A part of art criticism, which includes the more traditional feminist critique argues that good art has no sex. Certainly the task of criticism is simplified when shuns the debate on the influence of sex in what artist creates. This view of art as an asexual representation of its creators departs from the discussion of the social mechanisms that encourage or obstruct the exercise of artistic activity and the real war of the sexes. By contrast, contemporary criticism points in another direction: the sex of the artists should not be taken as one more fact but as a social construction.
