Winter–Summer 2022 by UKARIA

WINTER–SUMMER 2022

Photo: Dylan Henderson

CONTENTS

Calendar

Welcome

Winter

Spring

UKARIA 24

Summer

Dining in the Garden Terrace

UKARIA Foundation

Tickets

Terms and Conditions

Transport

Venue

UKARIA honours our First Nations by fostering a shared sense of respect for this land, and we acknowledge and pay our respects to the Peramangk, traditional custodians of the land on which the Cultural Centre stands. 3

WINTER–SUMMER 2022 AUGUST

Friday 19 August Paco Peña Grigoryan Brothers

Sunday 21 August Javier Perianes

Sunday 28 August Emily Sun Andrea Lam

Sunday 2 October Olli Mustonen

Friday 21 October Australian String Quartet

SEPTEMBER

Sunday 25 September Orava Quartet

OCTOBER

Saturday 1 October Richard Tognetti Olli Mustonen

Friday 28– Sunday 30 October 26 UKARIA 24 Curated by Lawrence Power 4

NOVEMBER

Sunday 6 November Natsuko Yoshimoto Daniel de Borah

Sunday 13 November 42 Adelaide Chamber Singers Umberto Clerici

Saturday 26 November Ngaiire Paul Grabowsky

Sunday 27 November Timo-Veikko Valve Aura Go

Sunday 4 December Morgan Pearse Anthony Hunt Australian String Quartet

Saturday 19 November Lior & Domini

Friday 16 December Australian String Quartet

DECEMBER

Saturday 3 December Andrew Haveron Kristian Winther Tobias Breider Umberto Clerici Konstantin Shamray

WELCOME

It’s been wonderful to see new audiences at UKARIA over the last few months, along with the return of patrons who’ve been attending our concerts for years. The Garden Terrace has added a new dimension to our cultural program, which has continued to flourish despite the lingering challenges of COVID-19. We’re particularly excited to see international artists return to UKARIA. The great Flamenco guitarist Paco Peña opens the season with the Grigoryan Brothers, before celebrated Spanish pianist Javier Perianes makes his debut with a beautifully constructed meditation on love and death. Legendary Finnish pianist Olli Mustonen plays Beethoven’s extraordinary final Sonata in C minor, Op. 111, and his program also includes all fifteen of Bach’s Sinfonias. In addition, you can hear Olli in a twilight recital with Richard Tognetti, followed by a Q&A and dinner with the artists. Three years ago we announced British violist Lawrence Power as the curator of UKARIA 24 for 2020. Universally praised for his ‘profound musical personality’ (Sunday Times), Lawrence has helped redefine how we think about the viola. In his hands, the instrument is achingly expressive, replicating the singing qualities of the human voice and transcending definitions of technical mastery. Whilst it was a huge disappointment that our weekend event could not go ahead as planned in 2020, we’re especially glad the stars have aligned to enable Lawrence not only to deliver the weekend in October this year, but to bring with him Norwegian violinist Vilde Frang, Swedish cellist Torleif Thedéen, and Italian pianist Alessio Bax. It’s remarkable to witness musicians of this calibre in such an intimate and special place, their art buoyed by you – our wonderfully receptive audience – and the light and landscape of UKARIA.

Ulrike Klein AO Founder

Alison Beare CEO

Photo: Randy Larcombe

WINTER All the seasons run their race In this quiet resting place…

Photo: Dylan Henderson

– Henry Austin Dobson (1840–1921), A Garden Song

7 9

PACO PEÑA AND THE GRIGORYAN BROTHERS

Guitarra

FRIDAY 19 AUGUST 7.30PM

Once described by Guitar Player magazine as the ‘world’s greatest living guitarist’ and by The New York Times as a ‘virtuoso, capable of dazzling an audience with technical abilities beyond the frets of mortal man,’ Paco Peña embodies both authenticity and innovation in flamenco. As guitarist, composer, dramatist, producer and artistic mentor he has transformed perceptions of this archetypal Spanish art form. Guitarists Slava and Leonard Grigoryan are counted amongst the finest Australian musicians of their generation, blessed with an uncanny ability to perform so seamlessly as a duo that they play and ‘breathe’ as one. The brothers have shared the stage with Paco on several occasions, most notably on Slava’s first international tour at the age of eighteen. They reunite in 2022 for the Australian tour of Guitarra, showcasing the precision and artistry of the acoustic guitar in a collaboration that combines the fiery flourishes of flamenco with the harmonious and colourful tones of classical music – a perfect synthesis of two musical worlds. This concert is generously sponsored by Knightsbridge Wealth Management.

Duration | Approximately two hours, including a twenty-minute interval. Tickets Adult (A) $65 Concession (C) $60 Dining Options | Cheese and charcuterie platters are available to pre-order to enjoy before the concert ($25).

Photo: Igor Studio

JAVIER PERIANES

Love and Death SUNDAY 21 AUGUST 2.30PM

Spanish pianist Javier Perianes has garnered international renown as an artist of exquisite finesse and intelligence. Career highlights include appearances with the Vienna, New York and Los Angeles Philharmonic Orchestras, the Chicago and Boston Symphony Orchestras, Orchestre de Paris, the Royal Concertgebouw and the Mahler Chamber Orchestra under conductors such as Daniel Barenboim, Charles Dutoit, Gustavo Dudamel, Simone Young and Vladimir Jurowski. Signed exclusively to harmonia mundi, Javier’s acclaimed recordings of Manuel de Falla, Mompou, Mendelssohn, Grieg, Debussy and Chopin have set new benchmarks. Performing in Australia with the Sydney and Tasmanian Symphony Orchestras, Javier also makes his debut at UKARIA. Javier frames this recital around the most profound vicissitudes of human existence, love and death, exploring their inevitability and co-dependence, but also their capacity to transcend and console. United through their testaments to tragedy and transience, Beethoven, Chopin, Liszt, Granados and Wagner are revealed here as the keenest of musical philosophers: their suffering ennobles our own, and says, more powerfully than words could ever express, ‘I too have experienced this: you are not alone.’

Ludwig van Beethoven Sonata in A flat, Op. 26 Fryderyk Chopin Sonata in B flat minor, Op. 35 INTERVAL Enrique Granados Goyescas, Op. 11 I. Los requiebros (The Compliments) IV. Quejas, o La Maja y el ruiseñor (The Maiden and the Nightingale) V. El Amor y la muerte (Balada) [Ballad of Love and Death] Franz Liszt Funérailles, S. 173 No. 7 Richard Wagner (transcribed by Franz Liszt) Isolde’s Liebestod, S. 447 (Love-Death)

Duration | Approximately two hours, including a twenty-minute interval. Note | Complimentary afternoon tea will be served during the interval. Tickets Adult (A) $55 Concession (C) $50 Student (S) $25 Dining Options | Chunky vegetable soup with hot crusty bread can be pre-booked to enjoy before the concert ($15 per person).

Photo: Benjamin Ealovega

EMILY SUN AND ANDREA LAM

Nocturnes

SUNDAY 28 AUGUST 2.30PM

Since first capturing the world’s attention in the awardwinning documentary Mrs Carey’s Concert, Londonbased Australian violinist Emily Sun has won the hearts of audiences around the world. In 2021 she partnered with award-winning Australian pianist Andrea Lam to record Nocturnes – their debut album for ABC Classic. While both musicians have established an increasingly international presence, we’re delighted their touring schedules have aligned in Australia, allowing them to perform together at UKARIA for the first time.

Duration | Approximately two hours, including a twenty-minute interval. Note | Complimentary afternoon tea will be served during the interval. Tickets Adult (A) $55 Concession (C) $50 Student (S) $25 Dining Options | Lentil soup with hot crusty bread can be pre-booked to enjoy before the concert ($15 per person).

At the heart of their program are two of the cornerstones of the repertoire: Mozart’s effervescent Violin Sonata in B flat, K.454, and Gabriel Fauré’s first Violin Sonata, full of rapturous melodies and audacious harmonies. The first half closes with three of Astor Piazzolla’s most intoxicating tangos. Floating like silken threads around these masterworks are exquisite, dream-like miniatures: the moonlit beauty of Debussy’s Clair de lune, and the yearning Nocturne by Lili Boulanger, one of the great poetic voices of French music.

SPRING ‘Now thin mists temper the slow-ripening beams Of the September sun: his golden gleams On gaudy flowers shine …. And in the feathery aster bees on wing Seize and set free the honied flowers, Till thousand stars leap with their visiting: While ever across the path mazily flit, Unpiloted in the sun, The dreamy butterflies With dazzling colours powdered and soft glooms, White, black and crimson stripes, and peacock eyes, Or on chance flowers sit, With idle effort plundering one by one The nectaries of deepest-throated blooms.’

Photo: Dylan Henderson

– Robert Bridges (1844–1930), The Garden in September

Photo: Dylan Evans

ORAVA QUARTET

Driftwood

SUNDAY 25 SEPTEMBER 2.30PM * This concert has been rescheduled from its original date of Sunday 1 August 2021.

The charismatic young musicians that comprise the Brisbane-based, Deutsche Grammophon-signed Orava Quartet have become familiar faces at many of Australia’s chamber music festivals. Their interpretations display a bold and reinvigorating freshness, and their unique artistic synergy has been consistently praised by critics in Australia and overseas. For their second appearance at UKARIA, the quartet will share music with which they have a deep personal affinity. They begin with Shostakovich’s String Quartet No. 6 (the first work they ever played together) and conclude the first half with their signature showpiece: Wojciech Kilar’s Orawa, a symphonic poem inspired by highland folklore, evoking a river that flows through mountainous terrain at the Poland-Slovakia border. The folk theme drifts into the second half with two beguiling Nordic folk tunes arranged by the Danish String Quartet from their celebrated Wood Works album, followed by Elena Kats-Chernin’s For Theodora – a new work commissioned by Katrina Samios in memory of her mother. It tells the story of a Greek-Australian family’s connection to their heritage in four movements, representing four generations. The concert will culminate with Pavel Fischer’s Mad Piper quartet, drawing on Scottish, Czech, Bulgarian and Romanian folk music.

Daniel Kowalik | Violin David Dalseno | Violin Thomas Chawner | Viola Karol Kowalik | Cello Duration | Approximately two hours, including a twenty-minute interval. Note | Complimentary afternoon tea will be served during the interval. Dining Options | Roasted cauliflower soup with hot crusty bread can be pre-booked to enjoy before the concert ($15 per person). Tickets Adult (A) $55 Concession (C) $50 Student (S) $25

‘Folk music is the music of all the small places. It is the local music, but as such it is also the music of everywhere and everyone. Like rivers, the melodies and dances have flowed slowly from region to region: Whenever a fiddler stumbled on a melody, he would play it and make it his own, before passing it on.’ – Danish String Quartet

RICHARD TOGNET TI AND OLLI MUSTONEN

Debussy, Janáček and Bach SATURDAY 1 OCTOBER 6.00PM

Undoubtedly one of the most distinguished musicians Australia has ever produced, Richard Tognetti is a household name. He holds honorary doctorates from three Australian universities, was made a National Living Treasure in 1999, and celebrated his thirtieth anniversary as Artistic Director and Lead Violin of the Australian Chamber Orchestra (ACO) in 2020. In this very special UKARIA event, Richard is joined by legendary Finnish pianist, composer and conductor Olli Mustonen (a longtime friend of the ACO) for a twilight recital, featuring music by Debussy, Janácek and Bach. After the performance, Toby Chadd (Director of Artistic Planning at the Australian Chamber Orchestra and a Director of UKARIA) will host a Q&A with the artists, followed by dinner in our beautiful Garden Terrace.

Claude Debussy Sonata for Violin and Piano in G minor, L. 140 Leoš Janácek Violin Sonata Johann Sebastian Bach Sonata for Violin and Keyboard in G, BWV 1019 Richard Tognetti and Olli Mustonen appear courtesy of the Australian Chamber Orchestra.

Duration | Approximately one hour without interval. Tickets Adult (A) $55 Concession (C) $50 Student (S) $25 Dining Options | A two-course dinner with the artists will follow at 7.15pm (separate booking required).

Photo: Heikki Tuuli

OLLI MUSTONEN

Bach and Beethoven SUNDAY 2 OCTOBER 2.30PM

‘Detail after detail is finely articulated, as though etched with the point of a needle […] the clarity and extraordinary finesse yield something I can only describe as visionary.’ – BBC Music Magazine Artistic Director and Principal Conductor of the Turku Philharmonic Orchestra, Olli Mustonen has a unique place in today’s music scene. Following the tradition of great masters such as Rachmaninov, Busoni and Enescu, Mustonen combines the roles of composer, pianist and conductor in an equal balance that is quite exceptional, often bringing them together in fascinating triple-role performances. During an illustrious career spanning thirty-five years, Mustonen has brought his extraordinary musical insight to many of the world’s most significant orchestras, including the Berlin Philharmonic, New York and Los Angeles Philharmonic orchestras, Chicago Symphony, Cleveland Orchestra, Royal Concertgebouw, Marinsky Theatre Orchestra, Orchestre de Paris and all of the London orchestras. A unique opportunity to see one of the world’s most exciting pianists in an intimate setting, Olli Mustonen makes his UKARIA debut performing music by Bach and Beethoven. Olli Mustonen appears courtesy of the Australian Chamber Orchestra.

Ludwig van Beethoven Nine Variations on Paisiello’s “Quant’ è più bello” in A, WoO 69 Six Variations in F, Op. 34 Five Variations on “Rule Britannia”, WoO 79 Seven Variations on “God Save the King”, WoO 78 Twelve Variations on a Russian Dance from the Ballet “Das Waldmädchen”, WoO 71 INTERVAL Johann Sebastian Bach Fifteen Sinfonias, BWV 787–801 Ludwig van Beethoven Sonata No. 32 in C minor, Op. 111 Duration | Approximately two and a half hours, including a twenty-minute interval. Note | Complimentary afternoon tea will be served during the interval. Tickets Adult (A) $55 Concession (C) $50 Student (S) $25 Dining Options | A Ploughman’s Lunch can be pre-booked to enjoy before the concert ($25).

Photo: Jacqui Way

AUSTRALIAN STRING QUARTET

Adès and Beethoven FRIDAY 21 OCTOBER 11.00AM

‘The brilliant, elusive, fantastic world of Thomas Adès is illuminated in a most evocative collection of seven movements for string quartet, titled Arcadiana. Vanishing visions of the idyll – a Utopian world of natural splendour, both aquatic and pastoral – are conjured by an intricate and highly original string soundscape. One of Britain’s most celebrated composers alive today, Adès composed this work in 1994 and since then, it has gained a place as one of the most inventive and exquisitely crafted string quartets of our time. Schubert famously remarked of Beethoven’s Op. 131 quartet, “after this, what is left for us to write?” Indeed, it is with a sense of awe and curiosity that musicians and audiences alike

have pondered this work over the centuries. In seven movements that flow one into the next, from darkness to light, from solitude to ecstasy, the sheer impact of this epic journey may only be realised long after its final notes have subsided. With this work, the ASQ will embark on a multi-year exploration of Beethoven’s sublime late quartets, sharing their love and admiration for these timeless masterpieces.’ – Dale Barltrop Thomas Adès Arcadiana, Op. 12 Ludwig van Beeethoven String Quartet in C sharp minor, Op. 131

Dale Barltrop | Violin Francesca Hiew | Violin Christopher Cartlidge | Viola Michael Dahlenburg | Cello Duration | Approximately seventy minutes without interval. Note | Complimentary Devonshire tea will be served prior to the performance from 9.45am. Tickets Adult (A) $50 Concession (C) $45 Student (S) $25

Photo: Jack Liebeck

CURATED BY LAWRENCE POWER FRIDAY 28–SUNDAY 30 OCTOBER

‘It’s always a great privilege being invited to share one’s musical interests and passions – especially in such a creative and inspiring environment as UKARIA. When I came here for the first time in 2018 I was taken by the desire to present music in a fresh and interesting way. As a musician I am fascinated by the way in which old and new can coexist. One of the reasons I perform new music and work with composers so often is that it gives me a freedom when returning to the classical repertoire. When dealing with a new score for the first time one is forced to react honestly to the main building blocks of music – rhythm and harmony – without any influence of past traditions. Isn’t this the greatest challenge to us when dealing with Bach, Mozart, Beethoven and all the great composers of the past, to react to their extraordinary scores as if for the first time? The program for these few days takes us all on a journey from some of the greatest seventeenth-century musical innovators, such as Biber and Westhoff, through to the current day with contemporary voices such as Luciano Berio, Olli Mustonen and Garth Knox. I will also present, on film, the Australian premiere of a work written for me by Thomas Adès, one of today’s most important composers, generously co-commissioned by UKARIA. I am honoured to be joined on this musical journey by some of my closest musical colleagues with whom I have collaborated all over the world. We are so looking forward to exploring this fascinating program with you.’

Full Package (Includes five concerts and three meals) Adult (A) $445 Concession (C) $430 Saturday Package (Includes two concerts and two meals) Adult (A) $195 Concession (C) $185 Sunday Package (Includes two concerts and a two-course lunch) Adult (A) $195 Concession (C) $185 Single tickets also available. FRIDAY 28 OCTOBER Once Upon a Time | 7.30pm SATURDAY 29 OCTOBER New Paths – Part One | 4.00pm New Paths – Part Two | 6.30pm SUNDAY 30 OCTOBER Eroico | 11.00am Finale | 2.30pm For meals see page 41.

Lawrence Power Curator 27

ONCE UPON A TIME FRIDAY 28 OCTOBER 7.30PM

‘In this program I’m excited to explore the potential of storytelling through music. Purcell and Locke give us the perfect overtures for each half with their Curtain Tunes, music expressly written to set the scenes of their respective dramas. The Three Berceuses by Thomas Adès from his opera The Exterminating Angel form a filmed framework for three evocative miniatures by Tárrega, Casals and Cage. Berio’s Naturale invites us into an intense drama between viola, percussion and Sicilian folk songs recorded on the streets of Palermo. Sergei Taneyev is one of the most curious figures in Russian music history. Often referred to as the Russian Bach, his refusal to continue in the tradition of Russian Romanticism led to criticisms of being purely academic and dry. I find his music utterly beguiling and his epic Piano Quintet is the perfect conclusion.’ – Lawrence Power Vilde Frang | Violin Sophie Rowell | Violin Lawrence Power | Viola Torleif Thedéen | Cello Alessio Bax | Piano Amanda Grigg | Percussion Henry Purcell ‘The Masque – Curtain Tune on a Ground’ from Timon of Athens, Z. 632 Thomas Adès Berceuse I from The Exterminating Angel Francisco Tárrega Recuerdos de la Alhambra 28

Thomas Adès Berceuse II from The Exterminating Angel Pablo Casals Song of the Birds Thomas Adès Berceuse III from The Exterminating Angel John Cage ‘Story’ from Living Room Music Luciano Berio Naturale for Viola, Percussion and Recorded Voice INTERVAL Matthew Locke ‘Curtain Tune’ from The Tempest Sergei Taneyev Piano Quintet in G minor, Op. 30 Duration | Approximately two hours, including a twenty-minute interval. Single Tickets Adult (A) $70 Concession (C) $65 Student (S) $35 Note | This concert is included in the Full Package – a separate booking is not required. Dining Options | Cheese and charcuterie platters are available to pre-order to enjoy before the concert ($25).

Vilde Frang (violin). Photo: Marco Borggreve

NEW PATHS – PART ONE SATURDAY 29 OCTOBER 4.00PM

‘In 1853 Robert Schumann published his famous article ‘Neue Bahnen’ (New Paths) in which he proclaimed the twenty-year-old Brahms to the world. In this two-part concert we will explore this idea of new paths and the extraordinary world of Brahms. As one of our greatest ever musical historians, his obsessions with old music were legendary as was his close relationship with Robert and particularly Clara Schumann, who became an important muse for him: he secretly quoted her name in works such as the G minor Piano Quartet that we hear this evening.’ – Lawrence Power Vilde Frang | Violin Lawrence Power | Viola Torleif Thedéen | Cello Alessio Bax | Piano

François Couperin Les Barricades Mystérieuses Robert Schumann Six Canonic Études, Op. 56 Johannes Brahms Clarinet Trio in A minor, Op. 114 (arr. for Viola, Cello and Piano) Duration | Approximately one hour without interval. Single Tickets Adults (A) $60 Concession (C) $55 Student (S) $30 Note | This concert is included in the Full Package and Saturday Package options. If you have booked one of these packages, a separate booking is not required. Dining Options | A light supper (Intermezzo) will follow at 5.15pm. This is included in the Full Package and Saturday Package options. A separate booking is required for single ticket holders.

Torleif Thedéen (Cello). Photo: Nikolaj Lund

Sharon Grigoryan (cello). Photo: Simon Shiff

NEW PATHS – PART TWO SATURDAY 29 OCTOBER 6.30PM

‘In many ways the early Baroque composer Heinrich Biber represents a new path in history as one of the greatest musical innovators: Battalia à 10 is one of the first pieces of program music ever written. This creative maverick paved the way for future composers, most notably Bach, whose instrumental works stand firmly on Biber’s shoulders.

Heinrich Biber Battalia à 10

Tchaikovsky’s death in 1893 marked somewhat of a turning point in Russian music – Arensky’s neglected masterpiece is dedicated to his close friend’s memory, and touchingly quotes the fifth of Tchaikovsky’s Sixteen Songs for Children, Op. 54.’

Clara Schumann Romance in A minor, WoO 28

Anton Arensky String Quartet No. 2 in A minor, Op. 35 (for violin, viola and two cellos) INTERVAL

Johannes Brahms Piano Quartet in G minor, Op. 25 Duration | Approximately two hours, including a twenty-minute interval. Single Tickets Adult (A) $70 Concession (C) $65 Student (S) $35 Note | This concert is included in the Full Package and Saturday Package options. If you have booked one of these packages, a separate booking is not required. Dining Options | A dinner (Coda) will follow at 8.30pm. This is included in the Saturday Package option. If you are a single ticket holder, a separate booking is required.

EROICO SUNDAY 30 OCTOBER 11.00AM

‘Written for me in 2020, Eroico by Olli Mustonen is a short but frenzied Bach-inspired miniature, and the perfect prelude to this program. Alan Ridout’s heroic take on Ferdinand the Bull leads us to Beethoven’s first String Trio – an extraordinary work that points towards many of his later masterpieces such as the Eroica Symphony, written in the same key.’ – Lawrence Power Vilde Frang | Violin Lawrence Power | Viola Torleif Thedéen | Cello

Olli Mustonen Eroico Alan Ridout Ferdinand the Bull Ludwig van Beethoven String Trio in E flat, Op. 3 Duration | Approximately one hour without interval. Single Tickets Adult (A) $60 Concession (C) $55 Student (S) $30 Note | This concert is included in the Full Package and Sunday Package options. If you have booked one of these packages, a separate booking is not required. Dining Options | A two-course lunch will follow at 12.15pm. This is included in the Full Package and Sunday Package options. If you are a single ticket holder, a separate booking is required for each person.

Lawrence Power (viola). Photo: Jack Liebeck

FINALE SUNDAY 30 OCTOBER 2.30PM

‘Written for me in 2020, Quartet for One by Garth Knox is a creative gem. It tells the story of a violist performing with his quartet colleagues only to realise that it is sadly only him on stage! The neglected Norwegian composer Bjarne Brustad is a fascinating figure in twentieth-century music. His European travels in the 1920s led to him developing a unique voice as a composer, which these duets for violin and viola show perfectly. We finish this weekend of concerts with Fauré’s glorious second Piano Quartet. Comparatively little is known about its history: it was probably composed some time during the years 1885–86, just after Fauré had been awarded the Prix Chartier by the Academy of Fine Arts for his chamber music. The Second Quartet is undoubtedly one of the pinnacles of his chamber music output and it is difficult to understand why this superbly crafted and melodically generous work has never managed to achieve the popularity of the first. The slow movement was apparently inspired by a memory of the evening bells of the village of Cadirac, which Fauré frequently heard as a child. Westhoff’s visionary ‘Imitatione delle campane’ (Imitation of Bells) recreates the sounds of church bells on a solo string instrument – a wonderful musical magic trick.’

Garth Knox Quartet for One Bjarne Brustad Capricci for Violin and Viola Dmitry Shostakovich Sonata for Cello and Piano in D minor, Op. 40 INTERVAL Johann Paul von Westhoff ‘Imitatione delle campane’ from Sonata No. 3 in D minor Gabriel Fauré Piano Quartet No. 2 in G minor, Op. 45 Duration | Approximately two hours, including a twenty-minute interval. Complimentary afternoon tea will be served during the interval.

– Lawrence Power

Single Tickets Adult (A) $70 Concession (C) $65 Student (S) $35

Vilde Frang | Violin Lawrence Power | Viola Torleif Thedéen | Cello Alessio Bax | Piano

Note | This concert is included in the Full Package and Sunday Package options. If you have booked one of these packages, a separate booking is not required.

Alessio Bax (piano). Photo: Marco Borggreve

Photo: Christopher Hayley Miro Morrison

CONTINUE THE CONVERSATION A variety of dining options are available for those attending the whole weekend or multiple concerts on the Saturday and Sunday. Join the artists over lunch or dinner and soak up the serenity of spring in the Adelaide Hills. INTERMEZZO SATURDAY 29 OCTOBER 5.15PM Enjoy a light supper in our beautiful Garden Terrace in between the Saturday concerts. Tickets | $29 per person Note | This meal is included in the Full Package and Saturday Package options. If you are a single ticket holder, a separate booking is required for each person.

CODA SATURDAY 29 OCTOBER 8.30PM Finish the day with a delicious dinner in our beautiful Garden Terrace. Tickets | $49 per person Note | This meal is included in the Full Package and Saturday Package options. If you are a single ticket holder, a separate booking is required for each person.

LUNCH – TWO COURSES SUNDAY 30 OCTOBER 12.15PM Meet the artists and converse with fellow music lovers over a two-course lunch showcasing local produce from the Adelaide Hills – the perfect way to bid farewell to the weekend. Tickets | $75 per person Note | This meal is included in the Full Package and Sunday Package options. If you are a single ticket holder, a separate booking is required for each person.

Photo: Claudio Raschella

NATSUKO YOSHIMOTO AND DANIEL DE BORAH

Regensonate

SUNDAY 6 NOVEMBER 2.30PM

‘Billow, rain, billow down, Wake again my old songs That we sang inside the doorways When the drops sounded outside!’ – Klaus Groth (1819–1899), Regenlied Brahms’ Regensonate – the ‘Rain Sonata’ for Violin and Piano, Op. 78 – is based on themes from two of his Op. 59 songs: Nachklang (Echo) and Regenlied (Rain Song). Clara Schumann described these borrowed melodies to Brahms as ‘blissfully melancholic’, and yet, found hope in the delicately uplifting close of the final movement of the Regensonate. In her correspondence was revealed a touching fragility of spirit: ‘I always wish that last movement for myself at the passage from here to eternity.’

Duration | Approximately two hours, including a twenty-minute interval. Note | Complimentary afternoon tea will be served during the interval. Tickets Adult (A) $55 Concession (C) $50 Student (S) $25 Dining Options | A Ploughman’s Lunch can be pre-booked to enjoy before the concert ($25).

Robert Schumann composed his first Violin Sonata in A minor, Op. 105, over just five days in 1851. Although initially unhappy with the result, with the help of Clara and violinist Joseph Joachim, by 1852 (the year he met Brahms) Schumann was satisfied that the work ‘struck the inmost strings of the heart’. It was in these later years of his life, while struggling with his declining mental health, that he was introduced to the young Brahms by Joachim, and their teacher-mentor relationship was forged. Natsuko Yoshimoto and Daniel de Borah, two of Australia’s finest chamber musicians, will give new life to these two iconic Romantic voices. The Schumann will be paired with Zoltán Kodály’s Adagio for Violin and Piano, while the Brahms is placed alongside the delicate and atmospheric Three Pieces for Violin and Piano by György Kurtág.

Photo: Tony Lewis

ADELAIDE CHAMBER SINGERS WITH UMBERTO CLERICI

The Canticle of the Sun

SUNDAY 13 NOVEMBER 2.30PM

‘It’s often stated that the cello is the most human of instruments… so the pairing of it in a simple yet masterly way, with a sublime choir, makes for compositions which fall upon the ear as both contemporary and indeed timeless.’ – Limelight Recently announced as Chief Conductor Designate of the Queensland Symphony Orchestra, and curator of UKARIA 24 in 2021, cellist Umberto Clerici has a unique artistic synergy with the Adelaide Chamber Singers (ACS). They first performed together at UKARIA in 2019 – with glorious voices and cello singing out from the fading sunlight and into the night.

In the first half, ACS (directed by Christie Anderson) find beauty amongst tragedy in a cappella works by Nigel Butterley, Arvo Pärt, Bob Chilcott and Jake Runestad, and Umberto performs contemplative masterpieces for solo cello by Domenico Gabrielli and Joseph-MarieClément Dall’Abaco. After the interval, cellist and choir become one in Sofia Gubaidulina’s monumental The Canticle of the Sun, inspired by the life and teachings of Saint Francis of Assisi. Composed for Mstislav Rostropovich’s seventieth birthday in 1997, this profound meditation contemplates all interconnected elements (air, water, fire and earth), ‘Brother Sun and Sister Moon’ and the glorification of both life and death.

Duration | Approximately two hours, including a twenty-minute interval. Note | Complimentary afternoon tea will be served during the interval. Tickets Adult (A) $55 Concession (C) $50 Student (S) $25 Dining Options | A Ploughman’s Lunch is available to pre-order to enjoy before the concert ($25).

Photo: Claudia Sangiorgi Dalimore

LIOR & DOMINI

Animal in Hiding SATURDAY 19 NOVEMBER 7.30PM

‘If you find yourself thinking no two voices have melded quite as seamlessly since Simon & Garfunkel, you wouldn’t be far off the mark.’ – The Sydney Morning Herald

This project is supported by the Australian Government’s Restart Investment to Sustain and Expand (RISE) program.

Domini Forster leads you through the dusk-lit corridors of her intricate song-stories, each scene as intimate and lovelorn as tea-stained lace. Her distinctive voice shifts effortlessly from commanding call to lilting, whisper-close falsetto, earning her comparisons to the likes of Laura Marling and Joni Mitchell. Over recent years, Domini has toured extensively with renowned Australian singer-songwriter Lior, and the pair recently formed a collaboration project on the strength of their intrinsic connection as singers. In October 2021 their debut EP Animal in Hiding was released. While they began writing the songs in late 2019, much of the material was developed during Melbourne’s long lockdown, over Zoom from their respective homes. The title track, originally written about the isolation of winter, became the prophetic seed of the project.

Animal in Hiding features songs that are rooted in intimate storytelling. Underpinned by intricate guitar, Lior and Domini’s close vocal harmonies are the focal point of the songs, harking back to the iconic folk duos of the 1960s. ‘In singing together, Domini and I discover a pair who can weave in and out of each other’s shadow. Somehow, we sense one another’s vocal nuances in real time. It is a rare musical synergy, one we felt compelled to capture in a collaborative project.’ – Lior

NGAIIRE AND PAUL GRABOWSKY

Duality

SATURDAY 26 NOVEMBER 7.30PM

Ngaiire’s distinctive flair and style has won her wide acclaim, with her performances likened to a ‘magic show’ in The Sydney Morning Herald. This ‘magic’ is reflective of an artist between worlds, in her own words, ‘as slow and breezy as a New Islander but also as stubborn and passionate as a Highlander. A bit Australian but also a bit Kiwi.’ Working across these intersections, Ngaiire’s music consistently embraces the space in-between. Her recent album 3 emerged from a 2017 trip to Papua New Guinea, with her music responding to the environment and landscapes of her home country. This collaboration of Ngaiire and Paul Grabowsky promises new imaginings of past and present work from two artists especially conscious of space, and their place within it.

TIMO-VEIKKO VALVE AND AURA GO

Transcendence

SUNDAY 27 NOVEMBER 2.30PM

Last year, Timo-Veikko Valve (Principal Cello of the Australian Chamber Orchestra) and Aura Go (Coordinator of Piano at the Sir Zelman Cowen School of Music at Monash University) pulled off an astonishing feat of Beethovenian struggle, resilience and triumph when they performed the complete cycle of Cello Sonatas three times over one weekend to accommodate a COVID-reduced capacity of just 60 patrons per concert. Now that such restrictions have lifted, we couldn’t resist the opportunity to invite them back for an equally transcendental sequel. ‘There are a number of threads running through the program. One is the story of the cello and piano duo sonata through time – from Bach, through Beethoven, to Mustonen. Another is Bach himself – with Beethoven, Kate Moore and Mustonen paying homage to Bach in different ways in their quest for transcendence. And there is a more personal thread, particularly in the second half. We pay tribute to Jaakko Kuusisto, whose song cycle Tänaä Aamuna was dedicated to and performed by Tipi’s sister Liisa. We’ve discovered that these songs work beautifully on the cello – and also work very well with Helvi Leiviskä’s Cantabile. Kate’s solo work is dedicated to cellist Lidy Blijdorp and is a kind of “portrait piece” inspired by Bach and bell-bird calls. Mustonen’s Sielunlintu (Soul Bird) continues the bird theme, this time from ancient Finnish mythology in which the soul is carried by a bird at the time of birth and death.’ – Aura Go

Johann Sebastian Bach Sonata for Viola da Gamba and Keyboard in D, BWV 1028 Jean Sibelius Malinconia, Op. 20 Ludwig van Beethoven Sonata for Piano and Cello No. 5 in D, Op. 102 No. 2 INTERVAL Jaakko Kuusisto Tänä Aamuna, Op. 2 Helvi Leiviskä Cantabile Kate Moore Lidy’s Piece Olli Mustonen Sielulintu (Soul Bird) Sonata for Cello and Piano Duration | Approximately two hours, including a twenty-minute interval. Note | Complimentary afternoon tea will be served during the interval. Tickets Adult (A) $55 Concession (C) $50 Student (S) $25 Dining Options | A Ploughman’s Lunch can be pre-booked to enjoy before the concert ($25).

SUMMER ‘My love is full of summertime, With doves a-swing in lilac trees, And magpies thick as summer leaves, Singing a fine, full-throated ease. The gold-white sunlight, thick as milk All through the silent leaves lies spilt, The summer birds dart, blue as silk. My love is full of summertime.

Photo: Dylan Henderson

– Dorothy Hewitt (1923–2002)

ANDREW HAVERON, KRISTIAN WINTHER, TOBIAS BREIDER, UMBERTO CLERICI AND KONSTANTIN SHAMRAY

Beethoven and Korngold

SATURDAY 3 DECEMBER 6.00PM

‘This project continues the experience of UKARIA 24 in 2021. Last year, when we knew that we had to isolate for two weeks according to border restrictions, we decided that the best way to enjoy that time together and to react to six very hard months without being able to play was to challenge ourselves with the most difficult program possible; and at the same time, create a program based on everyone’s individual dreams. It resulted in a festival with a great variety of pieces but the one that united the four of us the most was one of the last Beethoven quartets, Op. 131 – repertoire that usually scares even the most experienced quartets. It is definitely not for four individual players who meet, rehearse for two weeks and then play! But this became, at least for me, an amazing journey.

So, why not another of those philosophical works, a piece that even Beethoven didn’t dare to imagine presented for a public performance? So we decided on his thirteenth string quartet, Op. 130, with the original finale, the Grosse Fugue. Igor Stravinsky described it as “an absolutely contemporary piece of music that will be contemporary forever.” I also wanted to include an honorary Adelaidian who had been an integral part of UKARIA 24 with us last year, Konstantin Shamray. After the amazing discoveries of the Taneyev Quartet and Schnittke Quintet, we thought that the extremely luxurious and late Romantic Korngold Piano Quintet, composed by the Jewish-Viennese master when he was twenty-four before being forced to emigrate to the US, would be an exciting pair with the very late Beethoven.’

Duration | Approximately two hours, including a twenty-minute interval. Dining Options | A two-course dinner will follow at 8.00pm (separate booking required). Tickets Adult (A) $55 Concession (C) $50 Student (S) $25

– Umberto Clerici 53

MORGAN PEARSE WITH ANTHONY HUNT AND THE AUSTRALIAN STRING QUARTET

Whither Must I Wander SUNDAY 4 DECEMBER 2.30PM

Performing as Figaro in The Barber of Seville, Morgan Pearse’s debut performance with the English National Opera in 2015–16 announced a baritone of uncommon allure and magnetism. Renowned for his clarity of tone and enthralling performances, in 2016 he also won the prestigious Cesti Competition. Beyond the operatic stage, his recital programs from the Wigmore Hall to the Melbourne Recital Centre have confirmed him as an artist of refined and rare interpretive talent.

Ralph Vaughan Williams Songs of Travel (arr. Quentin Grant for baritone and string quartet)

Anthony Hunt is a fellow of the Royal Academy of Music, where he studied as a repetiteur in the specialist opera course. From 2013 he was Chorus Master with Opera Australia, until returning to Adelaide in 2020 as Chorus Master and Head of Music at State Opera South Australia, and as Director of Music at St Peter’s Cathedral.

Hugo Wolf ‘Harfenspielder I: Wer sich der Einsamkeit ergibt’ from Gedichte von Goethe

The Australian String Quartet joins Morgan for the peripatetic pleasures and pitfalls of Robert Louis Stevenson’s verse – set with the singularly deft touch of Ralph Vaughan Williams and arranged for baritone and string quartet by Quentin Grant. Samuel Barber’s brooding Dover Beach concludes the first half. After interval, Morgan and Anthony continue the program’s eastward amble with the elegant songs of Gabriel Fauré, finishing with Hugo Wolf’s late-Romantic lieder.

Duration | Approximately two hours, including a twenty-minute interval.

Samuel Barber Dover Beach, Op. 3 INTERVAL Gabriel Fauré L’horizon chimérique, Op. 118

Selections from Mörike-Lieder

Note | Complimentary afternoon tea will be served during the interval. Tickets Adult (A) $55 Concession (C) $50 Student (S) $25 Dining Options | A Ploughman’s Lunch can be pre-booked to enjoy before the concert ($25).

Photo: Jacqui Way

AUSTRALIAN STRING QUARTET

Mozart and Shostakovich FRIDAY 16 DECEMBER 11.00AM

‘The heart-wrenching key of D minor featured prominently in works throughout Mozart’s short life – his Requiem, the Overture to Don Giovanni and the great Piano Concerto No. 20, to name a few. The brooding drama of this key also plays a central role in his Quartet, K. 421, the second of six quartets that Mozart devoted to his great mentor, Haydn. The operatic melodrama and heightened pathos of this music pervade the quartet with tragic undertones, yet there is the sense that this is Mozart bearing his soul through the intimate conversation of four voices. Shostakovich also turned to the string quartet to express some of his most intimate and deeply held thoughts. The Ninth Quartet is no exception, being dedicated to his third wife in 1964, a period of relative calm after years of tumultuous personal and political turmoil for the composer. The five interconnected movements of this work continue the intense, highly personal style of the preceding quartets, while also foreshadowing the more bleak and sparsely textured quartets that were still to come. Yet this work stands apart from those around it in offering a glimpse of optimism and even a hint of rare, unabashed exuberance.’

Wolfgang Amadeus Mozart String Quartet in D minor, K. 421 Dmitri Shostakovich String Quartet in E flat, Op. 117 Duration | Approximately one hour without interval. Note | Complimentary Devonshire tea will be served prior to the performance from 9.45am. Tickets Adult (A) $50 Concession (C) $45 Student (S) $25

– Dale Baltrop Dale Barltrop | Violin Francesca Hiew | Violin Christopher Cartlidge | Viola Michael Dahlenburg | Cello

Photo: Christopher Morrison

DINING IN THE GARDEN TERRACE The Garden Terrace is a magnificent gathering place and a welcoming setting for augmenting your concert-going experience. For your convenience, the dining options on offer for concerts in the Winter–Summer 2022 Season are listed here. Please pre-book your choice when you book your tickets or contact us at info@ukaria. com.au or on (08) 8227 1277. In order to finalise numbers for catering, all pre-bookings close forty-eight hours prior to the date of the applicable concert, except for two-course dinner bookings, which close one week prior to the concert.

You can also enjoy a glass of wine or barista coffee before concerts or during intervals. A range of sweets is also available. The bar is open ninety minutes before each performance. Pre-booking required via ukaria.com/lightmeals or by phone on (08) 8227 1277. Please Note | All dining options are in addition to the cost of the concert – you require two separate bookings (one for the concert, another booking for your meal option) in each instance.

Date

Event

Dining Option

Price

Friday 19 August 7.30pm

Paco Peña and the Grigoryan Brothers

Cheese and Charcuterie Platters

$25 per platter (serves two)

Sunday 21 August 2.30pm

Javier Perianes

Chunky Vegetable Soup with Hot Crusty Bread

$15 per person

Sunday 28 August 2.30pm

Emily Sun and Andrea Lam

Lentil Soup with Hot Crusty Bread

$15 per person

Sunday 25 September 2.30pm

Orava Quartet

Roasted Cauliflower Soup with Hot Crusty Bread

$15 per person

Saturday 1 October 7.15pm

Richard Tognetti and Olli Mustonen

Dinner – Two Courses

$75 per person

Sunday 2 October 2.30pm

Olli Mustonen

Ploughman’s Lunch

$25 per platter (serves two)

Friday 28 October 6.00pm

Once Upon a Time (UKARIA 24)

Cheese and Charcuterie Platters

$25 per platter (serves two)

Saturday 29 October 5.15pm

Intermezzo (UKARIA 24)

Supper

$29 per person

Saturday 29 October 8.30pm

Coda (UKARIA 24)

Dinner

$49 per person

Sunday 30 October 12.15pm

Lunch (UKARIA 24)

Two-Course Lunch

$75 per person

Sunday 6 November 2.30pm

Natsuko Yoshimoto and Daniel de Borah

Ploughman’s Lunch

$25 per platter (serves two)

Sunday 13 November 2.30pm

Adelaide Chamber Singers with Umberto Clerici

Ploughman’s Lunch

$25 per platter (serves two)

Saturday 19 November 7.30pm

Lior & Domini

Cheese and Charcuterie Platters

$25 per platter (serves two)

Saturday 26 November 7.30pm

Ngaiire and Paul Grabowsky

Cheese and Charcuterie Platters

$25 per platter (serves two)

Sunday 27 November 2.30pm

Timo-Veikko Valve and Aura Go

Ploughman’s Lunch

$25 per platter (serves two)

Saturday 3 December 8.00pm

Haveron, Winther, Breider, Clerici and Shamray

Dinner – Two Courses

$75 per person

Sunday 4 December 2.30pm

Morgan Pearse and Anthony Hunt with the Australian String Quartet

Ploughman’s Lunch

$25 per platter (serves two)

Photo: Dylan Henderson

UKARIA FOUNDATION

The UKARIA Foundation was established in July 2018. Its aim is to support UKARIA’s cultural program in perpetuity. Musicians from across Australia and around the world have established UKARIA as a South Australian cultural icon. Join us in creating its future by making a donation to the UKARIA Foundation. Giving to the Endowment Fund Your gift will build the corpus and the investment income will support the cultural program in perpetuity. It will enable us to engage great artists, commission new work and develop the residency program.

Giving to the Music Program Your donation will be used to support outstanding artists in the forthcoming season.

Thank you for considering a donation to support great artists, live performances and new works.

Leaving a Bequest Your legacy can be directed to the Endowment Fund or a special project. Donate online or when purchasing your tickets

David McKee AO Chair, UKARIA Foundation

www.ukaria.com/support-us Or phone (08) 8227 1277 Donations of $2 or more are tax deductible and the UKARIA Foundation is able to receive distributions from private and public ancillary funds.

TICKETS You can purchase tickets: 1. Online www.ukaria.com/events Our website offers the easiest and most convenient way to book tickets twenty-four hours a day. There are no booking fees. You will receive a digital copy of your tickets delivered immediately to your nominated email address. If you misplace your ticket confirmation, you can log in to your UKARIA account at any time using your email and password and view your tickets, and consolidate your bookings into one list if you purchased on multiple different dates. 2. By Phone (08) 8227 1277 Our office is open Monday to Friday, from 9.00am to 5.00pm, except on holidays. On performance days, please phone the Cultural Centre directly: (08) 8391 0986. Ticket Delivery You will receive an email confirming your ticket purchase. If you do not receive this, please check your junk folder or log in to your UKARIA account via our website (it’s in the top right hand corner of the home page of our website) and you can view your bookings. There is no need to print your tickets. On the day of the concert, your name will be on a list with the front-of-house team and they will check you off before entering the concert hall. Queries (08) 8227 1277 info@ukaria.com If you have a query on the day of a performance, please phone the Cultural Centre directly on (08) 8391 0986.

Waiting List Due to the intimacy of the venue, concerts regularly sell out, so we keep a waiting list. Please note that due to the nature of cancellations, tickets often only become available at short notice. To add your name to the waiting list, please sign up via the links on our website, or contact us on (08) 8227 1277 or at info@ukaria.com. Concessions Concessions are available for students, pensioners and health care cardholders, including seniors’ health care cardholders.

Photo: Dylan Henderson

TERMS AND CONDITIONS As at Thursday 21 April 2022, entry conditions have changed. Please note mask wearing is not compulsory but encouraged as an additional barrier of protection against illnesses. Checking in is no longer required, nor is proof of vaccination status. General Conditions • Management reserves the right to refuse admission or reject from the venue any person if it believes their presence is likely to cause a nuisance, disturbance or threat to other patrons, the venue or its employees. • Any person under the age of fifteen attending ticketed events must be accompanied by an adult. • If a person under the age of fifteen causes a disturbance or distraction to other patrons, staff may request that the accompanying adult remove the child from the venue. • The use of cameras or any other recording devices are not permitted inside the auditorium. Mobile phones must be switched off at all times. • Latecomers will only be admitted when there is a suitable break in the performance. • Concession cards must be produced on request. • Large bags and backpacks must not be brought into the auditorium. Patrons who must keep their belongings with them for medical or personal reasons may bring their bags into the auditorium if they are visually inspected by a front of house officer and do not cause an obstruction to venue safety. COVID-19-Specific Conditions of Entry You should not attend the venue or the event if: • You are required to be in isolation as a result of COVID-19 diagnosis or pending test result; • You are experiencing any of the symptoms of COVID-19.

You and your booking party may be refused entry or required to leave the venue or event if you or they: 1. Are exhibiting symptoms of COVID-19, as notified or as assessed by venue staff. These include: fever, chills or sweats, cough, sore throat, shortness of breath, runny nose or loss of sense of smell. 2. Are required to be in isolation as a result of COVID-19 diagnosis/pending test result or have been directed to be in quarantine because of close contact with a person with COVID-19. In these circumstances, tickets will not be exchanged or refunded unless required by law (including the Australian Consumer Law). We ask that you and each member of your booking party make a reasonable assessment of your health status before attending our venue or the event. To avoid doubt, you will not be entitled to a refund if you or a member of your booking party attends our venue or event despite exhibiting COVID-19 symptoms and if you or they are then refused entry or asked to leave the venue or event.

CONDITIONS OF SALE Variations to Performances or Events UKARIA reserves the right to change artists, programs, venue opening and/or performance times should this become necessary. Transfers and Credits Your ticket is transferable and can be given to friends or family if you are unable to attend.

• The performance is postponed due to COVID-19 venue or travel restrictions, and you cannot attend on the alternative date. Please note: If a performance is cancelled or postponed, refunds must be requested prior to the date of the performance. If a refund has not been requested after the performance date has passed, a credit to the value of your booking will be issued.

If we have capacity, you may exchange your ticket to an event of equal value within the same calendar year by contacting UKARIA on (08) 8227 1277 during office hours, or at info@ukaria.com. We are also happy to offer a credit that can be used within a three-year period. Requests for ticket exchanges or credit must be received with at least seven days’ notice if you are unable to attend an event. If you are in isolation as a result of COVID-19 diagnosis or pending test result, or if you are experiencing any of the symptoms of COVID-19, please contact UKARIA on (08) 8227 1277 (Mon–Friday, 9am–5pm) or info@ ukaria.com and explain the situation so that we can issue a credit. Refunds We do not offer refunds unless the following circumstances arise: • An artist unexpectedly withdraws from the performance. • A Catastrophic Fire Danger Warning is in place for the Mt Lofty Ranges, and the performance is cancelled. • We receive at least seven days’ notice that you are unable to attend a performance, and we are able to resell your ticket(s) to a patron on our waiting list. This also applies to any meals and platters ordered. • The performance is cancelled due to COVID-19 venue or travel restrictions, and an alternative date is unable to be secured.

TRANSPORT UKARIA will offer a bus service from the Adelaide CBD to the Cultural Centre for the following performances: Javier Perianes Sunday 21 August 2.30pm

Natsuko Yoshimoto and Daniel de Borah Sunday 6 November 2.30pm Bus arrives at pick-up point at 1.00pm Bus departs at 1.15pm

Bus arrives at pick-up point at 1.00pm Bus departs at 1.15pm

Adelaide Chamber Singers with Umberto Clerici Sunday 13 November 2.30pm

Emily Sun and Andrea Lam Sunday 28 August 2.30pm

Bus arrives at pick-up point at 1.00pm Bus departs at 1.15pm

Bus arrives at pick-up point at 1.00pm Bus departs at 1.15pm Orava Quartet Sunday 25 September 2.30pm Bus arrives at pick-up point at 1.00pm Bus departs at 1.15pm Richard Tognetti and Olli Mustonen Saturday 1 October 6.00pm Bus arrives at pick-up point at 4.30pm Bus departs pick-up point at 4.45pm Bus departs UKARIA at 9.15pm (following the two-course dinner after the concert) Olli Mustonen Sunday 2 October 2.30pm Bus arrives at pick-up point at 1.00pm Bus departs at 1.15pm UKARIA 24 (Saturday Package) Saturday 29 October Bus arrives at pick-up point at 2.30pm Bus departs pick-up point at 2.45pm Bus departs UKARIA at 10.00pm (following the Coda) UKARIA 24 (Sunday Package) Sunday 30 October Bus arrives at pick-up point at 9.30am Bus departs pick-up point at 9.45am Bus departs UKARIA at 5.00pm (following the Finale concert) 66

Timo-Veikko Valve and Aura Go Sunday 27 November 2.30pm Bus arrives at pick-up point at 1.00pm Bus departs at 1.15pm Andrew Haveron, Kristian Winther, Tobias Breider, Umberto Clerici and Konstantin Shamray Saturday 3 December 6.00pm Bus arrives at pick up point at 4.30pm Bus departs pick-up point at 4.45pm Bus departs UKARIA at 9.45pm (following the two-course dinner after the concert) Morgan Pearse with Anthony Hunt and the Australian String Quartet Sunday 4 December 2.30pm Bus arrives at pick-up point at 1.00pm Bus departs at 1.15pm

Cost

How to Book Bus Transport

• Bus fares are $25 per person return (see terms and conditions overleaf)

1. Online

Departure Point • The bus will collect patrons from the corner of South Terrace and Hutt Street, and return to this location after the concert. If there is a meal after the concert, the bus will return to the pick-up point following the meal. For more information on departure and return times, please see p. 66.

www.ukaria.com/-busservice A UKARIA account is required. To set one up, simply add your email and password, and fill in the contact details.

• The size of the bus will vary depending on the number of bookings. If there are less than five, the bus will be replaced by a car.

Whenever you add a concert to your cart online, you will be prompted with the option to add the bus service (if applicable). If at the time of your booking you don’t add a bus fare but decide you require one later, you can add it to your booking at any time (up until seven days before the date of the performance).

• The driver will display an A-frame sign next to their vehicle, so look out for the red UKARIA logo.

You can also visit www.ukaria.com/transfers to bring up a full list of the applicable concerts.

Parking

2. By Phone

• There is ample and unrestricted parking along South Terrace on Sundays.

(08) 8227 1277

Departure Times The bus will arrive at the corner of South Terrace and Hutt Street ninety minutes prior to the start time of the performance. Upon returning to the CBD after the event, the bus will return to the pick-up point, or drop patrons at the nearest taxi rank.

Our office is open Monday to Friday, from 9.00am to 5.00pm, except on holidays. Terms and Conditions • The cost of the ticket is a flat fee of $25 return. • We do not offer a reduced price for one-way travel. • If you arrive after the departure time and miss the bus, your concert and bus ticket are non-refundable.

GILLES STREET HUTT STREET

• Tickets for the bus service will be taken off sale seven days before the date of each applicable concert.

PICK UP POINT

Please contact us on (08) 8227 1277 or at info@ukaria.com if you have any further queries.

SOUTH TERRACE

VENUE UKARIA Cultural Centre 119 Williams Road, Mount Barker Summit The UKARIA Cultural Centre is located just 40kms from the Adelaide CBD and is an easy drive on the South Eastern Freeway, which takes approximately 40 mins. Take the Nairne/ Bald Hills Road exit (after the Mount Barker exit). UKARIA Cultural Centre is 1km from the junction of Williams Road. Please drive slowly as Williams Road is unsealed. Once you enter the car park please observe the 20kmph speed limit. Parking There is ample parking on site and multiple entry points from the car park through the garden to the building on paved paths.

Filming and Photography We welcome photography inside the main hall before or after the concert, or at interval if applicable. During performances, all unauthorised photography and recording of the artists is strictly prohibited. Wi-Fi The UKARIA Cultural Centre has free Wi-Fi for guests. Please ask a staff member for the password if you require access. Acknowledgements The Winter–Summer 2022 Season is proudly presented by

Disabled Access There are multiple disabled parking bays at the top right of the Cultural Centre. Head straight up the driveway on your right-hand side, where you will see ‘Disabled Parking’ signs near the Garden Terrace. The concert hall is wheelchair friendly. Please see a staff member before the performance and we will make sure to accommodate you. Alternatively, you can email info@ukaria.com to let us know in advance. Opening Hours UKARIA is open ninety minutes before each performance. For access outside of concert hours, please email info@ukaria.com. Seating For events presented by UKARIA, seating is unreserved. Doors to the concert hall generally open thirty minutes before the commencement of a performance. Please note events presented at UKARIA by other organisations may have allocated seating.

Season Partner:

EMBRACING THE LIFE FORCE OF NATURE. FROM SEED TO SKIN. FROM OUR FARM TO YOU.

Australian Farm Grown since 1985

Proudly supporting UKARIA

UKARIA Cultural Centre 119 Williams Road, Mount Barker Summit SA 5251 Australia UKARIA Head Office & Postal 911, Level 9, 147 Pirie Street Adelaide SA 5000 Australia P +61 8 8227 1277 | E info@ukaria.com www.ukaria.com Cover photo: Dylan Henderson