Architectural Design Portfolio by Trinisha Srijith

B.arch Student

Architecture Design Portfolio

2018 - 2021

Trinisha Srijith

TRINISHA SRIJITH D.O. B A g e

: 29 March 2000 : 2 1 y. o

Greetings! trinishasrijith@gmail.com Trinisha S +91 9004402255

Introducing myself as a keen enthusiast, interested in exploring and learning at every step of the way. I’m an absorber and am interested in learning something new. Joining architecture has made me look at everything very critically, observing its essence. I’m very hardworking, trying to give my best. I believe in working with a positive attitude. Even if I make mistakes, I don’t give up. I’m a confident speaker. I involve myself in my work and I love whatever I do.

H o bbies travelling

music

sketching

painting

problem solving

CV Education 2006

Ryan International School, Kharghar | 10th icse

2015

Middle School and High School, 2006-2015

Delhi public School, Navi Mumbai

2018

I nter-personal skill s | 12th cbse

High School (pcmb), 2015-2018

Rizvi College of Architecture, Bandra | B.Arch College of Architecture affiliated to Mumbai University, 2018-present

2021

• • • • • • • •

Communication Detail oriented Analytical ability Collaboration Leadership Public speaking Problem solving Vastu Shastra

Extracurricular & Achievements Louis I Kahn Trophy (NASA) 2018

| Special Mention

Documentation Trophy

ANDC Trophy (NASA) 2019 Design Trophy Intach Heritage Award (Jhumtamara) | Citation Documentation Trophy Louis I Kahn Trophy (NASA) 2019

| Shortlisting (top 10)

Documentation Trophy

ANDC Trophy (NASA) 2020 Design Trophy

| Juror's Choice

Tiny House Competition 2020- Volume Zero Design Competion

S oftware S kill s • • • • • • • • • • • • •

Sketchup Photoshop InDesign Revit Autocad Premiere pro Twinmotion Lumion Illustrator 3DsMax Rhino Grasshopper Vray

APIC 2019 Design Competion The Draftsman -contributor and editor blog page

Work Experience 2021

Project Mumbai

2 months (April -May 2021)

Documentation and survey of mcgm garden

L a n g u a g e s

A आ বা œ

english hindi bengali french

Low Cost Mass Hous

Youth Centre

The Tiny HoME Projec

Working Drawing

Reimagining Bus Termi

Documentation

ing

inus

C o n t e n t s

Low Cost Mass Housing

‘Mass housing’, used as a term for collective housing, emerged in post war context and in situations where the bulk of housing had to be massively increased owing to demands of rapid urbanisation and a mass influx of migrants into cities. Nominated as a Census town in 2011, Alang has been in conversations over environmental concerns as a potential site for the dismantling of 'end of life' ships since 1983. The aim of this project is to identify and address the core issues, aspirations, hierarchies and dependencies on crucial amenities for the well being of the workforce by exploring housing as a tool to reinstate value to their lives.

SEM 7

SITE LOCATION

1. CULTIVATION GUJARAT Source

PATCHES OF

ALANG INDIA Income generation

COMMU

WIND

CLIMATE - HOT AND HUMID STRATEGIIES - SHADING DEVICES AND VENTILATION

FARMLANDS COMMERCIAL WORKSHOPS HOUSING

ASBESTOS DUMP

INCOME GENERATING PROGRAMS 2. SHOPS

LAND FOR CULTIVATION

UNITY KITCHEN

KITCHEN GARDENS

Income generation

AACHAR PRODUCTION

Leasing/ renting as shops on the edge of the site

BASIC CONCEPTS 1. HIERARCHY • Private space

Private function

• Semi private space • Semi public spaces • Public space

Oothlas Neighbourhood spaces Open space

2. ENCLOSURES • Open to sky • Semi enclosed • Enclosed

Courtyard, Veranda Veranda

TECHNIQUES USED 1. STAGGERING

2. INTERACTABLE SPACES

2. INTERLOCKING SPACES

0 10

Masterplan

SECTION A-A’

FAMILY CLUSTERS

SINGLE

A’

1 BHK for small family/ couple (2-3) 2 BHK for larger family (4-5) EACH GRID IS OF 4.5 M

THE UNITS RANGES FROM 40 - 90 SQM

PLINTH FLOOR PLAN

FIRST FLOOR PLAN

SECOND FLOOR PLAN

SECTION B-B’

WORKER UNITS Two units share a washroom and is connected via a passage (ensures privacy) 6 UNITS PER FLOOR GRID OF 3 AND 4.5 M

PLINTH FLOOR PLAN

ALTERNATE FLOORS

COVERING FOR DUCTS USING STEEL MESH AND CREEPERS CUTS OFF ODOUR

THE UNITS ARE APPROX 25 sqm EXCLUDING WASHROOM

Th yo fru m

Th an sh su

Youth Centre

he sole purpose of this project was to be a breathing and breeding arena of urban ouths who can channelize their extremely eager passion and energy on the variety of uitful activities that this place is going to offer them. This place would be an amalgamation of fun and productive events for the urban youth to enjoy their time and nourish their growing mind.

he Center supports opportunities for youth to develop their physical, social, emotional, nd cognitive abilities and to experience achievement, leadership, enjoyment, friendhip, and recognition. It offers organized instructional programs for physical activities uch as dance, yoga, and martial arts and for academic and arts programs such as science, crafts, and theater and opportunities for unstructured activities

SEM 5

LOCATION • • • •

LOCATED IN BANDRA IN MUMBAI CLIMATE- WARM AND HUMID SITE LOCATED NEAR THE RECLAMATION CREEK SITE NEAR THE BOMBAY ART SOCIETY

Open spaces having user defined activities MULTI FUNCTIONALITY : SPACES THAT GIVES USER FLEXIBLLITY • AREAS AND SPACES THAT DEVELOPS CONFIDENCE AND SPARKS CONVERSATION • BRINGS ABOUT INTERACTION- SPACE FOR INTERATION

EQUAL OPPORTUNITIES SENSIBLE UPBINGING Environmental friendly design

INFORMAL SETTLEMENTS

RESIDENCIAL

LILAVATI HOSPITAL

DEGRADING SITUATION OF ENVIRONMENT AROUND US NEEDS ATTENTION AND FOCUS • ENCOURAGES ALTERNATIVES TO ENVIRONMENT DEGRADATION • FOCUSES ON SOLUTION

MIN

FAST M FOCUS AND SL

W YO N

Program DISABLE SCHOOL

RESIDENCIAL

TURF

RANGSHARDA AUDITORIUM

Program- Integral society

SITE BOMBAY ART SOCIETY

NEED OF SPPACES THAT DEFINE OUR AREA/ TOWN PROUDLY INVOLVES ALL REALMS OF SOCIETY • KNITS OUR DIVERSE SOCIETY • NO BOUNDARIES

MHADA COMPLEX

TURF NATIONAL INSTITUTE FOR SPEECH AND HEARING DISABILITIES

WESTERN EXPRESS HIGHWAY CONNECTING BANDRA WORLI SEA LINK

INFORMAL SETTLEMENTS

RECLAMATION

SLUM DWELLINGS 0

SITE

4 9

TECHNOLOG

SUCH THAT AROUND US • ENCOUR

PROGRAM

NDFULNESS

MOVING SOCIETY - NO SELF INTROSPECTION S ON MEDITATION LOW DOWN

OING BACK TO ROOTS

H A T OUTH EEDS

Merge of ALL SKILLS -Annual fest -Learning new skills -being part of a society that grows together

RECYCLING -Recycling of HDPE plastic -Sustainable - reducing waste -responsive attitude - Handles the waste from surrounding

EDUCATIONAL ENRICHMENT - creates platform for sharing and acquiring knowwledge - anyone can teach anyone - sparks intellectual conversation - guides the youth

MEDITATION - CONVEYS importance of mindfulness - calms the rather violent attitude of youth

m -knowledge sharing

GY DRIVEN SOCIETY- LESS INTERACTION

T WE LEARN FROM THE KNOWLEDGABLE S RAGING KNOWLEDGE SHARING

VOLUMETRIC EXPLORATIONS

STRUCTURE PLACED TO ALLOW THE FLOW OF AIR

BUILDING AND SCATTERING MORE VOLUMES

A’

BASIC CONCEPTS BACK TO THE ROOTS CREATION OF SPACES WHERE ONE CAN SELF CONTEMPLATE AND SIT AROUND TREES

GROUND FLO

LEVELS PLAY WITH LEVELS TO ENHANCE USER EXPERIENCE WITH DIFFERENT SPACE QUALITY ONE MAY CARRY ON DISCUSSION AND GROUP STUDIES OR HANGOUT AROUND THEM

OPENESS TO EXPLORE NOT OVERFILLED WITH WALLED SPACES THE SEMI OPEN OR OPEN SPACE INSTILLS A FEELING OF OPENESS

VANTAGE POINTS IN THE POCESS CREATION OF WORTHY VANTAGE POINTS

OOR PLAN

PERSPECTIVE SECTION A-A’

A’

FIRST FLOOR PLAN

CAR AND PEDESTRAL ACCESS

FRONT ELEVATION

ROOF PLAN

The Tiny HoME Project

The millennial concept of 'The Tiny Home’ is to be explored. The intent of design is to put forth various intermittent challenges to trigger the formative acts of enquiries in design. The act in consideration here, is of the ideation behind the production of 'home'. Experiential, social, climatological and material parameters being the key drivers encouraging research, experimentation and implementation.

SEM 2

LOCATION • LOCATED IN BANDRA IN MUMBAI • CLIMATE- WARM AND HUMID

MIND MAP

ZONING

SELECTION OF FORM

COOKINGSPACE

LIVING SPACE CLOSET

BATHROOM

PIN EE S L PACE S

COOKINGSPACE

LIVING SPACE

Working part/ful

Foo Total

Working Drawing

g Drawing for a Bungalow/Weekend home with Ground + 2 storey height with ll terrace having formal/informal functions and interesting volumetric spaces in it. ot print area of the structure is expected to be in range of 1800-2500 sq.f.t l built up area of structure (G+2 floor plate) not to be more than 6000-8000 sq.ft

150MM BB COBA LAID TO SLOPE, 38 MM THICK 1:2:4 SCREEDING 10 MM ANTI-SKID CERAMIC TILES OF SIZE 300X300MM .

LIVING SPACE VERANDAH 6340 6000X4040MM

24.8 SQ M

TOILET,POWDER ROOM C1W1 F1 S1

CEILING DESCRIPTION

12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 COAT, 2 COAT OF PRIMER AND 2 COAT OF WHITE PAINT.

12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT, 2 COAT OF WHITE WASH,2 COAT OF PRIMER AND 2 COAT OF PAINT.

12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT,6 MM THK CERAMIC TILES 300X300MM

CEILING DESCRIPTION FLOORING

+450

5880

C3 F2

12 MM MM THICK THK 1:1:2 MIXED WITH WATER-PROOFING AGENT,6 THK MM, 1 38 1:2:4PLASTER SCREEDING, 12 TERACOTTA CLAY TILE TILE OF SIZEMM 300X300 MM & WHITE CEMENT GROUT. CERAMIC TILES 300X300MM

TOILET,POWDER ROOM VERANDAH

150MM BB COBA LAID TO SLOPE, 38 MM THICK 1:2:4 SCREEDING 10 MM ANTI-SKID CERAMIC TILES OF SIZE 300X300MM .

TOILET,POWDER ROOM

FLOORING

REMARK

DESCRIPTION

38 MM THICK 1:2:4 SCREEDING, 20 MM MARBLE TILE OF SIZE 600X600 MM, GRADE-2 POLISHING & 1 MM & WHITE CEMENT GROUT.

3130

+450

38 MM THICK 1:2:4 SCREEDING, 12 TERACOTTA CLAY TILE TILE OF SIZE 300X300 MM, 1 MM & WHITE CEMENT GROUT.

VERANDAH

150MM BB COBA LAID TO SLOPE, 38 MM THICK 1:2:4 SCREEDING 10 MM ANTI-SKID CERAMIC TILES OF SIZE 300X300MM .

TOILET,POWDER ROOM

5395

2800

3400

3485

835

5395 3485

2880 C2 W2 F2

+900

6305

PARKING SPACE C2 W2 F2

6300X6140MM 38.4 SQ M

REMARK

C2 W2

3485

+150

ALL INTERNAL WALL OF HALL, BEDROOMS,KITCHEN,STAIRCASE, LOBBY,PASSAGE,SERVANT ROOM

6145

3565

WALL

685

1400

5395

6145

+880

550

685

+900

2800

1815 835

C3W4 F3 S3

2500

685

460

2500X2800MM 6.7 SQ M

DESCRIPTION

SITOUT

2800

3400

2570

320

SITOUT 4900X2000MM UP

C2 W2 F2

+150

TOILET,POWDER ROOM

SKIRTING

Sr. No

REMARK

DESCRIPTION

20 MM THICK 1:2:4 PLASTER, 25 MM BEIGE MARBLE 120X600MM, GRADE-2 POLISHING & 1 MM CEMENT GROUT.

3800 20 MM THICK 1:2:4TERRACE PLASTER ABOVE , 20 MM LIGHT EMPERADOR MARBLE 120X600 GRADE-219575 POLISHING & 1 MM CEMENT GROUT.

6305

12 MM THK 1:1:2 PLASTER+1200 MIXED WITH WATER-PROOFING AGENT,10 MM THK CERAMICW4TILES 300X300MM

ALL INTERNAL WALL OF HALL, BEDROOMS,KITCHEN,SERVANTROOM. STAIRCASE SHAFT TOILET,POWDER ROOM

WALL

REMARK

DESCRIPTION

12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 COAT, 2 COAT OF PRIMER AND 2 COAT OF ASIAN PAINT ROYALE ASPIRA CREAM PAINT.

ALL INTERNAL WALL OF HALL, BEDROOMS,KITCHEN,STAIRCASE, LOBBY,PASSAGE,SERVANT ROOM

20 MM THICK 1:2:4 PLASTER MIXED WITH WATER-PROOFING AGENT, WALL SURFACE 19575 WITH SAND FACED PLASTER. FINISHED

ALL EXTERNAL WALLS

12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 COAT, 2 COAT OF PRIMER AND 2 COAT OF CREAM PAINT. DADO ABOVE KITCHEN PLATFORM

KITCHEN

12 MM THK 1:1:2 PLASTER, 10 MM THK CERAMIC TILES OF 300X300 MM

3130

3800

SR.NO. TYPE 02 01

W2 S1

03 02

W3 S2

03 04

S3 W4

6305

WALL

SR.NO. TYPE

DESCRIPTION

TOILET,POWDER ROOM

REMARK

12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 COAT, 2 COAT OF PRIMER AND 2 COAT OF ASIAN PAINT ROYALE ASPIRA CREAM PAINT.

ALL INTERNAL WALL OF HALL, BEDROOMS,KITCHEN,STAIRCASE, LOBBY,PASSAGE,SERVANT ROOM

20 MM THICK 1:2:4 PLASTER MIXED WITH WATER-PROOFING AGENT, WALL SURFACE 20 MM THICK 1:2:4 PLASTER, 25 MM BEIGE MARBLE 120X600MM, FINISHED WITH SAND FACED PLASTER. GRADE-2 POLISHING & 1 MM CEMENT GROUT. 12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 20 MM 2 THICK PLASTER , 202MM LIGHT EMPERADOR 120X600 COAT, COAT1:2:4 OF PRIMER AND COAT OF CREAM PAINT.MARBLE DADO ABOVE KITCHEN GRADE-2 POLISHING & 1 MM CEMENT GROUT. PLATFORM 12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT,10 MM THK 12 MM THKTILES 1:1:2 300X300MM PLASTER, 10 MM THK CERAMIC TILES OF 300X300 MM CERAMIC

ALL EXTERNAL WALLS ALL INTERNAL WALL OF HALL, BEDROOMS,KITCHEN,SERVANTROOM. KITCHEN STAIRCASE SHAFT

SKIRTING

DESCRIPTION

GROUND FLOOR PLAN

ALL INTERNAL FLOOR OF HALL, BEDROOMS,KITCHEN,STAIRCASE LOBBY, PASSAGE,SERVANT ROOM

+900

GROUND FLOOR PLAN SR.NO. TYPE

REMARK

03 02

WASH,2 COAT OF PRIMER AND 2 COAT OF PAINT.

C2 W2 F2

ALL INTERNAL CEILING OF HALL, REMARK BEDROOMS,KITCHEN,STAIRCASE LOBBY, ALL INTERNAL FLOOR OF HALL, PASSAGE,SERVANT ROOM BEDROOMS,KITCHEN,STAIRCASE LOBBY, VERANDAH. PASSAGE,SERVANT ROOM

D4 TYPE SR.NO.

230

12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 DESCRIPTION COAT, 2 COAT OF PRIMER AND 2 COAT OF WHITE PAINT. 38 MM THICK 1:2:4 SCREEDING, 20 MM MARBLE TILE OF SIZE 600X600 MM, GRADE-2 POLISHING & 1 MMMIXED & WHITE CEMENT GROUT. 12 MM THK 1:1:2 PLASTER WITH WATER-PROOFING AGENT, 2 COAT OF WHITE

1170

TOILET,POWDER ROOM

3470X3400MM 11.6 SQ M C1W1 F1 S1

2880 1190

BATHROOM

+1200

ALL INTERNAL CEILING OF HALL, BEDROOMS,KITCHEN,STAIRCASE LOBBY, PASSAGE,SERVANT ROOM 6340 VERANDAH.

+900

2720

REMARK

710 C2D1 W2 F2

SERVANT'S ROOM

6145

38 MM THICK 1:2:4 SCREEDING, 12 TERACOTTA CLAY TILE TILE OF SIZE 300X300 MM, 1 MM & WHITE CEMENT GROUT. W5

2000X1840MM W4 12 MM THK 04 1:1:2 PLASTER, 10 MM THK CERAMIC TILES OF 300X300 MM W4 +900 3.6 SQ M +450

310

ALL INTERNAL FLOOR OF HALL, 5880 BEDROOMS,KITCHEN,STAIRCASE LOBBY, PASSAGE,SERVANT ROOM

3345

CHAJJA ABOVE

REMARK

2500 W1

550WASH,8 MM THK GYPSUM PLASTER 6300X6140MM 139012 MM THK230 W3 1:1:2 PLASTER, 2 COAT OF WHITE IN 2 KITCHEN CHAJJA ABOVE C2 W2 38.4 SQ M TERRACE ABOVE COAT, 2 COAT OF PRIMER AND 2 COAT OF CREAM PAINT. DADO ABOVE KITCHEN F2 PLATFORM

685

300

1415

SR.NO. TYPE

3575

+450

845

38 MM THICK 1:2:4 SCREEDING, 20 MM MARBLE TILE OF SIZE 600X600 MM, GRADE-2 POLISHING & 1 MM & WHITE CEMENT GROUT.

SR.NO. TYPE 01 C1 SR.NO. TYPE

3470

+880

C3W4 F3 S3

235

1815

5275

685

400

2570

230

ALL EXTERNAL WALLS PARKING SPACE

460

DESCRIPTION

2420 2500X2800MM 6.7 SQ M

1850 UP 320 20 MM THICK 1:2:4 PLASTER W2 1400 W7 MIXED WITH WATER-PROOFING AGENT, WALL SURFACE FINISHED WITH SAND FACED PLASTER.

FOYER

150

1000

5800

FLOORING

+450

3575

2385

C1W1 F1 S1

+150

+900

12 MM THK 1:1:2 PLASTER, 2 COATF2OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 1170 COAT, 2 COAT OF4900X2000MM PRIMER AND 2 COAT OF ASIAN PAINT ROYALE ASPIRA CREAM 5170 PAINT.

C2 W2 F2 03

4575

6000X4040MM 24.8 SQ M

4575

C1W1 F1 S1

38.4 SQ M

2720

DINNING SPACE

150

TOILET,POWDER ROOM

3345

CHAJJA ABOVE

225

230

LIVING SPACE

C1W1 F1 S1

235

DINNING SPACE

3600

12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT,6 MM THK CERAMIC TILES 300X300MM W5

1000

5000X3500MM 25 SQ M

C2 W2

4505 F2 3470X3400MM 11.6 SQ M

685

460

SITOUT

SR.NO. TYPE UP 01

PARKING SPACE SERVANT'S ROOM6300X6140MM BATHROOM

3400

685

5275

5275 5275

3575

C1W1

6260

F1 S1 12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT, 2 COAT 1415 OF WHITE WASH,2 COAT OF PRIMER AND 2 COAT OF PAINT. +450

SR.NO. TYPE

CHAJJA ABOVE

6260

5800

550

KITCHEN

4575

2650

2050

450 3345

3005 CHAJJA ABOVE

+450

ALL INTERNAL CEILING OF HALL, BEDROOMS,KITCHEN,STAIRCASE LOBBY, 310 PASSAGE,SERVANT ROOM VERANDAH.

1190

KITCHEN

2985

REMARK

GUEST BEDROOM

710

320

FOYER

DESCRIPTION

235 3470

GUEST BEDROOM

12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 COAT, 2 COAT OF PRIMER AND 2 COAT OF WHITE PAINT. 400 845 300

5170 1850

230

2420

235

LIVING SPACE

CHAJJA ABOVE

+900

SR.NO. TYPE

3630

4470X3570MM 15.4 SQ M W3

C1W1 F1 S1

FOYER

980

3565

3870 2385

SR.NO. TYPE

4505

4910

CEILING

1815

5275

1 2 3 4 5 6 7 8 9 10 11 12

2985

3005

600

600 980

1425

3565

DINNING SPACE

175

POWDER ROOM

GUEST BATHROOM

3600

1000 3600

600

1425

4940

980

4240

C1W1 F1 S2

C2 W2 F2

+900

23255

CHAJJA ABOVE

650

2880

23255 150 230 1390 14 3590 CHAJJA ABOVE 15 640 650 600 4240 1200 980 3600 16 4910X5270MM W5 2000X1840MM 25.4 SQ M 17 150 CHAJJA ABOVE CHAJJA ABOVE C1W3 +900 3.6 SQ W2 M +450 230 W1 W1 18 F1 S1 W3 +900 19 C2 W2 3000 2000X3060MM 190 650 4240 4910 20 175 F2 6 SQ M 4900X2000MM 1170 310 400 845 300 21 1 2 3 4 5 6 7 8 9 10 11 12 D4 13 3000X1800MM 22 +430 230 1415 UP 5.4 SQ M C3W4 1400 23 C3W4 C1W1 UP F3 S3 F3 S3 F1 S2 +430 24 680 D2 815 C2 W2 6000X4040MM 2135 14 3590 F2 25 W5 TERRACE ABOVE 24.8 SQ M D1 15 D1 950 +450 26 1870 2000 C1W1 16 4910X5270MM 5000 F1 S1 +1200 25.4 SQ M 17 W4 C1W3 230 18 F1 S1 +900 C1W1 19 F1 S1 +450 4470X3570MM +0 2000X3060MM 20 15.4 SQ M 6 SQ M +450 21 C1W1 UP +900 F1 S1 5880 22 +430 23 C3W4 F3 S3 5000X3500MM 5170 24 C1W1 680 D2 6340 3130 3800 25 SQ M 815 F1 S1 25 1850 W7 +450 D1 19575 950 26 1870 225 150 230 1390 5000 CHAJJA ABOVE 40 95 C1W1 F1 S1 W5 2000X1840MM 150 4470X3570MM +900 3.6 SQ M +450 15.4 SQ M

GUEST BATHROOM

+450

6260

2050

3000X1800MM 25 SQ M 5.4 SQ M C3W4 +450 F3 S3 +430 2135 D1 4190 402000 95

190

2500

2570

3795

C1W1 F1 S1

+880

C3W4 F3 S3

2720

1200

450

4940

225

3870

4240

2650 5800

3000 GUEST BEDROOM 5000X3500MM POWDER ROOM W1

2385

600

C1W1 F1 S1

650

CHAJJA ABOVE

600

3565

3870

640

2500X2800MM 6.7 SQ M

3795

950

5000 4190

680

BATHROOM

+900

3795

ROOM 3470X3400MM 11.6 SQ M C1W1 F1 S1

+900

3630

1870

815

C1W3 F1 S1

3630

C3W4 F3 S3

4910X5270MM 25.4 SQ M

3565

980

+430

KITCHEN

3565

3600

230 2985

2000X3060MM 6 SQ M

3005

1425

GUEST BATHROOM

450

4940

14 15 16 17 18 19 20 21 22 23 24 25 26

3590

2000

F1 S2

+430 2135

SR.NO. TYPE

REMARK

TOILET,POWDER ROOM TOILET,POWDER ROOM

SKIRTING DESCRIPTION

REMARK

20 MM THICK 1:2:4 PLASTER, 25 MM BEIGE MARBLE 120X600MM, GRADE-2 POLISHING & 1 MM CEMENT GROUT.

ALL INTERNAL WALL OF HALL, BEDROOMS,KITCHEN,SERVANTROOM.

20 MM THICK 1:2:4 PLASTER , 20 MM LIGHT EMPERADOR MARBLE 120X600 GRADE-2 POLISHING & 1 MM CEMENT GROUT.

STAIRCASE SHAFT

12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT,10 MM THK CERAMIC TILES 300X300MM

TOILET,POWDER ROOM

GROUND FLOOR PLAN

1 2 3 4 5 6 7

3080 1470

9420

12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2

3600

+7500

REMARK

460

1000

D1 12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT, 2 COAT OF WHITE 950 WASH,2 COAT OF PRIMER AND 2 COAT OF PAINT.

12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT,6 MM THK CERAMIC TILES 300X300MM

4190

640

3565

3870

C1W1 F1 S1

SR.NO. TYPE

600

230

DESCRIPTION 5000X3500MM

REMARK

BATH ROOM

225

5.4 SQ M

C3W4 F3 S3

+7480

38 MM THICK 1:2:4 SCREEDING, 12 TERACOTTA CLAY TILE TILE OF SIZE 300X300 MM, 1 MM & WHITE CEMENT GROUT. 4

150MM BB COBA LAID TO SLOPE, 38 MM THICK 1:2:4 SCREEDING 10 MM ANTI-SKID W5 1120 CH. CERAMIC TILES OF SIZE 300X300MM

VERANDAH

WALK IN

C1W1 F1 S1

400

+7500

945

3485 5395 6145

5395

TOILET,POWDER ROOM

3470

5225

5000X3500MM 25 SQ M C1W1 +7500 F1 S1

DESCRIPTION

5000X3500MM 25 SQ M +7480 3470C2 W2 3700

LENGTH HEIGHT

600 1200 1800 3000 3600 4200 3000

750 1500 1500 1500 1500 1500 2200

Sr. No.

1 2 3 4

Sr. No.

REMARK

STAIRCASE SHAFT

BATHROOM 2500X4400MM 11 SQ M

+7500

1 2 3 4 5 6 7

NAME D1 D2 D3 D4

NAME W1 W2 W3 W4 W5 W6 W7

Lenght

750 900 1200 1500

LENGTH HEIGHT

600 1200 1800 3000 3600 4200 3000

750 1500 1500 1500 1500 1500 2200

6340

3850 3950

9420

4910

2500

FOYER BELOW SR.NO. TYPE

ALL INTERNAL CEILING OF HALL, BEDROOMS,KITCHEN,STAIRCASE LOBBY, 400 945 250PASSAGE,SERVANT ROOM 12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT, 2 COAT OF WHITE VERANDAH. WASH,2 COAT OF PRIMER AND 2 COAT OF PAINT.

FLOORING

TOILET,POWDER ROOM

LOUNGE

5000X3500MM 25 SQ M C1W1 +7500 F1 S1

12.ALL DIMEN

UNFINISHED

THE GROUN

ALL INTERNAL FLOOR OF HALL, 9010 BEDROOMS,KITCHEN,STAIRCASE LOBBY, PASSAGE,SERVANT ROOM

38 MM THICK 1:2:4 SCREEDING, 12 TERACOTTA CLAY TILE TILE OF SIZE 300X300 MM, 1 MM & WHITE CEMENT GROUT.

VERANDAH

150MM BB COBA LAID TO SLOPE, 38 MM THICK 1:2:4 SCREEDING 10 MM ANTI-SKID CERAMIC TILES OF SIZE 300X300MM .

TOILET,POWDER ROOM

DESCRIPTION

12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 COAT, 2 COAT OF PRIMER AND 2 COAT OF WHITE PAINT.

12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT, 2 COAT OF WHITE

15.VOIDS TO B

16.DRAWINGS

THE SITEof E Description

10155

OF WORK.

BUNGALOW 17.ANY AMBI

ARCHITECT

COLLEGE ST WRITING.

REMARK

DESCRIPTION

12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 COAT, 2 COAT OF PRIMER AND 2 COAT OF ASIAN PAINT ROYALE ASPIRA CREAM PAINT.

ALL INTERNAL WALL OF HALL, BEDROOMS,KITCHEN,STAIRCASE, LOBBY,PASSAGE,SERVANT ROOM

20 MM THICK 1:2:4 PLASTER MIXED WITH WATER-PROOFING AGENT, WALL SURFACE FINISHED WITH SAND FACED PLASTER. 5000X3500MM

ALL EXTERNAL WALLS

TERRACE

LEGEND.

25 SQ 12 MM THK 1:1:2 PLASTER, 2 COAT OFMWHITE WASH,8 MM THK GYPSUM PLASTER IN 2 COAT, 2 COAT OF PRIMER AND 2 COAT OF CREAM PAINT. DADO ABOVE KITCHEN +7480 W6 W8 PLATFORM C2 W2

KITCHEN

DWG. NO. : 7

12 MM THK 1:1:2 PLASTER, 10 MM THK CERAMIC TILES OF 300X300 MM

TOILET,POWDER ROOM

Sr. No.

1 2 3 4

SR.NO. TYPE

6340 9420

CEILING 01

LINE, EXCEP

6305

REMARK

DESCRIPTION

38 MM THICK 1:2:4 SCREEDING, 20 MM MARBLE TILE OF SIZE 600X600 MM, GRADE-2 POLISHING & 1 MM & WHITE CEMENT GROUT.

SR.NO. TYPE

PROOFING

18 MM EXT

6145

REMARK

12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT,6 MM THK CERAMIC TILES 300X300MM

UNFINISHED FAC 1. THIS IS AN DWG. NO. : 5 13.LEVELS ARE ME 2. DRAWINGS THE GROUND FL 3. DATA'S ARE NAME : TRIN 14.ARCHITECTURAL 4. R.C.C FRAM CHAJJA,CANOPIE 5. REFER SEP LINE, EXCEPTION ROLL NO. : DEPTH,THIC 15.VOIDS TO BE MA FOR STRUC 16.DRAWINGS TO B EXAM. SEAT 6. WALLS AR THE SITE ENGIN RESPECTIVE OF WORK. 7. BRICKS TOYB YEAR : 3RD 17.ANY AMBIGUIT 8. MORTARS ARCHITECT WI THICKNESS WRITING. 9. FIRST COA

13.LEVELS AR

WALL 2795

AJ DESCRIPTION JA

BO 12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 VE COAT, 2 COAT OF PRIMER AND 2 COAT OF WHITE PAINT.

SR.NO. TYPE 01

1545

CEILING

3345

2385

PROOFING ADM

11.PLASTER TH

3780

BUNGALOW

PROJECTION

+7500

3080

+3750

THICKNESS. o Description

9. FIRST COAT TO

10.DRIP MOU WORKI

3485

C1W1 F1 S1

685

5000X3500MM 25 SQ M

8. MORTARS SHOU

CHAJJA,CAN

1545

3565

3870

9010

GUEST BEDROOM

YEAR : 3RD YE

LEGEND.

C3W4 F3 S3

460

RESPECTIVELY.

7. BRICKS TO BE LA

18 MM EXTERNA

1190

TOILET,POWDER ROOM

6. WALLSSEAT ARE AN EXAM. N

14.ARCHITECT

C1W1 F1 S1

SR.NO. TYPE

5. REFER SEPARA

ROLL NO. : 1 DEPTH,THICKNES

12.ALL DIMENSION NOTES :-

225

3. DATA'S ARE ASSU

NAME : TRINI 4. R.C.C FRAMED ST

PROJECTIONS.

2. DRAWINGS SHO

11.PLASTER THICKN

ALL INTERNAL WALL OF HALL, BEDROOMS,KITCHEN,SERVANTROOM.

WALKIN

W6 W8

750 900 1200 1500

WORKIN

710

20 MM THICK 1:2:4 PLASTER, 25 MM BEIGE MARBLE 120X600MM, GRADE-2 POLISHING & 1 MM CEMENT GROUT. C1W1

19 20 21 22 23 24 25 26

LOUNGE 460

950

SKIRTING

FIRST FLOOR PLAN TERRACE

250

3345

3950

TYPE

DWG. NO. : 5

Lenght

10.DRIP MOULDST COLLEGE

2420

BEDROOM

TOILET,POWDER ROOM

KITCHEN

12 MM THK 1:1:2 PLASTER, 10 MM THK CERAMIC TILES OF 300X300 MM CHAJJA ABOVE W3

14 F1 S1 3780 02 15 S2 20 MM THICK 1:2:4 PLASTER , 20 MM LIGHT EMPERADOR MARBLE 120X600 GRADE-2 POLISHING & 1 MM CEMENT GROUT. 3470X5000MM 16 4910X5060MM 03 17BELOW S3 12 MM THK 1:1:2 PLASTER MIXED MMSQ THK 17.3 M 24.8 SQ M WITH WATER-PROOFING AGENT,10 FOYER C1W1 CERAMIC TILES 300X300MM +7500 F1 S1 18

+7500

1380

1000

12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2

4910

3590

WALL

980 3600AND 2 COAT OF CREAM PAINT. DADO ABOVE 4505 KITCHEN COAT, 2 COAT OF PRIMER

4240

BATHROOM

PLATFORM

3600

2305

ALL INTERNAL 5 HALL, 3 4 OF 6 7 8 9 10 11 12 13 1 2FLOOR SR.NO. BEDROOMS,KITCHEN,STAIRCASE LOBBY, PASSAGE,SERVANT ROOM UP 01

4935

4940

2385

1200

C1W1 F1 S1

650

25 SQ M 600X600 MM, 38 MM THICK 1:2:4 SCREEDING, 20 MM MARBLE TILE OF SIZE 3000X1800MM +3750 GRADE-2 POLISHING & 1 MM & WHITE W1 CEMENT GROUT.

4240

FLOORING GUEST BEDROOM

4910

ALL INTERNAL CEILING OF HALL, BEDROOMS,KITCHEN,STAIRCASE LOBBY, PASSAGE,SERVANT ROOM VERANDAH.

CHAJJA ABOVE

2500

650

WALKIN

FIRST FLOOR PLAN

TOILET,POWDER ROOM

ALL INTERNAL WALL OF HALL,

5395

DESCRIPTION

12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 1380 COAT, 2 COAT OF PRIMER AND 2 COAT OF WHITE PAINT.

1 2 3 4 5 6 7

1190

REMARK

NAME W1 W2 W3 W4 W5 W6 W7

3485

Sr. No.

6145

NAME D1 D2 D3 D4

FOR STRUCTURA W1

710

SR.NO. TYPE

2420

710

5060

9420

2305

CEILING

C1W1 F1 S1

3470

20 MM THICK 1:2:4 PLASTER, 25 MM BEIGE MARBLE 120X600MM,

BEDROOM

WALK IN W1

1 2 3 4

C1W1 GRADE-2 POLISHING & 1 MM CEMENT GROUT. BEDROOMS,KITCHEN,SERVANTROOM. 14 F1 S1 D1 15 02 S2 20 MM THICK 1:2:4 PLASTER , 20 MM LIGHT EMPERADOR MARBLE 120X600 STAIRCASE SHAFT GRADE-2 POLISHING & 1 MM3850 CEMENT GROUT. 3080 6305 3470X5000MM 16 4910X5060MM 17.3 SQ SQ M MIXED WITH WATER-PROOFING AGENT,10 03 S3 12 MM THK 1:1:224.8 PLASTER MMMTHK TOILET,POWDER ROOM 17 10155 C1W1 +7500 CERAMIC TILES 300X300MM F1 S1 18 2500X4400MM D1 11 SQ M 19 +7500 20 +7500 C3W4 21 F3 S3 SR.NO. TYPE REMARK DESCRIPTION 22 23 01 W1 12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 ALL INTERNAL WALL OF HALL, +0 BEDROOMS,KITCHEN,STAIRCASE, COAT, 2 COAT OF PRIMER AND 2 COAT OF ASIAN PAINT ROYALE ASPIRA CREAM 24 2500 460 PAINT. LOBBY,PASSAGE,SERVANT ROOM 3470 25 26 20 MM THICK 1:2:4 PLASTER MIXED WITH WATER-PROOFING AGENT, WALL SURFACE 02 W2 ALL EXTERNAL WALLS D2 3700 23255FINISHED WITH SAND FACED PLASTER.

3590

1. THIS IS AN ACAD Sr. No.

TOILET,POWDER ROOM

5060

6340 TOILET,POWDER ROOM

DESCRIPTION

2795

150MM BB COBA LAID TO SLOPE, 38 MM THICK 1:2:4 SCREEDING 112010 MM ANTI-SKID CERAMIC TILES OF SIZE 300X300MM .

+7500

SKIRTING

+450

4825

VERANDAH

4940

38 MM THICK 1:2:4 SCREEDING, 12 TERACOTTA CLAY TILE TILE OF SIZE 300X300 MM, 1 MM & WHITE CEMENT GROUT.

NOTES :-

+1200

SR.NO. TYPE

4825

4935

+7480

5225

C3W4 F3 S3

TERRACE ABOVE

4910

3 FLOOR 8 9 10 11 12 1 2 +450 4 5 6OF 7HALL, ALL INTERNAL BEDROOMS,KITCHEN,STAIRCASE LOBBY, UP PASSAGE,SERVANT ROOM

KITCHEN

CHAJJA ABOVE 12 MM THK 1:1:2 PLASTER, 10 MM THK CERAMIC TILES OF 300X300 MM

4240

38 MM THICK 1:2:4 SCREEDING, 20 MM MARBLE TILE OF SIZE 600X600 MM, 3000X1800MM GRADE-2 POLISHING & 1 MM &W1 WHITE CEMENT GROUT. 5.4 SQ M

3485

ALL EXTERNAL WALLS

REMARK

BATH ROOM

2800

20 MM THICK 1:2:4 PLASTER MIXED WITH WATER-PROOFING AGENT, WALL SURFACE FINISHED WITH SAND FACED PLASTER.

650

DESCRIPTION

2500

3345

FLOORING230

SR.NO. TYPE

1530

980 COAT, 2 COAT OF PRIMER 3600 AND 2 COAT OF CREAM PAINT. DADO 4505 ABOVE KITCHEN

LEGEND.

REMARK ALL INTERNAL WALL OF HALL, BEDROOMS,KITCHEN,STAIRCASE, LOBBY,PASSAGE,SERVANT ROOM

PLATFORM

CHAJJA ABOVE

+3500

12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 COAT, 2 COAT OF PRIMER AND 2 COAT OF ASIAN PAINT ROYALE ASPIRA CREAM PAINT.

1200

WALL

DESCRIPTION

23255

4240

WRITING.

4400

600

ARCHITECT W

COLLEGE STA

6145

TOILET,POWDER ROOM

BUNGALOW 17.ANY AMBIGUIT

4400

12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT,6 MM THK CERAMIC TILES 300X300MM 4190 640 650

3400

CHAJJA ABOVE

+900

OF WORK.

6305 10155

1530

3850

930

WASH,2 COAT OF PRIMER AND 2 COAT OF PAINT.

16.DRAWINGS TO

THE SITE ENGIN Description of

2700

ALL INTERNAL CEILING OF HALL, BEDROOMS,KITCHEN,STAIRCASE LOBBY, PASSAGE,SERVANT ROOM VERANDAH. LIVING SPACE BELOW

15.VOIDS TO BE M

C1W1 F1 S1

5000

JA 12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 A COAT, 2 COAT OF PRIMER AND 2 COAT OFBWHITE PAINT. OV E 12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT, 400 2 COAT 945 OF WHITE 250

LINE, EXCEPTION

SHADE FOR PARKING

2700

2385

CHAJJA,CANOPI

STUDY

SR.NO. TYPE

REMARK

CH DESCRIPTION

THE GROUND F

1530

CEILING 95 SR.NO. TYPE

UNFINISHED FA

14.ARCHITECTURA

+3750

1390

3550 +1200

3550X3175MM 11.2 SQ M

12.ALL DIMENSION

13.LEVELS ARE M

5000

225

2800

1030

460

6340

PROJECTIONS.

11.PLASTER THICKN

+900

2700

+3750

PROOFING ADM

LEGEND.

10.DRIP MOULD

2500

3620

+3750

5800

5000X3500MM 25 SQ M

+3730

3700 TERRACE ABOVE

C1W1 F1 S1

GUEST BEDROOM

9.WRITING. FIRST COAT T

18 MM EXTERN

+450

2075

3565

3870

+450

2500X2800MM 6.7 SQ M

C3W4 F3 S3

C1W1 F1 S1

+3500

+3750 D1

1395

950

5000

+3750

3470X3400MM 11.6 SQ M

930

1380

460

1870

LIVING SPACE BELOW

BEDROOM 4910X5060MM 24.8 SQ M +900

ARCHITECT THICKNESS. WIT

BATHROOM

1595

1000

1250

250

WORK. 7.OF BRICKS TO BE LA 17.ANY AMBIGUITY 8. MORTARS SHO

1190

WALKIN

CHAJJA ABOVE

C1W1 F1 S1

THE SITE ENGIN RESPECTIVELY.

2650

945

3470

1595

+3750

3345

980

C1W1 F1 S1

4910

710

400

+3750

C1W1 F1 S1

LINE, EXCEPTION DEPTH,THICKNE 15.VOIDS TO BE MA FOR STRUCTURA 16.DRAWINGS TOAN B 6. WALLS ARE

2700

VE WALK IN

SHADE FOR PARKING

1390

14.ARCHITECTURAL 4. R.C.C FRAMED S 5.CHAJJA,CANOPIE REFER SEPARA

2420

2650

1245

5800

1120

STUDY

1030

4935

14 15 16 17 18 19 20 21 22 23 24 25 26

3590

1470

2305

725

4505

3550X3175MM CHAJJA ABOVE 11.2 SQ M

175

1 2 3 4 5 6 7 8 9 10 11 12

FAC 1.UNFINISHED THIS IS AN ACAD 13.LEVELS ARE SHO ME 2. DRAWINGS GROUND FLO 3. THE DATA'S ARE ASS

3550 3600

4240

1130

4825

1300

+3730

2500

C3W4 F3 S3

980

+3750

2075

600

3000X1800MM 5.4 +3750 SQ M

225

2385 4940

650

5000X3500MM BATH ROOM 25 SQ M

C1W1 F1 S1

GUEST BEDROOM 230 3000

1200

5060

CHAJJA ABOVE W1

4240

685

600

3600

3565

3870

C1W1 F1 S1

650

1395

640

1245

4190

460 23255

5000 D2

+900

1030

950

12.ALL DIMENSIONS NOTES :-

3700

5225

1870

1380

1030

1000

1250

18 MM EXTERNA

21 22 23 24 25 26

+3750

460

980

C1W1 F1 S1

REMARK ALL INTERNAL CEILING OF HALL, BEDROOMS,KITCHEN,STAIRCASE LOBBY, PASSAGE,SERVANT ROOM VERANDAH.

SKIRTING REMARK

DESCRIPTION

S2308020 MM THICK 1:2:4 PLASTER , 203850 MM LIGHT EMPERADOR MARBLE 120X600

GRADE-2 POLISHING & 1 MM CEMENT GROUT.

10155

12 MM THK 1:1:2 PLASTER MIXED WITH WATER-PROOFING AGENT,10 MM THK CERAMIC TILES 300X300MM

SECOND FLOOR PLAN SR.NO. TYPE

ALL INTERNAL WALL OF HALL, BEDROOMS,KITCHEN,SERVANTROOM.

20 MM THICK 1:2:4 PLASTER, 25 MM BEIGE MARBLE 120X600MM, GRADE-2 POLISHING & 1 MM CEMENT GROUT.

6305 STAIRCASE SHAFT TOILET,POWDER ROOM

WALL

DESCRIPTION

12 MM THK 1:1:2 PLASTER, 2 COAT OF WHITE WASH,8 MM THK GYPSUM PLASTER IN 2 COAT, 2 COAT OF PRIMER AND 2 COAT OF ASIAN PAINT ROYALE ASPIRA CREAM PAINT.

REMARK ALL INTERNAL WALL OF HALL, BEDROOMS,KITCHEN,STAIRCASE, LOBBY,PASSAGE,SERVANT ROOM

Sr. No.

1 2 3 4 5 6 7 8

NAME D1 D2 D3 D4

NAME W1 W2 W3 W4 W5 W6 W7 W8

Lenght

750 900 1200 1500

LENGTH HEIGHT

600 1200 1800 3000 3600 4200 3000 1800

750 1500 1500 1500 1500 1500 2200 2200

NAME :

ROLL NO. :

EXAM. SEAT N

YEAR : 3RD Y

Descriptio

BUNGAL

WORKIN COLLEGE

TANK TOP

+16.15M LEVEL.

NOTES :-

TANK TOP

TANK BOTTOM +14.95M LEVEL.

1. THIS IS AN ACADEMIC EXERCISE.

+16.15M LEVEL.

2. DRAWINGS SHOULD NOT BE MEASURED.

MUMPTY LEVEL

3. DATA'S ARE ASSUMED WHEREVER REQUIRED.

TANK BOTTOM

+14.1M LEVEL.

4. R.C.C FRAMED STRUCTURE.

+14.95M LEVEL.

5. REFER SEPARATE NOTES FOR MINIMUM MUMPTY LEVEL

DEPTH,THICKNESS,PROJECT

+14.1M LEVEL.

SPECIFICATIONS

FOR STRUCTURAL MEMBERS. 6. WALLS ARE AND 230 AND 150 MM. THK. RESPECTIVELY.

TERRACE FLOOR 11.25M

7. BRICKS TO BE LAID WITH FROGS UPWARDS. 8. MORTARS SHOULD NOT EXCEED 18 MM IN THICKNESS. TERRACE FLOOR

9. FIRST COAT TO BE MADE WITH WATER PROOFING ADMIXTURES.

11.25M

10.DRIP MOULD TO BE PROVIDED TO ANY PROJECTIONS. 11.PLASTER THICKNESS 12 MM INTERNALLY AND

WALK IN

BATH ROOM

BEDROOM

18 MM EXTERNALLY.

BATH ROOM

12.ALL DIMENSIONS ARE FROM UNFINISHED TO

230 MM BRK WALL

UNFINISHED FACE.

SECOND FLOOR +7.5M LEVEL.

13.LEVELS ARE MENTION WITH REFERENCE TO THE GROUND FLOOR LEVEL. 14.ARCHITECTURAL

PROJECTIONS

SUCH

CHAJJA,CANOPIES TO BE SHOWN IN DOTTED

SECOND FLOOR +7.5M LEVEL.

LINE, EXCEPTION FOR CASE SPECIFIC. 15.VOIDS TO BE MARKED WITH DIAGONAL LINES.

450 X 300MM 8MM THK DADO WALLS

16.DRAWINGS TO BE CHECKED THOROUGHLY BY

WALK IN

BATH ROOM

BEDROOM

BATH ROOM

THE SITE ENGINEER BEFORE THE EXECUTION OF WORK. 17.ANY AMBIGUITY TO BE CLARIFIED BY THE ARCHITECT WITH IMMEDIATE EFFECT IN

300X300 8MM THK CERAMIC TILES

FIRST FLOOR

WRITING.

50MM SAND SCREED FIRST FLOOR

BRICK BAT COBA

+3.75M LEVEL.

LEGEND.

+3.75M LEVEL.

FOYER

100 MM THK PCC BED

SERVANTS BATH ROOM

COMPACTED EARTH

KITCHEN

SERVANTS ROOM

POWDER ROOM

PLITH PROTECTION

PLINTH LEVEL +0.45M LEVEL.

GROUND FLOOR

PLINTH LEVEL

+0M LEVEL.

+0.45M LEVEL.

FIRST FLOOR +0M LEVEL.

DRY RUBBLE PACKING 230 MM

Description of the Project :

BUNGALOW DESIGN

COLLEGE STAMP & GUIDE'S SIGN.

GROUND FLOOR

SECOND FLOOR

FIRST FLOOR W3

CH A

AJJ

D1 D2 W1

D2 W1

TERRACE ABOVE

W5 D4

LIVING SPACE BELOW

AJJ

D2 D1

CHAJJA ABOVE

AJJ

FOYER BELOW

CHAJJA ABOVE

W7 W3

D2 D2

14 15 16 17 18 19 20 21 22 23 24 25 26

D2 D1

W1 D1

14 15 16 17 18 19 20 21 22 23 24 25 26

D1 D2 W1 D1 D1 D1

D2 W1 D1 D1

1 2 3 4 5 6 7 8 9 10 11 12

W1 W1

CHAJJA ABOVE

13 W1

1 2 3 4 5 6 7 8 9 10 11 12 CHAJJA ABOVE

14 15 16 17 18 19 20 21 22 23 24 25 26

SECTION D-D'

CHAJJA ABOVE

NOTES :1. THIS IS AN ACADEMIC EXERCISE.

+16.15M LEVEL.

2. DRAWINGS SHOULD NOT BE MEASURED. 3. DATA'S ARE ASSUMED WHEREVER REQUIRED. 4. R.C.C FRAMED STRUCTURE.

TANK BOTTOM +14.95M LEVEL.

5. REFER SEPARATE NOTES FOR MINIMUM DEPTH,THICKNESS,PROJECT

MUMPTY LEVEL

SPECIFICATIONS

FOR STRUCTURAL MEMBERS.

+14.1M LEVEL.

6. WALLS ARE AND 230 AND 150 MM. THK. RESPECTIVELY. 7. BRICKS TO BE LAID WITH FROGS UPWARDS. 8. MORTARS SHOULD NOT EXCEED 18 MM IN

SKYLIGHT

THICKNESS.

TERRACE FLOOR

9. FIRST COAT TO BE MADE WITH WATER

11.25M

PROOFING ADMIXTURES. 10.DRIP MOULD TO BE PROVIDED TO ANY PROJECTIONS. 11.PLASTER THICKNESS 12 MM INTERNALLY AND 18 MM EXTERNALLY.

LOUNGE

12.ALL DIMENSIONS ARE FROM UNFINISHED TO

STAIRCASE

UNFINISHED FACE. 13.LEVELS ARE MENTION WITH REFERENCE TO THE GROUND FLOOR LEVEL. 14.ARCHITECTURAL

SECOND FLOOR +7.5M LEVEL.

PROJECTIONS

SUCH

CHAJJA,CANOPIES TO BE SHOWN IN DOTTED LINE, EXCEPTION FOR CASE SPECIFIC. 15.VOIDS TO BE MARKED WITH DIAGONAL LINES. 16.DRAWINGS TO BE CHECKED THOROUGHLY BY THE SITE ENGINEER BEFORE THE EXECUTION OF WORK. 17.ANY AMBIGUITY TO BE CLARIFIED BY THE

STAIRCASE

ARCHITECT WITH IMMEDIATE EFFECT IN WRITING.

LEGEND.

FIRST FLOOR +3.75M LEVEL.

BRK CLADDING

STAIRCASE PLINTH LEVEL +0.45M LEVEL.

GROUND FLOOR +0M LEVEL.

Description of the Project :

BUNGALOW DESIGN

COLLEGE STAMP & GUIDE'S SIGN.

SECOND FLOOR GROUND FLOOR DWG. NO. : CHAJJA ABOVE

CHAJJA ABOVE

NAME :

1 2 3 4 5 6 7 8 9 10 11 12

D1 W4

CHAJJA ABOVE

TERRACE ABOVE

CHAJJA ABOVE

TERRACE ABOVE

CHAJJA ABOVE

W3 D1

W3 D2

D1 W5

FIRST FLOOR

1:50

SECOND FLOOR

CHAJJA ABOVE

TRINISHA SRIJITH

CHAJJA ABOVE

14 15 16 17 18 19 20 21 22 23 24 25 26

1 2 3 4 5 6 7 8 9 10 11 12

W1 UP

1876

14 15 16 17 18 19 20 21 22 23 24 25 26

ROLL NO. :

CHAJJA ABOVE

1 2 3 4 5 6 7 8 9 10 11 12 W1

D2 D1

14 15 16 17 18 19 20 21 22 23 24 25 26

D1 D1

CHAJJA ABOVE

SCALE :

12 CHAJJA ABOVE

EXAM. SEAT NO. : 3411

LIVING SPACE BELOW

14 15 16 17 18 19 20 21 22 23 24 25 26

CHAJJA ABOVE

1 2 3 4 5 6 7 8 9 10 11 12

FOYER BELOW

AJJ

TERRACE ABOVE

YEAR : 3RD YEAR

CHAJJA ABOVE

AJJ

LIVING SPACE BELOW

14 15 16 17 18 19 20 21 22 23 24 25 26

W1 W1

CHAJJA ABOVE

1 2 3 4 5 6 7 8 9 10 11 12

FOYER BELOW

14 15 16 17 18 19 20 21 22 23 24 25 26

13 UP

W1 W1

CHAJJA ABOVE W5

W5 W3

AJJ

D1 W1

AJJ

CHAJJA ABOVE

1 2 3 4 5 6 7 8 9 10 11 12

CHAJJA ABOVE

SECTION B-B'

WORKING DRAWING

ELEVATION A-A'

CHAJJA ABOVE

TERRACE ABOVE

CHAJJA ABOVE

WORKING DRAWING

TANK TOP

FIRST FLOOR

14 15 16 17 18 19 20 21 22 23 24 25 26

FOYER BELOW

14 15 16 17 18 19 20 21 22 23 24 25 26

YEAR : 3RD YEAR

SECTION A-A'

GROUND FLOOR

1 2 3 4 5 6 7 8 9 10 11 12

CHAJJA ABOVE

LIVING SPACE BELOW

1 2 3 4 5 6 7 8 9 10 11 12

TERRACE ABOVE

CHAJJA ABOVE

EXAM. SEAT NO. : 3411

FOYER

CHAJJA ABOVE

14 15 16 17 18 19 20 21 22 23 24 25 26

CHAJJA ABOVE

1876

ROLL NO. :

CHAJJA ABOVE

TRINISHA SRIJITH

NAME :

CHAJJA ABOVE

1:50

SCALE :

AB OV E

DWG. NO. :

SECOND FLOOR

FIRST FLOOR

GROUND FLOOR

NOTES :1. THIS IS AN ACADEMIC EXERCISE. 2. DRAWINGS SHOULD NOT BE MEASURED.

NOTES :1. THIS IS AN ACADEMIC EXERCISE.

3. DATA'S ARE ASSUMED WHEREVER REQUIRED.

TANK TOP

4. R.C.C FRAMED STRUCTURE.

+16.15M LEVEL.

2. DRAWINGS SHOULD NOT BE MEASURED.

5. REFER SEPARATE NOTES FOR MINIMUM

3. DATA'S ARE ASSUMED WHEREVER REQUIRED.

DEPTH,THICKNESS,PROJECT

4. R.C.C FRAMED STRUCTURE.

TANK BOTTOM

DEPTH,THICKNESS,PROJECT

6. WALLS ARE AND 230 AND 150 MM. THK.

SPECIFICATIONS

RESPECTIVELY.

MUMPTY LEVEL

FOR STRUCTURAL MEMBERS.

+14.1M LEVEL.

7. BRICKS TO BE LAID WITH FROGS UPWARDS.

6. WALLS ARE AND 230 AND 150 MM. THK.

8. MORTARS SHOULD NOT EXCEED 18 MM IN

RESPECTIVELY.

THICKNESS.

7. BRICKS TO BE LAID WITH FROGS UPWARDS.

9. FIRST COAT TO BE MADE WITH WATER

8. MORTARS SHOULD NOT EXCEED 18 MM IN

PROOFING ADMIXTURES.

THICKNESS.

10.DRIP MOULD TO BE PROVIDED TO ANY

TERRACE FLOOR

9. FIRST COAT TO BE MADE WITH WATER

11.25M

PROJECTIONS.

PROOFING ADMIXTURES.

11.PLASTER THICKNESS 12 MM INTERNALLY AND

10.DRIP MOULD TO BE PROVIDED TO ANY

18 MM EXTERNALLY.

PROJECTIONS.

12.ALL DIMENSIONS ARE FROM UNFINISHED TO

11.PLASTER THICKNESS 12 MM INTERNALLY AND

BEDROOM

UNFINISHED FACE.

18 MM EXTERNALLY.

13.LEVELS ARE MENTION WITH REFERENCE TO

12.ALL DIMENSIONS ARE FROM UNFINISHED TO UNFINISHED FACE.

THE GROUND FLOOR LEVEL.

TERRACE

13.LEVELS ARE MENTION WITH REFERENCE TO

14.ARCHITECTURAL

PROJECTIONS

SUCH

PROJECTIONS

SUCH

CHAJJA,CANOPIES TO BE SHOWN IN DOTTED

THE GROUND FLOOR LEVEL. 14.ARCHITECTURAL

SPECIFICATIONS

FOR STRUCTURAL MEMBERS.

+14.95M LEVEL.

5. REFER SEPARATE NOTES FOR MINIMUM

SECOND FLOOR +7.5M LEVEL.

CHAJJA,CANOPIES TO BE SHOWN IN DOTTED LINE, EXCEPTION FOR CASE SPECIFIC.

LINE, EXCEPTION FOR CASE SPECIFIC.

PARAPET15.VOIDS LVLTO BE MARKED WITH DIAGONAL LINES. 16.DRAWINGS TO BE CHECKED THOROUGHLY BY +12.55M

THE SITE ENGINEER BEFORE THE EXECUTION

15.VOIDS TO BE MARKED WITH DIAGONAL LINES.

OF WORK.

16.DRAWINGS TO BE CHECKED THOROUGHLY BY

BEDROOMTHE SITE ENGINEER BEFORE THE EXECUTION

17.ANY AMBIGUITY TO BE CLARIFIED BY THE ARCHITECT WITH IMMEDIATE EFFECT IN

OF WORK.

WRITING.

17.ANY AMBIGUITY TO BE CLARIFIED BY THE ARCHITECT WITH IMMEDIATE EFFECT IN

LEGEND.

TERRACE FLOOR LEVEL

WRITING.

LEGEND.

+11.25M

FIRST FLOOR +3.75M LEVEL.

GUEST BEDROOM

150MM THK P.C.C. COPING (1:3:6) DRIP MOULD 20MMø 50MM THK D.P.C. 18MM THK EXTERNAL PLASTER 230MM THK BRICK WALL BULL NOSE VATA/COVING 150MM BRICK BAT COBA (B.B.C.) LAID TO SLOPE 40MM THK SCREED 15MM THK CHINA MOSAIC TILES 12MM THK INTERNAL PLASTER

SIT OUT

BULLNOSE 100MM THK R.C.C. LINTEL PLINTH LEVEL +0.45M LEVEL.

600MM WIDE R.C.C. CHAJJA

Description of the Project :

GROUND FLOOR +0M LEVEL.

DRIP MOULD

BUNGALOW DESIGN

Description of the Project :

18MM THK INTERNAL PLASTER

COLLEGE STAMP & GUIDE'S SIGN.

BUNGALOW DESIGN

COLLEGE STAMP & GUIDE'S SIGN. 13

DWG. NO. : GROUND FLOOR CHAJJA ABOVE W1

CHAJJA ABOVE

1 2 3 4 5 6 7 8 9 10 11 12

CHAJJA ABOVE

NAME : W3

W1 UP

14 15 16 17 18 19 20 21 22 23 24 25 26

DWG. NO. :

1:50 FIRST FLOOR

SCALE :

SECOND FLOOR

CHAJJA ABOVE

TRINISHA SRIJITH

1 2 3 4 5 6 7 8 9 10 11 12

D2 D1

F14

D1 D1

F74

F73

FOYER BELOW

AJJ

SECOND YEAR FLOOR : 3RD LEVEL YEAR

C73

CHAJJA ABOVE

F53

B11

+7.5M

B10

LIVING SPACE BELOW

C22 CHAJJA ABOVE

12MM THK INTERNAL PLASTER

C32

TERRACE ABOVE

C82

TERRACE ABOVE

YEAR : 3RD YEAR

230MM THK BRK WALL 20MM THK TILES 100MM HIGH SKIRTING 40MM THK SCREED

WORKING DRAWING

SECTION C-C'

WORKING DRAWING

3411

B13

EXAM. SEAT NO. :

F84

B18

B16 C53

F13 CH AJJ

100MM THK P.C.C. SILL

B15

C13

CHAJJA ABOVE

F54

B17

B12

14 15 16 17 18 19 20 21 22 23 24 25 26

F34

B14

EXAM. SEAT NO. : 3411

14 15 16 17 18 19 20 21 22 23 24 25 26

1 2 3 4 5 6 7 8 9 10 11 12 W1

1876

ROLL NO. :

1:50

TRINISHA SRIJITH

NAME : CHAJJA ABOVE

ROLL NO. :

CHAJJA ABOVE

SCALE :

230x600MM R.C.C. BEAM

BULLNOSE 100MM THK R.C.C. LINTEL 600MM WIDE R.C.C. CHAJJA DRIP MOULD 18MM THK INTERNAL PLASTER

TANK TOP

+16.15M LEVEL.

NOTES :-

TANK BOTTOM

2. DRAWINGS SHOULD NOT BE MEASURED.

+14.95M LEVEL.

3. DATA'S ARE ASSUMED WHEREVER REQUIRED. +14.1M LEVEL.

5. REFER SEPARATE NOTES FOR MINIMUM

FOR STRUCTURAL MEMBERS.

FIRST FLOOR LEVEL

SPECIFICATIONS

6. WALLS ARE AND 230 AND 150 MM. THK.

FOR STRUCTURAL MEMBERS.

RESPECTIVELY.

6. WALLS ARE AND 230 AND 150 MM. THK.

8. MORTARS SHOULD NOT EXCEED 18 MM IN

7. BRICKS TO BE LAID WITH FROGS UPWARDS.

TERRACE FLOOR 11.25M

8. MORTARS SHOULD NOT EXCEED 18 MM IN THICKNESS.

W7 D2 D1 W1 W4

FIRST FLOOR TERRACE ABOVE LIVING SPACE BELOW VE

ABO

CHAJJA ABOVE W4 W3

14 15 16 17 18 19 20 21 22 23 24 25 26

W1 D1

D2 D1

UP W1

1 2 3 4 5 6 7 8 9 10 11 12

ARCHITECT WITH IMMEDIATE EFFECT IN WRITING.

ARCHITECT WITH IMMEDIATE EFFECT IN

OF WORK.

17.ANY AMBIGUITY TO BE CLARIFIED BY THE

AJJ

OF WORK.

THE SITE ENGINEER BEFORE THE EXECUTION

W1 W5

CHAJJA ABOVE W8

FOYER BELOW W3 D2 D2

14 15 16 17 18 19 20 21 22 23 24 25 26

D1 D1

W1 UP W1

1 2 3 4 5 6 7 8 9 10 11 12

13 W1

CHAJJA ABOVE

BUNGALOW DESIGN

+0M LEVEL.

Description of the Project :

GROUND FLOOR

+0.9M LEVEL.

ABO

BACKSIDE PLINTH LEVEL

DEVELOPEDGROUND LEVEL +0.0M Description of the Project :

230x600MM R.C.C. PLINTH BEAM VATA/COVING PLINTH PROTECTION

+0.45M LEVEL.

150MM THK P.C.C. BED

AJJ

+0.9M LEVEL.

SECOND FLOOR CH

20MM THK SCREED 20MM THK TILES

PLINTH LEVEL +0.45M

PLINTH LEVEL

100MM THK P.C.C. SILL 230MM THK BRK WALL

LEGEND.

BACKSIDE PLINTH LEVEL

LEGEND.

+3.75M LEVEL.

CHAJJA ABOVE

FIRST FLOOR

WRITING.

BUNGALOW DESIGN

COLLEGE STAMP & GUIDE'S SIGN.

COLLEGE STAMP & GUIDE'S SIGN. GROUND FLOOR

SCALE :

1:50

TRINISHA SRIJITH

ROLL NO. :

1876

R.C.C. ISOLATED FOOTING 150MM THK P.C.C. BED

EXAM. SEAT NO. : 3411

230MM THK DRY RUBBLE PACKING

CHAJJA ABOVE

TERRACE ABOVE

W4 W5

CHAJJA ABOVE

TERRACE ABOVE

CHAJJA ABOVE

1876

ROLL NO. :

NAME :

TRINISHA SRIJITH

CHAJJA ABOVE

NAME :

DWG. NO. :

1:50

CHAJJA ABOVE

SCALE :

SECOND FLOOR

DWG. NO. :

FIRST FLOOR

FOYER BELOW

14 15 16 17 18 19 20 21 22 23 24 25 26

13 UP

1 2 3 4 5 6 7 8 9 10 11 12

D2 W1

CHAJJA ABOVE

E W5

OV AB A AJJ

CH W1

W1 W3

AJJ

D1 W1

WORKING DRAWING

STRIP SECTION 1

SCALE:1:25

LIVING SPACE BELOW

14 15 16 17 18 19 20 21 22 23 24 25 26

RAMMED EARTH

YEAR : 3RD YEAR

CHAJJA ABOVE

1 2 3 4 5 6 7 8 9 10 11 12

14 15 16 17 18 19 20 21 22 23 24 25 26

CHAJJA ABOVE W1 W1

CHAJJA ABOVE

YEAR : 3RD YEAR

1 2 3 4 5 6 7 8 9 10 11 12

EXAM. SEAT NO. : 3411

CHAJJA ABOVE

+0M LEVEL.

18MM THK INTERNAL PLASTER

THE SITE ENGINEER BEFORE THE EXECUTION

16.DRAWINGS TO BE CHECKED THOROUGHLY BY

GROUND FLOOR

16.DRAWINGS TO BE CHECKED THOROUGHLY BY

CHAJJA ABOVE

LINE, EXCEPTION FOR CASE SPECIFIC.

15.VOIDS TO BE MARKED WITH DIAGONAL LINES.

+0.45M LEVEL.

DRIP MOULD

LINE, EXCEPTION FOR CASE SPECIFIC.

CHAJJA,CANOPIES TO BE SHOWN IN DOTTED

SUCH

CHAJJA ABOVE

PROJECTIONS

1 2 3 4 5 6 7 8 9 10 11 12

14.ARCHITECTURAL

CHAJJA,CANOPIES TO BE SHOWN IN DOTTED SUCH

PROJECTIONS

14.ARCHITECTURAL

CHAJJA ABOVE

+7.5M LEVEL.

THE GROUND FLOOR LEVEL.

600MM WIDE R.C.C. CHAJJA

SECOND FLOOR

13.LEVELS ARE MENTION WITH REFERENCE TO

THE GROUND FLOOR LEVEL.

13.LEVELS ARE MENTION WITH REFERENCE TO

UNFINISHED FACE.

14 15 16 17 18 19 20 21 22 23 24 25 26

12.ALL DIMENSIONS ARE FROM UNFINISHED TO

BULLNOSE 100MM THK R.C.C. LINTEL

UNFINISHED FACE.

12.ALL DIMENSIONS ARE FROM UNFINISHED TO

18 MM EXTERNALLY.

PLINTH LEVEL

230x600MM R.C.C. BEAM

18 MM EXTERNALLY.

11.PLASTER THICKNESS 12 MM INTERNALLY AND

+3.75M LEVEL.

GROUND FLOOR

40MM THK SCREED

PROJECTIONS. 11.PLASTER THICKNESS 12 MM INTERNALLY AND

PROJECTIONS.

FIRST FLOOR

9. FIRST COAT TO BE MADE WITH WATER 10.DRIP MOULD TO BE PROVIDED TO ANY

10.DRIP MOULD TO BE PROVIDED TO ANY

+7.5M LEVEL.

THICKNESS. PROOFING ADMIXTURES.

9. FIRST COAT TO BE MADE WITH WATER PROOFING ADMIXTURES.

SECOND FLOOR

230MM THK BRK WALL 20MM THK TILES

CHAJJA ABOVE

11.25M

12MM THK INTERNAL PLASTER

100MM HIGH SKIRTING

+3.75M

7. BRICKS TO BE LAID WITH FROGS UPWARDS.

RESPECTIVELY.

TERRACE FLOOR

SPECIFICATIONS

DEPTH,THICKNESS,PROJECT

+14.1M LEVEL.

MUMPTY LEVEL

4. R.C.C FRAMED STRUCTURE.

100MM THK P.C.C. SILL

TERRACE ABOVE

MUMPTY LEVEL

4. R.C.C FRAMED STRUCTURE. 5. REFER SEPARATE NOTES FOR MINIMUM

CHAJJA ABOVE

+14.95M LEVEL.

3. DATA'S ARE ASSUMED WHEREVER REQUIRED.

TANK BOTTOM

1. THIS IS AN ACADEMIC EXERCISE. 2. DRAWINGS SHOULD NOT BE MEASURED.

1. THIS IS AN ACADEMIC EXERCISE.

+16.15M LEVEL.

TANK TOP

NOTES :-

ELEVATION C-C'

WORKING DRAWING

+1200MM +1200MM +900MM +900MM +450MM +450MM

+0MM +0MM

COMPOUND WALL ELEVATION COMPOUND WALL ELEVATION SCALE= 1:25

Y Y

A A

B B

C C

A' A'

B' B' 4000 4000

C' C'

SCALE= 1:25

D D

D' 5000 D' 5000 5350 5350 COMPOUND WALL PLAN @600MM

3175 3175 3525 3525

COMPOUNDSCALE= WALL 1:100 PLAN @600MM SCALE= 1:100

5000 5000

D' D'

5350 5350

COMPOUND WALL PLAN @300MM COMPOUND SCALE= WALL PLAN @300MM 1:100

350230 270

WOODEN CLADDING ON 230 MM THICK BRICK WALL SECTION B-B' WOODEN CLADDING ON 230 MM THICK BRICK WALL

SECTION A-A'

150 MM THICK BRICK WALL 150 THICK BRICK WALL 350 MM x 350 MM RCC COMPOUND WALL COLUMNS 350 x 350 MM RCC COMPOUND WALL COLUMNS

20 MM THICK WOODEN CLADDING ON 230 MM THICK BRICK 20 MM WALL THICK WOODEN CLADDING ON 230 MM THICK BRICK WALL JOINING THE BRICK WALL AND CLADDING 8MM SCREWS 8MM SCREWS JOINING THE BRICK WALL AND CLADDING

SCALE= 1:10

NIRALI ANTI-SCRATCH KITCHEN SINK

18MM MARBLE

SINK DETAIL AT 1:5 SCALE -1:5

4000

ADJACENT

4000

2650

4000

2650

AC 4040

4000

AC 4000 4040

AR. 256 SQ M G+2 AR. 256 SQ M G+2

ADJACENT

12320

6300

12320

350 350

4000

350 350

4000

4000 35000

4000

DETAIL A SCALE -1:5

5000 5350

3525

5000 5350

3525

SECURITY CABIN

4000 35000

AD 57

SECURITY CABIN

55 59

SCALE= 1:100 SCALE= 1:100

4000

55 59

COMPOUND WALL PLAN @1200MM COMPOUND WALL PLAN @1200MM

18 MM MOTAR VERICAL 25 X 6 MM TEAK WOOD EDGING

4000

2100 4000

4000

2100 3995

4650

40MM X 40 MM WOOD PLAN DETAIL Y @600MM SCALE= 1:10Y @600MM PLAN DETAIL

3525 3525

4000

4000 3995

5000 5350 5000 5350

D D'

4000

4000 B' 4000

C C'

B B'

3575

4000 4000

A A'

18MM GRANITE

25 MM THK KADAPPA

4000 4000

350

4650

350

I8 MM THK GRANITE PLATFORM 20MM THK CEMENT SCREED A W5

600

4285

1200

1000

600

4285

AT LEVEL 1050MM

600

A 700

KITCHEN PLATFORM FIXING DETA SCALE -1 D3

PLAN

200

SCALE = 1:50

A 700

600

1000

2000

200

600

1200

2000

A 700

600

4285

800

1000

2000

200

CEMENT SCREED

800

1200

25 MM THK KADAPPA

600

350

X CEMENT SCREED

8 MM DADO

230 MM BRICK WALL

I8 MM THK GRANITE PLATFORM

3575

8 MM SCREEDING

6000

12 MM THK PLASTER

6000

FRONT ELEVATION FRONT ELEVATION SCALE= 1:100 SCALE= 1:100

400 600

4000

350230 270

800

1200 1200 300 300 900 900 450 450 450300 450 300

SCALE= 1:100

3175 3175 3525 3525

4000 4000

C' C'

25000

B' B' 4000 4000

4000 4000

A' A'

D D

25000

C C

4000 4000

B B

4000 4000

A A

PLAN

AT LEVEL 600MM

PLAN

AT LEVEL 1500MM

KITCHEN DETAILS

SECTION A-A' SECTION A-A'

12 MM THK PLASTER I8 MM THK GRANITE PLATFORM

230 MM BRICK WALL I8 MM THK GRANITE PLATFORM

12 MM THK PLASTER 8 MM SCREEDING 230 MM BRICK WALL 8 MM DADO

8 MM SCREEDING 8 MM DADO

SECT

1. THIS IS AN ACADEMIC EXERCISE. 1. THIS IS AN ACADEMIC EXERCISE. 2. DRAWINGS SHOULD NOT BE MEASURED. 2. NOT BE MEASURED. 3. DRAWINGS DATA'S ARE SHOULD ASSUMED WHEREVER REQUIRED. SCALE= 1:5 3. DATA'S ARE ASSUMED WHEREVER REQUIRED. 4. R.C.C FRAMED STRUCTURE. 4. REFER R.C.C FRAMED STRUCTURE. 5. SEPARATE NOTES FOR MINIMUM

DETAIL A

5. REFER SEPARATE NOTES FOR MINIMUM DEPTH,THICKNESS,PROJECT SPECIFICATIONS DEPTH,THICKNESS,PROJECT SPECIFICATIONS FOR STRUCTURAL MEMBERS.

8MM DIA SCREWS JOINING WOODEN CLADDING AND BRICK WALL

LIGHT

5MM THICK MS STEEL PLATE FOR FOR LIGHT HOLDER 5MM THICK MS STEEL COVER PLATE

20MM THICK WOODEN CLADDING ON 230MM THICK BRICK

7. TO BE LAID WITH UPWARDS. 8. BRICKS MORTARS SHOULD NOTFROGS EXCEED 18 MM IN 8. MORTARS THICKNESS.SHOULD NOT EXCEED 18 MM IN THICKNESS. 9. FIRST COAT TO BE MADE WITH WATER

NICHE FOR LIGHTING

9. FIRST COAT TO BE MADE WITH WATER PROOFING ADMIXTURES. PROOFING ADMIXTURES. 10.DRIP MOULD TO BE PROVIDED TO ANY

230MM THICK BRICK WALL

10.DRIP MOULD TO BE PROVIDED TO ANY PROJECTIONS. PROJECTIONS. 11.PLASTER THICKNESS 12 MM INTERNALLY AND 11.PLASTER THICKNESS 12 MM INTERNALLY AND 18 MM EXTERNALLY.

8MM DIA SCREWS JOINING THE RCC COLUMN AND STEEL PLATE

150 350

350 x 350 MM THICK RCC COMPOUND WALL COLUMN

METAL CONDUIT FOR LIGHTING SERVICES

18 MM EXTERNALLY. 12.ALL DIMENSIONS ARE FROM UNFINISHED TO 12.ALL DIMENSIONS UNFINISHED FACE.ARE FROM UNFINISHED TO

SLIDING GATE

METAL CONDUIT FOR LIGHTING SERVICES

UNFINISHED 13.LEVELS ARE FACE. MENTION WITH REFERENCE TO 13.LEVELS ARE MENTION WITH REFERENCE TO THE GROUND FLOOR LEVEL.

20 MM THICK EXTERNAL PLASTER

DETAIL C

THE GROUND FLOOR LEVEL. 14.ARCHITECTURAL PROJECTIONS SUCH AS 14.ARCHITECTURAL PROJECTIONS SUCH AS CHAJJA,CANOPIES TO BE SHOWN IN DOTTED CHAJJA,CANOPIES TO BE SHOWN IN DOTTED LINE, EXCEPTION FOR CASE SPECIFIC.

SCALE= 1:5

DETAIL B

LINE, EXCEPTION FOR CASE 15.VOIDS TO BE MARKED WITHSPECIFIC. DIAGONAL LINES. 15.VOIDS TO BETO MARKED WITH DIAGONAL LINES. 16.DRAWINGS BE CHECKED THOROUGHLY BY

SCALE= 1:5

16.DRAWINGS TO BE CHECKED BY THE SITE ENGINEER BEFORETHOROUGHLY THE EXECUTION THE SITE ENGINEER BEFORE THE EXECUTION OF WORK.

OF WORK. 17.ANY AMBIGUITY TO BE CLARIFIED BY THE 17.ANY AMBIGUITY BE CLARIFIED BY THE ARCHITECT WITHTOIMMEDIATE EFFECT IN

RCC PRECAST TRENCH

350 x 350 MM THICK RCC COMPOUND WALL COLUMNS

SECTION A-A'

BUNGALOW DESIGN BUNGALOW DESIGN

1876 1876

METAL CONDUIT FOR LIGHTING

TRENCH FOR CARRYING OUT LIGHTING SERVICES

570

EXAM. SEAT NO. : 3411 EXAM. SEAT NO. : 3411 YEAR : 3RD YEAR YEAR : 3RD YEAR

350 x 350 MM THICK RCC COMPOUND WALL COLUMNS

1050 1200

1:50 1:50

RCC COMPOUND WALL FOUNDATION

300

ROLL NO. : ROLL NO. :

SCALE= 1:5

TRINISHA SRIJITH TRINISHA SRIJITH

NAME : NAME :

DETAIL C

LIGHT

1050 1200

SCALE : SCALE :

1120

SECTION B-B'

Description of the Project : Description of the Project :

20 20

570

150 150 120

150 570

30MM DIA ROLLERS (2 IN NUMBER)

RCC COMPOUND WALL FOUNDATION

COLLEGE STAMP & GUIDE'S SIGN. COLLEGE STAMP & GUIDE'S SIGN.

C- CHANNEL PLATE

SLIDING GATE

1120

DWG. NO. : DWG. NO. :

1200

380

230 MM THICK BRICK WALL

300 400

150 MM THICK BRICK WALL

900 1050

520 900 1050

150 750

1050

1200

LIGHT

ARCHITECT WITH IMMEDIATE EFFECT IN WRITING. WRITING.

LEGEND. LEGEND.

STRUCTURAL 6. FOR WALLS ARE ANDMEMBERS. 230 AND 150 MM. THK. 6. RESPECTIVELY. WALLS ARE AND 230 AND 230 150 MM. THK. RESPECTIVELY. 7. BRICKS TO BE LAID WITH FROGS UPWARDS.

150 150 120

G G

NOTES :-

400

1120

SLIDING GATE TRENCH FOR LIGHTING SEVICES

WORKING SECTION C-C' WORKING DRAWING DRAWING

TION B-B'

PRE CAST TRENCH

SECTION D-D'

50MM ROLLERS (2 IN NUMBER)

MS STEEL GUIDER PLATE

SECTION B-B'

SECTION A-A' NOTES :1. THIS IS AN ACADEMIC EXERCISE. 2. DRAWINGS SHOULD NOT BE MEASURED.

12 MM THK PLASTER

3. DATA'S ARE ASSUMED WHEREVER REQUIRED. 4. R.C.C FRAMED STRUCTURE. DEPTH,THICKNESS,PROJECT

SPECIFICATIONS

FOR STRUCTURAL MEMBERS. 6. WALLS ARE AND 230 AND 150 MM. THK. RESPECTIVELY. 7. BRICKS TO BE LAID WITH FROGS UPWARDS. 8. MORTARS SHOULD NOT EXCEED 18 MM IN THICKNESS.

8 MM SCREEDING

230 MM BRICK WALL

5. REFER SEPARATE NOTES FOR MINIMUM

I8 MM THK GRANITE PLATFORM CEMENT SCREED

18MM GRANITE

9. FIRST COAT TO BE MADE WITH WATER

400 600

PROOFING ADMIXTURES. 10.DRIP MOULD TO BE PROVIDED TO ANY

8 MM DADO

25 MM THK KADAPPA

40MM X 40 MM WOOD

NIRALI ANTI-SCRATCH KITCHEN SINK

18 MM MOTAR VERICAL 25 X 6 MM TEAK WOOD EDGING

PROJECTIONS. 11.PLASTER THICKNESS 12 MM INTERNALLY AND 18 MM EXTERNALLY. 12.ALL DIMENSIONS ARE FROM UNFINISHED TO UNFINISHED FACE. 13.LEVELS ARE MENTION WITH REFERENCE TO THE GROUND FLOOR LEVEL. 14.ARCHITECTURAL

PROJECTIONS

SUCH

LEGEND.

SINK DETAIL AT 1:5 SCALE -1:5

18MM MARBLE

DETAIL A SCALE -1:5 I8 MM THK GRANITE PLATFORM

This design project aims at transformation of mobility spaces of a bus terminu ing the idea of public mobility with respect to the current pandemic situa

In India, the public bus sector operates at 170,000 busses carrying 70 million people every day.With the current pandemic scenario, uncontrollable mobil ery square mile has given rise to increase in crowded spaces. The mobility sp becoming hotspots for transmission of diseases and hence caged people in homes.

Reimagining Bus Terminus

Evolution of Mobility Spaces The rudimentary stage of any given path is often alluded as the imperfect and under developed beginning. Public mobility spaces have always been the core of development.Nonetheless, for several past years, the aim of development has been distorted owing to our hedonistic intentions and objectives. But somehow the catastrophe has urged us to reconsider the fundamental outlook towards mobility spaces. We have been accustomed by an opportunity to retrieve our short comings and remodel in the right course of action.

preliminary undefined

us, changation.

n or more lity at evpaces are nside their conjunction dispersion

assembly

dynamic supportive

exchange chaos

overlap

WHERE DO WE TURN TO WHEN OUR PUBLIC SPACES TURN SO HOSTILE ?

ANDC 2020-21

S.S.A.386

Unorganized movement of users in existing crammed bus shelters

Reducing contact between commuter and cashier while exchanging cash.

TICKET COUNTER

Staggered ticket counter screen for easy verbal communication

Provision of inclined surface at the forepart of ticket window to avoid leaning of people

Minimizing surface contact TICKET COUNTER

Physical distancing through zig zag guides

Staggered window screen Revolving Disc

Incined Surface

Screen/ shield to guide the queue

Back rest / support to avoid stagnation of queues

Effectively organizing the movement of users in order to decrease the spread of contagion.

ANDC 2020-21

S.S.A.386

Influx of crowd from station

Existing bus shelter

Existing inutile bus shelters on the footpath compel the pedestrians to use the road instead. The space also acts as a transition between the station and adjoining vehicular roads.

Existing iron rods

Staggered iron rods

Towards station

Demarcated zones for Bus halt

Staggered partitions for effective division ofcrowd.

Dedicated drop off point acts as walkway enhancing connectivity between the bus depot and station.

ANDC 2020-21

Provision of Automatic Ticket Vending Machine (ATVM)makes it easier for the collection of train tickets, on the go. Beside the atvm, series of frames gives a sense of direction and space to the people standing in the queue

S.S.A.386

A view from the entrance gallery.

Photo Galler

passage besides courtyard.

Windows on the entrance porch.

Front Elevation when viewed fro

of the Library.

A view of roof from Entrance gallery.

Documentation

A view of roof over t

ry.

om the garden.

the side porch.

Includes three documentaion experiences 1. Ghuria, Rajasthan (LIK documentaion) | SPECIAL MENTION 2. Shri Aurobindo Nivas, Gujarat (LIK documentation) | SHORT LISTING 3. Jhuntamara, Odisha (Intach Heritage Award) | CITATION

1200

1260

500

100

430

100

425

930

Fig. 4c. Visitors sometimesPLAN circumambulate around it offering their respect.

PLAN

PLAN Key Plan

0.3

DOOR A

900

750

PLAN

DOOR H

Fig. 3a. Traces of the Brahmin village from 1890.

Section through the Memorial

Key Plan

AND CONSTRUCTION TECHNIQUE high construction cost of arches only aristrocrats of that era would find it economical to construct suchWith arches.the Theevolution entrance in housing, villagers are aiming a porch is divided into two parts with one part leveled up to permanence, durability and comfort at each stag maintain transition of cutting off light in the porch using French windows on both sides. The porches are used as a seating space of ‘lived in’ overpowers the facto where the factor by visitors and the walls are used to display information.

The faith believes in balance between aestheti of ‘looked on’. certain design elem which is incorporated using STAGE 1: Shyangrah allowances of light,Form: manipulating circulatio The orthogonal form the of the structure led mor surface area exposed to direct solar radiation result doorways and use of sound-absorbing materials Fig. 8d. December Fig. 8c. May ing in the heating of the structure. Moreover, the rect without changing the structure’s orignal form. angular form has edges which breaks the continuit WIND ROSE DIAGRAM

• The origin of Ghuriya began on a raised flat land with steep slope on one side and undulating land on the other.

• The flat lands could accommodate housing for 3-4 families, which resulted in downward organic growth of the village.

Samadhi is constructed with white marble which symbolizes peace and spirituality. The marble being a smooth finished material doesn’t hold heat in high temperatures, hence it is used for this covered space. Fig. Due 8a. Kotha built using stone (Badu) with mud The patterns on the are drawn using stone that The one construction of the lower part of Chaura is adorned Fig. 4g. Shoes are put off at the entrance to avoid to its non-porous crystalline structure and floor high thermal conductivity. Marble also helps to achieve and Fig. 4f. The cow columns and arches and dung plaster. hold deeper stateshas of meditation because of theoxide constant cool temperature, whichdone doesn’t painted with the with symbols of The is Mother and noise while walking. high content of iron which gives rich red byfluctuate womeneasily. and roof by men. The work

struction of settlements.

ways. The increase in pathways led to the evolution of junctions. These junctions actOCCUPATION ART ed as community art of embroidery is called as ‘Kanjri’ in the conductance of heat flow Occupations practiced in Ghuriya are animal hus- The spaces; further conlanguage. Women sell patterns kanjri toon foreigners material, thus lower the bandry, stone carving and serving staff in hotels. 48% local Fig. 13c. Women drawing verting them into pause points orThallo nodes. of the population is engaged in animal husbandry. who come to explore the village. Kanjri is worn ulation of the building

ENTRY

1910 1933 1951 1968 1996

A.D A.D A.D A.D A.D

1932 1950 1967 1995 2018

A.D A.D A.D A.D A.D

LEGEND

VOLUME AND HIERARCHY Sri Aurobindo, which marks their PRIMARY SECONDARY

Fig. 3c. Hierarchy of pathways

Fig. 3b. Growth of the village

Fig. 4h. Landscape working as a transition from vocif calm atmosphere.

divided, so that the construction of chaura can be belonging. done easily and faster. of the flow of wind. ‘thallo’ a central open space The deciduous vegetation acts as a shading device When men The collect material to construct roof, acts as a uniduring summers. Whereas in winters, the decidufying element forchaura all the spaces women build the lower part of using grav-around it. This el and mud. maintains a hierarchy from private The courtyard liesous invegetation an unforeseeable allows sunlight to enter through the to semi-priThus, spacesvate are constructed and designed to the neither on the visual to public space by acting as aposition, transitionalas it is openings. needs and knowledge of the users. • With the increase in dwellings, the orientation of the structures facilitated pathways. • The increase in pathways led to the evolution of junctions. • These junctions acted as community spaces; further used as pause points or nodes.

Courtyard

SRI AUROBINDO NIVASMemorial , VADODARA , GUJARAT Fig. 3d. Chabutra - A shaded seating area under tree.

ENTRY

axis that connects the entrance to the space. Into The Tranquil Transition The plinth is an extension of the house, open libraryannor on the one which connects

CONCLUSION spaceofused seating doing the the daily house side porch to the conference The availability new for materials andand construcchores. tion technique led to the ease in the construction room. The courtyard caters to almost Fig. 8b.which Kotha made protect with Sandstone and precement of a habitable space could thesand It also acts as a barrier against allthat the spaces by providing light. Thus, mortar. people fromvents anti-social elements, andstructure. The it from gettingcalamities inside the breaking the monotony of enclosed ORIENTATION provide security. Thisheight was theof‘process’ of evoarea and the plinth varies from house spaces. lution at each stage; where people were acquirMore than 50% of the houses in Ghuriya are east oriKNOWLEDGE Animal husbandry being one of the primary occu- TRADITIONAL to house. only by the married females along with ‘KandoMASTER PLAN Volumetrically ing knowledge in order to find ‘the permanent Fig. 13a. Small chandeliers made by Fig. as 8e. compared Tree shading during summers. ented this is because the morning sunlight during theit is small are taught stitching, embroidery and other daipations of the villagers, transformed thewomen function of Girls lia’ (bangle) and ‘Hasli’ (necklace). Unmarried solution’. Though they couldDuring not achieve an im- toasthe built up area, which vhelps in Cardboard ly chores as a tradition by their mothers to show the day is mild. the afternoon, the sun moves kuda from sleeping space to cattle shed. 40% of the girls wear Salwar Kurta. Bhils are decorated using small and flat plasticJaisalmer, disc but they acknowledged Rajasthan girl’s in-laws that she is talented and capable to main- perishable shelter, efficient stack towards the south direction;every the front open space getsventilation. villagers’ work as labourers and artisans in Jaisalm0.28 to reflect light and ornamented (chitra) to appear aesThe Louis I. Kahn Trophy rudimentary stage as 2018-2019 their home. Hence, the Ancarving Endeavour to for Explore er, who are specialised stones façade tain a household. the shadow of chaura, kuda and kotha. Fig. 6a. Traces of the Brahmin village from 1890. The Louis I. Kahn Trophy 2018-2019 SHEET NO. 3 in the course of thetically appealing. Theseinplastic discs are known upcoming stage of the dwelling (Ghat work). 12% of the villagers are working in ho- On the other hand, boys are introduced to animal The openings are small in size to reduce the impact as sitara. time remains untraversed. Jaisalmer. The origintels of of Ghuriya began on a raised flat land with husbandry, giving them an understanding for the of sand storms and to control cold and hot wind i.e. The roof of the chaura in this house has the most steep slope on one side and undulating land on other. profession. LEGEND

DESCRIPTION

Fig. 3e. Sabha at node.

• Fresh water is bought by water tankers from a pond at a distance of 8Kms from the village. These tanks hold the capacity of supplying water to 3-4 families per week.

Fig. 8g. Collecting red Fig. 5g: Transfer of heat sand stone for construction. Material: Red sand stone (Badu) used for the co struction of dwellings in the 13th century was eas available. Badu stone being soft formerly, was ea to cut and carve. But due to the accumulation of ha strata, it became difficult for the present dwellers cut and carve the stone. The Red sand stone has a l U-value that results in the time lag of 4-5 hours.

Fig. 3f. Taki as pausepoints (temporary seating spaces).

Timber

A.C. Sheet 1.05

0.15

GHURIYA,

Conference

MUD

THATCH ROOF

The flat lands could accommodate 3-4 families which resulted in downward organic spread of housing. GIANT MILKWEED

KANJRI

ANIMAL HUSBANDRY

the maximum dimension of the window is around 400mm 400mm. The openings which are in the opadvanced way of xconstructing chaura’s conical The conference hall is accessible from posite of thespace wind surrounded are kept openby(southFig. 6f. direction Central open pri- and the library. Every Fig. 5b. Visual axis from entrance, the side porch roof i.e., The hereverandah the rafters are supported by a post Fig.5a. surrounding the west in summer in winter). vateand andnortheast public spaces making courtyard unforseen. 8f. Tree allowing courtyard provides sun shade evening, lectures ofFig. ‘Savitri’, an epicsunlight during winters.

Fresh water is bought by water from feeding a Fig. 13b. Utensils stored in Bhil. Fig. tankers 13d. A teenager his goat. pond at a distance of 8Kms from the LEGEND LABOURERS AND ARTISANS SERVING STAFF village. These tanks hold the capacity of Fig. 12b. Different occupations in Ghuriya. This house Fig. 6b. Growth of the Fig. 6c. Hierarchy of path- supplying water to SOCIAL VALUES used for village ways Fig. 6e. Taki asare pausepoints 3-4 families for a Women sacrifice their comfort for men by sleepg the materials used for week. Jaisalmer. has the most ing in Chaura (cooking space); while men sleep in GAADI(BLANKET) > flooring > plaster)

ANDOM UBBLE AND UD MORTAR

ADOBE

MUD

MUD AND COW DUNG

ALLOY

HATCH OOF

MUD CEMENT

MUD

NO PLASTER CEMENT PLASTER

ENTRY

1910 1933 1951 1968 1996

A.D A.D A.D A.D A.D

1932 1950 1967 1995 2018

A.D A.D A.D A.D A.D

PRIMARY SECONDARY

MUD PLASTER

ra’s conical ed by a post

made up of hanged into the layer of

Fig.5c Courtyard caters many services of the structure including toilet, drainag water cooler.

on the top. using slits to check direct poem written by Sri Aurobindo are Fig. 4b. The connection side porch; sometimes The of Louis I. Kahn Trophy 2018-2019used as a rainfall which for its are made up of There aresunlight total 24andrafters delivered here. This room lies on the smooth functioning. for meditation. finished timber. The purlins have changed into thus recieves maximum western side, makes bracings of timber which support air theand layer of it suitable as a gathering space. thatch are tied2018-2019 with ropes. The Louis I.that Kahn Trophy

GHAT WORK

Fig. 6d. Sabha at node.

PLAN

SHEET NO. 8

• The Thar desert is an undulating terrain with fragments of flat land, which provides an advantage in construction of settlements.

INTERIOR SPACES The internal walls are plastered and PLANNING With the increase in mixture of mud-cow dung and husk of Bajra crop coloured pigment. The pattern does not wear off easidwellings, the oriento repel termites. Khair wood is plastered with this ly as the paint settles on the mud floor and mixes with The Thar desert is an undulating terrain with frag- tation of structures mixture and is used to make shelf and cabinets called the plaster. ments of‘BHIL’, flat land provides an advantage in confacilitated paththatwhich are used to store utensils and blankets .

550 1100

Sri Aurobindo nivas is a load bearing structure, any hindrances of columns andAA’protruding beam Section flowing plan making it’s transformation conve into an ashram. Gable roof increases the heigh Entrance volume. The protruding and embracive entrance porch comprises of columns and volumes series of arches(arcade) guiding one inside the 0 Large increase chances of echo and ma structure. Another course with similar series of arches, but comparatively EVOLUTION OF SPACES W.R.T MATERIAL silence. greater length exists in front of the memorial.Considering the

SRI AUROB

Fig. 4e. The pattern made by flowers on the Samadhi along with small shrubs and incense sticks spread pleasant aroma in the surroundings. PLANNING

PORCH

Fig. 5e. Library

An Endeavour to Explore

Reflected Ceiling Plan of The Memorial adorned with symbol of ‘The Mother’

PASSAGE

OneDOOR thing about Sri Aurobindo Nivas is that eve J DOOR K encase its silence. Silence is something which p atmosphere calm and serene. This is experience the landscape, followed by the barefeet walkin materials which absorb sound. Transition The Tra The Louis I. Kahn TrophyInto 2018-2019

GHURIYA, Jaisalmer, Rajasthan

Fig. 4d. Chhatri architecture

MEDITATION HALL1

Introduction to the Spaces 500

115

PLAN

M 0.6

0.1

DOORareB preserved in the Samadhi, establishing DOOR The relics of Sri Aurobindo it as the sacred G core of the complex. The memorial has been designed with no ornamentation and as a covered space. The use of uniform color yet different textures makes it stand out in the surrounding. In a very minimalistic way they have tried to imitate chatri, which is a very common form of architecture for samadhis in India.

towards the courtyard, conference hall and the corridor whichCONFERENCE connects it MEDITATION LIBRARY 2 rooms. The shape determines toHALL other D C' the movement of users which is linear. series of doors aligned axially from 100 The side porch to the courtyard provide cross ventilation keeping the room cool. The louvers in doors facilitates the flow of wind further providing escape B' towards the courtyard.

400

120

110

150 520

R.C.C. EXTENSION

COURTYARD

STORE ROOM

kotha. Though the treasury is kept in Bakhari, there have been not a single theft up till date. This shows the trust that people have on each other.

Fig. 6g. Thallo as a gathering space.

also has two refrigerators which storing 10 milk which is later sold in

The Louis I. Kahn Trophy 2018-2019 SECURITY CABIN

The Louis I. Kahn Trophy 2018-2019

ators which later sold in

er raf-

Fig. 4c. Visitors sometimes circumambulate around it offer their respect.

The relics of Sri Aurobindo are preserved in the The memorial has been designed with no ornam different textures makes it stand out in the sur In a very minimalistic way they have tried to im samadhis in India.

Introduction to the Spaces One thing about Sri Aurobindo Nivas is that even pictures cannot encase its silence. Silence is something which primarily makes the atmosphere calm and serene. This is experienced as soon as one enters the landscape, followed by the barefeet walking and then the use of materials which absorb sound. Sri Aurobindo nivas is a load bearing structure, hence it doesn’t have any hindrances of columns and protruding beams which provides a freeflowing plan making it’s transformation convenient from a residence into an ashram. Gable roof increases the height and adds up to the volume. Large volumes increase chances of echo and makes one concious of the silence. The faith believes in balance between aesthetic and materialistic life, which is incorporated using certain design elements like altering the allowances of light, manipulating the circulation by blocking selected doorways and use of sound-absorbing materials,aroma and symbols without changing the structure’s orignal form.

Fig. 4a. A view from the balcony YSIZE XSIZE

Memorial B

AXONOMETRIC VIEW 0 0.5

2 M

Fig. 10a. Conical roof with timber rafters and bracings.

0 0.5

2 M

Front El A

The Louis I. Kahn Trophy 2018-2019

AXONOMETRIC VIEW B

Fig. 4b. The connection of side porch; sometimes used as a space for meditation.

The Louis I. Kah C'

STORE ROOM

COURTYARD

R.C.C. EXTENSION

MEDITATION HALL 2

LIBRARY

CONFERENCE

MEDIT HA

+5.80M

+4.61M

+9.13M

+3.63M

en pictures cannot primarily makes the Right Elevation ed as soon as one enters ng and then the use of VADODARA , GUJARAT +7.74M

+0.00M

+6.61M

BINDO NIVAS ,

+4.04M

JHUNTAMARA , 1

ODISHA

+16.5M

The Louis I. Kahn Trophy 2019 - 2020

anquil

SHEET NO . 5

+0.64M

hence it doesn’t have ms which provides a freeenient from a residence ht and adds up to the

+12.4M

YSIZE XSIZE

+0.00M

+9.13M +8.11M

Administration

+5.80M

akes one concious of the

+4.61M +3.63M

ic and materialistic life, ments like altering the To the right of the entrance lies admin office, previously served as meeting space for on by blocking selected which Sri Aurobindo where he attended his students Introduction to the Spaces and visitors. There is a large window at the right of the entrance through which one can s,aroma and symbols see visitors the porch. Fig.coming 4a. from A view from the balcony

+0.00M

Fig. 4j. Administration Office

One thing about Sri Aurobindo Nivas is that even pictures cannot Entrance porch encaseFig. its 4i. silence. Silence is something which primarily makes the atmosphere calm and serene. This is experienced as soon as one enters the landscape, followed by the barefeet walking and then the use of materials which absorb sound.

ferous to the

The

+16.5M

Courtyard

Sri Aurobindo nivas is a load bearing structure, hence it doesn’t have any hindrances of columns and protruding beams which provides a freeflowing plan making it’s transformation convenient from a residence into an ashram. Gable roof increases the height and adds up to the volume. Large volumes increase chances of echo and makes one concious of the silence.

+12.4M

The tower has two bands of louvered w ventilation. The tower acts as a narrow e wind towards it and allows continuous

The courtyard lies in an unforeseeable The toweras has bandson of the louvered position, it two is neither visual windows which helps with stack ventilation. The tower acts as a narrow axis that connects the entrance to the escape which helps in directing Louis I. Kahn Trophy 2019 - 2020 wind towards and allows library nor on it the one whichcontinuous connects air movement. The faith believes in balance between aesthetic and materialistic life, which is incorporated using certain design elements like altering the the side porch to the conference allowances of light, manipulating the circulation by blocking selected SHEET NO . 4 doorways and use of sound-absorbing materials,aroma and symbols Fig. 4a. AAs view from the balcony room. The courtyard caters almost the structure belongs to ato time when there were no artificial means without changing the structure’s orignal form. B allventilation. the spaces by providing light.ofThus, of The placement doors, louvered windows and tower Memorial breaking the monotony ofThus, enclosed helps in effective cooling. cutting off the energy consumption. D' spaces. Volumetrically it is small as compared to the built up area, which vhelps in efficient stack ventilation. B

+9.13M

As the structure belongs to a time when of ventilation. The placement of doors helps in effective cooling. Thus, cutting +6.78M

+4.65M

+3.63M

+2.99M

+0.90M

+0.00M

Front Elevation C

Conference

Fig. 4b. The connection of side porch; sometimes used as a space for meditation.

a space

STORE ROOM

The conference hall is accessible from the side porch and the library. Every evening, lectures of ‘Savitri’, an epic poem written by Sri Aurobindo are delivered here. This room lies A' on the side, thus recieves maximum Fig. 4c. Visitors sometimes circumambulate around it offering Keywestern Plan their respect. air core and makes The relics of Sri Aurobindo are preserved in the Samadhi, establishing it as the sacred of the complex. it suitable as a gathering The memorial has been designed with no ornamentation and as a covered space. The use of uniform color yet space. different textures makes it stand out in the surrounding. Fig.5a. The verandah surrounding the courtyard provides sun shade using slits to check direct sunlight and rainfall for its A functioning. smooth

e ge and

Fig.5c Courtyard caters many services of the structure MEDITATION CONFERENCE including toilet,MEDITATION drainage and LIBRARY PASSAGE HALL1 HALL 2 water cooler.

Fig. 5b. Visual axis from entrance, making courtyard R.C.C. unforseen. COURTYARD EXTENSION

+12.4M

PORCH

+9.13M

A' +7.74M

+6.61M

In a very minimalistic way they have tried to imitate chatri, which is a very common form of architecture for samadhis in India.

+4.04M

+16.5M

+0.64M YSIZE XSIZE

+0.00M

+12.4M

Fig. 4d. Chhatri architecture

SECURITY CABIN

Fig. 4e. The pattern made by flowers on the Samadhi along with small shrubs and incense sticks spread pleasant aroma in the surroundings.

PASSAGE

PORCH

+4.61M +3.63M

B' Memorial Section through the 0

Key Plan

Samadhi is constructed with white marble which symbolizes peace and spirituality. The marble being a smooth finished material doesn’t hold heat in high temperatures, hence it is used for this covered space. Due to its non-porous crystalline structure and high thermal conductivity. Marble also helps one to achieve and hold deeper states of meditation because of the constant cool temperature, which doesn’t fluctuate easily.

+0.00M

MEDITATION HALL 4

Fig. 4f. The columns and arches adorned with symbols of The Mother and Sri Aurobindo, which marks their belonging.

ADMIN OFFICE

PASSAGE

Fig. 4g. Shoes are put off at the entrance to avoid noise while walking.

R.C.C. EXTENSION

Administration

YSIZE XSIZE

Fig. 4j. Administration Office

Fig. 4h. Landscape working as a transition from vociferous to the calm atmosphere.

SRI AUROBINDO NIVAS , VADODARA , GUJARAT

e Samadhi, establishing it as the sacred core of the complex. mentation and as a covered space. The use of uniform color yet rrounding. Transition Into The Tranquil mitate chatri, which is a very common form of architecture for

PORCH

COURTYARD

The protruding and embracive entrance porch comprises of columns and series of arches(arcade) guiding one inside the FIRE EXIT structure. Another course with similar series of arches, but comparatively greater length exists in front of the memorial.Considering the high construction cost of arches only aristrocrats of that era would find it economical to construct such arches. The entrance porch is divided into two parts with one part leveled up to maintain transition of cutting off light in the porch using French windows on both sides. The porches B' are used as a seating space by visitors and the walls are used to display information.

MEDITATION HALL 5

+5.80M

Reflected Ceiling Plan of The Memorial adorned with symbol of ‘The Mother’

Section AA’

STORE ROOM

Entrance

ADMIN OFFICE

Left Elevation

+9.13M

MEDITATION HALL 4+8.11M

ring

Fig. 4i. Entrance porch

To the right of the entrance lies admin office, which previously served as meeting space for STAGE his students Sri Aurobindo where he attended and visitors. There is a large window at the right of the entrance through which one can see visitors coming from the porch.

+16.5M

+12.4M

The Louis I. Kahn Trophy 2019 - 2020 SHEET NO . 4

YSIZE XSIZE

+9.13M

+6.78M

Section B

+4.65M +3.63M +2.99M

Section BB’

+0.90M +0.00M

levation

TATION ALL1

THE UNCHARTED HAMLET

+12.4M

PASSAGE

PORCH

+9.13M

TRINISHA SRIJITH

trinishasrijith@gmail.com Trinisha S +91 9004402255