Two Row Times, July 1, 2020

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The Mush Hole wins 5 Dora Mavor Moore Awards Santee Smith production tells the story of residential school in Canada STAFF REPORT

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TORONTO — Santee Smith’s new production ‘The Mush Hole’ scored at the 2020 Dora Mavor Moore Awards, taking 5 of the 6 nominations it received. The Dora Mavor Moore Awards, produced by the Toronto Alliance for the Performing Arts (TAPA), celebrate excellence in Toronto’s performing arts sector for theatre, dance and opera. The Mush Hole received the following awards in the Theatre For Young Audiences category: Outstanding Director - Santee Smith, Outstanding New Play - Santee Smith, Outstanding Production - Kaha:wi Dance Theatre / Young People’s Theatre, Outstanding Performance Ensemble Raelyn Metcalfe, Julianne Blackbird, Montana Summers, Jonathan Fisher, Santee Smith, Outstanding Projection Design: Ryan Webber, Shane Powless. “The Dora Award honours heaped upon The Mush Hole are richly deserved. They demonstrate the emotional impact of this extraordinary work of theatre and dance. Santee Smith and her

Kaha:wi Dance Theatre and Young People's Theatre were commended by their peers this week, winning 5 out of the 6 nods from the Dora Mavor Moore Awards for the production, The Mush Hole. The show, the most recent work by Santee Smith, tells the tale PHOTO BY KAHA:WI DANCE THEATRE of Indian Residential Schools in Canada.

collaborators bore with grace and courage the difficult role of embodying the trauma and the resilience of victims harmed by the Mohawk Technical School. The Mush Hole offers glimmers of hope despite the overwhelming shame associated with the history of Canada's Residential Schools. We are very proud to have opened YPT's 54th season with this brave act of speaking truth,” says Allen MacInnis, Artistic Director, Young People's Theatre. The term, ‘The Mush Hole’ is a reference to the nickname among residents of Six Nations for the former Mohawk Institute Residential School. It

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was the first residential school in Canada, after which all others were modelled and operated from 1828 to 1970. It served as an industrial boarding school for First Nations children from Six Nations, as well as other communities throughout Ontario and Quebec. “For 142 years, the modus operandi of the school was to forcefully assimilate children into Euro-Christian society and sever the continuity of culture from parent to child. Canada’s first Prime Minister John A. MacDonald and Superintendent Duncan Campbell Scott were the main perpetrators of the residential school system. Students

experienced a range of abuses from sexual assault, food deprivation, and corporeal punishment at the hands of faculty and staff,” says a statement from KDT. “The Mush Hole reflects the realities of the Mohawk Institute Residential School experience and offers a way to open dialogue and to heal, through acknowledgement and honouring the spirit of Survivors and families that were impacted. The Mush Hole moves through the devastation of Residential School with grace and hope for transformation and release. Opening a small window into the atrocities inflicted on thousands of

Indigenous children, it attempts to close the door on historical amnesia. A haunting portrayal weaves through memories of Survivors, reliving traumas, school life, loss of culture, remembrance, returning to find each other and the lifting of shame. Residential School and the continuing institutionalized extermination of Indigenous lives and culture is an issue that affects all Canadians.” The Mush Hole touring schedule has been impacted by COVID-19 but KDT says they are working to develop online materials for the production in partnership with the Woodland Cultural Centre. PM42686517

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