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JOHN CALLOW is Director of archives at the Marx Memorial Library, London. He is the author seven books on history and politics, including Marx in London and Change the World, the official history of Amicus the Union. GRANT POOKE is a Senior Lecturer in the History & Philosophy of Art Department at the University of Kent. He is the author of several books including Francis Klingender 1907-1955: A Marxist Art Historian Out of Time and Contemporary British Art: An Introduction. Together with JANE POWELL (a researcher specialising in Modernist American Photography at the University of Kent) they were responsible for the Leverhulme funded project, which ran between 2008-10, to catalogue and conserve the unique collection of political posters held at the Marx Memorial Library.
N O I T U L REVO ns and played early 20th century minds, forged natio ed ay sw rs ste po movements of the w ho ive ss re og pr e th their part in
rom the factory wall, the corner of the schoolroom, barrack blocks, shop windows and the collective farms, the political poster was
Fevery bit as challenging as the revolutionary projects that inspired it. amid the foment of social change, art took service with the
early Soviet state. Building upon traditional themes from russian folk culture, the lubki and legend, the revolutionary poster soon came to mix the new brutal geometry of industrialisation with visions of agrarian utopias, fresh-faced farm girls and a world of plenty. the new art of photomontage met Constructivism head on. In an attempt to fashion the future, only to be eclipsed as the 1930s wore on by Socialist realism; the celebration and idealisation of all that was best in human labour was as radical as the reality they hoped to shape. these were images created to move and empower, to make or break social systems and to transform the very foundations of our world.
THE ART OF REVOLUTION
THE AUTHORS...
THE ART OF
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THE ART OF
N O I T U L O V RE and played s n o ti a n d e rg fo s, y 20th century d rl a in e m e d th e f y o a ts sw n e rs e m how post gressive move their part in the pro morial Library e M rx a M e th f o n llectio Illustrated by the co
By John Callow, Grant Pooke and Jane
THE IMAGES...
www.gmb.org.uk www.marx-memorial-library.org www.tuink.co.uk www.embooks.co.uk
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A REVOLUTION ON PAPER
THE SOVIET EXPERIENCE
THE GREAT PATRIOTIC WAR
FROM OCTOBER TO FEBRUARY
The Bolshevik Revolution changed everything. Art became political. In the moment of Revolution political poster became its most formidable expression.
The peoples of the USSR had to be mobilised behind the Collectivisation and the Five-Year Plans.Cornfields, tractors, factories and mines suddenly became the order of the day.
Soviet artists inspired resistance to fascism, and bore witness to the heroism and sacrifice of the people. Raising the Red flag over the Reichstag was their finest hour.
The victory of the Revolution of February 1948 compelled Czech artists to re-imagine the possibilities of Socialism, just as the Cold War threatened to go hot.
this book has been produced by the GMB union in conjunction with the Marx Memorial Library with the help and expertise of tU ink and evans Mitchell Books
Marx Memorial Library
EVANS MITCHELL BOOKS
$44.95 US
Reproductions of many of the images are available, from the Marx Library and the GMB, as art posters, t-shirts and postcards, at: www.marx-memorial-library.org www.ethicalthreads.co.uk
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se n in an old warehou having lain forgotte of markable collection re a s, ar ye y an m r fo ugh s came to light thro revolutionary poster l n the Marx Memoria ee tw be p hi rs ne rt pa the B Union... Library and the GM
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Marx Memorial Library
ISBN 978-1-901268-60-7 £30.00 UK
EVANS MITCHELL BOOKS
ith help from The Leverhulme Trust, these seminal images – of immediate importance for designers, artists, activists and historians alike – were restored and gained a whole new lease of life. When taken together, they tell the story of the rise of the Soviet Union through the impact of Revolution, war and rapid industrialisation and vast social upheavals. For the poster artists the personal became political as every other consideration, including those of taste and style, was subordinated in order to promote the message of the day. Constantly shifting priorities, reversals and even simple mistakes, were played out on a grand scale affecting the lives of hundreds of millions of ordinary Soviet citizens. Though brought about at the price of great hardship and suffering, the Revolution and the potent art forms that it had inspired, were to find themselves tested and at last validated through the triumphs of the Red Army and the final defeat of fascism at the gates of Berlin.
Pooke By John Callow, Grant ll and Jane Powe