Libyen-report

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Libyen

Barbara Dirks


LIBYEN

Barbara Dirks 2010/2011

Libyen |Ливия


Дипломный проект Шрифтовое семейство «Ливия». Барбара Диркс

01 Состав проекта 02. Описание проекта 03. Постановка задачи 04. Изучение материала 05. Эскизы 06. Особенности построения шрифта 07. Начертания 08. Многоязыковая поддержка 09. Состав шрифтового семейства 10. Примеры использования шрифта

Курс «Шрифт и Типографика» куратор: Илья Рудерман; Россия, Москва, 2010/2011

Barbara Dirks


наличие контраста

Libyen |Ливия


Libyen*

Шрифт Ливия — это динамичный гуманистический гротеск

О проекте: В шрифте «Ливия» нашли своё отражение позитивные перемены, происходящие в современном обществе, ориентированном на открытость, дружелюбие, толерантность, гуманизм. Мягкий и дружественный характер шрифта утверждает свободную, творческую, конструктивную сущность человека, что обуславливает возможность использования шрифта при освещенении позитивных общественных процессов, событий в области культуры и искусства. Отсутствие чёткой строгости вертикалей, свободная пластика соединительных штрихов вцелом ассоциируется с темой свободы, легкости, неформалього общения, свободного времени. Шрифт «Ливия» хорошо подойдёт для раскрытия темы отдыха, дружеского общения, материалах о туризме, развлечениях. Вцелом, «Ливия» - современный шрифт, располагающий к неформальному общению и передающий атмосферу позитивных общественных процессов, успешно решаемых задач и богатых жизненных перспектив.

*в древнегреческой мифологии нимфа Ливия, возлюбленная Посейдона, от которого она родила близнецов Агенора и Бела , а также Лелега.

Barbara Dirks


наклон оси овалов

Libyen |Ливия


Libyen* Libyen is a dynamic humanist sans

I

n the script “Libya” has found their reflection the positive changes, taking place in modern society, aimed at openness, friendliness, tolerance and humanism. Gentle and friendly nature of the font demonstrates a free, creative, constructive character of human nature , what leads to the possibility of using this font for materials about such positive social processes as culture and art. Lack of clear rigor verticals, free plastic of connecting lines, as a whole, is associated with the theme of freedom, informal communication, free time. Font “Libya” is good for opening the theme of recrea-tion, companionship, materials related to tourism and entertainment. Attention to environmental issues - the result of free and responsible choice of modern man. Natural roundness and plasticity of the font lines reveals the theme of ecology, the development of ecologically successful technologies, the harmony of nature and technology. As a whole, “Libya” is a modern font, disposing to the informal communication and the atmosphere of positive social processes, successfully solved problems and the rich prospects in life.

* Libya (from Greek: Λιβύη) is the name given to both a region of North Africa (Ancient Libya) and a daughter of Epaphus, King of Egypt, in both Greek and Roman mythology.

Barbara Dirks


Libyen |Ливия


04. Изученные образцы шрифтов Based on About this font family In 1989, the International Typeface Corporation released the font. ITC Flora continues to work well on current printers and typesetters, and it has an enduring popularity for uses ITC Flora® that range from short text passages to display headlines. handwriting studies by its designer, Gerard Unger, ITC Flora is a unique design that blends the structure of a chancery italic with the Capucine simplicity of a sans serif. Typeface Corporation in 1989. A decorative face of freestyle flowing letterforms, it is stylized a little under wide brush calligraphy. Its Pallada letterforms are characterized with one-side serifs. For use in book heading, advertising and display matter. The face designed by Natalya Vasilyeva and licensed by ParaType in 2007.Внимание к вопросам охраны окружающей Master Flo среды результат собственного свободного и ответственного выбора современного человека. Master Flo is a freestyle script based on handwriting. The face inspired Master Flo by flat-nib felted pen or brush calligraphy. For use in short texts and informal headlines. This family typeface consists of three fonts which have the same weight and style, but have been designed to work best at Rumba different sizes and in slightly different contexts. It is based on handwriting and calligraphy and consists of three typefaces: Rumba Small (for texts), Rumba Large (for headlines) and Rumba Extra (for words). Bree, based on TypeTogether’s logotype, is a sleek sans Bree serif that delivers a polished and modern look and feel for branding or headline usage. Иследование дизайнеров шрифтов, Some of its most characteristic features работ are the one-story ‘a’, the cursive ‘e’, the curves решающих схожие задачи in the outstrokes of ‘v’ and ‘w’, the flourish ‘Q’ and the fluidity Изученные штof shapes on ‘g y z’. Alternate letters of these are available when a more classical look is desired.

Barbara Dirks


abc ghij nopq wx

05. Особенности построения

• пластичные окончания штрихов • плавное втекание

Libyen |Ливия


def klm rstu yz • динамика контраста • изгиб основного штриха

Barbara Dirks


07. Начертания Thin | Libyen | 42/48 pt.

Hamburgefonts Light | Libyen | 42/48 pt.

Hamburgefonts Regular | Libyen | 42/48 pt.

Hamburgefonts Semi-bold | Libyen | 42/48 pt.

Hamburgefonts Bold Libyen | 42/48 pt.

Hamburgefonts

Так как шрифт предназначен для использования в журналах, немаловажной задачей было создание нескольких начертаний. Libyen |Ливия


Тесты начертаний разной насыщенности

Thin | Libyen | 9/12 pt. If you’re a subscriber, you’ll notice that bundled with your magazine this month is our brand new ‘100 Restaurants & Bars’ guide for 2011. It’s a bigger, beter, more comprehensive book than 2010’s edition, including lots of recentlyreviewed newcomers, as well as some great stalwartswe hadn’t included last time round. You’ll also find additional features like culinary shop alerts, farmers markets and great streets where you know you’ll always find something for your tummy: destination food. Light | Libyen | 9/12 pt.. If you’re a subscriber, you’ll notice that bundled with your magazine this month is our brand new ‘100 Restaurants & Bars’ guide for 2011. It’s a bigger, better, more comprehensive book than 2010’s edition, including lots of recently-reviewed newcomers, as well as some great stalwartswe hadn’t included last time round. You’ll also find additional features like culinary shop alerts, farmers markets and great streets where you know you’ll always find something for your tummy: destination food. Regular | Libyen | 9/12 pt. If you’re a subscriber, you’ll notice that bundled with your magazine this month is our brand new ‘100 Restaurants & Bars’ guide for 2011. It’s a bigger, better, more comprehensive book than 2010’s edition, including lots of recently-reviewed newcomers, as well as some great stalwartswe hadn’t included last time round. You’ll also find additional features like culinary shop alerts, farmers markets and great streets where you know you’ll always find something for your tummy: destination food. Semi-bold | Libyen | 9/12 pt. If you’re a subscriber, you’ll notice that bundled with your magazine this month is our brand new ‘100 Restaurants & Bars’ guide for 2011. It’s a bigger, better, more comprehensive book than 2010’s edition, including lots of recently-reviewed newcomers, as well as some great stalwartswe hadn’t included last time round. You’ll also find additional features like culinary shop alerts, farmers markets and great streets where you know you’ll always find something for your tummy: destination Bold | Libyen | 9/12 pt. If you’re a subscriber, you’ll notice that bundled with your magazine this month is our brand new ‘100 Restaurants & Bars’ guide for 2011. It’s a bigger, better, more comprehensive book than 2010’s edition, including lots of recently-reviewed newcomers, as well as some great stalwartswe hadn’t included last time round. You’ll also find additional features like culinary shop alerts, farmers markets and great streets where you know you’ll always

Barbara Dirks


urbanite

literally and figuratively

Gunmen in deadly

Ruud Gullit

unimpressed to the other suburbs where I have lived

Bourreur

to the other suburbs where I have lived

Loup-phoque Libyen |Ливия


08. Многоязыковая поддержка English | Libyen | 9/12 pt. Pie is experiencing a revolution of sorts in the United States. Once a dowdy sweet associated with church suppers, now the dessert can be found served in stylish. Each region has a specialty based on local ingredients and culture, so if you filled your plate by motoring across the country, you could make an American pie flight, so to speak. Fruit pies rule the oven racks in the East. English | Libyen | 9/12 pt. Серия передач “Жизнь” на канале euronews переносит вас в самые разные страны мира, предлагая по-новому взглянуть на место нашей очередной остановки. В этих передачах мы расскажем вам о культуре, истории, экономическом развитии страны, стиле жизни или проблемах. German | Libyenr | 9/12 pt. Auf Vielfalt setzte die 35. Ausgabe des Internationalen Animationsfilm Festivals in Annecy am Fuß der französischen Alpen. Über 220 Streifen lockten in den verschiedenen Festivalsektionen. Weil der Programmschwerpunkt diesmal auf unabhängigen US-Produktionen lag, erschien die Festivalleitung zur Preisübergabe in zünftiger Cowboykluft. French | Libyen | 9/12 pt. On ne connaît que les choses que l’on apprivoise, dit le renard. Les hommes n’ont plus le temps de rien connaître. Ils achètent des choses toutes faites chez les marchands. Mais comme il n’existe point de marchands d’amis, les hommes n’ont plus d’amis. Si tu veux un ami, apprivoise-moi ! Adieu, dit le renard. Spanish | Libyen regular & bold | 9/12 pt. Sólo conocemos las cosas que domesticamos, dijo el zorro. Los hombres ya no tienen tiempo de conocer nada. Compran en las tiendas cosas hechas. Pero como no hay ninguna tienda donde vendan amigos, los hombres ya no tienen amigos. ¡Si quieres un amigo, domestícame! Adiós, dijo el zorro. Te diré un secreto. E Czech | Libyen | 9/12 pt. Známe jen ty věci, které si ochočíme, řekla liška. Lidé už nemají čas, aby něco poznávali. U obchodníků nakupují věci úplně hotové. Ale protože s přátelstvím se nekupčí, nemají přátel. Chceš-li přítele, ochoč si mě! (...) Sbohem, řekla liška. Tady je mé tajemství, docela jednoduché: správně vidíme jen srdcem. Co je důležité je očím neviditelné. urkish | Libyen regular | 9/12 pt. Öte yandan, santralde soğutma çalışmalarını sürdüren 2 bin 400 çalışandan en az 8’inin yüksek radyasyona maruz kaldığı açıklandı. 11 Mart’ta Japonya’nın kuzeydoğusunu sarsan 9 büyüklüğündeki deprem ve ardından meydana gelen tsunami, Fukuşima nükleer santralininde patlamalara neden olmuş, çevreye yayılan yüksek oranda radyoaktif madde de hava ve suya karışarak çevre felaketine yol açmıştı.

Barbara Dirks


exhibitions Fuß der französischen

Barrier-free Türkiye’de de türüne

tv&radio χρειάζ εταιόμως επειγόντως

Dialling What’s Libyen |Ливия


Многоязыковая поддержка Hungarian | Libyen regular & black | 9/12 pt. A karácsonyfa díszítés az apa feladata, az édesanya a konyhában szorgoskodik, amelyről ínycsiklandó illatok árulkodnak. A hagyományos családi menüsor ritkán változik, hal szinte mindenhol kerül az asztalra, legtöbbször rántva vagy halászlé formájában. Aki karácsonykor nem szereti az újításokat, nem próbálkozik új fogásokkal, mert ragaszkodik a hagyományokhoz, és a család is ezt várja tőle. Greek | Libyen regular | 9/12 pt. Εμείς να προσθέσουμε, αυτό που δεν αναφέρεται στην επιστολή, ότι οι αστυνομικοί αγοράζουν ... εξ’ ιδίων, με δικά τους χρήματα, εκτός από το “κράνος”και τα “αλεξίσφα ιρα γιλέκα” που χρειάζονται! Αυτά κοστίζουν περί τα 1500 ευρώ! Τ’ αγοράζουν προς διευκόλυση τους ..τμηματικά, πρώτα το στήθος μετά το τμήμα που καλύπτει το.....

Latvian | Libyen | 9/12 pt. Kad būsi iztērējis datu apjomu bez ātruma ierobežojuma, līdz mēneša beigām ātrums tiks samazināts (16 Kb/s lejupielādei, 8 Kb/s augšupielādei). Ja vēlies lietot datu pārraidi ar iepriekšējo ātrumu, jāiegādājas papildu datu apjoms. To var izdarīt pavisam vienkārši – Tev tikai jānosūta īsziņa APJOMS uz kodu. Kad būsi iztērējis datu apjomu bez ātruma ierobežojuma, līdz mēneša beigām ātrums tiks samazināts Norwegian | Libyen regular & bold | 9/12 pt. – Vi vet lite om disse to ulveparene. Jeg har ikke fått inn mange meldinger om dem, men vi har bekreftet et ulvepar som foreløpig kalles Eidskogparet, og to ulver som mange betegner som Mangenparet, sier Petter Wabakken, ulveforsker ved Høgskolen i Hedmark, avdeling Evenstad. Disse to parene har vi tidligere omtalt i Raumnes. Statens Naturoppsyn har fastslått at minst ett av parene har vært på enkelte besøk i Nes i løpet av vinteren. Polish | Libyen regular & Light | 9/12 pt. Nie ukrywał jednak, że po jego usłyszeniu czuje ulgę. - Człowiek w takich momentach może się tylko cieszyć, cieszę się z sukcesu. Przede wszystkim z tego, że podwładni którymi dowodziliśmy, zostali uniewinnieni - wyjaśnił. Osiecki mówił, że ma żal do dwóch prokuratorów, którzy zajmowali się sprawą od początku, a nie do prokuratora obecnego w środę w sądzie, bo nie jest on odpowiedzialny za błędy. Icelandic | Libyen | 9/12 pt. Á skömmum tíma varð hún ein fremsta leikkona Íslendinga og sló í gegn sem Edith Piaf. Hún hefur nóg að gera þessa dagana og segist hamingjusöm þegar hún hafi nóg fyrir stafni. Hún hefur tekist á við breytingar að undanförnu og hyggst fara enn lengra og hefja nám í Yale-háskóla í Bandaríkjunum. Hún býr sátt við lífið og leiklistina í litlu bárujárnshúsi bak við Þjóðleikhúsið ásamt manninum sínum, tíu ára dóttur sinni, sem hjálpar henni að læra texta, og köttunum sínum tveimur.

Barbara Dirks


Состав шрифтового семейства Libyen regular| 24 pt basic latin | 24 pt

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQQRSTUVWXYZ extended latin | 24 pt

æâáàäåãăāąǻçĉčćċðďđêéèëĕėęěĝğġ ģĥħıîíìïīįĭijĵĸķĺļľŀłŋńņňñʼnoeôóòöõøǿōŏ őþŕŗřßśŝşšșſţťŧûúùüűũūŭůųŵÿỳýŷźżž ÆÂÁÄÅÃĂĀĄǺǼÇĈČĆĊĎĐÊÉÈËĔĖĘĚ ĜĞĠĢĤĦÎÍÌÏĪĮĬIJĴĶĹĻĽĿŁŊŃŅŇÑOEÔÓ ÒÖÕØǾŌŎŐÞŔŖŘŚŜŞŠȘŢŤŦÛÚÙÜŰ ŨŪŬŮŲŴŸỲÝŶŹŻŽ numerals

0123456789 ¥€$£¢ 0123456789 ¥€$£ƒ

Libyen |Ливия


кириллические знаки

абвгдеёжзийклмнопрсту фхцчшщъыьэюя БВГДЕЖЗИЙКЛМНОПРСТУ ФХЦЧШЩЪЫЬЭЮЯ greek

αββγδεζηθθικλμνξοπρσςτυφφχψω άέήίϊΐόύϋΰώ ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΥΦΧΨΩ ΆΈΉΊΪΌΎΫΏ currency symbols

?!•¿¡([{—}])|¦«&.»‹-›‘…’ “;·”:@„“/–\’~_¶§†‡*°®©™ №ℓ∂∫√◊℮ºª%‰ #+×≠=≈÷±≤∞≥<¬>¼½¾

Barbara Dirks


09. Состав шрифтового семейства

Libyen thin | 14 pt

abcdefghijklmnopqrstuvwxyz  ABCDEFGHIJKLMNOPQ RSTUVWXYZ  æâáàäåãăāąǻçĉčćċðďđêéèëĕėęěĝğġģĥ ħıîíìïīįĭijĵĸķĺļľŀłŋńņňñʼnoeôóòöõøǿōŏőþŕŗřßśŝşšșſţťŧûúù üűũūŭůųŵÿỳýŷźżž  ÆÂÁÀÄÅÃĂĀĄǺǼÇĈČĆĊĎĐÊÉÈË ĔĖĘĚĜĞĠĢĤĦÎÍÌÏĪĮĬIJĴĶĹĻĽĿŁŊŃŅŇÑOEÔÓÒÖÕØǾŌŎŐ ÞŔŖŘŚŜŞŠȘŢŤŦÛÚÙÜŰŨŪŬŮŲŴŸỲÝŶŹŻŽ БВГДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯ абвгдеёжзийклмнопрстуфхцчшщъыьэюя  0123456789  ¥€$£¢  0123456789  ¥€$£ƒ?!•¿¡([{—}])|¦«&.»‹-›‘…’“@;·”:„“/– \’~_¶§†‡*°®©™№ ∂ √ ℮ºª %‰#+×≠=≈÷±≤≥<¬>

Libyen Light| 14 pt

abcdefghijklmnopqrstuvwxyz  ABCDEFGHIJKLMNOPQ RSTUVWXYZ  æâáàäåãăāąǻçĉčćċðďđêéèëĕėęěĝğġģĥ ħıîíìïīįĭijĵĸķĺļľŀłŋńņňñʼnoeôóòöõøǿōŏőþŕŗřßśŝşšșſţťŧûúù üűũūŭůųŵÿỳýŷźżž  ÆÂÁÀÄÅÃĂĀĄǺǼÇĈČĆĊĎĐÊÉÈË ĔĖĘĚĜĞĠĢĤĦÎÍÌÏĪĮĬIJĴĶĹĻĽĿŁŊŃŅŇÑOEÔÓÒÖÕØǾŌŎŐ ÞŔŖŘŚŜŞŠȘŢŤŦÛÚÙÜŰŨŪŬŮŲŴŸỲÝŶŹŻŽ БВГДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯ абвгдеёжзийклмнопрстуфхцчшщъыьэюя  0123456789  ¥€$£¢  0123456789  ¥€$£ƒ?!•¿¡([{—}])|¦«&.»‹-›‘…’“@;·”:„“/– \’~_¶§†‡*°®©™№ ∂ √ ℮ºª %‰#+×≠=≈÷±≤≥<¬>

Libyen |Ливия


Состав шрифтового семейства

Libyen bold | 14 pt

abcdefghijklmnopqrstuvwxyz  ABCDEFGHIJKLMNOPQ RSTUVWXYZ  æâáàäåãăāąǻçĉčćċðďđêéèëĕėęěĝğġģĥ ħıîíìïīįĭijĵĸķĺļľŀłŋńņňñʼnoeôóòöõøǿōŏőþŕŗřßśŝşšșſţťŧûúù üűũūŭůųŵÿỳýŷźżž  ÆÂÁÀÄÅÃĂĀĄǺǼÇĈČĆĊĎĐÊÉÈË ĔĖĘĚĜĞĠĢĤĦÎÍÌÏĪĮĬIJĴĶĹĻĽĿŁŊŃŅŇÑOEÔÓÒÖÕØǾŌŎŐ ÞŔŖŘŚŜŞŠȘŢŤŦÛÚÙÜŰŨŪŬŮŲŴŸỲÝŶŹŻŽ БВГДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯ абвгдеёжзийклмнопрстуфхцчшщъыьэюя  0123456789  ¥€$£¢  0123456789  ¥€$£ƒ?!•¿¡([{—}])|¦«&.»‹-›‘…’“@;·”:„“/–\’~ _¶§†‡*°®©™№ ∂ √ ℮ºª %‰#+×≠=≈÷±≤≥<¬>

Libyen bold | 14 pt

abcdefghijklmnopqrstuvwxyz  ABCDEFGHIJKLMNOPQ RSTUVWXYZ  æâáàäåãăāąǻçĉčćċðďđêéèëĕėęěĝğġģĥ ħıîíìïīįĭijĵĸķĺļľŀłŋńņňñʼnoeôóòöõøǿōŏőþŕŗřßśŝşšșſţťŧûúù üűũūŭůųŵÿỳýŷźżž  ÆÂÁÀÄÅÃĂĀĄǺǼÇĈČĆĊĎĐÊÉÈË ĔĖĘĚĜĞĠĢĤĦÎÍÌÏĪĮĬIJĴĶĹĻĽĿŁŊŃŅŇÑOEÔÓÒÖÕØǾŌŎŐ ÞŔŖŘŚŜŞŠȘŢŤŦÛÚÙÜŰŨŪŬŮŲŴŸỲÝŶŹŻŽ БВГДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯ абвгдеёжзийклмнопрстуфхцчшщъыьэюя  0123456789  ¥€$£¢  0123456789  ¥€$£ƒ?!•¿¡([{—}])|¦«&.»‹-›‘…’“@;·”:„“/–\’~_ ¶§†‡*°©™№ ∂ √ ℮ºª %‰#+×≠=≈÷±≤≥<¬>

Barbara Dirks


Тесты начертаний разной насыщенности

9/12 pt. The typographic environment of tables, text, signage and likely much else that lies between a proper book and display sized poster might vaguely be described as information typography. To be sure, this designation re­quires one to get comfortable with ambiguity and accept some wiggle room. What about smaller posters? Is one sentence text? You get the idea, but whatever the case, this area of design is one that needs some grace, com­fortability and ease. Can we be exact and informal at the same time? Hopefully. Itís with this spirit that Seravek offers itís services for your consideration. The special

9/12 pt. The typographic environmentof tables, text, signage and likely much else that lies between a proper book and display sized poster might vaguely be described as information typography. To be sure, this designation requires one to get comfortable with ambiguity and accept some wiggle room. What about smaller posters? Is one sentence text? You get the idea, but whatever the case, this area of design is one that needs some grace, comfortability and ease. Can we be exact and informal at the same time? Hopefully. Itís with this spirit that Seravek offers itís services for your consideration. The special

11/15 pt.

11/15 pt.

The typographic environment of tables, text, signage and likely much else that lies between a proper book and display sized poster might vaguely be described as information typography. To be sure, this designation re­quires one to get comfortable with ambiguity and accept some wiggle room. What about smaller posters? Is one sentence text? You get the idea, but whatever the case, this area of design is one that needs some grace, com­ fortability and ease. Can we be exact and informal at the same time? Hopefully. Itís with this spirit that Seravek offers itís services for your consideration. The special

Libyen |Ливия

The typographic environment of tables, text, signage and likely much else that lies between a proper book and display sized poster might vaguely be described as information typography. To be sure, this designation re­quires one to get comfortable with ambiguity and accept some wiggle room. What about smaller posters? Is one sentence text? You get the idea, but whatever the case, this area of design is one that needs some grace, com­ fortability and ease. Can we be exact and informal at the same time? Hopefully. Itís with this spirit that Seravek offers itís services for your consideration. The special


9/12 pt. Regular The typographic environment of tables, text, signage and likely much else that lies between a proper book and display sized poster might vaguely be described as information typography. To be sure, this designation re­quires one to get comfortable with ambiguity and accept some wiggle room. What about smaller posters? Is one sentence text? You get the idea, but whatever the case, this area of design is one that needs some grace, com­fortability and ease. Can we be exact and informal at the same time? Hopefully. Itís with this spirit that Seravek offers itís services for your consideration. The special 11/15 pt. Regular

The typographic environment of tables, text, signage and likely much else that lies between a proper book and display sized poster might vaguely be described as information typography. To be sure, this designation re­quires one to get comfortable with ambiguity and accept some wiggle room. What about smaller posters? Is one sentence text? You get the idea, but whatever the case, this area of design is one that needs some grace, com­ fortability and ease. Can we be exact and informal at the same time? Hopefully. Itís with this spirit that Seravek offers itís services for your consideration. The special

Barbara Dirks

9/12 pt.Bold The typographic environmentof tables, text, signage and likely much else that lies between a proper book and display sized poster might vaguely be described as information typography. To be sure, this designation requires one to get comfortable with ambiguity and accept some wiggle room. What about smaller posters? Is one sentence text? You get the idea, but whatever the case, this area of design is one that needs some grace, comfortability and ease. Can we be exact and informal at the same time? Hopefully.

11/15 pt. Bold

The typographic environment of tables, text, signage and likely much else that lies between a proper book and display sized poster might vaguely be described as information typography. To be sure, this designation re­ quires one to get comfortable with ambiguity and accept some wiggle room. What about smaller posters? Is one sentence text? You get the idea, but whatever the case, this area of design is one that needs some grace, com­fortability and ease. Can we be exact and informal at the same time? Hopefully. Itís with this spirit that Seravek offers itís services for your consideration. The special


10.Примеры использования шрифта

Libyen

Libyen |Ливия


Vice NO

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LO O BI

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High maintenance

Gut reaction: Michael Akanjee, weed model, lent his body to our research

Needing a breath of fresherair, MarieCharlotte Pezé goes in search of a healthier high If giving up smoking isn’t a New Year’s resolution you plan to make, at least there are some options for what we might call a ‘cleaner’ high. Following the well-trodden path of organic foods, bio weed is finding its footing in coffeeshops around town. ‘Much like organic foodstuffs, organic weed is grown in real soil without pesticides or additives,’ says David Duclos, director at Cannabis College,

Duclos, director at Cannabis College, explaining that it’s more fragrant than regular weed and definitely tastes better: ‘Think organic tomatoes compared to hydroponic, off-season tomatoes.’ In the past couple of years, coffee-

Organic weed has a much stronger scent and the heads are not as compact explaining that it’s more fragrant than regular weed and definitely tastes better: ‘Think organic tomatoes compared to hydroponic, off-season tomatoes.’In the past couple of years.

94 www.timeoutamsterdam.nl January 2011 Barbara Dirks

So, how to know if its truly organic? Hunt is proud of Homegrown Fantasy’s leafy, full-bodied heads; Jon Eijgermans from Katsu explains that buds with pesticides are rougher and have striation when observed under the microscope. ‘Organic weed is softer and friendlier’, he

Dampkring The spicy Amnesia Haze was dense and solid, and less leafy than expected, but it had a distinctive fresh smell and a funny peppery taste. Its super-strong sativa effect wasn’t my thing – I thought organic was supposedto mean ‘less potent’. €13/gram


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natured, attract M, 24–32. Birmingham. Call Call 0905 672 6702 Voicebox 83012 • Le wing, intellig, Francophile, widow, 58, 5í7, slim, lecturer, loves the arts, seeks intellig, humorous, M, 58ñ68, to enjoy life together. Ldn. • Tall & slim F, nearly 50, ints: arts & Call 0905 672 6702 Voicebox 56798 countryside looking for an educ, interesting, • Italian aff air? 35ñ50 & entirely italian in Ldn? considerate M to enjoy life with. Oxford/Cots. Let me fulfi l my long held fantasy & go out with Call 0905 672 6702 Voicebox 70011 a charming, gorgeous Italian guy with a twinkle • Sleepless in Norwich, warm friendly, in his eye. Ldn. italianaff air@yahoo.co.uk interesting, bold, active, magical F seeks M. • Just what you wanted! 􀈑 e secret of life Looking forward to hearing from you. E Ang. from the most youthful, wise F you’ll ever Call 0905 672 6702 Voicebox 84 467 meet. 57, good-looking, slim, warm, thoughtful, • Petite Brunette seeks unrepentant passionate, intellig. Ldn. Call 0905 672 6702 reprobate, 50ish with a SOH & adventure. Devon. Voicebox 16594 petitebrunette@aol.com • Lady, 40, separated, petite, likes classical • Warm & outgoing, spontaneous, intellig, music, reading, gardening, walking WLTM green-eyed blonde F, profess, 36, enjoys reliable courteous gentleman, 35ñ45, for f/ship laughter, living & lazing around, WLTM tall, good initially. S Mancs. lady4013@hotmail.com

2005–06 average full-time academics salaries and gender pay gaps average £ average £ average £ Institution

gap %

Female

Male

Total

Pay

1 University of the Arts, London

32,240

38,907

21,051

−1,4

2 Queen Margaret University College, Edinburgh

42,349

41,835

42,051

−1,2

3 University of Central England in Birmingham

38,444

38,568

38,488

0,3

4 York St John University

36,956

37,338

37,200

1.0

5 Staff ordshire University

36,956

37,338

37,200

1.0

6 Bolton University

37,338

37,543

37,344

1.1

7 University College for the Arts, Canterbury

36,874

37,407

37,215

1.4

8 Staff ordshire University

38,314

38,907

38,701

1.5

9 Chichester University

37,096

37,832

37,567

1.9

10 Buckinghamshire Chilterns University College

38,142

37,832

37,567

2.6

Libyen |Ливия


Спасибо!,,,

Спасибо: Илье Рудерману, Даниле Воробьеву, Алексею Ваняшину, Валерию Голыженкову, Евгению Добровинскому, Владимиру Ефимову, Ирине Смирновой, Александру Тарбееву, Алексею Шевцову.

Барбара диркс

Barbara Dirks


Libyen |Ливия


Barbara Dirks


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