December 2011

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Connection An open forum publication allowing all voices to be heard since 1983

December 2011 Vol. 28 No. 11

Above: Pump House - photo by Barton Santello

Desert Homestead By Roxi Hardesty

B

art Santello’s arrival in Arivaca on a bicycle in 1998 was auspicious. Ripe for change with his father’s recent passing and being newly transplanted to Phoenix from Connecticut via a job, Bart was exploring. Already convinced by Arizona sunshine, he recognized the added advantages of Arivaca. He purchased 5 acres on Jalisco Road; the grassland, trees, yucca and rich clay being deciding factors. While maintaining his Phoenix residence, Bart camped on his land and observed the seasons over the next two years. His focus was on how best to care for the land. He also thought in terms of “What do I need first?” Water was the obvious answer. With a well drilled, he needed solar panels and accompanying equipment to run the pump. To protect the pump and the solar operation, he needed a building. His father was a builder so building was second nature to Bart. Committed to using the “abundant local and self-renewable resources”, he made 900 adobe blocks from sand and clay (50-50 mix) on his land,

“Building what money can’t buy”

working alternate weekends. Bart A mechanical remembers, engineer “… watching by trade the jet planes (formerly a overhead…and test engineer thinking about on gas turbine the amount of engines and technology, currently a manpower consultant in and resources the aerospace involved - and industry), he questioning. At is a filmmaker the same time at heart. Bart holding an adobe organizes block in all its the annual simplicity and Arivaca Film feeling like I had Festival. The rediscovered priority was something building a Bart Santello working on the rock fundamentally structure that foundation of his studio. important (an would provide appropriate for both. Having used adobe, he building material) that seems to wanted a new experience. Inspired have gotten lost in our age.” Once by the architecture of Anasazi the pump house was completed dwellings (Chaco Canyon), Bart in 2002, he needed a place to live. began constructing his studio in He hooked up a travel trailer and 2006 of cob after seeing the cob and a third solar panel to provide for bamboo work of Arivaca’s Kyle additional electrical needs. That Young. The foundation contains set up, he continued his building 60 tons of rock gathered by permit project. from surrounding national forest

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and took a year and a half to complete. Building into a hillside, Bart used the excavated earth (clay) plus sand, straw and water to make the cob. In a cement mixer he mixed 500 pound batches. The cob was layered by hand, using no forms, laying up walls 6” at a time. Bart did not measure his materials, but said, “If the mix is too wet it will slump.” The project evolved slowly. Five and a half years later, the twofoot thick curving walls enclose one circular main room with two side rooms plus a storage area. The 17foot diameter central room will be used primarily for film screenings. A room reminiscent of a kiva is off of the main room and has conduit built in for future cables. Another small room will hold a drafting table and chair. Mesquite and oak lintels grace each entrance and window. Ponderosa pine is used for the vigas (main beams). The latillas, used crossways from the vigas to form the ceiling, will be bamboo. Of passive solar design, Bart is confident that the cob construction will be comfortable without a Continued on Page 3 PRE SORT STD US Postage

PAID

Arivaca, AZ 85601 Permit No. 2


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