Trisha Arts 2018 Portfolio by Trisha Arts

ARCHITECTURA PORTFOLIO 2018 TRISHA ARTS

EDUCATION UNIVERSITY OF TORONTO Daniel’s Faculty of Architecture, Landscape and Urban Design

2015-Present

Candidate for Masters of Architecture Degree Cumulative GPA 3.94

CARLETON UNIVERSITY Azrieli School of Architecture & Urbanism

2010-2014

Bachelor of Architectural Studies, Major in Design Cumulative GPA 11.0 2013 Directed Study Abroad in London, England

ACADEMIC WORK EXPERIENCE University of Toronto | Toronto Teaching Assistant

trisha ARTS trishanarts@gmail.com 519-831-8229 Toronto, Ontario www.trisha-arts.com

• • •

2017-Present

Providing undergrad students with desk crits and formal critiques on studio projects Assisting in creating site models for students using digital fabrication Assisting students learning grasshopper programming

PROFESSIONAL WORK EXPERIENCE KPMB Architects | Toronto Intern Architect

April 2016-Sept 2016 April 2017-Sept 2017

• Coordination of SD and DD drawing set for a major Toronto corporate project • Preparing presentations of design studies for client meetings • Assisting with KPMB Lab design for innovative ideas and approaches • Facilitating marketing functions on all levels of new business development and publicity/public relations • Assisting marketing department by providing graphic support in preparation of proposals, award submissions and presentations • Updating internal and external websites and social media • Research for new pursuits, including the analysis of competition • Coordination and development of new company website

Kearns Mancini Architects Inc | Toronto Junior Intern Architect • • • •

April 2014-Sept 2015 Liaising with clients + consultants through the use of Aconex (contract admin software) Supporting Project Lead on Contract Admin items including review of shop drawings, issuing submittal reviews, documenting and recording site visits Developing construction details + working drawings as per OBC standards Collaboration with a small team to produce DD documentation including addendums

ADDITIONAL TRAINING Indigenous Competency Training | Toronto

January 2018

by Michael Etherington, NCCT

LeadingGREEN GA Course | Toronto

TECHNICAL PROFICIENCY Adobe CS6 AutoCad Revit Rhino

Sketchup Grasshopper Microsoft Suite

November 2017 3D Printing CNC Milling Laser Cutting

table of CONTENTS

selected work NEWTOWN COOP

FLOATING MUSEUM

CREATIVE CITY

BOOK

THE LOST MUSEUM

FIGURE/FABRIC

ONE PIECE AT A TIME

University of Toronto 2017

University of Toronto 2016

Carleton University 2014

University of Toronto 2015

Carleton University 2013

University of Toronto 2016

professional work BAY ADELAID CENTRE III KPMB., 2017

DELOITTE TORONTO Kearns Mancini Architects Inc., 2014

54 58

new town coop Community Living + Water Remediation Strategy

Located in New York City, between Queens and Brooklyn, Newtown Creek has become an attraction amongst residents and tourist alike. The site is one of the most congested waterways in New York surrounded by industrial manufacturing buildings including some of the highest CO2 readings. Newtown Coop combines the need for an ecological approach to housing with new residents need for a working environment. The project focuses on scales of community, providing intimate units for times of seclusion and large gathering spaces for moments of interaction. This is to help encourage community involvement throughout the coop. The project focuses on providing temporary homes for people in transit - expats, refugees, international students, migrant workers etc. There is an overwhelming amount of data suggesting the increased work ethic in these constituents, which is key for ensuring the coop program works efficiently. Focusing on the idea of “in transit” residents as well as considering the housing shortage in NYC, the units developed in this project are micro units. By decreasing each unit by 30% it allows for extra space. This space is given back with over double the requested number of units as well as extra community space to encourage social situations. Extra community spaces are given back through educational facilities, job centers, work spaces, community gardens, and generous amenity space. 1 and 2 bedroom units are provided and furnished to cater towards the “in transit” lifestyle. The residential areas are designed to encourage interaction by providing excess circulation space. It is in these hallways that social situations will occur. The approach to this project is to develop two groups of towers: community towers and ecological towers. Each tower will act as a social hub, a job opportunity, and/or an energy source. This helps to encourage scales of community involvement. These towers work together to take advantage of heat waste, C02, water, and compost.

AutoCAD Rhino

Photoshop Illustrator

Frank Gehry chair Studio advisor: Dan Wood, WORKac

2017 Option Studio University of Toronto

17 650 SM

30 SM

40% REQUIRED: of total units

88 units 220 units

2 640 SM 17 650 SM

2 1 bdrm bdrm/studio

45 30 SM

60% 40% of total units

132 units 88 units

5 2 940 640 SM

2 bdrm

45 SM

220 units total 132 units

8 580 SM total 5 940 SM

5 3

5000

220 units

1 bdrm/studio micro units 3

5000

REQUIRED:

5000

1:50

5000

micro units

MICRO UNITS

of total units

60%

of total units

220 units total

therefore increase units by 25%

required units additional units

increase community space by 25%

total

only 50% 8 778 SM of net total required 4 412.5 SM

additional units

4 412.5 SM

required units

25% of 17 650 SM = 4 412.5 SM

only 50%

of net total required 8 580 SM

additional community

therefore increase units by 25% increase community space by 25%

net total

4 412.5 SM 8 17778 650SM SM 4 412.5 SM

additional community

25% of 17 650 SM = 4 412.5 SM

net total

17 650 SM

TOTAL UNITS 3

1 bdrm 1 bdrm 30 sm 30 sm 40% of total untis (317) 40% of total untis (317) 127 units 127 units

2 bdrm 2 bdrm 45 sm 45 sm 60% of total units (317) 60% of total units (317) 190 units 190 units

1 bdrm 1 bdrm 30 sm 30 sm 40% of total untis (317) 40% of total untis (317) 127 units 127 units

2 bdrm 2 bdrm 45 sm 45 sm 60% of total units (317) 60% of total units (317) 190 units 190 units

3 810 SM 23 000 SM

40% of total units REQUIRED:

127 units 275 units

2 1 bdrm bdrm/studio

45 30 SM

60% 40% of total units

445 127 units

2 bdrm

45 SM

60%

5 3

23 000 SM

30 SM

275 units

1 bdrm/studio

TOTAL UNITS 9

REQUIRED:

of total units

net total

20 025SM SM 3 810

572 units total 445

units

23 835 SM

total025 SM 20

572 units total

1 bdrm 1 bdrm 30 sm 30 sm 40% of total untis (317) 40% of total untis (317) 127 units 127 units

net total

23 835 SM

total

2 bdrm 2 bdrm 45 sm 45 sm 60% of total units (317) 60% of total units (317) 190 units 190 units

view of interior courtyards

CISTERN

RAIN WATER COLLECTION

CISTERN

MUSSEL + OYSTER FARM

TURBINE

PHOTOVOLTAIC PANELS ALGEA + SEAWEED FARM

ENERGY STORAGE TANK FISH FARM POOL

LAUNDRY FACILITIES

POOL

WATER FILTER

TREATMENT TANK

STORAGE TANK

FISH FARM BOILER

water tower 1:200

aquaponic tower 1:200

solar tower 1:200

typical plan Level 2

view of farm tower

MARKET

WATER STORAGE

GYMNASIUM

GYMNASIUM RESEARCH LAB

READING ROOMS

CLASSROOMS

CAFE LIBRARY + WORKSPACE

LIBRARY

LOUNGE SPACE

MARKET

JOB CENTER

DAYCARE

farm tower 1:200

kids tower + job tower 1:200

MEETING ROOMS

LANGUAGE LEARNING CENTER

community tower 1:200

SOLAR TOWER $

WATER TOWER

community farmers market

cistern for rain water collection

AQUAPONIC TOWER $

oyster + mussel farm for primary filtration WATER TOWER

AQUAPONIC TOWER

rain water storage

aquarium SOLAR TOWER $

laundry facilities COMMUNITY COMMUNITY

WATER TOWER $

community pool

childrenâ&#x20AC;&#x2122;s library

meeting rooms + lounge space

COMMUNITY $

library + work spaces COMMUNITY $

playground + gynmasium

SOLAR TOWER $

turbine for steam production

AQUAPONIC TOWER $

fish farm for teriary filtration WATER TOWER $

water filter and storage tank for grey water return system FARM TOWER $

spiral ramp located to encourage social gathering around tower

SOLAR TOWER $

boiler room used for exchanging steam into energy

AQUAPONIC TOWER

COMMUNITY

excess circulation space to encourage social interaction

algea farm

COMMUNITY $

COMMUNITY

classrooms

fitness center

COMMUNITY $

daycare facility

COMMUNITY $

reading rooms

language learning center

COMMUNITY $

job center

SOLAR TOWER $

facade clad in photovoltaic panels to maximize solar gain

FLOATING MUSEUM Comprehensive Design for a new Museum in Toronto

Entitled “Floating Museum,” this proposal for the home of the Toronto Story collection considers the museum within its larger urban context. By bridging into the proposed Rail Deck Park to the south and creating a series of strategic groundlevel pedestrian connections, it functions at an infrastructural scale. With a design informed by Toronto’s existing finegrained urban grid, the project seeks to enrich Toronto’s cultural network, acting as a literal and conceptual threshold to adjacent public amenities, both existing and proposed.

WRAP

VEIL

BRIDGE

The Floating Museum design seeks to free up the ground plane, featuring a “hovering” two-storey museum and archival datum at the height of the Rail Deck with a continuous cantilevered perimeter. A central east-west pedestrian pathway divides the ground level into two campuses: the north exhibitionauditorium campus and south admincommercial campus. This pathway creates a connection between Victoria Memorial Park and the WELL’s proposed pedestrian promenade to the east. Combined with the below-soffit perimeter promenade, these pathways create a rich pedestrian network and interior-block plaza, allowing for animation of the courtyard as well as the commercial street front.

CARVE

PUNCTURE

DIVIDE

Floating Museum’s structural strategy is based on minimum column placement and a structurally free perimeter. The museum level is suspended from a system of floor-height trusses that run through the archival level above. This hanging structural system is visible by means of a continuous atrium on the museum level that corresponds to the pedestrian promenade below. Because of this visibility, the museum and atrium levels function as structurally and curatorially integrated spaces. The integration of Floating Museum’s architectural, structural, curatorial and environmental strategies ensures the comprehensive expression of the proposal’s central themes: ground-level lightness, vertical voids, infrastructural span, and “hovering.” By providing high quality public spaces and park connections, Floating Museum seeks to function as a new cultural hub for the city of Toronto.

AutoCAD Rhino Model (Lasercut + 3D Print)

Photoshop Illustrator Grasshopper

LIFT

F O R M A L

S T R A T E G Y

ARCHIVE

L03

16 15 14 13 12 11 8 7 6 5 4 3 2 1

PAVERS DRAINAGE GRAVEL CORRUGATEDMETAL DECK W/ CONCRETE TOPPING VAPOUR BARRIER DENSE DECK WATERPROOF MEMBRANE

METAL FLASHING

RIGID INSULATION

DRAINAGE COURSE

WOOD PARAPET SUPPORT

FILTER CLOTH

CONTINUOUS AIR VAPOUR BARRIER

GROWING MEDIUM

SHEATHING

VEGETATION

2 LAYERS OF RIGID INSULATION 2% SLOPE

VAPOUR BARRIER WOOD BLOCK SUPPORT GYPSUM BOARD PERFORATED METAL SCREEN

STEEL BRACING CONNECTION FOR PERFORATED SCREEN STEEL CLIP WITH THERMAL BREAK NEOPRENE GASKET CONTINUOUS AIR BARRIER WELDED STEEL PLATE BETWEEN BEAM AND TRUSS THERMALLY BROKEN MULLION CAP OPERABLE WINDOW SYSTEM STEEL BEAMS TENSION RODS FIRE SPRAYED STEEL TRUSS TENSION RODS MECHANICAL DUCTS - RETURN AIR

TRIPLE GLAZED CURTAIN WALL

HYDRONIC FLOOR HEATING/COOLING CONCRETE ON METAL DECK WITH POLISHED FINISH INTERIOR PARTITION GLAZING WALL INTERIOR PARTITION MULLION

GYPSUM BOARD DROP CEILING MECHANICAL DUCTS - RETURN AIR RECESSED LIGHTING

HYDRONIC FLOOR HEATING/COOLING CONCRETE ON METAL DECK - WITH POLISHED FINISH THERMALLY BROKEN MULLION RIGID

INSULATION

CONTINUOUS AIR VAPOUR BARRIER METAL PANEL SPANDREL

STEEL BRACING CONNECTION FOR PERFORATED SCREEN STEEL CLIP WITH THERMAL BREAK NEOPRENE GASKET WELDED STEEL PLATE BETWEEN BEAM AND TRUSS STEEL BEAMS DRYWALL SHEATING CONTINUOUS AIR VAPOUR BARRIER MECHANICAL DUCT - SUPPLY AIR RIGID INSULATION GYPSUM SHEATHING THERMALLY BROKEN MULLION TRIPLE GLAZED CURTAIN WALL

HYDRONIC FLOOR HEATING/COOLING POLISHED CONCRETE SLAB TRIPLE GLAZED CURTAIN WALL THERMALLY BROKEN MULLION WEEPING TILE PAVING TILES LEVELING SAND GRAVEL 2% SLOPE

EARTH

CONCRETE FOUNDATION SLAB SHEATHING CONTINUOUS AIR BARRIER VAPOUR BARRIER RIGID INSULATION FOUNDATION WALL

CONCRETE FOOTING DRAINAGE GRAVEL DRAINAGE PIPE

HEATED PLENUM SPRAY FOAM INSULATION METAL SOFFIT RECESSED LIGHTING

soffit C O N S T U R C T I O N D E T A I L

1. STRUCTURE

2. SECONDARY STRUCTURE

3. FINISHED SLAB

4. HEATED PLENUM

the major structural system of the soffit is a series of beams spanning 9m spaced 2m apart

38mm corrugated metal deck runs north south, opposite of the major structural system to provide additional support.

polished concrete topping sits on top of the steel deck to provide a finished floor slab with radiant floor heating

HVAC supply ducts run beneath the structural system to provide a heated plenum space

7. SPRAY FOAM

6. CONTINUOUS VAPOUR BARRIER

5. SOFFIT the soffit is suspended from cables attached to the structural beams

spray foam insulaion between the cladding and main structural steel ensure sthat hte underside of hte slab stays insulated without penetration of moisture

a continuous vapour barrier wraps around the entire system

8. METAL PANEL CLADDING the cladding of the soffit is conposed of metal panels, punctured by recessed lighting to illuminate the exterior

parapet C O N S T U R C T I O N D E T A I L

1. STRUCTURE

2. SECONDARY STRUCTURE

3. SECONDARY STRUCTURE

large, full height trusses run east west across the building supported by a secondary structure of beams spaced 2m apart. the large truss connects to a suspension rod that acts as the major structure system for the level below.

38mm corrugated metal deck runs north south, opposite of the major truss structural system to provide additional support.

the metal deck is topped with 64mm of concrete topping.

4. PARAPET

5. CONTINUOUS VAPOUR BARRIER

6. INSULATION

the parapet is framed by blocks and studs, located on top of the concrete deck. metal brackets are attached to the steel trusses to support the screening system.

on top of the vapour barrier is dense deck panels, a waterproof membrane and then 2 layers of rigid insulation.

on top of the concrete is a continuous vapour barrier, which wraps around the parapet insulation.

7. VEGETATION

8. FINISHES

9. FACADE

a drainage course and filter cloth sit below a layer of growing medium to support the extensive roof vegetation.

pavers are located along the perimeter, sloping towards the extensive green roof to allow for draining. metal flashing covers the top of the parapet. thermally broken aluminum mullions are located to support the 2 story glazing facade.

triple glazed curtain wall system is introduced with operable windows to allow for natural ventilation.

SOFFIT C O N S T U R C T I O N D E T A I L 1:25 FACADE thermally broken aluminum mullion cap holds a triple glazed curtain wall system in place. a perforated metal screen provides sun shading.

PARAPE T C O N S T U R C T I O N T D E TAI L 1:25 PERFORATED SCREEN a perforated screen is attached to the building by steel brackets connected to the truss system. these brackets have a neoprene gasket to avoid thermal bridging through the insulation.

ELEVATION EAST 1:250

LONGITUDINAL SECTION 1:250

2% SLOPE

TRANSVERSE SECTION 1:250

ELEVATION NORTH 1:250

cre ative city Toronto Urban Plan Strategy for a Rail Deck Park

The approach to the design of the rail deck park and the land immediately north of it came out of a shared interest in, as well as a skepticism about the efficacy of Richard Florida’s “Creative Class” theory and related notions of culturebased development. Looking back through a number of proposals put together by the Toronto Arts Council for a “Creative City Planning Framework,” as well as studies on the potential for Toronto to become a global leader in the knowledge industries from the University of Toronto’s Martin Prosperity Institute, an idea was developed about what the city needs right now, and how this park could present the opportunity to deliver it. This proposal is meant to foster and solidify the cultural identity of Toronto by designing a multi-disciplinary, professionally and demographically diverse district in the heart of the city.

17%

16%

21% 3175

2900

20% 2530

18%

21% 20%

3050 16%

2130

21%

20%

2590

2105 2850

21%

40655

9135 25%

CULTURAL WORKERS Top Places of Work and Residence

11%

4450

4060

Top Places of Work for Cultural Workers Top Places of Residence for Cultural Workers

% #

Percentage of Cultural Occupations Other Occupations

Total Occupations few

many %

% #

Percentage of Cultural Occupations Other Occupations

Total Occupations

EXISTING CULTURAL WORKERS

investment fund incubators/accelerators services

AutoCAD Rhino Model (Lasercut + 3D Print)

Photoshop Illustrator Grasshopper

TECH START-UPS

Adapting a three-part formula for attracting culture-based development in the area, the project recognizes that an area needs to have a cultural hub or incubator, spaces to showcase various expressions of creative production, and “sites of memory” that create strong geographic identity. These overlapping lists of imperatives led to the decision about 4 primary constituencies that would direct the ideas about development on the site. The site is a unique situation where the park is located overtop of the raildeck, creating an issue in grade change with the existing infrastructure and a specific landscaping strategy

2205

16%

The process began by accepting information from research in the first stage of this project, regarding the economic benefits of talent clustering– or bringing educated, highly talented workers in what Florida calls the creative class into close proximity to one another near city centers. This includes creatives in the sense of artists, designers, and musicians, but it also includes engineers, entrepreneurs, technology workers, and other people with ideas and generally progressive values. Our methodology for this project leaned heavily on four common values and goals. Those requirements are for an amenity rich environment, a strong support network, distinctive experiences, and a concentration of cultural institutions and facilities.

18%

2490

4555

42 53 50 11 22

47 4

23 12

26 17

55 52

48 14

32 40 39 24

35 6

25 1

20 44

9 36 46

33 19 31

13 3

TOURISTS Work in Collaboration with Nicholas Reddon + Graham Schwitzer

2016 Superstudio University of Toronto

VALUES AND GOALS

amenity rich environment> Cafes, restaurants, galleries, theaters, festivals, shops, music venues, bars, grocery stores, fruit stands, convenience stores, hardware stores, daycare centres, hairstylists and clothing shops

distinctive expereincces > Vital scenes give a sense of drama, authenticity, and ethical significance to a cityâ&#x20AC;&#x2122;s streets and strips. A neighbourhood with a vibrant scene can be a theatrical place to see and be seen, an authentic place to explore and affirm local, ethnic, and national identity, an ethical place to debate common values, traditions, and ideals.

support network > Artists, local businesses, audiences, community groups, residentsâ&#x20AC;&#x2122; associations and politicians

cultural concentration> The culture-based development goals of these schemes will, according to the standard Floridian argument, attract creative class workers and in so doing, benefit the city of Toronto economically.

gy. These facilities often have regional, national or international directed to be artist-run to more than a local community and are key tourist ods. ractions. eatres as the he Artsuch Gallery of Ontario and Black Creek Pioneer Village. showcases are not owned by the City of Toronto. he City of Toronto.

showcases

memory sites

hubs + incubators

e support for culture as a heritage resource, and they include â&#x20AC;&#x2122;s Economicand Development collections, historic buildings. , national or international York and the heritage residences of Draper Street. ty and areownership key touristcan be seen with cultural memory sites than in e of City categories. eek Pioneer Village. REQUIREMENTS FOR TALENT CLUSTERING of Toronto.

transportation anchors >

cultural central node >

urce, and they include

aper Street. ultural memory sites than in

site axis >

LANDSCAPE STRATEGY RULE: RULE: zone zone 3 3 landscape landscape strategy strategy should should rise rise from from low low retaining retaining walls walls to to aa maximum maximum height height at at center center to to allow allow for for deep deep soil soil and and planting planting 5m 5m

1m 1m

planting area should slope to site periphery

RULE: paths paths between between the the planter planter boxes boxes should should be be wide wide to to allow allow for for potential potential program program in in the the space, space, and and to to maximize maximize sunlight sunlight on on paths paths RULE:

8m 8m

8m 8m 8m 8m

planting area should be divided by wide paths

section section drawing drawing of of possible possible configuration configuration

plant and tree types should be chosen by available depth

possible arrangement of features

guidelines for programming the park relative to retaining wall height

possible features for < 2 m retaining wall height

possible features for 2 - 3 m retaining wall height

possible features for 3 - 5 m retaining wall height

high rise condos + hotels

tech campus

museum

student residence

market

affordable housing

artist residence

live/work

office buildings

retail

NON - RESIDENTIAL: HOTEL RETAIL MARKET OFFICE MUSEUM TECH CAMPUS

RESIDENTIAL: MEWS ARTISTS RESIDENCE AFFORDABLE HOUSING LIVE / WORK HOUSING STUDENT RESIDENCE CONDOS

Dubai

public li brary Dubai`s Central Library and Cultural Node

Amongst a city of skyscrapers, the proposed Dubai Central Library provides cultural character that is rare in the tourist-oriented city. Located in the business district of one of the Worldâ&#x20AC;&#x2122;s largest cities, the library acts as a beacon, drawing in members of the community and introducing them to an environment that contributes to the civic identity of a foreign culture and place. The design of the library takes inspiration from various traditional components of Dubai architecture. The elevation was designed to mimic an open book and the decision to raise one end of the mass was derived from the original Arabic Library: introducing a spire to act as a visual focal point. Located at the base of the Worldâ&#x20AC;&#x2122;s tallest building, this focal point is necessary to encourage traffic through the site. Screens also feature traditional Dubai architecture, utilizing the 3 essential shapes in the construction of a minaret: the circle, the square, and the hexagon. These screens provide a cultural aspect to the building, while working congruently as a passive cooling system.

CEILING SCREEN To provide shade, the glass canopy is covered with a screen. The design of the screen is based off of the 3 shapes used in original Dubai libraries: the minaret.

GLASS CANOPY the glass canopy covers the courtyard and continues into the library connecting to the structure of the entrance

FOLDED ROOF the varying wall heights create folds in the roof structure, with the glass canopy protruding through

The strategy of the project was to divide the building into two parts, separating the major programs: the auditorium and the library. To bridge the two programs a covered courtyard is introduced, providing a social platform for the public. Inside the main program, a central atrium allows natural light to flood the public library stacks, creating circulation around the delicate glass structure. The main literary collection is located on level 2 and as the user ascends, the program becomes more specific. Meeting rooms, study rooms, and work tables surround the perimeter allowing for desired views into the atrium. This project provides relief from the consumerism typically found in Dubai by creating a social environment that celebrates traditional architecture while fostering education and research.

Revit Rhino AutoCAD

Photoshop Illustrator inDesign

VARYING WALLS the height of the walls vary, creating an elegant elevation with the highest point acting as a beacon at the NE entrance

GLASS ATRIUM the building incorporates 2 masses - 1 interior, 1 exterior - into a fluid glazing system that allows light into the building

PROTECTIVE SCREEN to provide protection from the sun, screens are introduced over the exterior glass facade

Nominated for Terron Scholarship Award

2014 Studio Carleton University, B.A.S

<library atrium

<library stacks

< library entrance

PUBLIC PLAZA LIBRARY ATRIUM LIBRARY STACKS PUBLIC COURTYARD AUDITORIUM

site plan >

ELEVATION PROFILE The section of the building was inspired by the shape of an open book. The program is composted of 3 major components: the auditorium, the courtyard and the library. Together these 3 programs combine in section to create the illusion of an open book.

<library stacks

auditorium

office + meeting rooms

prayer rooms

public courtyard

library stacks

library atrium

kids zone

library admin

library lobby

public plaza

the lost mu seum A museum for the Lost Village Society

The town of Long Sault, Ontario experienced a displacement when the St. Lawrence River was flooded to allow easier boat access. This resulted in several houses having to be buried, moved or destroyed. This site became known as the Lost Villages, containing a collection of houses from 8 towns that were displaced. The site, located along the St. Lawrence River currently consists of 10 heritage buildings that were moved and restored. However, these buildings are spread over the large site, with no obvious reasoning or arrangement. The proposed museum provides more organization and rhythm to the site, curating an experience under one roof. By rearranging the buildings into chronological order, it allows visitors to understand the timeline of the different architypes. Each building on the site has its own unique architectural typology. Each individual building is framed by the museum, mimicking the existing roofline. This creates a visual and literal connection between the historic buildings and the new proposed museum. The back facades are removed on each building to allow for them to act as exhibition rooms within the museum. These removed facades are then re purposed throughout the museum. In addition to the museum program, 5 residences are proposed on site to house artists. The typology of these houses are live-work units, with their design parti being a mirror of the museum. Similarly to the museum program, the focus of the residences was on the roof shape. This shape was derived from mirroring and inverting the roofline of the museum. < building structure

Revit Rhino AutoCAD

Photoshop Illustrator inDesign

2015 Studio University of Toronto

< rearranged building location

< original building location

1901

1950 1910

1860

1869 1893

1860

1810

1850 1840

ADMIN

site plan

north-south section >

/ // / / / / / / / / / RESIDENCE / / / / // / / / / // / / / / /

/ / / / / / / / / / / / / / / / / MUSEUM / / / / / / / / / / / / /

fig ure fab ric A tower in the park

To encourage use of the green spaces provided, pedestrian pathways are introduced. These pathways allow for access through the site from both the x and y-axis. A large social platform is introduced at the base of the condo in the form of a public plaza. The project emphasizes the integration of nature and residential living while encouraging social activity amongst green areas.

Revit Rhino AutoCAD

Photoshop Illustrator inDesign

Work in Collaboration with Darby Ace

ACCESS TYPOLOGY

This project, designed individually after the completion of the master plan, focuses on the high-rise condo and concept of integration between the built form and the site. The project explores the idea of bringing green space to residential areas by incorporating green terraces in the high-rise condo. The organic terraces create a seamless transition from built form to nature. The form, reflecting the concept of the site, begins with orthogonal lines and transitions from figure to fabric integrating the natural form into the building.

the site is unique with 4 different zones, it was necessary to re zone part of the site to gain more height <

ZONES

Working in pairs, the project scope was to design a multi-unit residential building in an urban context of Old Ottawa East. After a 2-week site and neighbourhood analysis, an overall site strategy was developed accommodating the diverse range of typologies, lifestyles, and income found in the area. Both mixed-use dwellings targeting families and a high-rise condo targeting young professionals were developed. Our focus quickly became the revival of existing green spaces into socially active spaces. A master plan that transitions from fabric to figure as you enter the site allows for the integration of the buildings into the existing urban form.

there are 4 separate buildings located on the site , each serving a different typology <

the design objective is to transition from figure to fabric as you enter into the site <

STRATEGY

with amenities located on all sides of the site, access through the site was necessary <

2013 Studio Carleton University, B.A.S

1 2

5 6 7 < site plan 1. 2. 3. 4. 5. 6. 7. 8.

RESIDENTIAL UNITS 4 units/floor

LOBBY + EVENT SPACE

UNDERGROUND PARKING

senior apartments grocery + retail townhouses midrise apartments public space high-rise condo public plaza athletic complex

< east-west section

5 6

1. 2. 3. 4.

5. 6. 7. 8.

pavers stone dust crushed stone backfill

head + sill flashing parging foundation wall footing

1 2 3 4 5 6 7 8

074.

gasket 5. glazing

1. base sill 2. sealant 3. mullion

2 3

1. 2. 3. 4.

gypsum metal studs batt insulation sheathing

5. vapour barrier 6. semi-rigid inslation 7. moisture barrier

1. two way concrete slab 2. plywood underlayment 3. hardwood flooring (glued + screwed)

1. 2. 3. 4.

aluminum cap planter boxes (drainage system) drainage pipe window wall detail

2 3 8

1 2

4 m

12 00

600m

03 reinforced concrete two way slab located on a 6 x 6 grid system.

1. concrete slab 2. wire strap 3. wire cable

01 4. aluminum frame 5. ceiling tile

1. 2. 3. 4. 5.

cap flashing cant strip parapet ballast filter cloth

6. 7. 8. 9.

rigid insulation roof membrane roof deck drop ceiling panels

roof detail

ceiling detail

structural system

wall detail

floor detail

floor + window detail

glazing detail

terrace detail

one piece at a time An algorithmic set design

< contour sections through form

Based on Richard Wagner’s 1856 opera, Die Walkure, we composed a set design responding to Act 1 Scene 1 focusing on the symbolism of the ash tree. The scene begins with Siegmund, wounded and weaponless, taking shelter from a storm in a stranger’s home. The home has a large ash tree located precisely in the middle of the house, with a sword stuck in it. The sword was placed there on Hunding and Sieflinde’s wedding day and no one has been able to remove it. Tension arises in the house between Siegmund and Hunding, resulting in a fight over Hundings wife. Siegmund, overcome with love, vows to protect Sieflinde and removes the sword from the tree, naming it Notung (Need). Siegmund and Sieflinde run off into the forest together.

< worms eye form was derived from base image of tree brances

Seeing the tree as an important symbol of the opera’s narrative of adventure, family love, death and revenge, we decided to highlight the element. By creating a forest of trees, it introduces voids and gaps in the structure, allowing for every angle to have a different perspective of the set.

Processing Rhino 3Ds Max

AutoCAD Photoshop Illustrator inDesign

Work in Collaboration with Bradley Dunn + Jeremy Keyzer

2016 Intermediate Computer Applications University of Toronto

sections through form >

sectionA_A a _ a SECTION 1:100 1:100

SECTION sectionB_B b _ b 1:100 1:100

section a _ a 1:100

section cC_C _ c SECTION 1:100 1:100

section b _ b 1:100

front elevation 1:100

bay ad elaide centre

III

study exercises for Torontoâ&#x20AC;&#x2122;s largest corporate developer

Podium Terrace Detail of Canopy Trellis Option 2 Trellis - Spaced Members

Members

Bay Adelaide North Tower 07/05/17

Bay Adelaide North Tower 07/05/

Podium Terrace Podium Terrace Optiontower 2 Trellisof- the Bay Adelaide As the third and final Spaced Members Centre project, located downtown Toronto, the main task for this project was to improve the design flaws from the past towers. This involved developing numerous studies to present to the client. My role included producing renders of the Level 11 roof terrace to show options of seating, canopy structure, and layout. The studies included canopy size + perforation size, canopy bay sizes, west screen wall material study and furniture studies. I was also tasked with developing washroom plans. This was especially difficult because the client wanted to have more fixtures in a smaller space than the past towers included. Images < render of L11 terrace study options right page (top, left to right) 1. canopy option 1 2. terrace perspective section 3. canopy option 1 4. terrace with metal screen wall 5. terrace with wooden screen wall

Detail of Canopy Trellis Option 1 Trellis - Rectangular Members

Bay Adelaide North Tower 07/05/17

6. canopy

Revit AutoCAD

Photoshop Illustrator inDesign

KPMB Project Team: Goran Milosevic, Mark Jaffar, Camille Mitchell, Lilly Huang

KPMB Architects

Summary of Base Building Elements BASE BUILDING SCOPE:

BASE BUILDING SCOPE:

3. Glass guard rail

1. 1. Canopy/Trelis at west Canopy / Trellis at elevation west of tower for wind mitigation elevation of tower for wind mitigation

6. Planter edge along west side

2. Wall at west side of terrace length of wall to match core

2. 2. Design andand cladding of Exit Design cladding of Stair/ of ExitWall Stairat/west Wallside at west side of Terrace Terrace 1. Wind Canopy / Trellis at west face of tower

F.F.

3. Glass guard rails 3. Glass guard rails 4. Terrace paving - concrete pavers 4. Terrace paving - concrete pavers 5. Services - power, water and gas connections

7. Lighting incorporated into Wind Canopy / Trellis

5. Planter in lieu of glass guard 6. Planter in lieu of glass along westalong side of Terrace guard west side at of Terracewit atneighbouring interface with interface neighbouring buildings buildings to the west - limit to the west - limit views to views to neighbouring roof tops neighbouring roof tops 7. Lighting 6. Lighting - Wind Canopy / Trellis - West Wall -wind canopy/trellis -Minimum required by -west wall Code for safety and access to exits

4. Terrace paving 6. Planter edge along west side

3. Glass guard rail Bay Adelaide North Tower 07/05/17

Podium Terrace

East-West Section Looking North

137290 LEVEL 14

4000

133290 LEVEL 12

<east west section through terrace

129290 LEVEL 11 (PODIUM ROOF)

Bay Adelaide North Tower 07/05/17

1019.6

1022

Podium Terrace Detailed Plan Option 2 Trellis - Spaced Members

FALL ARREST

1019.6

19mm WIDE STEEL PLATE

1022 <Option 2 Terrlis: Spaced members

Podium Terrace Detailed Plan Option 2 Trellis - Spaced Members

19mm WIDE STEEL PLATE

section A

FALL ARREST

25mm ALUMINUM BAR

49mm GAP

25mm ALUMINUM BAR

12mm GAP

section B 75mm X 13mm PERIMETER STEEL BAR WELDED TO TOP OF STEEL BEAM

LIFELINE FALL PROTECTION SYSTEM ANCHOR AT COLUMN LINE

49mm GAP

150

150mm X 19mm STEEL BAR WELDED TO TOP OF STEEL BEAM

25mm ALUMINUM BAR

12mm GAP

200

25mm ALUMINUM BAR

PREFINISHED ALUMINUM TUBES - 25mm X 50mmm X 3mm

100 50

175

section C

300

PREFINISHED ALUMINUM TUBES - 25mm X 50mmm X 3mm

LIFELINE FALL PROTECTION SYSTEM ANCHOR AT COLUMN LINE

Adelaide North Tower 07/05/17

<section A

200

Podium Terrace

150mm X 19mm STEEL BAR WELDED TO TOP OF STEEL BEAMBay

150

100 50

75mm X 13mm PERIMETER STEEL BAR WELDED TO TOP OF STEEL BEAM

175

300

Section Detail Option 2 Trellis - Spaced Members 19

Bay Adelaide North Tower 07/05/17

Prefinished Aluminum Members - 25mm x 25mm x 3mm 13

13 50

150

<section B

200

100

Prefinished Aluminum Members - 25mm x 25mm x 3mm

13 50

<section C

200

100

Bay Adelaide North Tower 07/05/17

delot tie toron to of fice interior fit out for Bay Adelaide III

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Working with a small team, we coordinated with Deloitte’s in-house interiors team for the production of an interior fit-out at the new downtown Toronto headquarters. The project consisted of 19 floors of flexible communal work spaces, designed to encourage collaboration and social interaction. The 7-storey atrium is a focal point of design, with a large, LED-illuminated, feature stair. The stairwell connects office space to Deloitte University, a space dedicated to for employees and clients to learn from each other through seminars and workshops. The intention was to design the space as a welcoming lounge that does not have the feeling of a corporate office. This was achieved by continuing a “Canadian theme” throughout the lounge, introducing warm, wooden floors and fireplaces. The building has 18 types variations of flexible workspace, from treadmill spaces, to a rooftop patio.

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Images courtesy of: Toronto Life (left, right top and middle) The Globe and Mail (right, bottom) Detail Section (left) drawing property of KMAI

AutoCAD Revit

Photoshop Illustrator inDesign

KMAI Project Team: Peter Ng, Alice Gibson, Carmen Rotundo, Negaar Fathi

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Kearns Mancini Architects Inc + FKA Architects. 2014

THANK YOU x

trishanarts@gmail.com 519-831-8229 ww.trisha-arts.com