tbq13

ORCHARD WITH BLOSSOMING APRICOT TREES 1888, Van Gogh Museum, Amsterdam 64.5 X 80.5 cm

51

Plate 38

AN OLD WOMAN OF ARLES 1888, Van Gogh Museum,Amsterdam 58 X 42.5 cm

52

Plate 39

VIEW OF ARLES 1888, Van Gogh Museum, Amsterdam 54 X 65 cm

53

Plate 40

FISHING BOATS ON THE BEACH AT SAINTES-MARIE 1888, Van Gogh Museum,Amsterdam 65 X 81.5 cm

54

Plate 41

PORTRAIT OF A ONE-EYED MAN 1888, Van Gogh Museum, Amsterdam 56 X 36.5 cm

55

Plate 42

THE LANGLOIS BRIDGE AT ARLES 1888, Van Gogh Museum, Amsterdam 59.5 X 74 cm

56

Plate 43

THE SEASCAPE AT SAINTES-MARIES 1888, Van Gogh Museum, Amsterdam 51 X 64 cm

57

Plate 44

THE YELLOW HOUSE 1888, Van Gogh Museum, Amsterdam 72 X 91.5 cm

58

Plate 45

VINCENT’S BEDROOM IN ARLES 1888, Van Gogh Museum, Amsterdam 72 X 90 cm

59

Plate 46

GAUGUIN’S CHAIR 1888, Van Gogh Museum, Amsterdam 90.5 X 72.5 cm

60

Plate 47

SELF-PORTRAIT WITH FELT HAT 1888, Van Gogh Museum, Amsterdam 44 X 37.5 cm

61

Plate 48

BLOSSOMING ALMOND BRANCH IN A GLASS 1888, Van Gogh Museum, Amsterdam 24 X 19 cm

62

Plate 49

SELF-PORTRAIT AS AN ARTIST 1888, Van Gogh Museum, Amsterdam 65.5 X 50.5 cm

63

Plate 50

THE ROAD MENDERS 1889, The Cleveland Museum of Art 73.7 X 92 cm

64

Plate 51

ENCLOSED FIELD WITH RISING SUN 1889, Private Collection 71 X 90.5 cm

65

Plate 52

VINCENT’S CHAIR WITH HIS PIPE 1889, National Gallery Collection, London 93 X 73.5 cm

66

Plate 53

WHEATFIELD WITH CYPRESSES 1889, National Gallery Collection, London 72.5 X 91.5 cm

67

Plate 54

SELF-PORTRAIT 1889, Musee d’Orsay 65 X 54 cm

68

Plate 55

LILACE 1889, Hermitage, Leningrad 73 X 92 cm

69

Plate 56

WHEATFIELD WITH REAPER AND SUN 1889, Van Gogh Museum, Amsterdam 73 X 92 cm

70

Plate 57

CRAB ON ITS BACK 1889, Van Gogh Museum, Amsterdam 38 X 46.5 cm

71

Plate 58

A PAIR OF WOODEN CLOGS 1889, Van Gogh Museum, Amsterdam 32.5 X 40.5 cm

72

Plate 59

SUNFLOWERS 1889, Van Gogh Museum, Amsterdam 95 X 73 cm

73

Plate 60

EVENING: THE WATCH (AFTER MILLET) 1889, Van Gogh Museum, Amsterdam 74.5 X 93.5 cm

74

Plate 61

OLIVE GROVE 1889, Van Gogh Museum, Amsterdam 45.5 X 59.5 cm

75

Plate 62

THE GARDEN OF SAINT PAUL’S HOSPITAL 1889, Van Gogh Museum, Amsterdam 71.5 X 90.5 cm

76

Plate 63

UNDERDROWTH WITH IVY 1889, Van Gogh Museum, Amsterdam 49 X 64 cm

77

Plate 64

PIETA (AFTER DELACROIX) 1889, Van Gogh Museum, Amsterdam 73 X 60.5 cm

78

Plate 65

DEATH’S HEAD MOTH 1889, Van Gogh Museum,Amsterdam 33.5 X 24.5 cm

79

Plate 66

THE CHURCH AT AUVERS 1890, Musee d’Orsay, Paris 94 X 74 cm

80

Plate 67

PORTRAIT OF DR.GACHET 1890, Private Collection 67 X 56 cm

81

Plate 68

MARGUERITE GACHET IN HER GARDEN 1890, Musee d’Orsay, Paris 45 X 55 cm

82

Plate 69

THE GOOD SAMARITAN (AFTER DELACROIX) 1890, Rijksmuseum 73 X 60 cm+

83

Plate 70

PRISONERS EXERCISING (AFTER DORE) 1890, Pushkin Museum, Moscow 80 X 64 cm

84

Plate 71

THATCHED COTTAGES IN CORDEVILLE 1890, Musee d’Orsay, Paris 72 X 91 cm

85

Plate 72

PINE TREES WITH FIGURE IN THE GARDEN SAINT PAUL HOSPITAL 1890, Musee d’Orsay, Paris 58 X 45 cm

86

Plate 73

THE GARDEN OF DR. GACHET IN AUVERS 1890, Musee d’Orsay, Paris 73 X 51.5 cm

87

Plate 74

VILLAGE STREET AND STEPS IN AUVERS WITH FIGURES 1890, The Saint Louis Art Museum 49.8 X 70.1 cm

88

Plate 75

NOON: REST FROM WORK 1890, Musee d’Orsay, Paris 73 X 91 cm

89

Plate 76

PORTRAIT OF ADELINE RAVOUX 1890, Private Collection 73.7 X 54.7 cm

90

Plate 77

IRISES 1890, Van Gogh Museum, Amsterdam 92 X 73.5 cm

91

Plate 78

WHEATFIELD WITH CROWS 1890, Van Gogh Museum, Amsterdam 50.5 X 103 cm

92

Plate 79

DAUBIGNY’S GARDEN 1890, Van Gogh Museum, Amsterdam 50.7 X 50.7 cm

93

Plate 80

THE PLOUGH AND THE HARROW (AFTER MILLET) 1890, Van Gogh Museum, Amsterdam 72 X 92 cm

94

Plate 81

LANDSCAPE WITH THE CHATEAU OF AUVERS AT SUNSET 1890, Van Gogh Museum, Amsterdam 50 X 101 cm

95

Plate 82

免费阅览画册・制作电子画册・代理绘画作品・举办会员画展

全国服务热线：800-820-1915

文森特·凡高Vincent van Gogh(1853～1890年)出生于荷兰赞德特镇一个新教牧师之家，24岁 之前，曾在海牙、伦敦、巴黎等地的古匹尔画店当店员。后来成为传教士，在比利时西南部的博 里纳日矿区传教，由于同情和支持穷苦矿工的要求而被解职。在度过了一段极度失望和贫困的生 活后，他决定在艺术的探求中完成自我的解脱。1880年以后，他到处求学，向比利时皇家美术学 院求教，向荷兰风景画家安东·莫夫学，但最后还是决定自学。他克服种种困难，努力按自己的 认识表现世界。在1886年以前，他的作品还都处于探索的时期，代表作有《吃土豆的人》、《纺 织工》等。1886年凡 ·高随他担任古匹尔画店高级职员的弟弟来到巴黎，结识了图鲁兹一劳特累 克、高更、毕沙罗、修拉和塞尚，并参加印象主义画家们的集会。从而使艺术眼界大为开阔，开 始以完全不同于过去的方法作画，画面色彩强烈，色调明亮。在他的画中，总是一片色彩和笔触 的狂欢，这种画面所造成的气氛效果表现出一种罕见的旺盛的生命力。1888年2月，他同高更结伴 同行，到法国南部的阿尔写生作画，长达一年之久。这是他艺术风格形成的最重要的时期，南国 的强烈阳光和阳光照耀下的市镇、田野、花朵、河流、农舍和教堂，使他禁不住一遍又一遍地高 喊：“明亮一些，再明亮一些!” 他和高更这时已经同印象主义的观点发生分歧，却同时对表现 主义或者象征主义发生浓厚的兴趣。因此，曾经有过建立“南方印象主义”或者“印象主义分离 派”的打算。后来因为2人的关系恶化，高更离去，凡·高在发生割下自己耳朵的事件之后精神逐 渐分裂。因此，他们没有结成任何团体。 1890年，经过圣雷米的德莫索尔精神病院的长期住院治 疗，病势稍有好转后，凡·高回到巴黎，住在瓦兹河畔的奥韦尔，接受伽塞医生的专门治疗，并 勤奋作画，作有《伽塞医生肖象》、《奥韦尔的教堂》等。但是，在1890年十月27日，在同伽塞 医生发生争吵之后，突然开枪自杀，结束了自己的生命。

96