WHAT MAKES CERTAIN ARTWORKS HIGHLY COLLECTIBLE?
BLUE CHIP ARTWORKS AT [CONTAINER]
While artwork enriches collectors’ daily lives aesthetically and intellectually, artworks that meet certain criteria can also prove a wise investment vehicle
Rarity of an artwork is a major factor in creating incentive to collect. Unique works of art made by artists who have already passed and whose works were largely collected by museums and private collectors during their lifetime are inherently rare, making access to those works something that might not come again and should be taken advantage of. But a more affordable niche of highly collectible yet rare works of art is the limited edition print. Designed, signed, and numbered by the artist, limited editions are an excellent way to collect highly collectible works at a lower price point
Reputation of the artist: Sometimes an artist gains esteem due to heroic actions for the public good Shepard Fairey became a beloved artist in 2008, when he created the iconic Obama Hope image He later created a suite of images carried by women during the 2016 national women ’ s march, and he has contributed monumental murals throughout the world. Due to Fairey’s notoriety as an activist for positive social change, his work has become widely sought after, and he is ranked by the 2024 Hiscox top 100 report as one of the 6 most collectible contemporary artists at the lower end of the blue chip price range
Museum Exhibition History, curatorial and scholarly research: has the artwork (or is it about to be), featured in prestigious museums, private collections, or exhibitions at prominent galleries? If the artist has passed on, is the artwork or edition included in their definitive catalog raisonne? Agnes Martin, for instance, has stellar exhibition history, from her sell-out exhibition at Betty Parsons Gallery in New York, to solo exhibitions at the top museums in the world, including the Stedjlick, Guggenheim, MoMA, Whitney, et al Numerous monographs have been written about Martin’s work and her role in heralding the beginning of American minimalism.
Provenance of the artwork : a trail of ownership from the artist through various owners to the present day helps establish the authenticity of the artwork as a bona fide creation of the respective artist. The trail of ownership also helps ensure the legality of ownership, protecting a collector from concerns of wartime theft or contested ownership. If notable collectors or institutions have owned the artwork or a work from the same edition, this provenance can enhance the value of particular works of art
Historic significance: Some artists and certain subject matter mark pivotal moments in history or shifts in human consciousness For instance, Jeffrey Gibson made history as the first Indigenous artist to represent the US in the Venice Biennale. His artworks that reflect the strength and power of Indigenous culture are landmark works in his oeuvre Robert Rauschenberg is another artist whose works are highly collectible, because he was a pioneer of artistic innovation, assembling print-based works on unexpected materials, featuring imagery that reflected the social issues of his day. Faith Ringgold, who died recently, blazed a trail as a highly successful Black woman artist who enjoyed a nationally touring museum retrospective during her lifetime Ringgold’s work tells stories of her own and her ancestors’ lived experiences, laying bare truths often written out of history
Perceived investment potential: Throughout history, the artworld has marginalized women artists and artists of color Artworks by these artists represent only a small fraction of museum collections, and museums are scurrying to rectify this inequity Because their works were underrepresented in the mainstream, these artists’ prices did not accelerate at the same rate as those of their white male counterparts As major museum curators stage exhibitions for these wildly talented and under valued artists such as Kerry James Marshal, Toyin Odutola, Virgil Ortiz, Judy Chicago, Alice Neel, Kara Walker, and Julie Mehretu, prices for their works will soar. But in the meantime, there is tremendous upside potential for private collectors who acquire their works
[CONTAINER] holds works by each of the artists mentioned.
John Baldessari Three Moments, 1999 lithograph and silkscreen on Coventry Smooth paper 40 x 28" paper $28000 paper
Jennifer Bartlett House, Dots, Hatches, 1999, 1999 screenprint on paper
38.25 x 38.25" unframed $4000 unframed
Bernd & Hilla Becher Grain Elevators, 1978 gelatin silver prints, in ten parts 25 x 80" group framed $150000 framed
Camille Claudel Rêve au coin du feu (Fireside Dream), 1905 -1937 conceived 1899; bronze edition begun by Eugene Blot in 1905; finished in 1937
bronze and colored marble with functioning electric light
8.75 x 12.5 x 9.75" $150000
Camille Claudel L'Implorante (petit modèle), c. 1905-1907
sand cast bronze on bronze base
11 x 11 x 7" sculpture $ sculpture
Camille Claudel Abandon, 1905 model c. 1886-1888; reworked in 1905 for Blot edition (1905 -1937)
sand cast bronze with brown patina and green nuances 17 x 16 x 7 inches sculpture $ sculpture
Jim Dine The Black and Red Heart, 2013 woodcut with hand drawing approx 70 x 54 framed $14000 framed
Louise Bourgeois Black Bed, 1997 softground etching, with drypoint and engraving on smooth wove paper framed $20000 framed
Jose Bedia Almas del Naufragio , 1997 lithograph 26 x 36 unframed $ unframed
Judy Chicago Peeling Back, 1974/2021 mixed media on panel 20.5 x 20.5" $25000
Judy Chicago Through the Flower 2, 1973/2021 mixed media on glass with light box 34 x 34 x 2" framed $95000 framed
Judy Chicago Natalie Barney Place Setting Study, 1977 mixed media on paper mounted to panel 24.5 x 36.5" framed $ framed
Judy Chicago Return of the Butterfly, 2012 lithograph
26.63 x 26.63" framed $12500 framed
Judy Chicago Into the Darkness, 2008 lithograph
26.5 x 26.5 x 1.5" framed $9900 framed
Judy Chicago Marie Antoinette 1973/2017, 1973/2017 four-color lithograph on cotton paper
28.75 x 28.25" framed $22000 framed
Chicago Through the Flower, 1991 serigraph on paper 34.63 x 34.13" framed $20500 framed
Judy
Judy Chicago Mary Queen of Scots, 1973 lithograph 28 x 28" approx. framed $25000 framed
Judy Chicago Signing The Dinner Party, 2009-2012 lithograph 24 x 24" paper $7200 paper
Judy Chicago Flashback, 1965 lithograph on paper
20.5 x 26.25" framed $40000 framed
Judy Chicago Yes, I am Black and Radiant from the Song of Songs, 1999 heliorelief and lithograph 25 x 42 x 1" framed $8000 framed
Judy Chicago Nine Fragments from the Delta of Venus, 2004 nine-color etching and aquatint print portfolio 17.75 x 17.75 x 1.5" box $28000 box
Judy Chicago The Crowning, 2010 lithograph 28 x 28" framed $7200 framed
Hung Liu Travelogue, 2004 oil on canvas
72 x 72" $185000
Hung Liu Laundry Lady, 1995 oil on shaped canvas 72 x 38" $225000
Hung Liu Mu Nu - Yellow River, 1997
color aquatint, spitbite aquatint and softground etching
25 x 36" paper $15000 paper
Christo and Jeanne-Claude Wrapped Bottle and Cans (project), 1958/2004 lithograph 20 x 17" framed $7000 framed
This piece has been acquired, plaster 1893, posthumous casting 2002
cast bronze on wood base
6.25 x 10.25 x 5.5" $80000
Camille Claudel Chienne rongeant son os (Dog Gnawing Her Bone)
Jim Dine Fragile Boy, 2010
8 color lithograph hand coloring
56 x 40" framed $15000 framed
Shepard Fairey Obama Hope, 2008 silkscreen on paper
34.5 x 22.5" framed $2200 framed
Shepard Fairey Long Live the People, 2020 silkscreen on wood panel 28 x 24" framed $3500 framed
Shepard Fairey Cultivate Justice (Blue), 2021 silkscreen on wood panel 28 x 24" framed $3500 framed
Shepard Fairey Embrace Justice , 2018 silkscreen on wood panel 28 x 24" framed $3500 framed
Shepard Fairey Wetland Powers, 2023 serigraph on wood 28 x 22" framed $3500 framed
Shepard Fairey Dove Ripped, 2021 serigraph on wood 28 x 22" framed $3500 framed
Jeffrey Gibson MIRROR IN THE SKY, 2023 screen print and collage on Arches archival paper
47.5 x 37.5 x 2" framed $34000 framed
Jeffrey Gibson POWER! POWER! POWER!, 2020 woodblock and screenprint on paper 36 x 35.25" framed $25000 framed
Jeffrey Gibson Round Dancing, 2021 unique elk hide handmade drum with screenprint 25.75 x 25.75 x 4.5" framed $31000 framed
Giorgio Griffa Canone Aureo 482, 2014 acrylic on linen
58 x 70" $35000
Philip Guston Rug, 1980 lithograph on Rives BFK paper 19.5 x 29" paper $14000 paper
Philip Guston Sky, 1980 lithograph, on HMP Koller transfer paper 29 x 38.75" framed $15500 framed
Philip Guston Studio Forms, 1980 lithograph on Arches cover paper 36 x 46" framed $18000 framed
Howard Hodgkin Souvenir, 1981 screenprint on Arches aquarelle mould-made paper 52 x 62" framed $5500 framed
Jacob Lawrence Supermarket Flora, 1996
Color screenprint on Rives BFK paper
30 x 22" unframed $9500 unframed
Sol LeWitt Color Bands, 2000 linocut on Somerset Velvet paper 34 x 34 x 2" framed $7500 framed
Jeanette Pasin Sloan Diamonds II, 2023 oil on panel 24 x 24" unframed $20000 unframed
Jeanette Pasin Sloan Lunares II, 2024 oil on panel
21.5 x 21.5 x 2" framed $9500 framed
Jeanette Pasin Sloan Cosmos, 2024 oil on panel
37.75 x 37.75 x 3" framed $32000 framed
Agnes Martin Untitled, 1990 lithograph
13.75 x 13.75" framed $1800 framed
Agnes Martin Stedelijk Museum Portfolio, 1990 lithograph 13.75 x 13.75" framed $1800 framed
Agnes Martin Stedelijk Museum Portfolio, 1990 lithograph 13.75 x 13.75" framed $1800 framed
Agnes Martin Stedelijk Museum Portfolio, 1990 lithograph 13.75 x 13.75" framed $1800 framed
Agnes Martin Stedelijk Museum Portfolio, 1990 lithograph 13.75 x 13.75" framed $1800 framed
Agnes Martin Stedelijk Museum Portfolio, 1990 lithograph 13.75 x 13.75" framed $1800 framed
Agnes Martin Stedelijk Museum Portfolio, 1990 lithograph 13.75 x 13.75" framed $1800 framed
Alice Neel Victoria and the Cat, 1981 lithograph and silkscreen
48 x 33 x 2" framed $12500 framed
Toyin Odutola A Lapse in Judgement, 2012 lithograph 14 x 11.13" paper $13500 paper
Claes Oldenburg Spoon Pier, 1975 etching and aquatint on paper
28 x 22" paper $7500 paper
Claes Oldenburg Picasso Cufflinks, 1974
13-color lithograph
40 x 31" framed $9000 framed
Claes Oldenburg Geometric Mouse Pyramid as an Image of the Electoral System, Doubled, 1976 color lithograph on Arches Cover wove paper
40.5 x 31" framed $9000 framed
Martin Puryear Dark Loop, 1982 woodcut on ivory Japanese paper 30 x 37 x 2" framed $9500 framed
Miriam Schapiro Father and Daughter, 1997 mixed media femmage on canvas 72 x 60" $200000
Mario Schifano Studio per K Sogno Di F.L.S., pencil watercolor on paper
38.75 x 27.25" framed $29000 framed
Jaune Quick-to-See Smith Sky People, 2011 four-color lithograph 39 x 24.5" framed $18500 framed
Jaune Quick-to-See Smith Earth People, 2011 4-color lithograph
39 x 24.5 x 2" framed $18500 framed
Jaune Quick-to-See Smith Coyote (Petroglyph), 2009 serigraph 29 x 22" framed $3700 framed
Jaune Quick-to-See Smith Habitat Isn't Just for Wildlife, 2009 screenprint
37.25 x 28x 2" framed $1600 framed
Robert Rauschenberg Centennial Poster, 1969 offset lithograph 39 x 29.5" paper $750 paper
Robert Rauschenberg Last Turn-Your Turn, 1991 lithograph 25 x 26" paper $12500 paper
Robert Rauschenberg Choices & Responsibilities, The UN World Population Conference, 1994
four color lithograph
40.75 x 29" paper $9000 paper
Robert Rauschenberg Tribute 21: Theater, 1994 lithograph 41 x 27" paper $12000 paper
Faith Ringgold Coming to Jones Road Under a Blood Red Sky, 2004 serigraph on paper
35 x 45" paper $6500 paper
Ed Ruscha IF, 2000 lithograph on Arches Cover Buff 22 x 36" paper $45000 paper
Andres Serrano Piss Discus (Fluids Series), 1988 pigment print, back-mounted on dibond 34 x 24" framed $9500 framed
26 x 26 paper $1200 paper
Andres Serrano Red River 10: Art as Catalyst Alternative Museum Portfolio, 1992 screenprint
Kiki Smith Untitled, 1992 etching on rice paper
37.5 x 26.25" framed $3800 framed
Kara Walker Freedom, A Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times, 1997 lithograph, laser-cut silhouettes
9.25 x 17” open $10800
Kara Walker Keys to the Coop, 1997 linocut on paper
51.5 x 74.5" framed $ framed