aa Geneo
PRO STD □ ★ Thin □ ★ ThinItalic □ ★ Light □ ★ Light Italic □ ★ Regular □ ★ Italic □ ★ Book □ ★ Book Italic □ ★ Demi □ ★ Demi Italic □ ★ Bold □ ★ Bold Italic □ ★ ExtraBold □ ★ ExtraBold Italic □ ★ Heavy □ ★ Heavy Italic □ ★ Black □ ★ Black Italic □ available on this format ★not available on this format
cdefg TYPOFONDERIE
Geneo Thin Geneo Thin Italic Geneo Light Geneo Light Italic Geneo Regular Geneo Italic Geneo Book Geneo Book Italic Geneo Demi Geneo Demi Italic Geneo Bold Geneo Bold Italic Geneo ExtraBold Geneo ExtraBold Italic Geneo Heavy Geneo Heavy Italic Geneo Black Geneo Black Italic
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Typeface design by Stéphane
OpenType font families are
Geneo Pro version is available
Elbaz. Copyright ©™ 1990-2012.
compatible with Mac OS and
from €55 one weight/ one user.
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exclusively by Typofonderie.
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info concerning the language support, OpenType support, installation and use of these fonts. info@typofonderie.com +33 (0) 146 542 692 typofonderie.com
Geneo
cdefg TYPOFONDERIE
Milano Specimen
Thin Bold Italic Tight Black Black Light Italic Bold Italic Black Light Demi Book
ÉTAT D’URGENCE
Œuvres Rigatoni al dente The first interview abroad
CATCHING UP
GLEICH Sang&Jo Firenza→2,35
☞ 2
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Geneo
cdefg TYPOFONDERIE
Glyph set: Pro version
$£© cdfeg ikjl mn rs 1234
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 0123456789+−=() 0123456789+−=() abcdefghijklmnopqrstuvwxyz 0123456789 0123456789 ¼½¾%‰%‰ +−±×÷=≠~≈^<>≤≥¬¤∞◊∆Ω∂∫√∑∏πµ°ℓ℮№ ((()))[[[]]]{{{}}},;:.…··•!?¡¿¿¡‘’“”‚„‹›‹›«»«»'" ⁄�/\|¦--––_——*†‡§¶&&@@@©®℗™ªº `´ˆˇ̕˜¨¯˘˚˝˙¸˛̦ʻ àáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėęĝğġģ ĥħıìíîĩïīĭįijĵķĺľļłŀńňñņòóôõöōŏőøǿœŕřŗ śŝšşșßťţŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþ
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Geneo
cdefg TYPOFONDERIE
Glyph set set:2: Pro Pro version version
$£© cdfeg ikjl mn rs 1234
�����fi�����fl��� ſ ��st agQ àáâãäāăåǻąĝğġģ
▣◉□○☒F◆■●▶◀▲▼▷◁△▽→←↑↓↖↗↙↘ ❶❷❸❹❺❻❼❽❾❿
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Geneo
cdefg TYPOFONDERIE
OpenType features: Pro version
£ all capitals feature all small caps feature standard superiors & ordinals standard ligatures capital tabular figures (default) capital figures minuscule tabular figures minuscule figures standard superscript & subscript figures numerator & denominator figures standard fractions feature
{[(‹«abcdefghijklmnopqrstuvwxyz- – — »›)]}@¡¿ {[(‹«ABCDEFGHIJKLMNOPQRST- – — »›)]}@¡¿ {[(abcdefghijklmnopqrstuvwxyz- – — »›)]} abcdefghijklmnopqrstuvwxyz no No 1a 2o abcdefghijklmnopqrstuvwxyz no No 1a 2o fffbffbfhffhfiffifjffjfkffkflfflftfft fffbffbfhffhfiffifjffjfkffkflfflftfft 12345678900#€$¢£ƒ¥ %‰ 12345678900#€$¢£ƒ¥ %‰ 12345678900#€$¢£ƒ¥ %‰ 12345678900#€$¢£ƒ¥ %‰ 1234567890+−=() 1234567890+−=() 1234567890+−=() 1234567890+−=() 1234567890 1234567890 1/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 0/00 1/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 ‰
☞ 5
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Geneo
cdefg TYPOFONDERIE
OpenType features: Pro version
£ discretionary ligatures standard historical forms standard stylistic set 1 or swash stylistic set 2 or tling alternings stylistic set 3 or swash stylistic alternates standard
ornaments, stylistic set 4
ctstThct ctstThct historical forms hiſtorical forms agQq agQq agQq agQq agQq abcdefghijklmnopq 1234567890 <>+−×÷=± abcdefghijklmnopq 1234567890 <>+−×÷=±
☞ 6
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Geneo
cdefg TYPOFONDERIE
Stylist sets samples: Pro version
£
stylistic set 1
stylistic set 2 or titling alternates
stylistic set 3 or swash
stylistic set 1+2+3 or stylistic alternates
stylistic set 4 or ornaments
I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for a I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for g I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for Q I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while george see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t agQ I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while george see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most cases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecogniz-
☞ 7
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cdefg TYPOFONDERIE
Geneo Tabular figures matching weights Tabular figures widths (in lining or oldstyle versions)
Thin
are compatible in all weight combinations.
Thin Italic
Light
Light Italic
Regular
Italic
Book
Book Italic
Demi
Demi Italic
Bold
Bold Italic
ExtraBold
ExtraBold Italic
Heavy
Heavy Italic
Black
Black Italic
☞ 8
12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥
typofonderie.com
cdefg TYPOFONDERIE
Geneo Thin
ab cdefghi jkl mno p qrstuvwxyz 0123456789 A B C DEFG HIJ K L MNOP QRS T UV W XYZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A NEW TYPEFACE HAD TO BE FOUND In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography ☞ 9
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we
typofonderie.com
cdefg TYPOFONDERIE
Geneo Thin Italic
a b c de fghijk lm n op q rstuv wx yz 0123456789 A B CDE FG HIJ K LMN OP QRS TU V W XYZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s workA NEW TYPEFACE HAD TO BE FOUND In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypograHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in ☞ 10
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant
typofonderie.com
cdefg TYPOFONDERIE
Geneo Light
ab cd ef ghi jk l mn op qrstuvwxyz 0123456789 AB CDE FG H I JKLM NOP QRS T UV WXYZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A NEW TYPEFACE HAD TO BE FOUND In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming ☞ 11
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that
typofonderie.com
cdefg TYPOFONDERIE
Geneo Light Italic
ab c de fgh ijkl m nopqrstuvwx yz 0123456789 AB CDE FG H IJ KLM NOP QRS TU V W XYZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A NEW TYPEFACE HAD TO BE FOUND In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypograHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reverIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not ☞ 12
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo,
typofonderie.com
cdefg TYPOFONDERIE
Geneo Regular
a b cdefgh ij k l mnop qrstuvwxyz 0123456789 AB CDEFGH IJK LMN OP QR S T UV WX YZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a new However, most of the existing types were old-fashioned and not adapted A NEW TYPEFACE HAD TO BE FOUND In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance ☞ 13
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a
typofonderie.com
cdefg TYPOFONDERIE
Geneo Italic
abcd e fghi j kl mno pq rstuvwx yz 0123456789 A B C DEFGHI JK L MNOP QRS T U V W XYZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A NEW TYPEFACE HAD TO BE FOUND In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its ☞ 14
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s
typofonderie.com
cdefg TYPOFONDERIE
Geneo Demi
ab cd efghijk lmn o p q rs tuv w xyz 0123456789 AB CDE FGHIJ KLMNOP QRS T UV WXYZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a new However, most of the existing types were old-fashioned and not adapted A NEW TYPEFACE HAD TO BE In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished eleHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yieldHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield☞ 15
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods,
typofonderie.com
cdefg TYPOFONDERIE
Geneo Demi Italic
ab cde fgh ijklm n opqrstuvwx yz 0123456789 AB C DE FGH IJK LMNOP QRS TU V W X YZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a new However, most of the existing types were old-fashioned and not adapted A NEW TYPEFACE HAD TO BE FOUND In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a disHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance ☞ 16
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a
typofonderie.com
cdefg TYPOFONDERIE
Geneo Bold
a b cd ef gh i jkl m no p qrst uvwxyz 0123456789 AB C DEFG HI JK LMN OP QRS T U V W XYZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a However, most of the existing types were old-fashioned and not adapted A NEW TYPEFACE HAD TO BE In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness ☞ 17
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s
typofonderie.com
cdefg TYPOFONDERIE
Geneo Bold Italic
abc d e fgh ijklmno p q rs tuvwx yz 0123456789 A B CDEFG HI J KL MNOP QRS TU V W XYZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a new However, most of the existing types were old-fashioned and not adapted A NEW TYPEFACE HAD TO BE In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yieldHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding ☞ 18
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility.
typofonderie.com
Geneo
cdefg TYPOFONDERIE
ExtraBold
a b cdefghij k lmnop qrst uvwxyz 0123456789 A B C DEFG HIJK L MNOP QRS T UV WXYZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a However, most of the existing types were old-fashioned and not A NEW TYPEFACE HAD TO BE In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightHowever, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, ☞ 19
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned
typofonderie.com
cdefg TYPOFONDERIE
Geneo ExtraBold Italic
abcd e fghi j k l mno pqrstuv wx yz 0123456789 AB CDE FGHIJKLM NOP QRS T U V W XYZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a new However, most of the existing types were old-fashioned and not adapted A NEW TYPEFACE HAD TO BE In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness ☞ 20
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working
typofonderie.com
Geneo
cdefg TYPOFONDERIE
Heavy
ab cd ef gh ijklm nop qrstuvw x yz 0123456789 AB C DE FGH I J KL MNOP QR S T UV WX YZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a However, most of the existing types were old-fashioned and A NEW TYPEFACE HAD TO In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeA new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of ☞ 21
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the
typofonderie.com
Geneo
cdefg TYPOFONDERIE
Heavy Italic
ab cde fgh i j kl m n opqrst uvwx yz 0123456789 AB CDEFGHIJK L M N OP QR S TU V W X YZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a However, most of the existing types were old-fashioned and not A NEW TYPEFACE HAD TO BE In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypograIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightHowever, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, ☞ 22
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and
typofonderie.com
Geneo
cdefg TYPOFONDERIE
Black
a b cdefghi jkl m nop qrstuv wxyz 0123456789 A B CDEFG HIJK LMNOP QRS T UV W XYZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a However, most of the existing types were old-fashioned and A NEW TYPEFACE HAD TO In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the ☞ 23
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. How-
typofonderie.com
Geneo
cdefg TYPOFONDERIE
Black Italic
a bcd e fghijk lmn opqrstuvwx yz 0123456789 A B CDE FG HI J KL MNOP QRS TU V W XYZ &
40 pt
24 pt
18 pt
14 pt
12 pt
£
with a selection of OpenType Pro features
10 pt
8 pt – 6 pt
In recent years, a However, most of the existing types were old-fashioned and A NEW TYPEFACE HAD TO In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeA new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the However, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the ☞ 24
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Geneo, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were
typofonderie.com