The City Without Jews

Page 1

2021 -22

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About the Film Based on the bestselling dystopian novel by Hugo Bettauer, H.K. Breslauer’s 1924 silent masterpiece, The City Without Jews was produced two years after the book’s publication, shortly before the satirical events depicted in the fictional story transformed into alltoo-horrific reality. Set in the fictional Austrian city of Utopia (a thinly-disguised stand-in for Vienna), the story follows the political and personal consequences of an anti-Semitic law passed by the National Assembly forcing all Jews to leave the country. At first, the decision is met with celebration, but when the citizens of Utopia eventually come to terms with the loss of the Jewish population – and the resulting economic and cultural decline – the National Assembly must decide whether to invite the Jews back. Though darkly comedic in tone and stylistically influenced by German Expressionism, the film nonetheless contains ominous and eerily realistic sequences, such as shots of freight trains transporting Jews out of the city. The film’s stinging critique of Nazism is part of the reason it was no longer screened in public after 1933. Restored by Filmarchiv Austria, all complete prints were thought to be destroyed, but thanks to the discovery of a nitrate print in a Parisian flea market in 2015, this lost film can once again be appreciated in its ever-relevant entirety. The City Without Jews is 91 minutes with English intertitles.

“The City Without Jews is a satire set in a Vienna-like city which decides to expel its Jewish population, with disastrous results. We created a score which draws on a number of different musical styles, from traditional Jewish melodies and harmonies to music that could have been part of the same world of Austria at the time the film was made. It was a collaborative process, as it was with our previous film The Ancient Law and our newest, Man Without a World.” ~ Alicia Svigals


About the Performers Alicia Svigals and Donald Sosin have been bringing audiences to their feet throughout the US and Europe with their unique and stirring violin and piano scores for Jewish-themed silent films. Sosin is one of the world’s top silent film musicians, and Svigals is the world's leading klezmer violinist and a founder of the Grammywinning Klezmatics. After meeting at a silent film festival in Italy, the two soon recorded their first original score for the 1923 German film The Ancient Law, and The City Without Jews score followed soon after. Their third opus, the 1990 satire The Man Without a World by San Diego-based performance artist Eleanor Antin, will be released by Milestone Films. New Yorker Alicia Svigals has performed with and written for violinist Itzhak Perlman, the Kronos Quartet, Debbie Friedman, Osvaldo Golijov, Robert Plant and Jimmy Page, playwrights Tony Kushner and Eve Ensler, filmmaker Judith Helfand, poet Allen Ginsberg and many others. Her CD Fidl (1996) reawakened klezmer fiddle tradition. Her newest CD is Beregovski Suite: Klezmer Reimagined, with jazz pianist Uli Geissendoerfer - an original take on long-lost Jewish music from Ukraine. Donald Sosin grew up in Rye, New York and Munich, and has performed his scores for silent films, often with his wife, singer/percussionist Joanna Seaton, at Lincoln Center, MoMA, BAM, the National Gallery; and major film festivals in New York, San Francisco, Telluride, Hollywood, Pordenone, Bologna, Shanghai, Bangkok, Berlin, Vienna, Moscow and Jecheon, South Korea. He records for Criterion, Kino, Milestone and Flicker Alley, and his scores are heard frequently on TCM. Sosin has had commissions from MoMA, the Chicago Symphony Chorus, the San Francisco Chamber Orchestra and the Jerusalem Symphony Orchestra. He lives in rural Connecticut with his family.


Tonight’s Sponsors Presented by the UAlbany Performing Arts Center and NYS Writers Institute UALBANY PERFORMING ARTS CENTER PAC, 266 518-442-3995 www.albany.edu/pac

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Additional support is provided by the University at Albany Foundation, University Auxiliary Services & UAlbany’s StAR Program.

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PERFORMING ARTS CENTER HOUSE POLICIES Latecomers will be seated at the discretion of the management and its staff. . The use of photographic or recording devices of any kind during this performance is strictly prohibited. . There is no food or drink allowed in the theatres, nor is smoking allowed in UAlbany buildings. . To avoid disrupting the performance, kindly disable any noise making electronic devices you may have with you. . Please take time to note the location of the fire exits nearest to you. In the event of an emergency, please proceed to the nearest exit in an orderly fashion and follow the directions of our staff.

Created and produced by the University Art Museum, NYS Writers Institute and UAlbany Performing Arts Center in collaboration with WAMC Public Radio, this popular series features leading figures from a variety of artistic disciplines in conversation about their creative inspirations, their craft and their careers. “Roundtable” host Joe Donahue conducts live on-stage interviews followed by a Q&A with the audience.


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