Capes Dunn & Co Two Day Sale June 2012 by UKauctioneers.com

CAPES DUNN & Co. Two Day Sale June 2012

Antiques & Fine Art Tuesday 19th June Ceramics & Glass Wednesday 20th June

Lot 131

Day One (Find day two on page 29) Tuesday 19th June 2012 Antique Furniture & Clocks, Musical Instruments, Oil Paintings & Watercolours Sale commences at 12 noon The Auction Galleries 38 Charles St Manchester M1 7DB Tel 0161 273 1911 Fax 0161 273 3474 capesdunn@gmail.com www.capesdunn.com Live bidding: www.the-saleroom.com

CAPES DUNN & CO.

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Monday 18th June 2012 10am to 4pm Tuesday 19th June 2012 10am to 12pm Sale No: AF622 Catalogue ÂŁ6.00 Front Cover Illustration Lot:78 Back Cover Illustration Lot: 708 This Page Illustration Lot: 257 PLEASE NOTE ALL GOODS must be removed by 4pm on Thursday 21st June 2012

Carpets & Rugs

7. PAIR OF INTRICATE SEMI ANTIQUE KIRMAN PRAYER RUGS, with allover design of a large flowering tree and flowering shrubs, with perched birds, on an off-white ground, the broad principal border crimson with repeat pictorial pattern of rabbits, ostriches, trees and birds in flight, two sky blue and floral meander guard stripes, inscribed on a circular reserve on the border oblong the Mihrab 7’5” x 4’7” (lack end fringes) (2) £500-700

14. NEPALESE HAND KNOTTED WOOLEN CARPET, with a plain deep blue field, pale blue and floral meander border with pale gold guard stripes, 10’ x 6’7” £50-80

8. CLOSELY WOVEN PAKISTAN BOKHARA CARPET, with eight rows of crimson, black and white primary guls on a cream field, repeat medallion pattern to the narrow principal border, , multiple narrow crimson and black guard stripes, 3. 11’6” x 8’6” SMALL TURKOMAN BOKHARA RUG, £100-150 with two rows of five primary guls 9. on a crimson field, repeat floral border with guard stipes, 3’ x 1’10” OLD TURKEY RUNNER, with traditional green, blue and orange £20-30 repeat medallion pattern and 4. border on a crimson field, 12’ x CHINESE MODERN ALL WOOL 4’8” CARPET with small circular centre £50-80 floral medallion and all-over 10. stylised floral pattern on a green WASHED CHINESE CARPET pale ground, broad off white and large green with a light brown line floral meander pattern principal border, decorated with naturalistic border, with three narrow guard flowering boughs in brown, fawn stripes, 10’6” x 8’1” and white, 10’ x 9’ £50-100 £30-50 5. MACHINE WOVEN EASTERN WOOL 11. PILE CARPET, with all-over stylised SHIRAZ PERSIAN CARPET with all over stylised pattern on a midnight floral and foliate scroll design and blue field, the principal border lions hunting antelopes, on an off red with floral meander, dark blue white field, broad green and floral guard stripes, approximately 11’ meander border with brick red x 5’4” guard stripes, 11’ x 8’ £150-200 £80-100

16. GOOD QUALITY ALL WOOL WASHED CHINESE CARPET with unusual square centre medallion with embossed and coloured peacock and floral design on a green field with floral corners, the broad principal border having alternate grey and off white panels decorated alternately with birds on boughs and floral sprays, 9’ x 6’ £70-100

1. PAKISTAN BOKHARA DELUXE SMALL RUNNER, with a row of thirteen guls on an old gold field, the border patterned with guls and having narrow guard stripes, 5’10” x 2’2” £30-50 2. EASTERN RUG, with centre hexagonal medallion with large arrow pattern pedants in fawn, crimson and black on a plain crimson field, black surround and three narrow border stripes, 5’ x 3’5” £40-60

6. ANTIQUE KIRMAN RUG, decorated all-over with a design of various shrubs and sprays of flowers on fawn field, similar broad principal border with outer floral meander pattern guard stripe, 6’8” x 4’ (showing wear and lacks fringes) £100-200

15. NEPALESE HAND KNOTTED ALL WOOL PILE CARPET, with a plain off-white field, two tone blue and pink floral and scroll border, 10’3” x 7’3” £50-80

17. WASHED CHINESE CARPET AUBUSSON DESIGN, with off white and floral embossed oval centre medallion on a plain black field, floral spandrels and oval white and floral borders, black edge, 10’ x 8’ £50 - 75

18. EASTERN ALL WOOL CARPET, with a large repeat floral medallion pattern on a rose pink field, the principal border grey with large floral and foliate scroll meander pattern with fawn and foliate scroll guard stripes, 14’6” x 10’ £80-120 19. MASERU, KINGDOM OF LESOTHO, ‘Royal Lesotho Tapestry Weavers’, WALL HANGING , pictorial tapestry hand woven of pure mountain mohair and depicting groups of African workers, domestic animals and a traditional hut on an off white ground, by Norina Makhetha No. 1561, the embroidered label signed, 4’6” x 3’3” £25-35 20. TEYATEYANENG, KINGDOM OF LESOTHO, ‘SETSOTO DESIGN LTD.’ WALL HANGING, pictorial tapestry depicting wild elephants in a landscape by Eunice Lerata signed entitled ‘Out of Africa ‘ on the embroidered label, 2’7” x 3’10” £25-35 21. BOPHUTHATSWANA, ‘The Weaving Gallery,’ WALL HANGING, hand woven pictorial tapestry depicting numerous birds and poultry in a wheat field, by Evelyn Sekese, signed on printed card swing label, 2’10” x 4’ £25-35

12. HEAVY QUALITY WASHED CHINESE RUG, sky blue with circular dragon pattern centre medallion and spandrels, the off white with brown decoration of symbols, 6’ x 3’ £30-50 13. MIR PERSIAN CARPET with a compact all over small cone or boteh pattern on a wine red field, the fawn spandrels also with cone pattern, thirteen narrow border stripes and brick red surround 12’ x 8’ 9” £500-700 Lot 21

Clocks & Barometers 22. 1960’s JAEGER-LE-COULTRE GILT BRASS CASED MANTEL CLOCK, of shallow elliptical form, the visible movement with silvered chapter ring, contained within convex glass panels, un-named but numbered 17497 also with scratched numerals 20177 £100-150 23. 1960’s JAEGER-LE-COULTRE GILT BRASS AND PERSPEX CASED MANTEL CLOCK, the visible movement and skeletal chapter ring against black perspex decorated in gilt with an oriental lady beneath, a branch of flowering Wisteria, named to the front, and numbered beneath 349 £200-300 24. ‘HENLEY’ POST WAR BRASS CARRIAGE CLOCK, typical form, in polished case with bevelled glass and top carrying handle, 5 3/4” (14.6cm) high £90-130 25. LARGE TWENTIETH CENTURY FRENCH BRASS AND GILT BRASS FOUR GLASS MANTEL CLOCK, by Japy Freres, the 4” enamelled roman dial, powered by an drum shaped movement, striking on a bell and with mercury compensated pendulum, housed in a typical case with fluted columns and Corinthian capitals, 13 1/4” (33.7cm) high £500-600 26. EARLY TWENTIETH CENTURY MAHOGANY CASED ANEROID SMALL BAROMETER, with silvered dial, housed in an architectural case with moulded borders and five line presentation inscription to an electroplated plaque to the base, 15 1/8” (38.4cm) high, TOGETHER WITH A MODERN WALNUTWOOD AND BURR WALNUTWOOD CIGAR BOX/HUMIDOR, 11 1/4” x 8 1/2” (28.6cm x 21.6cm) and a GILT METAL CIGAR CUTTER (3) £40-60 27. EDWARDIAN INLAID MAHOGANY MANTEL CLOCK, the 3 1/2” enamelled roman dial (cracked) powered by an drum shaped french movement, housed in a balloon variant shaped case with fan inlay and boxwood outline, on an oblong plinth base with brass ball feet, 10 1/4” (26cm) high £70-90

28. TWENTIETH CENTURY BERNARD FRERES, BICESTER BRASS CARRIAGE CLOCK, typical form with signed dial and plate, bevelled glass and oblong top glass, 4 1/2” (11.4cm) high £50-80 29. JUNGHANS, EARLY TWENTIETH CENTURY GERMAN CARVED WALNUTWOOD MANTEL CLOCK, the 5 1/2” brass dial with silvered Arabic chapter ring, scroll pierced spandrels and matted centre, powered by an eight day movement striking on a gong, housed in an architectural case with foliate carved front and moulded plinth base, 16 1/4” (41.3cm) high £100-150

Lot 22

30. EDWARDIAN INLAID MAHOGANY MANTEL CLOCK, the 3 1/2” enamelled Arabic dial, powered by a drum shaped movement, housed in a waisted base shaped case with turned finial and broken arch pediment, inlaid with ribbon tied oval paterae, quarter fans and scrolls, 13” (33cm) high £75-100 31. GOOD QUALITY EARLY NINETEENTH CENTURY GILT METAL AND RED VARIEGATED MARBLE DRESSING TABLE CLOCK, with Swiss movement, the 3 1/4” x 2 1/2” oval Arabic dial with floral centre, powered by an eight day spring driven movement, in an oval case with well cast foliate and scroll support on a moulded oblong plinth base, 4 3/4” (12.1cm) high £30-50 32. EARLY TWENTIETH CENTURY WALNUTWOOD STAINED BEECH VIENNA WALL CLOCK, the 8 1/2” two part roman dial powered by an eight day spring drive movement, striking on a rod, housed in a typical case with finials and displaying eagle to the pediment, spit columns, finials and under turned foot, 52” (132.1cm) high £80-120

Lot 23

Lot 31

33. BRASS ANNIVERSARY CLOCK, with 2 3/4” Arabic dial and glass dome, 11 1/2” (29.2cm) high £50-80 34. EARLY TWENTIETH CENTURY BRASS CARRIAGE CLOCK, with white Roman dial, in an oblong case with moulded serpentine outline and top carrying handle and turned feet, 4” (12.7cm) high £70-90

Lot 25

35. EARLY TWENTIETH CENTURY BRASS CARRIAGE CLOCK, with white Roman dial and moulded oblong case, 4 1/2” (11.4cm) high £50-70

41. TWENTIETH CENTURY REPRODUCTION AMERICAN FEDERAL TYPE WALL CLOCK, by Seth Thomas, the 6” silvered Arabic dial powered by a an eight day spring driven movement 36. strung on a rod gong, housed in LATE VICTORIAN BLACK SLATE AND an drum top case with a gilt metal GILT METAL FIGURAL MOUNTED displaying eagle finial, tapering LARGE MANTEL CLOCK, the 6” gilt column and oblong base, both metal Roman dial with foliate scroll with printed, glazed panels, 29” pierced centre, powered by an eight (73.7cm) high TOGETHER WITH A day movement, striking on a gong, SIMILAR SMALLER EXAMPLE by housed in an architectural case The New Haven Clock Co., (2) with embossed frieze to the arch £80-120 top, above free standing Corinthian fore columns, flanked by patinated 42. seated musicians raised on a EARLY TWENTIETH CENTURY breakfront plinth base, 14 3/4” BLACK FOREST CARVED (37.5cm) high SOFTWOOD DOG PATTERN £150-180 NOVELTY MANTEL CLOCK, modelled seated with rotating 37. eyes, powered by a spring driven FRENCH BRASS AND BEVELLED movement, 6 1/4” (15.9cm) high PLATE GLASS CARRIAGE CLOCK, £30-50 typical form with oblong top plate, top carrying handle and polished 43. case, 4 3/4” (12cm) high TWO 1970’s ‘RHYTHM’ JAPANESE £50-80 ALARM CLOCKS, one with flap type Arabic numerals in a brown 38. and clear plastic case, model No. EARLY TWENTIETH CENTURY 16505, the other in a pedestal LINE INLAID MAHOGANY MANTEL chrome case with circular fading CLOCK, the 3 1/2” enamelled blue dial, 7” (17.8cm) high, model Roman dial, powered by a drum No. 51111 (2) shaped french spring driven £30-50 movement, housed in a balloon shaped case with moulded plinth 44. base with brass ball feet, 8” ELUXA, MODERN REPRODUCTION (20.3cm) high BLACK LACQUERED AND GILT £40-50 GEORGIAN STYLE BRACKET CLOCK, with bracket, the 5 1/2” 39. bracket clock Roman dial powered EARLY TWENTIETH CENTURY by an eight day spring driven swiss WINTERHALDER AND HOFMEIER, movement, housed in a caddy GERMAN OAK MANTEL COCK top case with waisted sides and with alarm, the 5 1/4” enamelled shaped two panel glazed door, Roman dial with subsidiary alarm painted with flowers and raised on dial, powered by an eight day scroll feet, the bracket of typical movement striking on a bell, form with oval gilt finial, 20” housed in an arch top case with (50.8cm) high, overall, complete scroll inlaid panel beneath the with the compressed polystyrene dial and moulded base, 11 1/2” fitted travel case (29.2cm) high £50-80 £40-50 45. 40. GREEN ONYX ART DECO MANTEL EARLY TWENTIETH CENTURY CLOCK, the 5 1/2” silvered Arabic D.R.G.M., GERMAN MAHOGANY chapter ring, powered by a 15 jewel NAPOLEON HAT MANTEL CLOCK, spring driven movement, housed the 5 1/2” silvered Arabic dial in a circular case with block powered by eight day movement support and oblong plinth base, 8” striking on a gong, housed in a (20.3cm) high typical case with compressed ball £20-30 feet, 9 1/4” (23.5cm) high, 20 1/2” (52cm) wide £30-50

46. ENFIELD, 1920’s BROWN BAKELITE MANTEL CLOCK, the 6” silvered Arabic dial, powered by an eight bay movement striking on a gong, in a arched case, 8 1/8” (20.6cm) high, TOGETHER WITH A SMALL MAHOGANY CASED 8 DAY MANTEL CLOCK and an ART DECO PERSPEX MANTEL CLOCK with floral needlework centre (3) £50-80 47. EARLY TWENTIETH CENTURY OAK NAPOLEONS HAT MANTEL CLOCK, the 6” silvered Arabic dial powered by an eight day movement with five rod Westminster chime, housed in a typical case with compressed ball feet, 9 1/42 (23.5cm) high, 16 1/2” (41.9cm) wide £25-35 48. GEORGE III OAK AND FIGURED MAHOGANY LONGCASE CLOCK with rolling moon phase by a Manchester maker, the 13 3/4” white painted dial with subsidiary seconds and calendar dials, exotic birds painted to the centre, floral and fruit spandrels and moon phase the the arch, indistinctly signed ... hurley (?) but ‘Manchester’ clearly legible, powered by an eight day movement striking on a bell, housed in an arch top case with swan neck pediment, above free standing fore columns, over a long, crossbanded trunk door with shaped top, raised on a chamferred base with ogee bracket feet, 90 1/2” (230cm) high, pediment altered, lacking finials and columns probably later £400-600 49. JUNGHANS, GERMAN EARLY TWENTIETH CENTURY CARVED WALNUTWOOD CUCKOO MANTEL CLOCK, the 6” brass Arabic dial with matted centre and scroll pierced spandrels, powered by an eight day movement, striking on a gong, housed in an architectural case with aperture to the carved pediment, bevel glazed door with split turned border, side sound apertures and moulded plinth base, 16” (40.7cm) high £200-300

50. EARLY TWENTIETH CENTURY AND LATER ‘LYRA’ WALNUTWOOD VIENNA WALL CLOCK, the 8” two part Roman dial powered by an eight day movement with twin weights and oak pendulum rod, striking on a gong, housed in a case with displaying eagle, female mask and finials to the pediment, over split turned columns and curved foot with finial, 54” (137.2cm) high £200-300 51. THOMAS MOORE, IPSWICH, MODERN REPRODUCTION BRASS LANTERN CLOCK, the 6 1/2” silvered dial with roman chapter ring, signed, powered by a 30 hour movement, with pendulum, striking on a bell, housed in a case with turned corner columns, plain side doors, pierced frets and ball feet, raised on a n oak wall bracket, with shaped back plate and scroll carved supports, the clock, 14 1/4” (36.2cm) high £80-120 52. EARLY TWENTIETH CENTURY RED VEINED MARBLE AND GILT METAL MOUNTED MANTEL CLOCK, the 3 3/4” dial powered by a drum shaped movement, striking on a bell, housed in a stepped oblong case with ornate scroll cast feet, 7 3/4” (19.7cm) high, dial cracked and figural surmount missing and and repaired with polished brass plate £50-80 53. EARLY TWENTIETH CENTURY CARVED OAK MANTEL CLOCK, the 3 1/4” painted Arabic dial, powered by a drum shaped spring driven movement, housed in a solid waisted case with scroll carved outline, 9 1/2” (24.1cm) high £40-50 54. GERMAN, INLAID MAHOGANY MANTEL CLOCK, the 2” silvered Roman dial with brass bezel, powered by a drum shaped spring driven movement, housed in a tulip shaped case with floral, fan and line inlays on a moulded oblong plinth base, 7 1/2” (19.1cm) high £40-60 55. SMITHS ART DECO CHROME DRESSING TABLE CLOCK, retailed by Spelman, Altrincham, the 4” diameter shaped Arabic dial with tilt action, powered by a spring driven movement, mounted on two triangular supports to an oblong base, 5” (12.7cm) high £40-60

56. EARLY TWENTIETH CENTURY WALNUT AND STAINED BEECH VIENNA WALL CLOCK, the 6” roman dial with engine turned silvered metal centre, powered by an eight day spring driven movement with conforming pendulum bob, housed in a typical case with split turned columns finials and under turned foot, 25 1/2” (64.8cm) high, lacks pediment £70-90 57. ANSONIA, AMERICAN BLACK CAST METAL MANTEL CLOCK, the 4” enamelled roman dial with gilt centre, powered by an eight day spring driven movement, housed in an arch topped case with moulded oblong base, the front carved and gilt painted with stylised foliage, 10 1/2” (26.7cm) high, patent 1882 £50-80

62. EARLY NINETEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, by Fairbrother, Stockport, the 14” painted Roman dial with chapel ruins to the corners and female harvester to the arch, powered by an eight day movement striking on a b bell, housed in a case with swan neck pediment and brass ball and spike finial, above reeded oblong free standing fore columns, trunk door with shaped top and panel below, flanked by rounded corners and raised on a panelled and chamferred base with ogee bracket feet, 91” (231cm) high £600-900

67. EARLY TWENTIETH CENTURY WALNUTWOOD AND STAINED BEECH VIENNA WALL CLOCK, the 7” two part Roman dial with subsidiary seconds dial, powered by an eight day movement with two brass weights and polished pendulum rod, housed in a case with rearing horse, shell and turned finials to the pediment, above split turned columns and curbed foot, 54” (137.2cm) high £120-180

68. EARLY VICTORIAN CARVED MAHOGANY AND OAK LONGCASE CLOCK, the 14” printed Roman dial with subsidiary seconds dial 63. with subsidiary seconds dial and EARLY TWENTIETH CENTURY exotic birds to the centre and SMITHS WALNUTWOOD WALL shell painted spandrels, signed CLOCK, retailed by Khader Yousuf, ‘Harlech’, powered by an eight Madras, the 12” enamelled Arabic day movement striking on a bell, dial powered by an eight day housed in a case with swan neck 58. movement striking on two rods, pediment and free standing fore EARLY TWENTIETH CENTURY housed in a circular, moulded case, columns, over a short panelled STAINED BEECH MANTEL CLOCK, 15 3/4” (40cm) diameter trunk door, flanked by split 4 3/4” (12.1cm) roman paper dial, £100-150 turnings and panelled base with powered by a later battery operated base feet, the front applied with quartz movement, housed in an 64. oval carved paterae, 91” (231.1cm) architectural case with finials to the VICTORIAN BLACK SLATE MANTEL high shaped cornice, above fluted half CLOCK, the 3 3/4” enamelled dial, £250-300 columns and moulded plinth base, powered by an eight day movement 18” (45.7cm) high striking on a bell, housed in a drum 69. £70-90 shaped case flanked by scrolls and EARLY TWENTIETH CENTURY raised on a chamferred plinth base, GERMAN OAK MANTEL CLOCK, 59. the carved with stylised foliage, the 5 1/2” brass dial with GRIFFIN AND GEORGE LTD. heightened in gilt, 10” (25.4cm) silvered Arabic chapter ring, MODERN BRASS SHIPS high, 17 1/2” (44.5cm) long pierced spandrels and matted BAROMETER, the silvered scale £60-90 centre, powered by an eight day with movable Vernier, in a movement, striking on a gong, brass column case with top ring 65. housed in an architectural case suspension, thermometer to the SETH THOMAS, CLOCK CO. with moulded arch top and oblong trunk and turned and weighted AMERICAN NINETEENTH base, 12 1/2” (31.7cm) high cistern, 40” (101.6cm) high, CENTURY ROSEWOOD TWO DIAL £50-80 moulded on a polished mahogany COMBINATION WALL CLOCK AND back board CALENDAR, the 7 3/4” enamelled 70. £150-200 Roman dial powered by an eight F. FISHER, TYLDESLEY, EARLY day movement striking on a bell, NINETEENTH CENTURY MAHOGANY 60. above a matching calendar dial LONGCASE CLOCK with eight days EARLY TWENTIETH CENTURY with day and month apertures, striking movement, arched painted CARVED OAK ANEROID housed in a rosewood case with dial with revolving moon phase, BAROMETER, the 8” silvered shaped pediment above a long subsidiary seconds and date dials, dial with brass bezel, in a floral door inset with circular, glazed in case with swan neck pediment carved banjo shaped case with apertures, with moulded surrounds with brass ship finial and pair of a thermometer to the trunk, 35” and plinth base, 26 3/4” (68cm) brass eagle and ball finials (89cm) high high £500-700 £40-60 £150-200 71. 61. 66. LATE EIGHTEENTH CENTURY AND JAMES LUCKING AND CO., GUSTAVE BECKER, EARLY LATER CARVED OAK LONGCASE BIRMINGHAM ART NOUVEAU TWENTIETH CENTURY GERMAN CLOCK, the 11” brass dial, with CARVED WALNUTWOOD ANEROID WALNUTWOOD AND BEECH VIENNA roman chapter ring, scroll engraved BAROMETER, the 4 1/2” dial with WALL CLOCK, the 8” Roman dial matted central and allegorical visible movement to the centre, powered by an eight day spring figural spandrels, powered by an in a leaf carved banjo type case driven movement with stained eight day movement striking on a with thermometer to the trunk, 22” wood pendulum rod, striking bell, housed in a flat top case with (55.9cm) high on a gong, housed in case with brass capped twisted fore columns, £50-80 female mask and turned finials over a long trunk door, carved with to the pediment, over split turned stylised foliage, flanked by fluted columns and under curved foot quarter columns and raised on a with finial, 53 1/2” (136cm) high conforming chamferred base with £150-200 ogee bracket feet, 73” (185.5cm) high £400-600

72. EDWARDIAN INLAID MAHOGANY LANCET TOP MANTLE CLOCK, the 4” Arabic dial with visible escapement, powered by an eight day drum shaped French movement, striking on a gong, housed in a plain case with two handled inlay beneath the dial and moulded base, 11 1/2” (29.2cm) high £75-125 73. GEORGE III LONGCASE CLOCK, the 30hr movement striking on a bell with 13 1/4” square brass dial inscribed Fisher, Preston with silvered chapter ring and calendar aperture, replaced spandrels, contained in an oak and mahogany crossbanded case, the hood with swan neck pediment, on short bracket feet, 84 1/2” high (with pendulum and single weight) £500-700 74. LATE NINETEENTH CENTURY GERMAN WALNUTWOOD CASE perhaps Station Master’s WALL CLOCK, the movement striking on three vertical rods, with compensating gridiron pendulum, the stamped brass faced bob with Swiss emblem and steam locomotive, marked Dept. 16350, the case surmounted by a composition steam locomotive names ‘Buno’, 38” high approx £300-400

Lot 73

Lot 75

75. LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK, by Tho (ma) s Wallace, Brampton, the 12 1/2” brass dial with silvered chapter ring and calendar aperture to the engraved centre, signed, enclosed within scrollwork spandrels and powered by an eight day movement striking on a bell, housed in a flat topped case with free standing fore columns over a long trunk door with shaped top, flanked by fluted quarter columns and raised on a plain base, with bracket feet, 82 1/2” (209.6cm) high £500-700 76. LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK, with Halifax moon phase by John Lees, Middleton, the 13 1/4” brass dial with moon phase and calendar aperture to the topographically painted centre, enclosed by scroll pierced spandrels and powered by an eight day movement striking on a bell, housed in a caddy topped case with gilt metal finials and free standing fore column over a long trunk door flanked by quarter turned columns and raised on a panelled base with conforming and peg feet, 85 1/4” (216.5cm) £2000- 2500

Lot 76

77. EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND CROSSBANDED LONGCASE CLOCK, with rolling moon phase by Watson, Haslingden, the 14” painted roman dial with subsidiary seconds and calendar dials, the corners decorated with poachers with dead game and dog, beneath the moonphase to the dial, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment above free standing fore columns, over a short trunk door, chamferred corners and plain base with ogee bracket feet, 92” (233.7cm) high £500-800 78. LATE EIGHTEENTH CENTURY MAHOGANY ANGLE BAROMETER by Finney, Liverpool, the silvered scale marked 10-60 with ring pointer operated by a knot at the end of the tube, housed in a case, with dentil, moulded cornice above hinged and glazed door to the scale and fluted pilaster type trunk, mounted on a moulded backplate, 38” (96.5cm) high overall, 27 1/2” (69.9cm) wide FOOTNOTE; for matching example refer to the plate 18, page 69, English Barometers 1680-1860, Goodison, Nicholas, 1985, Antique Collectors Club, which states that the Illustrated example is held in the Science Museum, London as part of the George III Collection, Inventory No. 1927-1911 £10,000-15,000

Boxes, Objects, Bronzes & Metalwares

79. GOOD QUALITY 19TH CENTURY ONE PIECE CARVED MOSS AGATE AND GILT BRONZE TWO HANDLED PEDESTAL BOWL, oval form with leaf capped scroll handles joined by a beaded border, raised on a waisted oval part fluted foot with leaf cast border, 7 1/4” (18.4cm) high, 13 1/2” (34.3cm) long (crack to moss agate) £800-1200 Lot 77

80. VICTORIAN THREE TIER BRASS REVOLVING BOBBIN HOLDER FOR 18 BOBBINS, with domed pin cushion finial above a baluster column and pointy finials on a scroll cast base, set beneath a glass with green plush lined turned wood base, 14 1/2” (36.8cm) high overall £80-120 Lot 80

Lot 79

92. FAR EASTERN LARGE CARVED RED WOOD FEMALE FIGURE, modelled standing, in traditional dress, 39” (99cm) high £40-60

Lot 81

81. PAIR OF MOUSEMAN THOMPSON CARVED OAK ASHTRAYS, each with a mouse, dated from 1960’S. 4” long £80-120 82. LATE NINETEENTH CENTURY PATINATED BRASS ANIMALIER MODEL OF A STALKING LIONESS, 6” long £100-150 83. SPELTER FIGURE OF ADMIRAL NELSON, modelled standing in naval uniform, on a circular base, 15” (38.1cm) high, with later pewter coloured finish £80-120 84. REGENCY PERIOD MAHOGANY SHALLOW SARCOPHAGUS SHAPE LADY’S WORK BOX, the compartmented interior lined with marbled paper, the exterior with rosewood crossbanding and boxwood stringing, standing on a gilt brass lionpaw feet, 11 1/4” long £50-70 85. EARLY VICTORIAN ROSEWOOD SARCOPHAGUS SHAPE TEA CADDY, with two lidded container within, standing on cavetto moulded feet £20-30 86. EDWARDIAN MAHOGANY BOX, the interior with removable compartmented tray, the exterior with stringing lines and centrered by a crescent moon, also a Victorian walnutwood Tunbridge bordered lady’s SEWING BOX (fitment absent) and a VICTORIAN ROSEWOOD SARCOPHAGUS SHAPE TEA CADDY (interior complete) (3) £60-80

93. ARTS AND CRAFT STYLE SET OF FOUR PLANISHED COPPER FIRE IRONS ON STAND, each with shepherds crook pattern handles, suspended by hooks from a wire pattern stand with loop handle £50-80

87. NINETEENTH CENTURY MAHOGANY PORTABLE WRITING SLOPE, typical form with dark blue plush lined writing surface and square ink bottle, 16” x 8 1/2” (40.6cm x 21.6cm) TOGETHER WITH A STAINED FRUITWOOD CUTLERY BOX, with two part hinged cover flanking a central cut out handle, 14 1/2” x 9” (36.8cm x 22.8cm) (2) £40-60

94. NINETEENTH CENTURY ELKINGTON TYPE ELECTROFORMED COPPER WALL PLAQUE after a late Sixteenth century Mannerist original, in relief with the Battle of the Amazons surrounding a central raised boss, the border with ‘grotesque’ ornament 27” diameter (split to cavetto border) £200-300

88. VICTORIAN ROSEWOOD AND MOTHER O’PEARL INLAID WORK BOX, oblong with hinged cover, the top and front decorated with floral designs within dot and line borders, 4 1/4” (10.8cm) high, 9 1/2” x 7 1/4” (24.1cm x 18.4cm) lacks interior £25-35

95. EARLY TWENTIETH CENTURY BRASS ADJUSTABLE DESK LAMP, the brass fitting to the cut glass oil reservoir stamped ‘Hinks and Son, Patent’, the wick adjustable knob inscribed ‘Hinks ‘S Benetfink and Co, No. 2. Duplex’ with opaque white glass shade, 25 3/4” high (converted to electricity and small loss to brass stand) £90-130

89. VICTORIAN FIGURED WALNUTWOOD AND TUNBRIDGE INLAID WORK BOX, chamferred oblong form with lift out tray to the interior (a.f.) the top and front decorated with lozenge designs within banded borders, 5 1/4” (13.3cm) high, 10 3/4” x 7 7/8” (29.9cm x 20cm) £50-70

96. EARLY TWENTIETH CENTURY BRASS CHESTNUT ROASTER with unusual revolving cylindrical pierced container £25-35

97. ANTIQUE PEWTER MUSTARD RECEIVER, cylindrical with pierced band, blue glass liner and hinged cover (a.f.) TOGETHER WITH A LATER PEWTER COFFEE POT, HOT WATER JUG, PLANISHED VASE and TWO OTHER ITEMS (6) £50-80 98. PAIR OF ANTIQUE BRASS CANDLESTICKS, with baluster columns and rounded oblong bases, 5 1/2” (14cm) high, TOGETHER WITH A PAIR OF GALLERIED BRASS CHAMBER CANDLESTICKS, one lacking handle and three other items (7) £25-35 99. TWO EARLY TWENTIETH CENTURY LARGE COPPER AND BRASS CHURN TYPE VESSELS, with swing handles, 14 1/2” (36.8cm) high (2) £75-125 100. AGED COMPOSITE STONE MODEL OF A HERALDIC LION, 21 1/2” (54.6cm) high, TOGETHER WITH A PLASTER BUST OF MAN (weathered) 26” (66cm) high (2) £30-50 101. CAST IRON COAL SCUTTLE, oval with scroll embossed hinged top and scroll type feet, 14” (35.6cm) high, 24” (61cm) long £50-80

90. ANTIQUE TURNED BLONDE WOOD THREE SECTION SPICE BOX AND COVER, cylindrical form with screw thread, slightly domed covers and black printed paper labels ‘cloves’, ‘mace’ and ‘cinnamon’, 6 1/4” (15.9cm) high, central section split from top to bottom and chip to base £40-60 91. NAUTICAL GIMBALLED BRASS WALL MOUNTED OIL LAMP with glass funnel £30-40

Lot 94

Lot 104

105. EARLY TWENTIETH CENTURY GREEN VEINED MARBLE AND GILT METAL SEVEN LIGHT CANDELABRUM, the central pedestal column with floral swags, tied by angelic masks, issuing six scroll cast arms and enclosing a central sconce with removable snuffer, raised on a square shaped base with drapes trophies and paw cast feet, 27 1/2” (69.9cm) high 106. 1930’s EZAN, FRENCH GILT METAL AND FROSTED GLASS SIX LIGHT ELECTROLIER, the column comprising of three graduated tiers, each mounted with three blue tinted opaque glass ‘icicles’ above a circular base issuing six scroll arms with frosted glass dish pattern shades and further ‘Icicles’ underneath, 35” (88.9cm) drop, moulded marks to icicles, dishes unmarked (chips and losses to icicles) £150-200 107. VICTORIAN BRASS AND MOULDED CLEAR GLASS OIL TABLE LAMP, with spiral fluted shade, reservoir and column and domed and fluted base, 28 3/4” (73cm) high £30-50

Musical Instruments Lot 106

102. LATE NINETEENTH CENTURY FRETTED BRASS FENDER, typical form with concave, pierced band with cast floral panels and beaded borders, 57 1/2” (146cm) long £30-50 103. NINETEENTH CENTURY WHITE VEINED MARBLE FIRE PLATE, the moulded oblong top with serpentine shaped front above a two piece arched slip, housing a reproduction cast iron insert with grate, 42” (106.7cm) high, 62 1/2” (158.8cm) wide £200-300

Mirrors & Lighting 104. 19TH CENTURY CARVED AND GILTWOOD WALL MIRROR, of elongated shield shape with ornate foliate scroll carved frame, the inner narrow foliate scroll border laid over the mirror plate, bears printed label verso ‘G & J. Humble, Upholsters and Cabinet Manufacturers, Market Square, Kelso, 5’4” (162cm) wide x 2’6” (76.2cm) high (lacks small looped section of plain inner border) £400 - 600

108. COLLARD AND COLLARD, EARLY NINETEENTH CENTURY FLAME CUT MAHOGANY SQUARE PIANO, with crossbanded top, removable panel to the front, pierced foliate scroll panels and heavy turned and tapering hexagonal legs with brass castors, 34 1/2” (87.7cm) high, 71 3/4” x 29 1/4” (182.2 x 74.3cm) £80-120 109. MODERN YAMAHA GRENADILLA WOOD AND BLACK PLASTIC FIVE PIECE CLARINET, with plated mounts, 26 1/4” (61.7cm) long assembled and the PLUSH LINED CASE (a.f.) outer card packaging £50-80 110. TWENTIETH CENTURY GERMAN, VIOLIN LABELLED ‘GEORG SCHUSTER’, Made in Germany Anno 1999, model No. 68 having two piece 14” (35.5cm) back with TWO BOWS IN BLUE PLUSH LINED HARD PLASTIC CASE £200-300

111. THE STENTOR, TWENTIETH CENTURY VIOLIN’ Stentor Student II - Stentor Music Co., Ltd’ having two piece 13 7/8” (35.2cm) back WITH A BOW AND ACCESSORIES IN NYLON FABRIC CLAD AND PLUSH LINED VASE with Stentor label £40-60 112. LATE NINETEENTH CENTURY FRENCH ‘SAXONY’ VIOLIN with two piece, 13 7/8” back, fitted only with pegs in PLUSH LINED EBONISED WOOD CASE £200-300 113. GERMAN, TWENTIETH CENTURY VIOLIN, COPY OF A STRADIVARIUS bears label and having 14 1/82 two piece back in ebonised WOOD CASE £100-150 114. TWENTIETH CENTURY ROMANIAN VIOLIN, labelled Made in Romania, Reghin and having two piece 13 15/16” (35.3cm) back with bow in nylon fabric clad and plush lined case £35-50 115. TWENTIETH CENTURY VIOLIN with two piece 14” (25.5cm) back with BOW IN PLUSH LINED BLACK FABRIC CLAD CASE £30-50 116. PRE WAR VIOLIN, COPY OF GUARNERIUS, bears label and having two piece, 14” (35.5cm) back, TOGETHER WITH TWO BOWS IN CASE, ANDA VIOLIN, COPY OF A STRADIVARIUS bear label and having one piece 14 3/16 (36cm) back and TWO BOWS IN CASE one being German impressed HOMA £100-150 117. M.J. B. INSTRUMENTS MODERN GILT AND RED LACQUERED THREE PIECE FLUTE, with 16 stops, 26 1/4” (66.7cm) long overall with CLEARING ROD IN BLACK NYLON CLAD CASE £30-40 118. UNBRANDED PRE WAR VIOLIN, with two piece 14 1/4” back (lacks fittings) in case £30-40 119. EVETTE TURNED EBONY OBOE, of three pieces, with plated metal keys and mounts, 23 3/4” (60.3cm) long excluding reed, in plush lined black plastic case £50-75 120. EARLY TWENTIETH CENTURY WHALE BODIES GILT STRING MANDOLIN, with rosewood back (a.f.) £20-30

121. EARLY TWENTIETH CENTURY WHALE BODIED EIGHT STRING MANDOLIN (a.f.) £20-30

Antique Furniture

122. GEORGE HOUGHTON AND SONS, SMALL BANJO, with vellum head, cased, 22” (55.9cm) long (a.f.) £20-30

129. LATE STUART PERIOD PANELLED OAK CHEST, the front with three unusual chequer pattern carved panels, 44 3/4” long £300-400

123. MODERN CHINESE VIOLIN, bears label, ‘Antoni, Model ACV 31’, 13 1/4” one piece back, in case (no strings) £30-50 124. BUNDY FIVE PIECE EBONITE CLARINET, 23 3/4” long, lacks mouthpiece in original plush lined and fitted case £30-50 125. BOSEY AND HAWKES ‘REGENT’ FOUR PIECE EBONITE CLARINET, 26 1/2” long in plush lined and fitted case £50-80 126. DONZELLI ‘QUEEN’ PIANO ACCORDION, with 34 white and black keys, with leather shoulder strap, in case £30-50 127. EARLY TWENTIETH CENTURY VIOLIN, bears the label John G. Murdoch and Co., London, having two piece 14” back, with bow £30-50 128. HOHNER ‘CLUB III M’ PIANO ACCORDION, with leather strap, in case £30-50 128A. ‘GERALDO 36’ PIANO ACCORDION, with 34 white and black keys, and shoulder strap, in case £30-50 128B. CHALLEN MAHOGANY BABY GRAND PIANOFORTE and stool, circa 1920’s £350-450 128C. LATE NINETEENTH CENTURY VIOLIN, the back impressed ‘Duke, London’ with one piece 14 1/4” back, in case with bow £75-125

130. ANTIQUE OAK COFFIN STOOL, with moulded oblong top and seat rail, raised on turned legs, tied by stretchers, 21” (53.3cm) high, 16” x 13” (40.7cm x 33cm) TOGETHER WITH A SMALL ANTIQUE OAK DROP LEAF TABLE, with oval top and turned legs (extended) 26 1/4” 66.7cm) high, 29 1/2” x 25 1/2” (75cm x 68.8cm) (2) £300-400

Lot 128B

131. EARLY 18TH CENTURY MULBERRY WOOD, KINGWOOD CROSSBANDED AND PEWTER LINE INLAID SECRETAIRE CABINET, in the manner of Coxed and Woster, the upper section with moulded cornice above a pair of cabinet doors, each with four ornate brass hinges and conforming escutcheons, enclosing a combination of twelve short, long and deep drawers with oak linings and brass handles with shaped backplates, the lower section, with long fall front secretaire drawer with drawers and pigeon holes to the interior, over the three graduated long drawers fitted with a set of brass swan neck handles, raised on turned bun feet, 76” (193cm) high, 42 1/2” (108cm) wide (restorations) £6000-9000 132. GEORGE III LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LANCASHIRE DRESSER OR MULE CHEST, with low raised panel back, hinged top over two faux drawers. arrangement of five drawers below all with brass swan neck loop handles to ogee bracket feet, 5’2” wide £350-500 133. EIGHTEENTH CENTURY AND LATER OAK LARGE DOME TOP CHEST, on through dovetail construction with exposed wrought iron strap hinges, shaped side straps with handles and the escutcheon , 29 1/2” (75cm) high 46 1/2” (118.1cm) wide, (heavily woodwormed) £300-400

Lot 131 11

134. 17TH CENTURY AND LATER OAK COMPOSITE CHEST OF DRAWERS, the moulded oblong top above three long drawers, all with faux two drawer fronts raised on turned bun feet, 37” (94cm) high, 38 1/4” x 24 1/2” (97.2cm x 62.3cm) £400-600

Lot 134

Lot 137

136. LATE EIGHTEENTH CENTURY OAK AND CROSSBANDED MAHOGANY LARGE MULE CHEST, the part hinged, three plank oblong top above panelled ends and four shaped panels to the front, over three cockbeaded drawers, fitted with oval brass escutcheons and swan neck handles, flanked by fluted, quadrant forecorners and raised on bracket feet, 37” (94cm) high, 57 x 21 1/2” (148cm x 54.6cm) (later feet and hinges) £280-350 137. GEORGE III LATE EIGHTEENTH CENTURY GENTLEMAN’S INLAID MAHOGANY TOILET STAND OR CABINET, the two panel hinged top with barbers pole string inlay opening to form two tray tops, the interior fitted with six compartments, four having hinged covers, two to receive oblong and cylindrical fittings and a central adjustable easel toilet mirror, the front faced with a faux shallow drawer over internally divided drawer, both with original brass pointed oval loop handles, on square tapering supports, on original brass bucket and leather casters, 2’2” (66.1cm) wide closed down £350-500

138. GEORGE III LATE EIGHTEENTH CENTURY TWO PART D’ ENDED DINING TABLE, raised on wave moulded square tapering supports, formerly with hinged fall leaves now extending with a wide mahogany leaf, approx 4’ (122cm) x 6’ (183cm) when extended together WITH A SET OF SIX PRE WAR CHIPPENDALE STYLE MAHOGANY DINING CHAIRS, with pierced vase shaped splat backs on square tapering supports with ‘H’ stretchers (7) £450-600 139. NINETEENTH CENTURY PREDOMINANTLY OAK BOBBIN TURNED SEMI WING OPEN ARM ROCKING CHAIR, the tall back with two rows of six bobbin turned spindles, rush work seat on bobbin turned front supports with bobbin turned twin front stretchers, the rocking showing wear £200-300 140. GEORGE III EIGHTEENTH CENTURY OAK CHEST of small proportions, the moulded oblong top above two short and three long graduated and cockbeaded drawers, fitted with a later set of brass handles with shaped backplates, raised on ogee bracket feet, 30 1/2” (77.5cm) high, 31” x 18 1/2” (78.7cm x 47cm) £250-350 141. EIGHTEENTH CENTURY CHERRY WOOD CORNER CHAIR, typical form with shaped seat rail, turned supports, pierced splats and drop in seat, covered in pink plush raised on a cabriole foreleg and three square legs with turned feet, tied by stretchers (repaired) £450-650

Lot 140 Lot 139 12

Lot 141

142. 19TH CENTURY MAHOGANY AND BRASS BANDED BUCKET, of coopered construction with tree brass bands, brass swing handle and probably replacement half depth brass liner, 12 1/2” high (32cm), 12” (30.5cm) diameter £�� 120 - 180 143. GOOD QUALITY 19TH CENTURY TURNED AND EBONISED WOOD BUCKET OF SECTIONAL CONSTRUCTION, vertical slender panels of sycamore flanked by sectional chevron pattern panels of pale mahogany and walnutwood, the whole turned and secured with ebonised wood top band and turned and ebonised wood base, simple brass swing handle (lacks liner) the bucket 12 1/2” (31.7cm) high x 12” (30.4cm) diameter £�� 150 - 200 144. GEORGE III LATE 18TH CENTURY MAHOGANY SIDEBOARD, with central frieze drawer flanked by deep drawer and panel door, each faced as short drawers having replacement brass loop handles with embossed oval back plates, the square tapering legs with boxwood string inlay, terminating in block feet, 5’9” (175.2cm) wide £250-350 145. GEORGE III LATE 18TH CENTURY FIGURED MAHOGANY PEMBROKE TABLE, with serpentine outline fall leaves and sides fall leaves and sides with frieze drawer and faux drawer raised on square tapering supports to block feet and brass casters £350 - 500 146. GEORGE III, LATE 18TH CENTURY FOLD OVER CARD TABLE of serpentine outline with advanced corners, green baize lined with shaped front and sides, raised on square tapering supports the single gate leg opening to reveal a shallow secret drawer, 3’ (91.4cm) wide £200 - 250 147. LATE GEORGIAN FIGURED MAHOGANY SECRETAIRE CHEST, of small proportions, the oblong top above a deep cockbeaded secretaire drawer with moulded front, the interior fitted with drawers and pigeon holes (a.f.) above three graduated drawers, all fitted with oval brass handles, raised on bracket feet, 36 3/4” (93.4cm) high, 29 3/4” x 18” (75.6cm x 45.8cm) £250-350

148. GOOD QUALITY REGENCY PLUMB PUDDING MAHOGANY AND BRASS INLAID AND MOUNTED INVERSE BREAKFRONT LIBRARY BOOKCASE, the moulded cornice above three astragal glazed cupboard doors enclosing nine short adjustable shelves to the interior, the advanced lower section with three panelled cupboard doors, raised on turned tapering legs, 90” (228.6cm) high, 72” (183cm) wide £4000 - 6000 149. REGENCY ROSEWOOD AND BRASS INLAID DWARF OPEN BOOKCASE, the oblong grey variegated marble top above a stylised floral inlaid panel to the frieze over two adjustable shelves to the interior, flanked by line inlaid uprights and raised on a plinth base, 34” (86.4cm) high 47 1/2” (120.7cm) wide (lacking some veneer) £180 - 240 150. REGENCY ROSEWOOD INVERSE BREAKFRONTED SIDE CABINET, the shaped oblong top above a pair of cupboard doors with gilt metal trellis pattern grille with cloth backing, flanked by a pair of panelled cupboards and four free standing fore columns with cast gilt metal capitals, raised on a shaped plinth base, 40” (101.6cm) high, 78 1/2” (199.4cm) wide £700 - 1000

Lot 148

Lot 143

Lot 142

Lot 144A

Lot 149

Lot 150 13

Lot 139 Lot 151

Lot 159

151. LATE GEORGIAN INLAID MAHOGANY YOKE FRONTED SIDEBOARD, with boxwood and ebony banding having bowed central frieze drawer, flanked by a pair of concave drawers and concave cellerette drawer faced as two drawers and with four division lead lined interior, all with later oval brass loop handles having pierced back plates on square tapering supports to spade feet, 6’ (183cm) wide £500-700 152. PAIR OF GREEN ONYX AND BRASS TORCHERE STANDS, of fluted column form with Corinthian type capitals, shaped square tops and moulded circular bases, 37” (94cm) high (2) £100-150 153. GEORGIAN MAHOGANY CHEST OF DRAWERS, the moulded oblong top above two short and three long graduated and cockbeaded drawers, all fitted with brass handles with embossed oval backplates and shield shaped ivory escutcheons, raised on tall bracket feet, one missing, 372 (94cm) high, 40” x 20” (101.6cm x 50.8cm) £200-300 154. EARLY GEORGIAN BURR WALNUTWOOD KIDNEY SHAPED DRESSING TABLE STOOL, with floral covered drop in seat and shell capped cabriole legs, 19 1/2” (49.5cm) high £60-90 155. SET OF FIVE WILLIAM IV CARVED MAHOGANY SINGLE DINING CHAIRS, each with shaped top rail above bar back with scroll terminals and flat fronted padded seat, covered n old gold plush, raised on fluted forelegs, together with a SIMILAR SINGLE CHAIR with matching drop in seat and a GEORGE IV STYLE MAHOGANY CARVER ARMCHAIR with sabre forelegs (7) £350-500

Lot 163

156. REGENCY PERIOD FIGURED MAHOGANY AND ROSEWOOD BREAKFAST TABLE, the radiating flame cut top of ten segments, with brass line inlaid rim, above a tapering hexagonal column and triform base with brass cast claw feet, 28 1/2” (72.4cm) high, 48” (122cm) diameter (top re-veneered) £800-1200 157. LATE GEORGIAN CROSSBANDED AND LINE INLAID MAHOGANY CHEST OF DRAWERS, the flame cut oblong top above two short and three long graduated and cockbeaded drawers, fitted with later brass handles with oval backplates, raised on splayed bracket feet, 44 1/2” (113cm) high, 44 1/2” x 19 3/4” (113cm x 50.2cm) (split to top) £180-220

158. REGENCY FIGURED MAHOGANY FOLD OVER PEDESTAL TEA TABLE, the rounded oblong top with reeded edge above a plain frieze with raised central tablet, raised on a heavy turned column and downswept quartette supports with cast brass paw castors, 28 1/2” (72.4cm) high, 36” (91.4cm) wide £250-400 159. GOOD QUALITY SHERATON STYLE INLAID MAHOGANY BREAKFRONT DISPLAY SIDEBOARD, by Christopher Pratt and Sons, Ltd, Bradford, the shaped oblong top with arched low back, above a central long frieze drawer and pair of astragal glazed cupboard doors, enclosing a glass shelf to the interior, flanked by two short frieze drawers over panelled cupboard doors, raised on a plinth base, the front and low back inlaid with rosewood panels and boxwood stringing, 44 1/2” (113cm) high, 72” (183cm) wide £200-300 160. PROBABLY COALBROOK DALE FERN PATTERN CAST IRON GARDEN BENCH, white painted lacking seat lats, 36” (91.5cm), 44 1/22 (113cm) wide £150-200 161. REGENCY PERIOD MAHOGANY FOLD OVER PEDESTAL TEA TABLE, the oblong top with reeded edge, above a turned column and raised on a downswept and fluted quartette base with brass scroll castors, 29 1/4” (74.3cm) high, 42” (106.7cm) wide £250-350 162. GEORGE IV MAHOGANY MUSIC CANTERBURY with drawers under, standing on turned legs ending in bucket castors, (replacement glass knob handles) £300-500 163. REGENCY ROSEWOOD SIDE CABINET with Verdigre marble top, the oblong with advanced fore corners above a frieze drawer and pair of cupboard doors with pale green water silk lined panels and brass grille, flanked by carved corbels to the plain uprights, raised on a plinth base, 33” (83.8cm) high, 33 1/2” (35cm) wide £150-200 164. PROBABLY NINETEENTH CENTURY WALNUTWOOD CHEST OF DRAWERS, of small proportions, in the Georgian taste, the moulded oblong top above two short and three long graduated and cockbeaded drawers, fitted with brass handles with pierced backplates, raised on ogee bracket feet, 32 1/2” (82.5cm) high, 33” x 18 3/4” (83.8cm x 57.6cm) £150-200

164A. FRENCH STYLE CARVED BEECHWOOD OPEN ARMCHAIR, with moulded show wood frame, the arched top rail with floral cresting above a square tapering back, outswept arms, with elbow pads and stuff over seat with serpentine seat, covered in close studded lilac wool work floral fabric, raised on floral capped cabriole type forelegs £80-120 165. LATE VICTORIAN CHILD’S TURNED BEECHWOOD HIGH CHAIR, with spindle turned and galleried back, 28 1/2” (72.4cm) high, together with a LATER SIMILAR CHILD’S ROCKING CHAIR (2) £100-150 166. NINETEENTH CENTURY FRENCH PAINTED SATINWOOD SEWING TABLE, the moulded oblong top with central female portrait roundel enclosed by an meandering border of roses, above a frieze painted with ribbon tied swags of roses and oblong pleated olde gold coloured satin lined basket raised on square tapering legs painted with bell husk pendants, tied by an undertier decorated with bow and quivers of arrows, 28” (71.1cm) high, 15 3/4” x 12 1/4” (40cm x 31.1cm) £400-600 167. GEORGE III MAHOGANY CHEST OF DRAWERS, the moulded oblong top above two short and three long graduated and cockbeaded drawers, flanked fluted quarter columns with cast gilt metal terminals and raised on ogee bracket feet, 42 3/4” (108.6cm) high, 48 1/2” x 22 1/4” (123.2cm x 56.5cm) £150-250

171. EARLY NINETEENTH CENTURY FIGURED MAHOGANY WRITING/ SIDE TABLE, the moulded oblong top above three cockbeaded frieze drawers, fitted with a set of brass handles with shaped back plates, raised on heavy baluster turned end supports with downswept scroll feet, tied by a tulip carved and turned stretcher, 28” (71.1cm) high, 53 1/2” x 21 1/4” (135.9cm x 54cm) associated top 172. EARLY NINETEENTH CENTURY MAHOGANY WRITING TABLE, the crossbanded oblong top with tooled blood red leather insert, above a pair of cockbeaded frieze drawers, raised on panelled end supports with scroll terminals and turned feet with wooden castors, tied by a flat stretcher, 29 3/4” (75.6cm) high, 43 3/4” x 19” (111.1cm) 48.3cm) £250 - 350 173. LATE GEORGIAN MAHOGANY WRITING TABLE, the probably replacement thin top above two small and one long drawer edged with dark stained wood and fitted with ebonised knob handles, standing on columnar and ring turned legs ending in bucket castors (two incomplete) 23 3/4” wide, 19” deep £120-180

168. EARLY TWENTIETH CENTURY MAHOGANY TORCHERE STAND, on fluted column form with turned circular top and downswept tripod base, 53 1/4” (135.3cm) high, lower part of fluted column cut through and dowelled (?) £80-120

174. EARLY 19TH CENTURY MAHOGANY ARCHITECT’S TABLE, the moulded oblong top above two long drawers, the upper fitted with an adjustable baize lined writing surface with push back and tilt actions, and lift out compartemented tray to the side with hidden drawer beneath, the lower drawer, the lower drawer with compartemented oak lined interior parts missing, raised on turned legs with brass castors, 30 3/4” (78.1cm) high, 35 3/4” x 23 3/4” (90.8 x 60.3cm) £300-500

169. GEORGE III MAHOGANY AND PARCEL GILT TOILET MIRROR, the oblong plate with moulded slip and square section supports with gilt metal finials, raised on an oblong base with three moulded drawers and ogee bracket feet, 22” (55.9cm) high £40-60

175. ANTIQUE MAHOGANY SNAP TOP OCCASIONAL TABLE, the circular top above a baluster column, raised on a tripod base, with downswept supports and pointed feet, 30” (76.2cm) high, 34” (86.4cm) diameter £150-250

170. EARLY NINETEENTH CENTURY GLAZED MAHOGANY BOW FRONTED CORNER CUPBOARD, the dentil moulded cornice above a pair of 11 panel astragal glazed cupboard, enclosing three shelves to the interior, 42 1/2” (108cm) high, 29 1/2” (75cm) wide

Lot 152

Lot 166

Lot 174

176. EARLY NINETEENTH CENTURY INLAID MAHOGANY CHEST OF DRAWERS with associated bookcase top, the moulded cornice above an inlaid frieze and pair of twelve panel astragal glazed cupboard doors, enclosing three shelves to the interior, the lower section with crossbanded top above an inlaid frieze and two short and three long cockbeaded drawers, fitted with brass ring handles with circular backplates, raised on splayed feet, the front inlaid with boxwood line inlays, 91 1/2” (232.4cm), 48” (122cm) wide £400-600 177. GEORGE III FIGURED MAHOGANY BUREAU, the oblong top above fall front, enclosing small drawers to the interior, over three long graduated drawers, fitted with a set of brass swan neck handles with shaped back plates, raised on bracket feet, 41 1/2” (105.4cm) high, 36” (91.5cm) wide £100-150

Lot 182

179. EARLY 19TH CENTURY MAHOGANY AND SATINWOOD CROSSBANDED PEMBROKE TABLE, the figures rounded oblong top above an oak lined frieze drawer and faux drawer front, both fitted with cast metal ring pull handles, raised on square tapering legs, outlined in boxwood stringing with castors, 28” (71.1cm) high, 33” (83.8cm) long, 19 1/4” (48.9cm) wide, 39 1/4” (99.7cm) wide extended £150-250 180. GEORGE III INLAID MAHOGANY SIDEBOARD, the oblong top with central bow front, surmounted by a low back with central shell inlay, above a bow fronted frieze drawer, flanked by a pair of deep drawers, one fitted as a cellerette, all fitted with brass ring handles with urn embossed backplates and decorated with boxwood and ebony banded inlays and quadrant fans to the corners, raised on six square tapering legs with brass castors, 43” (109.2cm) high, 66 1/2” (169cm) wide £400-600

178. WILLIAM IV CARVED MAHOGANY TILT TOP BREAKFAST TABLE, the moulded rounded oblong top above a square tapering, frame cut column with tulip carved collar, raised on a waisted quatrefoil platform base with large paw feet, 28” (71.1cm) high 57” x 44 1/2” (144.8cm x 113cm) £200-300 179. EARLY 19TH CENTURY MAHOGANY AND SATINWOOD CROSSBANDED PEMBROKE TABLE, the figures rounded oblong top above an oak lined frieze drawer and faux drawer front, both fitted with cast metal ring pull handles, raised on square tapering legs, outlined in boxwood stringing with castors, 28” (71.1cm) high, 33” (83.8cm) long, 19 1/4” (48.9cm) wide, 39 1/4” (99.7cm) wide extended £150-250 180. GEORGE III INLAID MAHOGANY SIDEBOARD, the oblong top with central bow front, surmounted by a low back with central shell inlay, above a bow fronted frieze drawer, flanked by a pair of deep drawers, one fitted as a cellerette, all fitted with brass ring handles with urn embossed backplates and decorated with boxwood and ebony banded inlays and quadrant fans to the corners, raised on six square tapering legs with brass castors, 43” (109.2cm) high, 66 1/2” (169cm) wide £400-600

181. EARLY NINETEENTH CENTURY MAHOGANY WIND OUT DINING TABLE, with two extra leaves, the oblong top with rounded corners above a plain frieze and raised on cabriole type legs, with later castors, 29” (73.7cm) high 41 1/2” (105.4cm) wide, 49 1/2” (125.7cm) long , fully extended £800-1200 182. EARLY NINETEENTH CENTURY MAHOGANY GAMES TABLE, the oblong top with sliding centre panel set for chess, enclosing an internal storage compartment, containing a turned boxwood and ebonised chess set, above a panelled frieze with scroll ends, raised on a fluted baluster column on a quatrefoil base with turned feet, 28 1/2” (72.4cm) high, 26 1/4” x 19 3/4” (66.7cm x 50.2cm) £200-300 183. SET OF FOUR EARLY NINETEENTH CENTURY MAHOGANY SINGLE DINING CHAIRS, each with reeded bar backs above a flat fronted seat, covered in clock studded antique red leather effect fabric, raised on reeded sabre forelegs with brown pot castors (4) (two with repairs to forelegs) £200-300 184. LATE NINETEENTH CENTURY FIGURED MAHOGANY TWIN PEDESTAL DESK, the moulded oblong top with gilt tooled green antique leather insert, above three frieze drawers and six drawers to the pedestals, fitted with turned knobs, raised on moulded plinth bases, 28 1/2” (72.4cm) high, 48” x 28” (121.9cm x 71.1cm) £400-500 185. NINETEENTH CENTURY ELM HIGH BACK WINDSOR ARMCHAIR, the arched top rail above a two part spindle back with pierced splat and turned front support, enclosing a solid saddle seat and raised on turned legs tied by a ‘H’ stretcher, cut down £80-120 186. NINETEENTH CENTURY ELM AND BEECH HIGH BACK WINDSOR ARMCHAIR, the arched top rail above a two part spindle back with pierced splat (loss to lower section) and turned front supports, enclosing a solid saddle seat and raised on turned legs tied by a crinoline stretcher, cut down £80-120

187. LATE NINETEENTH CENTURY OAK MULE CHEST, the oblong, moulded hinged top above four faux drawers and two short and one long drawer, fitted with brass swan neck handles, (2 missing) and oval escutcheon plates, flanked by quarter cut pilasters and raised on ogee bracket feet, 41” (104.2cm) high, 61” x 22 3/4” (155cm x 57.8cm) £150-250 188. SET OF SIX NINETEENTH CENTURY OAK AND ELM SPINDLE BACK SINGLE DINING CHAIRS, each with shaped top rail, above two rows of five spindles and rush seats, raised on tapering forelegs, tied by turned stretchers (6) £160-190 189. GOOD QUALITY MID VICTORIAN INLAID WALNUTWOOD AND FLORAL MARQUETRY CREDENZA, the centre glass panel door enclosing a blue velvet lined interior with a single shelf, flanked by cupboards enclosed by panel doors centred by rectangular panels of floral marquetry within a geometric framework in ebonised wood, the whole embellished with wood, the whole embellished with ormolu mounts and Ionic capitals to four turned and fluted detached columns flanking the doors, 6’ wide, 3’6” high £2000-3000 190. GOOD QUALITY PAIR OF WILLIAM IV STYLE MODERN REPRODUCTION ROSEWOOD AND MAHOGANY WRITING OF SIDE TABLE, each with rounded rectangular tops above plain frieze, raised on baluster turned end supports with conforming platform bases and scroll carved feet with brass castors, 29” (73.7cm) high 48” x 25 3/4” (122cm x 65.4cm) (2) £500-800 191. WILLIAM IV MAHOGANY AND ROSEWOOD TILT TOP BREAKFAST TABLE, the circular top with applied brass moulded edge to the rosewood frieze, above a plain tapering column with moulded collar, raised on a triform base with reeded orbicular feet, 29” (73.7cm) high, 47” (119.4cm) diameter £90-130 192. VICTORIAN CARVED MAHOGANY CHIFFONIER, the oblong top surmounted by an arched back with moulded outline, foliate cresting an later shelf with turned supports, above a moulded long frieze drawer and pair of cupboard doors with raised panels, flanked by scroll corbels and raised on a plinth base, 56 1/2” (143.5cm) high, 36” (91.5cm) wide £200-300

193. TWENTIETH CENTURY CARVED SOFTWOOD BLACK FOREST BEAR BENCH, the rustic arched back pierced with a bear holding branches of oak leaves above conforming downswept scroll arms and enclosing an oblong ‘rustic’ seat, raised on a pair of bear pattern end supports, modelled with glass eyes and open mouths (one lacking both lower incisors) 31 3/4” x (80.7cm) high, 57” (144.8cm) wide £2500-3500

Lot 189

194. EARLY NINETEENTH CENTURY MAHOGANY LIBRARY BOOKCASE, THE UPPER SECTION ENCLOSED BY TWO GLAZED PANE PANEL DOORS, ON ADVANCED TWO DOOR CUPBOARD BASE, ON SPLAY BRACKET FEET, 3’6” WIDE, 6’10” HIGH (lacks cornice) £100-150 195. EARLY NINETEENTH CENTURY INLAID MAHOGANY CHEST OF DRAWERS, the moulded oblong top above two short and three long graduated drawers, fitted with a later set of copper ring handles with floral embossed backplates and decorated with boxwood and ebony banded inlays and quadrant fans to the corners, flanked by quarter cut pilasters, raised on ogee bracket feet, 42 1/4” (107.3cm) high, 46” x 21 3/4” (116.8cm x 55.3cm) £200-300

Lot 193

196. EARLY NINETEENTH CENTURY MAHOGANY DROP LEAF DINING TABLE, the rounded oblong top with reeded edge, above a conforming frieze raised on square tapering legs, 28 1/2” (72.4cm) high, 36” (91.5cm) wide, 54 1/2” (138.4cm) long, extended £120-180 197. ANTIQUE OAK AND FIGURED WALNUTWOOD TWO PART CHEST OF DRAWERS in the Jacobean taste, the moulded oblong top above two pairs of graduated drawers, each with faux two drawer moulded fronts, fitted with brass handles with petal shaped back plates, 34 3/4” (88.3cm) high, 37 1/2” x 24 1/4” (95.3cm x 61.6cm) £400-500

Lot 197

198. ANTIQUE OAK AND PINE COMPOSITE STORAGE CHEST, the moulded oblong hinged top above fielded panelled front and sides, 19” (48.3cm) high, 47” x 15 1/2” (119.4cm x 39.4cm), probably made from a larger piece £80-120 17

199. NINETEENTH CENTURY ASH, ELM AND FRUITWOOD WINDSOR ARMCHAIR, the two part back with pierced splats, spindles and turned arm supports, enclosing a solid seat and raised on turned legs tied by a ‘H’ stretcher £80-120 200. ANTIQUE BRASS BOUND OAK BARREL PATTERN STICK STAND, oval, 24 1/4” (61.6cm) high £30-50

Lot 181

Lot 201

201. LATE NINETEENTH/EARLY TWENTIETH CENTURY EBONISED TWO FOLD DRAUGHT SCREEN, the reeded framework enclosing two glazed Chinese hand embroidered silk panels, depicting matching scenes of goats beneath flowering rockwork and exotic birds, backed with striped floral, 58 3/4” (149.3cm) high, 53” (134.6cm) wide, open (damage to silk) £100-150 202. LARGE NINETEENTH CENTURY CAST IRON GARDEN URN on pedestal base, part fluted, flared form, above a baluster shaped column and square moulded base, decorated with foliate scroll motifs and wreaths, 44” (111.8cm) high, 24 1/2” (62.2cm) diameter, grey painted with remnants of white paint to the detail (chip to rim with plate over) £200-400

Lot 202

203. VICTORIAN MAHOGANY INVALIDS BEDSIDE READING TABLE, the oblong top with twin adjustable lift up book holders (lacking supports), above a turned telescopic part fluted column with brass fittings and shaped platform with turned feet and brass castors, 28 1/4” (71.7cm) high, 33” x 17 1/2” (83.8cm x 44.5cm) £200-300 204. VICTORIAN CARVED WALNUTWOOD GENT’S EASY OPEN ARMCHAIR, WITH SHOW-WOOD FRAME, the shaped top rail above a deep buttoned tapering back, outswept arm with elbow pads and scroll supports and a bow fronted stuff over seat, covered in pale green plush, raised on turned and part fluted forelegs with white pot castors £120-150

Lot 210 18

205. NINETEENTH CENTURY MAHOGANY FOLD OVER TEA TABLE, the moulded oblong top above a single cockbeaded short drawer to the frieze, raised on square moulded tapering legs, 28 3/4” (73cm) high, 362 (91.4cm) wide £120-180

206. VICTORIAN FIGURED WALNUTWOOD DAVENPORT DESK, the gilt tooled green leather inset fall front, enclosing for short drawers to the interior and surmounted by a cushion mounted stationary box with fitted interior and brass galleried rail to the hinged top, above four drawers and four faux drawers, fitted with turned knobs raised on carved scroll fore support to a shaped plinth base with castors £400-500 207. VICTORIAN CARVED WALNUT AND BURR WALNUT FOLD OVER PEDESTAL CARD TABLE, the moulded rounded rectangular swivel top above a plain frieze carved and turned column, raised on four downswept moulded supports with scroll feet and white pot casters 30” (76.2cm) high, 36” (91.4cm) wide £120-180 208. VICTORIAN CARVED MAHOGANY TOILET MIRROR, the oblong mirrored plate with arch top and moulded frame, flanked by double ‘C’ scroll supports and raised on a shaped base with lidded compartment and leaf carved feet, 31 1/4” (79.4cm) high, 32” (81.3cm) wide £100-150 209. LATE 19TH CENTURY HAND PAINTED FOUR FOLD LEATHER DRAUGHT SCREEN, with wavy top, decorated with parrots amongst vases of colourful flowers and fruits on a marble top table, unsigned, the reverse coloured in old gold and black chinoiserie fabric, 67” (170.2cm) high 65” (165.1cm) wide, one panel with 2 tears in leather £300-400 210. LATE NINETEENTH/EARLY TWENTIETH CENTURY ITALIAN PICTORIAL MARQUETRY INLAID AND FRET CARVED OLIVEWOOD WALL SHELVES, of three quadrant shaped tiers, tied by shaped foliate scroll pierced back panels with four inlaid ovals containing dancers, street vendors etc. 33” (83.8cm) high, 10 5/8” (27cm) wide TOGETHER WITH A SIMILAR SMALLER WALNUTWOOD WALL BRACKET with single oval panel depicting figures dancing, 12 1/2” (31.8cm) high (2) £100-150

211. VICTORIAN WALNUTWOOD CABRIOLE LEG SQUARE TOP STOOL (in need of upholstery) 22” square £150-250 212. VICTORIAN FIGURED WALNUTWOOD AND MARQUETRY INLAID SIDE CABINET, the later moulded breakfront top above a central arched panel, flanked by freestanding columns, and pair of matching cupboard doors, all later fitted with bevelled edge mirrored glass panels and inlaid in boxwood with foliate scrolls, raised on a breakfront plinth base, 32 1/2” (82.5cm) high, 46 1/2” (118.1cm) wide £200-300 213. EARLY VICTORIAN STAINED PINE TWO PART FLOOR STANDING CORNER CUPBOARD, the moulded cornice above a pair of two panelled, flat fronted cupboard doors and canted uprights, enclosing three fixed shelves and three spice drawers to the painted interior, the conforming lower section with single panels to the cupboard doors, 80 1/4” (203.8CM) high, 43 1/4” (109.9cm) wide £100-150 214. VICTORIAN CARVED OAK BUREAU, the moulded oblong top surmounted by a short back with scroll carved cresting, above a panelled fall front, enclosing pigeon holes and short drawers to the interior, over three long drawers carved with scrolls and mask pull handles, raised on a plinth base with brown pot castors, 46 1/2” (118.1cm) high, 35” (88.9cm) wide £100-150 215. VICTORIAN MAHOGANY MUSIC CANTERBURY with basal drawer, on turned legs, ending in in bucket castors £300-400 216. VICTORIAN CARVED WALNUT AND BURR WALNUT LIBRARY OPEN BOOKCASE, the upper section with moulded cornice and later fitting interior and lacking doors, the advanced lower section with moulded oblong top above a pair of panel moulded cupboard doors with floral carved panels to the cupboards, raised on a plinth base, 88 1/2” (224.8cm) high, 37 1/2” (95.3cm) wide £250-350

217. VICTORIAN MARQUETRY INLAID AND GILT METAL MOUNTED FIGURED WALNUTWOOD SIDE CABINET, the oblong top above an inlaid frieze and glazed cupboard door, enclosing two gilt edged adjustable shelves to the plush lined interior, flanked by conforming uprights with foliate pierced mounts and raised on a chamferred plinth base, 40” (101.6cm) high, 33 1/2” x 12 3/4” (85.1 x 32.4cm) £200-300 218. NINETEENTH CENTURY FIGURED MAHOGANY TWIN PEDESTAL SIDEBOARD, the moulded inverse breakfront top with low back , above a long flame cut and moulded drawer, flanked by conforming drawers and panelled cupboard doors to the pedestals, raised on plinth bases, 41” (104.1cm) high, 72 1/22 (184.1cm) wide £300-400

223. EDWARDIAN INLAID MAHOGANY WRITING DESK, with display cabinet top, the shaped cornice with central oval fan inlay, above a pair of nine panel bevel edged doors, enclosing an adjustable shelf to the interior, over an open shelf with turned fore supports, the lower section with moulded oblong top above a fall front with oval fan inlay, enclosing pigeon holes, short drawer and gilt tooled black morocco writing surface to the interior, over a long frieze and two short drawers to the kneehole, raised on a square tapering legs tied by ‘X’ stretcher and undertier, the front outlined in satinwood banded inlays, 86 1/2” (221cm) high, 33 1/2” (85.1cm) wide £400-600

224. EARLY 1900’S ARTS AND CRAFTS OAK HALL ROBE, of tall tapered form with projecting moulded canopy top, open beneath with a hanging robe under enclosed by a panelled door, glazed with four convex glass panes, flanked by two inset embossed oxidised metal plaques, 78 1/2” high £300-400 225. 19TH CENTURY COMPOSITE MAHOGANY AND LINE INLAID OPEN BOOKCASE ON CUPBOARD BASE, the moulded cornice above three adjustable shelves and flushed uprights, the advanced lower section with a pair of panelled cupboard doors, raised on a plinth base, the front decorated with ebony line and dot inlays, 93 1/2” (237.5cm) high, 51 1/2” (130.8cm) wide £300 - 400

219. GOOD QUALITY EARLY TWENTIETH CENTURY MAHOGANY DROP LEAF DINING TABLE, the moulded oval top above a plain frieze, raised on six shell and ribbon tied bell husk capped cabriole legs with claw and ball feet, 30 3/8” (77.2cm) high, 57” (144.8cm) wide, extended £200-300 220. GOOD QUALITY SET OF SIX EARLY TWENTIETH CENTURY QUEEN ANNE STYLE MAHOGANY DINING CHAIRS, typical form with vase shaped splats over flat fronted drop in seats, covered in green leather effect fabric, on cabriole style forelegs (6) £180-250 221. ANTIQUE MAHOGANY GATELEG DINING TABLE, the ‘D’ shaped drop leaves making a circular top, above a shaped frieze raised on tapering semi cabriole legs with pad feet, 29” (73.7cm) high, 48” (122cm) diameter £120-180

Lot 217

222. VICTORIAN CARVED MAHOGANY CIRCULAR TILT TOP BREAKFAST TABLE, above a plain frieze, raised on a turned column with jewelled knop and three leaf capped downswept legs with scroll carved feet, 28 1/2” (72.4cm) high, 48” (122cm) diameter (one foot repaired) £250-350 Lot 218

226. GOOD QUALITY EARLY TWENTIETH CENTURY MAHOGANY WIND OUT EXTENDING DINING TABLE, with an additional leaf, the oval top with gadrooned carved edge, above a deep frieze and raised on cabriole legs with claw and ball feet and brass castors, 30” (76.2cm) high, 42” (106.7cm) wide, 53 3/4” (136.5cm) long, 72” (182.9cm) long extended £500-700

232. MID VICTORIAN CARVED ROSEWOOD CHAISE LONGUE, the moulded show wood frame with raised corner and down swept top rail enclosing a deep buttoned back and arm with foliate carved scroll supports, above a stuffover serpentine fronted seat, raised on extended scroll supports, with brass castors, 78” (198.1cm) wide £500-700

227. PAIR OF GEORGE II STYLE MAHOGANY LADIES AND GENTLEMAN’S WING BACK ARMCHAIRS, with shaped top rails and cabriole fore supports tied by turned stretchers, the gentleman’s chair covered in red striped floral fabric, the ladies in black hide (2) £200-300

233. TWENTIETH CENTURY ORIENTAL CARVED AND PAINTED BLACK LACQUERED FOUR FOLD SCREEN, decorated to both sides , one side with exotic birds and coloured flowering foliate, within a border of stylised gilt insects, the other side with flowering leafy foliage within a geometric and stylised foliate border, raised on gilt banded peg feet, 71 3/4” (182.3cm) high, 64” (162.6cm) wide £100-150

228. PAIR OF GEORGIAN STYE MAHOGANY OCCASIONAL TABLES, oblong with galleried tops above a frieze drawer to a short side, raised on square legs, tied by an undershelf, 25 1/4” (64.1cm) high, 24” x 20” (61cm x 50.8cm) (2) £80-120

Lot 223

229. GEORGIAN STYLE MAHOGANY LONG STOOL/WINDOW SEAT, oblong with drop in brown leather covered seat and six square legs, tied by pierced stretchers, 19 1/4” (48.9cm) high, 42” x 14 3/4” (106.8cm x 37.5cm) £80-120 230. MATCHED TEN PIECE REGENCY STYLE REPRODUCTION MAHOGANY DINING ROOM SUITE, COMPRISING GOOD QUALITY TWIN PEDESTAL DINING TABLE, with two extra leaves by William Tillman, 28 1/2” (72.4cm) high, 41” (104.2cm) wide, 61” (155cm) long, 9” (241.3cm) long extended, BREAKFRONT SIDEBOARD, with line inlaid and figured cupboard doors, four short frieze drawers and bracket feet, 36” (91.5cm ) high, 71” (108.3cm) wide ON A SET OF SIX BRASS INLAID SINGLE DINING CHAIRS with ‘X’ splat and sabre forelegs and and A PAIR OF SIMILAR CARVER ARMCHAIRS (10) £100 - 150

Lot 224 20

231. EARLY TWENTIETH CENTURY DOUBLE CARVED THREE PIECE BERGERE SUITE, the carved walnutwood show wood frames with shell capped vase shaped splats, straight arms with outswept scroll terminals and scroll supports, enclosing flat fronted seats and raised on claw and ball feet with brass castors, upholstered in grey cord type fabric with loose cushions, the three seater settee 78” (198.1cm) wide (3) £1500-2500

234. EARLY TWENTIETH CENTURY CARVED WALNUTWOOD WRITING DESK, the split oblong top with pedestal of two short drawers and pigeon hole over a gilt tooled burgundy leather inset writing surface, to the right hand side and galleried rail over writing slips with matching leather inset top and interior or pigeon holes and a drawer, above a single pedestal of four short graduated drawers fitted with brass swan neck handles, the left hand side with faux frieze drawer above square tapering legs with brown pot castors and tied by stretchers, 41 1/2” (105.4cm) high, 42 1/2” (108cm) wide £250-400 235. EDWARDIAN LINE INLAID MAHOGANY DISPLAY CABINET, the moulded cornice above a scroll inlaid frieze and 18 panelled astragal glazed cupboard door with panel to the base, enclosing two shelves to the silk lined interior, raised on cabriole legs, 74” (188cm) high, 30” (76.2cm) wide £180-250 236. 1920’s MAHOGANY COMBINATION MUSIC AND DISPLAY CABINET, the moulded oblong top surmounted by a short, flame cut back above a glazed door, enclosing a fixed shelf to the cream satin lined interior, over three flame cut fall front drawers, fitted with gilt metal handles, raised on square tapering legs, 47” (119.4cm) high, 21 1/4” (54cm) wide £80-120

237. EARLY TWENTIETH CENTURY OAK WIND-OUT EXTENDING DINING TABLE, with two extra leaves, the oval moulded top above a plain frieze, raised on ‘C’ scroll capped cabriole legs with claw and ball feet, 29 1/4” (74.3cm) high, 48 1/4” (122.5cm) wide, 55” (140cm) long, 94” (234cm) long extended, TOGETHER WITH A SET OF SIX GOOD QUALITY EARLY TWENTIETH CENTURY CARVED OAK SINGLE DINING CHAIRS, by Thomas Turner and Co., Manchester, each with square padded backs above foliate carved back rail, flat fronted stuff-over seats, covered in old gold moquette and raised on reeded and turned forelegs with brass castors tied by a moulded ‘H’ stretcher (7) £500-700 238. EARLY TWENTIETH CENTURY LARGE MAHOGANY PEDESTAL DESK, the moulded oblong top above two slides, three frieze drawers and six conforming drawers to the panelled pedestals, fitted with brass pull handles, tied by a conforming back panel and raised on moulded plinth bases, 32” (81.3cm) high, 66 3/4” x 37” (169.5cm x 91.4cm) later oak faced plywood top nailed to original top £600-900 239. EARLY TWENTIETH CENTURY MAHOGANY WINDOUT DINING TABLE, with two extra leaves, the rounded gadrooned moulded top above a plain frieze and raised on cabriole legs with brass castors, 30 1/4” (76.8cm) high, 48” (122cm) diameter and the PAIR OF OBLONG LEAVES, 94” (238.7cm) long, fully extended £300-500

242. EARLY TWENTIETH CENTURY CAPTAINS TYPE OAK DESK SWIVEL ELBOW CHAIR, typical form with pierced splat, studded red leather seat, raised on four downswept supports with castors £75-125 244. CIRCA 1920’s GEORGIAN STYLE MAHOGANY BUREAU BOOKCASE £150-250 245. EARLY TWENTIETH CENTURY CARVED MAHOGANY CHEVAL FIRE SCREEN, inset with oriental black silk work panel hand worked in colours with birds above above ribbon tied bouquet of roses, glazed in a moulded frame with gilt cut top carrying handle and short downswept supports, 40 1/4” (102.3cm) high £30-50 246. TWENTIETH CENTURY CROSSBANDED AND LINE INLAID MAHOGANY DINING TABLE, the circular top above a line inlaid frieze, raised on square tapering legs, 29” (73.7cm) high , 51” (129.5cm) diameter £150-200 247. GEORGIAN STYLE MODERN REPRODUCTION WALNUT TWIN PEDESTAL DESK, th gadroon moulded oblong top with gilt tooled antique and leather effect insert, above three moulded darwers and five drawers to the pedestals, fitted with a set of brass swan neck handles, raised on claw and ball feet, 29” (73.7cm) high 60” x 36” (152.4cm x 91.5cm) £300-500

Oil Paintings 248. ELEANOR WATT SCOTTISH, Bridge of Weir OIL PAINTING ON BOARD ‘Looking for newts’ two young children fishing in a stream signed and dated (19) ‘85 and labelled verso 12” x 16” (30.5cm x 41cm) £100-150 249. CONTINENTAL SCHOOL (c.1970’s) OIL PAINTING ON CANVAS Alpine river landscape indistinctly signed lower left 24” x 36” (61cm x 91.5cm) £150-250 250. BRITISH SCHOOL (late eighteenth century) OIL PAINTING ON CANVAS, OVAL Bust length portrait of a gentleman in military uniform, his powdered wig en queue unsigned 12” x 10” (30.5cm x 25.5cm) (on replaced stretcher, the original gilt frame with added depth) £400-600 251. MICHAEL HILL (modern) OIL PAINTINGS ON BOARD, A PAIR Winter landscapes with buildings signed lower left and right respectively 9 1/2” x 7 1/2” (24cm x 19cm) £60-80 252. GEORGE REEKIE (b.1911) OIL PAINTING ON CANVAS Still life with anemones signed lower right, labelled verso 14”x 36” (35.5cm x 91.5cm) (unframed) £200-300

240. SET OF EIGHT EARLY TWENTIETH CENTURY QUEEN ANNE STYLE MAHOGANY DINING CHAIRS, comprising; PAIR OF CARVER ARMCHAIRS AND SIX SINGLE CHAIRS, typical form with vase shaped splats, cabriole forelegs and brown antique leather effect covered in seats, flat fronted (8) £120-180 241. 20TH CENTURY CARVED OAK PORTABLE ALTAR BY MARTIN ‘LIZARDMAN’ DUTTON, the arch top heavily carved frieze of fruiting and leafy vines above a pair of panelled cupboard door, with carved lizards to both handles, enclosing an interior with carved back, drop down relief and cross, 93” (236.2cm) high, 52” (132.1cm) wide £100-150 Lot 237 21

253. JOHN GULLIE MILLAIS (1865-1931) OIL PAINTING ON CANVAS Tract of Scottish heath land with five grouse in the foreground, an estuary and hills beyond signed with monogram and dated 1902 lower left 20” x 30” (51cm x 76cm) £400-600

Lot 253

254. CIRCLE OF E.J. NIEMANN (181318760 OIL PAINTING ON CANVAS River landscape with figures in the foreground, a castle beyond unsigned 16” x 24” (40.5cm x 61cm) (in need of cleaning and repair to holes £250-350 255. CIRCLE OF C.M. POWELL (17751824) OIL PAINTING ON RELINED CANVAS Shipping in a stiff breeze off the Dutch coast unsigned 26 1/2” x 32 3/4” (67.5cm x 83.5cm) (flaking painting to the foreground and unframed) £2000-3000

Lot 255

Lot 257

Lot 259 22

Lot 258

256. MARY VERNON (c.1820-1885) OIL PAINTING ON BOARD Still life study of roses on a natural background signed 6 1/4” x 8 1/4” (16cm x 21cm) £50-80 257. JOHANN GEORG VON DILLIS (17591841) LATE NINETEENTH CENTURY OIL PAINTING ON PAPER ‘Lake Tergensee with Schloss in the foreground, alpine background signed with intials ‘G.R.’ left foreground 9” x 12” (23cm x 30.5cm) £8000-12000 258. JOHN EMMS (1843-1912) OIL PAINTING ON PANEL Boy fishing by a river with two women looking on from a wooden bridge signed lower left 15 1/2” x 11 1/2” (39.5cm x 29cm) £400-600 259. PRANAS DOMSAITIS (SOUTH AFRICAN 1880-1965) OIL PAINTING ON PANEL South African landscape with small white houses, three figures on a road in the foreground signed lower right 15” x 24” (38cm x 61cm) £2000-3000

260. A. LOWE OIL PAINTING ON PANEL Poultry and pet rabbits signed 8” x 10” (20.3cm x 25.4cm) £50-80 261. A.P LAMBERT (20TH CENTURY) OIL PAINTINGS ON CANVAS, A PAIR ‘La Porte St Denis’ and ‘Notre Dame et let Quais’ Both signed lower left, labelled and inscribed verso 9 1/2” x 13” (24cm x 33cm) £300-400 262. A. AUSTEN (EARLY 20TH CENTURY) OIL PAINTING ON CANVAS An interior with a Chelsea pensioners drinking at a table opposite an elderly bearded man, signed lower right 10” x 14” (25.5cm x 35.5cm) £300-400

268. UNATTRIBUTED OIL PAINTING ON CANVAS Mountainous landscape at sunset with river rapids in foreground circa 1900 22” x 29” (56cm x 74cm) £100-150 269. JOSEF IZAKY (twentieth century) MIXED MEDIA ‘Port of Accra’ signed, titled to label on mount 13 1/2” x 19 1/2” (34.3cm x 49.5cm) £50-80 270. A. BLAELLORS (?) Norwegian (late nineteenth/early twentieth century) OIL ON CANVAS ‘Naeroyfjord’ signed, titled to stretcher verso 14 1/2” x 22 1/2” (36.8cm x 57.2cm) £50-80

263. CONTINENTAL SCHOOL (20TH CENTURY) OIL PAINTING ON BOARD Flowers in a vase against a white draped cloth Indistinctly signed lower right 19 1/4” x 15 1/2” (49cm x 39.5cm) £300-400

271. W.J. WORTHINGTON (EARLY TWENTIETH CENTURY) OIL PAINTING ON BOARD Country lane with thatched cottages and a church in the background signed 15 1/4” x 19 1/2” (38.8cm x 49.5cm) £120-180

264. GEORG LODSTROM (1915-1972) OIL ON CANVAS LAID ON BOARD ‘Granada’ signed, titled and dated (10) 56 8 1/4” x 10” (21cm x 25.4cm) £300-400

272. DANDE (?) (twentieth century) OIL PAINTING ON CANVAS River landscape in winter signed 19 1/2” x 23 1/2” (49.5cm x 59.7cm) £60-90

265. NINETEENTH CENTURY BRITISH SCHOOL OIL PAINTING ON CANVAS River landscape with couple sated in foreground, others boating, large houses in the woodland inscribed to the back Higher Broughton, Manchester 9” x 13” (22.8cm x 33cm) later framed £100-150

273. UNATTRIBUTED (twentieth century) OIL PAINTING ON BOARD Still life - three roses in a vase indistinctly signed 9” x 7 1/4” (22.9cm x 18.4cm) £50-75

266. NINETEENTH CENTURY EUROPEAN SCHOOL OIL PAINTING ON CANVAS Tavern interior, bearded elderly man carousing with seated young maiden, a peeping tom through a small cupboard door above 12” x 9” (30.5cm x 22.8cm) gilt framed £120-180 267. NINETEENTH CENTURY ENGLISH SCHOOL OIL PAINTING ON CANVAS ‘Reading the tea leaves’ interior with three female figures 16” x 13 1/2” (41cm x 34cm) £100-150

277. C. BELLIANI (20TH CENTURY) PAIR OF OIL PAINTINGS ON BOARD Flower Pickers Signed 9” x 11 1/2” (22.8cm x 29.2) (2) £400-600 278. EDWIN M. BODDINGTON OIL PAINTING ON CANVAS (relined) ‘West of BEDDGELERT 1864’ landscape 11 1/4” 9 1/4” £200-300 279. WILLIAM STONE (nineteenth/twentieth century) OIL PAINTING ON CANVAS Rural landscape with figure on a path beside a thatched cottage 11 1/2” x 23 1/2” signed lower right £100-200 280. HERMAN KRAUSE OIL ON CANVAS Still life, fruit, nuts, wine glass and comport on a table Signed and dated 1921 26” x 27” (66cm x 94cm) £400-600 281. UNATTRIBUTED IN THE STYLE OF GEORGE CATTERMOLE (nineteenth century) OIL ON PANEL Interior scene with figures unsigned 8 1/2” x 7” (21.6cm x 17.8cm) £80-120

274. UNATTRIBUTED (twentieth century) OIL PAINTING ON RE-LINED CANVAS Rural town scene with figures and church 12” x 9” (30.5cm x 22.9cm) £50-75 275. C.W. OSWALD (late nineteenth century) OIL PAINTINGS ON CANVAS, A PAIR Scottish Highlands with cattle watering at loch sides signed lower left and lower right 24” x 20” (61cm x 51cm) £200-300 276. EDITH B. ROWLAND (Exh. 1910-40) OIL PAINTINGS ON CANVAS, A PAIR ‘Cathedral of Notre Dame, Paris’ and ‘Sunset on the River Rhone near Tournon’ each signed, one dated 1909 each inscribed in pencil on stretcher 20” x 29” (51cm x 74cm) (the former picture water damaged) £300-400

Lot 266

282. JENS KJAER (twentieth century) OIL ON CANVAS ‘Fighting bull’ signed 59” x 39 3/4” (150cm x 99.5cm) £60-90

287. ADRIAN C. RIGBY (b.1942) BODY COLOUR DRAWING Kingfisher perched upon a branch overlooking a river signed lower right 11 1/2” x 15 1/2” (29cm x 39.5cm) £250-350

Watercolour Drawings

283. D. GRAHAM GOUACHE DRAWING Continental lake scene with sailing boats, steam yacht, mountainous background signed 11” x 5” (28cm x 13cm) £80-120

Lot 284

284. H. GILLARD GLINDONI R.B.A., ARWS (1852-1913) WATERCOLOUR DRAWING Lady in sedan chair conversing with a gentleman entitled verso an artists label ‘Gossip a la Mode’ No. 1 signed and dated 1911 20” x 14” (50.7cm x 35.4cm) £400-600 285. VERONICA DE MATHEIS, FLORENCE AFTER FRA FILIPPO LIPPI WATERCOLOUR DRAWING Madonna and child and two angels signed with address verso 13” x 8 1/2” (33cm x 21.5cm) (The original in the Uffizi, Florence) £300-500 286. TOM CLOUGH (1867-1943) WATERCOLOUR a view of Downham, Lancashire signed lower right 16 1/2” x 25” (42cm x 63.5cm) £400-600

288. DAVID JONES (1895-1974) PENCIL, RED, YELLOW, GREEN AND BLUE CRAYON Study of woodland, drawn when the artist was at Bowdon House, Harrow in 1947 and fore shadowing his ‘Vexilla Regis unsigned Identified in June 1998 at BBC Antiques Road show at Lyme Park, Cheshire valued at £400/600 £800-1200 289. JOHN H. TYSON (Exh. 1886-1905) WATERCOLOUR ‘A bend in the Mawddach, Vale of Dolgelly, N. Wales’ signed lower left, titled in pencil in artist’s hand on back board 9 1/2” x 15” (24cm x 38cm) £90-130 290. BRITISH SCHOOL AFTER VANDYCK (nineteenth century) BLACK CHALK, WATERCOLOUR AND BODYCOLOUR The Madonna and child in majesty rising upon a cloud surrounded by putti, figured in adoration below the mount inscribed ‘Vandyck’ and ‘Palermo’ 13 1/2” x 9 1/2” (34cm x 24cm) £200-300

Lot 285

Lot 287 24

291. CONWAY LLOYD JONES (Exh. 1871-81) WATERCOLOUR, A PAIR River landscape signed and dated 1894 lower left and right respectively 12 3/42 x 19 1/2” (32.5cm 49.5cm) (some fixing and one with tear) £150-200 292. EDWIN BENT WALKER (Exh. 1892-1903) WATERCOLOUR WITH BODYCOLOUR ‘Delamere Forest’ signed and inscribed lower right 13 3/4” x 20 1/4” (35cm x 51.5cm) £80-120 293. FRIEDRICH WILHELM KEYL (1823-1871) PENCIL, COLOUR TINT, HEIGHTENED IN WHITE A sketchbook sheet of studies of dogs and a street musician inscribed in German, date Brussel (s) 1846 5 1/2” x 6 3/4” (14cm x 17cm) £100-150 294. PETER DE WINT (1784-1849) WATERCOLOUR DRAWING Landscape with cottage and figures by a cart 7 1/2” x 10 3/4” (19cm x 27.2cm) £200-300 295. NINETEENTH CENTURY WATERCOLOUR DRAWING VIEW OF A CONTINENTAL LAKE with town in middle distance signed Copley Fielding 1847 9 1/2” x 13 1/2” (24cm x 34.2cm) and an UNATTRIBUTED NINETEENTH CENTURY WATERCOLOUR DRAWING seated figure 11” x 8 3/4” (27.8cm x 22.1cm) £100-150 296. FRANCIS NICHOLSON (1753-1844) SEPIA WATERCOLOUR DRAWING ‘Near Beddgelrt, North Wales’ signed and titled verso 5 1/2” x 7 3/4” (14cm x 19.7cm) £100-200 297. PAUL SANDBY MUNN, SEPIA WATER COLOUR DRAWING, Group of five figures resting on top of a bank, two donkeys with pannier below signed 6 1/4 in. x 8 3/4 in. (16 x 22.5cm) £80-120 298. CHARLES PYNE (b.1842) SEPIA WATERCOLOUR DRAWING Hastings Beach signed Chas Pyne 8” x 12 1/2” (20.3cm x 31.8cm) £40-60

299. B. MASON GOUACHE DRAWING Still life, pot plant in a window signed 26” x 21” (65cm x 52.5cm) £100-150 300. B. MASON GOUACHE DRAWING Still life with bowl of fruit pot plant and jars signed and dated (19) 84 9” x 18” (22.5cm x 45cm) £80-120 301. UNATTRIBUTED (early twentieth century) WATERCOLOUR ‘Haworth Main Street’ unsigned, titled verso 10 1/2” x 14 1/2” (26.7cm x 36.8cm) £40-60 302. H. McARTHUR (early twentieth century) WATERCOLOUR Bygone Manchester street scene ‘The Rovers Return’ signed and dated 1873 10 1/4” x 15” (26cm x 38.1cm) £120-180

Lot 294

Lot 286

303. ARTHUR ASPINALL (early twentieth century) WATERCOLOUR DRAWING ‘Crowborough Beacon’ signed, titled to mount 9 1/2” x 12 1/5” (24.1cm x 31.1cm) 304. THOMAS MATTHEW ROOKE (18421942) WATERCOLOUR DRAWING Continental market scene with knife grinder ‘Lisieux, Normandy’ initialled , titled and dated 1891, titled to label verso 13 1/2” x 11” (34.3cm x 28cm) £80-120

Lot 295

305. MARJORY WADDAMS (twentieth century) WATERCOLOUR Rural scene with trees and cottages signed 9” x 14” (22.9cm x 35.6cm) £20-30 306. ALLONGE (late nineteenth/early twentieth century) FRENCH WATERCOLOUR DRAWING Wooden landscape ‘Vue du Plateau’ signed, titled to plaque on frame 12 3/4” x 19” (32.4cm x 48.3cm)

307. A. HARRISON (late nineteenth century) WATERCOLOUR DRAWING Still life, birds nest and posy of flowers against a mossy bank signed and dated (18) ‘86 7 3/4” x 10 1/2” (19.7cm x 26.7cm) £80-120 308. R.H.L. (early twentieth century) WATERCOLOUR ‘Peel Harbour’ initialled and titled TOGETHER WITH A SIMILAR WORK, presumably by the same hand but unsigned 9 3/4” x 14” (24.8cm x 35.6cm) and 10” x 13 3/4” (25.4cm x 34.9cm) (2) £150-250

Lot 308

309. LOUIS VAN STAATEN (HERMANUS II KOEKKOEK), (1836-1909) WATERCOLOUR DRAWING Canal scene with moored boats ‘Amsterdam’ signed, titled to mount 16” x 12” (40.7cm x 30.5cm) £200-300 310. M.T. (mid nineteenth century) WATERCOLOUR DRAWING Rural landscape with sheep in the foreground initialled and dated 1852 6” x 8 1/2” (15.2cm x 21.6cm) £50-80 311. JOHN HUGHES CLAYTON (fl. 1891-1929) WATERCOLOUR ‘A Cheshire Cottage’ Signed lower left, inscribed verso 10 1/2”x 18” (26.5cm x 46cm) £200-300 312. JOHN BARAGWANATH KING (1864-1939) WATERCOLOURS, SET OF THREE Views probably Dartmoor, Devonshire each signed in glazed gilt frames (3) £220-280 313. LOUIS BURLEIGH BRUHL R.B.A (1861-1942) WATERCOLOURS, A PAIR Views of Bruges Signed lower left and right respectively 21” x 14” (53.5cm x 35.5cm) £250-350

Lot 309

314. J.H. GRIFFITHS WATERCOLOUR DRAWING ‘Silver Strand, Loch Katrine’ signed and dated 1924 14” x 21” (35.5cm x 53.3cm) (tear running from base up through centre, 4 1/22 approx, foxed) £40-60 315. P.M. TEESDALE (twentieth century) WATERCOLOUR ‘Newhaven’ signed and titled 10” x 13” (25.4cm x 33cm) £30-40

316. ANNIE M. PARSONS PAIR OF WATERCOLOURS ‘Loch Earn’ and ‘Loch Leven’ signed 11” x 29” ( 28cm x 73.5cm) £50-80

325. JOHN KEELEY (Birmingham 1849-1930) WATERCOLOUR DRAWING Landscape with trees signed and titled verso 8” x 10 1/2” (20cm x 27cm) £50-80

317. H. ENGLISH (early twentieth century) WATERCOLOUR Figure on country path beside a thatched cottage’ signed 11 1/2” x 17 1/2” (29.2cm x 44.5cm) £100-150

326. BLAIN PEN AND WASH DRAWING ‘Trees’ signed 9 1/2” x 13 1/2” (24cm x 34cm) £50-80

318. G. BENTLY (early twentieth century) PAIR OF WATERCOLOUR DRAWINGS River landscapes with cattle and moored row boats both signed 10 1/2” x 15” (26.7cm x 38.1cm) (2) £300-400

327. NICHOLAS RIEWSKY PASTEL DRAWING ‘Le General’ stylised cockerel initialled and dated 1967 18” x 12” (46cm x 30cm) £20-30

319. RICHARD THORNTON (twentieth century) WATERCOLOUR ‘Stanley Place, Chester’ signed, titled to label verso 16” x 10 1/2” (40.6cm x 26.7cm) MADGE PYKE (twentieth century) MIXED MEDIA Cottage in highland landscape 14 1/2” x 22” (36.8cm x 55.9cm) (2) £60-80

328. G.N. GREEN (twentieth century) PEN AND INK ‘Farm at Entwistle’ signed 10” x 15 1/4” (25.4cm x 38.7cm) TOGETHER WITH ANOTHER BY SAME HAND WATERCOLOUR DRAWING ‘Wayoh reservoir, Entwistle’ signed 13” x 20 1/4” (33cm x 51.4cm) (2) £40-60

320. FRANCIS B. TIGHE (nineteenth/twentieth century) WATERCOLOUR DRAWING Royal Exchange Manchester’ signed and dated 1896 17 1/2” x 11 3/4” £400-600

329. C.M.C. (Twentieth Century) WATERCOLOUR DRAWING Cityscape initialled and dated (19) 98 20 3/4” x 11” (52.7cm x 27.9cm) £50-80

321. WALTER EASTWOOD (1867-1943) WATER COLOUR DRAWING Water mill with mill stream, horse drawn wagon waiting with poultry in the yard Signed and dated (19)’39 20in x 24in £300-400 322. JOHN HUGHES CLAYTON (Exh.) WATERCOLOUR ‘Preparing the boats’ signed and titled to the mount 11 1/2” x 20 1/2” (29.2cm x 52cm) £180-250

330. C.M.C. (Twentieth Century) WATERCOLOUR DRAWING Man by a wall initialled and dated (19) 98 17” x 10” (43.2cm x 26cm) £50-80 331. C.M.C. (Twentieth Century) WATERCOLOUR DRAWING Cranes initialled and dated (19) 98 17 3/42 x 10 1/42 (45.1cm x 22.2cm) £50-80

323. JOHN HUGHES CLAYTON (Exh.) WATERCOLOUR ‘Feeding the chickens’ signed and titled to the mount 11 1/2” x 20 1/2” (29.2cm x 52cm) £180-250

333. NIKOLAI IZVARIM WATERCOLOUR DRAWING ‘Poland Motif’ coast scene with cliff top village signed and dated (19) 72 23 1/2” x 16 1/2” (60cm x 42cm) Provenance: ‘The Gallery, Manchester Art House’ labelled verso £40-60

324. ROSEMARY STUBBS (twentieth century) PASTEL AND WATERCOLOUR DRAWING ‘White house in Salford’ signed in pencil, titled and label verso 13 1/4” x 12 1/2” (33.6cm x 31.7cm) £30-50

334. PETER HOWSON (b.1958) MIXED MEDIA ON PAPER Female figure and masks signed and dated (19) 96 11 3/4” x 8” (29.9cm x 20.3cm) £300-500

335. HAROLD GILBERT, A.R.A., Manchester WATERCOLOUR DRAWING Coast line, Isle of Man signed and dated verso 1941 12” x 9 3/4” (30cm x 25cm) (Provenance - Bury Art Gallery label No. 59 in a one man exhibition 1993) £50-80 336. HAROLD GILBERT, A.R.A., Manchester WATERCOLOUR DRAWING ‘Beach scene, Jurby, Isle of Man’ signed and dated 1941 9 1/2” x 12” (24cm x 30cm) (Provenance - Bury Art Gallery label No. 74 in a one man exhibition 1993) £50-80 337. HAROLD GILBERT, A.R.A., Manchester WATERCOLOUR DRAWING Shepherd with dog and sheep, Isle of Man signed, dated verso 1942 9 3/4” x 16 1/4” (25cm x 41cm) (Provenance - Bury Art Gallery label No. 63 in a one man exhibition 1993) £80-120 338. HAROLD GILBERT, A.R.A., Manchester WATERCOLOUR DRAWING ‘Coast scene Laxey, Isle of Man’ signed and dated 1942 10 1/4” x 14 1/2” (26cm x 37cm) (Provenance - Bury Art Gallery label No. 68 in a one man exhibition 1993) £50-80 339. HAROLD GILBERT, A.R.A., Manchester WATERCOLOUR DRAWING ‘Grinton Bridge, nr Richmond, Yorkshire’ signed and dated 1936 8 1/2” x 13 3/4” (22cm x 35cm) (Provenance; Bury Art Gallery label, No. 12 in a one man exhibition 1993) £50-80 340. HAROLD GILBERT, A.R.A., Manchester WATERCOLOUR DRAWING ‘River Goyt, Derbyshire’ signed 10 1/2” x 14 1/2” (27cm x 37cm) (Provenance; Bury Art Gallery label, No. 20 in a one man exhibition 1993) £50-80 341. HAROLD GILBERT, A.R.A., Manchester WATERCOLOUR DRAWING ‘On the moors above Buxton, Derbyshire’ signed 10 1/2” x 13 1/2” (27cm x 35cm) (Provenance; Bury Art Gallery label, No. 9 in a one man exhibition 1993) £50-80 342. HAROLD GILBERT, A.R.A., Manchester WATERCOLOUR DRAWING ‘Bridge and river scene, Near Richmond, Yorkshire’ signed, dated verso 1936 10” x 14 1/2” (26cm x 37cm) £50-80

343. HAROLD GILBERT, A.R.A., Manchester WATERCOLOUR DRAWING ‘View from East Cliff, Bournmouth’ signed, dated verso 1935 10 1/2” x 14 1/2” (27cm x 37cm) (Provenance: Bury Art Gallery label, No. 52 in a one man exhibition 1993) £50-80 344. HAROLD GILBERT, A.R.A., Manchester WATERCOLOUR DRAWING ‘Between Porec and Postojna, Yugoslavia’ signed and dated 1973 10 1/2” x 14 3/4” (27cm x 38cm) (Provenance; Bury Art Gallery label No. 7, in a one man exhibition 1993) AND A FRAMED COPY OF THE 1993 EXHIBITION POSTER ‘A Life in Art’ £50-80

Prints

345. HAROLD RILEY (b.1934) ARTIST SIGNED BLACK AND WHITE PRINT ‘Salford Boy’ signed, titled and dated (19) 76 in pencil 18” x 12 1/4” (45.7cm x 31.1cm) £80-120 346. AFTER ALPHONSE LEVY (1843-1918) BLACK AND WHITE LITHOGRAPH ‘Rabi-Elischa L’Aveugle’ titled to label verso 12 1/2” x 9 1/2” (31.8cm x 24.1cm) £30-50 347. BEN MAILE (b.1922) ARTIST SIGNED LIMITED EDITION COLOUR PRINT Tree lined street scene with shops, (93/350) signed and with blind stamp 20” x 27” (50.8cm x 68.6cm) TOGETHER WITH A COLOUR PRINT AFTER THE ARTIST Chester street scene 21 1/2” x 29 1/4” (54.6cm x 74.3cm) a Book ‘A look behind the easel’ and two GOLFING PRINTS AFTER CHARLES CROMBIE unframed (5) £30-40 348. AFTER HENRY SYLVESTER STANNARD PAIR OF CHROMOLITHOGRAPHS Rural scene with thatched cottages 10 1/2” x 16” (27cm x 41cm) £40-60

End of Day One

CAPES DUNN & CO. Day Two Wednesday 20th June 2012 European & Oriental Ceramics and Glass Sale commences at 12 noon The Auction Galleries 38 Charles St Manchester M1 7DB Tel 0161 273 1911 Fax 0161 273 3474 capesdunn@gmail.com www.capesdunn.com Live bidding: www.the-saleroom.com

Viewing

Monday 18th June 2012 10am to 4pm Tuesday 19th June 2012 10am to 4pm Sale No: CE623

PLEASE NOTE ALL GOODS must be removed by 4pm on Friday 22nd June 2012

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Decorative Arts 349. WEDGWOOD LUSTRE CHINA BYERLEY CUP, the interior decorated with a dragon and oriental motifs on a mother o’pearl ground, the exterior with gilt dragons on a mottled blue ground with gilt scrolling borders, 2 1/2” (6.3cm) high, 4 1/2” (11.4cm) wide, gilt printed mark and painted pattern, No. 24829 (hairlined) £60-80 350. CLAIRE WEISS, CIRCA 1930/31 GOLDSCHEIDER POTTERY FIGURE, of an elegant lady with muff and wearing a wide brimmed hat, entitled ‘Muff’, 12” (30.5cm) high, printed, painted and impressed mark, impressed model No. 6328, (crazing and minor chip to hat rim and dress) £300-500

356. PAIR OF PILKINGTONS ROYAL LANCASTRIAN POTTERY VASES, footed trumpet form with long flared necks and with mottled turquoise matt glaze, impressed marks, shape No. 2764, 6 3/4” (17.1cm) high (one with small chip to rim) (2) £40-60 357. PILKINGTONS ROYAL LANCASTRIAN POTTERY VASE, oviform with mottled turquoise matt glaze, impressed marks, shape No. 2840, 8 1/2” (21.5cm) high £60-80 358. PILKINGTONS ROYAL LANCASTRIAN POTTERY DISH, with mottled orange vermilion glaze, impressed mark, shape No. 3241, 11” (27.9cm) diameter £40-60

351. ART NOUVEAU THOMAS FORESTER AND SONS, PHOENIX WORKS TUBE LINED POTTERY VASE, rounded oblong form with short cylindrical neck and base, decorated in tones of yellow, green, brown and blue with a design of peacock against a gilt sunset with trees on a midnight blue ground, unmarked and indistinctly initialled ‘AD’ (?) to reverse £50-80

359. PILKINGTONS ROYAL LANCASTRIAN POTTERY STEEP SIDED POTTERY BOWL, ,with slightly scalloped edges, mottled dark green matt glaze, impressed marks, shape No. 2228, 8 1/4” (20.9cm) diameter, TOGETHER WITH ANOTHER of ribbed form with pale green matt glaze, impressed marks, 8 3/4” (22.2cm) diameter (2) £50-70

352. CIRCA 1940’S PAIR OF GOLDSCHEIDER FOR MYOTT SON AND CO., POTTERY FIGURES of peasant dancers, she modelled in a dancing pose and painted in tones of inky blue and purple, 9 1/2” (24.1cm) high, printed and impressed marks, model No. 459, he modelled seated playing a mandolin, painted in similar tones, 8 1/2” (21.5cm) high, printed and impressed marks, model No. 458 (2) £150-250

360. PILKINGTONS ROYAL LANCASTRIAN LAPIS WARE FIVE PIECE DRESSING TABLE SET, comprising TWO CANDLESTICK HOLDERS, (shape No. 2224), TWO CIRCULAR LIDDED BOXES, (3311) and CIRCULAR TRAY (3391) in ochre matt glaze, impressed and printed marks with artists mark for Gladys Rogers (5) £200-250

353. GRADUATED SET OF THREE SHELLEY PORCELAIN GOLF PATTERN MASON JUGS, octagonal form with serpent moulded handle, painted with golfing scenes, 7” (17.7cm) high and smaller, model No. 7913, printed marks, 1 1/2” long (chip to rim of medium sized jug and 1” x 1/2” re-glued chip to rim of the smallest) (3) £120-180

Lot 351

Lot 352

354. KATZHUTTE, GERMAN MOULDED FIGURAL POTTERY TABLE LAMP, modelled with a lady with bonnet, heightened in pink, 14” (35.6cm) high, printed mark and impressed mould No. 571 £50-75 355. PILKINGTONS ROYAL LANCASTRIAN POTTERY SHALLOW BOWL, with mottled turquoise matt glaze, impressed mark, shape No. 3256, 10 1/22 (26.6cm) diameter £60-80

Lot 356 Lot 350

361. CLARICE CLIFF STAMFORD SHAPED TUREEN WITH COVER, the rims of which are decorated with scrolling stylised green and brown flowers on an off white ground, 7 1/2” (19cm)) diameter, printed marks £50-70 362. CLARICE CLIFF ‘MY HARVEST’ PATTERN MOULDED POTTERY PRESERVE JAR AND COVER, orbicular with fruit moulded finial and feet, 4 1/2” (11.4cm) high, TOGETHER WITH AN ETCHED GLASS BUTTER DISH, with stand and cover and silver coloured metal mounts, wheel cut with flowers, 3” (7.6cm) high (2) £60-80

Lot 361

363. AN UNUSUAL CLARICE CLIFF (Newport Pottery) ‘Spring’ (crocus) pattern CONDIMENT SET of shaped tray, a pair of conical shaped pepperette and salt cellars and a mustard pot with cover (tiny chip to foot rim of tray, chips to the pepperette and salt cellar, chip to the underside of the mustard pot cover ) £150-200 364. CLARICE CLIFF (Newport Pottery) WALL POCKET, moulded in relief with a lady against trees, 8” high £90-130 365. TWO CLARICE CLIFF (NEWPORT POTTERY) ‘CELTIC HARVEST’ DESIGN MOULDED JUGS, accentuated in bright colours, 11” high (one with damaged and repaired foot) £100-150

Lot 363

366. CLARICE CLIFF (A.J. WILKINSON LTD.) ROYAL STAFFORDSHIRE POTTERY SQUAT BALUSTER SHAPE VASE, decorated in the Chinese taste with opposing baskets of flowers and blossoming sprays on a celadon green ground, raised design number 774, 8 1/4” high £60-80 367. 42 PIECE SHELLEY PORCELAIN PART TEA AND BREAKFAST SERVICE in ‘Wild Flowers’ pattern, numbered 13668, comprising A SERVING DISH, 5 DISHES, 3 EGG CUPS, 6 PLATES, 7 SMALLER PLATES, 3 BREAKFAST CUPS AND SAUCERS, 4 SMALLER TEACUPS, 6 SAUCERS, SUGAR BOWL, 2 SANDWICH PLATES, MILK JUG (42) £60-80

Lot 371

Lot 372

Lot 381

368. 1930’s TWENTY NINE PIECE SHELLEY POTTERY PART DINNER SERVICE, pattern No. 90911, comprising a PAIR OF VEGETABLE DISHES with covers, 2 GRADUATED SERVING DISHES, 6 PLATES, 6 SMALLER PLATES, FIVE SOUP DISHES, SIX DESSERT DISHES, ALSO 4 OTHER SHELLEY PORCELAIN DESSERT DISHES, pattern No. 11575 (33) £200-300

369. 1930’S CARLTON WARE ‘ROUGE ROYALE’ OVIFORM TWO HANDLED VASE, decorated with cranes beneath pendulous branches, printed mark and impressed design No. 1694/H 8 1/4” high £100-150 370. FREDERICK RHEAD/BURSLEY WARE ‘DRAGON’ PATTERN ORANGE LUSTRE POTTERY BOWL, compressed form with turned over rim, printed and washed with a design of five toed dragon snarling dragons with cloud and pearls beneath a gilt rim on an orange lustre ground, 2 1/2” (6.3cm) high, 10” (25.4cm) diameter, printed marks £25-35 371. FREDERICK RHEAD/BURSLEY WARE ‘BAGDAD’ PATTERN PEDESTAL VASES, ovoid form with waisted necks and circular footed bases, painted in tones of blue, green, orange and white and decorated with panels of stylised leaves, 8” (20.3cm) high, tube lined signature and shape number ‘146’, printed factory mark £50-80 372. CHARLOTTE RHEAD/CROWN DUCAL ‘TURIN’ PATTERN, TUBE LINED POTTERY JUG, ribbed baluster form with loop handle, painted in tones of green and blue and decorated with stylised leaves, 8” (20.3cm) high, tube lined signature and shape number ‘146’, printed factory mark £50-80 373. CHARLOTTE RHEAD/CROWN DUCAL TUBE LINED POTTERY VASE, footed ovoid form with flared rim, painted in tones of orange and brown on a mottled cream ground, pattern No. 4100, 10 1/4” (26cm) high, tube lined signature and shape number ‘154’, printed factory mark £40-60 374. CHARLOTTE RHEAD/CROWN DUCAL ‘BYZANTINE’ PATTERN TUBE LINED POTTERY VASE, waisted baluster form, painted in tones of blue, yellow, orange and brown on a mottles ochre ground and decorated with stylised flowers and foliage between blue borders, 6” (15.2cm) high, tube lined signature and printed factory mark £30-50 375. CHARLOTTE RHEAD/CROWN DUCAL ‘BLUE PEONY’ PATTERN TUBE LINED POTTERY VASE, baluster form with flared neck, painted in tones of blue and purple on a mottled off white ground, decorated with stylised peonies, 6 3/4” (17.1cm) high, tube lined signature and shape number ‘133’, printed factory mark £30-50

376. CROWN DUCAL CHARLOTTE RHEAD DECORATED WALL PLAQUE, the mottled buff ground tube lined in brown and yellow with cells enclosing flowers sprays and leaves in greens, yellow, pink, purple and lavender, pattern No. 6016, 17 1/2” diameter £130-160 377. TWO CARLTON WARE ‘VINE AND GRAPE’ PATTERN MOULDED POTTERY DISHES, one of two handled pedestal boat form on a ‘Vert Royale’ ground, (a.f.) 3” (7.6cm) high, 12” (30.5cm) wide, the other square on a ‘Rouge Royale’, ground, 8 1/2” (21.6cm) wide, printed marks (2) 378. AN A.G. RICHARDSON & CO. CROWN DUCAL POTTERY JUG, decorated in the style of Charlotte Rhead (unsigned), 7in. high £50-70 379. MELBA WARE POTTERY BUTCHER’S SHOP ADVERTISING HEREFORD, BULL, approx 16” long, 10” high £50-70 380. BURSLEY WARE CHARLOTTE RHEAD ‘TRELLIS’ PATTERN TUBE LINED POTTERY SMALL POCKET, square tapering form with gilt suspension loop, decorated in tones of red a, blue and green with brown, orange and yellow lustre on fawn ground, printed marks, TL3, 5 1/4” (13.3cm) high £30-50 381. CHARLOTTE RHEAD/CROWN DUCAL ‘MANCHU’ PATTERN TUBE LINED POTTERY JUG, ribbed balluster form with looped handle, painted in tones of green, blue, red and gilt on a mottled green ground, decorated with a four toed dragon, cloud forms and pearls, 10” (25.4cm) high, tube lined signature and printed factory mark, impressed shape number ‘145’ £80-120 382. CHARLOTTE RHEAD/BURLSEY WARE TUBE LINED POTTERY LUSTRE JUG, ovoid form with loop handle, painted in tones of pink, blue, green and purple lustre on a mottled cream ground, decorated with stylised flowers between patterned borders, pattern No. ‘T.L. 76’, 8 1/2” (21.5cm) high, printed marks, tube lined pattern mark, TOGETHER WITH A NEWHALL POTTERY LUSTRE OVAL DISH, painted in tones of green and decorated with a kingfisher and waterlillies 12 1/2” (31.75cm) diameter, printed marks (2) £40-60 383. CHARLOTTE RHEAD/CROWN DECAL ‘BYZANTINE’ PATTERN TUBE LINED POTTERY WALL PLAQUE, typical form, painted in tones of blue, orange, yellow and brown on a mottled ochre ground, decorated with stylised flowers and foliage, 17 1/2” (44.4cm) diameter, tube lined signature and printed factory mark £60-80

384. PILKINGTONS ROYAL LANCASTRIAN POTTERY VASE, panelled trumpet form with mottled green matt glaze, 11” (27.9cm) high, impressed marks, (fault to rim), TOGETHER WITH A RUSKIN ORANGE LUSTRE POTTERY BOWL, shallow footed form, 2 3/4” (6.9cm) high, 9 3/4” (24.7cm) diameter (interior badly rubbed) (2) £50-80 385. CHRISTOPHER DRESSER/LINTHORPE POTTERY MOULDED VASE, irregular ovoid form with short cylindrical neck, painted in tones of brown to green streaky glaze and decorated with moulded flower heads and patterned border at base, 10” (25.4cm) high, impressed marks, base drilled £200-300

Lot 376

386. HENRY TOOTH/LINTHORPE POTTERY TWO HANDLED POTTERY VASE, compressed form with cylindrical neck, flared rim and scrolling twin handles, decorated in tones of yellow, green and purple glaze, veined with white, 6 1/2” (16.5cm) high, artist mark for Henry Tooth, impressed marks £80-120 387. EARLY 20TH CENTURY WILLIAM LEONARD BARON/BARNSTAPLE POTTERY PUZZLE JUG, typical form with incised four line rhyme, ‘Within this jug there is good liquor, tis fit for person or vicar, but how to drink and not to spill’, on a yellow/green ground, 6” (15.2cm) high, incised marks, TOGETHER WITH A CHARLES BRANNAM BLUE GLAZED CYLINDRICAL JUG with loop handle and pinched spout, 6 1/2” (16.5cm) high, impressed mark (2) £50-80

Lot 386

Lot 385

388. TURN, AUSTRIAN ART NOUVEAU CHINA EWER, slender tapering form with gilt moulded female figure handle, glazed in pale blue heightened in purple and gilt, 12 1/2” (31.8cm) high, printed mark and impressed mould No. 4639 £30-50 389. INTERESTING EARLY 20TH CENTURY TENMOKU GLAZED STUDIO POTTERY VASE, ovoid form with lipped rim, decorated with S. Graffito designs of stylised birds, 12 1/2” (31.8cm) high, black painted B L and M C monograms and the date 1938, all apparently done by the same hand £50-80

Lot 389

390. EARLY 20TH CENTURY ROYAL CAULDRON HAND PAINTED POTTERY WALL PLAQUE POSSIBLY BY FREDERICK RHEAD, typical form, painted in tones of blue, green, yellow and black with a central design of a stylised bird, enclosed within a band of geometric panels and set beneath a conforming border with cartouches, 15” (38.1cm) diameter, printed factory mark, impressed mould No. 14 and painted pattern No. 320 £150-250 Lot 390 33

391. EARLY 20TH CENTURY WILLIAM LEONARD BARON/BARNSTAPLE POTTERY THREE HANDLED VASE, oviform with angular handles to the short cylindrical neck, printed in colours with incised designs of stylised fish and seaweed on a deep blue/ purple ground, 7 1/2” (19cm) high, incised marks £80-120

Lot 392

Lot 391

392. LIBERTY & CO. TWO HANDLED MOULDED POTTERY VASE BY CHARLES BRANNAM, tapering form with angular scroll handles to the waisted neck, decorated with a broad celtic inspired interlaced band, on a green ground, 8 1/2” (21.6cm) high, impressed marks (old restoration) to the neck and chip to foot rim £50-80 393. SEVEN PIECE DAVID LEACH, ST. IVES POTTERY SAKE SET (?), comprising; bell shaped ewer with angular strap handle and six pedestal cups with horizontal incised lines, on a mottled pale green ground, the ewer 8 1/4” (21cm) high, the cups 2 1/2” (6.4cm) high, impressed artists mark and an impressed to the ewer £20-30 394. CHARLES BRANNAM, BARUM STUDIO POTTERY THREE HANDLED VASE, ovoid form, decorated in green and gilt, 8 3/4” (22.2cm) high, impressed marks TOGETHER WITH AN ART DECO AMBER MOULDED GLASS BOWL, 3” (7.6cm) high, 8 1/2” x 10 1/2” (21.6cm x 26.7cm) (2) £30-50

Lot 397

395. SYLVAC STYLE POTTERY MODEL OF A YORKSHIRE TERRIER, 6 3/4” (17.4cm) high, printed mark £20-30 396. SYLVAC POTTERY MODEL OF A LARGE SEATED DOG, fawn glazed, 11 1/2” (29.2cm) high, impressed marks, model No. 1209 £35-45

Lot 406

Lot 400

397. LATE 1930’s WEDGWOOD ‘MATT STRAW’ KEITH MURRAY DESIGN ANNULAR WARE VASE, of ribbed circular form with a short cylindrical neck, 7” (17.8cm) high, printed and impressed marks £40-60 398. KERAMOS, VIENNESE MOULDED POTTERY WALL MASK, modeled as a young girl with blonde hair and blue eyes, wearing an orange and green neck scarf, 210” (25.4cm) high, printed mark and impressed mould No. 7696 £120-180 399. TWO SYLVAC POTTERY PLANTERS, one brick pattern of oblong form with step base, 3 3/4” (9.52cm) high, model number 3813, the other floral pattern of boat form with yellow glaze, 1 3/4”

(4.4cm) high, model number 3449 TOGETHER WITH A WADE POTTERY SHAVING MUG, of typical form with printed design, 3 1/22 (8.9cm) , a green glazed Carlton ware pottery JUG, 5” (12.7cm) high and a MATCHING PAIR OF BLUE AND WHITE VASES, with classical figures, 3” (7.6cm) high (6) £25-35 400. JOEL SIBISI, SOUTH AFRICAN S GRAFITTO DECORATED STONEWARE VASE, shaped cylindrical form with waisted neck, decorated with designs of stylized animals and trees, on a natural ground, 16” (40.6cm) high, signed and with Rorke’s drift pottery motif £100-150 401. GORDON MBATHA, SOUTH AFRICAN STONEWARE POTTERY FOOTED BOWL, flared form, painted in red and black oxides with a brand of stylized animals, 4” (10.2cm) high, 12 1/4” (31.1cm) diameter, together with a two handled flask of ovoid form, with loop handles to the tapering neck, glazed in mottled tones of reddy brown, blue and off white, 13 1/4” (33.7cm) high, incised, potter’s 2, 1974, seaview (?) (2) £50-80 402. TWO 1960’s ICHENDORF, GERMAN TEXTURED RUBY GLASS VASES, one orbicular, 6” “(15.2cm) diameter, the other domed 4” (10.1cm) high, both with etched marks to the foot rim, TOGETHER WITH A SVAJA FROSTED GLASS DISH, on solid cube base, 5 1/4” (13.3cm) high and a BLUE MDINA GLASS VASE, 5 1/4” (13.3cm) high (4) £25-35 403. LARGE PAIR OF TWENTIETH CENTURY TULIP SHAPED GLASS VASES, on square bases, 14 1/4” (36.2cm) high, unmarked (2) £70-90 404. TUDRIC HAMMERED PEWTER CIRCULAR FOOTED DISH, with three scroll supports to the underside of the bowl, 3” (7.6cm) high, stamped marks, No. 01349 £15-25 405. CARLTON WARE LARGE ‘ROUGE ROYALE’ MOULDED TWO HANDLED PEDESTAL BOAT FORM BALL on a moulded base with ball type feet, 6” (15.2cm) high, TOGETHER WITH A MATCHING OVAL DISH, 11 1/2” (29.2cm) wide, printed marks (20 (bowl with re-glued chip to rim) £30-40 406. LIBERTY AND CO., EMBOSSED PEWTER TWO HANDLED LOVING CUP, designed by David Veazey, circa 1905, tapering form with angular scroll handles, decorated with a band of stylised trees, set between strapwork, the lower band inscribed ‘For Old Times Sake’ 7 3/4” (19.7cm) high, stamped mark and No. 010 £300-500

407. CONTINENTAL WHITE GLAZED MOULDED PORCELAIN WALL BRACKET, modelled a a female mask, flanked by a pair of angels wings, (one with firing crack) 8” (20.3cm) high £25-35 408. GREEN AND GILT ‘PATINATED’ ART DECO FIGURAL PLASTIC TABLE LAMP, modelled as a nude female figure in stylised pose, holding aloft the opaque white globular shade, on a chrome plated oblong base, with ball feet, 27” (68.6cm) high overall £80-120 409. POST WAR, POSSIBLY LALIQUE FROSTED GLASS MODEL OF A SMALL BIRD, on rounded oblong base, 3 1/2” (8.9cm) high, indistinctly marked to base, (chip to underside of beak, one wing tip and underside of base) £30-50 410. SANDERS AND WALLACE, IRIDESCENT GLASS VASE, FROM THE WHITE TRAILED RANGE, globular form with short cylindrical neck, 3 3/4” (9.5cm) high, etched marks to base, dated (19) 82 £20-30 411. NYMOLLE, DANISH POTTERY VASE, tapering form, decorated in red with horizontal bands of flowers, 9” (22.9cm) high, printed mark and No. 3287.312 £20-30 412. PAIR OF ERIC RAVILIOUS/WEDGWOOD ‘TRAVEL’ PATTERN POTTERY COFFEE CANS AND SAUCERS, the cups printed with design of hot air balloons to the interior (both chipped), printed marks (4) £20-30 413. TWENTY FIVE PIECE CONTINENTAL ART NOUVEAU POTTERY AND SILVER OVERLAY COFFEE SET FOR 12 PERSONS, decorated with stylised flowers in dark blue grounds, comprising COFFEE POT (possibly matched, decoration varies from cups and saucers) 12 CUPS AND SAUCERS, the coffee pot with printed mark ‘Lennox’ (25) £150-200

414. TWO WEDGWOOD LUSTRE GLAZED CHINA BOWLS, comprising, ONE OF STEEP SIDED footed form, painted in colours wit fish and seaweed on mottled blue and mother o’pearl grounds, 2 3/4” (7cm) high, 5 1/2” (14cm) diameter, pattern No. 24920, the other of octagonal, footed form, decorated with butterflies and an oriental motif on ruby and mother o’pearl grounds, 3” (7.6cm) high, 6” (15.2cm) wide, pattern No. 24827, gilt printed marks (2) (the first bowl with two hairlines, the second with large section re-glued) £40-60 415. SET OF FOUR WADE CARD SUIT SHALLOW POTTERY DISHES/COASTERS, each colour printed with a conical figure within a red or black banded border, 4 1/2” (11.4cm) TOGETHER WITH A MOULDED GLASS AND BAKELITE ‘BEL’ CREAM MAKER, with instruction pamphlet (5) £20-40 416. TWO SYLVAC MOULDED POTTERY JUGS, one in the form of a toadstool with gnome pattern handle, green glazed (1969), 9” (22.9cm) high, the other drawstring bag form, toffee glazed (406) 8” (20.3cm) high, TOGETHER WITH A SIMILAR BURLEIGH WARE JUG, with squirrel pattern handle, painted with leaves on a fading yellow/green ground, 7 3/4” (19.7cm) high, printed and impressed mark (3) £30-50

Lot 408

417. ART NOUVEAU ELECTROPLATED TEAPOT, compressed footed form, with scroll cast top handle and side hinged cover, embossed with a border of stylised floral motifs, 7” (17.8cm) high £25-35 418. MINTON ART NOUVEAU TWO HANDLED POTTERY VASE, tapering form with flared rim, wavy handles and spreading foot, matt blue glazed, 12” (30.5cm) high, printed mark £30-50

Lot 413

419. ART DECO PAINTED PLASTER FIGURE OF A FEMALE ARCHER, modelled leaning back with bow upwards, on an oblong plinth base, 21 1/2” (54.6cm) high, 24” (61cm) long 420. NINETEENTH CENTURY WHITE COMPOSITION MOULDED PROFILE, bust portrait plaque of a classical female figure, in oval moulded frame with ring suspension, 9” x 7” (22.8cm x 17.8cm) overall (a.f.) £35-50 Lot 419 35

Moorcroft 421. WILLIAM MOORCROFT POMEGRANATE PATTERN TUBE LINED POTTERY VASE, footed oviform, painted in tones of red, purple and green on an inky blue ground, 6” (15.2cm) high, impressed marks £150-250

Lot 421

422. WILLIAM MOORCROFT POMEGRANATE PATTERN TUBE LINED POTTERY DISH, painted in tones of red, purple and green on a mottled inlay blue ground, 8 1/2” (21.5cm) diameter, impressed marks £80-120 423. WILLIAM MOORCROFT PANSY PATTERN TUBE LINED POTTERY BOWL, painted in tones of purple, blue and green on a mottled inky blue ground, 3 1/2” (8.8cm) high, 12” (30.4cm) diameter, impressed and painted marks £150-250

Lot 422

424. MOORCROFT BURSLEM SILVER PLATE MOUNTED POTTERY INKWELL, of compressed circular form with mottled orange lustre glaze, 2 1/2” (6.3cm) high, impressed marks (hinge loose), together with a mottled blue example, 2 1/4” (5.7cm) high (2) £80-120 425. MOORCROFT BURSLEM AUBERGINE LUSTRE POTTERY VASE, baluster form with long cylindrical neck and flared rim, 12” (30.4cm) high, impressed marks (restored chip to rim) £40-60

tones of purple, green and yellow on an inky blue ground, 5 1/2” (14cm) diameter, impressed and painted marks, candle date symbol for 1992 (2) £60-80 429. WILLIAM MOORCROFT ‘CLEMATIS’ PATTERN TUBE LINED POTTERY VASE, oviform with spreading foot, decorated in tones of purple, green, pink and yellow on a graduating green and inky blue ground, 9 1/4” (23.4cm) high, impressed and painted mark (glaze faults) £200-300 430. WALTER MOORCROFT ‘HIBISCUS’ PATTERN TUBE LINED POTTERY MINIATURE BEAKER SHAPED RECEIVER, decorated in tones of yellow, red, blue and green on a fading green to blue ground, with ANOTHER decorated in tones of red, blue, green and yellow on a fading yellow to green ground, each 2 1/2” (6.3cm) high, marks covered by paper Royal Warrant labels ‘Potters to Late Queen Mary’ (2) £80-120 431. EARLY TWENTIETH CENTURY MOORCROFT FOR MCINTYRE ALHAMBRA PATTERN TUBE LINED POTTERY VASE, footed compressed oviform, painted in tones of blue, pink and gilt and decorated with panels of stylized flowers on a pink and blue ground, 7 1/4” (18.4cm), printed marks £200-300

426. MACINTYRE GREEN AND GOLD FLORIAN WARE TUBE LINED POTTERY VASE, slender waisted form, painted in tones green, blue and gilt on a green ground and decorated with scrolling leaves and flowers, 9 3/4” (24.7cm) high, printed and painted marks and green wash Moorcroft signature £120-180 Lot 426

Lot 427 36

427. MODERN MOORCROFT ‘QUEENS CHOICE’ TUBE LINED POTTERY VASE, oviform, painted in tones of green, pink, purple and brown on a mottled inky blue ground, 6 1/4” (15.9cm) high, impressed marks and dated 2000 £80-120 428. WALTER MOORCROFT CORAL HIBISCUS PATTERN TUBE LINED POTTERY PLAQUE, typical form, painted in tones of coral, green and brown on a green ground, 1 1/2” (3.8cm) high, 8 1/2” (21.6cm) diameter, impressed and painted marks TOGETHER WITH A MODERN MOORCROFT ‘VIOLET’ PATTERN TUBE LINED POTTERY SAUCER, painted in

Lot 429

432. WALTER MOORCROFT HIBISCUS PATTERN TUBE LINED POTTERY VASE, footed baluster form with short, waisted neck, painted in tones of purple, red, yellow and green on a mottled orange to yellow green ground, 8” (20.3cm) high, impressed and painted marks with potters to the late Queen Mary label (some chips to glaze) £130-150

438. MODERN MOORCROFT ‘CLUNY’ PATTERN TUBE LINED POTTERY TABLE LAMP BASE, slender baluster form with fared neck, painted in tones of purple, brown, green, yellow and pink and decorated with trees, flowers and foliate on an inky blue to salmon pink ground on a turned wood base, 11 1/2” (29.2cm) high, excluding base and fittings, marks hidden by base £100-150

439. WALTER MOORCROFT ‘ANEMONE’ PATTERN 433. TUBE LINED POTTERY VASE, baluster form with MODERN MOORCROFT NEW FOREST long slightly waisted neck, decorated in tones of KNIGHTWOOD PATTERN TUBE LINED purple, green and blue on an inky blue ground, POTTERY VASE, slender baluster form, 12 1/2” (31.7cm) high, impressed and painted with flared base and short cylindrical mark neck, painted in tones of purple, red, £120-180 green and brown, and decorated with 440. oak trees and toad stools on a fawn WILLIAM MOORCROFT POMEGRANATE PATTERN coloured ground, 10” (25.4cm) high, FLAMBE GLAZED TUBE LINED POTTERY VASE, impressed and painted marks footed baluster form with short, waisted neck, £150-250 4 1/2” (11.4cm) high, impressed marks, 434. (restoration to rim and neck) MODERN MOORCROFT ‘MAMOURA’ £200-300 PATTERN TUBE LINED POTTERY VASE, 441. slender baluster form, with flared WILLIAM MOORCROFT ‘WISTERIA’ PATTERN base and short flared neck, painted in tones of green, purple, orange and TUBE LINED POTTERY TAZZA, on a planished blue and decorated with stylised trees pewter base, painted in tones of red, yellow, and hills in a sea scape, 12” (30.4cm) purple and green on a mottled inky blue ground, impressed marks, 5 3/4” (14.6cm) high, 8.5” high, impressed and printed marks, (21.5cm) diameter date stamp for 1994 £150-250 £150-250

Lot 431

435. MODERN MOORCROFT ‘LAMIA’ PATTERN TUBE LINED POTTERY BOTTLE SHAPED VASE, painted in tones of yellow, brown and white and decorated with water lillies, bullrushes and irises on a graduating pale yellow to inky blue ground, 16 1/4” (41.2cm) high, printed and impressed marks, dated (19)95 £300-400 436. VERY LARGE MODERN MOORCROFT ‘QUEENS CHOICE’ PATTERN TUBE LINED POTTERY VASE, baluster form with flared base and short flared neck, painted in tones of red, green, yellow and purple and decorated with sylised fruit and berries on an inky blue ground, 16 1/2” (41.9cm) high, impressed and printed marks, signed ‘E. Bossons 5.11.01’, date mark for 2001 £500-800

Lot 432

Lot 440

437. MODERN MOORCROFT ‘GYPSY’ PATTERN TUBE LINED POTTERY VASE, waisted cylindrical form, with short waisted neck, painted in tones of purple , pink, blue and green and decorated with leaves and sprays of flowers, on an inky blue to purple and off white ground, 8 1/4” (20.9cm) high, printed mark £180-250

Lot 441

Lot 436 37

Lot 470

Lot 442

442. WILLIAM MOORCROFT EARLY 20TH CENTURY LARGE TUBE LINED POTTERY FRUITS DECORATED VASE ovoid with tall waisted neck design of pomegranates and grapes on a streaky dark blue and green ground, circular foot with full green signature and impressed Moorcroft Burslem (rim restored) 12 3/4” (32.5cm) high £400-500 443. PRE-WAR MOORCROFT POTTERY 38 PIECE SPECKLED BLUE GLAZED PART TEA AND BREAKFAST SERVICE COMPRISING THREE TEAPOTS with covers, CREAM JUG, SUGAR BOWL, FIVE EGG CUPS, THREE PLATES, SIX SMALLER PLATES, FOUR DISHES, SIX CUPS AND FIVE SAUCERS, impressed facsimile signature and ‘Moorcroft’ also A MATCHING DUDSON BROS. COFFEE POT with cover (some damage) (40) £60-80

Royal Doulton & Beswick

444. ROYAL DOULTON CHINA FIGURE, ‘The Patchwork Quilt’, HN 1984 6” (15.2cm) printed marks £120-160 Lot 445

445. ROYAL DOULTON CHINA FIGURE, ‘Teresa; HN 1689, 5 3/4” (14.6cm) printed and painted marks £500-700 446. ROYAL DOULTON CHINA FIGURE, ‘Autumn Breeze’ HN 1911, 7 1/2” (19cm) high printed marks £50-75

494 Lot 447

447. ROYAL DOULTON CHINA GROUP, ‘The Gossips’ HN 1429, 5 1/2” (14cm) high printed and painted marks £200-300 448. ROYAL DOULTON CHINA GROUP ‘Curly Knob’ HN 1627, 6” (15.2cm) high, printed and painted marks (usual chips to foliage) £200-300 449. ROYAL DOULTON CHINA FIGURE, ‘Top O The Hill’ HN 1849, 7 1/2” (19cm) high printed marks £50-75

Lot 448 38

450. ROYAL DOULTON CHINA FIGURE, ‘The Orange Lady’ HN 1759, 8 3/4” (22.2cm) printed and painted marks £60-80

451. ROYAL DOULTON CHINA FIGURES ‘Margaret’, HN 1989, 7 1/4” (18.4cm) printed and painted marks £80-120 452. ROYAL DOULTON CHINA FIGURE ‘Lady April’, HN 1958, 7 1/2” (17.8cm) high, printed and painted marks, (hairlined through base and design, re-glued, the head re-glued at neck) TOGETHER WITH ROYAL DOULTON CHINA FIGURE ‘Marie’, HN 1489, 4 1/2” (11.4cm) high, printed and painted marks (2) £75-125 453. ROYAL DOULTON CHINA FIGURE, ‘A Stitch in time’, HN 2352, 6 1/4” (15.9cm) printed marks, (left hand reglued with damage to fingers) £50-75 454. ROYAL DOULTON CHINA FIGURE ‘Flower of Love’ HN 2460, 7 1/2” (19cm) high, printed mark £25-35 455. ROYAL DOULTON CHINA MODEL OF A WELSH CORGI, ‘Spring robin’ HN 2551, 7 3/4” (19.6cm) high, printed and painted marks £50-75 456. ROYAL DOULTON CHINA GROUP, ‘Sweet and Twenty’ HN 1298, 5 3/4” x 6 1/2”(14.6cm x 16.5cm) printed mark £60-90 457. ROYAL DOULTON CHINA FIGURE ‘Top o’ The Hill’ HN 1834, 7 1/2” (19cm) high, printed mark £40-60 458. ROYAL DOULTON CHINA FIGURE ‘Dulcinea’, HN 1343, 5 1/2” (13.9cm) high, printed, painted and impressed marks (large chip to the front of brim of hat) £300-500 459. ROYAL DOULTON CHINA MODEL OF A WELSH CORGI , HN 2550, 5” (12.7cm) high, printed and painted marks, TOGETHER WITH A ROYAL DOULTON CHINA MODEL OF A COLLIE, HN 1059, 3 3/4” (9.5cm) high, printed and printed marks (2) £60-90 460. ROYAL DOULTON CHINA MODEL OF A COCKER SPANIEL, carrying a pheasant, HN 1029, 3 3/4” (9.5cm) high, printed and painted marks (chip to inside of pheasants wing) £50-75

461. PAIR OF ROYAL DOULTON KINGSWARE TAVERN PATTERN TWO HANDLE ORBICULAR VASES, 6” (15.2cm) high (both with badly damaged and reglued handles) (2) £50-75 462. ROYAL DOULTON LARGE TOBY JUG ‘Old Charley’, D 6030, 8 3/42 (22cm) high, printed marks £30-40 463. TWO ROYAL DOULTON CHINA MODELS OF DOGS, Chow Shibu Ino (15) 2 1/4” (6.3cm) high and St. Bernard (K19) 1 1/2” (3.8cm) high, printed marks (2) £40-60 464. ROYAL DOULTON CHINA FIGURE ‘Diana’ HN 2468, modelled by Peggy Davies, 8” (20.3cm) high, printed marks, TOGETHER WITH A ROYAL DOULTON CHINA MODEL OF A POSY BASKET, 4 1/2” (11.4cm) high, printed marks £20-40 465. A ROYAL DOULTON (BURSLEM) FIGURE ‘MAUREEN’ HN 1770 £120-180 466. SECOND QUALITY ROYAL DOULTON CHINA FIGURE ‘LITTLE JACK HORNER’, HN 3034, 7” (17.8cm) high, printed mark, ground £80-120 467. ROYAL DOULTON FIGURE ‘Miss Demure’ should be HN 1402, 7 1/2” (19cm) high, printed marks, (hairlined) ANOTHER ‘Babie’ HN 1679, 5 1/2” (12.6cm) high, printed, painted and impressed marks and ANOTHER ‘Penny’ HN 2338, 5” (12.6cm) high, printed mark (3) £80-120 468. TWO ROYAL DOULTON CHINA FIGURES, ‘CLARISSA’, HN2345 7¾” (19.7cm) high, and ‘THE BRIDESMAID’ HN2196, 5¼” (13.3cm) high, printed and impressed marks (2) £30-50 469. THREE ROYAL DOULTON SERIES WARE POTTERY RACK PLATES ‘Shakespeare’s Country - Clopton Bridge’ D4149, ‘Rochester Castle’ and another, D3647, 10½” (26.7cm) diameter, TOGETHER WITH A ‘GAFFERS’ DISH (a/f) and a SNOWMAN ‘WALKING IN THE AIR’ COLLECTORS PLATE, boxed, printed marks (7) £15-25

470. VICTORIAN DOULTON (LAMBETH) STONEWARE BOTTLE SHAPED VASE, decorated with arabesque foliate scrollwork in blue and brown ochre, on a white diapered ground, impressed mark, incised initials E.E.S. 668, dated 1883, 8 1/4” (21cm) high £80-120 471. FOUR ROYAL DOULTON (BURSLEM) CHARACTER JUGS, viz, ‘Old Salt’, ‘The London bobby’ , ‘Bacchus’, ‘The Red Queen’ (4) £80-120 472. ROYAL DOULTON (BURSLEM) PORCELAIN FIGURE ‘Jersey Milkmaid’ HN 1949 £80-120

Lot 456

473. TWO ROYAL DOULTON POTTERY PROMOTIONAL CHARACTER JUG PATTERN WHISKY FLASKS, ‘Dewar’s White Label’ and ‘Pickwick Deluxe Whisky’ , 5 1/2” (14cm) high, TOGETHER WITH A ROYAL DOULTON ‘Honest Measure’ TOBY JUG, 4 1/4” (10.8cm) high, printed marks (3) whisky flasks, lacks stopper £30-50 474. ROYAL DOULTON CHINA FIGURE ‘LYDIA’ HN 1908, 5” (12.7cm) high, printed mark £20-40 475. ROYAL DOULTON CHINA GROUP ‘THE FLOWER SELLERS CHILDREN’, HN 1342, 8” (20.3cm) printed and painted marks (hairline across base and usual chips and losses to flowers) £40-60

Lot 458

476. ROYAL DOULTON ‘MONTY’ POTTERY CHARACTER JUG, D6202, 6 1/4” (15.8cm) high, together with A ROYAL DOULTON ‘ Winston Churchill’ TOBY JUG, 8 5/8” (22cm) high, printed marks (2) £50-75 477. DOULTON EMBOSSED SALT GLAZED STONEWARE TOBACCO BARREL AND COVER, decorated in white, brown and blue with stylised floral bands, 5 1/2” (14cm) high, impressed and incised artist marks but apparently no factory mark (cracked and with rim chips) £30-40 478. PAIR OF DOULTON LAMBETH ‘SLATERS PATENT’ STONEWARE VASES, tapering baluster form with flared rims, painted in tones of white, turquoise, brown and gilt decorated with flowers on a textured ground with glazed royal blue foot rim and rim, 15 3/4” (40cm) high, impressed marks (No. 2987) (2) £80-120

Lot 475

479. ROYAL DOULTON STONEWARE TUBE LINED VASE, oviform, with tapered neck, decorated in tones of green, blue and purple with fuchsias on a off white ground, 7 1/4” (18.4cm) high, impressed and incised marks £50-80

Lot 515

Lot 482

480. ROYAL DOULTON STONEWARE JARDINIERE, oviform with short cylindrical neck and lipped rim, designed with embossed flower heads linked together by shaped multi coloured panels, 8” (20.3cm) high £50-80 481. PRE-WAR ROYAL DOULTON (BURSLEM) SERIES WARE FRUIT SET OF BOWL AND SIX DISHES, each transfer printed and enamelled with rural landscapes, pattern No. D4585, also a SEVEN PIECE ROYAL DOULTON DICKENS WARE SANDWICH SET, pattern No. D.6327, FIVE ROYAL DOULTON SMALL DISHES, pattern No. D.4252 (one damaged) a WILTSHAW AND ROBINSON, CARLTON WARE CRESTED MATCH HOLDER/STRIKER and two ROYAL COMMEMORATIVE MUGS £60-80 482. ROYAL DOULTON (LAMBETH) STONEWARE OVIFORM VASE decorated by Eliza Simmance with flower heads and leafage, impressed mark and incised monogram, 16” high £250-350

Lot 488

482A. ROYAL DOULTON (LAMBETH() STONEWARE JARDINIERE BLUE GLAZED AND GILT CHINE BORDERED, with frilled rim, 8 1/2” high £60-80 483. PAIR OF DOULTON LAMBETH IMPASTO WARE PEDESTAL POTTERY VASES, by Isabel Lewis, ovoid form with tall waisted necks and circular bases, painted in colours with small birds perched on flowering leafy branches, on mottled blue grounds, above green and brown bases and brown sponged interiors, 14 1/4” (36.2cm) high, impressed factory mark and mould No. 5932, painted artist mark and No. 1068 (2) £80-120 484. THIRTY THREE PIECE ROYAL DOULTON ‘EXPRESSIONS-SUMMER CARNIVAL’ DINNER AND TEA SERVICE, NOW SUITABLE FOR FOUR PERSONS, FLORAL PRINTED WITH MEANDERING BORDERS,

COMPRISING: FOUR DINNER PLATES, SIX BOWLS, TEN SIDE PLATES, SIX CUPS AND SEVEN SAUCERS, PRINTED MARKS (33) £30-50 485. TWENTY ONE PIECE ROYAL DOULTON ‘CADENCE’ PATTERN CHINA TEA SERVICE FOR SIX PERSONS, BLACK PRINTED WITH STYLISED FLORAL BANDS BENEATH SILVERED LINED RIMS AND HANDLES, COMPRISING; SIX CUPS, SAUCERS AND SIDE PLATES, SUGAR BOWL, MILK JUG AND BREAD AND BUTTER PLATE, PRINTED MARKS (21) £40-60 486. TWENTY EIGHT PIECE ROYAL DOULTON ‘HAMPTON COURT’ CHINA PART DINNER SERVICE, NOW SUITABLE FOR FIVE PERSONS, WITH BLUE PRINTED FLORAL BORDERS AND GILT LINED RIMS, COMPRISING: SIX DINNER PLATES, DESSERT PLATES AND SIDE PLATES, FIVE FRUIT DISHES, CIRCULAR TUREEN AND COVER, OVAL PLATTER, SERVING DISH AND A GRAVY BOAT AND STAND, PRINTED MARKS (28) £30-50 487. ROYAL DOULTON CHINA ‘ROSE ELEGANT’ DINNER AND TEA SERVICE FOR SIX PERSONS, APPROX 47 PIECES £40-50 488. BESWICK POTTERY GROUP OF A HUNTSMAN on a rearing horse, style one, 9 1/2” (24.1cm) high, (riders right leg hairlined and re-glued at above ankle) with seven hounds in various poses (one with tail re-glued at base and two others with a rear leg re-glued at knee) AND A SEATED FOX, all with printed marks (9) £80-120 489. THREE BESWICK POTTERY MODELS OF DOGS, comprising; Dalmatian (1763) 3 1/2” (8.9cm) Retriever (1855), 3 1/4” (8.3cm) and Sheep dog (1854) 3” (7.6cm), printed marks, TOGETHER WITH A POTTERY MODEL OF A WEST HIGHLAND TERRIER, 1 3/4” (4.4cm) high, unmarked, a ROYAL DOULTON POTTERY MODEL OF A BROWN LYING FOAL (915) 3 1/4” (8.3cm) a NAO POTTERY GROUP OF GEESE, 4 3/4” (12cm) high and COLLECTION OF PORCELAIN MODELS OF BIRDS and various animal figures £60-90 490. BESWICK POTTERY MODEL OF A KING CHARLES SPANIEL, tan and white gloss, 5 1/4” (13.3cm) high, TOGETHER WITH A BESWICK MODEL OF A PERSIAN CAT, standing, tail erect, white (1898), 5” (12.7cm) high (chips to ear) printed marks (2) £30-50

491. BESWICK POTTERY WALL POCKET, modelled as a pair of urns before a palm tree with a mushroom coloured glaze No. 1063, 8 5/8” (21.8cm), impressed and printed marks, TOGETHER WITH A BURLEIGH WARE MOULDED POTTERY SQUIRREL PATTERN JUG of baluster form, decorated with a hand painted acorn tree on a yellow ground, with applied squirrel handle, 7” (17.7cm) high, printed and painted marks AND A WEATHERBY MOULDED POTTERY DELPHINE PATTERN JUG, decorated with yellow, red and purple delphiniums on a reef textured yellow ground, 5 3/4” (14.6cm) high, impressed and printed marks (3) £40-60 492. BESWICK MODEL OF A HUNTSWOMAN, jumping a fence, on rounded-oblong base, 10 3/4” long (broken and repaired) £80-100 493. BESWICK MODEL OF A AN OLD ENGLISH SHEEP DOG, model number 453, 8 1/2” high, also a BESWICK MODEL OF A SHIRE HORSE PONY, brown gloss, 10” long (2) £30-50 494. SIX BESWICK MODEL HOUNDS (two imperfect) (6) £40-60 495. FOUR BESWICK BEATRIX POTTER CHARACTER FIGURES ‘Anna Maria’, ‘Amiable Guinea-Pig’, ‘Tommy Brock’, ‘Good Tiptoes’ all with brown backstamps (4) £60-80 496. BESWICK MODEL EWE AND THREE LAMBS (ewe imperfect) (4) £20-30 497. BESWICK MODEL OWL, model No. 1046 (repaired), also a JEMA (Holland) MODEL OWL and three other foreign bisque finish owls and a resin squirrel (6) £50-70

Lladro

498. LLADRO SPANISH PORCELAIN GROUP ‘FOLK DANCING’, modelled as a boy and girl dancing, 12” (30.4cm) high, printed and impressed marks (one of girl’s right fingers damaged) £45-65 499. LLADRO SPANISH PORCELAIN GROUP ‘SPRING JOY’, modelled as a girl stood by a bird bath, 10 1/2” x 9” (25.4 x 22.8cm), printed and impressed marks £200-250

500. LLADRO SPANISH PORCELAIN GROUP ‘EXQUISITE SCENT’, modelled as a girl by a rose bush and bench, 11 1/2” x 7” (29.2 x 19cm), printed and impressed marks £200-250 501. LLADRO SPANISH PORCELAIN GROUP ‘A TALL YARN’, modelled as an old sailor with a model boat and young boy, 10 1/2” x 9 1/2” (26.6 x 24.1cm), printed and impressed marks £200-250 502. LLADRO SPANISH PORCELAIN FIGURE ‘CINDARELLA’, 10” (25.4cm) high, printed marks £60-90 503. LLADRO SPANISH PORCELAIN GROUP ‘POETRY OF LOVE’, modelled as a boy and girl sat on a bench, he reading from a book, she with a dog, 8 3/4” x 9 1/2” (22.2cm x 24.1cm) printed and impressed marks £200-250

Lot 500

504. LLADRO SPANISH PORCELAIN GROUP ‘MY LITTLE EXPLORERS’, modelled as a young boy with dog and puppies, 10” x 10 1/4” (25.4 x 26cm), printed impressed and incised marks £100-150 505. LLADRO SPANISH PORCELAIN GROUP ‘PULLING DOLLS CARRIAGE’, modelled as a young girl pulling a doll on a toy carriage, 10 1/2” (26.6cm), printed marks £100-150 506. LLADRO SPANISH PORCELAIN GROUP ‘A LADY OF TASTE’, modelled as a lady in an elegant dress holding flowers and stood by a chair, 14 1/2” x 9 1/2” (36.8 x 24.1cm), printed impressed marks £150-200

Lot 503

507. LLADRO SPANISH PORCELAIN GROUP ‘GIRL WITH TURKEY’, modelled as a girl sat holding a turkey with a basket of apples, 6” (15.2cm) high, printed marks £50-75 508. LLADRO SPANISH PORCELAIN GROUP ‘LITTLE GIRL WITH TURKEY’, 10” (25.4) high, printed marks £80-120 509. LLADRO SPANISH LIMITED EDITION PORCELAIN GROUP ‘FAR AWAY THOUGHTS’ modelled as a female figure stood at an ornate floral balcony, 14” x 15” (35.5cm x 38.1cm), painted, printed and impressed marks, with certificate £700-1000

Lot 509

Lot 527

510. LLADRO SPANISH PORCELAIN FIGURE ‘SPRING BREEZE’ modelled as a lady in a bonnet and scarf, 13 1/2” (34.2cm) high, printed, impressed and incised marks £100-150

520. LLADRO SPANISH PORCELAIN GROUP ‘RABBIT’S FOOD’, modelled as a young girl holding grass in her apron with a rabbit, 9” (22.8cm) high £40-60

511. LLADRO SPANISH PORCELAIN GROUP ‘PUPPY PARADE’, modelled as a young girl walking two dogs with puppies, 9 1/2” x 10 1/4” (24.1cm x 26cm), printed, impressed and incised marks £100-150

521. LLADRO SPANISH PORCELAIN GROUP ‘GIRL WITH A MILK PAIL’, modelled as a girl stood by a milk pail with a duck, 9” (22.8cm) high, TOGETHER WITH ANOTHER modelled as a girl holding a bowl with a goose, 9” (22.8cm) high, (as found), both with printed marks (2) £80-120

512. LLADRO SPANISH PORCELAIN MODEL ‘TURTLE DOVE’, 11” (27.9cm) high, together with a NAO PORCELAIN MODEL OF THREE DUCKS, 4” (10.1cm) high, and ANOTHER of a SINGLE DUCK, 6” (15.2cm) high, printed and impressed marks (3) £45-65 513. LLADRO SPANISH PORCELAIN GROUP ‘LADY GRAND CASINO’, modelled as a lady stood by a vase of flowers on a plinth, 13 1/2” (34.2cm), printed marks £100-150 514. LLADRO SPANISH PORCELAIN GROUP ‘SOCIALITE OF THE 20’s’, modelled as a lady in elegant 1920’s dress with feather head piece standing by a plinth, 13” (33cm), printed marks £100-150

Lot 529

515. LLADRO SPANISH PORCELAIN GROUP ‘THE SWEET MOUTHED’, modelled as a young girl with a pot of honey with three dalmatian puppies, 7 1/2” (19cm) high, together with ANOTHER ‘LITTLE GIRL WITH SLIPPERS’ 5” (12.7cm), printed marks (2) £60-90 516. LLADRO SPANISH PORCELAIN FIGURE, modelled as a lady with a basket and bundle on her head, 14” (35.5cm) high £50-75 517. LLADRO SPANISH PORCELAIN FIGURE ‘ANGEL PLAYING FLUTE’, 6” (15.2cm) high, together with a LLADRO BISQUE FIGURE ‘ANGLE LAYING DOWN’ 5 1/2” (13.9cm) long, and a LLADRO COLLECTORS SOCIETY 1994 CHRISTMAS BELL, 3” X 3 1/4” (7.6cm x 8.25cm) (3) £40-60 518. LLADRO SPANISH PORCELAIN FIGURE ‘ARANJUEZ LITTLE LADY’, modelled as a lady with a parasol, 12” (30.4cm) high, printed marks £80-120

Lot 533 42

519. LLADRO SPANISH PORCELAIN FIGURE ‘DANCER’, modelled as a lady holding out her dress, 12 1/2” (31.7cm) high, printed marks £80-120

522. LLADRO SPANISH PORCELAIN FIGURE ‘COUNTRYMAN’, 11 1/2” (29.2cm) high, together with ANOTHER GROUP ‘GIRL WITH GOOSE AND DOG’, 11” (27.9cm), printed marks (2) £120-160 523. LLADRO SPANISH PORCELAIN GROUP ‘SHEPHERD’, modelled as a reclining Shepherd with dog, 10” x 5 1/2” (25.4cm x 13.9cm) £60-90 524. LLADRO SPANISH PORCELAIN FIGURE ‘COIFFURE GIRL’, holding a bonnet by her side, 9 1/2” (24.1cm) high, together with ANOTHER girl standing holding a piglet, 6 1/2” (16.5cm), printed marks (2) £40-60 525. LLADRO SPANISH PORCELAIN FIGURE, seated boy in a sailor costume holding a model boat, 8 1/2” (21.5cm) printed marks £60-90 526. TWO LLADRO SPANISH PORCELAIN FIGURES OF A YOUNG GIRLS, one modelled carrying a basket of flowers, 6 1/2” (165cm) high, the OTHER MODELLED WEARING A WINDBLOWN SCARF AND HOLDING A POT OF FLOWERS, 6 3/4” (17.1cm) high, printed, impressed and incised marks (2) £60-80 527. LLADRO SPAIN INTRICATE CHINA GROUP GIRL FLOWER VENDOR behind flower encrusted cart and baskets and stood beneath a parasol, 9 1/2” wide x 11” high (24 x 28cm), and the loose stained wood stand £80-120 528. LARGE LLADRO PORCELAIN GROUP, PAINTED IN MUTED TONES AND MODELLED WITH TWO LADIES, seated on a stone bench on a shaped base, ‘Ladies Chatting’, 14 1/2” (36.8cm) high, 11” (28cm) long, printed mark £100-150

Derby 529. STEVENSON AND HANCOCK, DERBY NINETEENTH CENTURY EQUESTRIAN FIGURE DR. SYNTAX JUMPING A RAIL FENCE, his right hand securing his tricorn hat, oval gilt lined base, 6 3/4” high (17.1cm) high, underglazed pink mark (hairline surface cracks) £150-200 530. PROBABLY DERBY NINETEENTH CENTURY PORCELAIN FIGURE ‘DR SYNTAX’ HATLESS DELIVERING A SPEECH, right hand gesturing, the other holding his notes, oblong base, 5 1/2” (13.9cm) high inscribed mark N 2 £60-90 531. DERBY NINETEENTH CENTURY PORCELAIN GROUP ‘DR SYNTAX’ CHASED UP A TREE BY A BULL , tricorn hat and sketch book on the ground, oval naturalistic base, 5 1/4” (13.3cm) high, underglaze orange mark and inscribed No. 10 £100-150 532. NINETEENTH CENTURY BLANC DE CHINA GROUP DR. SYNTAX CHASED UP A TREE BY A BULL, wig, tricorn hat and book on the ground, oval naturalistic base, 6 1/4” high (some losses to foliage) £80-120 533. STEVENSON AND HANCOCK DERBY, NINETEENTH CENTURY PORCELAIN GROUP DR. SYNTAX BEING CARRIED ‘PIGGY-BACK’ BY A WOMAN IN RUSTIC COSTUME, his tricorn hat secured with a pink and black spotted scarf, gilt lined circular base, 5 1/2” (13.9cm) high, underglaze puce mark (very similar figure entitled ‘Debarquant a Calais’ £100-150 534. DERBY, NINETEENTH CENTURY PORCELAIN GROUP DR. SYNTAX BEING CARRIED ‘PIGGYBACK’ BY A WOMAN IN RUSTIC COSTUME, his tricorn hat secured with a yellow and red spotted scarf, circular base entitled in gilt ‘Debarquant a Calais’ 4 1/2” (11.4cm) high, red printed mark and inscribed No. 11 £80-120 535. DERBY NINETEENTH CENTURY PORCELAIN FIGURE DR. SYNTAX DELIVERY A LECTURE, tricorn hat secured beneath his right arm and holding a book (chipped), other books at his feet, gilt lined oblong base, 5 1/2” (13.9cm) high, blue mark and inscribed No. 4 £60-90 536. PROBABLY DERBY NINETEENTH CENTURY PORCELAIN FIGURE DR. SYNTAX IN ANIMATED POSE, arms raised and stamping his left foot, wig and paper headed ‘York Wages’ on the ground, 6” (15.2cm) high, inscribed No. 3 £60-90

537. STEVENSON AND HANCOCK DERBY NINETEENTH CENTURY PORCELAIN FIGURE DR. SYNTAX IN TRICORN HAT SEATED ON AN UPTURNED COOPERED BUCKET, sketching a rural scene into a book open on his knee, two ducks at his feet, oval naturalistic base, 5 1/4” (13.3cm) high, underglaze puce mark £100-150 538. POSSIBLY DERBY NINETEENTH CENTURY PORCELAIN SMALL STANDING FIGURE DR. SYNTAX, IN TRICORN HAT, holding a letter in his right hand before him, 4” (10.2cm) high and ANOTHER TIED TO A TREE AND STRUGGLING dislodged hat and wig on the ground, 4 1/4” (10.8cm) high £50-75 539. NINETEENTH CENTURY PORCELAIN SMALL FIGURE DR. SYNTAX IN TRICORN HAT SEATED CROSS LEGGED ON AN UPTURNED COOPERED BUCKET, sketching a bird (implement damaged) two birds at his feet, 3 3/4” (9.5cm) high and ANOTHER WHITE AND GILT DEPICTING DR SYNTAX TIED TO A TREE and struggling to free himself, green painted naturalistic base, 4” (10.1cm) high (2) £50-75

Lot 536

540. DERBY NINETEENTH CENTURY PORCELAIN FIGURE DR. SYNTAX STANDING ARMS RAISED POSSIBLY DELIVERING A SERMON, but wearing a ladies bonnet, tricorn hat on pedestal beside him on painted green tile pattern base, 4 1/4” (10.8cm) high, orange printed mark and inscribed No. 6, ANOTHER STANDING IN TRICORN HAT PLAYING A VIOLIN, bow incomplete, 4 1/2” (11.4cm) high (2) £70-90 541. DERBY NINETEENTH CENTURY PORCELAIN FIGURE DR. SYNTAX, standing, his tricorn hat held in position with a yellow and red spotted scarf, circular base, 5 3/4” (14.6cm) high, orange painted mark £100-150 542. PORCELAIN FIGURE OF DR. SYNTAX as an elderly man walking with a stick, on circular base, 5 1/2” high, blue painted Stephenson and Hancock type mark £60-90

Lot 543

543. NINETEENTH CENTURY STEPHENSON AND HANCOCK, DERBY POTTERY FIGURE OF A MANSION HOUSE DWARF, modelled with an oversized hat and walking stick and a painted base, 7 1/4” (18.5cm) high £120-180 544. EARLY NINETEENTH CENTURY HAND PAINTED DERBY CHINA LARGE TWO HANDLED PEDESTAL VASE, of campana form with rustic moulded handles and square plinth base, well painted, in colours, with a band of summer flowers, above a gilt embellished lower body, base and internal border, 12 1/4” (31.1cm) high, red painted mark £150-250

Lot 544 43

545. PAIR OF EARLY NINETEENTH CENTURY DERBY PORCELAIN SOUP DISHES, enamelled in iron red, pink, yellow and blue accentuated with gilding with stylized flower sprays, overglaze red crown, cross batons and D mark (2) £20-30 546. EARLY 1800’s PROBABLY DERBY PORCELAIN CAMPANA SHAPE TWO HANDLED PEDESTAL VASE, the Royal blue ground reserved with well painted cartouche shaped panels of flowers, enriched with gilding, 7 1/2” high (repaired chip to the rim and two cracked descending from rim) £30-50 547. SET OF FOUR MODERN ROYAL CROWN DERBY JAPAN PATTERN CHINA TRIOS AND MATCHING PAIR OF LARGER CABINET PLATES, pattern no. 1128, typically decorated in colours and gilt with stylised floral panels, comprising; four tea cups, saucers and side plates, and pair of plates, 10 3/4” (27.3cm) diameter, printed marks (14) £250-350 548. EIGHT PIECES OF MODERN ROYAL CROWN DERBY JAPAN PATTERN CHINA, all pattern no. 1128, typically decorated in colours and gilt with stylised floral panels, comprising; boat shaped two handled pedestal sucrier and cover, 5 1/2” (14cm) high, coffee can and saucer, pair of goblets, 5” (12.7cm) high, salt and pepper pots and a pair of small saucer dishes, printed marks (8) £150-250 549. FOUR ROYAL CROWN DERBY JAPAN PATTERN CHINA GRADUATED PLATES, pattern number 1128, various years, 8 1/4” (20.9cm) diameter the largest (4) £80-120 550. ROYAL CROWN DERBY JAPAN PATTERN CHINA COFFEE CAN AND SAUCER, pattern No. 1128, date marks for 1979, COFFEE CAN 2 1/4” (5.7cm) high, SAUCER, 4 1/2” (10.7cm) diameter, printed marks (2) £50-75 551. PAIR OF ROYAL CROWN DERBY JAPAN PATTERN CHINA SMALL CIRCULAR POLYFOIL DISHES, pattern No. 1128, 1976 and 1985, 4 1/4” (10.7cm) diameter, printed mark (2) £40-60 44

552. PAIR OF ROYAL CROWN DERBY JAPAN PATTERN CHINA SMALL POLYFOIL OBLONG DISHES, 3 1/2” x 3” (8.9cm x 7.6cm) printed marks (2) £60-90

559. LATE VICTORIAN ROYAL CROWN DERBY MOULDED CHINA BOX AND COVER, oval with domed cover and scroll feet, gilt painted with floral swags and pendants on a cobalt blue ground with gilt lined highlights and rims, 4 1/2” (11.4cm) high, 7” (17.8cm) wide, printed mark, painted and incised No. 1218 and date code for 1899 £100-150

Royal Worcester

565. EARLY TWENTIETH CENTURY ROYAL WORCESTER FRUIT PAINTED 553. MINIATURE CHINA TEACUP by T. TWO MODERN ROYAL CROWN Lockyer, steep sided, footed form DERBY ANIMAL PATTERN with burnished gilt exterior and IMARI CHINA PAPERWEIGHTS, handle, the interior painted with COMPRISING ‘Cavalier King Charles apples and blackcurrants against a Spaniel’, gilt button, 4” (10.2cm) 560. mossy bank, 1 1/4” (3.2cm) high, high and HEDGEHOG, moulded PAIR OF EARLY NINETEENTH puce printed mark and date code button 4 1/2” (11.4cm) long, CENTURY DERBY JAPAN PATTERN printed marks (2) PORCELAIN WALL PLAQUES, dished for 1919 £50-80 £50-80 form, 8 1/2” (22.5cm) diameter, painted mark, foot rims drilled (2) 566. 554. £40-60 PAIR OF ROYAL WORCESTER 13 PIECE ROYAL CROWN DERBY PORCELAIN CABINET PLATES, the PORCELAIN ‘JAPAN’ PATTERN 561. centres painted by W. Hale with PART TEA SERVICE, of 5 plates, 4 EARLY NINETEENTH CENTURY cups and 4 saucers, date codes DERBY JAPAN PATTERN PORCELAIN flowers, framed within magenta and transfer gilded borders, date code for 1915/16, also a late Victorian MILK JUG, circular footed form for 1932, 10 1/2” diameter DERBY CROWN PORCELAIN with angular scroll handle, 3 £60-80 COMPANY ‘JAPAN’ PATTERN CREAM 1/2” (8.9cm) high, painted JUG, date code for 1883 (14) mark, together with a SIMILARLY 567. £90-130 DECORATED DAVENPORT COFFEE LATE 19TH CENTURY JAMES CUP AND SAUCER (3) HADLEY& SONS, WORCESTER, 555. £50-80 HAND PAINTED TWO HANDLED EARLY TWENTIETH CENTURY MOULDED AND PIERCED CHINA ROYAL CROWN DERBY PORCELAIN 562. VASE AND COVER, footed orbicular ‘JAPAN’ PATTERN 29 PIECE PART TWO EARLY TWENTIETH form with dragon capped angular TEA SERVICE, comprising 8 cups, CENTURY ROYAL CROWN DERBY scroll handles, short cylindrical 9 saucers, 8 plates, and slightly JAPAN PATTERN TEA CUPS AND neck and slightly domed cover with larger plate, sandwich plate, sugar SAUCERS, a SIMILAR COFFEE moulded pointy finial, decorated bowl and cream jug, date code for CUP AND SAUCER, A SIMILAR with gilt lined panels containing 1904 (29) TWO HANDLED PEDESTAL POSY rush lined river scapes with wading £250-350 VASE, a small Stephenson and storks, set on a brown, blue and gilt Hancock Derby Japan pattern 556. moulded ground and set beneath low pedestal octagonal BOWL, an FORTY FOUR PIECE CROWN a cover with foliate scroll pierced early nineteenth century possibly DERBY IMARI CHINA TEA SERVICE, Derby Japan pattern saucer and a cartouches, 10 1/4” (26cm) high, suitable for 12 persons circa printed mark, painted No. F108 nineteenth century Derby inkwell 1880, comprising 14 TEACUPS (3 over 8510, (finial re-glued, chip to (damaged) cracked), 16 SAUCERS, 12 SIDE rim of cover and hairline to rim) £50-70 PLATES, SLOPS BOWL AND A £500-700 CIRCULAR SANDWICH PLATE/TRAY 563. (broken in half and with stapled THIRTY ONE PIECE MODERN ROYAL 568. repair) blue tinted marks and CROWN DERBY ‘HERALDIC’ PATTERN EARLY 20TH CENTURY ROYAL WORCESTER CHINA MODEL OF painted pattern No. 383 (44) CHINA DINNER SERVICE FOR SIX CHARLES II, moulded standing with £250-350 PERSONS, with moulded gilt borders, plummed hat and claret coloured comprising; 18 PLATES (6 x three 557. coat with gilt lined sash and different sizes) 6 SOUP PLATES, 6 EARLY TWENTIETH CENTURY CRESCENT SHAPED DISHES AND AN cane, on a moulded oblong base ROYAL CROWN DERBY HAND with moulded gilt border, 9 3/4” oval two handled tureen and cover, red PAINTED CHINA TWO HANDLED (24.7cm) high, puce printed mark, printed marks (31) PEDESTAL VASE and cover, oviform, £40-60 model no. 2672 and date code for floral painted in gilt lined cartouche, 1917 (re-glued across one shoe) on a n apple green and gilt scroll 564. £100-150 ground, cover restored, 5 23/4” THIRTY EIGHT PIECE ROYAL CROWN 569. (14.6cm) high, printed marks DERBY CHINA TEA SERVICE ROYAL WORCESTER CHINA £60-90 SUITABLE FOR 9 PERSONS, floral FIGURE ‘Mischief’ No. 2914, 3 printed with blue and gilt borders, 558. comprising 9 CUPS (two styles) 12 1/2” (8.8cm) high, printed marks, EARLY NINETEENTH CENTURY TOGETHER WITH A MODERN ROYAL SAUCERS AND SIDE PLATES, PAIR DERBY PORCELAIN LARGE TWO WORCESTER CHINA CABBAGE OF BREAD AND BUTTER PLATES, HANDLED SUCRIER, circular footed PAIR OF SUGAR BOWLS AND A PAIR LEAF CREAM JUG, decorated with form with high angular scroll OF MILK JUGS, green printed marks summer flowers and a bearded handles, painted in burnt orange mask, 4 1/4” (10.7cm) (2) and painted pattern No. A979 and gilt with a band of stylised floral £50-80 £40-60 ` panels, set between gilt handled and rims, 4” (10.1cm) high, 6” (15.2cm) diameter, between handles, painted marks and No. 475 £30-50

570. EIGHTEENTH CENTURY WORCESTER ‘CANNON BALL’ PATTERN BLUE AND WHITE PORCELAIN BULLET TEAPOT, painted with temple dwelling and trees in a river landscape, 4 1/4” (10.8cm) high, open crescent mark, lacks cover and chips to end of spout) £50-80 571. EARLY TWENTIETH CENTURY ROYAL WORCESTER PORCELAIN SMALL VASE, painted with roses on an ivory ground, date code for 1924 £70-90 572. PROBABLY LATE NINETEENTH CENTURY ROYAL WORCESTER BLUSH CHINA VASE with internal cover, part wrythen fluted oviform, with spreading foot and dished cover with gilt knop, printed and painted in colours with summer flowers, set between gilt lined rims and highlights, 6 3/4” (17.2cm) high, green printed mark (not complete) mould No. 1720, lacks outer pierced cover £30-50 573. COLLECTION OF TEN MODERN ROYAL WORCESTER CREAM GLAZED CHINA FIGURES FROM THE ‘1920’s COLLECTION’ COMPRISING; ‘Clara’ (a.f.), ‘Annie’, ‘Kitty’, ‘Constance’, ‘Bea’, ‘Evie’, ‘Minnie’, ‘Millie’, ‘Diana’ and ‘Irene’ 8 1/2” (21.6cm) high approx, printed marks, supplied with stand and related leaflets £150-250 574. A ROYAL WORCESTER PORCELAIN FIGURE ‘SWEET ANN’, modelled by F.G. Doughty, model number 3630 £30-40 575. FORTY FOUR PIECE ROYAL WORCESTER ‘ORLEANS’ PATTERN CHINA DINNER SERVICE FOR SIX PERSONS, WITH BLUE/ GREY RIMS AND WHITE FLORAL PRINTED BORDER, COMPRISING CONSOMME CUPS AND SAUCERS, DINNER PLATES, DESSERT PLATES, SIDE PLATES, SOUP PLATES, GRAVY BOAT AND STAND, OVAL PLATTER and PAIR OF CIRCULAR TWO HANDLED TUREENS and covers, together with a SIMILAR ‘CANDLELIGHT’ PATTERN SUGAR BOWL, printed marks (45) £40-60

576. FORTY TWO PIECE MODERN ROYAL WORCESTER ‘MANOR HOUSE’ PATTERN CHINA DINNER AND TEA SERVICE FOR SIX PERSONS, colour printed with foliate borders and gilt lined rims and handles, comprising; 6 DINNER PLATES, SOUP PLATES, DESSERT PLATES, CUPS, SAUCERS AND SIDE PLATES, circular two handled TUREEN and cover, SERVING DISH, SAUCE JUG and stand, MILK JUG AND TWO HANDLED SUCRIER and cover, TOGETHER WITH A MATCHING PAIR OF COFFEE CANS AND SAUCERS, black printed mark (46) £80-120

Oriental Ceramics

Lot 567

577. LATE 19TH CENTURY CHINESE BLUE AND WHITE PORCELAIN JARDINIERE, typical form well painted with figures at leisure in rockwork gardens, set between moulded manganese borders with floral cartouches, 10 1/4” (26cm) high, 12 1/2” (31.7cm) diameter £150-200 578. POSSIBLY SUNG DYNASTY, ANTIQUE CHINESE SANG DE BOEUF GLAZED POTTERY FIGURE, moulded standing in floral robes, 10” (25.4cm) high £75-100 579. WELL PAINTED PAIR OF LATE 19TH/ EARLY 20TH CENTURY CHINESE BLUE AND WHITE VASES, footed baluster form with tall waisted necks, outlined and with figures, dwellings and trees in mountainous river landscapes, set between cross hatched bands with cartouches containing precious things and flowers, and beneath panels of flowers and winged insets and laputt shaped borders, 18 1/2” (47cm) high, underglazed blue six character kangxi mark and double borders (2) one chipped to rim £300-400

Lot 578

580. EARLY TWENTIETH CENTURY CHINESE HAND PAINTED PORCELAIN TEAPOT, tapering form with scroll handle and flat cover with clenched fist finial, painted with cockerel and flowering foliage, the reverse with character inscription, beneath geometric borders, 2 1/2” (6.4cm) high, iron red painted mark to base, two crescent shaped cracks to internal base, £150-200

Lot 579 45

Lot 591

Lot 592

581. NINETEENTH CENTURY CHINESE FAMILLE VERTE ENAMELLED PORCELAIN LARGE VASE, oviform, with waisted neck, well painted with numerous figures, mostly standing, but with two riding water buffalo and one of a kylin, set against flowering rockwork and burnt orange cloud forms, 22 3/4” (57.8cm) high, iron red six character seal mark £400-600 582. JAPANESE LATE MEIJI PIERCED IMARI PORCELAIN VASE, high shouldered form with short cylindrical neck, painted with floral panels on a conforming ground, 9” (22.9cm) high, TOGETHER WITH A BLUE AND WHITE PORCELAIN PEDESTAL ROSE WATER SPRINKLER, painted with foliate scrollwork panels, 6 3/4” (17.1cm) high and A CHINESE ‘PRUNUS’ on a cracked ice ground pattern blue and white porcelain PLAQUE (af.), 13 1/2” (34.3cm) diameter (3) £50-80 583. FIVE PIECE OF EIGHTEENTH CENTURY STYLE CHINESE BLUE AND WHITE PORCELAIN, COMPRISING; PAIR OF FOOTED BOWLS, painted with snarling four toed dragons, 3” (7.6cm) high, 7 1/4” (18.4cm) diameter, a PLAQUE, painted with figures, dwellings and a bridge in a river landscape, 12” (30.5cm) diameter and two PLATES, floral painted (with underglazed four character Kangxi marks) £60-90 584. LATE EIGHTEENTH CENTURY CHINESE FAMILLE ROSE ENAMELLED PORCELAIN FOOTED BOWL, steep sided form, decorated to the exterior with flowering foliage in a rockwork garden, the interior with central design of peony, 3 3/4” (9.5cm) high, 9 1/2” (24.1cm) diameter, section of foot rim re-glued, hairlined and rim chips £80-120 585. PAIR OF CHINESE BLUE AND WHITE PORCELAIN VASES AND COVERS, oviform with domed covers and dog of fo finials, painted with prunus on cracked ice grounds,12” (30.5cm) high (2) (one a.f.) £50-80

Lot 595

586. NINETEENTH CENTURY CHINESE BLUE AND WHITE PORCELAIN GINGER JAR AND COVER, typical form, painted with prunus on on a cracked ice ground, 8” (21.6cm) high, TOGETHER WITH A BLANC DE CHINE PORCELAIN FIGURE OF A SCHOLAR, with open book, 11 1/4” (28.6cm) high (2) £50-80

587. 20TH CENTURY CHINESE PORCELAIN FIGURE, modelled standing in flowing robes, holding a fly whisk, 10 3/4” (27.3cm) high £30-50 588. COLLECTION OF ORIENTAL WARES, to include; JAPANESE BLUE AND WHITE VASE, floral painted, 6 1/4” (15.9cm) high, Chinese porcelain SMALL GINGER JAR AND COVER, painted with foliate scrollwork in burnt orange, brown patinated cast metal TEA KETTLE, Japanese patinated bronze SMALL KORO and cover, SET OF THREE CLOISONNE NESTING CIRCULAR BOXES and cover, CAST METAL FIGURE OF Hotei and a wooden stands (both a.f.) (8) £30-50 589. AFRICAN CARVED IVORY SEATED FIGURE, MODELLED AS A NATIVE MAN on throne type chair, raised on a carved wood base, 6 1/2” (16.5cm) high, TOGETHER WITH AN OIL PAINTING ON CANVAS OF A KITTEN, 10” x 12” (25.4cm) x 30.5cm) AND A WATERCOLOUR OF A GEISHA and dog, 19” x 12” (48.3cm x 30.5cm) (3) £50-75 590. TWO EARLY TWENTIETH CENTURY CHINESE WATERCOLOUR DRAWINGS ON RICE PAPER, both containing figures 4” x 6 3/4” (10.1cm x 17.2cm) both framed and glazed (2) £20-40 591. M. KOBAYASHI, JAPANESE ARTIST SIGNED WOODBLOCK TRIPTYCH ‘New Years Festival’ depicting seated figures with tables containing food, gifts and a miniature rockwork garden in the background, printed in black outline with bright analine dyes on paper, 13 1/2” x 28” (34.3cm x 71.1cm) four line dedication and signature, dated 1913, lower right and titled and attributed to the mount £100-150 592. M. KOBAYASHI, JAPANESE ARTIST SIGNED WOODBLOCK TRIPTYCH ‘March 3rd Lunar Moth, Feast of the dolls’ depicting seated figures and Bijin and tiered display of dolls, printed in black outline with bright analine dyes on paper 13 1/2” x 28” (34.3cm x 71.1cm) four line dedication and signature, dated 191 (?) lower right and titled and attributed to the mount (foxing and staining) £100-150

593. PAIR OF CHINESE WATER COLOUR DRAWINGS ON RICE PAPER depicting seated female musicians 12” x 8” (30.4cm x 20.3cm) (2) £80-120 594. PAIR OF CHINESE REVERSE PAINTINGS ON GLASS one depicting a girl and a dog and the other, a girl reading at a small table 19 1/4” x 13 1/4” (48.8cm x 33.6cm) (2) £30-50 595. FOUR JAPANESE WOODBLOCK PRINTS, unframed (a.f.) (4) £40-60 596. FRAMED AND GLAZED PANEL OF CHINESE SILK AND GOLD THREAD EMBROIDERY OF AN IMMORTAL, standing amongst floral and leaf sprays, 11 1/2” x 7 3/4” also TWO CARVED SOAPSTONE ORNAMENTS AND ANOTHER ORIENTAL HEAVY BLACKSTONE CARVED FIGURE (4) £30-50 597. TWENTIETH CENTURY CHINESE WATERCOLOURS on silk pictures, of two birds perched upon a flowering shrub, inscribed in character with a seal, 8 3/4” x 12” (in a glazed frame) £40-60 598. ISLAMIC BRASS, COPPER AND SILVER OVERLAID ORBICULAR JAR, with panels of calligraphy and stylised ornament, 5 1/2” high £60-80 599. LATE NINETEENTH CENTURY JAPANESE PORCELAIN WALL PLAQUE, painted in underglazed blue and prunus blossom, 15” diameter £60-80 600. PAIR OF NINETEENTH CENTURY CHINESE NANKING BLUE AND WHITE PLATES, 9 1/4” diameter £40-60 601. NINE ITEMS OF TWENTIETH CENTURY ORIENTAL STYLE BLUE AND WHITE PORCELAIN INCLUDING A PAIR OF OVOID COVERED JARS, a pair of hexagonal canisters with covers, vases etc. (9) £80-120

602. LATE NINETEENTH CENTURY CHINESE COMPRESSED ORBICULAR BLUE AND WHITE JAR with shallow domed cover (damaged) TOGETHER WITH ELEVEN ITEMS OF CHINESE AND JAPANESE BLUE AND WHITE PORCELAIN, TWO PIECES OF JAPANESE IMARI AND A CANTON DECORATED BOWL (cracked) (15 items) £100-150 603. PAIR OF INTER-WAR YEARS JAPANESE POTTERY OVIFORM VASES, broadly enamelled and gilt with haloed figures, 10 1/4” high £50-70 604. LATE NINETEENTH CENTURY JAPANESE SATSUMA BOWL, well painted in enamels an gilt, the interior with panels of numerous figures, landscapes an flowers, the exterior with a continuous border of flowering plants and butterflies between diapered borders, the whole on a finely gilt seeded ground, signed with two gilt character in seal form, 5” diameter £150-250 605. CHINESE POST REPUBLIC PORCELAIN BALUSTER SHAPE VASE, well painted with a mountainous cloud enveloped landscape opposing a four character inscription and three red seals, transfer printed borders beneath the everted rim and at the foot in blue, four character seal mark to the base, 12 1/2” high £60-80 606. NINETEENTH CENTURY CHINESE PORCELAIN PLATE, painted in famille rose enamels , 9 diameter £40-60 607. THIRTEEN ITEMS OF ORIENTAL BLUE AND WHITE CERAMICS, most with transfer printed patterns, including wall plaques and bowls etc. £40-60 608. CHINESE BAMBOO BRUSH POT, with character inscription, 6” (15.2cm) high £30-50 609. CHINESE FAMILLE ROSE ENAMELLED PORCELAIN VASE, decorated with birds, butterflies and winged insects amongst flowers and fruit, 9 1/2” (24.1cm) high (restored) £50-80

610. POSSIBLY SONG DYNASTY CHINESE CELADON GAZED POTTERY DISH, flared form, 2 1/4” (5.7cm) high, 6 1/4” (15.9cm) diameter (hairlined) £25-35

617. PAIR OF ORIENTAL MOTTLED GREEN HARDSTONE MODELS OF CRANES, 8 1/2” (21.6cm) high, on carved and pierced redwood stands £80-120

610A. CHINESE DOUCAI ENAMELLED PORCELAIN PLATE, painted with the eight precious objects within double lined borders, 9” (22.9cm) diameter £50-80

618. NINETEENTH CENTURY CHINESE BLUE AND WHITE PORCELAIN VASE, baluster form, well painted with two panels containing figures, dwellings and trees in mountainous river landscapes, 10 1/2” (26.7cm) high, rim ground and with associated carved and pierced redwood cover, TOGETHER WITH A SMALLER BLUE AND WHITE VASE, painted with flowers, 7 1/2” (19.1cm) high (a.f.) (2) £150-200

611. NINETEENTH CENTURY CHINESE CARVED ONE PIECE IVORY LARGE FIGURE of a sage, 19” (48.2cm) high, on a carved and pierced red wood stand and associated base £600-800 612. NINETEENTH CENTURY JAPANESE COLOUR PRINT OF A MONKEY swinging from bamboo, heightened in white, 13 1/4” x 7 1/2” (33.7cm x 19cm) framed and glazed £50-80 613. SIX MODERN CHINESE HAND PAINTED PORCELAIN CABINET PLATES, decorated in colours and gilt, various designs mainly floral, 10 1/4” (26cm) diameter, printed marks (6) £60-80 614. MODERN CHINESE ENAMELLED PORCELAIN LARGE MOON FLASK, angled form with cylindrical neck and oblong foot, decorated with European hunting scenes, beneath panels containing birds and foliage to the neck, 15 1/4” (38.7cm) high £60-80 615. THREE MOTHER O’PEARL SHELLS, 5 1/2” x 4 1/2” (14cm x 11.5) approx, TOGETHER WITH TWO INDIAN BRASS AND MOTHER O’PEARL LIDDED CONTAINERS and five reconstituted horn ? walking stick ? handles (10) £20-40 616. LATE MEIJI PERIOD JAPANESE IMARI PORCELAIN BOTTLE VASE, decorated with stylised floral medallions on a scrolling foliate ground, 8 3/4” (22.2cm) high, TOGETHER WITH A MODERN PAIR OF CHINESE POTTERY MODELS OF DOGS OF FO, in streaky blue/green glaze, 6” (15.2cm) high (3) £40-50

619. AFRICAN CARVED EBONY HALF FIGURE, 8” (20.3cm) high, TOGETHER WITH A WOODEN DICE SHAKER mode ‘From the Decking of the Mauritania’, large tooth, blue and white oriental porcelain tea bowl and two other items (6) £40-60 620. CAST BRONZE FIGURE OF A SEATED BUDDHA, dark brown patination, typically modelled on an oval base, 5 1/2” (14cm) high £40-60 621. CHINESE PART GLAZED POTTERY GROUP OF TWO SEATED FIGURES, painted in colours, 3 1/4” (8.3cm) high, TOGETHER WITH A SIMILAR LARGER FIGURE (A.F.) SMALLER CLOISONNE OPEN SALT and a composition figure of a seated Hotei (4) £40-60 622. MODERN PAIR OF CHINESE CARVED RED LACQUERED VASES, decorated with panels containing flowering rockwork, set between stylised foliage and brass coloured rims, 5” (12.7cm) high (2) £30-50 623. INDIAN BRONZE FIGURE OF A DEITY, modelled in stylised pose with left arm outstretched £30-40 624. FOUR MODERN ORIENTAL MOULDED COMPOSITION NETSUKES, three modelled as animals, the forth modelled as a sage and cat (4) £30-40

625. CHINESE CARVED AND PIERCED BONE PANEL, rounded oblong form , intricately worked with two snarling dragons amongst scrolling cloud forms, 9 1/2” x 2” (24.1cm x 5.1cm) on a carved blackwood stand (part re-glued) £50-80 626. CHINESE CARVED GREEN SOAPSTONE FIGURE OF GUAN YIN, typically modelled on a carved and pierced brown rockwork base, 8” (20.3cm) high, overall £25-35

633. PAIR OF LATE 19TH CENTURY EARLY 20TH CENTURY CHINESE CARVED HARDWOOD AND PICK VEINED MARBLE URN STANDS, each with circular top with shaped insert and wavy beaded border, above floral pierced frieze and flower capped square cabriole type legs with claw and ball feet, 16” (40.7cm) diameter (2) (one with cracked marble and replaced construction rails to underside) £200-250

634. PAIR OF ORIENTAL CAST BRONZE MODELS OF SNARLING THREE TOED 627. DRAGONS, on circular bases, with JAPANESE PORCELAIN FIGURE OF A scroll feet, 9 1/4” (23.5cm) high (2) MUSICIAN, decorated in colours and (one with tip of tail missing) modelled standing, on a turned and £80-120 pierced brown wood base, 5 3/4” 635. (14.6cm) high overall THREE MODERN SMALL CARVED £25-35 JADE AND QUARTZ MODELS ON 628. ANIMALS, elephant, horse and bird NINETEENTH CENTURY CHINESE on a bough, on fitted wood stands, BLUE AND WHITE GINGER JAR AND 6” (15.2cm) high and smaller (3) COVER, typical form, the body well £50-75 painted in strong tones with birds amongst foliage, the cover probably 636. matched, outlined and washed with IMPRESSIVE PAIR OF NINETEENTH CENTURY CHINESE IMARI flowers and rockwork in a fenced PORCELAIN VASES AND COVERS, garden, 8 1/4” (21cm) high, four of lobated ovoid form, the domed character Kang Xi marks to base covers with dog of fo finials, painted and the pierced and turned brown with dogs of fo and flowers, set wood base between tapestry and floral borders, £40-60 28” (71.1cm) high (2) inner rims to 629. covers removed and one rim of vase POSSIBLY FUKAGAWA, TWENTIETH re-glued CENTURY JAPANESE BLUE AND £2500-3500 WHITE PORCELAIN WALL PLAQUE, 637. typical form, decorated with tree NINETEENTH CENTURY NEPALESE and Mount Fuji, 14 1/2” (36.8cm) diameter, impressed seal type mark NARROW PALM MANUSCRIPT, comprising approx 86 long palm leaf £50-75 strips with hand written text to each 630. side, held on a looped replacement PAIR OF LATE MEIJI PERIOD cord sandwiched between two JAPANESE IMARI PORCELAIN VASES, ebony panels of a dimension the OF TAPERING FORM WITH WAISTED same as the palm leaf pages, 16 NECK, DECORATED WITH FLOWERS 1/4” x 1 3/8” AND EXOTIC BIRDS, 14” (35.5CM) £150-200 HIGH (2), both damaged and repaired £35-50

638. CHINESE MOTHER O’PEARL AND BONE INLAID CIRCULAR WALL PLAQUE, DISHED FORM, DECORATED WITH EXOTIC BIRDS AND PRINTS ON A BLACK LACQUERED GROUNDS, WITHIN A FLORAL PAINTED RED LACQUERED BORDER, 17 3/4” (45.1cm) diameter £50-80

644. *PAIR OF CHINESE SMALL 639. CLOISONNE VASES, panelled ovoid JAPANESE MEIJI PERIOD KUTANI form with narrow waisted necks, PORCELAIN VASE, footed baluster decorated with tapestry panels, form with two gilt dragon scroll on midnight blue grounds, 3 3/4” handles, well painted in colours (9.5cm) high (2) (one a.f. and with and gilt with figures at leisure and replaced old half penny to coin to wild birds in a flowering landscape, the base) beneath a tapestry panelled border, £30-50 12” (30.4cm) (chip to rim) 645. £40-60 FOUR JAPANESE CARVED NUT 640. NETSUKES, modelled as a sea shell, PAIR OF CHINESE CLOISONNE mushroom, persimmon fruit and ENAMEL GINGER JARS AND chestnut, each, 1 1/2” x 1 1/4” COVERS, typical form, decorated (3.8cm x 3.2cm) approximately, red with prunus and birds on a character marks (4) green petal pattern ground, 5 £30-50 1/4” (13.3cm) high, on turned 646. blackwood bases, AN ‘ANDO’ ENAMELLED LONG TRAY, decorated *AFRICAN CARVED IVORY BRIDGE OF SIX GRADUATED ELEPHANTS, with white orchids on a fading with a serpent at one end and a purple ground, 9 1/22 x 3 1/2” goose at the other, 25” (63.5cm) (24.1cm x 9cm) TOGETHER WITH long (a.f.) ANOTHER MINIATURE EXAMPLE £40-60 decorated with flowering foliate on red cloud pattern ground on 647. a turned blackwood stand and HEAVY GREEN JADE BANGLE, 3/4” a CLOISONNE EGG of similar wide design on black ground, on turned £100-150 blackwood box (5) £35-50 648. CHINESE CARVED PALE GREEN 641. JADE PEBBLE SHAPED ORNAMENT/ CHINESE CARVED AND PIERCED PAPERWEIGHT, modelled with SOAP STONE ORNAMENT, modelled the face of Hotei, 4 1/2” x 2 1/4” as two vase shaped receivers and (11.4cm x 5.7cm) foliage, 7 1/4” (18.4cm) high £100-150 £20-30 649. 642. HEAVY GREEN JADE BANGLE, 3/4” JAPENESE LATE MEIJI PERIOD wide IMARI PORCELAIN VASE, tapering £100-150 form with waisted neck, painted with floral panels, 12” (30.5cm) high £30-50

631. PAIR OF CHINESE CLOISONNE VASES, baluster form waisted necks and spreading bases, decorated with scrolling, flowering foliate, on red grounds, set between bronzed rims, 12 3/4” (32.4cm) high, stamped ‘China’, on turned blackwood bases (4) one vase slightly damaged £40-60 632. A LATE 19TH CENTURY JAPANESE IMARI WALL PLAQUE painted in typical palette, 14 1/2” diameter, AND ANOTHER (damaged and repaired) (2) £50-80 48

643. CHINESE CARVED AND PIERCED MARINE IVORY BRIDGE, INTRICATELY DECORATED WITH FIGURES, dwellings and trees, on a carved red wood base, 13 1/2” (34.3cm) wide, some parts re-glued and with losses £200-300

Lot 625

European Ceramics 650. LATE 18TH CENTURY PEARL WARE “THE TRIUMPH OF LIBERTY’ LARGE BLACK PRINTED STORMING THE BASTILLE COMMEMORATIVE JUG, of baluster form with sparrow beak lip, opposing oval reserves showing ‘The First attack of the Bastille taken by storm after a conflict of 3 hours by the citizens of Paris, July 14th 1879, and ‘Storming the Second draw bridge at the Bastille’, 8�� 1/2” (21.5cm) high, (small chip to end of spout) £350 - 500 651. LATE EIGHTEENTH /EARLY NINETEENTH CENTURY PEARLWARE CREAM JUG, of baluster form with sparrow beak, opposing scenes showing lady and gentleman seated beneath a tree taking tea served by a Negro boy servant and shepherd resting beneath a tree, 4 1/2” (11.4cm) high (minor chip and hairline crack) £�� 100 - 150 652. POSSIBLY NINETEENTH CENTURY DELFTWARE CHARGER/PLATE painted chinoiserie scene in brown, green, yellow and blue depicting small island with weeping tree before house and bridge, daffodil and foliate border, 12” diameter, some wear and ANOTHER DECORATED WITH FLORAL SPRIGS, 14” diameter (some wear) £�� 150 - 250

655. VICTORIAN STAFFORDSHIRE POTTERY FROG MUG, moulded and painted in colours with tavern scenes to the exterior and a moulded frog to the interior, 5 1/4” (13.3cm) high, TOGETHER WITH TWO GEORGE V CORONATION POTTERY TUMBLERS, 3 1/2” (8.8cm) high (3) £30-50 656. PAIR OF LATE VICTORIAN STAFFORDSHIRE POTTERY MODEL LIONS with open mouths and glass inset eyes, shaped reddish ochre bodies with painted details, 14” long, 10 1/4” high £200-300 657. VICTORIAN STAFFORDSHIRE FLAT BACK FIGURE OF A SCOTTISH HISTORICAL FIGURE HOLDING A MUSKET, 16” high (hairline crack, chipped and some flaking to the enamel colours) 658. NINETEENTH CENTURY STAFFORDSHIRE FLAT BACK POTTERY GROUP OF HARVESTERS, with gilt scrolled base, heightened in yellow, brown and gilt, 8” (20.3cm) high, TOGETHER WITH A SIMILAR SPILL HOLDER GROUP, modelled with two swans and two signets, 4 3/4” (12.1cm) high (2) £40-60

659. SET OF FOUR MINTON WHITE AND GILT TEA CUPS, TWO OTHERS SIMILAR, SIMILAR SET OF FIVE CONSOMME CUPS, THREE OTHERS and 16 similar/matching saucers 653. and side plates, one marked PROBABLY F. & R. PRATT (Fenton) Westmister, printed marks (30) POTTERY PLATE ENGRAVED BY Leslie Austin after W. Mulready R.A., £50-80 and printed in colours, the central 660. figurative roundel within an oak leaf ‘HALCYON DAYS’ ENAMELLED and acorn border, inscribed with PATCH BOX, embossed with a engravers and painters names, 9 curled up King Charles Spaniel to 1/2” diameter the cover, boxed and with related £30-50 pamphlet £20-30 654. PAIR OF VICTORIAN STAFFORDSHIRE FLAT BACK MANTEL SHELF ORNAMENTS, named respectively ‘Going to market’ and ‘Returning home’, 8” high (some flaking to black enamel and one with firing crack) £70-90

661. THIRTY NINE PIECE VICTORIAN CHINA PART TEA SERVICE, now suitable for ten persons, pink printed with a profusion of stylised flowers, set between gilt lined rims and handles, comprising, 11 cups (one a.f.) 12 saucers and side plates, MILK JUG, SUGAR BOWL AND PAIR OF BREAD AND BUTTER PLATES, together with SET OF SIX SIMILAR SIDE PLATES and MATCHING MILK JUG and SUGAR BOWL (47) £50-80

662. MATCHING PAIR OF NINETEENTH CENTURY STAFFORDSHIRE FLAT BACK SPILL VASES POTTERY GROUPS, each modelled as a highlander with hunting dog and game bird, on a gilt lined oval base, 13 1/2” (34.3cm) high, TOGETHER WITH A SIMILAR SMALLER GROUP, and a model of a female figure on horseback (4) (all a.f.) £30-50 663. NINETEENTH CENTURY STAFFORDSHIRE POTTERY GROUP, modelled as a highlander and lion, on gilt lined oval base, (a.f.) 16 1/2” (42cm) high, TOGETHER WITH A MODEL OF A MANTEL DOG with brown splashed coat, 12 1/2” (31.8cm) high, TWO SMALL FLAT BACK GROUPS AND A BLUE AND WHITE SWAN PATTERN RECEIVER (5) £30-50

Lot 650

664. PAIR OF NINETEENTH CENTURY STAFFORDSHIRE POTTERY MODELS OF GREYHOUNDS, with dead game on gilt lined bases, 6” (15.2cm) high (2) (both with legs re-glued) £60-90 665. NINETEENTH CENTURY STAFFORDSHIRE LARGE FLAT BACK POTTERY GROUP, modelled as a huntsman with dog and dead game, on a gilt lined oval base, 15 3/4” (40cm) high £35-50

Lot 651

Lot 652

666. NINETEENTH CENTURY STAFFORDSHIRE FLAT BACK WATCH HOLDER GROUP, modelled with three female figures, on a gilt lined oval base, 11 1/2” (29.2cm) high, TOGETHER WITH A POTTERY TOBY JUG, 6” (15.2cm) high (2) £40-60

Lot 684

667. MATCHING PAIR OF WHITE PARIAN BUSTS OF CLYTIE, modelled emerging from the sunflower, 9” (22.9cm) high, unmarked (2) £60-80 668. TINTED BISQUE GROUP, modelled as a blacksmith shoeing a horse upon which sit two children, 11” (28cm) high, unmarked £50-80 669. CONTINENTAL TINTED BISQUE GROUP, modelled as a lady and gallant seated on a bank, on a shaped base, 6 1/2” (16.5cm) high, unmarked £40-60

Lot 691

Lot 693

670. THIRTY NINE PIECE COPELAND SPODE TEA SERVICE FOR 12 PERSONS, with blue sponged and gilt borders, comprising 12 CUPS, SAUCERS AND SIDE PLATES, MILK JUG, SUGAR BOWL AND TWO HANDLED SQUARE BREAD AND BUTTER PLATE (a.f.) printed mark and painted pattern No. R7287 £60-90 671. COLLECTION OF EIGHT NINETEENTH CENTURY STAFFORDSHIRE MODELS OF DOGS, COMPRISING; A GROUP OF THREE (bitch and two puppies) with shredded clay, decoration and gilt lined blue base, SIMILAR SINGLE MODEL, ANOTHER with gilt splashed coat, two pairs, one black and white (both restored), the other brown and white (one a.f.) and ANOTHER SIMILAR (restored front paw)m, 8 1/4” (21cm) high and smaller (8) £120-150 672. TWO PAIRS OF STAFFORDSHIRE POTTERY RECUMBENT DOG PATTERN PEN HOLDERS on gilt lined blue bases, greyhounds and dalmatians, 3/4” (9.5cm) high, 5” (12.7cm) long (4) £40-60 673. PAIR OF CHINA GROUPS OF CATS, modelled as a cat and two kittens, on gilt lined oval bases, 2 3/4” (7cm) gilt painted anchor marks to underside of bases (2) £25-35

Lot 705 50

674. PROBABLY PENNINGTONS LATE EIGHTEENTH CENTURY ENGLISH BLUE AND WHITE FLUTED PORCELAIN TEA BOWL AND SAUCER, painted with stylised floral sprigs, the TEA BOWL, 1 3/4” (4.4cm) high, THE SAUCER, 5 1/8” (13cm) diameter, unmarked, TOGETHER WITH A LATER PAIR OF CHINESE ‘RICE GRAIN’ TEA BOWLS (4) £40-60 675. THREE LATE 18TH/EARLY 19TH CENTURY ENGLISH BLUE AND WHITE PROCELAIN TEA BOWLS, probably Pennington’s but unmarked, painted in strong tones with floral sprays beneath saw tooth borders 1¾” (4.5cm) high, 3” (7.6cm) diameter (one cracked, another chipped), TOGETHER WITH A LATER TEACUP, painted in colours with flowering rock work in a fenced garden, 2�� ⅝�� ” (6.7cm) high AND A SMALL PINK LUSTRE MUG 2�� ⅜�� ” (6cm) high (5) £50-80 676. MID 19TH CENTURY OVERSIZED POTTERY SHAVING MUG AND COVER WITH GILT PRESENTATION INSCRIPTION, dated 1852, 5” (12.7CM) high, TOGETHER WITH A ‘SAM CLARKE’S PYRAMID FOOD WARMER’, black printed, lacks base, AND THREE POTTERY JELLY MOULDS, including a small early Wedgwood example, 3�� ⅛��” (7.9cm) diameter (5) £40-60 677. TWELVE PIECES OF 19TH CENTURY AND LATER POTTERY, INCLUDING: STAFFORDSHIRE ‘COTTAGE’ SPILL VASE, 4¼” (10.8cm) high; TOPING JUG, 3” (7.1cm) high; FIGURE OF A MAID WITH HAND MIRROR 4½” (11.4cm) high; CHARACTER JUG; TWO WEDGWOOD PAKE BLUE JASPERWARE BOXES and covers, SIMILAR VASE, floral painted SMALL MUGS etc £25-35 678. EARLY TWENTIETH CENTURY A.G. HARLEY JONES ‘WILTON WARE’ LUSTRE POTTERY TOILET JUG AND BOWL SET, black printed and washed with oriental inspired dwellings, trees and river landscapes, on mother o’pearl grounds, the JUG 10 3/4” (27.3cm) high, THE BOWL, 5” (12.7cm) high, 16 1/4” (41.4cm) diameter TOGETHER WITH A MATCHING BEAKER/TOOTH BRUSH HOLDER (chipped) 5” (12.7cm) high, printed marks (3) £40-60 679. GERMAN PORCELAIN SPILL VASE, modelled as a stork resting on a tree trunk base, 9” (22.8cm) high, TOGETHER WITH A MINTON POTTERY PLATE, decorated with a design of a roosting bird in a river landscape with a pierced border, 9” (22.8cm) diameter, impressed mark (2) £40-60

680. TWO WEDGWOOD PALE BLUE JASPERWARE AND ELECTROPLATED TABLE LAMP BASES, both applied in white with classical figures, 16” and 10” (40.7cm and 25.4cm) high, TOGETHER WITH A SIMILAR JUG, 5” (12.7cm) high, CIRCULAR BOX AND COVER, 5” (12.7cm) diameter and THREE ASHTRAYS, impressed marks (7) £40-60 681. LATE 19TH CENTURY BLACK GLAZED MOULDED TERRACOTTA TWO HANDLED PEDESTAL VASE, urn form with moulded Griffin pattern handles to the waisted neck, decorated in the baroque style with marks and scroll work, 12 1/2” (31.7cm) high, impressed mark £30-50 682. PROBABLY WEDGWOOD 19TH CENTURY GREEN DIPPED JASPERWARE LARGE CHEESE BELL AND STAND, typical form with acorn pattern knop, applied in white with Classical figures and floral borders, 11” (27.9cm) high, 11” (27.9cm) diameter, unmarked £80-120

687. SUITE OF THREE 19TH CENTURY FLORAL ENCRUSTED PORCELAIN TWO HANDLED BOTTLE VASES, footed form with pierced handles to the tall waisted neck, painted in colours and set between gilt lined rims, 10” (25.4cm) high, and the pair 8” (20.3cm) high, unmarked (3) £180-250 688. MEISSEN ‘SCHNEEBALLEN’ PORCELAIN TWO HANDLED CABINET CUP AND COVER ON SAUCER, decorated with birds and meandering flowers on a ground of tiny white flower heads, the cup and cover 4” (10.2cm) high, the saucer 5” (12.7cm) diameter, underglazed blue crossed swords mark (bird finial loose but present) £80-120 689. SET OF SIXTEEN SPODE CHINA CHRISTMAS PLATES, 1970-1985, colour painted and gilt, 8” (20.3cm) diameter, printed marks (16) £30-50 690. 19TH CENTURY GERMAN PORCELAIN FLORAL PERFUME BOTTLE, printed in colours and gilt with a lady, gallant and dog, on a circular base, 3 1/4” (8.3cm) high, blue crossed swords mark £80-120

694. PAIR OF EARLY TWENTIETH CENTURY GERMAN PORCELAIN ALLEGORICAL FEMALE FIGURES, painted in colours and gilt and each modelled with attributes on moulded gilt panelled bases, 9” (22.8cm) high each approx (2) £60-90 695. EARLY TWENTIETH CENTURY GERMAN PORCELAIN FIGURE OF ATHENA (?), painted in colours and gilt on gilt scrolled base, 8” (20.3cm) high TOGETHER WITH ANOTHER FEMALE FIGURE in dramatic pose, 7” (17.7cm) high (2) £60-90 696. EARLY EIGHTEENTH CENTURY FRENCH PROBABLY ST. CLOUD PORCELAIN SUCRIER with cover, both compartments demi gadroon moulded and painted in underglaze blue with Berainesque borders, the shallow dome cover with residual knop, 4 3/4” high (the cover chipped) £300-400

697. NINETEENTH CENTURY POSSIBLY SAMSON OF PARIS. IMITATION OF A ST. CLOUD POT POURRI with cover, 683. of oval form, fluted and applied with SITZENDORF FLORAL ENCRUSTED polychrome enamelled flowering PORCELAIN FOUR DIVISION stems, the neck and cover pierced RECEIVER, each of ovoid form with holes, black seeded and 691. with wavy rim, 3 1/2” (8.9cm) enriched with gilding, pseudo St. PAIR OF 19TH CENTURY COALPORT high, underglazed blue mark and Cloud mark in underglaze blue and FLORAL ENCRUSTED TWO HANDLED old collectors label, 5 1/2” high impressed mould no: 408 MOULDED CHINA VASES, oviform with £40-60 £200-300 scrolling rustic handles to the waisted 684. necks, raised on gilt scrolled circular 698. PAIR OF 19TH CENTURY FLORAL bases, decorated in the baroque taste GOOD PAIR OF 19TH CENTURY ENCRUSTED MOULDED PORCELAIN with hand painted panels containing SEVRES STYLE PORCELAIN AND VASES, oblong with flared, exotic birds, on moulded grounds ORMOLU MOUNTED TWO HANDLED wavy rims and moulded bases, scattered with winged insects and PEDESTAL VASES AND COVERS, decorated with gilt lined panels heightened in skyblue and gilt, 9 3/4” cylindrical with ornate scroll and rims, 5” (12.7cm) high (2) both (24.8cm) high, unmarked (2) both handles, domed covers and square restored with restored handles and usual chips plinth bases with concave corners, £80-120 and losses decorated with gilt lined panels £300-400 containing romantic genre scenes 685. and fruit and flowers, on bleu PAIR OF EARLY TWENTIETH 692. celeste grounds, set beneath covers CENTURY AUSTRIAN COLD PAINTED PROBABLY COALPORT, 19TH painted with gilt lined bands of TERRACOTTA WALL HANGING, CENTURY FLORAL ENCRUSTED flowers beneath foliate cast finials, head and shoulders of an elderly BASKET PATTERN MOULDED 15” (38.1cm) high, unmarked (2) man and woman, each with PORCELAIN BOWL, typical form with £1000-1200 outstretched hands as if reading ribbed body and gilt scrolled base, the a newspapers, both with replaced interior painted with summer flowers, 699. spectacles, set against and issuing sat beneath an encrusted rim and AFTER TITIAN, LATE 19TH/EARLY from wooden circular dished loop handles, 6 3/4” (17.1cm) high, 20TH CENTURYHAND PAINTED plaques, 15” diameter (some repair 10” (25.4cm) long, unmarked (handle K.P.M. PORCELAIN OVAL PLAQUE to arms) (2) restored) OF ‘FLORA’, half length portrait of £100-150 £120-150 a young lady in a diaphanous shift and pink robe, holding flowers in 686. 693. her extended right hand, 6 1/2” x MEISSEN FLORAL ENCRUSTED PROBABLY SAMSON, SET OF THREE 4 3/4” (16.5 x 12.1cm) impressed BASKET PATTERN PORCELAIN NINETEENTH CENTURY PORCELAIN marks, in moulded gilt wood frame BOWL, typical form, decorated ALLEGORICAL FEMALE FIGURES, £400-500 with summer flowers beneath an painted in colours and gilt and each encrusted loop handle, 4 3/4” modelled with attributes, on gilt (12.1cm) high, 8” (20.3cm) long, scrolled bases, 11” (27.9cm) high underglazed blue mark (restored each approx, pseudo Chelsea marks rim chip) (3) £80-120 £250-350

700. TWENTIETH CENTURY CONTINENTAL PORCELAIN MODEL OF A LARGE PARAKEET, painted in colours and modelled perched on a tree stump, 14 1/2” (36.8cm) high, blue underglazed mark, TOGETHER WITH A SIMILAR SMALLER MODEL (a.f.) ) 9 1/2” (24.1cm) high, unmarked (2) £120-180 701. EARLY TWENTIETH CENTURY GERMAN PORCELAIN GROUP, painted in colours and gilt and modelled as a lady and gentleman taking tea whilst resting on a day bed, 8” (20.3cm) long, blue crossed swords mark (tripod table loose, firing crack to base and minor chips) £120-160 702. EARLY TWENTIETH CENTURY VIENNA PORCELAIN GROUP, painted in colours and modelled as a lady sat beside a bird in a gilded cage, on a shaped oblong base, 5” (12.5cm) high, impressed beehive mark and mould No. 843, TOGETHER WITH A GERMAN PORCELAIN GROUP OF TWO CHILDREN with flowers, unmarked, 5 1/2” (14cm) high (2) (usual minor chips and losses) £80-120 703. H. J. WOOD, ‘INDIAN TREE’ PATTERN POTTERY JUG OF SLENDER BALUSTER FORM. hand painted in tones of red, green, yellow and brown on a fawn coloured ground, 9 1/4” (23.4cm) high, printed and impressed marks, together with a PORTUGEUSE PORCELAIN VASE, baluster form with flared neck and foot with scrolling handles, decorated with foliage on a blue ground, 12 1/2” (31.7cm) high, painted mark (2) £15-20

Lot 699

704. PAIR ROYAL DUX (BOHEMIA) TINTED AND PAINTED BISQUE FIGURES OF CLASSICAL MALE AND FEMALE, he depicted as a basket carrier and she a water carrier, each on a circular gilt base, 14 1/4” (36.1cm) high each, affixed pink triangle stamps, impressed and painted marks, model No.’s 1062 and 1063, (2) £200-250 705. ROYAL DUX (AMPHORA) TINTED AND PAINTED BISQUE LARGE FIGURE OF A CLASSICAL FEMALE WATER CARRIER, on a circular gilt base, 28 1/2” (72.4cm) high, impressed and incised marks, mould No. 5059 £250-300

Lot 709

706. EARLY TWENTIETH CENTURY ROYAL DUX FIGURE OF A MAN carrying a sheaf of wheat and a sickle, decorated in typical palette, printed and pad marks, 21” (blade of sickle incomplete) £300-400 707. LATE NINETEENTH CENTURY PROBABLY BERLIN PORCELAIN PLAQUE, finely enamelled with ‘Ruth’ carrying a sheaf of wheat, signed R. Dittrich, 9” x 6” (in a glazed frame with mount) £800-1200 708. LATE NINETEENTH CENTURY FLORENTINE CARVED GILTWOOD FRAMED TRANSFER PRINTED AND ENAMEL ON PORCELAIN CIRCULAR PLAQUE, AFTER Raphael’s Madonna of the Chair’ in the Uffizi, stamped ‘Firenza’, the plaque 6” diameter overall height 15” £200-300

Lot 715

709. EARLY TWENTIETH CENTURY HAND PAINTED VIENNA PORCELAIN TANKARD AND COVER, tapering form with slightly domed cover and gilt scroll handle, gilt metal mounted with cornet pattern thumb piece, painted in colours with figures and soldiers in a classical landscape, beneath similar scenes to the cover and underside of the cover, the rear of the body decorated with floral panels and swags on a banded bream and claret ground, 6” (15.2cm) high, underglazed blue beehive mark and gilt painted ‘Darius’ £600-700 710. LATE NINETEENTH CENTURY HAND PAINTED COPELAND CHINA VASE, high shouldered, footed form with gilt moulded lion mask handles, well painted in colours with fish and sea weed set between gilt lined rims, 5 1/2” (14cm) high, printed mark £50-80

711. VOLKSTEDT, GERMAN BISQUE PORCELAIN FIGURE, modelled as a young boy with a peach, on a rocky base, 15 1/4” (38.7cm) high, printed mark and mould No. 1171, (end of one finger missing) £90-130 712. 1930’s GRIMWADES BYZANTA WARE LUSTRE DECORATED SHALLOW FRUIT BOWL, with turned-in rim, standing on three feet, 10 1/2” diameter, ANOTHER SIMILAR BURSLEY WARE ‘Dragon’ pattern BOWL, A ROYAL DOULTON SERIES WARE BOWL (cracked and chipped) and a MALING SHALLOW SHAPED TWO HANDLED DISH (chipped and repaired) (4) £40-60 713. CIRCA 1896 STAFFORDSHIRE POTTERY ORBICULAR VASE, decorated in suffused underglazed blue with repeated ascending ‘whiplash’ flowering stems above a gilded foot and beneath a gilded rim to the short neck, unrecorded printed mark ‘Barr Porcelain’ design registration No. 270423, design No. 1853, 9” high £30-50 714. PAIR OF LATE NINETEENTH CENTURY CONTINETNAL FAIENCE BOTTLE SHAPE VASES, transfer printed in the Chinese taste in blue with ogival shaped panels of flowering plants, scattered flower sprays, lappet and key-fret borders, marked ‘dec 742’, 10 1/4” high, also an early twentieth century Adams pottery blue and white bowl in Chinese taste , a pair of wrythen fluted turquoise glazed bottle VASES, a Copeland vegetable dish and an odd pottery plate in Chinese famille rose style etc. (10) £80-120 715. MID EIGHTEENTH CENTURY ITALIAN CASTELLI MAIOLICA CIRCULAR DISHED PLAQUE, PAINTED IN BLUE, OCHRE, BROWN AND GREEN, the central roundel with two gentlemen in conversation in a landscape, the encircling border, with amorino, flowers and cherubic masks, 7 1/42 diameter (approx 2 1/2” crack to rim) £300-400 716. STYLISH SEVEN PIECE RUSSIAN PORCELAIN COFFEE SET FOR TWO PERSONS, printed in colours and gilt, comprising COFFEE POT and cover, SUCRIER and cover, CREAM JUG AND PAIR OF CUPS AND SAUCERS, gilt printed marks (7) £40-60

717. 19TH CENTURY AND LATER CERAMICS TO INCLUDE, CHRISTENING MUG, ‘JAMES’, TWO OTHER mugs, FOUR JUGS, SET of THREE CHINA TEA CUPS and SAUCERS with MATCHING PLATE, SOAP DISH and cover etc £30-50 718. 1930’s PARAGON CHINA TEA SERVICE FOR 6, a replica of a service made for Queen Mary, comprising TEAPOT, SUGAR BASIN, CREAM JUG, SANDWICH PLATE, 6 PLATES, 6 CUPS AND 6 SAUCERS, each with scattered flowers on a marbled pale salmon pink ground (23) £90-130 719. 1930’s CROWN DUCAL POTTERY 9 PIECE BREAKFAST SET OF TEAPOT, SUGAR BASIN, CREAM JUG, TWO CUPS AND SAUCERS AND A PLATE, decorated with encircling borders in green, pink and grey, on a cream ground, also seven Coronation Commemorative CUP AND SAUCER, a copper lustre stem CUP, A WEDGWOOD PALE BLUE JASPERWARE CUP AND SAUCER AND A RUBY TINTED DRINKING GLASS £40-60 720. LATE NINETEENTH CENTURY RAUENSTEIN (Thuringia) PORCELAIN PEWTER MOULDED BALUSTER SHAPE JUG, painted in underglaze blue in the Meissen taste with ‘Strawflower’ pattern, 12” high £60-80 721. FIFTY THREE PIECE VILLEROY AND BOCH SIENNA DESIGN CHINA DINNER AND TEA SERVICE FOR 6 PERSONS, with pink marble effect borders, comprising; 18 plates (3 sizes) OVAL PLATTER, TUREEN with lid, 6 BOWLS, TEAPOT, SUGAR BOWL AND CREAM JUG, 6 COFFEE CANS, 6 TEA CUPS AND 12 SAUCERS (53) £30-50 722. SEVENTEEN PIECES OF HORNSEA AND WITHERNSEA ORNAMENTAL POTTERY (17) £50-70 723. VICTORIAN MINTON MAJOLICA GAME PIE DISH with turquoise glazed interior, the cover moulded in relief with a hare and game birds against oak leaves and bracken, the base basket weave moulded with oak branch handles issuing leaves and acorns, impressed mark and year cypher probably 1869, 13” long £400-600 724. NINETEENTH CENTURY COALPORT CHINA FLORAL ENCRUSTED TWO HANDLED BOWL AND COVER, circular, steep sided form with rustic handles and domed cover, lacking finial, painted with floral bouquets and butterflies between gilt borders, 3 3/4” (9.5cm) high, 4” (10.2cm) diameter, unmarked, usual chips and losses £100-150

726. GRADUATED SET OF THREE NINETEENTH CENTURY ‘AMHERST, JAPAN’, IRONSTONE POTTERY PEDESTAL BOWLS, printed, washed and heightened in copper lustre with oriental inspired designs of scrolling foliate, 4” and 6 1/4” (10.1cm, 13.3cm and 15.9cm high, printed marks (3) £30-50 727. A 42 PIECE LATE VICTORIAN ASHWORTHS IRONSTONE CHINA PART DINNER SERVICE, transfer printed in underglaze blue/grey and enamelled overglaze with chinoiserie flowers £100-150 728. A MID 19TH CENTURY COALBROOKDALE STYLE TWO HANDLED BALUSTER SHAPE PORCELAIN VASE will associated pierced cover, the body enamelled with opposing landscapes with ruined and rustic buildings, the whole encrusted with flowers and enriched with gilding, 17 1/2” high (the body cracked, on handle repaired, minor chips in the flowers) £90-130 729. EARLY TWENTIETH CENTURY COALPORT CHINA TWO HANDLE ORBICULAR VASE AND COVER, painted in two small oval reserve with lakeland landscapes, each within a cream and gilt rococo pattern shield shaped cartouche on dark blue ground and raised on a domed circular foot with gilt gadroon border, green printed mark (some minor restoration) £250-350 730. COMPREHENSIVE SERVICE OF PRE AND POST WAR COALPORT PORCELAIN AND OTHER INDIAN TREE PATTERN DINNER, TEA AND COFFEE WARES OF 98 PIECES (some a.f.) £80-120 731. CROWN STAFFORDSHIRE PORCELAIN MODEL BIRD PERCHED UPON A BLOSSOM, applied tree stump, colourfully enamelled, five small Beswick model birds and a Continental ditto (7) £50-70 732. PAIR OF LATE NINETEENTH CENTURY CONTINENTAL ‘MAJOLICA’ FIGURES of a lady and her beau, each sat upon a stile, as spill or posy holders, 13” (33cm) high (small minor damage) £60-80 733. PAIR OF MEISSEN PORCELAIN SOUP DISHES, the centres enamelled with floral sprays within ozier moulded borders accentuated with moulded and enamelled floral sprays and gilt shell and scrollwork, 10 1/2” (26.5cm) diameter £80-120 734. EARLY 1900’s GERMAN BISQUE MODEL OF A CHILD in a high chair, feeding her pet dog, 13” (33cm) high (a.f.) £40-60

735. SET OF THREE VICTORIAN MINTON HAND PAINTED CHINA CABINET PLATES, each painted with a pair of exotic birds within pale blue and gilt jewelled border,s 9 1/4” (23.5cm) diameter, impressed marks and painted design No. 2031 (3) £50 - 80 736. PROBABLY NINETEENTH CENTURY MINTON MAJOLICA OVAL GAME PIE DISH AND COVER and cover, embossed with fruiting vine festoons and dead game, 10” (25.5cm) wide and the liner (lid and liner a.f.) £200-300 737. EARLY NINETEENTH CENTURY SPODE POTTERY BLUE AND WHITE TRANSFER PRINTED PLATE, (drilled with hole for wall hanging) TOGETHER WITH A NINETEENTH CENTURY ENGLISH PORCELAIN MOULDED JUG, the lavender ground sprigged with classical figures and fruiting vine, two Miles Mason type Willow Pattern SAUCERS, a Victorian porcelain BREAKFAST CUP AND SAUCER, moulded with polychromed flowers issuing from blue enamelled basket weave borders, diamond registration symbol (saucer repaired) £30-50 738. CHELSEA POTTERY TRIWALD MILLENIUM EARTHENWARE CONICAL FORM BOWL painted with a Norse longboat and dated 979-1979 on a powder blue ground, scratch mark to base Chelsea-P-England X, 10” (254 mm) diameter £75-125 739. PAIR OF PROBABLY CONTINENTAL MOULDED PARIAN CIRCULAR PLAQUES, depicting night and day, each modelled with an angel and cherub in flight, housed in a plush lined and glazed frame, the plaques, 6” (15.2cm) diameter £60-80 740. ROYAL COPENHAGEN CHINA BOTTLE VASE, floral pattern on graduating blue ground, No. 1659, 7 1/2” (19cm) high, printed marks, TOGETHER WITH A VILLEROY AND BOCH, BENEDICT AUTOMOBILE ‘OLD TIMER’ CHINA MODEL OF TWO CATS in a red car, signed R. Benedict, 9” (23cm) long, printed marks £40-60 741. LARGE GOUDA PLAZUID ‘PATA’ PATTERN POTTERY PLAQUE, typical form, painted in tones of blue, turquoise, brown and white with a stylised design of flowers and foliage, 16 3/4” (42.5cm) diameter, painted and incised marks with gold ‘PlazuidGouda’ potter at wheel label, date mark for 1929 £40-60 742. GOUDA, ARNHEM, ‘PADUA’ PATTERN POTTERY VASE, of ovoid form with a cylindrical neck, painted in tones of green, yellow, orange and blue, 7 1/2” (19cm) high, painted and impressed marks, TOGETHER WITH ANOTHER Plaziud, ‘Loman’ pattern pottery VASE, footed baluster form with floral design, 6 1/2” (16.5cm) high (rim repaired) and A BOURNE, DENBY STONEWARE CYLINDRICAL JAR AND COVER, 9” (22.8cm) high, indistinct printed mark (3) £35-50 53

Glasswares

Lot 759

Lot 744

743. PAIR OF NINETEENTH CENTURY BOHEMIAN WHITE, CLEAR AND BLUE OVERLAID GLASS VASES, cut with windows and gilt decorated, 14 1/4” high, ALSO A SIMILAR PAIR OF SMALL BOHEMIAN CLEAR, WHITE AND BLUE OVERLAID, gilt accentuated table LUSTRES with prism drops, 8” high (4) £90-130 744. PAIR OF NINETEENTH CENTURY PROBABLY BOHEMIAN GREEN TINTED AND GILT ENRICHED LUSTRES, with clear faceted drops, 11 1/2” high £80-120 745. PAIR HAND PAINTED AND OVERLAID GREEN BOHEMIAN GLASS PEDESTAL VASES, cylindrical with shaped rims and spreading circular bases, decorated with alternating gilt lined panels, containing summer flowers and lattice work designs, on floral gilt grounds with gilt lined rims, 10 1/4” (26cm) high (2) £200-250

Lot 745

746. LATE NINETEENTH CENTURY RUBY BOHEMIAN GLASS VASE, tapering slender cylindrical form with shaped rim and spreading circular base, decorated with gilt scrolling foliate and gilt rims and an enamelled oval panel with a portrait of a young girl £90-130 747. 19TH CENTURY BRASS AND BLUE TINTED VASOLINE GLASS SIX VASE EPERGNE, the rustic wire pattern frame with leaf shaped feet and pierced holders, issuing fluted, trumpet shaped receivers with frilled rims, possibly later, 13¼” (33.7cm) high £50-80 748. PAIR OF VICTORIAN HAND PAINTED WHITE OPAQUE GLASS PANELS, oblong with morocco leather easel supports, decorated with full length portraits of female street vendors with flowers, 7 1/2” x 3 3/4” (19cm x 9.5cm) £30-50

Lot 786 Lot 746 54

749. GEORGE III CLEAR GLASS PEDESTAL MUSTARD RECEIVER AND COVER, slender ovoid form with square ‘lemon squeezer’ base and tapering cover (ground) 6 3/4” (17.2cm) high £30-50

750. CUT GLASS TABLE LAMP, with mushroom shaped shade and chrome plated fittings, 15 1/2” (39.4cm) high £60-90 751. WEDGWOOD LIMITED EDITION ‘QUEENS SILVER JUBILEE’ CUT GLASS PAPERWEIGHT, with Jasperware portrait medallion and hallmarked silver rim,(683/1000), TOGETHER WITH A SIMILAR WEDGWOOD TWO COLOUR JASPERWARE OVAL MEDALLION (815/2000) both boxed and with certificates (2) £50-70 752. WEDGWOOD ROYAL SILVER JUBILEE ‘COAT OF ARMS’ GOBLET, typical form with knopped stem and etched with Royal coat of arms and commemorative inscription, 6 1/2” (16.5cm) high TOGETHER WITH TWO WEDGWOOD CONCORD ‘ATLAS’ SMALL OCTAGONAL DISHES, 5” (12.7cm) diameter, printed marks, all boxed (3) £40-60 753. CAITHNESS LIMITED EDITION JUBILEE MILLIEFIORI CROWN PAPERWEIGHT, to commemorate the 1977 Silver Jubilee of Elizabeth II, in box with certificate £60-80 754. STUART CRYSTAL ‘SILVER JUBILEE’ LIMITED EDITION ETCHED GLASS PAPERWEIGHT (848/1250) boxed and with certificate, CAITHNESS ‘MOON CRYSTAL’ PAPERWEIGHT, boxed, WHITEFRIARS ‘SILVER JUBILEE’ LIMITED EDITION MILLIEFIORI PAPERWEIGHT (754/1000) boxed and with certificate and ANOTHER modelled as an open shell and pearl (4) £50-75 755. TWO WATERFORD CUT GLASS SALAD BOWLS, one with matching pair of servers and cake slice (5) £50-75 756. FORTY SEVEN PIECE WATERFORD ‘LISMORE’ PATTERN PART TABLE SERVICE OF STEMMED GLASSES, including seven hock glasses, 7 3/8” (18.8cm) high, SIX CORDIAL GLASSES, 4” (10.2cm) high (47) (three glasses with rim chips) £100-150 757. WHITE CASED AND FLASH CUT END OF DAY GLASS PAPERWEIGHT, 2 3/4” (7cm) diameter £30-50

758. LARGE CUT GLASS FRUIT BOWL, steep sided form with facet cut foot, 8” (20.3cm) high, 10” (25.4cm) diameter, TOGETHER WITH A SMALLER EXAMPLE £30-50 759. MODERN MOULDED GLASS FRUIT BOWL, of flared form with fruit moulded rustic handles and base, painted in silver and gilt, 8” (20.3cm) high, 12” (30.5cm) diameter £25-35 760. TWO RUBY STAINED GLASS TABLE LUSTRES, one painted with flowers and white ‘jewelled’ borders, 11” and 10 1/4” (28cm and 26cm) high (one lacking one prismatic drop) (2) £50-80

767. INTERESTING TWENTIETH CENTURY MOULDED SMOKEY GLASS TWO HANDLED BOWL, circular ribbed form with loop handles to the fold over rim, applied with stylised floral prunts, green tinted, 6 1/2” (16.5cm) high, overall, 6 1/2” (16.5cm) diameter, unmarked £50-80 768. PAIR OF 19TH CENTURY CUT GLASS DECANTERS with ring necks and matched stoppers, 11 1/4” (28.6cm) high, together with a set of eight matching stemmed glasses (three with cut down bowls) and six matching glass rinser bowls (16) £80-120

761. IMPRESSIVE ITALIAN COLOURED GLASS FIGURAL TABLE LAMP, modelled as a lady and gallant beneath an enclosed lantern pattern two part shade, 27 1/2” (69.8cm) high £80-120

Lot 747

762. NINETEENTH CENTURY CUT GLASS PEDESTAL BOWL, with turned over rim, facet cut baluster stem and circular foot, 8 1/2” (21.6cm) high, 10” (25.4cm) diameter £40-60 763. VICTORIAN CRANBERRY GLASS CREAM JUG AND MATCHING SUGAR BOWL, with white trailed borders and moulded feet, the JUG 3 3/4” (9.5cm) high, the BOWL, 2 3/4” (7cm) high, 5” (12.7cm) diameter, TOGETHER WITH A GREEN GLASS EWER, painted in white and gilt with flowers, 8 1/2” (21.6cm) high, rim chips (3) £30-50 764. VICTORIAN CUT GLASS EWER with engraved electroplated mount, globe and half form with ‘S’ scroll handle, engraved collar and hinged cover with scroll thumb piece, 10 1/4” (26cm) high £40-60 765. GEORGE VI CORONATION MOULDED GLASS PLATE, TOGETHER WITH A VICTORIAN MOULDED GLASS VASE WITH TURNED COVER, RIM AND GRILL, 4 3/4” (12.1cm) high, two CUT GLASS GLOBE and SHAFT CARAFES and an ICE PLATE (5) £20-30 766. VICTORIAN MARY GREGORY CLEAR GLASS PERFUME BOTTLE and stopper, oblong, enamelled with a young girl, 5” (12.7cm) high (chips to rim) £30-50

Lot 748

Lot 761

Lot 762 55

769. PAIR OF RUBY STAINED AND ENGRAVED GLASS EWER TYPE DECANTERS AND STOPPERS, flask form with loop handles, wheel cut with vine leaves and iinscribed ‘Whiskey’ and ‘Brandy’, 9 3/4” (24.8cm) high, together with a small cut glass liqueur decanter and stopper and six tot glasses (9) £40-60 770. PAIR OF VICTORIAN BLACK OPALINE GLASS PEDESTAL VASES, of oviform, with short cylindrical neck and a square plinth base, enamelled in colours and gilt with peacocks and scrolling foliate, lacking covers, 11 1/2” (29.2cm) high (2) £40-60 771. GOOD PRE WAR CUT GLASS TABLE LAMP, with mushroom shade and gilt metal fitting, 19 1/4” (48.9cm) high £200-300 772. TWENTY SIX PIECE STUART ETCHED GLASS PART TABLE SERVICE OF GLASSWARES, now suitable for seven persons, comprising; PAIR OF DECANTERS, with double ringed necks and flat stoppers, 9” (22.8cm) high, JUG 5” (12.7cm) high, 7 TUMBLERS, 4” (10.1cm) high, 8 STEMMED WINES, 4” (10.1cm) high and 8 LIQUEUR GLASSES, 2 3/4” (7cm) high, all decorated with stylised leaf and berry bands and thumb nail cut borders, etched marks (26) £50-80 773. BLUE TINTED AND FLASH CUT GLASS BASKET SHAPED RECEIVER, 9 1/2” (24.1cm) high, 10 1/4” (26cm) wide £30-40 775. MODERN GLASS PUNCH BOWL, WITH COVER, with 15 accompanying handled drinking cups £30-50 776. SET OF SIX NINETEENTH CENTURY ENGRAVED GLASS WINE COOLERS, 5” (12.7cm) DIAMETER, TOGETHER WITH FIVE MATCHING FINGER BOWLS (11) £30-50

777. A LATE 19TH CENTURY PERHAPS EASTERN EUROPEAN OR RUSSIAN CLEAR GLASS GOBLET, the ‘U’ shape bowl wheel engraved on one side a coronet with letters DB and ‘KATINKA’ under, opposing the letters KT and ‘DAISY’ on a plain stem and conical foot, 7 1/2” high £40-60 778. A PROBABLY GEORGIAN PLAIN CLEAR GLASS WINE DECANTING FUNNEL, 5” DIAMETER £30-40 779. A WELL CUT EARLY 20TH CENTURY GLASS DECANTER, another globe and shaft GLASS DECANTER, a moulded glass electroplate mounted CLARET JUG and two cut glass VASES (5) £30-40

End of Sale

CONDITIONS OF SALE

IMPORTANT NOTICES The descriptions in this catalogue are for the purposes of identifying the lots and are not intended in any way as a guarantee of authenticity. Please see the General Conditions of Sale on the inside front cover of this catalogue All weights and measurements are approximate Buyer's premium is 16% + V.A.T on the hammer price * Denotes that goods belong to registered persons and V.A.T. will be charged

YOUR ATTENTION IS PARTICULARLY DRAWN TO THE FOLLOWING Whilst Capes Dunn & Co make every effort to ensure the accuracy of their catalogue and the description of any lot: (a) (b)

(c)

(d)

Each lot as set out in the catalogue or as divided or combined with any other lot or lots is sold by the vendor with all faults, imperfections and errors of descriptions. Capes Dunn & Co do not accept responsibility for the authenticity, genuineness, origin, authorship, date, age, period, condition or quality of any lot, unless they have been instructed in writing by the vendor so to certify, and in such case the Auctioneers do so as agents of the vendor and are not themselves responsible for such claims. All statements, whether printed in the catalogue or made orally as to any of the matters set out in (b) above are statements of opinion only and are not to be taken as being or implying any warranties or representations of fact by Capes Dunn & Co, unless they have been instructed in writing by the vendor so to certify, and in such case the Auctioneers do so as agents of the vendor and are not themselves responsible for such claims. Droit de Suite The Artist’s Resale Right Regulations Following the introduction of the Artist’s Resale Right Regulations on 14 February 2006, Capes Dunn will implement the new levy as follows: Capes Dunn will collect the same amount as the resale royalty from the buyer for any work of art covered by the regulations. Royalty rates will only apply to works sold in the secondary market and not for those sold for the first time, and for works which are sold for €1000 or more. Royalty rates are calculated as a percentage of the sale price on a sliding scale from 4% (from €1000 to €50,000) down to 0.25% (over €500,000). Resale royalties ARE NOT subject to VAT.

1. General. Every Lot is sold with all faults and errors of description and the auctioneers disclaim, for themselves and for the vendor, all responsibility for authenticity, age, origin, condition or quality. All statements on such matters whether printed in the Catalogue or made orally are statements of opinion and not representations of fact. Purchasers are deemed to have satisfied themselves on authenticity, condition, etc., before bidding and no-one in the Auctioneers’ employment has authority to make any representation of fact. 2. Bidding. The Auctioneer has absolute discretion to divide any Lot, to combine any two or more Lots, to withdraw any Lots, to refuse bids and to regulate the bidding. He may bid on the vendor’s behalf for all goods which are being offered subject to reserve or at the Auctioneers’ discretion. 3. Fall of Hammer. The highest bidder shall be the buyer - if any dispute arises the Auctioneer has absolute discretion to settle the dispute or to re-offer the Lot. At the fall of the hammer every Lot shall be at the risk of the buyer, and the purchaser shall give to the Auctioneer his name and address and such proportion of the purchase price as the Auctioneer may require, in default of which the Auctioneer may re-offer and re-sell the Lot or Lots in question. 4. Clearance of Purchases. No purchases shall be claimed or removed until the Sale has been concluded. All lots shall be paid for and removed at the buyer’s risk and expense at the end of the first working day following the Sale, failing which the Auctioneers shall not be responsible if the same are lost, stolen, damaged or destroyed, and all Lots not so removed shall remain at the risk of the buyer and subject to a warehousing charge of 25p per lot per day. If they are not removed within seven days of the Sale the Auctioneers may re-sell them by auction or privately without notice to the buyer. Any liability which there may be on the part of the Auctioneers in respect of any loss shall be restricted to a maximum of the price paid by the purchaser of the Lot. 5. Agency and General. The Auctioneers act as agents only and they disclaim responsibility for default by either buyer or seller. They accept no responsibility in connection with the commissioning of members of their staff to bid for Lots on behalf of intending purchasers. Instructions given by telephone are accepted at the sender’s risk and must be confirmed in writing forthwith. The Auctioneers do not guarantee the title of any Lot or Lots sold by them and will not be responsible for any defect in such title. 6. Defaults. If any buyer fails to comply with any of the above conditions the damages recoverable from the defaulter shall include all loss arising from any re-sale of the Lot together with the charges and expenses in respect of both sales and any money deposited in part payment shall be held by the Auctioneers against the defaulter’s liability. 7. Third Party Liability. Every person on the Auctioneer’s premises at any time shall be deemed to be there at his own risk and with notice of the condition of the premises and of the method of arranging furniture, etc. He shall have no claim against the Auctioneers in respect of any injury he may sustain or any accident which may occur. 8. Viewers handling goods on display will be held fully responsible for any damage or breakage. 9. Payment. All goods must be paid for within 48 hours of the date of sale, any extension of this must be agreed with the saleroom prior to the date of sale. Following the sale, payment for the goods can be made either by: Cash, due to money laundering regulations, we are unable to accept payment of more than £5,000 in cash for an individual lot. Cheque, Made payable to: Capes Dunn & Co. please note: cheques need to clear before goods can be collected. Cheques which are post-dated or written by a third party will not be accepted. Debit or Credit Card, maximum of £500 if payment made over the telephone, only one telephone payment accepted per invoice. Please note: payment by credit card will incur an additional 2.5% + VAT handling fee. We do not accept American Express. Direct Bank Transfer, please email for details. Bankers Draft. CHEQUES Purchasers wishing to pay by cheque must produce a Bank reference to the Auctioneers before the sale. PLEASE NOTE Cheques which are post-dated or written by a third party will not be accepted. There is a buyer’s premium of 16% + V.A.T. on the hammer price.

CAPES DUNN & CO. Forthcoming Sales 2012

July 10

Jewellery, Silver, Plated Wares, Watches & Gold Coins at 12 noon

Specialist Auction of Northern Artists at 7pm

August 07

Books, Maps & Prints at 12 noon

Collectors to include Sporting Memorabilia, Militaria, Weapons, Medals, Stamps, Postcards, Scientific Instruments, Cameras etc at 12 noon

September 25

Antique Furniture, Clocks, Bronzes, Carpets & Rugs, Musical Instruments, Oil Paintings & Watercolours

26 �� European Ceramics, Doulton & Beswick A full list of sale dates for 2012 is available on our website www.capesdunn.com and on www.ukauctioneers.com PLEASE NOTE We hold chattel auctions fortnightly on Mondays

Lot 389 59

CAPES DUNN & CO. The Auction Galleries 38 Charles St Manchester M1 7DB