Rabarbaro #1

Rabarbaro magazine edited by The World Through Green Eyes #1 August 2013. ▲

www.twtge.com ▲

an art magazine

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Dear readers, two years have passed since the birth of The World Through Green Eyes, and after many adventures, Rabarbaro is born, a magazine to give space to all the artists out of the nature theme and over the photography, for each type of art. Rabarbaro is the Italian word for rhubarb, a root, as the new artist comes from under the ground to grow and gives flavor to new things, gives new smells, new tastes.

I want to make a special thank to Bianca and Pretty in Mad for being so kind and for contributing in this new project, thanks for believing in me! to Silvia, Lucas, Magda, Francisca, Noah and the guys @ Vespertine Machine for their time and patience. Thanks also to Matteo for helping me as always and for partecipating in this issue and thank to Lorenza for helping me with translation. Finally, a big thanks to all the Photographers, Graphic designer, Writers, Poets and Readers, who support me and make all the submissions.

Hope you like it, Luca Tommaso Cordoni

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RABARBARO MAGAZINE #1 July 2013 Edited and curated by Luca Tommaso Cordoni Revised and corrected by Matteo Cordoni, Lorenza Panelli.

Contributors for this issue: Bianca Gutman, Silvia Ianniciello, Pretty in Mad, Matteo Cordoni, Mariya Ustymenko, Kate Pulley.

Artists: Bianca Gutman, Lucas Ottone, Magda Arques, Francisca Pegeo, Silvia Ianniciello, Pretty in Mad, Vespertine Machine, Noah Kolb.

Cover: “Untitled” by Bianca Gutman Collage by Pretty in Mad

Index

Cover Focus

...................... 7

Lucas Ottone

...................... 8

Magda Arques

...................... 16

Francisca Pegeo

...................... 26

Silvia Ianniciello ...................... 34 Noah Kolb ...................... 52 Vespertine Machine ..................... 54 The Informer ..................... 56 Matteo’s Hill Heaven ..................... 60

Rabarbaro is edit by The World Through Green Eyes, All right reserved. No part of this publication may be reproduced in any way, without permission. All Images are copyright © of their respective owners. contact us at twtge@hotmail.com

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Bianca Gutman Bianca Gutman is a photographer and model from Montreal, Canada. A guarantee for the future of photography. Her works are so creative, a trip in her life and, especially, in her mind.

She’s so intense so real and emotional. All of this can also be noticed in her definition of photography ”I think that photography is the art of capturing what you wish to capture. Whether it be an emotion, a statement, a memory or a thought. That being said, I also believe that aesthetics plays a huge role in photography. It is not enough just to capture a moment; it should be an appealing image.” www.flickr.com/ 34452341@N04

Pretty in Mad Pretty in Mad is an amateur Italian analog photographer, blogger and camera collector. Her world revolves around the past and the future of photography, creating project and experimenting, involving analog love. Pretty in Mad is also the creator of the PIMhole camera and of wonderful vintage collages. Her works appear in many blogs and magazines such Lomography, Shooting Film, Indisposable Project & more. PIM is a collaborator of TWTGE Magazine, Fluster Magazine, Zelda was a writer and Figosa camera straps. www.prettyinmad.com 7

LUCAS OTTONE Humans. Portraits. It’s this combination that makes Lucas Ottone a great photographer, I’ve always thought that the form of photographic portraits are the most difficult, but Lucas seems to do it with impressive ease, every picture is natural and beautiful; portraits made ​​in moments of each day without forcing, without too many poses, “lights trasformed into memories.” All of this made with exceptional actors, beautiful boys and girls, friends and his girlfriend.

Hi Lucas, please introduce yourself.

Who are your favourite photographers?

Hello fellows, my name is Lucas Ottone and I’m a 21 year-old guy from Mallorca, Spain. I’m currently living in Barcelona and trying to grow up as a photographer.

Larry Clark, Ryan McGinley, Alberto García-Alix, Carlos Nunez and Mario Testino. They all are great portraitists.

What is Photography?

Photography is transforming light into memories.

How did you get into photography?

What kind of camera do you use?

Both film and digital. I own a Canon 550D and a Minolta SR-T101. If I had a lot of money I’d always shoot film, but developing is getting really expensive!

Do you think that digital technology is destroying it or creating nostalgia and bring him back?

When I was sixteen, my girlfriend gave me a digital camera as a birthday present, so I started portraying her and my friends. As time went by I had collected It’s creating nostalgia, but bringing it back in the a wide range of portraits which gave me a little reco- wrong way (digital vintage filters and other unaesthegnition. tic stuff ). I also think that digital technology is oversaturating the world with images we don’t really need.

Where did you get inspiration?

The clue is to think digital and act analog.

I found inspiration basically in my daily life: my gir- What is your opinion on digital manipulation. Do you lfriend, the island landscapes, my awesome dog... At think it adds to photography or distracts from what first it was just a diary. photography is really about?

The feelings in your photos are very important, and you When it’s subtle and well done, it can improve a shot: can make them hear from those who look at, which mes- a bit of light, a slight tone...This has always been done sage do you prefer to send? in every single field of photography. However, nowadays you can see huge monstrosities being done with My pictures portray a beautiful past. I’d like people Photoshop. At first, they may seem attracting (for into see them as great moments that will never happen stance, when I started I did some HDR pictures), but again. then you realize it’s artificial, baroque and ugly.

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When you shot in film do you process your own photos?

No, I don’t develop them myself. I should try!

I’d like to portray tones of different people: redheads, tattooed, freckled...

In 2011 you start a funny cool music project with Fran What is your favourite photograph you have ever taken Llull, “Bored Guys” talk us about it. and why?

Glad you mentioned it! One boring summer afternoIt changes as time goes by. Now this is pretty good for on I came up with the idea we should make a music vime, and it’s been a year: (view pag 12). deo. Fran would make the beat (he’s a music producer) and I would do the video. We filmed three projects, How is your relationship with the camera? one of them won a price in a University contest. We still have many other ideas to film, but finding time is I’d make love to it if I could. getting harder these days.

Do you like to stay in front of it?

Yes, if it’s a self portrait. I don’t like to model for others.

What do you like about making video than photography?

It gives you another sensation. More real, closer, wider.

What do you hope people will get out of viewing your photography?

Do you have some project in progress?

A day-to-day gloomy feeling and a mixture of fashion A project called ‘Women’ with painter Juan Oliver. and commonness.

Only women portraits, painted by him and photographed by me.

The wonderful models in your photos are friends or professional models?

Where people can find you and your works?

Friends and girlfriends. They have an uncommon be- www.lucasottone.com auty, different from the one you find in magazines or www.facebook.com/lucasottonephoto advertising. I love that.

Is it more easy to work with girls or boys?

www.flickr.com/hugeshow

If they are great people, it’s easy to work with both of Do you want to say something that I don’t ask you? them, but I’m used to work with girls.

I want to recommend a book: The Unbearable LightWhat do you think of the criticism to the artistic nude? ness of Being, by Milan Kundera. And to thank you and your blog for this interview. Cheers!

I really don’t understand how some people are still embarrassed about nude bodies.

What express mostly beauty?

Girls just woken up with messy hair and drowsy eyes.

There are any standards or preferences when you choosing a model (girls, boys, children) or in the exterior (for example: thinness, hair color, skin)?

I normally prefer slim bodies (not too thin!) but I don’t have any preferences in the other aspects. I think it’s about the whole, how each part matches the others and it builds a different body and face for each person.

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MAGDA ARQUES This article contain QR to animate the GIF.

Today I fell, I am a gif.

In 1987 was born, from the CompuServe, the 87a, later called GIF (Graphics Interchange Format). After 25 years Magda Arques, an artist and teacher at the Escola d’Art i Superior Design d’Alcoy, in the specialty of computer resources, from Alicante, Spain, makes the GIF art, telling little stories and mixing old school with new school; as she says “My motivation is to design a model creator and host as well as creation itself and tool to generate both digital and physical elements. The interaction between these two worlds are part of my research and personal search. Having as starting point the graph as a model of communication and interaction between men and machines.”

Hi Magda, please introduce yourself.

creative and inspired?

I am a person who tries to enjoy everything I do. I have 31 years and currently live in a small town in the middle of the mountain. A few kilometers from the beach of the Mediterranean. I have artistic and a technical background. The combination of these two worlds I love and I am passionate about.

I do not like giving advice, but it throught way we do things and we implement the projects that we believe have a curious observation in everything around us.

Treat the image as we build a language.

How did you get into graphic?

Graphic is made of a lot of other art, typography, photography, drawing etc..which your favorite and why?

As I have no favorite medium ... but I must say that I’ve always drawn and slowly I saw that in this field usually works in several disciplines and mescle de​​ Use or other fields. there was always things to discover and go to work, so pends on the work I’ve made some personally and professionally. Doing covers and po- Although usually work more with drawing and anisters, and until I found the animation as a personal mation. Although now I love the process to construct facilities or projects Spend the digital to physical spaproject. ce. Drawing has always been and worked as final and as part of my work process and is one of the fields that How is work as art teacher? are always present in all projects.

What I like is the ability to work with people directly.

Communication, continuous research and the ability How you start “to communicate” with gif? and why? to bring the picture to the words, think and be aware of how to create the image and reproduces the feeling I started with the gif as a means of putting small moyou just generated. So working in the field of educa- ving things I spend every day moments that repeat tion shows all these aspects that make the image be graphics or have repetition. As small feelings of “ deja working a job and also a process of communication vu” i continuous intermittent. The visual narrative, the construction of the plane of the shortness of time and at all levels. repitition infinite narrative, are part of the language What are your advices to your students to be/remain 16

and the actions that I represent with my images. The direction of the moving image with the message will remain united and indivisible relationship. I think these images only make sense as they are GIFs. How born an your Gif? One idea, a movement instantly, any time that is recognizable and common interests me the sense of community and familiarity, not intend to be personal actions, that only one person to pass but are actions that create sensations and generate readings thus through reptición dela one can come to question situations.

interact at all levels, are both tools or elements that are part of a process of creation. The feelings generated by the image or the product depend on how you build the message and relate the elements and accommodate new processes and generate sensations. Digital technology is an instrument to create and communicate,... and do anything you want to propose,...

What express mostly simplicity and beauty?

The ability to connect with people. They build the message receiver in order to not be a single point of view but the message ends constructed from the interpretation of the receiver. An important part of my gifs lies in the personal obsession that contains those Where do you get inspiration? elements necessary to address a message,... From my point of view using simplicity, is an important consiAt any time, from a story, an action, a walk, a talk, .. deration when dealing with the creation of the plan any time can be a gif, it fascinates me. and action. The elements are based on generating forms through the stroke. One way to build the plasticity Which are your instrument for work? and gesture in digital format, not to exceed and get to build a picture perfect and finished.

Working with a graphics tablet and software bitmap image creation.

You have some future projects?

Who are your favorite illustrator? and artist?

Pffff,... its more dificult but I like the work of Jullien Vallée, Joann Sfar, Antonio Ladrillo and the group nousvous,... and more,... And the artist I like the work of Norman McLaren, James Withney, Zimoun, James Turrell, Raquel Meyers...

If you must choose between pencil & paper or computer, what you choose?

I am currently developing a project to build a personal relationship between the digital world of my gifs and physical ... is underway and identifying technical and conceptual factors but will ... and let you know. A series of collaborations,... With a fanzine created by John Trouble, which will soon be released in digital format, a project that encourages collaboration and participation online plastic around a theme. And the graphics and prototyping, ... the creation of physical prototypes and mountainsbears, ending birth. While I combine with talks or workshops, “Libre Graphics Meeting” at the Medialab Prado in Madrid, April 10 to 13 April, 2013. Where will develop a workshop on gif “The loop of sense, ...”

I can not use one or the other .. Sorry but I can not choose, I use either the two media, the analog is part of my work process and is part of the end times, is always present. Although the final support of my work is usually the digital medium, since this medium Where people can find you and your works? makes me feel more in touch with community and the world. Mmm,..

In my personal space you can find my channels of my work, magdaarques.com and personal work for What you think about digital technology ? It destroying graphics and prototyping mountainsbears.tumblr. the analogic world or creating nostalgia and bring him com, and my personal artists gifs larural.tumblr.com back?

Do you want to say something that I don’t ask you?

I think there are now two worlds inseparable digital and analog technology, new systems have generated Mmmm, now ..... no, first thank you and lots of eninteraction interface between the analog and digital couragement. See you. two separate fields that are beginning to appear live all interrelated and forming one. To the extent that www.magdaarques.com

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- Waiting for the surprise,

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- When everything is too much.

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- I missed.

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- When everything is collapsed,‌ i feel a shiver.

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- She hears ‌ lets the rest happened.

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- Lying.

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- Every time you blow,‌ I breathe.

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- how old are you,‌? happy birthday.

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FRANCISCA

PAGEO Francisca Pageo is a complete artist, specialized in visual art, but her true passion, what it represent her, are collages. Simplicity and colors made by an interection of humans and animals in a magic dream space. As she said in her personal site “Pageo not only fulfills her constant duty of constructing her subjectivity, but does it in such a fragile and tricky field as collage..”.

Hi Francisca, please introduce yourself.

And in art in general?

I’m an artist from Murcia (Spain), and I use to work with collage & photography at general. I’m also co-editor in the cinema magazine Detour & member from Mujeres con Pajarita, a feminist collective.

Art have been always with me. I grew in the video store of my parents and I’ve read books since I was really child, so I’ve been educated in a really cultural way. Anyway, it was in the high-school where I took art classes and I saw this world like something in wich I must be.

What is a collage?

Collage to me is an artistic expresion wich I use because it’s really complete. You can mixing a lot of different elements wich must have a proportion for to get a real visual impact. I love to cut and paste because it’s like a therapy for my mind.

What is Photography?

When you start to make collage?

I started to work with collage 7-8 years ago, when I had 22 years old. I used to write a lot in my diaries and I thought that a visual diary it could be nice to express my daily life. I used to make collages on my journals.

How you choose the photo to work?

Photography is an intuition, an impact, a view. It’s to I’m very impulsive and the photo choosed it’s taken push the bottom and to capture a moment. because I think it’s perfect for the thing to express.

How did you get into photography?

Where you take it?

I started to work like photographer assistant 9 years ago later I finished a curse of Printing on graphic arts. I use to take the photos from enciclopedies, fascicles 26

and magazines. I use personal photos too.

Who are your favourite photographers?

How an your collage born?

Francesca Woodman, Sophie Calle, Cody Cobb, Adam Fuss, Jindrich Streit, Masao Yamamoto and From intuition. I never, never, think about I’m making, many more. it’s totally a surprise when i’m putting the elements on the paper or cardboard.

And artist?

Where do you get inspiration?

Beuys, Degas, Schiele, Maya Deren...

In the cinema & literature the most. Also the nature and human psychology.

You have a love also for cinema, with type of film influence your works?

In the modern time all is digital, and you are full analogic, so what you think about digital technology? It destroying the analogic world or creating nostalgia and bring him back?

I have a special predilection for Andrei Tarkovsky films. They are uncredible and the most amazing cinema i’ve seen. They are poetry on herself. Also Alexander Sokurov. I also love the nouvelle vague at general, Ingmar Bergman & Victor Érice. And movies like The I think both are valid. But I really prefer analog col- night of the hunter or The wizard of Oz. lage because it’s more enchanting, more artisan, more pure.

What express mostly beauty?

Digital technology it’s great for make better the work made, but it’s untangible! Is not this a reason for love Nature on all her ways! analog work much more?

You have some future projects?

Which are your instrument for work?

Yes, of course! I’m working in some collaborative ciPapers, papers everywhere! Scissors, glue stick, cutter, nema projects and thinking about my next things to photographs. Cardboards as basis. do. I plan work in some multidisciplinary works.

What kind of camera do you use when you shoot?

Where people can find you and your works?

I use to work with a Canon 40D and a 5D Mark II. People can see my work at my cargo: Analog cameras like a Nikon 70D. http://www.franciscapageo.com I’ve started to work also with my mobile phone, it makes really beautiful pictures in black and white! It’s a Flickr: http://www.flickr.com/misspaq Nokia Lumia 610 NFC. Facebook: https://www.facebook.com/misspaq Which are the art represents you the most?

Music, cinema & literature specially. I have a beautiful feeling with them.

Which message do you prefer to send with your work? and What do you hope people will get out of viewing your work?

I love express human psychology & how this is focused into the nature. I incite to calm, make peaceful minds. I hope people manage to calm down with them and to think about our conditions.

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ello Rabarbaro Magazine People! “… and you are?” - maybe someone is asking. Well, I’m Silvia from the Italian blog Holga my dear (www.holgamydear. com).

I don’t want to talk about film or toycamera, this time I want to tell you something about the beautiful city I ended up to live in: Berlin.

I’ve moved in Berlin in November for a few circumstances that I’m not going to tell to avoid boring you, hoping to find something to do and to meet beautiful people.

Berlin welcomed me as everyone arrives in the city: patting me on the back, nothing more. Everybody says that Berlin is quite different from 3 or 4 years ago, and even more different from 10 years ago.

Everything’s changing and you can’t do anything about it. You must accept it, as it is. One day, you go to a gallery and the next day it turns into something weird, like a Bio Coffee Shop or a Vietnamese Restaurant. You taste a Chai Latte in a cozy place and the morning after you can’t anymore.

Berlin’s evolution could be good or bad, it depends on you. To me, changing is always better than not, but it’s important to not forget the past. This is not a risk for the

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Berliners: when someone decides to tread on city’s memories, lots of people pour on the streets to claim their right to remember what has been.

In three words, Berlin is: multiculturalism, requalification, gentrification. But Berlin is also: neglected places and poorness. Wowi, the mayor, once said: “Berlin ist arm, aber sexy” – “Berlin is poor but sexy”. There are a lot of buildings and areas that seem to be stuck to the 1989. I think this is the charm of this city and its uniqueness. It’s very easy to find in the streets that writing: DAS IST SO BERLIN, that means that something belongs to Berlin and to its unconventionality.

Despite the very long and cold winter, I’ve been trying to capture Berlin’s evolution with my cameras during these months.

The project is called zu Fuß durch Berlin – wandering around Berlin – because I’m always walking through the city with my LOMO LC-A, LC-Wide, Holga, Polaroids, Lubitel, and so on.

Hope you’ll love it as much as I do.

Cheers!

S.I.

DAS IST SO BERLIN by

SILVIA IANNICIELLO

1 : 250.000

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NEVER NO RELATION by NOAH KOLB

Hi Noah, please introduce yourself.

draw from our creativity, I sat for hours until I came up with this montage drawing of its life and death.

Hey, I’m a midwest kind who ended up in Europe. My idea came from a tv advertisement that used to You could say I’m a bit of a ex patriot. I’m a visual run in the USA back when I was a kid. The question artist and mainly deal with photography but also was: how many licks will it take to get to the center of drawing, collage. a tootsie pop?

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Tell us about the project.

Do you believe in destiny?

Well the things you see here came to be through an actual assignment. The two pieces were made for a entrance examination at an art university where I live.

The people in these photographs have no relation to each other, except for the never no relations that happen as they encounter one another, smell, see, touch one another. These kinds of relations occur everywhere, all the time. My relation to people or objects I photograph happens as soon as the picture is made, my personal unrelated relationship with these strangers that I encounter every day. The drawing of the lollipop was actually the first part of the test, we just had to

No , we will create it.

Where can people find out about you and your work?

I have a website, www.cargocollective.com/noart.

I have a small biography there and a few different ideas on the site. Soon you will be able to buy original authentic artwork directly from it. Thanks for having me, if anyone happens to be in Vienna , I’ll be here for the foreseeable future! www.cargocollective.com/noart

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Vespertine is a scientific term to indicate something of occurring when the sun sets, and it is in this nocturnal world that the guys of Vespertine Machine and all their creatures drive them crazies and have unbridled fun.

If you are like them, this clothing line is made ​​just for you.

What is Vespertine Machine?

he was devoured by wolves.

Vespertine Machine is a premium streetwear line fo- Which is your favourite type of customers? cused on night adventures and mischief.

Customers who party like Frank Sinatra.

How was the brand born?

On your Facebook page, you often post music, how much It was born by the divine hand of Bacchus, God of music influence on your work?

Wine.

Music doesn’t influence our work directly but it cerWhen you decided to be a designer? tainly fuels the engine of creation.

We decided to be entrepreneurs after watching Layer Cake.

How must be your perfect night?

Drinks with friends and perhaps meet a nice girl.

Have you ever thought of collaborating with other artists/brands?

Tell us your strange night story.

We like to focus on our own brand and have no in- Off the record. terest in collaborations. So stop asking! We do have partnerships with several musicians and DJs, however, What happens at Vespertine Machine when the sun which is a lot of fun. rise?

Are your products limited edition or are they always We return to the 8th dimension. available?

Where people can buy your clothing?

We don’t often create “limited edition” products, on the other hand all of our products are subject to vani- In our shop (www.vespertinemachine.com) and at the shing without warning at any time.

Karmaloop Kazbah.

Of all vespertine animals, why do you choose raccoon as You have some future project? mascot?

Always.

Raccoons are not only nocturnal, but also mischievous, often causing trouble. In addition they are ex- Do you want to say something that I didn’t ask you? tremely adaptable, can live anywhere and will eat alNo matter where you go, there you are. most anything.

Tell us the story of the missing raccoon.

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www.vespertinemachine.com

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er m r o Inf ines

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The Informer is a space for all your publications, from magazines to books to catalogues, from every part of the globe. In this issue we present you two exceptional publications by the titles full of meaning, Adventitious and Vestige. Adventitious is a new photographic magazine founded by Mariya Ustymenko and Carlos Cancela Pinto.

Vestige is an extraordinary book, a collection of polaroid by an amazing and poetic photographer, Kate Pulley. Read their presentations, they’ll delight you just with that. To submit your works, please write to twtge@hotmail.com

Adventitious A

Adventitious is a new and ambitious print photography dventitious a new ambitious print photography magazine with isfocus onand analogue photography, founded magazine focus on photography,

by Mariya with Ustymenko andanalogue Carlos Cancela Pinto.founded Advenby Mariya Ustymenko and Carlos Cancela Pinto.

Adventitious is based around the idea of challenge. Each volume titious based together around the idea of challenge.

Each volume is set tois bring a selection of photographers who is set to bring together a selection agree in advance to create new workofinphotographers response to a who myagree in advance to create new work in response to a mystery brief they do not yet know. This brief is provided by stery brief they do not yet know.

Thiscurator brief is sets provided by the invited curator of each issue. The the thethe curator of each The with curator theme/invited the task.

The artists haveissue. to work thissets briefthe within me/ the task.

The artists have to work with this brief within a set period of time (three months) and come up with their aown set unique period of time (three months) andconsequently come up withpublitheir interpretation, which gets own unique interpretation, which gets consequently published on the pages of Adventitious. The word itself comes shed pages Adventitious. word from on thethe Latin rootofadvenire which The means “toitself comecomes or be from the Latin root advenire which means “to come be superadded.” In botany the term refers to structuresorthat superadded.”

In botany the term refers to structures that develop in an unusual place. The founders of Adventitious develop an unusual place.

The of Adventitious believe ininchance, as well as in thefounders added value brought by believe in chance, as well as in the added value brought by the unique perspective of many highly talented people inthe unique highly talented involved, whoperspective come into of themany project “blind folded”people but have volved, who come on intotheir the creativity project “blind folded” but have no limits imposed the moment the brief no limits imposed on their creativity the moment the brief is out. The first issue “Home” was released in April 2013, is out. The first Termenon. issue “Home” was released in April 2013, curated

by Igor curated by Igor Termenon.

Photographers of Volume 01: Carla Andrade, Carlos Cancela Pinto, Marija Strajnic, Mariya Ustymenko.

Adventitious 01 is A5 size, 34 pages, colour throughout, edition of 30.

You can order your copy online at: cargocollective.com/Adventitious/Buy-Adventitious 56

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Vestige

a collection of polaroid by Kate Pulley

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careful selection of some personal favorite Polaroid photographs up to the year 2011. Vestige means “A trace of something that is disappearing or no longer exists.�

Relevant to every photo, especially instant, that is taken.

A moment captured, only as it is in light. From the angle, through the viewfinder, that I saw it from. These images are from moments of days and years that no longer exist in any other form. They mean more to me than to anyone else. I only wish for others to see their own beauty in them.

Photo by Kate Pulley.

Square size, 42 pages, premium paper, lustre finish.

You can order your copy online at: http://www.blurb.com/b/2362470-vestige

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an archive of all our interviews to Photographers and Artist around the world, from when we born till today. Follow us!

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WE’RE LOOKING FOR NEW ARTISTS

If you are a writer, painter, photographer, performance artist, filmmaker or someone who simply love art send us an email to twtge@hotmail.com with “Rabarbaro” as object, don’t forget to put in your full name and a link to your website. If you want info about our magazine or you just want to say hello don’t hesitate to write us. © The World Through Green Eyes 64

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