THE TUFTS DAILY
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TUFTSDAILY.COM
Monday, february 27, 2012
VOLUME LXIII, NUMBER 21
Where You Read It First Est. 1980
A Taste of Tufts: Edith Balbach by Victoria
Rathsmill
Daily Editorial Board
At last Friday’s installment of the Experimental Collegesponsored “A Taste of Tufts: A Sampling of Faculty Research” lecture series, Edith Balbach, senior lecturer and director of the community health program, spoke about her research on the marketing and political behaviors of the tobacco industry. Balbach began by admitting that she originally had no intention of pursuing a career in tobacco research. She was completing her doctoral work in public policy at the University of California at Berkeley and planning to write her dissertation on interagency collaboration when California passed Proposition 99. Proposition 99, or the Tobacco Tax Health Protection Act of 1988, raised the tax on tobacco by 25 cents per pack, and mandated the extra profit be used toward tobacco education, prevention programs and tobacco-related research. “My advisor called me in and asked if I was interested in smoking research, Balbach said. “By the time my dissertation was done, I could care less about interagency collaboration, but I was really fascinated by the tobacco industry … and how it behaves in public areas. It has sculpted my career ever since.” According to Balbach, the threat
that tobacco poses to public health is growing, both in the United States and around the globe. “Currently, almost six million people [globally die each year from] tobacco related diseases. If things don’t change, it will be eight million people by 2030,” she said. But Balbach noted that tobacco use is often not high on lists of the most pressing public health issues. She explained three main reasons for this: 1) Tobacco is a slow-motion killer, 2) the diseases caused by tobacco use are not considered communicable and 3) these diseases are often labeled as resultant of personal failure. According to Balbach, this perception is reflective of the tobacco industry’s marketing strategies. “The framing of tobacco is a direct result of systematic efforts of the tobacco industry to normalize and underestimate tobacco use,” she said. “The tobacco industry’s behavior is what drives a lot of what I do and think about.” For Balbach, a milestone for public health research on tobacco was the litigation against the tobacco industry that resulted in the Tobacco Master Settlement Agreement in 1998, which required that millions of pages of internal documents from tobacco companies be made public. At first, the pages were only available in a warehouse in Minneapolis, Minn., see TASTE OF TUFTS, page 4
MCT
Octavia Spencer took home the award for Best Actress In a Supporting Role for her portrayal of Minny Jackson in “The Help” at the 84th annual Academy Awards last night. “The Artist” won Best Picture, while its star, Jean Dujardin, earned the prize for Best Actor In a Leading Role.
Courtesy Justin McCallum
Tufts Garba Team performed this weekend at the Guzaarish Culture Show presented by the Tufts Association of South Asians (TASA). Sales of mango lasi, monos and samosas in between traditional songs and dance pieces benefited Nyaya Health. In association with GlobeMed, TASA was able to raise more than $3,000 for the Nepali health care organization.
Strong talent, family culture define Amalgamates a cappella group Nathaniel Bailey
Founded in 1984 by former Tufts students Joanne Cohen (LA ‘87), Craig Everett (LA ‘89) and David Wiley (LA ‘89), the Tufts Amalgamates were the university’s first co-ed a cappella group. Although many a cappella groups on campus are often overshadowed by the Beelzebubs’ success and popularity, the Amalgamates have been able to establish themselves as not only a premier a cappella group at Tufts, but also around the country. When the group was formed, the founders chose the name “Amalgamates,” which means, “combine or unite to form one organization or structure,” to represent the group’s co-ed nature. Since their founding, the Amalgamates have recorded 12 albums. Their most recent, “Hands Off the Mannequin!” (2011), has been nominated for two Contemporary A Cappella Recording Awards for Best Mixed Collegiate Album and Best Mixed Collegiate Song for “Boy Lilikoi.” They are now recording their unnamed 13th studio album, working with Plaid Productions, an a cappella recording studio founded by two Tufts alums, Alexander Green (LA ’10), formerly of the Amalgamates, and Alexander Koutzoukis (LA ’10) formerly of the Beelzebubs. The Amalgamates have also traveled around the world to perform, going to places such as Spain, England, France, Jamaica, Germany, Florida and California. Despite their success and their singing prowess, the Amalgamates are made up of more than just mellifluous voices; the people behind the songs make up the family that is the group. Junior Foster Lockwood, president of the Amalgamates, was hooked on music early in life. He started singing in elementary school, although he said he “was never really any more talented than the average kid.” He first became interested in singing when he heard the Acoustix, a famous a cappella group, and his interest was furthered by the groups
Inside this issue
by
Contributing Writer
Rockapella and Straight No Chaser. Lockwood finally began to sing a cappella in high school, and he said that he’s known since then that he wanted to do the same once he got to college. In contrast, sophomore Ryan Johnson, business manager for the Amalgamates, didn’t start singing until high school. “I personally began singing my sophomore year in high school in the Pomfret School Chorus,” Johnson said. “After a few weeks I really began to enjoy singing and the versatility of the human voice, so in the following year, I decided to audition for the school’s a cappella ensemble, the Griff Tones, and was accepted.” Many people aren’t aware of how much of a commitment a group like the ‘Mates requires. According to Lockwood, they have a strict minimum time commitment of seven hours of rehearsal per week, with at least one gig every two weeks. While it can be stressful, many members think the opportunity is worth the investment. “At times the commitment can be a bit strenuous, especially when you have many passions, but the commitment you make is well worth it when you finally hear a song that has ‘clicked’ and all the members are on the same wavelength,” Johnson said. He went on to say that with the large commitment comes a large reward. “We as a group are 28 years old, which is older than most co-ed a cappella groups, and with that there have been a number of ‘traditions’ that we have developed, and stood the test of time,” Johnson said. “While from the outside looking in it may seem like we only sing together, but in all actuality, we are all friends and we love hanging out with each other.” Lockwood added that his favorite part of being in the Amalgamates is watching new members develop within the group. “Taking in ‘babies,’ as we call them, is a tremendously important step we take once or see AMALGAMATES, page 4
Today’s sections
The Daily reviews all of the presentations from this weekend’s EPIIC Symposium.
Tupelo finds success by offering gourmet twists on some classic southern dishes.
see NEWS, page 2
see ARTS, page 5
Features News Arts & Living Editorial | Letters
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Op-Ed Comics Classifieds Sports
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