume Shop Manager Mary Beth Pazdernik, First Hand Mahealani Jones, Costume Shop Assistant Andy Cutler, Wardrobe Supervisor & Rentals Coordinator Eric Hart, Props Master Lisa Bledsoe, Props Assistant Liz Stewart, Master Electrician Jessica Holcombe, Scenic Charge Taylor Dankovich, Sound Supervisor

FOR WIT ___________________ Lara Tenenbaum, Production Stage Manager Emma Iacometta, Assistant Stage Manager Riva Fairhall, Assistant Scenic Designer John Bumiller, Technical Supervisor Lauren Williams, Props Assistant Lacey Davis, Costume Coordinator Troy Morelli, Lighting Supervisor Adam Taylor, Light Board Programmer Maria Wurttele, Sound Supervisor

46

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THANK YOU FOR SUPPORTING THE ARTS COUNCIL & TRIAD STAGE By attending this performance tonight, you are supporting the concept of “Triad” in the arts community at large & are strengthening the entire theatre community in Winston-Salem.

THANK YOU Please help us continue to bring professional theatre to this stage, by keeping the Arts Council’s annual campaign at the top of your list of annual gifts.

intothearts.org