Towers Newsletter of the Library Associates of the University of Idaho Library Winter 2012
Mentors and Masters
Inside this issue: Mentors and Masters................................1-2 Barnard Stockbridge Collection.................................................3 NKN News.........................................................3 Dean’s Corner: Thank You!...........................4 Ways to Give.....................................................4
If we think back, we can all probably think of someone we consider a mentor. Maybe it was a teacher, a coach, a college professor, or a senior colleague at work, but most of us have had the good fortune to meet up with someone who seemed to recognize our potential and take an interest in developing it. These people selflessly invested their own time, energy, and wisdom into supporting us and pushing us to achieve because they saw something in us that we may not even have seen in ourselves. Often, these are the people we have to thank for our success. The theme of the 2012 Lionel Hampton Jazz Festival is “Mentors and Masters: Partners Shaping Tomorrow.” Hampton, himself the beneficiary of early mentorship from no less than Louis Armstrong and Benny Goodman, did his best throughout his life to “pay it
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Volume 15, Issue 1
(above) Lionel Hampton with a young student. From the International Jazz Collection at the University of Idaho Library.
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forward.” Some of Hampton’s protégés are names we all recognize, like Quincy Jones. When Hampton died in 2002, Jones reflected: “It is difficult to find the words to describe the deep sadness that I have today. In our more than 50-year relationship ... Lionel Hampton was a mentor, collaborator and friend to me. Hamp was the consummate jazz artist.... I cut my teeth writing arrangements for Lionel Hampton, and there was no better school in the world than the Lionel Hampton Orchestra. He taught me how to groove and how to laugh and how to hang and how to live like a man.” The Lionel Hampton Orchestera, formed in the 1940s, served as a launching pad for many of the brightest lights of the jazz world. Young musicans whom Hampton mentored include Illinois Jacquet, Cat Anderson, Dexter Gordon, Art Farmer, Clifford Brown, Fats Navarro, Clark Terry, Quincy Jones, Charles Mingus, and Wes Montgomery, and singers Joe Williams, Dinah Washington, Betty Carter, and Aretha Franklin. Hampton didn’t reserve his generosity, however, for those artists destined for international fame. He was remarkable as a mentor and educator precisely because he touched the lives and careers of many lower profile musicians. In the early 1980s, Lionel Hampton began working closely with the University of Idaho to realize his vision for making a lasting contribution continued on page 2