ICON Magazine

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contents 12

Jane Golden & Mural Arts

ESSAY 5|

A THOUSAND WORDS

Dozer

EXHIBITIONS 6|

New Century, New Woman Allentown Art Museum John Spears: Illusions of Light New Hope Arts Women Artists, Trenton Style Trenton City Museum at Ellarslie Mansion

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The intersection of art, entertainment, culture, nightlife and mad genius.

BOOKS Paradise, Nevada by Dario Diofebi The Unreasonable Virtue of Fly Fishing by Mark Kurlansky

The Lost Apothecary by Sarah Penner

EDITORIAL Editor / trina@icondv.com

Raft of Stars by Andrew J. Graff

Raina Filipiak / Advertising filipiakr@comcast.net

It’s a Sin A Glitch in the Matrix Monster Hunter Pretend It’s a City

The Zoologist’s Guide to the Galaxy: What Animals on Earth Reveal About Aliens–and Ourselves by Arik Kershenbaum

GUIDE TO THE ARTS

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HARPER’S FINDINGS HARPER’S INDEX WASHINGTON POST SUNDAY CROSSWORD

215-862-9558 icondv.com facebook.com/icondv PRESIDENT Trina McKenna trina@icondv.com

FILM ROUNDUP

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Since 1992

This Is the Fire by Don Lemon

Foregone by Russell Banks

ETCETERA

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ICON

PRODUCTION Dominic Reposa CONTRIBUTING WRITERS A. D. Amorosi Robert Beck

We Begin at the End by Chris Whitaker

Jack Byer

Beyond the Sand and Sea: One Family's Quest for a Country to Call Home by Ty McCormick

Geoff Gehman

Peter Croatto Mark Keresman George Miller Susan Van Dongen Keith Uhlich

ON THE COVER:

A Steve Powers “Love Letter,” in West Philadelphia along the Market/Frankford Line. Photo by Adam Wallacavage. Philadelphia Mural Arts Program. 4

SINCE 1992, the arts have been integral to our mission—and to our lives in large and small measures. We too often don’t realize their importance. The arts, the economy, and ICON, as well as well as mom and pop businesses and Fortune 500 companies, are subject to the vicissitudes of life and fortune. We’re all together now in this time of historic insecurity. ICON has supported the arts since 1992, through good times and bad. We think of ourselves as their partners, their cheerleaders. We haven’t skipped an issue in nearly 30 years, so if you can’t find ICON one month, if we skip an issue here and there, be assured we’re just resting until the arts—and all of us—are healthy and confident again.

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Subscription: $40 (12 issues) PO Box 120 • New Hope 18938 215-862-9558 ICON is published twelve times per year. Reproduction in whole or in part without written permission is strictly prohibited. ICON welcomes letters to the editor, editorial ideas and submissions, but assumes no responsibility for the return of unsolicited material. ICON is not responsible for claims made by advertisers. ©2020 Prime Time Publishing Co., Inc.


a thousand words

STORY & PAINTING BY ROBERT BECK

DOZER

D

OUG DODGE, WHOM I have painted and written about many times, called me Monday night from Maine to tell me his dog died. That is news of interest well beyond Washington County. Dozer was not just any dog. An old rescue lab, Dozer was one of the kindest, gentlest dogs on the planet. He was also one of the fattest. It’s been said you could land a plane on his back. I’ve written that he resembled a black claw-foot tub. Dozer had stopped eating, and it was clear he was sick. The issue was diagnosed as cancer in the lung, and the vet put him down. Doug brought Dozer home, the neighbor drove over with a backhoe, and they “wrapped him up good and buried him deep, in a spot that gets nice light.” Dozer was a prominent member of Jonesport and Beals Island society (when you read that, hear “DO-zuh” for full Downeast effect). He went everywhere with Doug. If Doug was doing work at the Shipyard, Dozer would wander into town, hang out at the Liars’ Table in the variety store, and listen to the lobstermen as they played cribbage

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exhibitions

Red Eruption (natural light)

John Spears - Illusions of Light Hat (American), ca. 1905-1910, velvet, ostrich feathers, felt. Allentown Art Museum: collection of Ellie Laubner, 2009.

New Century, New Woman Allentown Art Museum 31 North 5th St., Allentown, PA 610-432-4333 AllentownArtMuseum.org Through April 18, 2021 This exhibition explores American women’s new personal and political freedoms at the turn of the 20th century through the lens of fashion. Between 1890 and 1920 many women challenged the expectation that their role should be limited to home and family. They pursued employment and education in increasing numbers, and campaigned for suffrage and social reform. Fashionable clothing in this era ranged from elaborate feminine dresses to smart separates inspired by menswear. As women challenged norms of feminine behavior, many chose to dress stylishly in order to subvert stereotypes and advance their agendas. On the 100th anniversary of women’s suffrage, this exhibition offers a perspective on gender roles, fashion, and professional self-presentation that continue to resonate today. New Century, New Woman is supported through the generosity of the Society of the Arts (SOTA) and Mrs. Eleanor P. Laubner.

New Hope Arts 2 Stockton Ave., New Hope, PA 215-862-9606 Newhopearts.org Through March 21, 2021 Online and in-person Gallery hours: Fri., Sat., Sunday, 12 – 5 John Spears opens New Hope Arts’ exhibition year with an in-gallery exhibition designed to explore space and illusion, when architecture and art work together. The eighteen canvases curated by Rita Romanova Gekht, arranged as a viewer-centered experience, illuminate Spears’ method developed over his 45-year career. Large scale images use UV and LED light to reveal the colors and textures not seen in natural light. Protocol limits ten people at a time so viewers have the opportunity to interact with each piece while maintaining social distance. Reservations are suggested. Visit the website or call for more information.

Elizabeth Aubrey, Farmstead, Acrylic on Canvas, 16” x 20"

Women Artists, Trenton Style Trenton City Museum at Ellarslie Mansion Cadwalader Park, 299 Parkside Ave., Trenton 609-989-1191 Ellarslie.org Through June 6, 2021 Fri., Sat., 12-4; Sun., 1-4 Showcasing a diverse array of exciting works by 11 leading artists of the greater Trenton area, the Trenton City Museum proudly presents Women Artists, Trenton Style, curated by Mel Leipzig. Featured artists: Priscilla Algava, Elizabeth Aubrey, Nora Chavooshian, Cheryl Eng, Tracey Jones, Marge Miccio, Dallas Piotrowski, Tamara Torres, Khalila Sabree, Aundreta Wright, Mary Yess. Visit Ellarslie.org for timed entry and information.

Aundreta Wright, Coiled Pot, Fired Clay, 16” x 14” x 16" Scheller Gallery 6

Red Eruption (UV light)

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books Paradise, Nevada by Dario Diofebi Bloomsbury Publishing 512 pages On Friday, May 1st, 2015 a bomb detonates in the infamous Positano Luxury Resort and Casino, a mammoth hotel (and exact replica of the Amalfi coast) on the Las Vegas Strip. Six months prior, a crop of strivers converge on the desert city, attempting to make a home amidst the dizzying lights: Ray, a mathematically-minded high stakes professional poker player; Mary Ann, a clinically depressed cocktail waitress; Tom, a tourist from the working class suburbs of Rome, Italy; and Lindsay, a Mormon journalist for the Las Vegas Sun who dreams of a literary career. By chance and by design, they find themselves caught up in backroom schemes for personal and political power, and are thrown into the deep end of an even bigger fight for the soul of the paradoxical town. A furiously rowdy and ricocheting saga about poker, happiness, class, and selflessness, Paradise, Nevada is a panoramic tour of America in miniature, a vertiginously beautiful systems novel where the bloody battles of neo-liberalism, immigration, labor, and family rage underneath Las Vegas' beguiling and strangely benevolent light. This exuberant debut marks the beginning of a significant career. The Unreasonable Virtue of Fly Fishing by Mark Kurlansky Bloomsbury Publishing 304 pages From the award-winning, bestselling author of Cod, the irresistible story of the science, history, art, and culture of the least efficient way to catch a fish. Fly fishing, historian Mark Kurlansky has found, is a battle of wits, fly fisher vs. fish—and the fly fisher does not always (or often) win. The targets—salmon, trout, and char; and for some, bass, tarpon, tuna, bonefish, and even marlin—are highly intelligent, wily, strong, and athletic animals. The 8

allure, Kurlansky learns, is that fly fishing makes catching a fish as difficult as possible. There is an art, too, in the crafting of flies. Beautiful and intricate, some are made with more than two dozen pieces of feather and fur from a wide range of animals. The cast as well is a matter of grace and rhythm, with different casts and rods yielding varying results. Kurlansky is known for his deep dives into the history of specific subjects, from cod to oysters to salt. But he spent his boyhood days on the shore of a shallow pond. Here, where tiny fish weaved under a rocky waterfall, he first tied string to a branch, dangled a worm into the water, and unleashed his passion for fishing. Since then, a lifelong love of the sport has led him around the world to many countries, coasts, and rivers--from the wilds of Alaska to Basque country, from the Catskills in New York to Oregon's Columbia River, from Ireland and Norway to Russia and Japan. And, in true Kurlansky fashion, he absorbed every fact, detail, and anecdote along the way. This Is the Fire by Don Lemon Little, Brown 224 pages The host of CNN Tonight with Don Lemon is more popular than ever. As America’s only Black prime-time anchor, Lemon and his daily monologues on racism and antiracism, on the failures of the Trump administration and of so many of our leaders, and on America’s systemic flaws speak for his millions of fans. Now, in an urgent, deeply personal, riveting plea, he shows us all how deep our problems lie, and what we can do to begin to fix them. Beginning with a letter to one of his Black nephews, he proceeds with reporting and reflections on his slave ancestors, his upbringing in the shadows of segregation, and his adult confrontations with politicians, activists, and scholars. In doing so, Lemon offers a searing and poetic ultimatum to America. He visits the slave port where a direct ancestor was shackled and shipped to America. He recalls a slave uprising in Louisiana, just a few miles from his birthplace. And he takes us to the heart of the 2020 protests in New York City. As he writes to his young nephew: We must resist racism every single day. We must resist it with love.

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The Lost Apothecary by Sarah Penner Park Row 320 pages Hidden in the depths of eighteenth-century London, a secret apothecary shop caters to an unusual kind of clientele. Women across the city whisper of a mysterious figure named Nella who sells well-disguised poisons to use against the oppressive men in their lives. But the apothecary’s fate is jeopardized when her newest patron, a precocious twelve-year-old, makes a fatal mistake, sparking a string of consequences that echo through the centuries. Meanwhile in present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, running from her own demons. When she stumbles upon a clue to the unsolved apothecary murders that haunted London two hundred years ago, her life collides with the apothecary’s in a stunning twist of fate—and not everyone will survive. With crackling suspense, unforgettable characters and searing insight, The Lost Apothecary is a subversive and intoxicating debut novel of secrets, vengeance and the remarkable ways women can save each other despite the barrier of time. Raft of Stars by Andrew J. Graff Ecco 304 pages It’s the summer of 1994 in Claypot, Wisconsin, and the lives of ten-year-old Fischer “Fish” Branson and Dale “Bread” Breadwin are shaped by the two fathers they don’t talk about. One night, tired of seeing his best friend bruised and terrorized by his nogood dad, Fish takes action. A gunshot rings out and the two boys flee the scene, believing them-

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film roundup

KEITH UHLICH

It’s a Sin (Dir. Peter Hoar). Starring: Olly Alexander, Lydia West, Keeley Hawes. This magnificent fiveepisode drama from British writer Russell T Davies (Queer as Folk and Doctor Who) follows a quintet of friends over an eventful decade. It begins in 1981, with gay aspiring actor Ritchie (Olly Alexander) escaping from his small-town Isle of Wight home to a London loft that he and his circle nickname “The Pink Palace.” Life’s a party until a new disease—first called GRID, eventually HIV/AIDS—begins its indiscriminate reign of terror. Davies infuses this tragic subject with vivacity and hilarity, in-between inevitable moments of heartbreak. (Saddest needle drop of Laura Branigan’s Gloria ever!) Peter Hoar’s direction is exuberantly attuned to the way people create makeshift families in the face of adversity, and the cast is uniformly excellent, with special mention to Keeley Hawes as Ritchie’s mother, who proves, as the series goes on, to be a most complex kind of antagonist. [N/R] HHHHH A Glitch in the Matrix (Dir. Rodney Ascher). Documentary. Room 237 and The Nightmare director Rodney Ascher tries for another in his series of mindfuck documentaries with A Glitch in the Matrix, which explores the possibility that the world we live in is a computer simulation. The film is principally informed by a 1970s lecture by Philip K. Dick in which he outlined the theory, as well as the more popularized version that emerged in the wake of the Wachowski siblings’ immensely popular 1999 sci-fi neo-noir The Matrix, innumerable clips of which are utilized here. Ascher also conducts Zoom/Skype interviews with proponents of the electronic universe idea (many of them with their appearances altered into video-game-friendly avatars) and interweaves these scenes with asides on Minecraft, Plato’s Cave and Elon Musk, among other subjects. The meat of the movie is an audio interview with ‘Matrix Killer’ Joshua Cooke whose murder of his adoptive parents is unfortunately exploited to tsk-tsking ends. The film’s droning, ambient album doom-and-gloominess still manages to compel. [N/R] HH1/2

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disruptors

A.D. AMOROSI

What a Little Art Can Do Jane Golden’s Mural Arts If you build it, they will come. YES, THAT IS AN often misquoted line from 1989’s Field of Dreams (“he will come” was more like it, as the tall tale involved an adult son looking for the ghost of his deceased father). Beyond film trivia, however, and in the broader sense, that line is about creating something meaningful where nothing ever existed: crafting beauty, empathy, and equity from a void, pulling mussels from a shell.

started Mural Arts, what were your goals? Did you want to beautify the city with murals before Mayor Goode brought you on as a field representative? And, by 2021, do you believe that you met those early goals? When I was first hired by the Goode ad-

That community-based-and-exhibited art could have power. Yes. And that if we worked intentionally and in collaboration and respected the authorship and the voice of that community, that great things could happen. At first, however, we were all about short-term goals—first few years this, next few years that. I don’t believe that I thought ahead past the Anti-Graffiti Network job because, quite frankly, I thought I was going to law school. I was an artist who wanted to be a lawyer.

Young people who are in and out of the system and identified by the Probation Department as being high risk get assigned to us…They’re studying landscaping, building skills, mural making, financial literacy, and leadership…About 82% of our constituents get a job. And this is the best statistic: we have a recidivism rate of 8%. That is what Philadelphia mural artist, conceptualist, and organizer Jane Golden has been doing ever since then-Mayor Wilson Goode asked her to come up with ideas to address the city’s widespread graffiti issue. Golden’s first response was to work with graffiti writers (as well as other painters, muralists and students of the form) and integrate their larger art into something expressive, beautifying and empathetic. Since 1984 and the inception of her Mural Arts, Philadelphia has become the United States’ largest public art program. A potent and poignant model for transforming public space and forming equity through art, Golden’s Mural Arts has welcomed over 4,000 works of public art in the area since its start, while maintaining collaborations with community-based organizations, nonprofit organizations, schools, and prisons. She saw a system that needed something good, something catalytic, something stimulating, to be forged from the bad, and made it happen. Golden built her mural-lined field of dreams, and everybody came. Considering where you were when you 12

organizers, meeting extraordinary block captains who were moving the needle in their neighborhoods – by partnering with so many esteemed people and organizations—we started to get a clue that art could have power.

Jane Golden.

ministration to work for the Anti-Graffiti Network, I thought it was an exciting time to be in Philadelphia, and that I was at the forefront of positive change, something fresh. This was a new groundbreaking program, and I felt honored to be part of that team. It did occur to me, though, that so many graffiti writers had real artistic talent. What was also clear was that they didn’t have the benefit of more opportunities. Over those next few years, it became clear to me to try and build a network of art, education, and opportunity for young people and work in public spaces in the city. I think that it was working with community

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You’ve painted since childhood, though. Since the age of ten. My mom was an accomplished watercolor artist. I had a double major at Stanford in political science and fine art. When I graduated from Stanford, I moved to LA and painted murals [actually, Golden co-founded the Los Angeles Public Art Foundation during her time in California] Along with having grown up on the Jersey Shore, when I came back to Philly, it was because I had lupus, and was quite ill. When the Goode Administration hired me, my lupus had gone into remission. I thought that mural painting and working for the city government would be an interesting intersection of my issues and concerns. What drew me to the law was the idea of becoming an advocate for people—but in my heart, I was an artist. An artist with a social streak. Do you feel that you use your potential legal skills as the Mural Arts Program’s boss?

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“Railway Enhancement,” 10th and Norris Streets, 2020. Photo by Steve Weinik

“Peace Is a Haiku,” Song by Josh Sarantitis and Parris Stancell, 1425 Christian St. Photo by Steve Weinik.

“Families Belong Together,” by Ian Pierce (Artes Ekeko). Photo by Steve Weinik.

“A People’s Progression Toward Equality,” 8th & Ranstead Streets, 2007, Jared Bader

“A Love Letter for You,” (c) 2009 Steve Powers, Market/Frankford Line. Photo by Steve Weinik.

“Migrant Imaginary,” © 2019 City of Philadelphia Mural Arts Program / Layqa Nuna Yawar & Ricardo Cabret, 1902 So. 4th Street. Photo by Steve Weinik. ICON | MARCH 2021 | ICONDV.COM | FACEBOOK.COM/ICONDV

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12 JANE GOLDEN

I always say that I play a lawyer on TV. The part of me that is adversarial driven and tenacious—not the nice person always willing to compromise—is the lawyer in me; that, and the fact that I’ll argue a point with someone endlessly. I believe that I’m always trying to convert people to thinking that goes ‘art is important’ and ‘art can change society.’ I’ve never lost that part of me, the advocate part. Considering the ‘art as an agent for change’, let’s look at the present day: How did you and Mural Arts respond to the structual racism that arose in 2020? The world as we know it imploded on many fronts. Covid exposed a lot of the deficits that were there in the system, anyway, and the murder of George Floyd and those uprisings across the country—all of this was inevitable due to long standing, structural racism in our country. Mural Arts has always valued equity. Let’s look at our prime directive—we believe deeply that everybody everywhere should have access to art.

within the re-entry program you have regarding behavioral health and art education programs for, what, around 100 people per year 18 to 25? These are young people who have been impacted by the criminal justice system. They’re in and out of the system and identified by the Probation Department as being high risk, so there is a chance that they could be either the victim of a crime or commit a more serious crime. We work with great partners in the city, and the Office of Violence Prevention, the County Jail, and the Probation Department. Young people get assigned to us, and ours is a pre-apprenticeship program. People are getting paid. They’re studying landscaping, building skills, mural making, financial literacy, and leadership—how to get a job and keep it—parenting, as well as helping them cope with the trauma they’ve experienced.

Making it and appreciating it. We’re in a city with over 4,200 works of art that grace public spaces and sides of buildings, most of which represent the people who live in that community where the mural resides. I love museums and galleries, but art should not be exclusive to those venues. Beyond having a work of art in your community, how do you value it, use it as a tool of agency? The ques- “Domestic Situations,” by Steve Powers. tions then become who is getting represented and who is doing the representing. Those two questions should never go away. Our counselors make sure they’re ready for the They should loom large for us, all of us. So when workforce when they’re done with us. Many of the protests started to occur, we knew that we the youths who come to us are creative without had to dig in more. We employ over 200 artists ever having any formal art training or exposure every year. How do we make that more equito classes. We see, though, just how much they table? We started a fellowship program for love making things—and work in public spaces Black artists, and we made a commitment as an and get the proper acknowledgment and encourarts organization not to be random, and not to agement. About 82% of our constituents get a do this solely because of the times, but because job. And this is the best statistic: we have a rewe believe it’s the right thing to do. And that we cidivism rate of 8%. Most programs like this will continue to do it annually. We started doing around the country have that rate at about 30more small murals to create pathways for artists 35%. Society has designed a system that’s just of color, woman artists, LGBTQ artists to come not fair. There’s not a lot of opportunities. There in and do work. Because, historically, the public are so many barriers, and often they go back into art world has been very effete. We want to do all the prison system or get a parole violation. What that we can to disrupt that system. Also, we we’re trying to do is present these young people want to put some power in our constituents' with as many opportunities as possible. Along hands to make a mark on this city in big, bold, with the success of this guild program, we just wonderful ways. We’re showing that public got funded for a women’s guild. space can be determined by those who live here and not necessarily by outsiders, corporations, Issues arose with some murals, especially or governments. Frank Rizzo’s in the Italian Market. A controversial figure and a controversial mural that That’s a big part of the shift represented many in his South Philly neighborhood wanted 14

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to remain up. The Frank Rizzo mural was, for us, an aberration. Mural Arts didn’t create that mural, to be 100% clear. That was painted under the AntiGraffiti Network, and not my decision at all. We had done a mural of Wilson Goode, and that opened Pandora’s Box to the thousands of people sending petitions—that we needed to be fair and do a mural of Frank Rizzo. It was a source of great internal debate. We tried to site it properly in South Philly. We found an artist from South Philly, Diane Keller, and did the mural. We were never happy about it. It got defaced all the time to the point where we wanted to take it out when Trump was elected; it became a legal issue. Mural Arts can’t just take out murals. These are properties owned by the people on which the murals reside. If I had that power, no murals would disappear. That said, in the end, we couldn’t spend precious dollars on one mural that repeatedly got defaced. Fast forward to this year, the owners had an epiphany and gave us permission to remove the mural. And we did. In the end, that is a cautionary tale. Sometimes you make decisions that haunt you, so how do you vet the decisions? If we are talking about disruption, then some people and plans get disrupted. Everybody in every neighborhood now wants a mural. There’s one mural we just wrapped that illustrates the challenges we face going forward. We did a big project with the OHCD [The Office of Housing and Community Development] who got a grant from HUD and assigned us to do three large underpasses at 10th and Susquehanna, Diamond, and Norris. They were huge underpasses that were so bleak. Our job was to knit together the community to develop a cohesive strategy around art and imagery that would genuinely unite people. So, we invested time in meetings and meals and trying to bring people together who otherwise would not talk, let alone talk about art. These places were those the community avoided because they were so grim. How do you broker these conversations? How do you make thematic decisions? Painting a mural is like filmmaking in that you’re creating then gathering content, which you must edit. It’s a fascinating process, and one that talented muralists must sift through to create something visually appealing and meaningful to the community. Now, the three underpasses are beautiful – all created during the conditions, complexity, and safety that was Covid – while ensuring that all in the community felt involved, connected, and engaged throughout the entire process. Someone once told me that Mural Arts was a deceptively complex program. To that, all I can say is, YESSSSSS. n


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8 BOOKS

selves murderers. They head for the woods, where they find their way onto a raft, but the natural terrors of Ironsforge gorge threaten to overwhelm them. Four adults track them into the forest, each one on a journey of his or her own. Fish’s mother Miranda, full of fierce faith; his granddad, Teddy, who knows the woods like the back of his hand; Tiffany, a gas station attendant and poet looking for connection; and Sheriff Cal, who’s having doubts about a life in law enforcement. The adults track the boys toward the novel’s heart-pounding climax on the edge of the gorge and a conclusion that makes manifest the grace these characters find in the wilderness and one another. Foregone by Russell Banks Ecco 320 pages At the center of Foregone is Canadian American leftist documentary filmmaker Leonard Fife, one of 60,000 draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Fife, now in his late seventies, is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life. The interview is filmed by his acolyte and ex–star student, Malcolm MacLeod, in the presence of Fife’s wife and alongside Malcolm’s producer, cinematographer, and sound technician, all of whom have long admired Fife but who must now absorb the meaning of his astonishing, dark confession. Structured around Fife’s secret memories and alternating between the experiences of the characters who are filming his confession, the novel challenges our assumptions about a significant lost chapter in American history and the nature of memory itself. Russell Banks gives us a daring and resonant work about the scope of one man’s mysterious life, revealed through the fragments of his recovered past. The Zoologist’s Guide to the Galaxy: What Animals on Earth Reveal About Aliens–and Ourselves by Arik Kershenbaum Penguin Press 368 pages Scientists are confident that life exists elsewhere in the universe. Yet rather than taking a 16

realistic approach to what aliens might be like, we imagine that life on other planets is the stuff of science fiction. The time has come to abandon our fantasies of space invaders and movie monsters and place our expectations on solid scientific footing. But short of aliens landing in New York City, how do we know what they are like? Using his own expert understanding of life on Earth and Darwin's theory of evolution—which applies throughout the universe— Cambridge zoologist Dr. Arik Kershenbaum explains what alien life must be like: how these creatures will move, socialize, and communicate. For example, by observing fish whose electrical pulses indicate social status, we can see that other planets might allow for communication by electricity. As there was evolutionary pressure to wriggle along a sea floor, Earthling animals tend to have left/right symmetry; on planets where creatures evolved in midair or in soupy tar, they might be lacking any symmetry at all. Might there be an alien planet with supersonic animals? A moon where creatures have a language composed of smells? Will aliens scream with fear, act honestly, or have technology? The Zoologist's Guide to the Galaxy answers these questions using the latest science to tell the story of how life really works, on Earth and in space. We Begin at the End by Chris Whitaker Henry Holt & Co. 384 pages Right. Wrong. Life is lived somewhere in between. Duchess Day Radley is a thirteen-year-old selfproclaimed outlaw. Rules are for other people. She is the fierce protector of her five-year-old brother, Robin, and the parent to her mother, Star, a single mom incapable of taking care of herself, let alone her two kids. Walk has never left the coastal California town where he and Star grew up. He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. And he's in overdrive

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protecting Duchess and her brother. Now, thirty years later, Vincent is being released. And Duchess and Walk must face the trouble that comes with his return. We Begin at the End is an extraordinary novel about two kinds of families―the ones we are born into and the ones we create. Beyond the Sand and Sea: One Family's Quest for a Country to Call Home by Ty McCormick St. Martin's Press 288 pages When Asad Hussein was growing up in the world’s largest refugee camp, nearly every aspect of life revolved around getting to America―a distant land where anything was possible. Thousands of displaced families like his were whisked away to the United States in the mid-2000s, leaving the dusty encampment in northeastern Kenya for new lives in suburban America. When Asad was nine, his older sister Maryan was resettled in Arizona, but Asad, his parents, and his other siblings were left behind. In the years they waited to join her, Asad found refuge in dog-eared novels donated by American charities, many of them written by immigrants who had come to the United States from poor and war-torn countries. Maryan nourished his dreams of someday writing such novels, but it would be another fourteen years before he set foot in America. The story of Asad, Maryan, and their family’s escape from Dadaab refugee camp is one of perseverance in the face of overwhelming adversity. It is also a story of happenstance, of long odds and impossibly good luck, and of uncommon generosity. In a world where too many young men are forced to make dangerous sea crossings in search of work, are recruited into extremist groups, and die at the hands of brutal security forces, Asad not only made it to the United States to join Maryan, but won a scholarship to study literature at Princeton―the first person born in Dadaab ever admitted to the prestigious university. Beyond the Sand and Sea is an extraordinary and inspiring book for anyone searching for pinpricks of light in the darkness. Meticulously reported over three years, it reveals the strength of a family of Somali refugees who never lost faith in America―and exposes the broken refugee resettlement system that kept that family trapped for more than two decades and has turned millions into permanent exiles. n


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GUIDE TO THE ARTS 18

ART ALLENTOWN ART MUSEUM New Century, New Woman, through April 18. Prints and Protest, 1960-1970, through April 25. Rembrandt Revealed, through May 2. 31 North Fifth St., Allentown, PA. 610-432-4333. Allentownartmuseum.org ARTWORKS Journey to Now, A Twenty-Year Retrospective, Khalilah Sabree, Through March 6. Inperson and virtual experiences. 19 Everett Alley on Stockton St., between Front and Market Streets in the Mill Hill Historic District of Trenton, NJ. 609-394-9436. Artworkstrenton.org GALLERY ON FOURTH Larry Dell. The Possibilities of Form: Curious Creatures, Objects & Images, March 20-May 15. Opening reception March 20, 1-8. Reservations required. 401 Northampton Street (at the corner of Fourth and Northampton), Easton, PA. 610-905-4627. Galleryonfourth.org NEW HOPE ARTS John Spears, Illusions of Light, through March 26. Members’ Spring Salon Exhibition, April 3-May 9. 2 Stockton Ave., New Hope, PA. 215-862-9606. Newhopearts.org SILVERMAN GALLERY Jennifer Hansen Rolli, The Space Between, April 10-May 9. Artists on exhibit: Desmond McRory, Jim Rodgers, Glenn Harrington, Jennifer Hansen Rolli, Jean Childs Buzgo, Evan Harrington, Anita Shrager, David Stier, Joseph Barrett, Jonathan Mandell, Trisha Vergis, Rhonda Garland. In Buckingham Green on Rt. 202, just north of PA 413, 4920 York Rd., Holicong, PA. 215-794-4300. Silvermangallery.com THE SNOW GOOSE GALLERY Featured artists: Paul Eaton, Judy Lalingo, Chuck Zovko, Ray Hendershot, Richard William Haynes, Thomas Arvid, Alexander Volkov, Mary Serfass, Linda Rossin, and Charles Nelson. 470 Main St., Bethlehem, PA. 610-974-9099. Thesnowgoosegallery.com TRENTON CITY MUSEUM AT ELLARSLIE Women Artists, Trenton Style, through June 6. Priscilla Algava, Elizabeth Aubrey, Nora Chavooshian, Cheryl Eng, Tracey Jones, Marge Miccio, Dallas Piotrowski, Tamara Torres, Khalila Sabree, Aundreta Wright, and Mary Yess. Ellarslie Mansion, Cadwalader Park, Trenton, NJ. 609-989-1191. Ellarslie.org

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VIRTUAL ART EXHIBITS New Hope Arts, It’s Been A Year, March 6March 30. Newhopearts.org Trenton City Museum at Ellarslie, The Conversation Continues: Language/Difference/Common Ground. Ellarslie Mansion, Cadwalader Park, Trenton, NJ. 609-989-1191. Ellarslie.org

VIRTUAL CLASS Allentown Art Museum, Embroidery Workshop with Mallory Zondag inspired by New Century, New Woman. March 20, 2:30-3:30. Register at Allentownartmuseum.org

n VIRTUAL THEATER/MUSIC Act 1 Performing Arts, Labuda Center for the Performing Arts, DeSales University. Spoon River Anthology by Charles Aidman, March 13 & 14. The Trojan Women by Euripides, March 27 & 28. DeSales.edu/act1 Zoellner Arts Center at Lehigh University, On Stage At Home series.. Sankofa Danzafro: The City of Others, through March 5. Ulysses Quartet, through March 26. Zoellner.cas.lehigh.edu

VIRTUAL TOURS Highlights of Fonthill Castle. 3/5, 7PM; 3/6, 7PM; 3/11, 11AM & 2PM. East Court St. & Route 313 Doylestown, PA. Mercermuseum.org Mercer Museum, Highlights of Central Court at the Mercer Museum. 3/4, 11AM & 2PM. Mercermuseum.org


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10 FILM ROUNDUP

Monster Hunter (Dir. Paul W.S. Anderson). Starring: Milla Jovovich, Tony Jaa, Ron Perlman. The bar is very, very low for schlockmeister writer-director Paul W.S. Anderson, though his latest goofily bombastic video game adaptation at least rises to a Larry David-esque level of “pretty…pretty good.” Milla “Mrs. Anderson” Jovovich stars once again; here she’s Artemis, an American soldier sucked into a side universe that seems like the love child of Dune’s Arrakis and The Dark Tower’s Mid-World. There are monsters to hunt, is all you really need to know, as well as an alien partner in the form of exemplary martial artist Tony Jaa, whose grace as a physical performer Anderson can’t help but Cuisinart into incoherence. Jaa and Jovovich have a great chemistry, at least. And the movie does improve as it goes along, especially after Ron Perlman (sporting a hilarious wig that seems like it was cobbled together from Fabio’s salon-floor discards) shows up with a Man-Cat Hibachi Chef sidekick in tow. Yes, you read that right. [PG-13] HH1/2 Pretend It’s a City (Dir. Martin Scorsese). Documentary. Irascible wit Fran Lebowitz teams up with director Martin Scorsese for a second time after 2010’s Public Speaking in this sheer delight of a Netflix documentary series. Scorsese is more of an onscreen fixture as the guffaw-prone straight man to Lebowitz, who expounds on the innumerable irritations and delights of the Manhattan metropolis she’s called home since the 1970s. The series is both poison pen and prickly love letter, gaining in poignance because it inadvertently proved to be one of the last glimpses of pre-pandemic NYC. Lebowitz’s mile-a-minute barbs and bons mots mask a deep engagement with culture and an abundant curiosity about her fellow man. Among the highlights are her recollection of attending the first Ali-Frazier fight, her at once fond and fearful memories of her tempestuous friendship with jazz musician Charles Mingus, and her indisputably accurate declaration that “there’s nothing better for a city than a dense population of angry homosexuals.” [N/R] HHHHH n Answer to this month’s puzzle

Fran Lebowitz 20

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5 DOZER

over coffee and snacks. If he got bored with lying in the road in front of Doug’s boat shop on Barney Cove, he would head up to Diana’s house where she was picking crab in the back shed and visit with her. Or Dozer would head off to any number of other places that his nose might lead him. It’s how he got his prodigious waistline. He was always back by dinner. When my friend Bob came to town, I took him to meet Doug. After showing Bob the lobster boat and engine that he was working on, Doug asked him if he would like to meet Dozer. The dog wasn’t in the boat shop, and I mentioned I hadn’t seen him outside. Doug said he was in the trunk of the car. We went out front, Doug popped the lid, and sure enough, there was Dozer in all his hugeness, a big smile on his face. The trunk was one of Dozer’s favorite hangouts. He got in there from the lowered back-seat, but it wasn’t what you saw when you opened the hatch because he filled the space so completely.

W

hen I had a painting exhibition at the Maine Maritime Museum, I invited some people from Jonesport—where much of the work had been created—to attend the special reception dinner in the museum’s grand hall. One person I asked was Doug. His wife was too ill to come. He brought Dozer.

You might say Doug is not just any person, as well. If you heard the neocon radio droning in his shop, or spotted the Hillary doll hanging from a rafter, it would be clear there are places Doug and I don’t meet. But he’s made me dinner, shared with me some of the prized artifacts from his life, opened his doors and others, and has been there for me as he is for most everyone. I don’t recall Doug ever asking me for anything, although he did hit me up for a bunch of museum show catalogues to give to his friends because he—and Dozer—were in it. It’s been a difficult year for everybody, but more so for Doug. His wife, Brenda, died a few months ago after a degenerative neurological illness. That wasn’t just hard; it was long and hard. There is a tendency for us to think of life as simpler up there. Their health issues aren’t simpler, they’re harder. The illnesses are the same, but the treatment is hours away, hard to find, and often not as good. Doug called me when Brenda died too. I was moved that he wanted to talk with me in those moments. I wasn’t the only one he reached out to, but there was a reason why he called someone 600 miles away whom he sees just a few times a year, and that’s when my words really matter. I needed to look deeper than time-worn phrases to find thoughts that might bring comfort. I listened as Doug talked about Dozer, and we found memories to laugh about. Like the trunk. It will be a particularly difficult winter in Jonesport, with the virus robbing it of the social fabric that holds the town in hand during the short days and cold nights—a lonely season for many people in Maine. Not much I can do but keep in touch, so I’ll make a point of it. That will be good for all of us. n

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harper’s FINDINGS Riding Disney World’s Big Thunder Mountain Railroad helps people pass kidney stones, and approximately 100 million opioid pills prescribed each year for wisdom tooth extraction in the United States are not used by the intended patients. Opioid addicts consider baby faces cute only after being given opioid antagonists. The sight of infant tears is more stimulating to childless women than the sight of adult tears.Twenty-one percent of straight American men view gay porn, and 55 percent of gay American men view straight porn. Engineers tested a new pornography detector that employs Bags of Visual Words. The Ugly Friend Effect was verified. The illusion of possessing a fat body triggers dissatisfaction activity in the insula. Psychological analysis revealed that typical themes in writing about vaginal steam treatments include “the naturally deteriorating, dirty female body” and “vaginal steaming for life optimization.” Great apes understand that others can have false beliefs. On a scale of 0 to 8, humans rate the minds of dogs 7.04, the minds of chickens 4.23, and the minds of shrimps 1.41. Mammals with longer yawns have bigger brains. The sensation of boredom is mild in negative valence and low in arousal. Studies of the effect of soothing or stressful stimuli on the eye wrinkles of horses remained inconclusive.

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Cocaine accumulates in the eyes of zebrafish, low consumption of fish oil may con-tribute to depression among returning U.S. soldiers, and a Taiwanese soldier on sentry duty was described as suffering from sleep-masturbation. China’s State Food and Drug Administration announced that 80 percent of drug-trial data it receives is fraudulent.Machiavellian Dutch scientists admit to higher levels of research misbehavior, but narcis-sistic and psychopathic ones do not. Dutch criminals tend to intermarry. Californians liv-ing in proximity to murders commit fewer suicides. Rapes occur more often in U.S. counties with fewer men. Lionesses in Botswana have grown manes and started roaring and mounting other females. Social media was fueling the Gulf States’ desire for pet cheetahs.Scientists found a new species of neotropical ant by inducing a little devil frog to vomit.Cinnamon cools the stomachs of pigs by up to 3.6º F. An Australian woman’s gastric hairball failed to dissolve after doctors prescribed a three-day course of Coca-Cola. Warming,acidifying oceans will increase the claw size of male Cymadusa pemptos, making them more attractive to females and contributing to a twenty-fold population increase. Living on the tails of sea turtles turns Columbus crabs monogamous. Male dark fishing spiders are not killed by females during copulation but instead die spontaneously. A virus wasfound to have stolen the gene for black widow venom.

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Sleep paralysis in southeast Brazil manifests as a long-nailed crone who tramples sleepers with full bellies. The robot security force at a Palo Alto mall remained suspended while one of its officers was under investigation for trampling a toddler outside an Armani Exchange. A study of California and U.K. police found that body cameras led to a 93 per-cent reduction in civilian complaints, possibly because of a contagion of accountability.Black children in Alabama and Mississippi and disabled children across the Southeast are50 percent likelier to receive corporal punishment in school. After imagining losing a fight, men prefer allies who look dominant and masculine, while women prefer allies who look comforting. A survey of sixty-three countries found Ecuador to be the most empathetic and Lithuania to be the least. Americans’ greatest fear is political corruption. Pigeon flocks replace leaders who have lost their sense of direction. Analysis of popular music revealed 2011 as the year of peak YOLO. 22

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INDEX Portion of TSA funding that is spent on surface transportation: 1/50 Percentage by which U.S. railway fatalities outnumbered aviation fatalities in 2016: 78 % change since 2014 in the number of railway workers who tested positive for drug use: +43 Number of states in which it is legal to text while driving: 4 In which a texting ban has been shown to decrease accidents: 0 Portion of global traffic deaths that occur in low- or middle-income countries: 9/10 Number of U.S. states in which the poverty rate increased last year: 0 Factor by which a teacher in a low-minority school is more likely to be certified than one in a“high-minority school : 4 No. of San Francisco homes for sale that were affordable on the average teacher’s salary: 1 Rank of Colin Kaepernick who protested the national anthem, among black Americans’ favorite NFL players: 5 Among white Americans’ least liked players: 1 Length, in miles, of a pipeline built in Bruges, Belgium, to funnel beer from a brewery to a bottling center: 2 Factor by which the extent of marine protected areas has increased since 2003: 8.25 Percentage of the world’s oceans that remains unprotected: 96 Number of species that scientists have named after Barack Obama: 7 After the four previous U.S. presidents combined: 2 Estimated number of official local government mascots in Japan: 4,000 Est. number of N. Koreans who are forced to work abroad in order to earn hard currency: 50,000 Average portion of their earnings they are allowed to keep: 1/3 Portion of Americans wh worked as independent contractors who would not do so again: 2/3 Portion of U.S. workers who believe strongly in their company’s values: 1/4 Percentage of Americans who turn first to Amazon.com when online shopping: 55 Employees Wells Fargo has fired since 2011 for signing up customers for accounts without their consent: 5,300 Number of successive years in which average out-of-network ATM fees in the United States have increased: 10 SEC awarded an ex-Monsanto employee for whistle-blowing about accounting practices: $22,437,800 Weeks in solitary confinement Chelsea Manning was sentenced after attempting suicide: 2 Number of. states in which it is legal to sentence a minor to life in prison without parole: 31 Percentage of Americans who support the death penalty for convicted murderers: 49 Last year in which U.S. support for the death penalty was less than 50 percent: 1971 No. of countries that the United States bombed over a three-day period in September 2017: 6 Percentage of direct U.S. military aid that will go to Israel in 2018: 54 Amount the State Department has distributed since July 2017 in Holocaust reparations to U.S. citizens: $9,688,500 Estimated total value of religious institutions in the United States: $1,200,000,000,000 Portion of Americans who believe that people can be supernaturally healed: 2/3 Who claim to have experienced such healing personally: 1/4 Percentage of users on Polygamy.com, a website that facilitates polygamous marriage, who are women: 55 Percentage change in Playboy’s newsstand sales since it excluded nudity: +28 In subscriptions: –23

SOURCES: 1 transportation security Administration (Arlington, va.); 2 national transportation safety board; 3 fed-eral railroad Administration; 4,5 insurance institute for highway safety (Arlington, va.); 6 World health organiza-tion (geneva); 7 U.s. census bureau (suitland, md.); 8 learning policy institute (palo Alto, calif.); 9 redfin (seattle);10,11 e-poll market research (ventura, calif.); 12 halve maan (bruges, belgium); 13,14 international Union forconservation of nature (gland, switzerland); 15,16 harper’s research; 17 mitsubishi UfJ research and consulting(tokyo); 18,19 database center for north korean human rights (seoul, south korea); 20 deloitte (chicago); 21gallup (omaha, neb.); 22 bloomreach (mountain view, calif.); 23 Wells fargo (charlotte, n.c.); 24 s&p dowJones indices (n.y.c.); 25 bankrate (n.y.c.); 26 meissner Associates (n.y.c.); 27 American civil liberties Union(n.y.c.); 28 the sentencing project (Washington); 29 pew research center (Washington); 30 gallup (Washing-ton); 31 U.s. department of defense; 32,33 U.s. department of state; 34 brian J. grim, georgetown University(Washington); 35,36 barna group (n.y.c.); 37 polygamy.com (dubai, United Arab emirates); 38,39 playboy enter-prises, inc. (beverly hills, calif.).


BREAK OF DAY by EVAN BIRNHOLZ SUNDAY CROSSWORD PUZZLE ACROSS 1 6 10 14 19 20 21 22 23 25 27 28 29 30 31 33 37 38 40 41 43 44 45 46

55 58 59 60 63 65 67 68 69 71 73 75 76 78 79 82 84 85 86

Lodging on a road trip Neither good nor bad School-supporting orgs. One of two gaps in “mind the gap,” e.g. Wowed, just wowed Huge dolphin “Each of the two will do” Contact gently, as someone’s shoulder Mocks Wrinkle removers in laundry rooms Boosting feet? Fortuneteller’s deck Mathematical Leonhard “Rugrats” dad Fill until full Bahai house of worship in New Delhi that’s shaped like a flower Talk show guest, maybe Local guy mentioned in Onion headlines “Dark ___” (video game featuring an undead protagonist) “Don’t believe what you hear!” Get a read on Site of the humerus Alter, constitutionally Genesis plant often depicted in paintings with the serpent coiled around its branches Toss high above “Wheel of Fortune” co-host White Curse words? ___ Four (Beatles) “Now That ___ Gone” (Destiny’s Child song) Doesn’t speak clearly Something challenged by a paradox Murder weapon for Mr. Hyde Pay careful attention to small details home.howard.___ Hockey infraction of swinging one’s stick at another player Annoy over and over Firing Complete Precious minerals used in the warp drive on “Star Trek” Millie Bobby Brown’s numerically named role on “Stranger Things” Theater box? When repeated, a giggle Detects as Dalmatians do

89 90 91 93 94 95

102 103 105 106 108 113 116 117 118 122 123 124 125 126

i 127 128 129

Guilty pleasure Free throw’s point total Wander, with “about” Long, unstitched garment Roth ___ (savings plan) Denial, anger, bargaining, depression and acceptance, in the Kübler-Ross model Reactive particle KO, in the ring Initial financial commitment? Expand Some temporary spray-on body art “___ Us” (online game with secret impostors) Musical partly set in an apartment Comprehension phrase Ruler mentioned in the Rig Veda Smooth antonym Initial financial commitment 17th-century play king BP subsidiary gas brand With 129 Across, break of day ... and what’s spelled out by the letters breaking the circled abbreviated days n this puzzle Queen who is president of United World Colleges “Burning” body parts See 126 Across DOWN

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 24 26 32 34 35

Alcoholic brunch drinks How some flips into a pool may be attempted Stop working for now “Babe” female Just in case Become tired of Negative follow-up to a suggestion Ruling elite, for short? Lout “American Masters” channel Spiritual carvings Relished “Do you want me to?” Provoke, as controversy 0-over result on a hole Bartholomew of the Bible, e.g. Keep in, as emotions Removed all doubt FDR’s dog Come together Direction from St. Louis to Louisville Immerse in water, say Verb heard on a GPS app

36 He sang “It’s Raining Cookies” with Cookie Monster 37 ___-day delivery 39 “Wheel of Fortune” creator Griffin 42 Sinks under pressure 47 Enters gradually 48 Sign up for the service 49 Burden 50 Distant 51 “The Girl ___ Played With Fire” (Stieg Larsson novel) 52 What squats strengthen 53 Banished citizens 54 Pours off, as pinot noir 55 Drug that NASA gave to dolphins in the 1960s in an attempt to communicate with them 56 “Call on me! Call on me!” 57 Process that occurs in an unstable nucleus with too many protons or neutrons 60 “I’ve got to be treated just like everybody else” 61 Boleyn played by Natalie Dormer on “The Tudors” 62 Implore on bended knee 64 Devote real energy (to) 66 Sensationalize 67 Event at which you may pick sides? 68 Restaurant where you can order Chicken Crispers 70 ___ and hearty 72 Not shining brightly 74 Black Widow and Black Panther co-creator Lee

76 “That’s Just What You Are” singer Mann 77 BBC’s “MasterChef” co-presenter Wallace 80 Pass time idly (with) 81 2021, e.g. 82 “Man produces ___ as a bee produces honey”: William Golding 83 Turkish currency 87 Kissed creature for the Brothers Grimm 88 Function of a math class 90 Fibrous muffin stuff 92 Ones cutting out cookies? 95 Minute 96 Dark liquid in pits 97 Solange, to Beyoncé 98 “Now I’m interested!” 99 Totally ineffective 100 Brian who coined the word “scenius,” which means “communal genius” 101 Of orchids and oxlips 104 Canines’ canines 107 “Ditto” 109 Nevada poker hub 110 A law ___ itself 111 Not aground, say 112 Joyful or sorrowful drop 113 Newfoundland noise 114 Mademoiselle’s “me” 115 Shared by us 119 Cardio exercise 120 “___ du lieber!” 121 Like the weather at the equator Solution to this month’s puzzle on page 20

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