TuftsDaily02.06.14

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Thursday, February 6, 2014

VOLUME LXVII, NUMBER 12

Where You Read It First Est. 1980

Best-selling author discusses recent novel

by Josh

Weiner

Daily Editorial Board

Rachel Kushner, author of “The Flamethrowers,” spoke at the Center for the Humanities at Tufts (CHAT ) on Tuesday afternoon.

Kushner began by reading an excerpt of her novel, which focuses on the New York arts scene in 1975. The novel was selected as a finalist for the 2013 National Book Award, named one of the top five novels of the year by The New York Times and chosen as the Best Book of the Year by New York Magazine, according to the CHAT website.

After the reading, Kushner discussed her inspiration for “The Flamethrowers.”

“I wanted the story to take place in the New York City underworld of the 1970s,” she said. “It’s an easy concept to pick up ideas about if you know where to look. [With so much] photo documentation, you can see a lot of where people lived and ... the social fabric that was a whole part of what the art world was in the 1970s.”

Kushner explained that the near-penniless main character, Reno, travels to New York City hoping to succeed as an artist, symbolized what many people in this era went through.

“There was a time where people could live in New York for

very little money,” she said. “The best art gets made when there’s the least amount of money on the market, it seems.”

Given her familiarity with the 1970s arts movement in New York, Kushner said her ideas for “The Flamethrowers” came fairly naturally and did not require much background research.

“I hadn’t seen that there were many novels written about that time,” she said. “I’d written on occasion about contemporary art just for fun ... and I didn’t need to do any research. I just used what I knew and put it into a story, into context.”

Kushner said she incorporated elements from her experience with big city life, including her childhood in San Francisco, into the novel. She wanted to fully evoke the urban environment of the novel, down to the particular odors.

“The young people in the streets [in my novel] smell like gasoline,” Kushner said. “When you grow up in a world like mine, gasoline is like any evocative smell. People love the smell of gas — they associate it with fun and progress.”

Kushner said that she went on several walks around the parts of New York City where parts of the novel take place, in order to look for ideas. see AUTHOR, page 2

Sofia Adams / The Tufts Daily

Around 130 students participated in a Tufts hackathon last weekend.

Over 100 students participate in Tufts’ latest hackathon

by Jei-Jei

Tan

Daily Editorial Board

About 130 students participated in Tufts’ latest, 24-hour hackathon, TuftsHack, which began Saturday afternoon.

During the event that juniors Marcella Hastings and Will Clarkson organized, students worked in teams

to develop and code software projects. Through the hackathon, students learned practical computing skills not taught in Tufts classes, Hastings said.

“For a huge percent of the student population, they’re going to go out in[to] the industry and start building products for people to use,” Hastings

said. “The point of the hackathon is to give people a chance to come and try actually building things.”

Participating in the hackathon, therefore, benefits students in their job search, according to Lecturer of Computer Science Ming see HACKATHON, page 2

Tufts Mock Trial team has successful weekend

by Justin

Rheingold

Daily Editorial Board

Caroline Geiling / The Tufts Daily

The Tufts Mock Trial (TMT) team qualified two delegations for next month’s American Mock Trial Association’s Opening Round Championship Series (ORCS) where the teams will compete to participate in the National Championship Tournament.

The TMT A- and D-teams competed at a regional tournament in Manchester, N.H., last weekend, and placed second and fifth, respectively, according to TMT co-president and A-Team co-captain Brian Pilchik, a senior.

D-team co-captain Katie Grosch, a sophomore, explained these finishes are a slight improvement over last year’s results.

“Last year we also sent Tufts A and D, and the teams got third and sixth,” Grosch said. “So we each moved up a place.”

Competition was tough, as TMT had the chance to compete against some of the best teams in the tournament, Grosch said.

“There were some really good teams at this regional and both teams were lucky enough to hit some of the top teams in the tournament, so we had some really good rounds, some really good trials,”

Students sled on the President’s Lawn by Tisch Library during yesterday’s snow day.

Inside this issue

see MOCK TRIAL, page 2

Today’s sections

Tufts’ Indian dance groups bring their culture and competitive spirit to campus.

The CSL will no longer allow student groups to apply a justified departure from the TCUJ nondiscrimination policy.

see WEEKENDER, page 5

see OP-ED, page 9

News Features Weekender Editorial | Op-Ed

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Op-Ed Comics Classifieds Sports

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Mock Trial hopes to qualify two teams for national tournament MOCK TRIAL

continued from page 1

Grosch said. “Tufts D-team hit Brandeis [University] A, which is the team that ended up winning the tournament.”

Individual team members also received awards, according to Grosch and Pilchik. Grosch and TMT co-president and A-team co-captain Nick Teleky both won All-Region Attorney Awards and sophomore Daniel Hafner, a member of the Tufts D-team, won an All Region Witness Award.

Tufts participation in the ORCS is not finalized, however, as the TMT Band C-teams will compete at a different regional qualification tournament on Feb. 22 and 23, according to Pilchik. He is optimistic that they will be successful.

“The B- and C-teams will be competing at the Boston Regional, which is in two or three weeks, and so they’ll be competing against a similar field of the schools in the area,” he said.

“Hopefully, they’ll be able to grab two bids out of Boston.”

Teleky explained that TMT is different from other teams in that it is entirely student-run.

“A lot of other schools have paid coaches or advisers on campus that will help them design their cases or write material,” Teleky said.

Pilchik explained that TMT includes students from each grade level and that this helps keep the team strong.

“All four of our teams are coached and captained by students who have done it before,” he said. “Students who were freshmen maybe last year are now captaining teams to placement victories this year. It’s part of what helps our teams stay engaged in everything that we’re doing.”

According to Teleky, it is uncommon for schools to qualify multiple teams for ORCS and nationals, as Tufts did last year.

“It’s rare,” Teleky said. “Most schools are able to field one or two really good teams that can get a bid out of regionals, and then maybe one team can get a bid out of ORCS. Last year, we were able to

Courtesy Brian Pilchik

Tufts Mock Trial team qualified two teams for the regional championships during a tournament last weekend in Manchester, NH. take 100 percent of our teams [and] get them out of regionals, and 100 percent of our teams and get them out of ORCS, which is pretty good.”

According to Teleky, while TMT can qualify four teams for ORCS, only two teams from each school can actually

Center for Humanities hosts author Rachel Kushner AUTHOR

continued from page 1

“When I’m working on a book, I proceed through the world [I’m writing about],” she said. “When I see something, I’ll record it. Sometimes, I’ll forget where I took [my ideas] from.”

Kushner added that even though art is a centerpiece to her story, her descriptions of artwork were not as prominent as her descriptions of the city and of the characters.

“I try to keep art to a minimum,” she said. “I have almost no descriptions of artwork — very few, in fact, because I don’t think they really work in fiction.

If I’m reading a book, and reach a long, beautiful description of a painting ... suddenly, I feel taken out of the scene.

It feels arbitrary, so I tried to gloss over that to some degree.”

During the reception that followed the event, several members of the audience reflected on Kushner’s presenta-

tion and work.

“My [English] professor, Jonathan Wilson, highly encouraged the entire class to go,” senior Simone Backer, who attended the event, said. “I didn’t have time to read [“The Flamethrowers”] before I came, but now it’s definitely at the top of my reading list.”

Professor of Japanese Hosea Hirata echoed this enthusiasm for Kushner’s novel.

“It was a tremendously interesting and exciting book to read, and I would really recommend it, especially for female readers,” he said. “I think they could really identify ... it’s a story of growing up and finding your own identity.”

Kushner’s fiction and essays have appeared in publications including The New York Times, The Paris Review and The Believer, according to the CHAT website. She is also the recipient of the 2013 Guggenheim Fellowship.

Alex Knapp / The Tufts Daily

Rachel Kushner reads to students from her novel, “The Flamethrowers,” during a discussion at the Center for the Humanities at Tufts on Tuesday.

compete at the national tournament.

“What we’ll do after all the regionals are over is we’ll restack the A- and B-teams and send them off to Philadelphia for ORCS,” he said.

Last year, Tufts had two teams qualify for nationals for the first time,

according to Teleky, and the team hopes they will be able to qualify two again this year.

“Last year was the first year we were able to send two teams to nationals,” he said. “We hope to be able to do it again if all goes well.”

Tech companies recruit students at TuftsHack HACKATHON

continued from page 1

Chow. The projects students create in TuftsHack, like writing samples for a publishing job, can help to supplement applications when students seek employment.

“Beautiful resumes and cover letters are a dime a dozen,” Chow said. “If you want to be in any technology-based company they want to see how passionate you are.”

Senior Sonia Chokshi and junior James Roseman from the Tufts Entrepreneurs Society also gave a pitch workshop on Sunday, teaching developers how to promote their products, according to Hastings.

“Usually people spend a lot of time building and not a lot of time thinking about how they’re going to show off what they’ve built, so we wanted to facilitate that a bit,” Hastings said.

The event, which sold out five days after tickets went on sale b in late January, featured several company representatives, including Google, Microsoft and SendGrid, who attended to recruit students for jobs and internships.

A representative from LevelUp, a Cambridge-based mobile payment platform, gave a demonstration and stayed for a few hours to talk with students, according to Hastings.

“The hackathon culture has really been growing a lot in the past two years,” she said. “Lots of tech companies are really excited about coming to this kind of event and working with students and helping them to develop cool products, especially ones that use their tools.”

Though not all interested students could purchase tickets before they sold out, Chow encouraged those who did not register to come anyway.

“This event is well-known,” he said.

“The student [community] is a big fam-

ily over there. Everyone knows each other in the computer science department, so they hear from their friends how great the event is — what you can do, what you can learn.”

Sophomore Jeremy Marcus attended this year’s event after his friends told him about their experience last year.

“Everyone came back with great stories, great experiences, things they learned,” he said.

Marcus explained that he thought participating in TuftsHack would be a good opportunity to apply the skills he had learned in class. Chow agreed that hackathons provide good supplemental learning experiences.

“You can only learn so much in a classroom,” he said.

At the end of the hackathon, students demonstrated their projects to their peers.

“That’s the fun part of the hackathon seeing what people have decided to spend 24 hours on,” Hastings said.

Projects included a social networking website that encourages teeth flossing, an online bingo game with some of Chow’s commonly used phrases and website expansions of Tufts Marketplace and Tufts Textbook Exchange.

One team also created a Google Chrome extension that improves the iSIS user experience, adding search functions and displaying one’s position on a class waitlist, among other things.

While sponsors play a role in influencing what students develop, many also seek to develop apps that benefit the Tufts community, according to Chow.

“There are so many awesome things that happen at a hackathon,” Hastings said. “Watching and facilitating all of that is what makes this kind of event worth it. I was blown away by how awesome all of the attendees were, how excited they were to try out new stuff and work with new people.”

Features

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Somerville sees growth in younger population, business economy by

Eva Batalla-Mann | Valuable Delusions

A snow day for your soul

Nimarta Narang

Contributing Writer

As the average age of Somerville residents declines and new restaurants flock to the city, the town once known as “Slum-erville” has transformed its reputation.

“Somerville worries it’s growing too hip” read the headline of an Aug. 23, 2013 article published in The Boston Globe, detailing the changes in the neighborhood where many Tufts students eat, study and shop. So, how and why did this change occur?

Laura Webster, an employee at the new Union Square restaurant Area-Four said she has seen Somerville become increasingly urban in recent years. “[Somerville] is becoming a lot more industrial, [and it is] moving in a great business direction,” Webster said. “We see quite a few of those ‘hipsters,’ but we see mostly students coming in.”

An Aug. 23, 2013 article by the local Somerville Patch entitled “Is There a Hipster Crisis in Somerville?” took its own dig at the situation. The article expressed concern that Somerville may be losing its “homegrown character and culture,” and that many longstanding residents may get priced out of the city.

Greta Platt, who has worked at The Biscuit, a Somerville coffee and pastry shop, for the past 10 years, said she has noticed a change in the types of customers that visit the restaurant.

“I definitely see a lot more younger people, and it’s nice to see them,” Platt said. “It’s a change, and it’s nice.”

Lauren Hopper, who has lived in Somerville since 2005, said Davis Square best illustrates the changes she’s noticed in the city.

“Definitely, I’ve noticed more ‘hipsters,’ but I also feel like maybe that’s just more of a noticeable change in the way young people dress,” she said.

Hopper noted that many residents she knows have grown up in the community.

“I have some neighbors down the street from us — he’s 92 and he’s lived here since around 1950,” she said. “[Another] grew up in the house that she lives in. I think it’s really interesting that people stay in the same house and the same neighborhood.”

However, Hopper said she thought that much of the change in Somerville has come from a general rise in the cost of living in surrounding communities.

“I think it’s kind of strange that people seem to be interested in the idea that Somerville is the new Cambridge,” she

S

Justin Mccallum / Tufts Daily Archives

“Honk” is an annual festival of activist street bands that takes place in Somerville and often attracts young participants. said. “I think everything is just getting so expensive for everybody ... There are these schools [in Somerville] and people want to stay on this side of the river.”

Despite the concern for the loss of Somerville’s local character, the community has gained attention as an expanding hub for popular, new restaurants, including M3, a southern-style eatery, and Casa B, which Boston Magazine recently named one of Boston’s best new restaurants.

Webster and Platt discussed how Somerville’s demographic changes have benefitted the local business community.

“The recent development is bringing a lot of younger people into the business [world], which, in turn, brings in new neighborhoods,” Webster, a six-year resident of Somerville, said.

“I think its healthy competition. The local businesses already have a steady line of customers, and it’s a way for Somerville to expand.”

Hopper also noted the effects of Somerville’s changes.

“I definitely feel like Somerville is gentrifying more,” Hopper said.

“There are good and bad things with that. It makes things more expensive, but it also brings [other things like] new restaurants.”

Hopper, a mother of two, noted that Somerville has also recently become more expensive, like Cambridge. The rise in the cost of living has brought changes to the types of residents moving

into her neighborhood, she said. Hopper resides just outside of Davis Square.

“One thing that makes me really sad is that no families with little kids are moving into my neighborhood because the house down the street was over $1 million,” she said. “What I see moving in a lot near me is couples without children.”

While Somerville has attracted many different types of new residents, there is no doubt that the new businesses have made Somerville a more social and vibrant place, Platt said. For example, she said she has seen The Biscuit get busier over the years.

In contrast to Hopper’s comment about fewer families moving to Somerville, Platt said she feels Somerville has opened its arms to younger people and younger families.

She noted that since the cost of living in Cambridge has become more expensive, she has seen growing variation in the demographics of customers — more students and families.

Additionally, Platt explained that she remains positive about the future of the local Somerville industry in the presence of new businesses.

“I think the more, the better,” Platt said. “This will bring more people in[to] the neighborhood, in[to] the area, and as a result, we will have more diversity.

[Local businesses] have their own customers, and new customers are coming in, as well.”

Kyra Sturgill / The Tufts Daily

Tufts students and long-time Somerville residents alike enjoy Davis Square for its restaurants and businesses.

now days are still new and exciting to me. I had been in the snow a few times before I came to Tufts last year, but mostly when I was very little. I remember in kindergarten my classmate’s dad driving up to the mountains to fill his flatbed truck with snow and bring it to the school parking lot. We thought it was the coolest thing that had ever happened in our six years as human beings. We jumped and frolicked in the small white pile that soon turned to brown slush. Snowballs were thrown and tears ensued. We were only a few kindergarteners from California, so no one had ever taught us proper snow etiquette.

In the wake of this snowy season, I was starting to think there was an epidemic of people forgetting to take the tags off of newly-purchased jackets.

And then I learned what a lift ticket is.

Growing up in a snow-less climate and having family trips that usually consisted of visiting concert venues instead of ski lodges, this took some getting used to. I keep wanting to go up to strangers and kindly break it to them that they haven’t taken the tag off of their new down jacket, and then hope that I did the right thing by telling them at the risk of some embarrassment. But then I keep remembering that it’s a “thing” here. I kind of like this idea, though, because it’s almost like a wearable journal. I think that the next time I go to a concert or the theater, I’m going to sew the ticket stub to my jacket. The possibilities are endless.

The snow used to freak me out, but now I think I can appreciate it. It’s beautiful and reminds us that there’s something bigger than we are. This is always a good reminder, especially for people like us here at Tufts who have the world at our fingertips. I am enjoying this winter wonderland, but in a week and a half I will be headed back home for a couple days to go to a wedding. Maybe because I have a slight “Say Yes to the Dress” addiction (although I have to say the newest spinoff “Randy to the Rescue” is so much better), or maybe because of my family’s involvement in the wedding (my dad is officiating; I am a flower girl, and no, I am not too old for that), I am overcome with excitement.

Weddings and snow. What is the connection to be made here you may ask?

Well, I think they both bring people together and prompt us to make time for things that we might not otherwise. For example, a snow day may be the perfect opportunity for my roommates and I to finally bring at least part of Buzzfeed’s list of “27 Red Velvet Desserts That Want To Be Your Valentine” to fruition. And this wedding will bring people together from all over the country and world, as they put aside their busy lives for a couple of days to shine light on this beautiful and profound thing. Sounds kind of perfect to me.

I think the moral of the story is that in the midst of all the craziness, you should declare your own snow days. Or even just a couple of snow hours. And no, it doesn’t have to actually be snowing. But it’s just a little bit of time set aside for you to decide you want to take up the autoharp, or relive your youth through the “Freaky Friday” soundtrack or go on a tour of some local hipster coffee shops. It doesn’t really matter, but just do it. And I promise: it will be good for your soul.

Eva Batalla-Mann is a sophomore majoring in peace and justice studies and community health. She can be reached at Eva. Batalla_Mann@tufts.edu

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Weekender Nick Pfosi / Tufts Daily Archives

Tamasha women performed fusion dance pieces at the TASA Culture Show last spring.

Tufts’ Indian dance groups bring diverse history, culture to campus Dancers compete in style-specific circuits

While many students burrow down in the first months of the spring semester, burying themselves in books and bowls of Carm stirfry, members of Tufts’ Indian dance groups will head to the gym and the stage in the coming weeks. Though perhaps lesser known than organizations like Sarabande or Spirt of Color, members of these dance troupes are working hard to polish their performances and gain recognition both on and off campus this spring. by

Drew Robertson

Daily Editorial Board

Diverse dance culture on campus Among the over 300 student groups and organizations offered on the Hill, Tufts is home to four distinct Indian dance groups: Tufts Bhangra, Tufts Garba, Tufts Tamasha and Tufts Pulse. All of these groups specialize in different performance styles, with each on carving out a specific niche for themselves and representing a unique element of Indian dance culture — which is itself extremely varied. For members of the Tufts community who may not yet be acquainted with them, here are a few words of introduction: Founded in 2001, Tufts Bhangra is a co-ed team and the oldest of the four groups.

Bhangra originated as a folkdance of the Punjab region of Northern India. It was traditionally performed as a way to celebrate the harvest, taking its name from bhang (hemp), one of the region’s most important crops. According to current tri-captain Derek Kallarackal, a junior, Bhangra is now known for its athletic and fun style.

Tufts Garba Team, which began in 2002, also features male and female dancers in their group. Also a folkdance, Garba was born in Gujarat, a state in northwestern India. Today it is sometimes performed with the use of dandiya sticks, which dancers incorporate into the performance by tossing or tapping them together.

Tamasha, formed in 2008, is an all-female dance group and the only one that fuses together different dance forms. The Tamasha women integrate Bollywood, hip-hop and other styles into their performance pieces.

The name “Tamasha” also refers to a type of Marathi theater, developed in Maharashtra, in western India, which combines dancing and singing, and focuses on female performers.

The newest of the groups, Pulse — founded in 2010 — is also an all-women team with a repertoire that includes the eight classical dance styles of India. The team alternates its focus between these styles; this year they are performing Kathak, which began in northern India, and Kuchipudi, which is popular in southern India.

Working the competition circuit Though distinct in their styles, all four groups practice, perform and compete extensively, both at Tufts and off campus.

Teams participate in competitions between other performance groups of the same (or similar) styles.

Kallarackal noted that the culture of competition among Indian dance groups has become popular in the U.S. “[There are] collegiate [Bhangra] teams and there are independent teams,” Kallarackal said. “It’s a pretty big community.”

In dance contests, groups can be evaluated on a wide range of criteria — and these criteria can vary depending on the competition circuit. Bhangra dancers, for instance, are judged on uniformity and technique, but are also evaluated for stunts, audience interaction and expression, elements that may not be emphasized in other circuits.

According to Kallarackal, “Interacting with your teammates while you’re dancing and showing the audience and the crowd that you’re having fun” may be as important for Bhangra dancers as the precise formations they rehearse.

“If you see someone in the audience when you’re doing a move and you interact with them, that’s something that the judges look for, Kallarackal said. “[It] shows that you’re a good dancer.”

Tufts Bhangra travels next weekend to compete at Bhangra Fever 5, a prestigious competition held this year in Binghamton, N.Y. While competing frequently means gaining experience and recognition for team members, it also requires a high level of dedication.

In order to participate in these competitions, Kallarackal said, teams have to submit a video of a three-minute long performance and hope — based on the audition tape — to be admitted to the competition.

Once accepted, however, the work has only just begun. Kallarackal estimates that team members spent six hours a week in practice, a time commitment that has increased this semester in preparation for Bhangra Fever 5 and other competitions. For Kallarackal and his co-captains Rohan Roa, a junior, and Tarundeep Singh, a senior, the commitment can last multiple hours per day.

Still, according to Kallarackal, the experience is as rewarding as it is exhausting.

“It definitely pays off when you get to be on stage for those eight minutes and just have a blast,” he said. “It’s definitely worth it.”

Priyanka Dharampuriya, a junior and a Pulse dancer, agrees.

“There is a lot of added pressure, and I think that kind of gives you a lot of push to perfection,” Dharampuriya said of com-

peting. “It is a bit more stressful [then noncompetitive dance], but also ... a little bit more rewarding in a different way.”

Cultural awareness on campus The intersection of these groups provides a diverse representation of Indian dance culture on campus. Dharampuriya feels that Pulse’s concentration on traditional Indian dance helps bring awareness of Indian culture and other issues to Tufts.

Dharampuriya cited Pulse’s spring competition dance — which emphasizes storytelling as a significant element of Indian classical dance — as an example.

“The piece that we’re doing this year is kind of about the different stages of a woman’s life ... one is adolescence, one is married life and one is motherhood” she said.

While Pulse uses dance to tell many different stories — both religious and secular — this new piece draws some of its inspiration from Hinduism, focusing, in particular, on the female figures that are a part of the religion.

“We’re trying to, with the piece, show the other side of a lot of characters that are usually depicted [as] kind of flat,” Dharampuriya said. “We’re showing, for example, Krishna’s lover, Radha, and a piece about his mother, but ... [in traditional stories, they are] ... not their own characters as much. So we’re trying to flesh them out and show a little bit about them.” “[The piece] does lend some exposure to a form a dance that not many people on campus do and not very many people are familiar with, and also to ... the mythology and the culture, as well,” she said.

Tufts Garba captain junior Akash Mittal, also noted that for students seeing these dance groups perform for the first time, it can be an eye-opening experience.

“When most people think of dance, they don’t think of Garba,” Mittal said. “I feel like it helps people a lot when they see different types of dances.”

Finding support on the Hill Each of the dance groups — Bhangra, Garba, Tamasha and Pulse — are all mem-

bers of Tufts Association of South Asians.

Under this umbrella organization and through personal connections, the teams work together to share resources and support each other on campus.

“We all know each other, and we’re all friends, Kallarackal said. “Especially during tryouts, we collaborate ... and communicate so that we are on the same page.”

Furthermore, Tufts groups must share funding. All of the four groups have attended competitions as far away as California; university support can be a deciding factor when the teams are seeking entrance to these competitions. According to Mittal, this year, certain complications with funding prevented the Tufts Garba from attending a competition they were invited to.

“This year, we had a problem just because of the timing of the competition, and we weren’t able to get funding in time,” Mittal said.

For the most part, though, the teams are able to make do with a healthy combination of Tufts funding and out-of-pocket expenses.

And despite having to share resources (and more than a dose of competitive spirit), the Indian dance community remains united.

“I really like the community of our team and in general,” Mittal said. “It’s just really enjoyable being with this group of people.”

Even in small ways, the groups seem to demonstrate their support with another.

Recently, Tamasha posted a congratulatory message on the Pulse Facebook page after hearing good news regarding an upcoming performance. Dharampuriya also noted that she feels a great deal of support from the Tufts community at large while performing on campus.

“When you perform at Tufts, the audience ... is on your side,” she said. “Everyone wants you to do well, and that’s great.”

All the groups will be participating in the TASA Culture Show on Feb. 21 and 22. While they will not be sharing the stage for any one dance, it is an opportunity for members of the Tufts community to experience the range of skill and artistic diversity of the Tufts Indian dance groups.

Nick Pfosi / Tufts Daily Archives

Tufts Garba performs with dandiya sticks at the TASA Culture Show.

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Weekender

Thursday, February 6, 2014

Theater Review

‘House/Divided’ discusses politics, recent housing crisis

by Josh

Podolsky

Contributing Writer

The Builders Association, a New York theater production company, does exactly what its name implies

House/Divided Directed by Marianne Weems ArtsEmerson 120 Boylston St., Boston MA, 02166

at the beginning of its production of “House/Divided”: it builds a house. For each performance, the group constructs an actual house that was once foreclosed on and torn down. Over an 80-minute performance, the Builders Association then proceeds to rearrange, remodel, deconstruct, reconstruct and ultimately obliterate the house it builds so hastily.

Inspired by John Steinbeck’s “The Grapes of Wrath” (1939), “House/ Divided” is equal parts a retelling and a modernization of this seminal work. Vignettes from the book introduce scenes that take place during

the mid-20th century, and while it appears as though these moments — which look, sound and feel like old film — are meant to segue into contemporary scenes depicting the modern-day mortgage and housing crises, the connection between the two often seems disjointed and a little forced.

Part of the problem is that there is very little actual plot in “House/ Divided,” especially in the modern scenes. Unlike “The Grapes of Wrath” — Steinbeck’s novel about a displaced family on a journey to the west and their struggles to find a home — the contemporary thread seems less intent examining the human impact of losing a home, and instead would rather point its finger at banks. The undeveloped Wall Street characters are the most glaring example of this.

Indeed, to viewers these figures — who compromise their integrity through shady interactions — will seem particularly hollow.

Documentary footage of interviews with people involved in the literal cleanup of the housing crisis provides an alternative perspective on the financial disaster,

Courtesy Jay LaPrete / ArtsEmerson

Live actors and documentary footage are used to portray the human experience of losing a home. but, unfortunately, this footage serves no larger function. Mostly, it just feels preachy.

Despite its literary shortcomings, “House/Divided” is a tech-

Courtesy James Gibbs / ArtsEmerson

The set of ‘House/Divided’ uses projections to blend current events and history together.

nical masterpiece. Hardly any aspect of the theater experience was left unexamined in The Builders Association’s production.

Discordant country tunes waft in the background of Steinbeck’s scenes creating an eerie, metallic aura as a robotic female voice narrates passages from the book.

Even the acting seems to belong in a sepia-colored tone. In contrast, the modern scenes are paired with a constant, driving bass track adding a sense of urgency and speed to these moments, reminiscent of a trading floor atmosphere. Though the music definitely helps set the pace of the show, after a while this aural assault can be distracting.

The essence of the production lies in its dynamic set. Constructed from the bones of an actual house and the images of a projector screen, it is the primary medium through which “House/Divided” delivers its message. Sections and pieces of the house are pulled apart and rearranged until, at the end of the performance, they hardly resemble a house at all, mirroring the show’s simultaneous dismantling of the conception of the home. As the play develops, it becomes apparent that the problems Steinbeck wrote about in “The Grapes of Wrath” are not

all that different from those cited in “House/Divided” — namely, that greed displaces people from their homes. The projections are particularly poignant and contribute to the wow factor of the set.

All in all, “House/Divided” is an extremely unconventional show — aptly demonstrated by its unique manipulation of light and sound, as well as its choice of acting style. One of its more striking oddities, however, was that the show specifically requested that the members of the audience use their phones during one part of the play. The idea is that, as three actors recreate Alan Greenspan’s testimony before Congress, the members of the audience pull out their smartphones and launch an augmented reality app with features specific to “House/Divided.”

While this was certainly different, the audience seemed reluctant to play along. It ultimately felt gimmicky after the initial 10 seconds of “oohs” and “ahhs” subsided.

Unfortunately, that is how much of “House/Divided” feels. As a showcase of technical prowess and innovation it is incredibly impressive, but as a story and historical analysis it is disjointed and incomplete.

‘Wonderland’ dives down rapturous rabbit hole by

Brendan Donohue

Daily Editorial Board

Like its literary namesake, CEO’s sophomore album “Wonderland” is an eclectic adventure that combines elements

Wonderland CEO Modular Recordings

Courtesy Sincerely Yours

Eric Berglund, formerly of The Tough Alliance, is well established in the Swedish electronic scene.

from a great range of sources, which will — as they merge together in a wild amalgam of cheer and melancholy — both delight and depress listeners. A sometimes confusing but mostly fun blend of fantasy and color fills this daring album; indeed, “Wonderland” features many of the same curious ingredients that characterized Lewis Carroll’s classic novel.

CEO is the solo effort of Swede Eric Berglund, who was half of the Gothenburg-based electronic duo The Tough Alliance until 2010. Well established in the Swedish indie electronic pop scene, Berglund co-founded Sincerely Yours in 2005, a record label that hosted prominent artists such as Air France and jj. This second album follows 2010’s critically acclaimed “White Magic,” released by the then-non-capitalized ceo.

The LP begins with a declaration: “I felt like I opened Pandora’s box / and now I have to close it.” The line comes from the 2010 documentary “Feathered Cocaine,” a film about the international trading of falcons and its connections to terrorist organizations. This opening quotation is not only a strong example of this album’s incredibly varied origins, but also of the wild nature of the music.

The first track, the bouncy and sugary “Whorehouse,” is the lead single and also one of the album’s most impressive numbers. Like much of the record, the hopeless lyrics and heavy title of “Whorehouse” belies the childish fun of the song — as youthful shouts of glee are contrasted with lines like, “I’m lost inside a whorehouse / no one can pro-

tect me from my game.” One ponders the meaning of these lyrics until the uncontrollable melody kicks in — causing listeners to bob their heads and whistle along. Similarly, in “Mirage,” an accessible and danceable beat is accompanied by lyrics that suggest darker themes: as the synths swirl and the percussion persists, subtle moans are paired with Berglund’s singing, “When you say love / I see a mirage.”

The album’s title track is a clear highlight and is similar to “Whorehouse” in its blend of incredibly catchy synth melodies and relentless percussion. As an invitation to the imaginary world of Wonderland, this song begins the second half of the brief, 33-minute album.

Although short, “Wonderland” has songs like “Bubbles in the Stream” and “jUjU” see CEO, page 7

Artsy Nugget

Coca-Cola Super Bowl ad causes controversy 111.5 million Americans gathered around their televisions to watch the Super Bowl on Sunday and, undoubtedly, many of them found the actual game to be tedious. But they indubitably stayed tuned for the commercials. One ad in particular stood out and, as any good Super Bowl commercial would, it created quite the controversy on the Internet. The commercial: the Coca-Cola advertisement set to “America the Beautiful” (1895).

The ad hit on all of the classic sentimental Super Bowl commercial points. It showcased the product as a part of family and an emblem of progressiveness, and it featured an array of beautiful images and scenery.

Despite this seemingly harmless content, there were some vocal citizens who did not appreciate the message of acceptance and diversity. Coke chose to have “America the Beautiful” sung in

various languages, including Spanish and Mandarin — a decision aimed at reflecting how America is a melting pot.

The primary outcries came from what some consider the underbelly of the Internet — Twitter. A rampage of ignorant and racist remarks flooded in. Some people even said that they were boycotting the brand because of its commitment to a multi-lingual and diverse America. A few tweets were, ironically, riddled with grammar mistakes.

Fortunately for Coke, this initial backlash was met with an intense and angry reaction from more reasonable Americans. As of now, Coke looks like a hero of a progressive America while their detractors, well, just look foolish.

—by Veronica Little

The Tufts Daily

Thursday, February 6, 2014

7

Weekender

Nash Simpson | Throwblack Thursday

What’s Up This Weekend Looking to make your weekend artsy? Check out these events!

Hamlet in Medford Square: This weekend, the Chevalier Commission will present a production of Shakespeare’s “Hamlet” (circa 1602) at the Chevalier Theatre in Medford Square.

(Tomorrow at 8 p.m. and Saturday at 3 p.m. and 8 p.m. at the Chevalier Theatre, 30 Forest Street, Medford. Tickets are $16 for students and can be purchased at www.chevaliertheatre.com.)

Melting Pot — A Concert by A Far Cry: Acclaimed group A Far Cry will be performing a concert at Tufts this weekend, with the 17 person group bringing a program that will explore the diversity of American music. The concert will feature works by Ives and Dvorák (Saturday at 8 p.m. in Distler Performance Hall. Tickets are free with a Tufts ID; limit two per person.)

“Seeing Glacial Time: Climate Change in the Arctic” Professor of Glacial Geology Jack Ridge will lead an hour-long tour through the exhibit, offering a scientific perspective on the art. (Sunday at 3 p.m. at Tufts University Art Gallery. Admission is free but RSVP ahead with madeleine.delpha@tufts.edu.)

Tufts “All-Star” Performance Faculty: In the latest edition of the Sunday at Tufts — Community Concert Series, the Tufts performance faculty will perform a concert with student musicians featuring various genres and styles. The concert will include works by Brahms, Copland and more. (Sunday at 3 p.m. in Distler Performance Hall. Admission is free.)

— compiled by the Daily Arts Department

“Glacial Time” Walkthrough: This weekend will have a special exhibition tour for the Tufts University Art Gallery’s new exhibit,

Eric Berglund creates world where fantasy meets reality CEO

continued from page 6

— which, with their ethereal and mostly instrumental ambience — serve as interludes. Evoking dream-like feelings of floating on a cloud, these tracks have a clear purpose on an album full of songs that take the listener on faster and busier adventures.

There is an abundance of different themes present on this album and fans can examine many of them in-depth by giving “Wonderland” repeat listens.

The mysterious and sometimes antisocial Berglund proves he is deserving of this exploration. Like the music produced by artists such as Panda Bear, the various layers and diversity of CEO’s creation prove that this work will be most gratifying to those who spend time with it.

After almost a decade of making music, Berglund has created a fully satisfying, wide-ranging album. At times it is deeply rooted in fantasy, while in other moments it comes face-to-face with the harsh truths of reality — and sometimes it manages to do both. “Wonderland” is truly a dive through the looking glass.

While occasionally bordering on a sensory overload, CEO’s production fluctuates between a great array of conflicting emotions and sounds, but still avoids falling into a nebulous middle ground.

Although the final line of the album features a man wondering, “Who knows, dude?” one feels assured after a few listens that Berglund certainly does.

Courtesy Sincerely Yours

CEO’s ‘Wonderland’ draws inspiration from his last project.

Artsy Jumbo

Dominik D juggles hip-hop dance, miming Dance is an inherently ephemeral medium, lasting only as long as its performance. What you see is what you get. As a result, it is arguably the most engrossing art form, for both the spectator and the artist.

Movement-based art intrigues Dominik Doemer (who goes by Dominik D), a freshman, who is a member of both Spirit of Color (SoC) and HYPE!, Tufts’ mime troupe. Hailing from Amherst, Mass., D danced in high

school, where he was also involved in musicals and local theater.

When asked about the difficulties and challenges of dance, D said it’s about merging speed with choreography. After learning all the moves to one routine, “You’ll suddenly have to do it five times faster — and that’s difficult,” he said.

This is especially difficult in hip-hop, D’s preferred form of dance, which he describes as a style that combines speed with “a lot of isolations, clicking [and] hard movement.”

These same skills cross over well to performing mime, according to D, who said he plans to stay involved with both SoC and HYPE! throughout college. While dance is more about visceral expression, mime is about constructing a narrative with movement. D explains that these productions can get tricky.

“There are some things you just can’t do without speaking,” he said.

Regardless of the difficulties the effort often pays off, D said. He is frequently amazed by the extent to which people can communicate purely through movement.

—by Anthony Martinez

Courtesy Dominik Doemer

Menacing thoughts to considah

I

n case you were wondering, that is how some of us Africans would pronounce the word “consider,” although, in reality, there are hundreds of different kinds of African accents. Tell that to the characters of the classic comedy, “Coming to America” (1988) — starring Eddie Murphy, James Earl Jones and Arsenio Hall — who all utilize so-called African accents that, one, don’t match each other even though their characters are supposed to be from the same place, and, two, don’t necessarily resemble any particular African way of speaking.

Despite this inaccurate representation, the movie as a whole is a storytelling gem. Akeem (Murphy), the 21-yearold heir to the royal throne of the fictional country Zamunda, is set to marry a princess who has been trained her entire life to simply be Akeem’s wife and, quite literally, nothing else. Quickly discovering this woman’s lack of personality, Akeem goes against his father’s ( Jones) will and ventures off to Queens, N.Y. with his personal servant, Semmi (Hall) to find his rightful queen — get it? — all while posing as a poor man. In doing so, he voluntarily plunges himself into an experience that loosely represents the plight of the African immigrant — a reality that the film coats with well-timed spurts of hilarity.

Once in Queens, Akeem tosses all that wealth aside. His number one goal, despite incessant protests by the spoiled Semmi, is to appear as impoverished as possible. Akeem believes that the act will allow him to find a genuine wife who loves him for who he is, and not only because he’s a prince. As the two conduct their lives much like struggling African immigrants, Akeem and Semmi are negatively judged — not by the white people they encounter, but, surprisingly, by black Americans.

The two find work at a restaurant called Mr. McDowell’s, and it is here that the interesting parallels to contemporary black culture begin. The owner is a black man who happens to be the father of Lisa (Shari Headley), a young woman Akeem fancies.

Mr. McDowell ( John Amos) exists as a satire of whitewashed blacks. He is so obsessed with white culture that he is willing to give up anything to become a part of it. Mr. McDowell’s restaurant is a knockoff of McDonald’s — ironically symbolizing his habit of copying whatever he considers elite. To Mr. McDowell, whiteness is synonymous with wealth, which places him at the top of what he views as a wealth-based ranking among blacks.

When he meets Akeem and Semmi, he immediately considers the immigrants to be below him, offering them the most menial jobs. In perhaps his most telling display of classism, he invites Akeem and Semmi to his holiday party to show his gratitude for their hard work. However, there’s a twist: he makes them work as the bartender and valet at the party.

While Mr. McDowell judges based on wealth, others judge the newcomers solely based on their immigrant status.

Lisa’s boyfriend (Eriq La Salle) — a black man and Akeem’s nemesis — makes sly comments like, “[Akeem], wearing clothes must be a new experience for you.” That such remarks come from black people reflects a very real tension that exists, even today, between black Americans and African immigrants.

Because blacks are arguably viewed by American society as one race devoid of ethnic distinction, ethnic-based prejudice among black people manifests itself into unjustifiable self-hate.

“Coming to America” is one of Murphy’s many comedic masterpieces. While it ceaselessly entertains the viewer, it also addresses, through satire, some of the most pressing black issues of its and, sadly enough, our time.

Nash Simpson is a senior majoring in English. He can be reached at Nash.

Simpson@tufts.edu.

The Tufts Daily

8

THE TUFTS DAILY

CSL policy changes are important step

Editor-in-Chief J.L. Hoagland Stephanie Haven Managing Editors Justin Rheingold Executive News Editor Daniel Bottino News Editors Jenna Buckle Abigail Feldman Daniel Gottfried Alexa Horwitz Victoria Leistman Annabelle Roberts Denali Tietjen Josh Weiner Sarah Zheng Meredith Braunstein Assistant News Editors Dana Guth Kathleen Schmidt Jei-Jei Tan Charlotte Gilliland Executive Features Editor Emma Arnesty-Good Features Editors Emily Bartlett Hannah Fingerhut Caitlin McClure Sabrina McMillin Jessica Mow Shannon Vavra Maya Blackstone Assistant Features Editors Sophie Laing Jake Taber Kendall Todd Lancy Downs Executive Arts Editor Brendan Donohue Arts Editors Veronica Little Dan O’Leary Drew Robertson Dana Guth Assistant Arts Editors Nika Korchok Wakulich Anthony Martinez Jake Indursky Alex Baudoin Alex Connors Ross Dember Zachey Kliger Kate Klots Aaron Leibowitz Tyler Maher David McIntyre Jason Schneiderman Alex Schroeder Sam Gold Alison Kuah Jorge Monroy-Palacio Maclyn Senear Chris Warren Nicholas Golden Tom Chalmers Matthew Crane Scott Geldzahler Susan Kaufman Benjamin Boventer Amy Bu Keran Chen Jehan Madhani Kyle Allen Jorge Monroy-Palacio Jonathan Moore Bailey Werner Caroline Geiling Sofia Adams Ethan Chan Matt Schreiber Christie Wu Maya Blackstone Annie Levine Nick Pfosi Kyra Sturgill Mitchell Katz Rachel Sheldon Alexander Kaufman Jake Hellman Aastha Chadha Ethan Chan Jade Chan Kristie Le Tanay Modi Blair Nodelman Joshua Podolsky Grace Segers

Executive Sports Editor Sports Editors

Thursday, February 6, 2014

Editorial

Caroline A. Welch Editorial

Editorial | Op-ED

Published in today’s edition of the Tufts Daily is an op-ed from members of the Committee on Student Life (CSL), announcing its decision to no longer allow student organizations to apply for a “justified departure” from the Tufts Community Union Judiciary’s (TCUJ) non-discrimination policy, as well as the creation of a new policy toward Religious and Philosophical Student Organizations (RPSOs). This is an important step in ensuring that the university does not sanction discriminatory student organizations, but some of the specifics of the new policy could use further clarification.

The CSL’s decision comes over a year after the Tufts Christian Fellowship (TCF) was derecognized by the TCUJ for its discriminatory requirements for leadership positions. The CSL subsequently created a policy that allowed religious student organizations to apply for what it called a “justified departure” from the TCUJ’s non-discrimination policy, via the Tufts University Chaplaincy, when determining eligibility for leadership positions.

The TCU Senate then asked the CSL to

reconsider the justified departure policy.

Rescinding the justified departure policy is a long-overdue step by the CSL, which it says came about as a result of pressure from organizations like the TCU Senate and a reconsideration of what constitutes a religious student organization.

The CSL correctly recognized religious student organizations as collections of Tufts students interested in practicing or learning more about a certain religion, and not as chapters of outside religious organizations located on the Tufts campus. Student religious organizations are groups of Tufts students sanctioned by the university to congregate and pursue similar interests. Any deviation from that focus is both unnecessary and not in the spirit of a student club.

By creating a new designation of RPSO and reevaluating the relationship between the TCUJ and the Chaplaincy in the recognition process, the CSL has rightly placed the power to approve a RPSO in the hands of the students, and removed the questionable concentration of power in the Chaplaincy that clouded the justified departure policy.

However, though TCUJ has the power to determine whether a group can be considered a RPSO, the group must first be approved by the Chaplaincy before it can be officially recognized by the TCUJ. This, in effect, gives both the TCUJ and the Chaplaincy veto power over new RPSOs. Clarification on the criteria the Chaplaincy would use to approve or deny an application for recognition before it reaches the TCUJ is necessary to determine whether this approach creates a proper balance of responsibility between the TCUJ and the Chaplaincy.

By rescinding the justified departure policy and creating a new category of student organizations, the CSL has done an admirable job of reversing its own course and heeding the advice of the TCU Senate in order to ensure no student organizations are inherently discriminatory in their electoral procedures. The CSL is right: every student should be able to run for elected office in a Tufts-sanctioned student organization, and its action toward that goal is commendable.

AMY BU

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Recyclemania 2014: Get ready, go! by

Mary Snyder

You’ve all been waiting for it. After much anticipation, I can now proudly announce that the Recyclemania 2014 competition has begun. Tufts Recycles! interns have been busy with preliminary grades for each dorm and house, but now it’s time for the real fun. You’re bound to run into an intern snooping through your trash to see if you separate paper from plastic, and glass from trash, in the next eight weeks. So consider yourselves warned that your trash is most definitely being watched.

For those of you who aren’t in the know, Recyclemania is a competition between colleges and universities across the United States and Canada. Running from Feb. 2 to April 8, Recyclemania promotes increased recycling efforts and awareness about waste reduction by collecting data from campuses on the amount of recycling and trash collected each week. Campuses are then ranked weekly and can compete in various categories. Tufts is currently competing in the following categories: per capita, food service organic and gorilla (highest gross tonnage of paper, cardboard, bottles and cans). To increase recycling in campus

The Tufts Daily is a nonprofit, independent newspaper, published Monday through Friday during the academic year, and distributed free to the Tufts community. EDITORIAL POLICY Editorials represent the position of The Tufts Daily. Individual editors are not necessarily responsible for, or in agreement with, the policies and editorials of The Tufts Daily. The content of letters, advertisements, signed columns, cartoons and graphics does not necessarily reflect the opinion of The Tufts Daily editorial board.

housing, residences will be graded in rotation so each dorm or house receives two grades. Interns will be checking to see that what’s in the trash is actually trash; no bottles or paper should be in any grey bins. They’ll also be checking that no contaminants are in the recycling (think greasy pizza boxes), which will factor into the grading. This is your chance to earn eternal fame as a resident member of the building with the best recycling at Tufts!

Check out the following results to see how your house did: 9-11 Sunset: A-; 10 Winthrop: A; 12 Dearborn: A; 92-94 Curtis: C-; Capen House: C-; the Arts Haus: B; Carpenter: A-; the Crafts House: A; the French Language House: B; the German Language House: C+; the International House: C-; the Jewish Culture House: B+; the Latino Culture House: A-; the Muslim Culture House: A; Richardson: B+; the Russian Culture House: A; the Spanish Language House: A-; Start House: C+; Wilson House: A-.

And check out the following results to see how your dorm did: Bush: C-; Blakely: C+; Carmichael: B; Haskell: B-; Hill: B; Hodgdon: C; Houston: B; Lewis: B-; Metcalf: B; Miller: B+, South: C; Stratton: B; Tilton: A-; West: B+; Wren: B-.

So now, armed with this knowledge,

you will see all those green and blue bins with a renewed interest in recycling. You want your dorm to come out on top with that stellar “A” to show to the world that you’ve got some serious recycling game. Not only does recycling give you higher levels of pride and confidence in yourself, but it can also help show that recycling is a priority on Tufts’ campus because students care about their impact on the world.

Recyclemania is a chance for Tufts to show that students are interested in conserving limited resources, and not just mindlessly filling up landfills. Last year, Tufts was ranked 132 in a field of 274 competitors, but we can definitely aim for higher if we look at our history, given that we ranked 38th out of 206 in just 2009. This year we’re going to bring it. Recyclemania 2014 is a fierce competition, but we’ve got the willpower and the know-how to dominate and get back in the game. So Jumbos, let’s show ‘em what we got by filling up those blue and green bins!

Mary Snyder is a freshman who has not yet declared a major. She can be reached at Mary.Snyder@tufts.edu.

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Thursday, February 6, 2014

The Tufts Daily

Op-Ed

CSL changes ‘justified departure’ policy by

Alva Couch and Haydn Forrest

In the fall of 2012, the Tufts Community Union Judiciary (TCUJ) derecognized the Tufts Christian Fellowship (TCF) on the grounds of failure to comply with the TCUJ non-discrimination policy in its process for electing officers. The TCF later appealed to the Committee on Student Life (CSL), a standing faculty committee whose members include students as well as faculty. The CSL upheld the ruling on the grounds that the TCUJ acted appropriately according to existing rules of process in the TCU Constitution, and then developed a new policy that attempted to better meet the needs of Tufts’ multi-faceted community on this complex issue.

The CSL developed a minimum set of requirements under which religious doctrine could lead to an allowable departure from the TCUJ non-discrimination policy. The resulting policy still required all religious student organizations to allow “all comers” as members, but it allowed an organization to apply for a “justified departure” from the TCUJ non-discrimination policy in determining eligibility for leadership positions. A justified departure required two ingredients: approval by the Tufts University Chaplaincy and complete transparency on the part of the organization about who could and could not run in leadership elections. Those of us on the CSL felt — at the time — that these rules would allow religious student organizations to “live their doctrines” in harmony with the spirit of the TCUJ nondiscrimination policy. The CSL approved this policy on Dec. 5, 2012.

While some felt that the ruling struck an appropriate balance, others did not.

There was particular concern that this ruling opened the door to discrimination on the basis of gender, sexual orientation and religion. The TCU Senate passed a resolution asking the CSL to rescind the justified departure policy.

The Equal Educational Opportunity Committee (EEOC), a faculty committee that also includes students and staff, urged a reconsideration of the policy. The Tufts University Chaplaincy also came to a consensus view that religious student organizations should comply with the TCUJ all-comers non-discrimination policy. In the meantime, no student organization applied for recognition based upon a “justified departure.”

There was also a subtle but profound shift in the CSL’s own thinking about the purpose of the policy governing participation in religious student organizations. Is a religious student organization primarily a chapter of an external religious community, the committee asked, or is it a group of Tufts students whose purposes include exploring and learning about a religion as well as practicing it?

We began with the premise that religious student organizations are primarily Tufts chapters of external religious communities. Over time, however, evidence grew in favor of the latter interpretation: an organic group of Tufts students in which religion can be explored — even by nonbelievers or members of different faiths — as well as practiced. In the latter interpretation, these organizations should be fully open to all students, rather than partially exclusive.

This realization led the CSL to re-evaluate the student organization policy. If religious student organizations are fundamentally student organizations, then they must comply with the TCUJ nondiscrimination policy with which other student organizations must comply. In modifying the policy we also wanted to acknowledge student organizations that are not necessarily religious but that explore personal fulfillment and enlightenment. These organizations — such as the Tufts Freethought Society — had always been regarded in the same TCUJ category but not explicitly mentioned in the policy. Thus, on Dec. 6, 2013, the CSL approved a new policy that includes both kinds of student organizations and refers to them as “Religious and Philosophical

9

Op-Ed Jonathan Jacob Moore | Politically Erect

Actually, everything is about race

A

Justin McCallum/ Tufts Daily Archives

Student Organizations” (RPSOs).

In creating the RPSO policy, the CSL did not fully overturn its decision of Dec. 5, 2012. Rather, we modified it in significant ways. The new policy removes “justified departures” and requires all RPSOs seeking TCUJ recognition to conform to the TCUJ all-comers non-discrimination policy for election of officers, in harmony with the Tufts University non-discrimination policy. At the same time, the revised policy continues to mandate total transparency on the part of all student organizations about their mission and purpose, refines and codifies the role of the TCUJ and Tufts University Chaplaincy in recognition decisions, and explicitly empowers the TCUJ to deny or revoke recognition if these guidelines are violated. Importantly, student organizations can continue to select the best leaders for themselves, through a democratic election or other process, but they cannot exclude students from eligibility based on their membership in a protected category. All students must be able to run for leadership in all organizations.

The new policy grants the TCUJ some explicit powers that were implicit in previous policies. The decision as to whether a specific student group is to be treated as an RPSO rests with the TCUJ. The Tufts University Chaplaincy shall be consulted in this determination, but the decision of the TCUJ is binding.

However, once the TCUJ decides a group is to be considered an RPSO, the Tufts University Chaplaincy must approve each application for recognition or rerecognition before the TCUJ can grant recognition. This has always been the practice at Tufts and is in place for many reasons, such as to ensure compliance by the group with all of Tufts’ policies and to prevent cult-like organizations.

Once an RPSO is approved by the Tufts University Chaplaincy, the TCUJ makes the final decision on recognition. The TCUJ also makes decisions on derecognition. In that process, the TCUJ consults with the University Chaplaincy.

These policies reflect the CSL and the Tufts University Chaplaincy’s desire to empower students as much as possible

in guiding the policies and processes that govern student organizations.

Role of the Tufts University Chaplaincy: the Tufts University Chaplaincy is charged with leading and supporting religious, spiritual and philosophical life on all of Tufts’ campuses, and its role in RPSO recognition is part of its advising and supporting capacity with groups and individuals. It seeks to help potential RPSOs understand Tufts’ policies, ensure they can be in compliance and receive recognition and enable them to thrive in our university’s multi-faith context. It is also available to assist if questions of compliance arise.

Role of the CSL: As described in the Bylaws of Tufts University, the Arts and Sciences and Engineering Faculties have delegated to the CSL the responsibility of establishing the policies for the recognition of student organizations. The CSL in turn has delegated the recognition process to the TCUJ, including the criteria upon which recognition decisions are based. The intent of this delegation is to keep this process as student-determined and student-governed as possible. The CSL processes appeals to decisions of the TCUJ when they arise.

Whether a student organization decides to explore, learn about or practice religion or philosophy is the decision of the students who gather to form it.

However, the CSL has decided to adopt a preference for openness and inclusion over exclusion for all student organizations, and the amended policy reflects this community preference. That openness is the foundation upon which the Tufts community experience is founded.

It is this basic principle that guided the CSL in this decision.

Alva Couch is a Professor of Computer Science and the Faculty Co-Chair of the Tufts Committee on Student Life. He may be reached at Alva.Couch@tufts.edu.

Haydn Forrest is a senior who is majoring in international relations, and is the Student Co-Chair of the Tufts Committee on Student Life. He may be reached at Haydn.Forrest@tufts.edu.

s Valentine’s Day will soon come flying around the corner, I wish I could tell you that this week’s column is about being a hopeless romantic in a social media-dominated world, or something snuggly and soft like reflections on broken hearts and how I got back up again. Sadly, this is not that column, my dear friends. This is “Politically Erect” and thus, there is nothing flaccid about the conversations here. However, if you’d like to talk about my love life some other time, feel free to chat me up when you see me next.

Instead, as we ring in Black History Month, I’m going to talk about race and, more importantly, the permeation of white supremacy in American culture and why, as a human being, I think you should care about it. Frankly, it may leave you feeling a bit off-kilter, unexpectedly vulnerable and unsure of what to do next; if that’s the case, then I’ve done my job well. Since this discussion could be had in so many different ways and approached from such a wide variety of angles, I’ve decided to make a list of five reasons why everything is about race and why we need to learn to accept it. I hope you enjoy it — after all, there’s nothing I love more on a Thursday morning then walking on sunshine ... and waking up to white supremacy!

No. 1: Our nation was founded on the back of native extermination, developed through racial slavery and established as a white supremacist colonial power.

Whether or not you believed the melting pot or tossed salad arguments in high school, the modern reality is that some carrots don’t want some beets and croutons in the salad at all. We find ourselves presupposing that race has no place in every discussion about the present and future of the United States, despite it being at the core of its entire past.

No. 2: Racism affects all aspect of life for millions of Americans every day. White supremacy is more than just pictures of the KKK burning crosses in black families’ yards “back in the day” — it’s a set of underpinning legal, economic, military, cultural and educational institutions that ensure the maintenance of wealth and power for a select few.

No. 3: Wealth inequality is intrinsically related to race and economic opportunity, educational disparities and the incarceration of minorities. If we’re serious about changing the socioeconomic status quo for poor whites, blacks, Latinos and other minority groups, the President needs to mention race in his State of the Union address, instead of pandering to patriotic sentiments by listing off our identities and announcing we’re all the same. Our opportunities are not, are education is not, our safety is not, our futures are not — and this is all irrevocably tied to race.

No. 4: Acknowledging white supremacy, white privilege and the role of race in our cultural discourse is not racist; rather, denial and inaction are the crux of racial injustice. Thus, acknowledging injustice isn’t enough — pushing back against privilege is taking root in the white activist community, but more needs to be done.

No. 5: Imagine a culture that consistently tells you that, not only does your race make you not beautiful or intelligent, but also that your body is disposable and your existence is insignificant. Would this be on your mind?

So, next time you or someone you know asks why it’s “always about race with *insert non-white identity* people,” just be reminded: how could it not be?

Jonathan Moore is a freshman who is majoring in political science and American studies. He can be reached at Jonathan.

Moore@tufts.edu.

Op-ed Policy The Op-Ed section of The Tufts Daily, an open forum for campus editorial commentary, is printed Monday through Thursday. The Daily welcomes submissions from all members of the Tufts community; the opinions expressed in the Op-Ed section do not necessarily represent the opinions of the Daily itself. Opinion articles on campus, national and international issues should be 600 to 1,200 words in length. Op-Ed cartoons are also welcomed for the Campus Canvas feature. All material is subject to editorial discretion and is not guaranteed to appear in the Daily. All material should be submitted to oped@tuftsdaily.com no later than noon on the day prior to the desired day of publication; authors must submit their telephone numbers and day-of availability for editing questions. Submissions may not be published elsewhere prior to their appearance in the Daily, including but not limited to other on- and off-campus newspapers, magazines, blogs and online news websites, as well as Facebook. Republishing of the same piece in a different source is permissible as long as the Daily is credited with originally running the article.

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Thursday, February 6, 2014

Doonesbury

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Garry Trudeau

Non Sequitur

Tuesday’s Solution

Married to the Sea

www.marriedtothesea.com

SUDOKU Level: Waiting in line for the girls’ bathroom at Winter Ball.

Late Night at the Daily

Tuesday’s Solution

Lancy: “Hamlet came out between 1599 and 1602.”

Montana: “What, as gay?”

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Follow us on Twitter at @LateNiteAtDaily

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Thursday, February 6, 2014

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Tufts looks to get back on track with important doubleheader against Conn. College HOCKEY

continued from back

“Williams did a good job playing within their systems,” White said. “They dumped the puck and forechecked hard against our defense. Anytime you play against a team that forechecks hard it can wear on the defense, and with the absence of Blake [Edwards], we struggled to get the puck out of our zone.”

In the closing seven minutes, the two teams were whistled for a combined five penalties, bringing the game total to 10 in an intensely emotional matchup. Although the Jumbos’ own frustrations certainly contributed to their physical play down the stretch, the Ephs matched the intensity with plenty of chippy play of their own.

“We usually see the most success when we are playing physical and outworking other teams,” Edwards said.

“After I got kicked out, [the] guys may have held back a little bit, but I don’t really think it affected the physicality of the game. It probably hurt the most that we had to play with only five [defensemen] after I was gone. As I said earlier, we try to be physical every game, but unfortunately frustration is high at this point of the season, and it can affect how you play sometimes.”

On Friday evening, the Jumbos also held the line for much of the game, before relinquishing two late goals to make Middlebury the 3-0 victors. In the first period, neither team managed to produce a goal, although Tufts’ defense was forced to make two kills following an early tripping penalty to senior forward Brendan Fadden and a holding whistle on Lynch.

Midway through the second period, Edwards and Middlebury sophomore defenseman Zach Haggerty were sent away for a matching roughing penalty that reduced play to four-on-four.

Edwards watched on from the box as senior quad-captain defenseman Louis Belisle, the Panthers’ leading scorer, sent a shot in towards Jenkins. Middlebury forward Brendan McGovern helped Belisle recapture the puck, and this time he put it away neatly for the 1-0 lead.

Despite giving up the single score, Tufts hung in the game deep into the third period. Towards the end of the second period, the Jumbos had a pair of power play opportunities but were unable to capitalize on either.

“We got away from being physical after the first period, and that’s where we were getting our chances from,” Edwards said. “We gave them the ability to get out of their zone easily, and that took away from us being able to get any scoring chances.”

Midway through the final period, junior quad-captain forward Derek Pimentel broke the game open for the hosts. Following his own miss, Pimentel tracked down the puck and pushed it past Jenkins to give the Panthers a 2-0 lead at the 10:42 mark. Six minutes later, Pimentel worked with linemates Belisle and freshman forward Mike Najjar to take the puck end-to-end and slip it past Jenkins for Middlebury’s third score of the night.

“Middlebury does a good job of playing on their bigger ice,” Edwards said.

“They skate and move the puck around

Jumbos confident heading into NESCACs, despite regular season woes WOMEN’S SWIM continued from back

the defending NESCAC champion, might be attributed to the difficulties faced with competing at the away meet.

“Given the circumstances, I wasn’t expecting to swim any season bests times—the swimmers who weren’t ending their seasons at this meet had woken up at 4:30 a.m. to get to the meet, and we had no opportunity to warm up for the first session,” Hu said.

Hu was also part of the 200-medley relay team — which consisted of sophomore Kelsey McEvoy, Hu, freshman Cassidy Hubert and junior Samantha Sliwinski — that took fourth place, the highest finish of any Jumbo relay team of the day.

It was in the breaststroke events, though, where Tufts found the most success.

Sophomore Laura Cui finished fifth in the 100 breaststroke, two spots behind teammate Hu, while senior tri-captain Laura Burns finished fifth in the 200 breast, one spot behind Pong, dropping more than six seconds off her previous best time in the event.

In another successful race, Sliwinski took fifth place in the 100 freestyle with a time of 55.20, closely followed by freshman teammate Sophia Lin, who was 0.2 seconds behind her.

Now, with the NESCAC Championships less than two weeks away, the Jumbos are bearing down.

“We have put in all the fitness work necessary but we have a lot to improve on in terms of the technical aspects of racing such as starts, turns and breathing pattern,” Hu said. “These things can mean the difference between winning an event and coming in fifth or sixth.”

As the team focuses on tuning up its racing, it continues to work through the Hamilton Pool closure which has affected them from earlier in the semester. Still, many of the swimmers said they believe they will find success at the championships despite the obstacles.

“Everyone on this team has been working so incredibly hard in difficult circumstances, given that Hamilton [Pool] is out of commission, and I think that our spirit and positivity are really going to help us succeed,” Pong said. “We just have to stay positive, energized and healthy in the upcoming weeks.”

The Jumbos have had an underwhelming 2013-2014 season, with their first and only win coming last week against Wheaton.

This does not necessarily bode poorly for the team, though, as last season they won only three meets during the season but came in third at the championships.

“In season, times and standings don’t predict how successful we can be at the [championship] meet, and our team has always done exceptionally well,” Hu said. “TUSD will definitely be a force to be reckoned with.”

Caroline Geiling / The Tufts Daily

Senior Jenny Hu racing against Keene State in November. Hu had the highest finish of any swimmer at Middlebury, coming in third in the 100 breaststroke.

very well, and we struggled with that later in the game.”

Going forward, Tufts is intent on turning its season around and notching a few wins, if only to give the team some positive momentum going into the offseason. This Friday, the squad returns to its home rink at the Malden Valley Forum II, set to battle with the Conn. College Camels before turning around to face the Camels in New London, Conn. the following day.

Friday’s game, which features a special ‘white-out’ theme and will benefit lung cancer research, is important to the Jumbos for more than one reason. While the Jumbos are certainly hoping for a victory, the game also honors White’s father, who has been struggling with the disease for the last nine months.

Murphy’s squad knows that it has a lot on the line in its upcoming tilt. The Jumbos’ leaders are determined to reroute from a season which has veered far off track and to point the team in the right direction moving forward. The window of opportunity for Tufts to climb into the top eight and notch a NESCAC playoff spot is closing fast, and the team feels a sense of urgency entering the weekend doubleheader.

“This is a huge weekend for us,” Edwards said. “The race for a playoff spot is still very well within reach, and we need to win this weekend to stay in the hunt. Besides that, we are just excited to be putting on this game.

[Friday] means a lot to us for many reasons, so we’re hoping for all the support we can get.”

Impressive performance boosts team morale MEN’S SWIM

continued from back

style, coming in a quarter of a second behind the winner, sophomore Jason Ring from Williams College.

The Jumbos came in third in a number of events as well. The 200 freestyle relay team of Parker, senior Jack Thomas, sophomore Tanner Wiest and freshman David Amirkhanashvili took third, as did both the 400 and 800 free relay “A” teams. Wiest and freshman Jon Arbaugh finished third in their individual events, the 100 freestyle and 200 breaststroke.

“I knew that the guys who rested for this weekend would reap the rewards from all the hard work they put in during the season and their preparation definitely paid off,” Wood said.

The Jumbos that qualified for the NESCAC championships will have three weeks to train before traveling to Bowdoin College from Feb. 21 to 23.

Based on what he saw at Middlebury, Coach Hoyt said he is confident his team is primed for additional success.

“This meet was a great start to the championship season and the guys who finished up their season at Middlebury set the bar high for the ones moving on to compete at the NESCAC Championships,” Hoyt said. “I think their performance is a great indicator that the entire team has trained well this season and with some rest the guys will be ready to go at NESCACs.” Wood agreed with his coach, citing the team’s depth and overall talent.

“I honestly think this is the strongest Tufts swim team I’ve been a part of during my four years,” Wood said. “We have a very deep all-around team and will be able to score a lot of points in a lot of different events at NESCACs.”

Aaron Leibowitz | The Fan

On curling

O

h, curling, how I have missed thee. Four years we’ve been apart, each day more difficult than the last. You, curling, are the most magnificent sport on G-d’s green Earth. On one Zamboni-smooth sheet of ice you give us grace, strategy, skill. Oh, curling, where hast thou been?

But seriously — isn’t curling the best?

I can say with a straight face that I’ve missed it since I last watched in 2010.

No, I didn’t miss it enough to seek it out on TV or on the Internet. And no, I didn’t miss it enough to actually realize I was missing it. But I did miss it enough to realize now, with the Winter Olympics in Sochi one day away, how empty my life has been without it.

When I first became enamored of curling, I figured it was merely a product of my absurd fandom. If I could obsessively watch a sport in which people push rocks across ice — slippery shuffleboard — then I would watch anything with a winner and a loser.

But it’s more than that. I fell for curling not simply because it’s a competitive sport, but because the sport has a unique, wonderful appeal.

It’s soothing. The mere sight of a freshly resurfaced sheet of ice is a thing of beauty.

The throwers glide forward before gently releasing the stone. It’s slow and methodical — and no one gets hurt.

It’s simple — or at least simple enough to know what’s going on. Each match consists of 10 “ends.” In each end, the teams alternate throwing eight stones. The stones glide toward a bullseye called the “house.” If your team has the stone closest to the center, you get a point. If you have the two closest stones, you get two points — and so forth. It’s easy to catch on.

Once you start watching, there’s a steep learning curve. Over the course of two weeks, you will begin to learn the subtle strategy of the sport, the chess-like back and forth. You will also learn the vocabulary. To deliver a stone that lands in the back of the house, you must employ “back-house weight.” A shot that bumps the first stone into a second stone to knock out a third stone is a “raise takeout.”

The player who holds a broom to show the thrower where to aim is the “vice-skip.”

Curling is also funny. When I first started watching, I thought it was downright hilarious. After the thrower releases the stone, two “sweepers” come to greet it.

Then, heeding the frantic instructions of the “skip,” they furiously sweep the ice in front of the stone, guiding it to the right spot at the proper speed. It’s nuts. You get used to it, but it never gets old.

Plus, the outfits are sweet. Check out the Norwegian team’s uniforms this year. They are funky as hell, with matching, zig-zagging red, white and blue shirts and pants. As team member Christoffer Svae told the AP, “It doesn’t always matter if we do well or not. People still think that we win stuff because we are always in the media.”

And, best of all, anyone can do it. Sure, being an Olympic curler requires tremendous skill and years of hard work. But if Canadian Kristie Moore could compete in Vancouver, five months pregnant, then surely I could do it.

If you’ve never seen it before, give curling a shot. Come watch at my house if you want. When the competition starts Monday, I’ll be curled up on my couch, staring stone-faced at the TV, skipping class to watch what is, for two weeks, the greatest game on Earth.

Aaron Leibowitz is a senior who is majoring in American studies. He can be reached at Aaron.Leibowitz@tufts.edu.

Sports

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tuftsdaily.com

Men’s swimming and diving

Tufts shines at Middlebury Invitational by

Tyler Maher

Daily Editorial Board

Women’s Swimming and Diving

Swimmers compete in last meet before championships

The men’s swimming and diving team kicked off the championship phase of their season at the Middlebury Invitational last weekend. Twenty-one swimmers and two divers competed in the meet, a non-scoring event that included five other teams: Middlebury, Williams, Amherst, Springfield College and the University of Vermont.

Head coach Adam Hoyt said he was pleased with how well his group has performed, particularly because several Jumbos posted their finest scores of the season.

“The Middlebury Invitational was a great meet for Tufts,” Hoyt said. “The results were outstanding, with most of the swimmers improving on their personal best times and the divers finishing with some season-best scores.”

Senior tri-captain Austin Wood echoed his coach’s sentiments, and said the team “absolutely rocked it this weekend.”

Tufts achieved its best results in the 100 backstroke, taking four of the top five spots.

Sophomore Michael Winget won the event in 53.52 seconds, while classmate William Parker finished third. Parker was followed by freshman Adam Hotaling in fourth and senior Craig Olynyk in fifth.

The Jumbos’ other first place finish came in the 400 individual medley, which freshman William Metcalfe won in 4:18.29.

Fellow freshman Tim Savidge placed third in the race, 2:19 behind Metcalfe.

Senior tri-captain diver Johann Schmidt said he was in awe of how well the team’s younger swimmers performed over the weekend.

“They really put their all into their swims,” Schmidt said. “Mostly everyone on the team had best times.”

Tufts also scored three second-place finishes at the meet. Winget was runner-up in the 200 backstroke with a time of 1:53.68, and classmate Anthony DeBenedetto finished second in the 200 fly. Parker narrowly missed out on winning the 50-yard free-

Caroline Geiling / The Tufts Daily

In the final event before the NESCAC championships, the women’s swimming and diving team headed to the Middlebury College Invitational this past weekend, competing against teams that included NESCAC rivals Amherst, Williams and Middlebury.

Although the meet was a non-scoring event and intended to be a tune-up for the upcoming championships, several Jumbos performed well Friday and Saturday, dropping time off of their career bests — signaling that the team could be picking up momentum as it closes out its season.

This weekend also marks the last meet of the season for 14 members of the team, including four seniors, who will not compete in the championships.

“This was the last meet that we all swam together before NESCACs, so the energy was high and I think that’s going to carry the team into NESCACs as well,” sophomore Katharine Pong said.

Pong was one of Tufts’ top performers at the meet, swimming in seven events, and placing fourth in the 200 breaststroke, where her time of 2:33.60 was nearly five seconds faster than her previous best.

Senior Jenny Hu had the highest finish of any Jumbo in an individual event, taking third in the 100 breaststroke. Her time of 1:09.27, though just 0.46 seconds out of first place, was two seconds slower than her career best and the slowest time she has swam in the event this season.

“I wasn’t happy with any of the times I swam,” Hu said. “I swam the slowest I have all season but I also wasn’t too bothered by it because I was focused on supporting my teammates who were ending their seasons at this meet.”

Hu’s disappointing performance, however, which included faltering in the 100 breast, the event for which she is

see MEN’S SWIM, page 15

Sophomore Michael Winget at the start of a race against Keene State. Winget was one of two underclassmen to finish first in an event at the Middlebury Invitational.

see WOMEN’S SWIM, page 15

by

Maclyn Senear

Daily Editorial Board

Ice Hockey

Jumbos’ struggle on the ice continues by

Kate Klots

Daily Editorial Board

Things went from bad to worse for the men’s hockey team this past weekend. The Jumbos

ICE HOCKEY (3-15 Overall, 1-11 NESCAC) at Williamstown, Mass., Saturday Tufts Williams

0 1

2 3

0 — 2 —

2 6

at Middlebury, Vt., Friday Tufts 0 0 0 — Middlebury 0 1 2 —

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trekked to Vermont and then to Western Massachusetts on a brutal road trip during which they dropped two more contests to Middlebury and Williams.

Now, head coach Brian Murphy’s squad, which has not seen a conference victory since Dec. 6, sits in the NESCAC cellar with a dismal 1-11 conference record.

After falling to host school Middlebury by a score of 3-0 on Friday evening, Tufts faced NESCAC leader and national No. 8 Williams the following day. Despite staying within one goal of the Ephs for almost two periods, the Jumbos struggled to take advantage of several power plays, instead allowing Williams to pull away with a devastating 6-2 result.

As always for the Jumbos, things started out manageably.

For much of the first period, Williams and Tufts traded possessions with each contesting in the offensive zone, but neither managing to find the back of the net. Midway through the opening stanza, junior defenseman Shawn Power was whistled for roughing, but the Jumbos’ defense was able to kill the resulting two-minute power play.

After roughly 15 minutes of play, things started to unravel for Tufts. At the 15:37 mark, junior co-captain defenseman Blake Edwards was called for hitting from behind. The referees, declaring it not only a five-minute major but also game misconduct, sent Edwards straight past the sin-bin and into the locker room, leaving Tufts’ defense to kill the penalty without its back-line leader.

Williams did not hesitate to take advantage of the ensuing power play. Freshman forward Tyler Young beat Tufts senior goalie Greg Jenkins with a close-range shot to put Williams on the board going into the first intermission.

The Jumbos killed the remainder of the penalty, allowing no further damage as the first period drew to a close. At the start of the second period, Tufts earned its own power play opportunity when Williams’ sophomore

defenseman Greg Johnson was sent to the box for interference.

The Jumbos wasted no time: sophomore forward Luke Griffin worked with linemates Power and freshman Conal Lynch to tie the game up at the 1:02 mark.

Just as Tufts looked ready to overcome Edwards’ early exit and jump back in the game, Williams climbed on top again with a wrist-shot from sophomore forward Matt Werner coming just nine seconds after Griffin’s strike.

“The shift immediately after a goal is one of the most important parts of the game because it can dictate the momentum,” junior forward Andrew White said. “The quick goal by Williams after we tied the game up was due to a temporary mental lapse, and, unfortunately, they were able to capitalize.”

In the 13th minute of play, the Ephs struck twice more, this time notching goals off the sticks of rookie forward George Hunkele, who beat Jenkins on his blocker side, and sophomore defenseman Zander Masucci, who finished an unassisted hook past the keeper.

Trailing 4-1 as the period wound down, Tufts freshman defenseman Sean Kavanagh found the back of the net for his first collegiate score, pulling his team within two at the close of the second period.

Caroline Geiling / The Tufts Daily

Sophomore defenseman Luke Griffin fights for possession against Wesleyan on Jan. 25. Griffin scored one of only two goals for a struggling Tufts squad this past weekend.

Tufts entered the final period with the game within reach, and hoped to challenge the conference leaders down the stretch. The Jumbos pressured, but their defense ultimately broke down in the fifth minute.

Freshman defenseman Frankie Mork ripped a slap shot from the left point, sending it in front of Jenkins’ cage where junior forward Alex DeBaere was able to tip the puck past him for the Ephs’ fifth goal of the contest.

Down the stretch, Williams keeper junior Sean Dougherty made a series of stops to keep Tufts from pulling closer.

“Dougherty did play well, but Williams’ [defense] did a good job keeping our forwards on the perimeter,” White said. “They were physical and aggressive on our forwards and limited opportunities ... around the net.”

With the game growing increasingly out of reach, Williams capped things off in the 12th minute when senior forward co-captain Paul Steinig took advantage of a two-minute hooking penalty on Tufts sophomore forward Dom Granato, completing the six-goal rout. see HOCKEY, page 15