Le Monde Sans PTF 2011 by Typofonderie

☞ Le Monde Sans ptf

Le Monde Sans ptf M Regular Italic Demi Demi italic Bold Bold Italic

Le Monde Sans ptf b M Book Book Italic ExtraDemi ExtraDemi italic Bold Bold Italic

Le Monde Sans Regular Le Monde Sans Italic Le Monde Sans Demi Le Monde Sans Demi Italic Le Monde Sans Bold Le Monde Sans Bold Italic Le Monde Sans Book Le Monde Sans Book Italic Le Monde Sans ExtraDemi Le Monde Sans ExtraDemi Italic Le Monde Sans Bold Le Monde Sans Bold Italic

☞ Support

↣ Buy the family

OpenType font families are compatible with Mac os and Windows platforms. Please consult our technical page for info concerning the language support, OpenType support, installation and use of these fonts. typofonderie.com/alphabets/technical/opentypesupport

Le Monde Sans is available in 4 separate packs. License include up to 8 cpus users. Prices start from € 210 by pack. Various full sub-families offers available online.

Typofonderie info@typofonderie.com t 33 (0) 146 542 692

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20 May 2011

☞ Le Monde Sans ptf

Le Monde Sans ptf c M Light Light Italic ExtraBold ExtraBold Italic

Le Monde Sans ptf d M ExtraLight ExtraLight Italic Black Black Italic

Le Monde Sans Light Le Monde Sans Light Italic Le Monde Sans ExtraBold Le Monde Sans ExtraBold Italic Le Monde Sans ExtraLight Le Monde Sans ExtraLight Italic Le Monde Sans Black Le Monde Sans Black Italic

☞ typofonderie.com

20 May 2011

The chair Typofonderie ☞ Le Monde Sans ptf Large samples

light extrabold extralight extrademi italic black regular bold italic bookextralight black italic light italic extralight extrademi

LE BULLETIN

Un traité d’art décoratif

Stabilité d’une composition graphique

Rhinocéros fou

À titre indicatif, 3500 f donne 530,30 €

La belle Italique

typographic beauty

Podcast Pékin, le Tibet et l’Occident

Le sommet de Damas

Girafe rose Le voisin d’enface est fou de toi

George, I love what you do

3 3

☞ www.typofonderie.com

☞ Le Monde Sans ptf

$£© ab cdfeg ikjl

Glyph set

abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 0123456789+−=() 0123456789+−=() abcdefghijklmnopqrstuvwxyz 0123456789 0123456789 ¼½¾%‰%‰ +−±×÷=≠~≈^<>≤≥¬¤∞◊∆Ω∂∫√∑∏πµ°ℓ℮№ ((()))[[[]]]{{{}}},;:.…··•!?¡¿¿¡‘’“”‚„‹›‹›«»«» ⁄�/\|¦--––_——*†‡§¶&&@@@©®℗™ªº `´ˆˇ˜¨¯˘˚˝˙¸˛̦ʻ àáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėęĝğġģ ĥħıìíîĩïīĭįĳĵķĺľļłŀńňñņòóôõöōŏőøǿœŕřŗ śŝšşșßťţŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþ ÀÁÂÃÄĀĂÅǺĄÆǼĆĈČĊÇĎĐÈÉÊĚËĒĔĖĘ fiflĜĞĠĢĤĦÌÍÎĨÏĪĬĮĲĴĶĹĽĻŁĿŃŇÑŅ ÒÓÔÕÖŌŎŐØǾŒŔŘŖŚŜŠŞȘßŤŢŦ ÙÚÛŨÜŪŬŮŰŲẀẂŴẄỲÝŶŸŹŽŻŊÐÞ àáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėę fiflĝğġģĥħìíîĩïīĭįĳĵķĺľļłŀńňñņ òóôõöōŏőøǿœŕřŗśŝšşșßťţŧ ùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðÞ

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☞ Le Monde Sans ptf

$£© mnoprs 12

Glyph set 2

fffbffbfhffhfiffifjffjfkffkflfflftfft ſ ctstTh gĝğġģ g abcdefghijklmnopqrstuvwx ABCDEFGHIJKLMNOPQRSTUVWX 1234567890<>+−×÷=±~^YZ

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☞ Le Monde Sans ptf OpenType features standard all capitals feature all small caps feature standard superiors & ordinals standard ligatures capital tabular figures capital figures minuscule tabular figures minuscule figures standard superscript & subscript figures numerator & denominator figures standard fractions feature

{[(‹«abcdefghijklmnopqrstuvwxyz- – — »›)]} {[(‹«abcdefghijklmnopqrst- – — »›)]} {[(abcdefghijklmnopqrstuvwxyz)]} abcdefghijklmnopqrstuvwxyz no No 1a 2o abcdefghijklmnopqrstuvwxyz no No 1a 2o fffbffbfhffhfiffifjffjfkffkflfflftfft fffbffbfhffhfiffifjffjfkffkflfflftfft 12345678900#€$¢£ƒ¥ %‰ 12345678900#€$¢£ƒ¥ %‰ 12345678900#€$¢£ƒ¥ %‰ 12345678900#€$¢£ƒ¥ %‰ 1234567890+−=() 1234567890+−=() 1234567890+−=() 1234567890+−=() 1234567890 1234567890 1/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 0/00 1/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 ‰

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☞ Le Monde Sans ptf OpenType features 2 standard

stylistic set 1, ornaments

standard stylistic set 2, swashes standard discretionary ligatures standard historical forms

abcdefghijklmnopqrstuvwx ABCDEFGHIJKLMNOPQRSTUVWX 1234567890<>+−×÷=±~^YZ abcdefghijklmnopqrstuvwx ABCDEFGHIJKLMNOPQRSTUVWX 1234567890<>+−×÷=±~^YZ g g ctstTh ctstTh s ſ

☞ typofonderie.com

☞ Le Monde Sans ptf Stylistic sets Standard

I am very pleased that so many people like my typefaces and am happy to see the way they are used in most cases. Once in a while george see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for

a Stylistic set 1 Ornaments

g Stylistic set 2 Swashes

Extract from an interview of Carol Twombly by Jean François Porchez published in french. Étapes magazine, 1997.

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☞ Le Monde Sans ptf Tabular figures matching weights M Tabular figures widths (in lining or oldstyle versions) are compatible in theses weight combinations.

ExtraLight

ExtraLight Italic

Light

Light Italic

Regular

Italic

Book

Book Italic

Demi

Demi Italic

ExtraDemi

ExtraDemi Italic

Bold

Bold Italic

ExtraBold

ExtraBold Italic

Black

Black Italic

☞ typofonderie.com

12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥

☞ Le Monde Sans ptf ExtraLight

ab cd ef g hijklmno p qrst u v wxyz 0123456789 abcdefghij k lmno pq rstuv w x yz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance ☞ typofonderie.com

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that cor-

☞ Le Monde Sans ptf ExtraLight Italic

a b cd e fg hi j k l m no p q rstuv wxyz 0123456789 abc defghi jklmn op qrst uv w xyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s workA new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decoA new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in ☞ typofonderie.com

☞ Le Monde Sans ptf Light

ab cd ef g hijk lmno p qrstu v wx yz 0123456789 abcdefg hi jk lmnopqrst uv w x yz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance ☞ typofonderie.com

☞ Le Monde Sans ptf Light Italic

ab cdefgh ijklmn o p qrstuv w xyz 0123456789 ab c defg hijklmn op qrst uv w xyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

In recent years, a new tenHowever, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypogHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obviIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yieldIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typog☞ typofonderie.com

☞ Le Monde Sans ptf Regular

ab cdefg hijk lmno p qrstu v wxyz 0123456789 abc de fg h ijklm nopqrstuv w x yz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tenA new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming ☞ typofonderie.com

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded

☞ Le Monde Sans ptf Italic

a b cd efg hi j k lmnop qrstuv w xyz 0123456789 ab cd efghijklmno pq rst uvw xyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tenA new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typog☞ typofonderie.com

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste.

☞ Le Monde Sans ptf Book

ab cdefg hi j klmn o p qrstu v wxyz 0123456789 abc defghi jklm nopqrstuv w xyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments,

10 pt

8 pt – 6 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished ☞ typofonderie.com

☞ Le Monde Sans ptf Book Italic

ab cdefg hi j k lm nop qrst u v wx yz 0123456789 ab c d e fghijklmno p q rstuv w xyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

☞ Le Monde Sans ptf Demi

a b cdefghi j k lm n op q rstuv wxyz 0123456789 ab cdefghi jk lm nopqrstuv w xyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished ☞ typofonderie.com

☞ Le Monde Sans ptf Demi Italic

ab cde fg hi j kl m nop qrst u v wx yz 0123456789 abc de fghijk lmnopqrstuv w xyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

In recent years, a new However, most of the existing types were old-fashioned and not adapted to A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance ☞ typofonderie.com

☞ Le Monde Sans ptf Bold

ab cd e f g h i j kl mno p qrs tuv w xyz 0123456789 abcde fghi j klm nopqrst uv w xyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tenIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is ☞ typofonderie.com

☞ Le Monde Sans ptf Bold Italic

ab cdefghijk l mn o p q rstuv wx yz 0123456789 abc d efghijklmnopqrst uv w x yz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

☞ Le Monde Sans ptf ExtraDemi

a b cd ef gh i j k lm n op q rs tuv wxyz 0123456789 abcde fghij klm nopqrst uv w xyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and ☞ typofonderie.com

☞ Le Monde Sans ptf ExtraDemi Italic

ab cde fghijkl mno p q rst u v wx yz 0123456789 abc de fghijklmnopqrst uv w xyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished ☞ typofonderie.com

☞ Le Monde Sans ptf ExtraBold

a b cdefghijklm n o p qr stuv wx yz 0 1 2 3 4 5 6 7 8 9 ab cde fghij k lmnopqrstuv w xyz &

40 pt

24 pt

18 pt

14 pt

In recent years, a However, most of the existing types were old-fashioned and not A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant type-

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

However, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has ☞ typofonderie.com

☞ Le Monde Sans ptf ExtraBold Italic

a b cde fg h ijklm n op qrs tuv wxyz 0 1 2 3 4 5 6 7 8 9 abc d efghij k lmnopqrstuv w xyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

☞ Le Monde Sans ptf Black

ab cde f g hijk lmnop qrst uv w xyz 0123456789 abcd e fghijk lmnopqrstuv w xyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and eleIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightHowever, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the ☞ typofonderie.com

☞ Le Monde Sans ptf Black Italic

ab cdefghijklmnop qrstuv wxy z 0123456789 ab c d e fg hij k lmnopqrstu v w xyz &

40 pt

24 pt

18 pt

14 pt

In recent years, a However, most of the existing types were old-fashioned and A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Le Monde Sans, a modern and elegant type-

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt