South West England Art & Product eCatalogue

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South West England Art & Products Catalogue Summer 2019 Showcasing English Creative & Innovative Retail Products

Introduction

Art

The UK’s South West has a long history of producing world-class artists and cultural organisations, known for the strength of its theatre-making, artists and craft-makers, leading digital and creative media practice and the dazzling explosion of carnival and outdoor art each year.

Jewellery

This vibrant culture encompasses large-scale festivals, small neighbourhood projects, collaborations, individual craftspeople and artists, as well as internationally acclaimed galleries.

Craft

Incorporating large urban conurbations with industrial and maritime histories, the South West of England also spans a wide and varied rural landscape. This diversity inspires a vibrant range of arts from gritty urbanism to rural insight and environmental comment. Many of the leading artists and cultural organisations work closely with local communities underpinning a high level of engagement with the arts and museums. In our modern, connected society, artists and makers across this remarkable UHJLRQ UHĂ€HFW WKURXJK WKHLU ZRUN ERWK WKH H[FLWHPHQW DQG LQYHQWLYHQHVV RI VHHLQJ things in a new way, coupled with the heritage of craft, skill and sense of place. Arts and culture are often the lifeblood of the local community and it is by working with these local communities that we have established this eCatalogue to showcase the diverse and incredible talents of the South West artists.

Contact Dawn Musgrave Your contact for the Arts & Creative Sector

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+44 (0) 7766 005487 @DawnInspiring Dawn Musgrave

dawn.musgrave@businesswest.co.uk

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FEATURED ARTISTS Nick Andrew

Laura Menzies

Paul Bawden

Trudy Montgomery

Alison Bick

Kev Pearson

Bex Bourne

Amanda Pellatt

Alexandra Brown

Martyn Perryman

Barry Cawston

Rik Rawling

Nik Chinook

Jonathan Michael Ray

Barry Cooper

Carly Read

Una d’Aragona

Amanda Richardson

Melanie Deegan

Julia Rowlands

Kirsten Elswood

Clancy Steer

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Chris Tate

Ashley Hanson

Demetri Tsouris

Frances Hatch

Kate Walters

Peter Hayes

Joe Webster

Robert Highton

Tilly Willis

Tanya Hinton

Sophie Willoughby

Gordon Hunt

Melanie Young

Amy Jobes

Martyna Zoltaszek

Lindsay Keir Susan Kinley Debby Kirby

FEATURED GALLERY

Heidi Koenig

Sarah Brittain-Mansbridge at

Pamela Legg

Cornwall Contemporary

Robin Mackenzie Philip Medley Rebecca de Mendonça Ama Menec

Nick Andrew

Gestural and colourist pastoral paintings, capturing the movement and vitality of landscape.

Nick Andrew studied Art and Graphic Design in Oxford, London and Cheltenham. Since graduating in 1979, Nick has been working as a painter and has exhibited widely, throughout the UK, mainland Europe, and the USA. He has work in many public and private collections. For the past 2 decades he has lived and worked in part of a watermill on the upper reaches of the River Wylye in South Wiltshire. During this time, much of Nick’s work has been based on the landscape within walking distance of his studio.

Torquea (Acrylic on Canvas) Pteridea (Acrylic on Canvas)

“I’m drawn to quiet, intimate, secluded places within my immediate landscape and, in particular, a three- mile stretch of the River Wylye close to where I live, along with adjacent water meadows and nearby woodland. I walk here often observing changes from day to day and season to season, painting, drawing, taking photos and making QRWHV , ÂżQG LW FRQVWDQWO\ FRPSHOOLQJ DQG DP attracted in particular by the abstract qualities in the landscape: patterns in the ULYHU Ă€RZ PXOWL OD\HULQJ DQG UHĂ€HFWLYLW\ also the textures, contrasts and depths in the forest and the movement, rhythms and FRORXUV RI ÂżHOG JUDVVHV DQG SODQW OLIH Celama (Acrylic on Canvas) August thistle bank (Acrylic on Canvas)

Filipenda (Acrylic on Canvas)

I would like to think that I convey through my paintings the sense of quietness and ‘solitary involvement’ with this landscape.�

Laracia (Acrylic on Canvas)

Ambria (triptych) (Acrylic on canvas)

Selena (Acrylic on Canvas)

Paul Bawden

Brightly coloured or monochromatic, abstract and semi abstract screenprints. Playing with graphic ideas taken from Nature and Art history. After graduating from college (BA illustration), I initially began working as a freelance Illustrator. Making paintings for book jackets Magazines and producing some advertising work, my clients included, Harper Collins, Penguin, Scott Rail, Fiat, W H Smiths, Budget Car Hire and various Magazines. The Illustration work led to gaining employment as a part time Illustration lecturer at Falmouth College of art.

Two Friends (Original Screen Print) Untitled 2 (Original Screen Print)

After 3 years at Falmouth I made the decision, to return as a mature student to study a Master’s degree in Fine Art Printmaking, and further investigate idea of Abstraction.

I am very aware that during the making process, I will at some point reference another artist or artists, and believe that this should not be viewed as an unwanted element, but is to be invited even perhaps embellished.

At this time, I Had basically stopped my observational drawing and become very interested in the surrealist concept of drawing automatically (automatism).

After a year at City and Guilty I won a place on the printmaking course at the Royal College of Art. It was during my Second Two years of postgraduate study that I found my love for screen printing.

Spring (Original Screen Print)

Since graduating from the Royal college, I have spent the past 10 years trying to understand and develop my working process. Not wanting to be formulaic or stylistic I’ve been working with the surrealist idea of automatism with an eye to achieving an evolving organic practice which has no real rules.

Studying printmaking techniques at Camberwell school of art, I was predominantly focusing on etching.

I graduated From Camberwell and won a research assistant post at the City and Guilds Art College and an associate membership of the Royal society of Painter Printmakers.

Blast (Original Screen Print)

Wrap It Up (Original Screen Print) Untitled 3 (Original Screen Print)

On Graduating from the Royal College of art I was awarded the Augustus Martin Print Prize and The Ken Tyler print prize. I returned to Cornwall to set up a screen printing workshop, and have spent the past 10 years developing my skills.

In and Out (Original Screen Print) Untitled 4 (Original Screen Print)

As with contemporary music (mixing and remixing) I am interested in using this historic and contemporary art as a sort of pictorial sampling (this idea of pictorial sampling is borrowed itself from artists such as Peter Blake, Richard Hamilton etc). , DP LQWHUHVWHG LQ KRZ WKLV LQĂ€XHQFH VRPHWLPHV deliberate and other times incidental, will combine with previously made paintings and prints. Which intern help discover new shapes forms and compositions. I believe that I have pretty much got to the point where the process of making the handmade prints is no longer an obstacle. Allowing me to play with the complexity within the images. One of the challenges being to hand make something that can compete with computer generated imagery. The main GL௺HUHQFH EHLQJ WKDW HYHU\ FRORXU WKDW LV SULQWHG KDV been hand mixed and chosen and individually printed. I Have made a print titled ‘Wrap it Up’ It Has 117 individually screen-printed colours and took 4 weeks to produce.

Alison Bick

My designs are inspired by living in Cornwall, my daily walks in the coastal countryside with Rufus P\ ODEUDGRRGOH DQG P\ IDPLO\œV VXU¿QJ KHULWDJH in Cornwall. Family photos of my grandparents on WKH EHDFK LQ NQLWWHG VZLPVXLWV DQG ÀRZHU\ EDWKLQJ hats, the World Bellyboard Championships, vintage Vogue photos of mid century bathing suits, vintage Matchbox Labels art, great British seaside, Lido lounging.

I am a designer/illustrator, creating unique illustrations inspired by the natural world and family events with a mid-century modern feel. After returning to Cornwall from living and working in London, I retrained as a web and graphic designer in 2000 to pursue my interest in the emerging creative technologies. I worked as a web and graphic designer for 12 years, and had begun developing my creative ideas through various evening classes in printmaking, etching and life drawing.

Dog Cockles (GiclĂŠe print)

When my children left home I decided it was time to sell my own illustrations and designs and set up my business selling prints, cards, illustrated home ware and gifts.

I work from my studio in my back garden, which overlooks the River Gannel in Newquay, Cornwall. After an early morning walk on Cubert Common or on one of Newquay’s many beautiful beaches, I work on new designs, printing orders, or on private and commercial bespoke commissions, while Rufus sits on our mid century orange chair to oversee proceedings and remind me to take a break. When I look at the coastal landscape around me I see bold patterns and graphic shapes, and I translate this into my work. My subject matter KDV HYROYHG IURP P\ ORYH RI QDWXUH ÀRZHUV beach-combing and living by the sea, as well and family memories and photographs from a bygone era. Observing swimmers and bellyboarders racing into the sea, fresh and salty in the Cornish surf.

Wild Swimmers (Screen print)

Crab Feet (GiclĂŠe print)

St Pirans Pebbles (GiclĂŠe print)

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Lido Ladies (Screen print)

Arthur and Olive (GiclĂŠe print)

Miss Mid Mod Mermaid (GiclĂŠe print)

Ahoy (Screen print)

Bex Bourne

I create pieces using collage, gouache, watercolour, colouring pencil, & whatever else comes to hand. Cutting and sticking, colouring in… these activities PRVW GH¿QLWHO\ UDQNHG LQ DW WKH WRS RI P\ FKLOGKRRG to-do list (alongside climbing trees, making dens, and licking the cake mix blades). <HDUV ODWHU GHVSLWH DWWHPSWV IURP VRPH WR SHUVXDGH PH WR EHFRPH D SOXPEHU , FDQ VDIHO\ VD\ WKDW P\ IDYRXULWH WKLQJV WR GR DUH VWLOO FXWWLQJ sticking and colouring in. 0\ VWXGLR LV WKH ROG FXWWLQJ VKHG RQ DQ DEDQGRQHG JUDQLWH TXDUU\ QHDU 0DEH LQ &RUQZDOO , ¿QG LW TXLWH DSSURSULDWH WKDW , VKRXOG ZRUN LQ VXFK D SODFH ± WKRXJK ZLHOGLQJ D VFDOSHO UDWKHU WKDQ WKH RULJLQDO LQGXVWULDO VL]HG FXWWLQJ HTXLSPHQW

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As well as working on my personal pieces I also take commissions. Previous clients include Dawn French, the Charles Causley Trust, and various bands including the Dave Matthews Band.

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Alexandra Brown

Vibrant painter of magical creatures Alexandra Brown was born in London in 1971. She studied art at Wimbledon School of Art and the The Rietveld Academy in Amsterdam. For several years Alexandra lived, worked and exhibited in Holland before returning to London in 2001. Two of her works have been acquired by The Nederlansche Bank and her work was also shown at The Museum Van Loon in 2006 as part of an exhibition called “Spirito Y Carneâ€? showing contemporary pieces from the collection of the Nederlandsche Bank in the context of the museum’s old art collection. After a few years working and exhibiting in London, Alexandra moved to Bruton with her family. Her studio is at The Silk Mill in Frome. Alexandra Brown works mainly in oils and with pastel on paper. Presently her paintings are exploring the human tendency to look for meaning and sacredness in the natural world something that in our modern world we seem to be moving increasingly further away from. She hopes to create in these paintings a kind of revelatory encounter with nature. They are painted on panels on a background of distressed copper, a PHGLXP VKH XVHG ÂżUVW EHFDXVH RI LWÂśV UHIHUHQFH to the Goddess Venus. The copper helps give the paintings an object-like quality as if they were part of a shrine in praise of the natural world and relating to stories, myths and beliefs that are bound up with our human past.

Fawn (Oil and copper leaf on board)

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The Wishing Tree (Oil and copper leaf on linen)

Into the forest (Oil and copper leaf on panel)

Tree after Samuel Palmer (Oil and copper leaf on board)

Alexandra Brown is known for her mysterious and vibrant paintings of magical creatures and sacred trees using oil and copper leaf.

Spirit Horse (Oil and copper leaf on board)

Between The Worlds (Oil and copper leaf on board)

Barry Cawston

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Nik Chinook

Working predominantly in ink, Nik Chinook has created a unique fusion of eastern traditional ‘calligraphic’ expression and ZHVWHUQ ÂżJXUDWLYH SDLQWLQJ DQG LOOXVWUDWLRQ From small monochromatic, almost diagrammatic studies of architecture and engineering to large gestural oil paintings of city or landscapes, Nik’s work evokes drama, mystery and the sublime. (VFKHZLQJ VXSHUÂżFLDOLW\ KLV ZRUN GHOLYHUV DUW IRU corporate and domestic settings where a serious, incisive and expressive art is appreciated.

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Nine Bridges - In Situ

Big PierXI

His powerful individual style of execution, yet wide range of subject has featured in the Royal Society of Marine Artists annual exhibition, the National Portrait Awards, one man exhibitions and his work is in private collections around the world and in the UK National Collection. Wooded Knoll

Twenty Dancers

Peregrine

Peregrine Framed

Barry Cooper

I am currently working on ‘Birds of Paros’ digital drawings inspired by writer George Crane........

Drawings with Script.

I was born in Warren Row near Maidenhead in November 1945; have been painting since 1970 whilst drawing in my philosophy degree notes in Bangor North Wales. For ten years in the 1970s I worked with the Rambert Dance Company principally from the Ballets of Christopher Bruce and Glen Tetley; exhibiting in the Round House Chalk Farm, /RQGRQ LQ DQG ¿QDOO\ LQ WKH /\WWHOWRQ )R\HU of the National Theatre .

Love - Image

Love - Script

When I was 40 years old in 1985 I spent 2 years in the painting school of the Royal College of Art studying Cubism under John Golding and Peter De Francia.

Pageantry - Image

Pageantry - Script

Inspired by the collaborative nature of the Cubists and their reference to 3 dimensions I initiated an International Community Sculpture, the ECOS Amphitheatre, in Frome Somerset importing massive monoliths from the original 12 nations of Europe to join a local parliament of stone representatives in 1992. I have collaborated with many composers and musicians over the time since then including Simon Holt ‘Kites’ in the Bath Festival, Nigel Osborne ‘Songs of the Stones’ in the Edinburgh Festival, and Helen Ottaway ‘Round and Round’ in the Salisbury Festival and ‘Layers’ in the Silk Mill Frome.

Geo - Image

Geo - Script

More recently I have performed with international jazz pianist John Law in ‘SpaceTime’ . From 2013-16 I worked on ‘Last Tree Dreaming’ re-erecting a 60ft Oak Tree with Anthony Rogers. Since 2004 I have been working periodically on the Greek island of Paros in Greece and exhibited there with the Croatian photographer Mirjana Grgurevic in 2017.

Nurture - Image

Uncertainty - Image

Nurture - Script Inevitable - Image

Waning Moon - Image

Waning Moon - Script

Running to Die - Image

Running to Die - Script

Uncertainty - Script

Inevitable - Script

Una d’Aragona

Colour saturated abstract layered paintings Una d’Aragona’s paintings focus on mark making and the language of paint as subjects in their own right, whilst simultaneously referencing historical classical painting and the abstract expressionist movement.

Bubble-gum Thoughts (Oil on canvas)

Two Sisters (Oil on canvas)

Little-Paradise (Oil on canvas)

Abstraction allows for the work to hover on the edge of something that is still in the process of becoming and is more open to the viewer’s interpretation, with occasionally a drawn foot or an RYD IRU WKH IDFH DV LGHQWL¿DEOH PDUNHUV DSSHDULQJ LQ WKH WXPXOW RI PDUNV EUXVK VWURNHV DQG FRORXU 7KH ZRUN VWDUWV VORZO\ LQ WKH SUHSDUDWLRQ DQG SODQQLQJ VWDJH ZLWK WKH IRFXV RQ IRUPV FRPSRVLWLRQ FRQWUDVWV DQG VLPLODULWLHV EXLOGLQJ WKH HQHUJ\ IRU WKH SHUIRUPDQFH WKDW EULQJV WKH ZRUN LQWR D FRKHVLYH H[LVWHQFH Unravel (Oil on canvas)

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Storm Runner (Oil on canvas)

Untitled 1 (Oil on canvas)

Undertow (Oil on canvas)

Melanie Deegan

8QLTXH ¿JXUDWLYH VFXOSWXUHV LQ KLJK TXDOLW\ PDWHULDOV &UHDWLQJ HQHUJHWLF DQG IUDJPHQWHG IRUPV WKDW XVH VSDFH WR LQYLWH WKH YLHZHU WR HQJDJH 6XEMHFWV LQFOXGH KRUVHV GRJV ELUGV DQG QDWLYH ZLOGOLIH A free-range childhood in Buckinghamshire and then Somerset gave Melanie an interest in animals, particularly horses, that has stayed with her throughout adult life and now plays a key part in the sculptures she creates. A professional sculptor for over ten years Melanie has a background mainly in the IT industry but her experience has also included work as wide ranging as horse riding instructor and laboratory technician among other things. Over time Melanie has evolved her unique style of sculpture largely through experimentation and developing an understanding of the materials she uses. Based in the South West Melanie’s work is exhibited regularly in England, Ireland and RFFDVLRQDOO\ IXUWKHU D¿HOG

Falcon Running Hare

Pewter Sea Horse

Grey Horse

Leap

Whisper

Inspiration for my sculptures comes from many sources including photographs, video, artwork and real life. I like the challenge of complex shapes and dramatic movement, etching these away to try and capture the moment. Using texture to emphasise and enhance the sculptures surface, more recently including the shapes of found and natural objects in this process. The opportunity to work on new and inspiring projects is always welcome and FRPPLVVLRQHG ZRUN SOD\V D VLJQLÂżFDQW SDUW in my sculpture practice. Plans for the future include developing my understanding of bronze casting and how best to translate my work into this fascinating medium.

Pale Hound

Kirsten Elswood

My main passion is paint when producing artwork. I enjoy working with a variety of media, mainly oil, acrylic, ink and ZDWHUFRORXU 0\ ZRUN LV LQÀXHQFHG E\ everything around me,and my reactions to places and experiences, and is therefore very varied. Born in Clifton in 1967, I have painted and drawn all my life. After studying Modern Languages, I went on to work in travel, teaching and early years. In 2008, I was diagnosed with Multiple Sclerosis. It was then that I committed to painting full time, completing a Fine Art Degree in Exeter. I work from en plein air and from my studio in rural Mid Devon, painting a wide variety RI VXEMHFWV XVLQJ GLႇHUHQW PHGLD 0\ ZRUN LV informed by my environment, as well as writings on Phenomenology and Bachelard’s Poetics of Space. Painting is a passion - meditative and challenging.

Cherries (Oil on board)

Bad Hare Day

Tomatoes (Oil on board)

, VWULYH WR SURGXFH UHÀHFWLYH DQG FRPSHOOLQJ paintings which explore space, palette and tranquillity. Through Devon Open Studios, commissions and representation at exhibitions and galleries, I have been delighted in how my work has been received and I have sold exceptionally well. Customers of my work enjoy my use of colour, feelings of calm and paintings with which they can identify. I produce work which is attractive, aesthetic and realistically priced. This combination has made my work sought after locally, and I would welcome the opportunity to be represented more widely. Storm at Sennen Cove

Chasing the Sunset

Mid Devon Fields Tuscan Pines (Acrylic on Canvas)

Storm Over Lifton Copse

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Abstract paintings investigating how colour DQG IRUP FDQ UHÀHFW D IHHOLQJ RI SODFH LW LV an emotional response to something natural but resolutely abstract in its structure. BA Fine Art/MA Painting. Jerwood artist 2015. Exhibitions: Open West, Atkinson, Jerwood, National Open Art, National Open Print, Acanthus, Andelli Art, Light House Gallery, The Balck Swan, RWA, RA, Thelma Hulbert. Residencies: Cill Railiag Ireland, Brisons Veor Cornwall. Now based in the South West my work is LQÀXHQFHG PDLQO\ E\ REVHUYDWLRQV RI WKH QDWXUDO HQYLURQPHQW WKH ÀHHWLQJ FKDQJHV RI OLJKW DQG shadow are memorised and recreated in the studio. The aim is to create work that has a duality, it is an emotional response to something natural but abstract in its pictorial structure.

Grid 6 (Acrylic on Bespoke Tulip Panel)

Grid 4 (Acrylic on Bespoke Tulip Panel)

Grid 5 (Acrylic on Bespoke Tulip Panel)

These works by the particular use of colour and structure create surfaces that command attention and sometimes confuse the viewer, challenging them to reassess what they think they see. These are paintings that need to be given time to reveal themselves, they are constantly changing, 7KH SDLQW LV DSSOLHG LQ PXOWLSOH ¿QH OD\HUV VR WKDW WKH VXUIDFH RI WKH VXSSRUW DSSHDUV WR KDYH D depth of colour that is unusual with acrylic paint, the colours constantly appear to move. The FRPSOH[LW\ RI WKH VWUXFWXUHV DOORZV WKH H\H WR ZDQGHU LQ GL௺HULQJ GLUHFWLRQV UHGLVFRYHULQJ QHZ visual conundrum. They are not to be ignored. Buyers of my work always comment upon how the paintings continuously change during the day as the light moves and changes enabling them to wonder about what they think they see.

Between Spaces 13 (Acrylic on Linen)

Between Spaces 7 (Acrylic on Bespoke Tulip Panel)

Between Spaces 15s (Acrylic on Bespoke Tulip Panel)

Cube 3 (Acrylic on Bespoke Pine Cube)

Ashley Hanson

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Since 2011, I have been working on the ‘City of Glass’ series, inspired by Paul Auster’s novel ‘The New York Trilogy’. It is a series of scale, intrigue and innovation: my ambition is to reach new DXGLHQFHV DQG VKRZ WKH VHULHV IRU WKH ¿UVW WLPH DV D FRKHUHQW ZKROH In 2015, I sent a catalogue of the series to author Paul Auster, via his agent in New York and was thrilled to receive the following response: Dear Mr. Hanson,

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Frances Hatch

Richly textural, earthed and earthy, literally VLWH VSHFL¿F SDLQWLQJV LQ ZDWHU EDVHG PHGLD )UDQFHV¶ UHVSRQVHV DUH LPEXHG ZLWK WKH G\QDPLVP VKH ZLWQHVVHV ZKLOVW ZRUNLQJ RXWVLGH ÀXFWXDWLRQV LQ OLJKW WLGH VHDVRQ DLU Frances currently lives in West Dorset. She was awarded the Shenzhen International Watercolour Biennial Prize by The Royal Institute of Painters in Water Colours 2016. She contributed to Drawing and Painting: Materials and Techniques for Contemporary Artists.Thames and Hudson (2015), UK. Previous publications include Chesil Moons (2017) and Drawn to Antarctica (2005).

High Peak, near Sidmouth, Devon. (Gouache and Otter Sandstone, Mercia Mudstone on handmade Indian paper)

Fremington Quay Beech Flurry 2013 and 2017. (Gouache and local materials on paper)

Rabbit Holes and Tanker, Pembrokeshire. (Site material with gouache on paper)

Frances is a senior tutor at West Dean College.

Storm Desmond. Charmouth, Dorset. 2015. (Acrylic and beach materials on wood)

11% Moon. Chesil, Dorset. (Site material, collage and acrylic on unstretched canvas)

Ladram Red, near Sidmouth, Devon. (Gouache and Otter Sandstone, Mercia Mudstone on handmade Indian paper)

Garden of the Halmyrides. Chesil beach, Dorset. (Acrylic with local earths on paper)

A committed plein air practitioner, Frances engages with the material resident and present in places. ‘Geology becomes my pigment. Sun, moon, tide and season animate, reveal and conceal. I witness matter on the move: particular, provisional, exquisite’.

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Peter Hayes Sculpture

Contemporary Sculpture for indoor and outdoor environments. I studied at Mosely School of Art then onwards to Birmingham College of Art. I then ran my own studio in Cornwall, UK before taking up a post in Lesotho, Africa with The Lesotho Development Corporation setting up projects and training local craftsmen. After a few years this was expanded and I joined the Commonwealth Secretariat continuing projects in Swaziland, Botswana, India and Nepal. On completion of this project I returned to the UK and set up my own studio in Bath. I now exhibit worldwide in galleries including Oman, Dubai, USA, India, and Europe.

Damascus Steel Blade

Red Bows

Bronze Head

I have always been interested in the history of sculpture - why and how ‘things’ are made. This interest was extended after I spent several years travelling through Africa working with various tribes and being intrigued how, with limited technology and basic tools, they were able to get such exquisite, beautiful surfaces. I found the same inherent skills in India, Nepal, Japan and New Mexico. I tried to adopt the ideas picked up from my travels in my own work.

I also work closely with architects and interior designers in providing works for large and small SURMHFWV VXFK DV FRUSRUDWH RႈFH VSDFHV KRWHOV luxury yachts and private homes. Glass Blade

I have been working on large scale forms which I have placed in the landscape. My main aim is that the work should not compete with the landscape, but evolve within the environment. With the elements of time and erosion, the individual piece takes on its own developing surface. Recently, one of these large commissions has taken me to India. My client suggested I make it on site. Now I have discovered Udaipur in Rajasthan. This has introduced me to other craftsmen and HQDEOHG PH WR ZRUN ZLWK D UDQJH RI GL௺HUHQW PDWHULDOV VXFK DV JODVV %URQ]H PDUEOH VWRQH DQG Damascus steel. , ÂżQG LW MR\IXO WR ZRUN ZLWK PDQ\ GL௺HUHQW PDWHULDOV (DFK KDV LWV RZQ FKDUDFWHU LWV RZQ OLPLWV LWV RZQ WROHUDQFH VRPH PDWHULDOV ÂżJKW EDFN VRPH SOD\ WKH JDPH Finally I think it’s the material that is in charge and it will only let you make what it wants. It is my job to push it to its limits and somehow an equilibrium is made between maker and material.

Raku Disc

Raku Disc

Raku Bow

White Bottle Pots

Robert Highton

I produce canvases and limited-edition SULQWV ZLWK IDFHV DQG ÂżJXUHV LQVSLUHG E\ cinematic images. Each layered image, saturated with rich colours and built up with textures, weaves its own narrative.

Originally from Liverpool, I studied illustration at Liverpool College of Art. I then worked for landscape and architectural companies as a commercial artist and visualiser. With artistic inspirations ranging from Leonardo da Vinci and the Dutch masters to Egon Schiele and J.M.W. Turner, I have always JUDYLWDWHG WRZDUGV WKH ÂżJXUDWLYH 0\ DELOLW\ WR capture a likeness has led to many private portrait commissions as well as commercially produced limited-edition prints of team portraits and sporting heroes such as David Beckham, Jason Robinson and Thierry Henry. In 2014, after the London Olympics I worked on a series of canvases commissioned by Britain’s top sportspeople to raise money for seriously ill young adults. The portraits featured ‘soundwaves’, visual GHSLFWLRQV RI WKH VRXQG RI WKH GLႇHUHQW VSRUWV integrated within the movements of the sportspeople. The 12 pieces - including canvases of Sir Mo Farah, Andy Murray, Ben Ainslie, Lewis Hamilton and Sir Bradley Wiggins - were auctioned and exhibited at Bonham’s, London in September 2014. The exhibition raised over ÂŁ47,000 for the Willow Foundation.

Ghost (GiclĂŠe print)

Black Nymph (GiclĂŠe print)

Red Boy (GiclĂŠe print)

I have recently launched a range of canvases and limited-edition giclÊe prints of atmospheric IDFHV DQG ¿JXUHV 7KH SURFHVV VWDUWV ZLWK WKH incorporation of painterly images, photographs and distressed textures within rich, layered frames. Subjects are intense, regal and timeless, often surrounded by dark hues and clambering colours RU KLJKOLJKWHG ZLWK ÀDVKHV RI VLOYHU DQG JROG

Ben Ainslie (GiclĂŠe print / canvas from mixed media, digital and oil paint)

Mo Farah (GiclĂŠe print / canvas from mixed media, digital)

Broken Promise (Canvas print mixed media)

Remember When (GiclĂŠe print)

Focusing on people and faces, I produce resonant printed canvases and limited edition prints. My natural use of paint and my high level of technical skills with traditional media breathes OLIH LQWR P\ ÂżJXUDWLYH GLJLWDO ZRUN Inspired by cinematic, iconic images and worn, bleached and distressed textures, I build up rich, dramatic digital visuals in complex layers. These are printed on canvas or giclĂŠe paper, and some are then worked into with paint and other media. Faces are intense, contemplative and absorbed, RIWHQ FRQVXPHG E\ GDUN KXHV ÂżJXUHV are driven by energy and movement, enmeshed with threadbare, layered frames of colour. Each piece captures a moment, but also tells a personal story.

Splash (Canvas print mixed media)

Tanya Hinton

An innovative artist breathing new life into worn and weathered wood. I was brought up in a creative ‘Bohemian’ household. My father was an artist, who established a highly successful business, sculpting and manufacturing model soldiers. I learned about handling paint, colour mixing and attention to detail at an early age. My mother was an artists’ model and many creative friends of my parents would visit. Often left to my own devices in our ramshackle and run down house by the Thames, I learned to entertain myself and that has stayed with me. Not a conventional upbringing by any stretch of the imagination!

Eva (Oil on wood panel)

Since then, I have always been involved in creative work: painting, ceramics and as an artists’ model myself. Having painted on canvas for many years, I discovered working on weathered wood around six years ago. I see the ready made landscape presented in the wood and paint what I feel is appropriate. A habitat for wild and beautiful animals. Whilst many of the creatures I paint are British, I am increasingly inspired by the Arctic and by Norse legends.

Andvary’s Gold (Oil on slice of solid yew)

Peirus (Oil and gold leaf on wood panel)

The wood is all found, discarded or donated. Some pieces hundreds of years old. Whilst the animals could possibly be painted again, each piece of wood is unique with its own history. 7KLV PHDQV HYHU\ SLHFH LV D FRPSOHWH RQH Rႇ Chukwa (Oil on wood panel)

Tanya Hinton produces unique paintings on wood that she has discovered washedup on beaches, buried in gardens and reclaimed from old buildings. Each piece RI ZRRG R௺HUV ZRQGHUIXO SRVVLELOLWLHV WKH sea- worn textures, grain patterns and old, ÀDNLQJ SDLQW PLJKW VXJJHVW PLVW\ ODQGscapes, rippled water and other settings. Tanya paints creatures which enhance each background and which she feels are appropriate to the wood.

Geckos (Oil on wood panel)

Loki

Eostra (Oil on wood panel)

Skadi (Oil on wooden door)

Gordon Hunt

Gordon is best known for his paintings of sparkling water and sunshine. +H SDLQWV LQ DFU\OLF WR FDSWXUH WKH OLJKW HႇHFWV RI VXQVKLQH RQ ZDWHU JLYLQJ VSDUNOLQJ UHÀHFWLRQV and silhouettes, resulting in strong contrasting colours and dynamic shapes. Flashes of contrasting colours resonate through the pictures, when placed together this contrast generates visual energy and excitement. His work evokes a feeling of sunshine, holidays and well being.� Gordon’s work is very popular, he undertakes many commissions and sells work around the world from several Galleries and on-line platforms.

Swim Stop (Acrylic on canvas) Sailing the Sparkling Sea (Acrylic on canvas)

Hand in Hand (Acrylic on canvas)

“I concentrate on painting the light around WKH REMHFW , IHHO WKH Ó OLJKWÓ‚ WKHQ EHFRPHV WKH VXEMHFW RI WKH SDLQWLQJ , KDYH D UHDO VHQVH RI Ó SDLQWLQJ WKH OLJKWÓ‚ ZKHQ FUHDWLQJ WKHVH ZRUNV´

Dawn Departure (Acrylic on canvas)

Come on in (Acrylic on canvas)

Patience (Acrylic on canvas)

St. Ives Station (Acrylic on canvas)

Amy Jobes

Working with acrylics, acrylic inks, texture paste, collage and oils I build my pieces layer by layer. I use a ‘build and destroy’ approach, where I paint a scene and use a fan brush, palette knife or rag to soften the image or create exquisite marks. I like to use expressive mark making with a limited palette. I work intuitively and use my own photographs and sketches as references to my time spent in the landscape.

Impressionist landscapes in mixed media in oil. Inspired by natural places with huge skies and distant horizons. Growing up in rural Hampshire, I always had a very strong connection and love for nature and the great outdoors. Nature has always been the focus for my artwork, which I have been selling since I was 15 years old. I went on to study Biology and Geography BSc at Exeter University and worked at the Environment Agency for eight years. During this time working on environmental issues I developed an even greater respect for nature and the services it provides to us.

Come Back Brighter (Oil on canvas)

I feel very lucky to now live in North Devon. We moved here to raise our family and the gorgeous coastline and endless views of Exmoor are constant sources of inspiration. I spend as much time as I can in these vast open spaces. I love to surf, run on the beach and walk over the moors. I sketch and photograph while I am on location, and capture my emotional response to these precious, mysterious and amazing places by painting them. By immersing P\VHOI LQ QDWXUH DQG WKH HOHPHQWV , ÂżOO XS P\ KHDUW Then I pour it out again onto the canvas.

Summer’s in Bloom (Oil on canvas)

I aim to transport the viewer to the scene. To portray the sense of space, fresh air and exhilaration I feel when I am outside in these breathtaking places. I paint open compositions of pristine environments and rarely include figures in my work. The philosophy behind my work is that the natural environment is so much greater than us. It was here before us and will remain after we are gone. It’s vast and unforgiving, yet when we visit an unspoilt natural place it can be a very healing and spiritual experience. I’d like to inspire others to share this experience, while developing their own deep connection and respect for nature.

Depth Over Distance (Oil on canvas)

Breathe Easy (Oil on canvas)

My art has been exhibited and sold at Castle Galleries in Mayfair, London, National Trust Buckland Abbey and Killerton House, and Echo Beach Gallery in Ilfracombe. I have been a featured artist a number of times E\ RQOLQH JDOOHU\ $UWÂżQGHU DQG KDYH EHHQ one of their trending UK artists. I have also been a trending artist on Twitter.

Breathe In (Oil on canvas)

Summer’s in Bloom (Oil on canvas)

Bring Me the Horizon (Oil on canvas)

Stop the Clocks (Oil on canvas)

Lindsay Keir MA (RCA) Colourful interpretative paintings of the natural world, from micro details to expansive landscapes.

Studied at Glasgow School of Art specialising in printed textiles. Producing designs for fabric alongside decorative paintings. Followed by an MA at the Royal College of Art in London specialising in knitted textiles and continuing exploration of the painted image. Studio space at South Bank Craft Centre, Royal Festival Hall,London.

Beauty In Everyday Things (Mixed Media)

Exhibiting at RSW(Royal Society of Scottish painters in watercolour) and The Royal Glasgow Institute(RGI).

Hellebore (Mixed media on handmade paper)

Various mixed exhibitions including:

My work has a wide appeal, to both male and female buyers.

Frivoli ,Chiswick, Fisherton Mill,Salisbury, The Wykeham Gallery,Stockbridge and Old Chapel Gallery,Pembridge,Hereford.

I don’t have just one style but love painting landscape, still life and wildlife.

I am a member of The Cygnet in Shaftesbury,Dorset which works like a cooperative for a group of artists and artisans.

I am happiest using all kinds of paint from watercolour to acrylic and oil. I mix collage and gold leaf into my work,sometimes adding more depth and interest. I also get JUHDW SOHDVXUH KDQG ¿QLVKLQJ P\ IUDPHV ZLWK up to 15 layers of gesso (rabbit skin glue mixed with whiting). I may leave them a lustrous natural white or hand gild.

I take my inspiration from the natural world and mix it with decorative pattern from all sorts of sources, from for example an Indian rug or a piece of ceramic.

The Path (Acrylic on board)

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Hellebores on Pink (Acrylic on board)

Winter Textures (Acrylic on board)

Cumbrian Patterns (Acrylic)

Autumn Dawn (Mixed Media)

I produce a range of cards to sit alongside my paintings.

Owl Fragments (Mixed media on canvas)

Susan Kinley

Large scale wall installations and smaller SDQHOV LQ ÂżUHG DQG ZDWHUMHW FXW JODVV enamels and metal. Pieces can be made to commission from particular places, and often incorporate fragments of photography with layered translucent colour. Originally completing an MA at the Royal College of Art and Design, in London, I have an established career as a visual artist and maker in glass and mixed media, with a practice that FURVVHV ÂżQH DUW FUDIW DQG GHVLJQ , KDYH completed many commissions in the private, corporate and public sector, working with individuals, consultants and arts agencies on smaller and larger scale projects for interiors and public spaces. Subject matter has often come from visual research at archaeological sites and coastal landscapes at the margins of England, Scotland and Ireland, including aerial photography, providing inspiration for works where shapes, patterns, detail and overview have evolved into installations and wall panels.

Far Distant, Close To - Detail Island Fields - Wall panel (Fired waterjet cut glass)

Home - Skara Brae

Far Distant, Close To - Wall installation (Steel with vitreous glass enamels)

Ceremonial - Wall installation (Glass enamels on steel)

My work has been widely exhibited nationally and internationally, and is documented in a number of catalogues and publications. Awards have included project and research grants from Arts Council England, The Crafts Council, Anglo Diawa, Japan Foundation, the David Cantor Memorial award, and the Marshwood Arts Award in Applied Arts 2017. I have recently been awarded a Cultivator Cornwall Creative Investment Grant, and have been working with the National Glass &HQWUH LQ 6XQGHUODQG WR PDNH D QHZ ERG\ RI ZRUN LQĂ€XHQFHG E\ DQFLHQW ODQGVFDSHV LQ :HVW Cornwall, where I live and work.

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Time Lapse - Marazion Marshes (Fired glass discs)

Debby Kirby

Individual photographs of the beautiful Dorset countryside and coastline, hand woven with carefully hand dyed silks that compliment and highlight the colours of rural Britain. Debby uses a completely original technique to produce these artworks. Debby Kirby studied at West Surrey College of Art & Design, graduating in 1983 with a BA in Woven Textiles. She started selling her hand woven scarves through a number of London’s leading retailers including Liberty & Co, Fortnum & Mason and since then she has exhibited widely throughout the UK. Although well known for her use of colour and design in KHU ¿QH VLON VFDUYHV LQ 'HEE\ ZDV DZDUGHG a bursary from the Theo Moorman Weavers Trust to develop her unique paper weaving technique. This technique was initially used in collaboration with calligrapher Liz Farquharson, resulting in an extensive touring exhibition, Woven Words, supported by the South West Arts and other funding bodies. Debby is currently a member of the Devon Guild of Craftsmen and resident silk weaver at Walford Mill Crafts in Wimborne, Dorset.

Woodland Crocuses

Daisies

Alium Head

Debby has created a unique and completely original method of weaving paper through silks, which has developed into an on-going collaboration with her photographer husband, Jez Randell. Photographs of the beautiful Dorset countryside are woven through with hand dyed silks, complimenting the depicted colours of rural Britain. The exciting collision of paper and textiles highlights the textural and colourful elements of the subject matter. Silver Birch

Debby is inspired by the ever-changing colours and textures of her home county of Dorset. Flora and fauna are regular subject matter in her artworks, as well as iconic Dorset landscapes. Her love of architecture and pattern can be found in the way she weaves the paper together, often adding order to the natural world captured in the images.

Fern

Dandelion

Bluebell Wood Dorset Trailway

Heidi Koenig

I create colourful unique contemporary abstract paintings on canvas and Monotypes inspired by landscape. My images work equally well in private homes, FRUSRUDWH RႈFHV DQG SXEOLF HQYLURQPHQWV I came to the UK from Germany after 2 years travelling the world. In 1994 I graduated from Brighton University with a degree in Fine Art Printmaking, followed by a postgraduate degree 2 years later from the Slade (UCL) in London. Since then I have had numerous Solo exhibitions including CCA Galleries in London, Inspires Gallery Oxford, Enid Lawson Gallery London, Viewpoint Gallery Plymouth College of Art and Design, Innocent Gallery Bristol and the Brook Gallery. I have had work exhibited at varLRXV $ႇRUGDEOH $UW )DLUV LQ WKH 8. 86$ 0LODQ and Stockholm as well as the RA summer show and in many mixed exhibitions including Japan, with the Art Front Gallery Tokyo.

Sky After the Rain (Oil on canvas) The long drive north (Oil on canvas)

Corporate commissions include Print commission for the Cromwell Hospital in London in 3DLQWLQJ FRPPLVVLRQ IRU &LQHVLWH 2ႈFHV in London, Scottish Widows in Bristol and %X]DFRWW 2ႈFHV ,Q DW WKH )%$ 1DWLRQDO Print Exhibition I won the Zenith Gallery Purchase Prize and the Galleries Magazine Award. In 2004 I moved to Devon where I divide my time between my print workshop at Kigbeare near Okehampton and the painting studio in my back garden. My inspiration comes from walking on Dartmoor and the coast and journeys abroad. My work is in private and public collections worldwide including John Lewis, Mercedes Benz, The Dorchester, Isle of Man Arts Council, Goldman Sachs, Sony and the Bank of England.

A Little Bit of Me (Oil on hardboard)

Skimming Stones (Oil on canvas)

Island Journey (Oil on canvas)

Homage to Turner (Oil on gesso)

Embracing the unknown (Oil on canvas)

The beginning of the day (Oil on canvas)

After celebrating 20 years as a professional artist in painting and printmaking I would like to push the boundaries and establish new relationships with galleries and other markets for my work. I am regularly producing new paintings and prints. Either commissions for art consultants or for sale in galleries. I get inspired by everyday sights and changes in the season, so my work always stays fresh and exciting. I am very interested in interior design and it does KDYH DQ LQĂ€XHQFH RQ WKH FRORXUV , FKRRVH LQ P\ work. I generally create a body of work over a couple of month with a common theme which works well when shown together but each work will be unique in its own way. My aim is to create “ beautifulâ€? pieces which evoke positive emotions in people.

Night Drawing In (Oil on canvas)

Pamela Legg

A series of illustrative stylised paintings depicting a Dickensian character known as ‘The Gutterman’ in urban historical scenes from a bygone era with a touch of humour & charm. Born in Somerset in 1985 I have lived in the South West of England most of my life. I am mainly a self taught artist although I have studied art & design at Somerset college of Arts & Technology in Taunton. From there I went on to study Animation at the University West of England in Bristol where I graduated in 2014 having gained a BA Hons degree in the subject. Inspired by my love of cartoons, story telling and my fascination for history I created my series of Gutterman paintings. Each features my main Dickensian styled character known as ‘The Gutterman’. He appears in street scenes from a Victorian bygone age wearing a top hat, green overcoat and has rather a large nose. Each piece of work tells a story and hidden in every painting is my quirky humour with mice & pigeons hidden among the buildings.

The Gutterman visits Kyoto (Oil on Canvas) Paper Boy (Oil on Canvas) The Big Smoke (Oil on Canvas)

Apart from the Gutterman, my other main theme in my artwork is the element of ‘fun’. I observed many people during my exhibition start to giggle as they studied all of the hidden details in my paintings & they often applauded the sense of humour and charm of the pieces something not often seen in many mainstream artwork. Anchor Inn (Acrylic on Canvas)

Sunset Camp (Acrylics on Canvas)

At Hatchets (Acrylic on Canvas)

The Queen Anne’s Revenge, Bristol (Acrylic on Canvas)

Gutter Lane (Acrylic on Canvas)

Robin Mackenzie

I produce limited edition wood engravings and linocut prints. I graduated from the Arts University Bournemouth in 2013 and have since been creating prints for products, books, magazines and a wide variety of exhibitions and shows. I work from my studio at Walford Mill Crafts in Wimborne, Dorset using a traditional cast iron Albion Press to produce my prints. In 2016 I was elected as a Member of The Society of Wood Engravers and in 2017 as a Member of The Devon Guild of Craftsmen.

Rugged Coastline

In 2016 I moved in to my current studio at Walford Mill Crafts in Wimborne. I create all of my prints using a Victorian Albion press dating from 1854. It is fantastic to work with a piece of engineering with so much history and that was GHVLJQHG VR SHUIHFWO\ WR ÂżW LWÂśV SXUSRVH , DP inspired every time that I use it. Window Dorset Alphabet Poster Otters at the Mill

Escape in the Night

Sheltered Cove

Detectorists

With wood engraving and linocut the artist must involve themselves in every aspect of the SURFHVV FKRRVLQJ WKH FRUUHFW EORFN WUDQVIHUULQJ a detailed drawing to the polished surface, the careful incising of the marks and textures that ZLOO PDNH XS WKH LPDJH DQG WKH ÂżQDO SULQWLQJ RI the engraving. When including colour within my prints I frequently uses the reduction method of printing. Only one block is used and through a sequence of progressive cuttings, inkings and printings, the image slowly emerges while the actual printing block is destroyed. This means my prints are strict limited editions making them collectable items that can never be repeated.

Morgan Roadster

Philip Medley Artist.

He has exhibited widely, galleries include: Art Now Cornwall, Tate St Ives Whitechapel Art Gallery, London New Art Centre ( Roche Court ) Basle Art Fair, Switzerland (NAC stand) Royal Academy -Summer Exhibition, London Awards include: Pollock - Krasner Foundation, New York All works Oil on Wood on Canvas

Narcissus - 2018

Portrait of a Young Man - 2018

Return to Padua - 2018

Each painting tries to express pure feeling, such as love or laughter, emotions which reach into the soul rather than the mind,much as music does. But I use colour and line to produce complex harmonies, simply arranged.

In the Evening - 2018

The Sisters 2 - 2018

Woman Reading a Letter - 2018

The Sisters - 2018

Song of a Nightingale - 2018

Rebecca de Mendonça Figurative pastel paintings, using energetic mark making to capture the life and movement of horses, children on the beach, landscapes, architecture and animals. My pastel painting is the result of a varied career in the arts. I grew up in an artistic family, learning drawing skills from my architect father and my art teacher mother. Having completed my degree in Theatre Design at Wimbledon School of Art, I worked with theatre and interior designers in London for 10 years on projects ranging from Harrods Food Hall to the Phantom of the Opera and took commissions to paint dancers at English National Ballet and actors in West End Shows.

Paying for Pennies (Pastel)

Now living in a converted farm near Exeter, I work in a studio looking out over breath taking views. The dramatic landscapes of Dartmoor and Exmoor are a constant inspiration. I have exhibited with the Society of Equestrian Artists, and The Pastel Society at the Mall Galleries, and was short-listed for the ‘Artist of the Year 2017’ competition, with my work shown in the exhibition at the Mall Galleries. I am keen to share my love of my medium, running pastel courses in the UK and Italy. I write for several art PDJD]LQHV DQG DP ZULWLQJ P\ ÂżUVW ERRN ‘Pastels for the Absolute Beginner’ for Search Press Publications, to be published in 2019. The focus of my work is to get energy, life and movement into everything I do, whatever my subject matter, which includes the simplicity of children at play, the drama of landscapes and the grace and strength of horses.

Comet (Pastel)

Clinging On (Pastel) Freedom (Pastel) Little Fisherman (Pastel)

Light on the Rocks (Pastel)

Bramble (Pastel)

Before the Race (Pastel)

Ama Menec

Patinated foundry bronzes primarily of endangered wildlife and those which have made a comeback, most notably birds of prey. Also some bronzes exploring ancient images of women. I have been a ceramicist for over 35 years, working as a production thrower for David Constantine White, before graduating to thrown ¿JXUDWLYH VFXOSWXUHV PDGH RQ WKH SRWWHU¶V ZKHHO GXULQJ P\ %$ +RQV LQ $SSOLHG $UWV DW 'HUE\ 8QLYHUVLW\ LQ , VWDUWHG IXOO WLPH DV D VFXOSWRU at my studio in Coombe Park, South Devon in DQG ZRUNHG PDNLQJ FHUDPLF VFXOSWXUHV FDUYHG IURP OHDWKHU KDUG FOD\ XQWLO P\ UHFHQW switch to foundry bronze.

Persecuted side view Red Kite back view

6FXOSWLQJ LQ PDWHULDOV WR EH FDVW LQ IRXQGU\ EURQ]H DQG XVLQJ DUPDWXUHV KHOSV WR OLEHUDWH WKH IRUP IURP JUDYLW\ ZKLOVW JLYLQJ D ZLGHU DQG IDU PRUH DFFXUDWH FRORXU SDOHWWH WKDQ FDQ EH DFKLHYHG ZLWK FOD\ WKURXJK WKH EURQ]H SDWLQDWLRQ SURFHVV 7KH ¿QLVKHG VFXOSWXUHV DUH FRQVLGHUDEO\ PRUH GXUDEOH WRR $OWKRXJK , KDYH QRW EHHQ H[KLELWLQJ P\ EURQ]H VFXOSWXUHV IRU ORQJ , KDYH DFKLHYHG FRQVLGHUDEOH VXFFHVV ZLWK WKHP DW WKH 5R\DO $FDGHP\ 6XPPHU 2SHQ WKH 6FRWWLVK 5R\DO $FDGHP\ ZRQ WKH 7DWH 6W ,YHV SUL]H WKH 6RFLHW\ RI :LOGOLIH $UWLVWV DW WKH 0DOO *DOOHULHV London and the South West Academy (won the %URZQVWRQH *DOOHU\ SUL]H :RUNLQJ RQ IXOO\ ' ZLOGOLIH VXEMHFWV KDV IXHOOHG D SDVVLRQ DQG DSSUHFLDWLRQ QRW MXVW IRU WKH IRUPV DQG LQGLYLGXDO HVVHQFH RI HDFK VSHFLHV EXW DOVR IRU DQ XQGHUVWDQGLQJ RI WKH SUHVVXUHV HDFK VSHFLHV LV XQGHU , FHOHEUDWH UHFRYHULQJ RU reintroduced species such as the Buzzard and WKH 5HG .LWH DV ZHOO DV ÀDJ XS LQMXVWLFH WR RXU ZLOGOLIH VXFK DV WKH OLWWOH EDGJHU µ3HUVHFXWHG¶ WKH YLFWLP RI %ULWDLQ¶V %DGJHU &XOO

Bronze Hypnia

Red Kite front view

Since my teens spent in Cambridge exploring the University’s museums of natural history, classical archaeology and anthropology, I have had a passion for both natural and ancient history. Many of my sculptures based on ancient history have explored the changing perception of ‘Woman’ from the Neolithic to the Bronze Age and beyond. Some like Hypnia, have gone full circle from a bronze seen at the British Museum, to my own enlarged ceramic version and then via 3D printing, shrunk back to bronze again. In addition to sculpting endangered wildlife, I also celebrate recovering or reintroduced species such as the Buzzard and the Red Kite. These life sized female birds show aspects unique to those species. As well as sculpting full time, I founded a badger vaccination scheme in South Devon in 2012, lead the Great Badger Trail from Gloucester to Westminster, (130 miles/209 kilometres) in 2014, and created a community art action about the Badger Cull in the South Hams 2016. Analysing the FERA Ecological Impact Report of the wider ecological consequences of badger culling has lead me to my most ambitious sculpture project yet, one which shows, in 3D and technicolour, the ecological consequences of the UK’s badger cull. 7KH OLWWOH EDGJHU µ3HUVHFXWHG¶ LV WKH ¿UVW VWDJH LQ WKLV YHU\ FRPSOH[ VFXOSWXUH ZKLFK PD\ ¿QDOO\ contain up to 100 species of plants and animals, all in patinated foundry bronze, pouring out of the badgers back as they disappear in a big spiral tide.

Persecuted back view

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Laura Menzies

My paintings operate as a personal register of marks that are formed from constructs of memory, emotion and indirect references to place. They suggest a world that we all encounter visually or sensationally, and are imbued with a strong sense of time, depth and ambiguity. Many RI WKH LQÀXHQFHV DUH QRW QRWLFHDEO\ RYHUW EXW are located on the edge of consciousness and gradually seep in as the work slowly evolves. As well as being conceptually layered my work is also physically layered and explores the inherent qualities of the materials I use.

Dune (Acrylic and ink on paper)

I combine many processes which often results in a rich palimpsest of surfaces, that reveal traces of the works history through the colours, marks and textures that are overlaid and entwined. In places the play between these formal elements registers a tension between the familiar and the unknown, offering subtle suggestions and emphasising instability over certainty.

Flux (Oil and mixed media on canvas)

Remains (Oil and mixed media on canvas)

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Release (Oil and mixed media on canvas)

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Renewal (Oil and mixed media on canvas)

Departure (Oil and mixed media on canvas)

Inscribed (Oil and mixed media on canvas)

Wanderings (Acrylic and ink on paper)

Trudy Montgomery

In her large, vibrant Union paintings, a reference to yoga and its sanskrit meaning ‘to join’, Trudy searches for a dynamic balance and harmony between opposing forces of the HJR VHOI DQG RXU LQÂżQLWH VSLULW ,Q WKHVH DEVWUDFW landscape paintings, which reference action DQG TXLHW UHĂ€HFWLRQ 7UXG\ VHHNV WR GLVWLOO WKH energies of masculine and feminine to their essential symbols, employing a strong upright and a U- or V-shaped vessel to do so.

Joyful and uplifting, Trudy Montgomery’s vibrant paintings portray an active vitality and freedom of spirit. Working from a meditative state of action, she uses the possibilities of paint to convey in the abstract what is, so often, inexpressible via words. Trudy Montgomery is one of the next generation of artists in Cornwall whose work is part of a direct line of British expressionist painting which has its roots in the ground-breaking abstraction of artists such as Patrick Heron and Peter Lanyon.

Not Hardly - Union Series (Oil on Canvas)

Left Field - Union Series (Oil on Canvas)

Recently returned to the UK after fourteen years in California, she now lives and works in an idyllic corner of West Cornwall. Her tendency towards pure, bold colour on an immersive scale is influenced by the light and space of both the Californian and Cornish coast and the artist’s own spiritual landscape.

Trudy’s Meditation paintings arose out of an artist residency and subsequent visits to India. Depicting pristine landscapes with clear depths, these paintings bring a sense of peace and purity; gradations of tonal colour relate to layers of consciousness and a richness of palette evokes a pleasing harmony. The Meditation series is available as limited edition prints. Trudy’s experiences in India and daily meditation practice naturally led into her Sacred Geometry paintings, which incorporate the ribbons of colour she sees as symbolising wisdom received on the intuitive plane; a place beyond thought pattern where instantaneous knowing is acquired without logic or proof.

Her work has been exhibited in London, Dubai, Los Angeles and Berlin and is held in private and corporate collections including Hard Rock Cafe, Laing O’Rourke and Nordstroms.

Be The Light - Union Series (Oil on Canvas) Strands of Wisdom IV(A) - Sacred Geometry Series (Oil on Board)

Meditation I (Oil on Canvas)

Meditation I (Oil on Canvas)

Meditation VII (Oil on Canvas)

Meditation VIII (Oil on Canvas)

Kev Pearson

My photographs capture the timeless energy and spirit of Glastonbury, the fabled ‘Isle Of Avalon’ where myth, legend, faith and ancient wisdom all combine to create a unique world-renowned sanctuary where pilgrims visit from across the globe all year round.

0\WKLFDO ¿QH DUW SKRWRJUDSK\ IURP WKH heart of Avalon. Kev Pearson has been an avid photographer VLQFH ZKHQ KH ERXJKW KLV ¿UVW FDPHUD DQG although admittedly a late starter, he has made up for lost time with his enthusiasm and eagerness to learn the tools and trade of photography. Prior to moving to Glastonbury in late 2015 he worked for over 20 years in the aerospace industry in Belfast, N Ireland where he was raised. When he and wife, Jane decided to move to the West Country it was with the intention of carrying on in the Aerospace industry and keeping photography as a hobby however the reaction from locals and visitors to early photos posted on social media caused a quick rethink. Demand for his work has steadily grown in the months since then and working in such a creative, nurturing, spiritual and inspirational part of the country as Glastonbury has been a boost, opening new doors and creating new opportunities.

Impressions

Summer Storm

Where the healing waters of Glastonbury’s famous Chalice Well and White Spring are said to restore balance and cleanse the body of toxins for all who visit here, my images are time capsules through which people can transport themselves back to a special place and feel permanently connected with it no matter where in the world they are.

Highlights: •

Featured in local and national press and national photography magazines

•

Published two photography books

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First solo exhibition in Glastonbury

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Finalist in Weather Photographer of the Year (2016) competition held by the Royal Photographic Society and the Royal Meteorological Society.

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Now serving clients across the whole of the UK and in 15 countries worldwide, as IDU D¿HOG DV WKH 8QLWHG 6WDWHV DQG $XVWUDOLD

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Opened own gallery in Glastonbury December 2017

First Blush

I never rest on my laurels and do whatever it takes to get the right shot no matter what time of day or night I need to go out at. With patience and dedication to my craft my work has matured to the point where I am able to capture the mood and essence of every location I visit and patrons from all walks of life have been able to tap into that – feeling as if they are being transported to that place and time like a photographic meditation of sorts.

Morning Bliss

Fast Forward in Time

Divine Light

Dawn Blossoms

Into the Light

Amanda Pellatt

I describe myself as an Ecological Artist and work across a number of creative disciplines, which cross fertilise. My painting is about colour, environment and culture. Physically making stretchers and the alchemy of mixing liquids into pigments is important to my process. My textural marks are made with a palette knife. “The marks are thought through. Its all about adding and taking and knowing when to walk awayâ€?. I live on the edge of Dartmoor, between a wild granite moorland and green hills rolling down to WKH FOLႇV RI WKH (QJOLVK &KDQQHO , DP D TXDOLÂżHG %ULWLVK 0RXQWDLQHHULQJ :DON /HDGHU OHDGLQJ DUFKDHRORJLFDO DQG FUHDWLYH DUW ZDONV $OVR LQLWLDWLQJ FRPPXQLW\ SURMHFWV HQJDJLQJ ZLWK RXU HQYLURQPHQW IRU ORFDO DQG LQWHUQDWLRQDO YLVLWRUV , XVH PXOWL VHQVRU\ OHDUQLQJ P\ SUHYLRXV FDUHHU LQ 8QLYHUVLW\ ZDV PHQWRULQJ DQG UDLVLQJ DVSLUDWLRQV IRU \RXQJ OHDUQHUV ZLWK GLႇHULQJ OHDUQLQJ VW\OHV VXFK DV G\VOH[LD DUW DV WKH FDWDO\VW

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In September 2018 my painting was recognised by a panel of judges from The Devon Artist Network and was awarded two prestigious awards, an Emerging Artist Bursary and the Joanna Radford Prize. My paintings and prints sold well at Open Studios. Feedback was “Vibrant, colourful, expressive, inspiring and interesting� “Lifts the spirit�. I have had several solo exhibitions, sell to private collectors and exhibit at a bespoke Gallery in Totnes, Devon.

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“Paint is water and stone, and is also liquid thought� James Elkins:What painting Is.

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Martyn Perryman

Contemporary seascape and landscapes in oil, focusing on the horizon. Martyn Perryman, born in 1963, lives in Cornwall and primarily works from his studio at home in Kehelland, Camborne and a converted sail loft in St Ives. Through the medium of oil on canvas Martyn creates seascapes and landscapes focusing on the horizon. Martyn received a BA (Hons) in Fine Art and Design, First Class from Wimbledon College of Art (University of the Arts London). He is represented by The Porthminster Gallery in St Ives, Aldeburgh Contemporary Art & Art at Five in Brighton. His work has been exhibited and sold with the Royal Society of Marine Artists Annual Exhibition at The Mall Galleries in London. His work is in private collections in the UK, Germany, Australia, Portugal and California.

Blue Horizon (Oil on canvas)

Distant Light (Oil on canvas)

“…my intention is to produce an image that will trigger a past visual experience. To create the calmness and clarity of mind which can be DFKLHYHG ZKHQ ORRNLQJ RXW WR WKH KRUL]RQ IUHH from the pressure and visual clutter of urban life. A meditation like this invites the viewer to join the artist in a contemplative position, enabling the consolidation of past events and the consideration of future possibilities.” Harmony (Oil on canvas)

Transforming Light (Oil on canvas)

Atlantic Contemplation (Oil on canvas)

Rik Rawling

Paintings and drawings of wildlife and landscape that express what Don DeLillo calls “the unseen something that haunts the day.â€? Rik has no formal art training, his abilities having formed over 30 years of experience working in a wide variety of media and disciplines. $ ÂżHUFH DXWRGLGDFW 5LN OLYHV DQG ZRUNV LQ 6RXWK Gloucestershire (UK), drawing inspiration from the world - natural and otherwise - around him, DV ZHOO DV OLWHUDWXUH ÂżOP DQG SKRWRJUDSK\ He did compete in Sky Arts Landscape Painter of the Year 2017, and has had his work published in numerous titles over the years, most recently in Dark Mountain journal.

The Lord Is Out Of Control (Acrylic on canvas panel)

The Dark Monarch (Acrylic on canvas panel)

The Tiger (Acrylic on canvas panel)

Rik has worked as an artist for over 20 years, but in the last decade has concentrated his focus on paintings and drawings that express his ideas about the world a it enters the Anthropocene. Taking inspiration from the writings of J.A. Baker, John Burnside and Cormac McCarthy, Rik refutes the ‘pathetic fallacy’ of John Ruskin by directly seeking out expressions of the human condition in the landsacpe and the creatures that inhabit it. He says, ‘If we are indeed “whelmed in dark riot� it’s incumbent upon us to know the shape of the territory and the form of the animals that are going to accompany us along the way.� Death Is The Road To Awe Death Is The Road To Awe (Acrylic on canvas panel)

Lover’s Day (Acrylic on canvas panel)

Bowery (Acrylic on canvas panel)

The Next Life (Acrylic on canvas panel)

The Falcon Cannot Hear The Falconer (Acrylic on canvas panel)

Jonathan Michael Ray Informed by the act of looking, my art practice largely comprises of works in video, photography, installation, print and drawing. Jonathan studied a BA Hons in Fine Art at Nottingham Trent University in 2007 and subsequently an MFA in Fine Art Media at Slade School of Fine Art, London, 2014-16. In 2016, he was artist in residence at HKBU, Hong Kong and this year he has been awarded the Porthmeor Graduate Workspace (Cornwall, St Ives) supported by the European Regional Development Fund, via Cultivator, 2018-19.

Beneath the Surface I Throughout VIII

Fragments

Just Another Layer of Death on Top of the Rest I

Slowing Down the Light

Sylvan Crop IX

The work I make has always been contingent upon, and deeply linked to my surroundings, and I am continuously referencing the landscape, history and environment around me. I see all objects, environments and places as imbued with memory and time, but I’m especially drawn to those that seem to have lost their exact meaning because they are no longer able to communicate it or we simply are no longer able to read it. I’m interested in looking beyond what we look for when we look. By breaking down the process by which we see things, and addressing the things that remain unseen. I like to think if I take the time to look at everything equally, and indeed more so at the things that don’t seem to deserve our attention, then I will discover the connections between all things, and more.

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Carly Read

For me painting is an expressive exercise. ,W LV ¿UVW DQG IRUHPRVW DERXW GHSLFWLQJ DQ emotion through using the tools of mark making, texture and colour. I am an expressive painter based in the heart of Bristol. After a spell of studying art at Bath Spa University I sought out further training at an independent art school in the furthest part of Cornwall. There I discovered a love of the light of the Cornish landscape and a passion for painting it. Later I was fortunate to secure a mentorship with an established artist which opened up my eyes to the potential and possibilities of paint for VHOI H[SUHVVLRQ )ROORZLQJ WKLV , ZDV RႇHUHG DQ artist residency at Brison’s Veor where I spent a self indulgent week painting obsessively from a studio overlooking the sea. More recently I received Art Council funding for my solo show, ‘Love Poems to the Sea’ at Penzance gallery. A large scale exhibition of experimental landscapes telling the story of my personal and spiritual engagement with nature.

Unchartered waters

Night time lights

Where you are

My work has been described as tangible, delicious and emotive. They are the kind of paintings people want to touch, to taste and to experience. You could call them the Rothco of seascapes, full of colour, soul and most of all heart. One visitor to my summer show commented, ‘Your paintings capture everything the sea means to me, the colours sing. They tell a beautiful love story.’ My ultimate aim is to put into paint the sensations I encounter in my environment , and then to invite my audience to join me there. So it is as if they are stood next to me admiring a sunset or watching the waves crash and calm.

Little Red Lost

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Sketch Book 2

Hansel and Gretel

I am aware that landscape painting is a popular art form, common in the South West especially. Yet I hope that I contribute something unique to a traditional discipline. A way of observing nature and responding to the world around me which is fresh, interesting and pushes the boundaries of landscape painting itself.

Sketch Book 3

Amanda Richardson

5LFK OLJKW UHĂ€HFWLYH WH[WLOH FROODJHV PDGH RI KDQG G\HG IDEULFV 7KHVH DUWZRUNV H[SORUH WKH ODQGVFDSHV RI &RUQZDOO P\ ZLOG JDUGHQ DQG WUDYHOV WKURXJK (XURSH &KLQD 1RUWK $PHULFD DQG RQZDUG , IRFXV RQ IRUP FRORXU DQG VXUIDFH GHVFULELQJ SDWWHUQV LQ WKH QDWXUDO ZRUOG Born in Cornwall, I have lived here for much of my life. I studied Fine Art Textiles at Goldsmiths, University of London, but was drawn back to the wildness of my own county. I left again to spend WHQ \HDUV RQ 6DQ -XDQ ,VODQG LQ WKH 3DFLÂżF Northwest of America, working from the dramatic landscape of islands, mountains and water. Although I now live in Cornwall, further travels have taken me to many countries exploring their landscapes, plants, birds and insects. Much of my inspiration also comes from my own wild garden, itself part of my working process.

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Throughout my career I have shown in galleries and worked to commission. My work varies in scale from pieces suited to domestic interiors to works on a grand scale for public buildings. The first major commission was in 1979 in conjunction with the Royal School of Needlework. This was an embroidered fabric collage 9’ x 7’ to celebrate the 400th anniversary of the Bath family at Longleat House. American clients include Boeing, Universities of Alaska and Washington State, BASF, Waldorf Astoria, Marriott Hotels, Hilton Hotels.

My art is about seductive beauty, both in the FKRLFH RI VXEMHFW DQG WKH WDFWLOH OLJKW UHĂ€HFWLYH surfaces of my textile collages. I developed the unique technique I use while studying at Goldsmiths. Fabrics are hand dyed, then bonded together to create artworks that vary with changing light and as the viewer walks past, so that a landscape can shift and change and is a continually evolving experience. The art is designed to capture the viewer at a distance then draw them in to explore the intricacies of the natural world.

I have had one-man exhibitions across America from New York to California as well as maintaining long-standing relationships with galleries with which I show on an ongoing basis. This is also true of Britain, where my art can also be seen in my working studio in the Penberth Valley.

Poppies with a Sky at War

Iguana and Altimira Orieles in Ziricote Tree

Gorse and Blackthorn Penberth

Huangshan with Clouds

Unfurling Fern on Riverbank

Arums with Iris Siberica

Julia Rowlands

Vibrant contemporary paintings in oil on canvas and oil pastel on paper. Born in Essex, Julia has had a successful international career in Munich where she lived for 10 years exhibiting in numerous solo and group shows. As well as working with an agent, at this time she collaborated on architectural partnership projects, appointed private and SXEOLF ÂżQH DUW FRPPLVVLRQV SRUWUDLWV DQG ODQGVFDSH OHG ÂżQH DUW KROLGD\V DQG WDXJKW at Volkshochschule. Much of her work is in private and public collections in UK and Europe and trips to Munich FRQWLQXH WR LQĂ€XHQFH DQG LQVSLUH KHU ZRUN Selected for The Battle Contemporary Fine Art Fair 2010, she was awarded ‘Best Painting’. This selected exhibition had an esteemed board of judges chaired by CAV OMRI Romeo Di Girolamo PPRBA.

Boatyard IV (Oil on canvas) St Agnes Sky (Oil on canvas)

Freemans Quay Penryn (Oil on canvas)

Julia studied at Falmouth Art school which inspired a return to Cornwall in 2005 producing a sell-out show of the local landscape.

Alongside studio work, Julia is committed to local community which has led to her internationally recognised art courses delivering motivational colour workshops all over Cornwall.

She lives in Falmouth and is based at Krowji art studios in Redruth.

Sea of Grass III (Oil on canvas)

Figurehead II (Oil on canvas)

Boatyard I (Oil on canvas)

Road to Mousehole II (Oil on canvas)

Figurehead (Oil on canvas)

Clancy Steer

Clancy paints a variety of subjects, Landscapes both realistic and semi-abstract, small subjective Icons and symbolist paintings perhaps best described as Art of Imagination. The paintings are in Oil, watercolour and mixed media. Clancy is well known for her work as a designer IRU VWDJH DQG ¿OP ZKHUH VKH KDV EHHQ DSSODXGHG UHFHLYLQJ ERWK %$)7$ DQG 2OLYLHU DZDUGV EXW little is known of the work she has done alongside this career.

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Chris Tate

Chris is particularly interested in architecture and the built environment. He feels his work is inspired by reportage styles – painting as storytelling. Christopher James Tate graduated from Falmouth School of Art with an honours degree in Illustration in 2004; he grew up and was educated in Cornwall and has developed a strong reputation as a Cornish artist with a distinctive style and vision. All prints are personally signed by Christopher Tate and printed using the GiclÊe method on 310gsm Hahnemuehle German Etching paper with Epson Ultrachrome inks.

Louvre, Paris (Pen, ink, watercolour)

Rome (Pen, ink, watercolour)

)DVFLQDWHG E\ GL௺HUHQW PDWHULDOV DQG WKH ways in which buildings age and tell their own story, Chris Tate creates. Engine House, Cornwall (Pen, ink, watercolour)

Tower Bridge, London (Pen, ink, watercolour)

San Georgio Dei Greci, Venice (Pen, ink, watercolour) Fowey, Cornwall (Pen, ink, watercolour)

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Dimitrios Tsouris

A visual artist working in abstract expressionism style. Born Nicosia, Cyprus, is a full time visual artist working in the style of abstract expressionism both in the UK and Cyprus. Dimitri’s work is often characterized by gestural brush-strokes and mark-making, and the impression of spontaneity, evokes the aim to make art that while abstract ZDV DOVR H[SUHVVLYH RU HPRWLRQDO LQ LWV HႇHFW Creating swirling and spinning lines, thin and broad, the large canvas‘ resonate a carnival Dionysian festivity. Very often large in scale, his work is at times intense, spontaneous and deeply engaging. Untitled (Oil on canvas)

“Creating artwork that does not represent the visible but rather to make visual. The joy of using brushes, oils on canvas, expressing your soul, reaching out to the ‘Logos’ is a risky and creative exploration. Unnatural wonders happen”.

Cornish Passion No. 3 (Oil on canvas)

Untitled (Oil on canvas)

Untitled No.3 (Oil on canvas)

Cornish Passion No. 2 (Oil on canvas)

Untitled No. 24 (Oil on canvas)

Cornish Passion No. 5 (Oil on canvas)

Cornish Passion No. 4 (Oil on canvas)

Kate Walters

Kate Walters’ works in watercolour, monotype and oil. Works are concerned with the interaction of the animal, plant, dream and human worlds; depicting in raw and graphic immediacy a relationship that is both intimate and nurturing. Born near London, Kate studied Fine Art in London, Brighton and Falmouth. Kate is based at Trewarveneth Studios in Newlyn (part of the Borlase Smart John Wells Trust), Cornwall; she loves to spend time in wild places to feel at home in herself and to bring clarity to her dreams and her work.

Stretching into Bird (watercolour)

Mare with Infant (watercolour)

Kate has had work selected for the Jerwood Drawing exhibitions, Royal Academy and Discerning Eye amongst many others. Solo exhibitions include Newlyn Art Gallery (2012/13), Dean Clough (2016), Millennium – now Anima Mundi – and Arusha Gallery in Edinburgh. She has spoken about her work at university conferences including Innsbruck, Aberdeen, Falmouth and Brighton. Essays on her work have been written by Professor Penny Florence, Revd. Dr. Richard Davey, Laura Gascoigne, Susan Daniel-McElroy, Rupert Loydell, Professor Alan Bleakley, and the late Partou Zia. Her current projects are: Artist in Residence at Tremenheere Sculpture Gardens (with a solo exhibition in 2019); Artist in Residence on Shetland (funded by Cultivator and ACE/EU) and Orkney, an on-going project which will lead to exhibitions and a new book, Shetland Notebooks in March 2019; Artist in residence at Jam on the Marsh (Kent), working with live performances of classical music to inspire writing and painting later this year.

Mare as Mother Makes Nest (watercolour)

The Word of Love made Flesh (watercolour)

In the Beginning (watercolour)

Infant with Her Own Piece of Ground (watercolour)

Child Soul with Spirit Bird (watercolour)

Riding a Water Horse (watercolour)

Painting is a physical and decisive act: a mark initiating a world, forcing a form into existence, drawing ephemeral fragments from the imagination into physical being. Paint builds – it structures and shapes, leaving a pigment deposit on paper and canvas; allowing formless things to become concrete, drawing the invisible into perceivable being. But this is not what we encounter in Kate Walters’ Shetland watercolours. These are not paintings that build form, but vehicles through which we are pulled into formlessness; encounters with the ephemeral rather than the physical, a breath of pigment deposited onto paper that suggests ÂżJXUHV DQG IRUPV ZLWKRXW GHÂżQLQJ WKHLU VROLG SUHVHQFH )LJXUHV Ă€RDW LQWR EHLQJ VWLOO WHWKHUHG into the void, their weightless form a hesitant proposition. The origin of these tentative creatures was a dream granted to Walters when she was recently staying on Shetland; a vision of her foetal form cast adrift in a disembodied uterus, its unbounded body free RI SK\VLFDO FRQVWUDLQWV Ă€RDWLQJ LQ LQWHUFRQQHFWHG communion with the universe. It is perhaps unsurprising that such a dream should have come on Shetland, a thin space where physical boundaries are dissolved in the constant ebb DQG Ă€RZ WKDW EOHQGV VHD DQG VKRUH LQ D VZLUOLQJ XQUHVROYHG Ă€X[ $V VKH ZDWFKHG VHDOV EOXU the line between sea and air and terns draw soaring patterns in the air before plunging into crystalline waters, Walters herself became a shamanic hollow bone, a conduit between the physical and immaterial realms. In her sketches she is seal, fulmar, tern and foetus, a boundary crosser, diving into a cosmic space before birth and after death where everything is held in XQUHVROYHG XQGL௺HUHQWLDWHG SRWHQWLDO

Joe Webster

Contemporary British Landscape Paintings Acrylic and Mixed Media My work simply records the joy of being in the natural world. Every artist draws from the world they know. I grew up in the raw, wild and unforgiving landscape of the Atlantic coastline where huge roaring breakers relentlessly smash into the soaring, MDJJHG FOLႇV )URP D YHU\ \RXQJ DJH , UHYHOOHG in venturing out into squalls and being blasted by hail or foam. This joy naturally led into paint and the challenge of capturing the great outdoors before my canvas is washed bare.

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I paint on location using acrylics and water based media which are shaped by the atmosphere, capturing dynamics of the weather on canvas. By working in challenging situations or timescales and using traditional media alongside JUDႈWL WHFKQLTXHV DQG WRROV P\ ZRUN SUHVHQWV the gentle and tranquil alongside the wild and raw, mirroring and embracing the spectrum of our climate and environment. Playing between abstraction and realism I work to expound the IDPLOLDU \HW PDJQLÂżFHQW DQG VRPHWLPHV FKDOOHQJLQJ British landscape.

“The emotive paintings of Joe Webster are love songs to the world, to nature, and to all that is real, strong, wild and free. Like a poet wielding a brush he immerses himself in his landscapes. He paints with his soul as much as his body, and with a raw abandon tempered by a steadfast appreciation of structure, form, colour and technique. It is startling to see him on a vast and empty beach, FOL௺V ORRPLQJ DOO DURXQG UDLQ VSDWWHULQJ KLV FDQYDV he is a tiny speck in nature, like driftwood, only buttressed by his easel, a warm jacket and a will to transmute the glory of all that is around him into form.

I love being outdoors, I love working outdoors, it gives my painting purpose and energy and it makes me feel alive, charged and part of something greater than myself. I studied with artist Carole Vincent for ten years DQG DW )DOPRXWK &ROOHJH RI $UWV DQG 1RWWLQJKDP Trent University. I have been exhibiting in the UK and Europe for 15 years, won the South West Academy’s Whitespace Award in 2016 and published Living Canvas in 2018. My work is held in private collections in the UK, Spain, 3RUWXJDO )UDQFH 6ZHGHQ *HUPDQ\ 3UDJXH Malaysia, Australia, Brazil Canada and the USA.

Turquoise Breakers in the Mist, Kynance Cove, The Lizard, Cornwall

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The best artists bring the deepest part of themselves into their work, leaving a subtle energetic residue of their soul at that time, in that place, like an etheric snapshot of who they most profoundly are. Their essence is somehow painted into the landscape or the tree or the clouds untethered on the horizon. It is a unique and binding alchemy that rings out from the work with a gentle authority and a silent integrity. Joe Webster is such an artist. He stands strong in the throes of the natural world and dares himself to withstand it, to capture it, to somehow KROG LW WR KLP VR KH FDQ R௺HU LW WR \RX +LV DUW LV D way to come home to the truest place of belonging, nature. His is an ethos that says ‘be here, now’.â€? Heather Burnett-Rose 2017

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Tilly Willis

Portraiture is of particular interest to me I paint quickly to capture the essence and likeness of my sitter. I often work to commission but equally enjoy painting friends, family members (particularly my teenage daughters) and self-portraits. Born into a family of artists, I was brought up in Somerset, England. Growing up in an atmosphere of creativity, my father sculpting and painting, occasional visits from my cartoonist grandfather HM Bateman, and my elder sister forging her career as a painter, all contributed to my own interest in art. Throughout my adult life, I have taken every RSSRUWXQLW\ WR WUDYHO SUHIHUDEO\ ZHOO Rႇ WKH beaten track. As a consequence my wanderlust LV UHÀHFWHG LQ PXFK RI P\ ZRUN ,Q , became a fellow of The Royal Geographical Society and have since exhibited there. I’ve been particularly drawn to Africa and when travelling use my artistic skills, such as sketching quick portraits or painting outside, to meet people and to gain a deeper understanding of the places I visit.

Phil the Sawmiller (Oil on Canvas) Self Portrait (Oil on Canvas)

To commission a portrait by Tilly Willis visit https://www.tillywillis.com/commission-a-portrait

At home in my Somerset studio, working in oil or watercolour, I produce an eclectic range of work, frequently confusing visitors who assume WKH\ DUH VHHLQJ WKH ZRUN RI DW OHDVW GLႇHUHQW artists! The beautiful local landscapes are a constant source of inspiration, and during the warmer months I’ll be found painting in my JDUGHQ RU D ¿HOG WU\LQJ WR FDSWXUH FRORXU DQG light. I also paint still life and enjoy juxtaposing unlikely objects to add narrative and a touch of humour to the composition.

Early Morning (Watercolour)

Antonia (Oil on Canvas)

Quantock View (Watercolour)

Charles and Susan (Oil on Canvas)

Sophie Willoughby

Prints are inspired by architecture and the human body. They are made on paper, enamel and metal using multiple processes including screenprinting, collage, photography, enamelling and mark-making. Sophie Willoughby is an emerging artist who lives and works in Bristol. Her work is motivated by an interest in architecture and its relationship to the body. The idea of anthropomorphic qualities in buildings that resemble human structures, such as the skeleton and how architecture often mirrors the body, in particular the way the human body informs our urban space and the tension between the organic and the man-made. The formal qualities of architecture are her starting points; geometric structures, light and shade. Captured initially with photography, images are broken down and fragmented through the process of screenprint, to form ambiguous prints, verging on abstraction.

Architectural Fragment 1 (Three colour screenprint)

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Architectural Fragment 2 (Three colour screenprint)

Architectural Fragment 3 (Three colour screenprint)

The subjects of architecture and the human body are the driving forces within Sophie Willoughby’s artwork. Using photography, inspiration is taken from her immediate surroundings. Images of street scenes, buildings, and people are captured then broken down, collaged, fragmented and WDNHQ WKURXJK D FUHDWLYH SURFHVV WR ¿QDOLVH LQ KHU G\QDPLF SULQW ZRUNV The idea of revealing and concealing are expressed through layers of colour, texture and multiple images, which are built up within her work to bring a mysterious quality to the forefront. The work encourages an interplay of human and architectural form whilst encouraging an awareness of the mysterious sense of space the city can provide. The images, ghostlike in appearance, are designed to encourage us to celebrate the often overlooked subtleties that surround us in the urban environment and to remind us of the importance of observation of our immediate surroundings. In this sense, the magnitude of the monuments of the city represents a quiet FRQ¿GHQFH WKDW GH¿HV WKH FKDRV DQG FRQIXVLRQ WKDW ZH WHQG WR DVVRFLDWH ZLWK LW 7KH IRFDO SRLQW RI WKH LPDJHU\ LV WKH DUFKLWHFWXUH V\PEROLF RI WKH WUDFHV ZH OHDYH EHKLQG 7KH ¿JXUHV UHGXFHG to the background as a subtle reminder of the presence of this meditative space.

Having recently completed a Masters degree in Multi-Disciplinary Printmaking, Sophie has embarked on a scholarship at Spike Print Studio, Bristol, where she now works. Prior to this study, Sophie has undertaken several internships within arts organisations including a three month internship at WKH KHDG RႈFH RI WKH %ULGJPDQ $UW /LEUDU\ /RQGRQ three months at Picture This, Bristols’s platform for artist’s video and moving image, three months at Take Art, a community arts organisation and work experience at the Royal West of England Academy 5:$ 6KH KROGV D ÂżUVW FODVV GHJUHH LQ )LQH $UW DQG regularly exhibits her work within the South West of England. Sophie feels committed to progressing in the world RI ÂżQH DUW SULQWPDNLQJ 6KH DVSLUHV WR GHYHORS KHU art work through practice and undertaking residencies in the UK and beyond, and to exhibit her art work widely.

Cities, 2017 (Seven colour screenprint)

Apocalypse, 2016 (Two colour screenprint)

Dome Reconstruction, Berlin, 2107 (Enamel screenprint with enamel brushwork on steel and birch plywood)

The Bear Pit, 2017 (Enamel screenprint with enamel brushwork on steel and birch plywood)

Melanie Young

Young’s work explores memories both recent and distant, as she covers then UHYHDOV D ¿JXUH RIWHQ VWDQGLQJ LQ IRU KHUVHOI 5HGLVFRYHULQJ VRPHWKLQJ KDOI IRUJRWWHQ WKURXJK VDQGLQJ VFUDWFKLQJ DQG UHPRYLQJ SDUW RI WKH SDLQWHG VXUIDFH Originally from Manchester, Melanie moved to Cornwall 15 years ago to bring up her 2 boys and lives on a small holding near Gweek where she has her studio. She trained in the early 1980’s as a painter at Bretton Hall – a rural setting in Yorkshire. Melanie exhibited widely in the UK and also in Europe during the 80’s and 90’s but took a break from exhibiting when her children ( who both have Tourette syndrome) were small. She did however continue creating work and this new body of work is something she is keen to show.

Silence

The Keeper Of Secrets

Growing Pains (Mixed media on paper)

Young’s work is a delicious mix of both serious and playful. Universal themes of love, loss, isolation, frustration and hope are explored in a rich and patterned surface that is immediate and primal. A break from exhibiting has allowed her to develop her paintings with freedom and create an exciting body of work that she is ready to showcase. In the past Young’s work has been particularly well received in Germany and France and the richness and depth of this work will suit an international market.

Girl with Gold Background

To Keep Her Safe

Man (Mixed media on board)

Green Girl

Martyna Zoltaszek

Martyna’s works are inspired by wild exotic nature & folk narratives. She constructs detailed, joyful worlds, vibrant with colour and inhabited by neon wildlife. Martyna works from a large artist-led studio in Stokes Croft, the artistic hub of Bristol. With a diverse practice comprising painting, illustration, GUDZLQJ GHVLJQ VKH PRYHV ÀXLGO\ EHWZHHQ WKH worlds of traditional and digital media. Her medium of choice to construct paintings is oil on canvas, but occasionally her works are created using acrylic paint or watercolour.

Rainbow Tiger (Oil on Canvas) Blackcurrant Jungle (Oil on Canvas)

The key inspiration for Martyna’s artwork is nature, with its fantastical shapes, patterns and colours and bewildering alien-like characteristics, when things are examined from up-close. 6KH LV DOVR LQÀXHQFHG E\ IRON QDUUDWLYHV RIWHQ reaching back to her Eastern European roots. Having been born into a grey and grim communist regime, in her adult life she is seeking the opposite – the lushness, colour, exuberance and exotics.

White Tiger (Oil on Canvas)

As time progressed, the design and illustration SUDFWLFH GHYHORSHG DORQJVLGH WKH ÂżQH DUW SDLQWLQJ The artistic process here is creating the elements using traditional media, like watercolours or pens, and then assembling the composition digitally. Her designs can be found in publications, on products and brand collaborations.

For You (Oil on Canvas)

Overgrown Forest (Oil on Canvas)

Living the Colour (Oil on Canvas)

Basking in Teal (Oil on Canvas)

Martyna has an MFA from the Academy of Fine Arts in Wroclaw, Poland, and was awarded a scholarship residency at the Fine Arts Department at the University of Tennessee, USA. These two LQVWLWXWLRQV SURYLGHG D YDVWO\ GL௺HUHQW DSSURDFK WR WKH SDLQWLQJ SUDFWLFH GHYHORSPHQW 2QH IRFXVHG RQ GHYHORSLQJ IRUPDO VNLOOV DQG WHFKQLFDO SUR¿FLHQF\ ZKLOVW WKH RWKHU DLPHG WR KRQH WKH FRQFHSWXDO approach & uninhibited thought. Pretty Danger (Oil on Canvas)

The neon –like, bright works bring fun, magic and colour to interiors and publications.

Sarah Brittain-Mansbridge at

Cornwall Contemporary

Now in its 13th year, Cornwall Contemporary exhibits and exports paintings and sculpture associated with Cornwall. Representing nationally and internationally known artists, the gallery has a reputation for showing exciting, quality, unique works of art by well known and respected artists and also up and coming fresh art graduates Cornwall Contemporary opened on 1st September 2006. It is a large, spacious art gallery set out over WKUHH ÀRRUV LQ D OLVWHG EXLOGLQJ DW WKH WRS RI KLVWRULF Chapel Street in Penzance, West Cornwall. Gallery Director, Sarah Brittain-Mansbridge has been LQYROYHG LQ WKH DUWV VLQFH JUDGXDWLQJ IURP )DOPRXWK &ROOHJH RI $UW LQ :LWK RYHU \HDUV RI H[SHULHQFH LQ ZRUNLQJ ZLWK DUWLVWV VKH LV WKH DXWKRU RI YDULRXV DUW UHODWHG ERRNV DQG UHJXODUO\ JLYHV OHFWXUHV IRU HDUO\ FDUHHU DUWLVWV ZLVKLQJ WR DSSURDFK JDOOHULHV SURIHVVLRQDOO\ 6DUDK LV SDVVLRQDWH DERXW WKH DUWLVW¶V ZRUN VKH H[KLELWV DQG DLPV WR SURYLGH DQ H[FHOOHQW VHUYLFH ERWK IRU WKHP DQG IRU WKH FOLHQWV ZKR ZLVK WR SXUFKDVH D XQLTXH ZRUN RI DUW :LWK D GHHS NQRZOHGJH DQG XQGHUVWDQGLQJ RI SODFLQJ DUW LQ UHVLGHQWLDO DQG EXVLQHVV ORFDWLRQV VKH DGYLVHV ¿UVW WLPH EX\HUV DV ZHOO DV WKRVH ZLVKLQJ WR add to their collection and also liaises with a number RI LQWHULRU GHVLJQHUV &RUQZDOO &RQWHPSRUDU\ UHJXODUO\ ships paintings and sculpture to worldwide clients.

Drawing Closer to Nature (Painting) with Porcelain Sculpture

With a wide range of artists to select from, whether it be abstract expressionist landscapes, still life paintings, ethereal portrait paintings, cutting edge, bold, city aerial views or bronze and ceramic sculpture - there is something to suit all tastes and budgets at Cornwall Contemporary.

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Just let the gallery know what you are looking for, and Sarah can put a proposal together for you which will showcase a number of artworks within your price range and taste. Whether it’s one painting for a private home, 10 paintings for a restaurant or 50 paintings for a hotel. The proposal ZLOO R௺HU D ZLGH VHOHFWLRQ DQG ZLOO VKRZFDVH ZKDW paintings might look like in situ. 6ZLPPLQJ LQ WKH &ORXGV 0L[HG PHGLD RQ FDQYDV

River Great Ouse (Oil and gesso on canvas) with Hart (Bronze)

Painting in Customer Home

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River Great Ouse (Elegy II) in a Domestic Interior

Recent clients include The Gordon Ramsay London Restaurant ‘The Narrow’, Thorp Design, Richard M Cole Associates Architecture, Philadelphia and hundreds of private clients worldwide. The gallery will look after everything for you including professional packing of your artworks and shipping to America.

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Cornwall Contemporary Paintings at Gordon Ramsay Restaurant The Narrow, London

FEATURED JEWELLERS Hannah Batstone Abigail Brown Elby Brown Ann Bruford Lucy Campbell &DWK &RႈQ Forest & Fawn Karina Gill Sue Gregor Michala Heaton Elin Horgan Kit Heath Cecilia Leete Harriet St Leger Claire Lowe Clare Mason Katy Mullally Wendy Nut One & Eight Caroline Parrott Penny Price Rachel Reilly Lucy Spink Jewellery Stephanie Stevens Victoria Walker

Hand Crafted

Highlights products that are handmade

Hannah Batstone

Hand Crafted

Handcrafted Silver + Gold jewellery characterised by geometric shapes and set with semi-precious gemstone. Hannah Batstone is a Contemporary Jeweller based at Old Bank Studios, Penryn Cornwall. Hannah Batstone graduated from Falmouth University with a First Class honours degree in Contemporary Craft in 2012. Since then she has been working continuously to develop her knowledge and understanding of jewellery making. In 2016 Hannah and 2 friends set up Old Bank Studios, which doubles as their studios and shop, and has been working full time as a jeweller since the summer of 2017. She sells throughout galleries in Cornwall and the South West, and has recently been part of the ‘MAKE’ Christmas exhibition at The Devon Guild of Craftsmen. Hannah’s work is inspired by the landscape that surrounds her. Jagged granite rocks, rippled sand and opalescent colours are represented in her use of unusual gemstones, and distilled into her designs using geometric shapes, texture and subtle details. Each piece of Hannah’s jewellery is handcrafted using traditional silversmithing and gem-setting techniques.

Hannah has a sophisticated eye for design that assists her in making striking and attractive Contemporary jewellery. Her pieces are inspired by the jagged granite rocks and quarries that are so prevalent throughout Cornwall. By taking these shapes and forms and recreating them in Silver DQG *ROG VKH UHÂżQHV WKHP LQWR DV\PPHWULFDO GHVLJQV ZLWKLQ KHU MHZHOOHU\ Hannah takes great care in choosing the right gemstones to echo the colours of the landscape around her. These often take the form of Rose Cut Freeform gemstones that each have their own character, along with carefully chosen regular cuts. She takes pleasure in stones that have SXUSRVHIXO LQFOXVLRQV LPSHUIHFWLRQV DQG SDWWHUQV DQG VHHV WKHP DV D UHĂ€HFWLRQ RQ RXU ever-changing landscape.

Abigail Brown

Hand Crafted

Abigail produces work predominantly in silver using traditional methods. Abigail has been making contemporary designs in Jewellery and Silverware for over 15 years. She trained as a Jeweller and Silversmith at Loughborough University School of Art and Design, and went on to further train at Bishopsland Workshops and as Artist in Residence at Edinburgh College of Arts under Prof Dorothy Hogg. Abigail has exhibited extensively throughout the UK and internationally. Venues and exhibitions include Goldsmiths’ Fair at the Worshipful Company of Goldsmiths’ in London; The Saatchi Gallery; The German Goldsmiths’ House, Hanau; The Victoria & Albert Museum; and Velvet da Vinci, San Francisco. Abigail’s work is deeply rooted in her relationship with the land and a life long interest in the ancient monuments of Britain and Eurasia. The jewellery collections began life as a diversion from her silverware, and based upon the folds, forms and sensuality of the female form. This has since evolved into ideas about the land as female, ancient monuments and other archaeological artefacts, to become statement jewellery pieces that are iconic, sculptural and sensual. Many of the jewellery pieces are designed to also be displayed as sculptural forms to be equally appreciated when not worn.

Alternating Square Chain Necklace and Bracelet, Fabricated and hammered (Sterling silver)

Round ‘Folds’ Earrings CAD scanned and rapid SURWRW\SHG IURP RULJLQDO KDQGPDGH LWHP KDQG ÂżQLVKHG (Sterling silver) Round ‘Folds’ Pendant on chain CAD scanned and rapid prototyped from original KDQGPDGH EURRFK KDQG ÂżQLVKHG (Sterling silver)

‘Folds’ Bangles, Hammer formed and fabricated (Sterling silver)

Alternating Square Chain Necklace and Bracelet, fabricated and hammered (Sterling silver)

Rectangle ‘Folds’ Brooch. Scored, folded, and fabricated, hammer formed top (Sterling silver, oxidized)

‘Crest’ Rectangle Ring, Scored, folded and fabricated, hammer formed top (Sterling silver)

‘Folds’ Backpiece, Hammer formed (Fine silver) Inspired by Bronze Age armour, weaponry and torqs

‘Feather’ Neckpiece Hammer formed (Britannia silver)

Abigail’s jewellery collections include large hand beaten or fabricated, one-of statement pieces of jewellery to be worn as sculpture, or displayed in the home. From this a range of classic designs has evolved for more every day wear or to be dressed up for a chic evening look.

‘Folds’ Necklace Hammer formed, fabricated (Sterling silver)

Elby Brown Jewellery Jewellery for storytellers.

I took an evening class in jewellery making one day a week for ten weeks in 2011. From there I went on to teach myself and start working full time in 2012 making and designing pieces. Earlier this year I was lucky enough to get some funding to work with another mentor (Victoria :DONHU WR KHOS ¿OO WKH JDSV LQ P\ NQRZOHGJH and crucially help me consolidate ideas and work more cohesively. This experience has been invaluable and has changed the way I work. Recently I had a re-brand which has felt a little like starting over.

Deer in the Woods (Silver and 9ct gold necklace)

Each piece I make is crafted and cut with attention to detail, using ethical materials, environmentally IULHQGO\ PDNLQJ SUDFWLFHV DQG TXDOLW\ RI ¿QLVK , PDNH VPDOO EDWFK SURGXFWLRQ ZKLFK PHDQV , RQO\ SURGXFH WZR RU WKUHH SLHFHV DW DQ\ RQH WLPH

I stock two galleries in Cornwall - Blue Bramble in St Ives and White Doll arts in Fowey. I am inspired by the stories and storytelling. I love to make set pieces like a small stage. I like to think that people will look closer and be drawn in to the idea that more could be happening. I like small pieces with tiny details. I make small miniature hand painted enamel pieces too which are box set. These are the blank pages - the place where the story starts. My jewellery is playful in nature. , DP KHDYLO\ LQÀXHQFHG E\ P\ VXUURXQGLQJV 0\ workshop is in woodland and powered completely by solar energy.

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Hand Crafted

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Hare and Stars (Silver and 9ct gold necklace)

Deer and enamel pieces

Fox and Shimmering Star (Silver and 9ct gold necklace)

Deer (Silver necklace)

Hare and Stars (Silver and 9ct gold necklace)

Deer (Silver necklace)

Ann Bruford

Hand Crafted

Contemporary jewellery in precious and semi-precious materials created using traditional goldsmithing techniques. Born in England and raised in Hong Kong, I have been living and working in East Devon since studying 3D-Design (Metal) in Brighton. I am a full member of the Devon Guild of Craftsmen and I regularly exhibit at juried shows and independent galleries throughout the UK and participate in collaborative open studio events each year.

Eroded Copper Earrings

Working as a full-time jewellery designer/maker in my workshop in the valley of the River Otter I am blessed with parkland and farming views and only a short walk or drive away from open heathland and the World Heritage Jurassic Coastline. My aim is to create objects to be worn, touched and treasured within people’s daily lives, totemic objects of desire and memory. Commissioned pieces focus on encapsulating the client’s memories and experiences into unique items of precious jewellery. I am currently working on designs that explore the passage of time and the associated erosion and corrosion which has resulted in a series of sculpted forms layered with textures and patinas, one upon the other.

Dark Limpet Necklace

Plume Necklace

Wave and Wort Patinated Copper Pendants

,I , PXVW EH VKRHKRUQHG LQWR D ER[ , ÂżW EHVW LQWR the Slow Art category, with a carefully considered design process, laborious hand fabrication and ÂżQLVKLQJ WHFKQLTXHV DQG D FORVH H\H RQ VRXUFLQJ materials responsibly as well as minimising waste.

I work from an imagination fuelled by the stories and scenes that surround me as well as a visual memory enhanced by drawing and photography. Textures created by forging, chasing, punching and etching encourage the wearer to interact with a piece and this constant handling changes the surface over time.

Dark Limpet Brooch

Open Limpet Necklace with Ruby

Wave and Wort Patinated Silver and Copper Earrings

Eroded Rings

Lucy Campbell

Hand Crafted

Contemporary handmade jewellery inspired by the beach and sea on the Dorset coast. I studied ‘Silversmithing and Metalwork’ at Camberwell College of Arts in London and gained a BA Hons degree in 2005. Since then I have steadily built up my jewellery business, showing and selling my work at exhibitions, events and independent galleries around the UK. I now work as a full-time jeweller and silversmith from my shop in Lyme Regis, Dorset, which I opened in 2012. The shop showcases my work but is also my workshop, where people can see each piece created by hand. I also sell online through my website and show my work at exhibitions and fairs each year around the UK. Having spent many childhood holidays in Lyme Regis and then later moving there in my teens, , KDYH D JUHDW DႈQLW\ ZLWK WKH VHDVLGH DQG WKDW part of the coast in particular. Throughout my life I have drawn inspiration from the sea and beach, ¿QGLQJ P\VHOI UHWXUQLQJ WR WKH VXEMHFW FRXQWOHVV times. My jewellery collections are primarily concerned with triggering thoughts, memories and feelings through surface textures, colours and shapes. I try to capture patterns, textures and found objects and translate these into metal; primarily working in silver but more recently in gold too.

Tampa Studs (9ct yellow gold)

Rock Pool Dangly Earrings

Scallop Studs (Silver)

Tampa Studs (Silver)

Scallop Studs (9ct rose gold)

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My latest collection involves silver and gold shells and fossils clustered together with pearls, hung as charms on pendants and bangles or made into studs. Each tiny shell has been cast from a real VKHOO WKH FOXVWHUHG HႇHFW LV UHPLQLVFHQW RI WKH random collection of shells and stones found in rock pools. Rock Pool Bangle

Rock Pool Pendants

Rock Pool Bangle

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Hand Crafted

The Coastal Creativity range of jewellery is handformed in hallmarked Sterling silver and, from time to time, incorporates highlight features of other metals: gold, copper and bronze.

My Coastal Creativity Collections feature timeless pieces of beauty that will evoke memories of happy, carefree days when we walked at the water’s edge, picked up shells from the beach and wrote our names in the sand.

The Rockpool Collection of pendants, earrings DQG FX௺ OLQNV IHDWXUH FDVW OLPSHWV DQG P\ SRSXODU mussel shell designs. Quayside: a series of wire-worked earring and neckwear designs, my interpretation of lobster pots and beach-huts.

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Shoreline features a beachcomber’s collection of delicate shell and driftwood designs in earrings, neckwear and bangles. -HOO\¿VK 3HQGDQWV

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The Keepsake Collection combines forged designs with objet trouvé such as sea glass and pottery to create highly personal mementos. One of my newest designs is the Coastal Portrait: pendants and earrings which are hand-painted in resins over Sterling silver, each creating a colourful interpretation of favourite and treasured coastal settings.

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Forest & Fawn

Hand Crafted

A contemporary jewellery and accessories brand, based in Bristol. Forest & Fawn is run by Emily and Lauren, who first met in Cornwall, where Emily studying photography at Falmouth College of Art and Lauren was visiting her now husband and spending her summers at the beach. They EHFDPH ¿UP IULHQGV DQG \HDUV ODWHU OLYH down the road from each other in Bristol. 7KH\ ¿UVW FDPH XS ZLWK WKH LGHD RI )RUHVW )DZQ 4 years ago, from a shared love of design and the desire to create ethical, well-made pieces that are made to last – the very opposite of fast fashion, which they have both grown to dislike.

Sun Necklace

Each piece of jewellery is created by hand using recycled eco-sterling silver, recycled brass and 9ct eco-gold. We also work with responsibly sourced diamonds and stones.

Labradorite Ring

Our leather accessories are made from vegetable tanned leather, and responsibly sourced in the UK with solid brass hardware from a traditional British foundry.

From sketching designs to silver-smithing, and from stitching leather to photography and marketing, they are proud to create everything in their home studios.

Everything is created by us in our Bristol studio; from design to silver-smithing, and from stitching to photography.

Lauren and Emily are both hugely inspired by the natural world, and contemporary design. Spending their spare time at the beach or up mountains, they enjoy visiting exhibitions and FRQWHPSRUDU\ DUFKLWHFWXUH ZKLFK DOO LQÀXHQFH their designs. Their love for unusual stones is evident in Forest & Fawns most popular designs. Years ago Emily discovered some incredible crystals at a French market which hugely inspired the stones collection and made it what it is today. /DXUHQ DQG (PLO\ VKDUH D ORYH RI ÀHD PDUNHWV and second-hand treasures and are equally inspired by vintage design.

Arc Necklace

Saturn Bangles

Stones Set in Ring

Emily often creates a distinctive aesthetic in her jewellery by using metals alongside each other. A gold setting on a faceted silver band or chain has become an important part of Forest & Fawns signature style.

We get a huge thrill from seeing people wearing our designs, creating pieces to be ZRUQ IRU D OLIHWLPH ZH DUH ÂżUP EHOLHYHUV LQ slow fashion.

Leather Purse

Creating items that are made to last is important to Forest & Fawn. This can be clearly seen in Lauren’s attention to detail sourcing solid brass hardware, and leather that ages naturally and beautifully over time.

Eco-silver Chain and Lapis Lazuli Beads

Leather Purses

Arc Bangle

Karina Gill

Hand Crafted

Distinctive etched silver bowls and jewellery. Karina Gill studied at the Surrey Institute of Art and Design in Farnham where she gained her BA (Hons) in 3-Dimensional Design in metal work. Since completing her degree, she has built up her business from her workshop in Dorset where she designs and makes her etched silver bowls and jewellery. .DULQDÂśV ZRUN KDV EHHQ LQĂ€XHQFHG E\ FRORXU texture and repetition. Her organic and geometric forms are hammered and manipulated by hand in silver. Free-hand acid etching creates a unique, heavily textured yet delicate surface, giving each piece a tactile quality. She enjoys creating warm decorative items from cold, hard sheet metal.

Folded Earrings

Circle Earrings

Amethyst Brooch

Citrine Brooch

Anemone Bowl

Marble Cone and Urchin Bowls

Folded Brooch

Karina Gill designs and makes a range of contemporary silverware and Jewellery. Silverware price range ÂŁ200.00 - ÂŁ4000.00 Silver jewellery price range ÂŁ25.00 - ÂŁ450.00

Sue Gregor

Hand Crafted

Contemporary Art Jewellery made using UHDO ÀRZHUV DQG OHDYHV IURP UHF\FOHG materials. Sue started her current business in 2005 after studying for her MA at UWE in Bristol. Since then Sue has come a long way, exhibiting her work all over Europe. She has a large number of galleries that she regularly supplies and her work has be bought for several museum collections. She has been asked by The Crafts Council to give talks for them and has been selected to attend their injection scheme. Design Nation honored her work by asking her to be a fellow. /HPRQ <HOORZ DQG *UHHQ &RQLIHU &XႇV DQG &KDLQ (100% Recycled Acrylic)

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Sue Gregor makes handmade contemporary Art Jewellery. Every piece, whether it’s a necklace, earULQJ RU FX௺ LV LQGLYLGXDOO\ KDQGPDGH XVLQJ UHDO ÀRZers and leaves. She collects, dries and presses the foliage and then uses them to create the designs. 7KH OHDYHV DQG ÀRZHUV SHULVK LQ WKH SURFHVV VR each piece is unique. The surface is embossed with WKH ¿QH GHWDLOV RI WKH IROLDJH 7KH\ DUH D PHPRU\ RU a ‘fossil’ of each individual plant. Sue’s work changes with the seasons as plants grow up and die down. 6KH KDV ¿QGV WKDW REVHUYLQJ KRZ EHDXWLIXO WKH ZRUOG is at this moment has got her over many things. So, she wants to share this with the people who wear her jewellery. Made with 100% Recycled and recyclable Acrylic It is important to me that I am not contributing to the increase of plastic waste but am doing something to re-purpose some of it. All the acrylic I use is made from 100% recycled materials. It is also free from YRODWLOH RUJDQLF FRPSRXQGV DQG K\GUR ÀXRURFDUERQ making it more environmentally friendly

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Gold Conifer Long Drop Earrings (100% Recycled Acrylic and Silver)

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Red Vetch Earrings (100% Recycled Acrylic and Silver)

Black Vetch Statement Collar (100% Recycled Acrylic and Oxidized Silver)

Michala Heaton

Hand Crafted

A mix of contemporary and vintage inspired accessories, individually handmade using repurposed steel and gilded mechanical watch parts. Michala’s accessories are a fantastic combination of Steampunk and ‘Alice in Wonderland’ styles, which are popular for themed weddings and parties. Even classic or vintage themes are uniquely complemented by her pieces.

Pocket Watch Dial and Movement Necklace

Michala loves to create bespoke accessories for her customers, working closely with them to tailor to their ideas and colour schemes. Working for many years as an in-house designer for a family run jewellery shop in Exeter, along with achieving a professional Jewellers Diploma in 2017, has DOO LQĂ€XHQFHG KHU ORYH RI ÂżQH FUDIWVPDQVKLS DQG micro-engineering.

The Secret Garden Keyhole Decoration

Repurposed MuDu Movement Tie Pin

Michala studied Fine Art at Bath School of Art and Design, where she specialised in sculpture, combining and repurposing various materials to create bold and colourful pieces. This passion for remaking goes hand in hand with her business concept today. In a world which is becoming increasingly aware of, and LQĂ€XHQFHG E\ WKH ZDVWH ZH SURGXFH 0LFKDOD LV doing her bit to help the planet by repurposing discarded items that are no longer repairable, into unusual and beautiful accessories.

Purple Rose Hair Clip

Rustic Rose Watch Part Hair Clip

Antique Gilded Pocket Watch Balance Cock Necklace

Pocket Watch Dial with Roses Hair Clip

Michala loves to work with vintage and antique pocket watches, as the components are very well made, the dials are beautiful, and the movements often bear interesting and intricate engravings. The increased popularity for all things vintage, especially in watches is a big topic of interest for Michala, and while not all of them can be repaired, she gives them a new lease of life in her accessories.

19th Century Fusee Movement Pendant (A current project in Michala’s workshop)

Elin Horgan

Hand Crafted

Modern, minimal-luxe handmade jewellery in gold and silver. Inspired by abstract art, architecture and the urban environment, Elin Horgan is a Bristol based maker producing design-led contemporary handmade jewellery in gold and silver. Largely self-taught she has also attended part time courses at Central St Martin’s in London and City of Bath College. Her work is stocked in independent shops and galleries across the UK and in 2015 she was selected to take part in the Royal Academy’s RAted programme, aimed at supporting emerging makers.

Vostock Earrings and Galaxy Ring in silver

Single Orbit Hoops in gold plated silver

Elin’s new Supernova collection draws inspiration from the futuristic accessories of Pierre Cardin and Andre Courrages, fusing space age design motifs with her signature clean lines and geometric shapes.

Double Orbit Hoops in gold plated silver

Explaining the thinking behind the new collection, Elin said “I love the sleek, streamlined look of 50s and 60s design, but wanted to give it a modern twist. My brand ethos is very much about EHDXW\ LQ VLPSOLFLW\ DQG WKLV FROOHFWLRQ UHĂ€HFWV WKDW LGHD EXW ZLWK D KHDOWK\ GRVH RI KLJK RFWDQH glamourâ€? The pieces range from simple everyday studs and necklaces to seriously statement earrings and neckpieces, all beautifully hand crafted in Elin’s Bristol studio. Featuring versatile and wearable pieces in silver and gold this is minimal-luxe jewellery with maximum impact.

Atomic Necklace in silver

Large Atomic Hoops in silver

Vostock Earrings in gold plated silver

Kit Heath

British Designed Sterling Silver Jewellery Kit Heath is a trusted and respected British family company, based in Devon on the South West coast of England. It was founded in 1984 by siblings Kit Heath and Katie Nickell (nee Heath). Kit had melted down his mother’s silver candlesticks to make jewellery. Jewellery that proved so popular they started making it and selling it on the road from a VW campervan. Katie lead the design and Kit drove sales. Today they have an enviable reputation and a desire to grow in the North American market, where quintessentially British design is loved.

EdenBangle (Rhodium Plate)

Pebble Stone Necklaces Pebble StoneRange

Design is Kit Heath’s passion and at the heart of all that we do. We take inspiration from the stunning Devon coastline and from trends that excite us and delight our wearer. The ‘Kit Heath Woman’ loves unique designs that are timeless, classic and inspired by the trends and styles of the moment. The weight and quality of Kit heath pieces are our signature. .LW +HDWK R௺HU EHDXWLIXO VWHUOLQJ VLOYHU MHZHOOHU\ in a range of styles and price points.

Eden Bracelet (Rhodium Plate)

EdenToggle Bracelet (Rhodium Plate)

Pebble Stone Bracelets

Award winning British Silver Jewellery renowned for its high quality, understated yet distinctive original designs from $30 - $425.

Pebble Stone Rings

Stones Amethyst (AM) Green Agate (GA) Black Agate (BA)

Eden Necklace and Drop Earrings (Rhodium Plate)

Eden Range (Rhodium Plate)

Pebble Stone Range

Pebble Stone Stud Earrings

Cecilia Leete

Hand Crafted

Beautiful, bold, simple organic forms of soft polished silver, sometimes decorated with surface pattern or gemstones. Comfortable and sensuous. Growing up in East Africa and being exposed to traditional tribal ornament has had a lasting LQÀXHQFH RQ P\ ZRUN )URP WUDGLQJ JODVV bottles for brass bangles as a child in Ethiopia, WR VFRXULQJ WKH VRXNV RI 2PGXUPDQ IRU %HGRXLQ MHZHOOHU\ DV D WHHQDJHU , ZDV GHHSO\ LPSUHVVHG E\ KRZ MHZHOOHU\ ZDV VXFK D SRZHUIXO FXOWXUDO VWDWHPHQW ,WV YLVXDO LPSDFW ZDV XQDVKDPHGO\ EROG GHVSLWH SRYHUW\ RU DJH , GHYHORSHG D GHHS DSSUHFLDWLRQ RI WKH VSLULWXDO VRFLDO DQG SV\FKRORJLFDO SRZHU D VWURQJ EHDXWLIXOO\ PDGH SLHFH RI MHZHOOHU\ FDQ KDYH IRU LWV ZHDUHU DQG D ORYH RI LWV DHVWKHWLF FDSDELOLWLHV , DLP WR FUHDWH SLHFHV LQ WKLV WUDGLWLRQ , EHJDQ P\ RZQ SURIHVVLRQDO MRXUQH\ DW &HQWUDO School of Art in London in the 1980’s, and came DZD\ ZLWK VW FODVV KRQRXUV GHJUHH , UHPDLQHG LQ /RQGRQ RYHU WKH IROORZLQJ GHFDGH ZRUNLQJ DQG FROODERUDWLQJ ZLWKLQ WKH MHZHOOHU\ WUDGH DQG GHYHORSLQJ P\ VW\OH DQG LGHDV

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Imbued with rich curves and patterns, my jewellery blends traditional, decorative elements with contemporary clean lines. I make my pieces with care and a respect for the preceding traditions that have gone before and when I am working, I am aim to express strength, sensuality, and a sumptuous quality that does justice to the beauty of the metal and gemstones.

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I strive to create something that is compelling and desirable to those unique, expressive women, and men, who have a discerning taste and wish to stand out from the crowd. My pieces claim to be worn, to adorn and be enjoyed, before being handed on to another generation who will do the same.

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Harriet St Leger

Hand Crafted

Bold colourful jewellery in precious metals with enamel and semi precious gems and pearls, inspired by natural forms.

I trained at Central School of Art gaining a 1st class degree and set up my workshop with the help of a Crafts Council New craftsman grant.

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I have taught jewellery and enamelling classes in Bristol where I live, for over 20 years. I am a member of The Designer Jewellers’ Group, The Devon Guild, The Gloucestershire Guild of Craftsmen and the Guild of Enamellers and I have shown and sold work at The V & A, The Barbican London, Goldsmiths’ Hall and Libertys. I also love working on private commissions and regularly show at The North Bristol Art Trail.

Brooch - 18ct gold & silver with enamels

My work is inspired by nature, particularly buds, pods and leaf shapes which I stylise to produce bold graphic designs. I love to work with colour and I frequently use enamel on both silver and copper often incorporating gold foil. This combined with semi precious gems and pearls gives my work a beautiful vibrant rich quality.

Colour features predominantly in my work in the form of enamel on silver, gold and copper. This often incorporates gold foil and combined with semi precious gems and pearls, gives my work a beautiful vibrant and rich quality. My inspiration comes mostly from plant forms and buds, pods and leaf shapes provide a constant source of new ideas. I like to stylise these shape to produce VWURQJ VWULNLQJ JUDSKLF GHVLJQV , ¿QG WKDW P\ GHVLJQV FDQ VXLW PHQ LQ WKH IRUP RI FX௟LQNV and pins, as well as women. I have produced PDWFKLQJ VHWV RI FX௟LQNV DQG HDUULQJV IRU FRXSOHV DQG DOVR FX௟LQNV IRU WKH JURRP DQG best men at weddings. I love the challenge of commissions, which inspire me to use PDWHULDOV LQ D GL௺HUHQW ZD\ 7R SURGXFH D piece that is unique and personal is deeply rewarding for me as well as the customer.

Necklace - Enamel with gold foil set in silver with keum boo applied gold on chunky silver snake chain

Earrings - Enamel on copper with gold foil & silver hooks

Necklace - Amethyst beads with silver bead set with enamel and gold foil. Hand made silver catch.

Ring - Silver, 18ct gold, amethyst, moonstone & garnet

Brooch - Enamel and gold foul set in silver with keum boo gold applied

Pendant on choker - Silver & enamel

Claire Lowe

Hand Crafted

Mixed media contemporary jewellery made with silver and resin, simple elegant shapes. I am a jewellery designer maker based in Exmouth Devon, I graduated from Sir John Cass department of art at London Metropolitan University in 2005 with a degree in Silversmithing, jewellery and Allied crafts. Since graduating I have continued to explore materials and made jewellery for galleries, shops and exhibitions alongside selling through crafts fairs and online. I have taught evening classes to adults and also family learning packages to schools. My jewellery develops and progresses best whilst making, ideas move forward as new pieces are made in my home studio.

Earrings

Pendants

Contemporary mixed media jewellery handmade to a high quality. Each collection has a theme and a continued through to connect the pieces making them work fantastically in a display environment.

Drops

The Mustard collection combines brushed and oxidised silver alongside a small colour pallete of mustard yellow, white and grey resin. The organic teardrop shape is very wearable.

White Tea Pendant

The Tea collection combines silver, white and clear resin embedded with a variety of tea leaves, the tea theme continues with details such a silver teapots and cups and text to represent traditions of tea drinking.

Double T

Tea Bangles

Mixed

Drops

Clare Mason

Hand Crafted

Ethereal and sumptuous designs in precious metals, stones and fresh water pearls. Cornish based artist Clare Mason grew up in the Worcestershire countryside and has always been inspired by the wonder and beauty of nature. An independent and talented artist from an early age; she left home at 15 putting herself through college and University studying Art and english Literature and then moved to London to start her own EXVLQHVV :LWKLQ PRQWKV RI PDNLQJ KHU ¿UVW piece of jewellery she had it for sale in The Designer Gallery amongst names such as Gucci and Dior in the illustrious Oxford Street Selfridges, and continued to sell in there for nearly 10 years. In the Summer of 2003 Clare was approached on her stall at Camden Market by the costume designer Ruth Myers on behalf of Miramax Movies, declaring that one of her Tiaras was absolutely exactly what she was looking for to be adorning Block Buster movie star Anne Hathaways’ head in the up and coming movie Ella Enchanted!! Clare also made necklace and earrings for Miss Hathaway as well as tiaras for 2 other main characters in the movie therefore making her signature statement on the big screen!

Rainbow Ring

Rose Champagne Necklace

Every day of selling my work I hear a prospective customer say, “ this jewellery is YHU\ XQLTXH´ RU ÂłWKLV MHZHOOHU\ LV YHU\ GL௺HUHQW´ and “what wonderful colours she uses!â€?

Ceylon Sapphire on 18crt gold

The next 16 years would see her work in galleries and boutiques all over the country as well as having a regular clientele buying directly from her boutique stall at Camden market. This also bought attention to her creations from Channel 4 where she was featured as, � The Pearly Queen of Camden� in a documentary called “The Market� where she was set against other designers in the bid to being successful in the competitive world of market trading and where on she was declared a “star!� Clare now sells her work mainly through exclusive galleries all around the country and at her own gallery in St Ives and Perranuthnoe in Cornwall along with her artwork and exclusive photography.

Midnight Gold Necklace

After creating my designs for the past 20 years that is my main selling point. All of my designs are unique to me... I did not train to become a jeweller, I create from imagination and inspiration from my artwork and photography SLHFHV WKDW DUH FDUHIXOO\ FRQVWUXFWHG FROODERUDWLQJ the beauty of Fresh water pearls with semiprecious stones and Swarovski crystals to create what I like to call “wearable art�.

Ella Tiara

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Flowers Ring

I developed my own technique to allow the stones in each piece to be the main focal SRLQW , XVH ¿VKLQJ OLQH IRU QHFNODFHV DQG PDWFKLQJ EUDFHOHWV WKLV JLYHV WKH LOOXVLRQ RI delicacy but in fact makes each piece super strong! I also developed an original wirework style with all precious metals woven with the same stones, creating 3 dimensional gems that become collectable wearable treasures! I make all the components, the clasps ear wires DQG FKDLQ DOO EHLQJ P\ VLJQDWXUH WR ¿QLVK R௺ each piece.

Midnight Stars Studs

Signature Ring

There is something for every taste within my collection: from elegant and classy pearls, to fun and funky rainbows in semi precious stones, to grand statement piece tiaras to delicate single pearl wire rings.

Jo Evening Statement

Katie Mullally

Silver and gold plated on silver jewellery predominantly necklace charms that can be stacked together. Made in the UK and all charms are hallmarked at the London Assay 2ႈFH ZLWK WKH .00 H[FOXVLYH KDOOPDUN Katie Mullally is a British jewellery designer, concentrating predominantly on collectable necklace silver or gold plated that can be easily stacked together. All the KMM charms are made LQ WKH 8. DQG VHQW WR WKH /RQGRQ $VVD\ 2ႈFH WR be individually hallmarked with Katie’s exclusive hallmark ‘KMM’. Katie’s inspiration for the designs comes from her love of antique markets, she started working in her Grandmothers Antique Shops when she was about fourteen. It was from her Grandmother Katie learnt the importance of a hallmark. Katie’s Irish heritage is very important to her and some of the collections are inspired by Ireland also designs are vintage inspired with a quirky modern sometimes playful twist. Most of the charms have over sized bails ideal for stacking together.

Double Irish Coins (Silver 925 22.5 carat yellow and rose gold plating)

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Anchors (Silver 925 and 22.5 carat yellow gold plating on silver 925)

The KMM charms are popular with all ages and appeal to both men and women. They are made in the UK in the Birmingham Jewellery quarter and the gold plating is done in Hatton Garden London. In the UK it is only necessary to hallmark silver above 7.78 grams, however, I believe a hallmark is adding value to the customer and therefore hallmark all my silver charms with the London assay marks and also my exclusive KMM hallmark.

Katie has a strong loyal customer following in the UK and Ireland. The brand has been popular with bloggers, celebrities and press in the UK, Ireland, Japan, America and Australia.

The charms are stackable and generally customers return to add to their collection. We work with PDQ\ LQÀXHQFHUV DQG KDYH D YHU\ JRRG VRFLDO PHGLD IROORZLQJ The most popular collections are the Irish Coins and the Hallmarking collection. 30% of online sales are to Ireland. America is a growing market for us, especially with the Irish coins; there are seven times more people in America with Irish heritage than there are in Ireland. The KMM charms are sold on ASOS, House of Fraser, Fenwick and also HP France in Japan.

3d Irish Charm (Silver 925 22.5 carat yellow and rose gold plating)

3d Irish Charm (Silver 925)

Wishbones (Silver 925)

Wendy Nut

Hand Crafted

Contemporary Silver Jewellery Since childhood Wendy has always had a love of jewellery making. Which at the age of 17 led KHU WR DWWHQG KHU ¿UVW 6LOYHUVPLWKLQJ HYHQLQJ FODVV DQG PDNLQJ KHU ¿UVW SLHFH RI VLOYHU jewellery. It was here that she caught the jewellery bug! After attending the evening classes for 4 years, Wendy decided that she wanted to take it further and gained a place at Plymouth College of Art and Design, on their HND Design Metals course. She was in her element at college exploring new techniques and designs, so she decided to stay on for an extra year to top up her HND to a Degree in Applied Arts, graduating in 2000.

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Daisy Chain Necklace

Currently Wendy’s work evokes her love of the natural world, taking inspiration from the wildlife that surrounds her in her garden workshop in Dorset.

Since graduation Wendy’s designs have evolved, but one element always stays constant and that’s her love of simple elegant patterns. She achieves this by using negative space in her work, with techniques such as photo etching, fretwork and texturing to create crisp timeless pieces of jewellery.

Wendy has exhibited her work in galleries and exhibitions across the South since graduation, as well as taking part in Dorset Arts Weeks and being a member of the Wessex branch of the Association for Contemporary Jewellers.

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Flower Necklace

Twist Bangles

Flower Studs Lavender Earrings

One & Eight

One & Eight is a UK based contemporary MHZHOOHU\ EUDQG 7KH FROOHFWLRQV RႇHU D IXVLRQ RI KDQGFUDIWHG SRUFHODLQ DQG ¿QH metal jewellery; displayed in our unique, elegant packaging. One & Eight was founded in 2015. Following a career in Product Development, I moved from London to the coast to raise my young family. This created the opportunity to try something new and it was a ceramics course that inspired my love of working with porcelain. After creating a collection of jewellery for myself, One&Eight was born. All the pieces are designed and created in our sunny (well sometimes) studio in the green, rolling hills of Devon. Supported by a wonderful team, we have developed a number of techniques to craft jewellery that is unique and stands out from other designers. At One & Eight our packaging is really important to us. We like to have fun with the presentation DQG EH µMXVW D OLWWOH ELW GLႇHUHQW¶ One & Eight jewellery is sold in over 30 outlets across the UK and has won awards for inspired JLIWV DQG µ%HVW 1HZ %UDQG¶ µ7KH MHZHOOHU\ LV D UHÀHFWLRQ RI DOO WKH WKLQJV I adore; unique, quirky and inspired by nature. (DFK SLHFH LV PDGH ZLWK ORYH¶ Susie Dorman

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Caroline Parrott

Hand Crafted

Hand printed and dyed anodised aluminium contemporary jewellery. Following a career in graphic design, Caroline attended Bournemouth University as a mature student graduating in 2010 with a First Class Honours degree in Applied Art and Design, she began working in her chosen medium of anodised aluminium in 2007.

Dome and glass bead necklace (Anodised aluminium)

Caroline hand prints with her own unique designs cut into small printing blocks using a lino cutter. She then dyes using industrial G\HV DQG SRZGHU SDLQWV WR YLEUDQW H௺HFW WR create a range of jewellery, home and garden accents and sculpture.

She has exhibited both in Dorset and Nationally and sells her work in galleries around the United Kingdom. Her work is constantly inspired by the colours that surround her in Dorset, both over the varied landscape and the coast. Caroline teaches all ages to work with aluminium, creating vibrant installations in community spaces, children’s hospices and schools. She also leads regular adult workshops in creating vibrant contemporary jewellery.

Dome Drop Earrings (Anodised aluminium and sterling silver).

Caroline is constantly inspired by the EHDXWLIXO 'RUVHW &RXQWU\VLGH LWœV ÀRUD IDXQD insects and animals. Recently she has been developing a brand new range of jewellery using domed segments of her anodised aluminium, she is planning to develop this further and will be including additions such as semi precious stones and natural found objects, as well as having some of the pieces ÀRFNHG WR YDU\ WKH WH[WXUHV ZLWKLQ WKH ZRUN

Three tier Fire Necklace, with pearls and driftwood (Anodised aluminium)

Quarter Dome and Bead Necklace (Anodised aluminium)

Dome bracelet with wooden beads (Anodised aluminium)

Lily and Dome Bracelet (Anodised aluminium)

Dome three tiered necklace (Anodised aluminium)

Torc Bangles (Anodised aluminium)

Penny Price

Hand Crafted

I make strong structural pieces of jewellery with a distinctive minimal style in a limited palette using mostly silver enhanced with oxidisation and occasional other additions. Born in Kenya where my father was government architect, raised in Kent and then studied Jewellery Design at Central school of art. I have always worked as an independent artist, sharing workshops in London before running my own in the Midlands and now in Somerset. I have exhibited at The Goldsmiths Hall, The Design Centre, The Business Design centre, Birmingham Society of Artists and many independent galleries.

Trio Bangle

Terrain Brooch (Silver)

0\ ZRUN LV KHDYLO\ LQĂ€XHQFHG E\ DUFKLWHFWXUH natural forms and the human body. When not constructing and forging pieces I enjoy carving wax and casting. I am currently working on a series of endangered species featuring pendants earrings and small sculptures. My workshop is a converted Georgian coach house at my home in a rural Somerset village. Every few years I participate in an open studio event welcoming the public into my workshop gallery.

Silver Pyramid Earrings (Silver)

Mixed Stones Necklace

‘Sail’ Necklace (Silver wire and beaten sheet)

Ring with Coil

Sculptural minimal pieces concentrating on structure and simplicity of form using silver with very occasional additions of gold, brass, slate, brick, enamel and semi precious stones.

Lucy Spink Jewellery Contemporary jewellery, handmade in silver and gold using ancient artisan metal smithing techniques.

I have been working as a jeweller for 7 years and have a BA Hons from Glasgow Art School as well as 2 years of practical experience working in a jewellery studio in Trinidad. In 2017 I was awarded a place on the Kickstart stand at International Jewellery London and was short-listed by the National Association of Jewellers for Kickstarter of the year 2017. I exhibit my work widely across the UK in galleries and craft festivals.

Lichen Stud Earrings (Sterling silver and 18ct gold)

Lichen Stud Earrings (Sterling silver and 18ct gold)

Every piece of jewellery is hand crafted by me in my small workshop in Cornwall. The techniques I use are ones that have remained unchanged for hundreds of years and I prefer to use traditional tools from Granddad’s workshop to help keep me anchored to my inspiration.

My inspiration comes from the wonderful ancient landscapes I am surrounded by in Cornwall, the monolith standing stones and from naĂŻve cave drawings I have seen on my travels. I am fascinated by how closely our lives were once bound to the rhythms of nature and use a small element of gold to represent the importance of the natural environment.

Hand Crafted Lichen Bangle (Sterling silver and 18ct gold)

Monolith Bangle (Sterling silver)

Monolith Stripe Studs (Sterling silver and 18ct gold)

Synthesis Earrings (Either silver or a mixture of silver and 18t gold)

Monolith Necklace No 1 (Sterling silver)

My hands on approach means my work feels organic and I allow marks made during the process to remain as an integral part of the surface, giving the owner a feeling of how each piece has been formed and the time involved in creating it. Hand beating gives texture to the silver and gold so it catches the light, ensuring that every piece of jewellery has its own identity and organic form.

Synthesis Necklace (Sterling silver and 18ct gold)

Stephanie Stevens

Hand Crafted

Simple elegant bespoke Cornish Jewellery, handcrafted in St Ives Cornwall. Born and bred in St Ives Cornwall I am inspired E\ P\ VXUURXQGLQJV RI WKH &RUQLVK FRDVW ÀRZHUV and heritage. Each of my collections are named in the Cornish language and has an inspirational story of why they are made. After completing a city and guilds jewellery course in 2010 I worked alongside a jeweller where I learnt a wealth of knowledge to continue my journey into completing another city and guilds to being able to start up my own business.

Kara Sterling Silver 3D Heart Necklace

I am a member of some very reputable associations, including; Made In Cornwall, Cornwall Crafts Association, The Guild Of Jewellery Designers and Cornwall Art & Crafts Directory with my collections being displayed in two hotels, three wedding studios, and three galleries.

Arghantell Sterling Silver & Freshwater Pearl Bracelet

Specialising in simple and elegant bespoke designs, Stephanie Stevens jewellery is handcrafted from my workshop in St Ives, Cornwall. Inspired by the natural beauty of Cornwall.

My passion for making jewellery is that ‘jewellery is made with a meaning’. Sterling Silver Flower Studs with a Cultured Fresh Water Pearl

Bleujenn Sterling Silver Flower Necklace

Commissioned Jewellery

Perl Sterling Silver Twelve Cultured Fresh Water Pearls Bracelet

All of my collections are named in the Cornish Language and has a background inspiration of ZK\ WKH\ DUH PDGH (DFK FROOHFWLRQV KDV LWV RZQ VW\OH ZKLFK LV JUHDW IRU GL௺HUHQW JDOOHULHV WR EH able to pick one that is best suited for them.

Kara Sterling Silver 3D Heart Bangle

Havas Sterling Silver Moving Flowers bangle with a 9ct Yellow Gold Middle

Tresorya Sterling Silver, Swarovski Crystals & Cultured Fresh Water Pearls Bracelet

Victoria Walker

Hand Crafted

, VSHFLDOLVH LQ ¿QH NLQHWLF MHZHOOHU\ inspired by natural forms, handmade in precious metals and diamonds. My signature seed-pod lockets feature WLQ\ DUWLFXODWHG ÀRZHUV WKDW RSHQ LQWR bloom when revealed by the wearer. I completed my degree in jewellery and silverVPLWKLQJ ZLWK D ¿UVW LQ :KLOVW VWXG\LQJ , worked for three established jewellers, taught jewellery making to adults in the evenings, and won an award from the Goldsmiths Company for my kinetic designs. Over the past 8 years I have exhibited my work at many high-end design and craft shows in the UK, including four times at Goldsmiths’ Fair. I grew up in the countryside in the north of England and moved to Cornwall 15 years ago. My love of the outdoors and exploring both EHDXWLIXO UXUDO ORFDWLRQV KDYH GH¿QLWHO\ LQÀXHQFHG P\ ZRUN DQG SURYLGHG HQGOHVV supplies of inspiration. I work full time from my workshop in a beautiful Georgian town house in the centre of Truro, Cornwall.

Lotus Ring Heather Drop Earrings

Customers often comment on how the intricacy of my work gives it an ‘heirloom’ feel. For this reason, my kinetic work is often bought to mark VSHFLDO PHPRULHV DQG PLOHVWRQHV DQ\WKLQJ from births, wedding anniversaries, graduations and 21st up to 70th birthdays. These special gifts are bought with a view to passing them down through generations.

Rose Locket

The moving elements of my work create a sense of intrigue and theatre. Customers enjoy wearing a piece of jewellery that is not just beautiful, but also holds a beautifully crafted secret. Lotus Eternity Ring Daisy Locket

Daisy Locket

Thistle Locket

Peony Locket Gold

FEATURED CRAFT Basketry and Beyond Dreya Bennet Bookshell Bindery Mim Brigham Eleanor Crane Driftwood and Clay Teresa Dunne Helen Eastham Mary Kaun English Jennie Hale Caroline Hall Rebecca Harvey E.Inder Paul Jackson Laura Lane Peter Lanyon Catherine Lucktaylor Paper Birch Kristian Pettifor Pewter Sky Hayley Potter Vivien Prideaux Raggedy Rags Rachel Reilly Chris Roddick 7LႇDQ\ 6FXOO &HUDPLFV

Sea of Grass Naomi Singer Esther Smith Jane Smith Fiona J Sperryn Rachel Stowe Hugh West Franca Westaway

Hand Crafted

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Geraldine Jones

Hand Crafted

Basketry in abstract forms, weaving with all materials from willow to wire. *\SV\ EDVNHWPDNHU 7RP $OGULGJH ZDV P\ ¿UVW teacher over 30 years ago. I then learnt the tricks of the trade from retired maker, Richard Moon, who had been one of the last practising professional basketmakers in Cornwall before the industry collapsed in the 1960’s. I served a long apprenticeship in local and traditional basketmaking, which in reality is never ending, and co-founded Salt Cellar Workshops along the way - a group of makers working in their own studios in the same harbourside building in Porthleven, Cornwall. My workshop is on the top ÀRRU RI WKLV EXLOGLQJ RYHUORRNLQJ WKH VHD

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, DOVR ZRUN ZLWK +LODU\ %XUQV LQ D QRW IRU SUR¿W organisation that we co-founded, Basketry and Beyond, to promote the craft of basketry through fairs, events and courses both locally and internationally. We run courses taught by local makers and are particularly attracted to islands.

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The most recent project that I have been engaged with has been Knowing from Within, which has taken me to the Universities of Aberdeen and St. Andrews to describe my work and form connections with mathematicians and anthropologists.

Fibonacci Looping

Living Willow Heart

Angel- collaborative work with sculptor Annie Henry

Birds Nest deconstructed basket

Oyster Clutch Bag

Dreya Bennett

Hand Crafted

)XVHG *ODVV ZDOO DUW KXJHO\ LQĂ€XHQFHG by my amazing surroundings in Cornwall. Dreya as born in Africa and lived in Lagos until her 9th birthday when her family moved back to WKH 8. DQG PRUH VSHFLÂżFDOO\ &RUQZDOO 0RYLQJ WR &RUQZDOO DW VXFK D NH\ DJH VKDSHG KHU SDVVLRQV DQG IXWXUH LQ VR PDQ\ ZD\V +DYLQJ DOZD\V EHHQ in swimming pools and the sea in Africa the love RI ZDWHU LQWHQVLÂżHG RQ WKH EHDXWLIXO EHDFKHV DQG LQ WKH FUDVKLQJ $WODQWLF VXUI RI WKH &RUQLVK &RDVWOLQH

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Bookshell Bindery

Hand Crafted

Hand crafted leather gifts and stationary items. Bookshell Bindery is located in Redruth, Cornwall, on the South West tip of England, and was founded by Zoe and David Dodd in 2014. The team at Bookshell are passionate about combining traditional bookbinding techniques with quality materials and fresh ideas. The result is a beautiful range of unique leather gifts and stationary items perfect for those hard to buy for.

Set of 2 Travellers Notebooks

Personalised Keyring

Each Bookshell product is lovingly hand crafted with many of the same tools and materials used by master bookbinders for centuries. A press that dates back to the Victorian era sits at the heart of the bindery. Working in this way with top quality raw materials results in a highlytactile end product which is built to last and a joy to use. It’s hard to resist rich leathery scents and shimmering gold foil! The current Bookshell range includes hand-sewn leather journals, travel notebooks, hardback guestbooks, keyrings and pencils. Every item is beautifully packaged and ready-to-gift.

“We believe gifts should be one in a million, not one of a million.” “Cornwall is such a beautiful place to live and work, you can’t help but feel inspired.”

‘Doodle time’ Pencils in Gift Box

Coordinates Keyring

Having swapped city life for coastal Cornwall a few years ago, both Zoe and David’s skills from previous professional lives have come in handy on their Bookshell journey – David is a successful digital video producer and marketeer, and Zoe is a professional graphic designer with a background in publishing and digital marketing.

Monogram Keyrings

Hardback Wedding Guest Book

Pocket Notebook Embossed with a Nautical Gold Foil Illustration

Hand Stitched Leather Journals with Personalisation

Mim Brigham

Hand Crafted

Art meets Science – Glass inspired by microscope slides. Hot glass gathered from a furnace, coloured and pulled into cane which is subsequently cut and fused. Six years ago, I decided it was time for a change. Children left home and a lifetime of social care behind me: It was time to be creative. I embarked upon a degree in contemporary craft and learned a new set of skills.

0\ ÂżUVW GHJUHH LQ %LRORJ\ OHG PH WR VWXG\ and draw many images of marram grass cross sections, seen through a microscope. The beauty I saw in these has remained with PH HYHU VLQFH DQG KDV LQĂ€XHQFHG P\ FXUUHQW body of work.

Since Graduation this year I have had my work exhibited at: The Glass Biennale London Design Week Teign Valley Glass

Glass is primarily made from sand and the marram grass grows on the sand dunes prevalent around our beautiful coast.

I have been fortunate to be awarded the Devon Guild of Craftsmen award and highly commended in the Contemporary Glass Society Graduate Review. My pieces have also been featured in Devon Today, Cornwall Today and Neus Glass. Marram Glass - A fused 25� diameter disc 0DGH RI PDQ\ GLႇHUHQW VL]HG KDQG SXOOHG PXUULQL - Framed with aluminium and hung)

This collection represents a lifetime of GLYHUVH DQG VSRUDGLF LQĂ€XHQFHV ZLWK HQGOHVV possibilities to evolve but also enough variation to continue to create these pieces each one unique, as with nature itself.

Eleanor Crane

Hand Crafted

My ceramics take inspiration from the colour, patterns and textures that are found throughout the Cornish coastline. My work is produced using porcelain, this is due its smooth, white and translucent TXDOLWLHV , ¿QG WKDW LW DFWV ZHOO DV D FDQYDV for colour and helps to create tactile objects when left partially unglazed and polished. Having worked a 9-5 job as a letting agent, Eleanor decided to hand in her notice and pursue her true passion of creating ceramic arts and wares from her home studio in Cornwall.

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Cobalt Lidded Vessels (Porcelain)

Formerly achieving a BA in design as a student of Plymouth University, Eleanor now puts her skills to use to create coastal inspired contemporary ceramics. Eleanor Crane focuses her ceramics from inspirations of the coastline of her home county of Cornwall. From childhood Eleanor has been surrounded by inspiring coastal art, observing her father as he painted the local Cornish coastlines and headlands on family walks; much to the dismay of the then impatient eight year old!

Cobalt Swirl Lidded Vessel (Porcelain)

There is a design for everyone within Eleanor’s range. The coastal inspired blue colour palette combined with the pure ZKLWH RI WKH ¿QH SRUFHODLQ LV WUXO\ WLPHOHVV As a designer maker of hand made pottery, Eleanor feels the uniqueness of design is important and as such her wares are only available in a select few galleries.

The deep blue of the Atlantic Ocean and the theatrical display of white foam topped waves play a starring role in the works. The contemporary creations often make use of the contrast of a glassy translucent glaze DJDLQVW D VPRRWK SRUFHODLQ ¿QLVK PLPLFNLQJ WKH ODSSLQJ VKRUH OLQH VPRRWKLQJ Rႇ SHEEOHV FUHDWLQJ WUXO\ RQH Rႇ DQG VSHFLDO IRUPV IURP D RQFH UDZ and untamed material.

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Cobalt Bud Vases (Porcelain)

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Driftwood and Clay

Hand Crafted

Hand built using clay sculpted around a driftwood and wire armature. The piece is then hand painted to form the markings of Oyster catchers, Avocets, Herring and Black-headed gulls, and the reclusive Cornish Chough. Finally each bird is paired with a unique driftwood stand, tumbled by the sea to complete the piece. Driftwood and Clay are a husband and wife artisan duo, who create one of a kind driftwood sculptures of resident, coastal, Cornish birds. They hunt through the strand line at each new tide, collecting WKH GULIWZRRG WKDW ¿QGV LWV ZD\ WR &RUQLVK VKRUHV <RX FDQ ¿QG RXU ZRUN LQ QXPHURXV JDOOHULHV throughout Cornwall and the Isles of Scilly.

Pair of Oyster catchers on driftwood block

Pair of Black-headed gulls on driftwood stand

Group of Oyster catchers on driftwood block

Single Black-headed gull on driftwood stand

Cornish Chough on driftwood stand

Single Herring gull on driftwood post

Single Oyster catcher on driftwood post

Pair of Avocets on driftwood block

Teresa Dunne

Hand Crafted

I am a hand weaver and textile designer living in North Cornwall. It is here in this rugged and often windswept landscape that I create colourful, hand woven cloth which is transformed into scarves and cushions. 0\ VWXGLR RYHUORRNV WKH FOLႇV DQG VHD DQG WKLV is a constant reminder of the inspiration that VXUURXQGV PH , ¿QG WKH SURFHVV IURP FKRRVLQJ the colours, working out the measurements, ZDUSLQJ GUHVVLQJ WKH ORRP ZHDYLQJ DQG ¿QLVKLQJ very therapeutic.

I like to work organically adding random bursts of shocking pink next to a burnt orange to create interest or a natural oatmeal with a mustard yellow to soften the colours. Because of this my pieces are unique. I use 100% lambswool in my work because I love the transformation of the yarn from the loom to D ¿QLVKHG SLHFH 7KH ZRRO LV RLOHG VR WKDW ZKHQ , KDQG ZDVK LW WKH ¿EUHV WLJKWHQ DQG ÀX௺ XS 7KLV creates a beautifully soft tactile product which is lightweight and can be used all year round.

Helen Eastham

Hand Crafted

I specialise in handmade kiln formed creations, including exquisite sculptures and unique vessels. I was born and brought up in Cornwall, I am a designer/maker working predominantly with kiln formed glass. 0\ ZRUN ZLWK JODVV LV LQÀXHQFHG IURP D OLIHWLPH VSHQW LQ DQG DURXQG WKH VHD ,W FDOPV DQG RULHQWDWHV PH JLYLQJ PH D VHQVH RI EDODQFH DQG WUDQTXLOOLW\ The emotional response transmits through to my GHVLJQV DQG LQÀXHQFHV ZKDW , PDNH , ORYH WR ORRN DW D SLHFH DQG EH WUDQVSRUWHG EDFN WR D PHPRU\ RU LPDJLQH D EUHDNLQJ ZDYH D URFN SRRO RU D EHDFK

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Sounds of the sea and cawing sea gulls accompany me whilst I work out of my studio at the bottom of the garden in Newquay. Here I utilise various glasses, kiln forming techniques and handmade molds.

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Mary Kaun English

Hand Crafted

0DU\ .DXQ (QJOLVK LV D FHUDPLF DUWLVW ZKR VSHFLDOL]HV LQ SLW ¿ULQJ FHUDPLFV Mary Kaun English was born and raised in Southern California, where as a young girl she spent extensive periods of time exploring the then undeveloped San Rafael foothills. Feeling at one with the natural ZRUOG WKH UHG FOD\ VRLO EHQHDWK KHU EDUH IHHW DQG WKH VHQVH RI HDUWKO\ VSLULWXDOLW\ ¿OOLQJ KHU VRXO 0DU\ has always felt the desire to be at one with nature. After studying Architecture in Los Angeles, Mary moved to England, and received a BA (Hons) in the Practice and Theory in Fine Art and Design, from Wimbledon College of Art (University of the Arts London) alongside studying ceramics at Putney Art College. 0DU\¶V UHODWLRQVKLS ZLWK WKH QDWXUDO ZRUOG LV PLUURUHG LQ KHU H[SHULPHQWDO FHUDPLF ¿ULQJ SUDFWLFH Using this sustainable and traditional method, which is unpredictable and refuses to be controlled, Mary connects with nature. 7KH VHFRQG ¿ULQJ RI KHU FHUDPLFV RFFXUV LQ DQ RSHQ DLU SLW ¿ULQJ DW KHU VWXGLR ZKLFK LV ORFDWHG QHDU WKH LFRQLF &RUQLVK 1RUWK &RDVW H[SRVLQJ WKH SRURXV FOD\ WR WKH VPRNH JLYHQ Rႇ E\ WKH RUJDQLF PDWHULDOV XVHG LQ WKH ¿UH 7KH UHVXOWV DUH RUJDQLF FHUDPLF VFXOSWXUHV SDLQWHG E\ QDWXUH 0DU\ ZRQ WKH µ0DUVK +HULWDJH &UDIW 7UDLQHU¶ RI WKH \HDU LQ DQG ZDV WKH ¿UVW DUWLVW WR ZLQ WKH National Trust UK Open Call for their Artisan and Craft Collection in 2016. Mary exhibits here work in the A2 Gallery, The Albany Gallery, Joie de Vivre, selected National Trust Galleries, Artparks Sculpture Gallery, various annual exhibitions/demonstrations and from her studio.

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Jennie Hale

Hand Crafted

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Canga-Caroline Hall

Hand Crafted

Velvet, devore and some UK wool scarves: designed, screen printed and dyed in Totnes. Devore only is commercially printed. , TXDOL¿HG DV D SDLQWHU DQG DUW WHDFKHU LQ /RQGRQ WKHQ ZRUNHG IRU VRPH \HDUV LQ /HVRWKR DQG %RWVZDQD ZKHUH , VHW XS D FORWK SULQWLQJ DQG JDUPHQW PDNLQJ HQWHUSULVH QRZ UXQ E\ RQH RI WKH ZRPHQ , WUDLQHG 0\ SULQW ZRUNVKRS LQ 7RWQHV VWDUWHG LQ LW LV VHW LQ D ZDOOHG JDUGHQ ZKHUH , DP VXUURXQGHG E\ SODQWV LQFOXGLQJ D ODUJH ÀRZHULQJ ORTXDW WUHH JURZQ IURP D SLS 0\ LQWHUHVW LQ DUFKDHRORJ\ OHG PH WR H[SORUH DQFLHQW GHFRUDWLRQ LQFOXGLQJ URFN SDLQWLQJV DQG FDUYHG VWRQH ZKLOVW $IULFDQ FUDIW DQG SDWWHUQV DUH D FRQWLQXLQJ LQÀXHQFH %RWVZDQD EDVNHWV DQG WKUHVKLQJ ÀRRUV &RQJROHVH UDႈD YHOYHW DQG DQ ,JER FDUYHG ZRRGHQ GRRU KDYH DOO SOD\HG WKHLU SDUW

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Rebecca Harvey

Hand Crafted

Contemporary Porcelain Tableware. A collection of porcelain for the table, a gathering, where time and occasion are valued. A warm, soft satin glaze envelops the calm but strong forms in a smooth, rich, tactile surface. Form and function come together with subtle traces of the hand that are left when the porcelain is soft, creating an intimate engagement with the objects through use. 7KH REMHFWV UHÀHFW DQG DEVRUE WKH HYHU FKDQJLQJ atmosphere that emphasizes the porcelain’s sensitivity to light and a translucent quality RI ¿QH HGJHV &RQFHUQV RI IXQFWLRQ DQG IRUP inspire these objects, thinking through making LGHQWL¿HG ZLWKLQ DQ DSSOLHG DUW FRQWH[W

Trio of Bowls

Still Life

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Sculptural Bowl

Tide

Edges

Tea for One

Spring

E. Inder Designs

We hand lay natural and dyed wood veneers using ancient parquetry techniques to make 21st century practical and stylish kitchen and dining table ranges. Ernest has been a designer of bespoke products made with wood for his 40 year career. This includes furniture for the prestigious Château & Relais Hotels and the rich and famous who will remain nameless! Trish had a more than 20 year career as a lawyer before retiring. With a life long love of colour she put together the Gatsby range and most of the subsequent ranges. They have been working together for the last 4 years.

Quality melamine place mats and coasters in rectangle, hexagonal and round shapes. Heat proof to 320 degrees Fahrenheit or 160 degrees Celsius. Easy to wipe clean with a damp cloth. Made with eucalyptus board from a sustainable source with dark green baize underneath to protect your furniture. Matching retro design cheese paddles made with eucalyptus board and melamine coated on both sides. Matching range of Recycled glass multi purpose platters. Fabulous for sharing plates or for cheese boards. Also heat proof to 340 Fahrenheit or 170 Celsius. :H DUH FRQVWDQWO\ DGGLQJ GL௺HUHQW GHVLJQV and colours to our range as well as using our current designs to increase our product range.

Paul Jackson

Hand Crafted

Paul Jackson is an experienced studio potter with a particular interest in form, pattern and design. His expressive use of colour is synonymous with his style, as is his ambitious construction of unusually shaped earthenware vessels, bowls and vases. 3DXO -DFNVRQ TXDOL¿HG LQ 6WXGLR &HUDPLFV LQ DW +DUURZ 6FKRRO RI $UW )ROORZLQJ D VKRUW SHULRG WHDFKLQJ LQ /RQGRQ KH UHORFDWHG WR &RUQZDOO ZKHUH KH HVWDEOLVKHG KLV SRWWHU\ LQ +H PRYHG WR KLV SUHVHQW KRPH DW +HOODQG %ULGJH ZKHUH KH ZRUNV LQ D VWXGLR FRQYHUWHG IURP DQ ROG FKDSHO LQ +H KDV H[KLELWHG UHJXODUO\ DQG ZLGHO\ LQ ERWK WKH 8. DQG WKH 86 DQG KLV ZRUN FDQ EH IRXQG LQ PDQ\ PDMRU JDOOHULHV

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Laura Lane

Hand Crafted

Contemporary Cornish stoneware ceramics, inspired by folklore and the everyday. Having completed both a BA & MA in Design at Plymouth University, Laura specialised as a Designer Maker, working in ceramics. At the heart of her work is the exploration of site VSHFL¿F IRONORUH LQ &RUQZDOO ZKHUH VKH OLYHV 7KLV is expressed through choice of materials, pattern & illustration. Folklore is about the everyday and being reachable. 7KH VWRQHZDUH FOD\ FRPHV GLUHFW IURP DQ DQFLHQW pit in St Agnes just a few hundred yards from the sea, along with the some of the key glaze ingredients of china clay and tin which played such a vital role LQ &RUQZDOO¶V PLQLQJ KLVWRU\

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White Hare

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Peter Lanyon

Hand Crafted

Sustainable furniture for a more beautiful world. Chairs, tables, desks and lamps cleaved and shaved from carefully selected local coppiced hardwoods. 3HWHU /DQ\RQ WUDLQHG ¿UVW DW 5\FRWHZRRG &ROOHJH WKHQ FRPSOHWHG DQ 0$ ZLWK GLVWLQFWLRQ DW %XFNLQJKDP 8QLYHUVLW\ WKH KHDUWODQG RI %ULWLVK )XUQLWXUH SURGXFWLRQ 5HWXUQLQJ WR KLV QDWLYH 'HYRQ KH VKRRN Rႇ WKH FRQ¿QHV RI ZRUNLQJ ZLWK SODQHG VHDVRQHG ZRRG DIWHU VSHQGLQJ WLPH ZRUNLQJ LQ WKH ZRRGV ZLWK UHQRZQHG JUHHQ ZRRG IXUQLWXUH PDNHU 0LNH $EERWW +H QRZ EULQJV KLV XQLTXH DQG TXLUN\ YLVLRQ WR OLIH FRPELQLQJ WKH QDWXUDO VKDSHV RI WKH WUHHV KH FDUHIXOO\ VHOHFWV ZLWK RWKHU FRQWHPSRUDU\ PDWHULDOV DQG WHFKQLTXHV 3HWHU¶V ZRUN GUDZV RQ WKH DQFLHQW PHWKRGV RI VSOLWWLQJ DQG VKDYLQJ ZRRG XVLQJ WUDGLWLRQDO WRROV VXFK DV VLGH D[H IURH DQG GUDZ NQLIH +LV LQWHUHVW OLHV QRW LQ WKH KHULWDJH DVSHFW RI KLV FUDIW EXW LQ LWV UHOHYDQFH LQ DGGUHVVLQJ WKH SUHVVLQJ QHHGV IRU D VRXQG HFRORJLFDO VXVWDLQDEOH PDQXIDFWXULQJ SURFHVV DQG LQ FHOHEUDWLQJ WKH DEXQGDQFH RI EHDXWLIXO PDWHULDOV RQ KLV GRRUVWHS RQ WKH HGJH RI ZLOG 'DUWPRRU +LV GHFLVLRQ WR EDVH KLV ZRUN RQ VXFK ODERXU LQWHQVLYH PHWKRGV LV GXH WR KLV LQVLVWHQFH WKDW ZRRG VKRXOG ORRN DQG IHHO OLNH ZRRG WKDW LW VKRXOG EH ZRUNHG QDWXUDOO\ DQG KRQHVWO\ DQG WKDW VWUDLJKW HGJHV DQG ÀDW VXUIDFHV DUH RYHU UDWHG

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Catherine Lucktaylor

Hand Crafted

Moving to Cornwall had a profound impact on Catherine’s ceramics and led to the creation of the Landscape Series which takes inspiration from the stunning land and seascapes of far West Cornwall. Her signature turquoise glaze UHĂ€HFWV WKH YLEUDQW FRORXU RI WKH VHD ZKLOVW WKH smoked crackle pattern is reminiscent of the UXJJHG FOL௺V

+DQG EXLOW 5DNX ÂżUHG FHUDPLFV ([TXLVLWHO\ crafted one of a kind pinched and coiled bowls and vessels embody the wild beauty of the Cornish landscape. Catherine has a BA (Hons) in Ceramics from Wolverhampton University. She had a studio at the Phoenix Gallery in Brighton for many years and was a member of Earth Kilns, a group of friends who got together to do Raku and smoke ÂżULQJV EXLOG NLOQV DQG VXSSRUW HDFK RWKHU LQ H[SORULQJ D UDQJH RI ORZ ÂżUHG FHUDPLF WHFKQLTXHV In 1999 Catherine was awarded a Travelling Fellowship from the Winston Churchill Memorial Trust. She travelled in west Africa & Brazil researching traditional religion and sacred art. On her return she was artist/curator of Sanctuary a group exhibition funded by Arts Council England 6RXWK (DVW 7KH MRXUQH\ DOVR HQDEOHG KHU WR ÂżQG her Ghanaian father and connect with her African heritage. In 2009 Catherine relocated to west Cornwall and made the decision to specialise in Raku ÂżUHG FHUDPLFV 7KLV LV DQ DQFLHQW -DSDQHVH technique which basically means ‘Enjoyment’ and was originally used as part of traditional Japanese tea ceremonies. Raku has evolved in the West to become a vibrant and exciting technique to glaze studio ceramics with stunning and unpredictable results.

In her large studio at Bejowans Farm near St Buryan, west Cornwall, Catherine uses ancient hand building techniques such as pinching and coiling, with many surfaces burnished to a smooth sheen using her favourite beach pebble, to create stunning contemporary ceramics. Exquisitely crafted one of a kind pinched and coiled bowls and vessels embody the wild beauty of the Cornish landscape.

Pebble Pots (Raku Fired Ceramic)

Fluted Landscape Pot (Raku Fired Ceramic)

*OD]HG SLHFHV DUH ÂżUHG WR DURXQG GHJUHHV centigrade and carefully removed from the kiln whilst red hot. The cool air causes the glaze to crackle and the pots are plunged into sawdust and smoked for about 20 minutes. Once removed from the sawdust, cooled in water and carefully cleaned the pieces reveal their vibrant glazes and gorgeous smoked areas. A piece from Catherine’s Wild Cornwall Collection was recently featured on the BBC’s The Great Pottery Throwdown as a ‘perfect example of Raku’.

Wild Cornwall Pots (Raku Fired Ceramic)

Catherine’s Raku ceramics are available through galleries in Cornwall & London and she has regular open studio events where she demonstrates KHU 5DNX ¿ULQJ SURFHVV 6HD DQG &OLႇV 3RWV 5DNX )LUHG &HUDPLF

Micro Landscape Pots (Raku Fired Ceramic)

Tall Wild Cornwall Pot (Raku Fired Ceramic)

Large Wild Cornwall Pots (Raku Fired Ceramic)

Wild Cornwall Jug (Raku Fired Ceramic)

Paper Birch

Hand Crafted

Nature inspired, creative lifestyle products. Including botanical cyanotype prints, notecards, stationery and creative tools including wooden pens and pencils. ,œP D *UDSKLF 'HVLJQHU ZRUNLQJ DFURVV GLႇHUHQW ¿HOGV RI GHVLJQ $IWHU JUDGXDWLQJ IURP )DOPRXWK University in 2008, I spent several years working for design agencies in Cornwall. In 2016, I decided to pursue a new venture, working for myself and creating Paper Birch. ,W ZDV D QDWXUDO ¿W IRU PH WR GHVLJQ SURGXFWV WKDW as a designer, I would personally use and surround myself with - especially with the art prints and creative tools. I draw inspiration from my surroundings in Cornwall, including its sub-tropical gardens, natural patterns and textures and ever changing coastline. With the art prints I produce, I directly use plants found in the Cornish landscape to create a strong botanical imagery.

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A collection of GiclĂŠe art prints made from original cyanotype artworks. The cyanotype process uses a solution of iron compounds to create beautiful indigo blue images. Plants are placed directly onto a sheet of paper which has been coated with cyanotype chemistry, then exposed in the sunlight to create a silhouette impression. The artworks featured use Cornish botanicals and are printed as giclĂŠe prints, onto natural white quality watercolour paper from HahnemĂźhle. The quality mould-made art paper features a distinct textured surface in both look and feel. Krystal Fanning

GiclĂŠe art prints made from original cyanotype artworks using Cornish botanicals

Kristian Pettifor

Hand Crafted

Kristian’s work is based on the re-imagination of functional everyday objects, through innovation, well considered design and exceptional craftsmanship. Consistently displaying a purity of form, his pieces incorporate an on-going exploration into surface quality, light, shadow and texture. Kristian Pettifor studied 3D craft and design at Brighton university and then went on to work in a traditional cabinet making work shop learning the art of traditional hand skills. After this time he progressed to head maker for several prominent designer makers/artists in the UK and Ireland, perfecting contemporary ways of making and sculpting. Being drawn to the beauty of the Cotswolds and its craft heritage, Kristian established his business there in 2011. Working as an independent designer maker he produces bespoke contemporary commissions for private clients, designers and architects throughout the United Kingdom.

Bandsawn Clocks

Cantilever Shell Table

“Each design I realise is part of a continuous path to pushing new boundaries, with the on-going objective to try to achieve a new level of Artistry� Many of Kristian’s designs and ideas are process driven. The exploration of a new technical process will lend itself to the form of an object and its relevance within our personal environment. Geometric Drinks Cabinet

His work is shown by the guild at 51 in Cheltenham and he has received innovative development assistance from arts council England and the European regional development fund. Kristian is a member of the Gloucestershire guild of craftsmen and has exhibited work across the UK including Farnham crafts study centre and Crafts alive @ Rodmarton Manor.

:LWK WKH FXUUHQW ERG\ RI ZRUN .ULVWLDQ KDV EHHQ H[SORULQJ XQLTXH VXUIDFH ¿QLVKHV XVLQJ WH[WXULQJ processes and chemical reactions to enhance the natural beauty of native English oak. The natural environment is a precious source of inspiration for Kristian’s work and the ethos of VXVWDLQDELOLW\ LV UHÀHFWHG LQ KLV ZRUNLQJ SUDFWLFHV

Brushed Cork Detail

Textured Console Table

Shoe Collectors Cabinet

Chair in Brushed Oak

Cross Banded Cabinet

Pewter Sky

Hand Crafted

Hand cast pewter homewares inspired by the Cornish coast. *URZLQJ XS LQ 6KHႈHOG , ZDV DOZD\V IDVFLQDWHG by molten metal, and an early career in computer graphics gave me a strong technical expertise in 3D design. When a quirk of fate led me to study with one of the UK’s leading pewterers, I immediately found myself drawn to gravity casting, the most traditional of pewter techniques.

Clam and Oyster Set

Gravity casting is a labour intensive process that connects me strongly to both the earth (tin) and the sea (shells), both of which are very much part of Cornwall’s spirit of place. I live and work near the sea, on Cornwall’s EHDXWLIXO 5RVHODQG 3HQLQVXOD 0\ ZRUN UHÀHFWV the natural elements of the Cornish coastline: smooth sandy bays, rugged slate outcroppings, pounding surf and quiet tide pools. I create the moulds for my hand-cast pieces from carefully selected shells I discover on my beachcombing expeditions. I also cast occasional pieces from exotic shells given to me by friends who know of my passion for pewter. All of my work is made entirely by hand. For each piece, I create a hand-made rubber mould and then hand pour molten pewter into it. Every item is then hand ¿QLVKHG DQG SROLVKHG WR D PLUURU VKLQH 0DQ\ RI my designs are practical (e.g. pewter salt and pepper sets), which are easy to maintain but also sturdy enough to be used every day. My goal is to make beautiful handmade objects a part of people’s everyday lives.

Tide Bowl

Scallop Plate

Coastal Candle Holder

0\ ZRUN FDQ EH VHHQ DW ¿QH VKRSV DQG JDOOHULHV throughout Cornwall including: Artisan@Tremenheere, The Byre Gallery (Millbrook) Create Cornwall (The Bedruthan Hotel & Spa), Fowey River Gallery (Fowey) and the Waterside Gallery (St Mawes). I have been selected to take part in juried shows such as the Bowood Christmas Extravaganza and the American Museum in Britain’s Christmas Craft Fair and was recently shortlisted for the National Trust and Craft Council 2017 Open Call.

Cornwall Salt and Pepper Set

All of my work is made by hand from PRGHUQ SHZWHU ZKLFK LV PRUH WKDQ WLQ Tin has been mined in Cornwall for thousands of years and I am proud to be carrying on the Cornish metal-working tradition. Modern pewter is lead free and food safe, with a warm and lustrous glow. It has all of the beauty of silver but none of the maintenance, making it the perfect material for modern living. Modern pewter also makes the perfect 10th anniversary gift, which is traditionally associated with tin. Shells are one of nature’s most amazing creations. Their beauty appeals to everyone - who hasn’t brought a special shell home from a trip to the beach? I have been told that people buy my pieces not just because of their artistry, but because they evoke happy memories of days by the sea. The wonder and joy of nature are my inspiration, and I aim to bring that same sense of joy to people through my work. Phil Atkin

Shell Place Card Holders

Scallop Bowl

Limpet

Vivien Prideaux

Hand Crafted

Dyer and Embroiderer.

My creative process combines cloth and colour and the fascinating Japanese techniques of Shibori (shaped resist dyeing) that is based on faith, fantasy, and the wish to translate my feelings and observations into visual, tactile art forms. I work intuitively – inspired by simple images that I encounter in my beautiful native Cornwall, on my travels, and working with inspiring friends around the world. I record marks, lines, of often unrelated shapes and patterns in a sketch book and mull over the ideas that they give me.

Natural Dyes

Silk Indigo Kimonos

Hand Woven Japanese Silk (Dyed with Indigo)

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Over the past forty years I have developed my own style of dyeing, related to sustainable practices, researching dyeing techniques, natural mordants and surface decoration XVLQJ ÂżEUH UHDFWLYH G\HV DQG ,QGLJR DQG RWKHU natural dyes.

Symplocos Mordant

Vintage Japanese Silk (Dyed with Japanese Rhubarb)

Vintage Japanese Silk (Dyed with Madder and Indigo) Finished Wool Cloth

Shibori Silk

Raggedy Rags

Hand Crafted

Each Art piece has a history within them and a new journey ahead. Each piece has been sustainably reconstructed and reborn XVLQJ D YDULHW\ RI HWKLFDOO\ VRXUFHG PDWHULDO LQFOXGLQJ R௺ cuts from British Tweed Mills, organic cotton hand woven cross weave fabric, limited production fabrics and pre-loved RU ZDVWH IDEULFV ZKHUH WKH ÂżEUHV WKDW KDYH EHHQ ZHDYHG RU created already holds an imprint of someone’s creativity or historical living.

Season less, timeless, ageless sustainably reconstructed unique, sculptured wearable pieces of art, made in Britain. Hayley Trezise studied Fine Art exploring space, shape and form in various media and this is where her passion for sculpted Art and uniqueness for quirky couture lead her self taught path to create empowering, sculpted wearable Art.

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Hayley’s creations have been featured in ‘Refashioned’ book author - Sass Brown. She has shown collections at both London, Brighton and Oxford fashion Week and interviews and information about her work has been featured in many online ethical websites, and blogs. Hayley currently exhibits her Art at selected contemporary art fairs, exhibitions, in selected independent shops within the UK and through her online website.

Roots - Completely unique wearable art created intuitively, created from a mixture of ethical fabrics, up-cycled, British tweed and organic fabrics.

Bubble Top

Creations start their new journey within a beautiful re-purposed silk mill studio within the heart of Frome, Somerset, UK.

Pure - A formed pattern range using organic fabrics, hand woven cross weave fabrics, limited production fabric. Roots Jacket and Pure Dress

Hayley also welcomes bespoke commissions.

Hayley’s new journey has been creating a collection of bespoke art garments that are created with a purpose, a deep meaning and internal intention with a protective element to the wearer.

Hayley questions where freedom for our unique individuality has gone and hopes to inspire us to show our deeper selves though the wearing of Art and bringing shape and movement to our bodies.

These high-end beautiful pieces of art have been and will be created with an intention that is then infused stitched within the garment in a ritualistic way of calling in the ancestors and may reveal stories and meaning for the wearer.

“Why allow fear to rule and why not see instead that we are all beautiful unique beings�.

Water Journey Kimono

Coatagan

Woolie Kimono

Pure Collection

High Waisted Trousers

Rachel Reilly

Hand Crafted

, NQLW ÂżQH FRSSHU ZLUHV WR IRUP D IDEULF that I fold and shape into wearable pieces. The material is colour fast, non tarnish and waterproof. After graduating from Sir John Cass, London, I have used my jewellery degree training to develop my wire knitting technique. Over the last WZHQW\ ÂżYH \HDUV , KDYH UXQ )DFHWV RI $YDORQ LQ Glastonbury, my gallery and workshop space. Working with photographers, fashion designers and the general public keeps the work fresh! I love working with colour and particularly the blending‌it’s like painting. The forms I achieve are always organic, spiralling, natural shapes which sit on the body well. Over the years I have shown internationally and in the UK, winning awards in the U.S. and most recently two pieces were selected by the U.S ‘Wearable Expressions’ event.

Courtesan Cape (Knitted wire and velvet)

Flare Collar

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Courtesan Cape and Rose hair clip (Knitted wire and velvet)

Wing collar

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Rose Taper and Scallop circlet (Knitted wire)

Feather breastplate

Chris Roddick

Hand Crafted

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Sea of Grass

Hand Crafted

A growing range of natural, handmade art materials, including watercolours, beeswax crayons and sketchbooks. These handmade products are made with care by myself in my studio in North Cornwall, all the materials are responsibly sourced and the suppliers are small eco-friendly businesses. The Sea of Grass was a prairie on the plains of the Ukraine many millennia ago. An area where Asian, Celtic and European cultures came together.

Handmade Watercolour Paint in a Jar, Giallo Earth

I love the idea of this, as I was born into the cultural melting pot of Singapore, with Scottish, Romany and Italian ancestry. I have been making all my life, working with paper, stone, glass, metal and textiles. My creativity has been inspired by my background, a love of the natural world and the sustainable, natural materials I have explored for creative projects with my children.

6 Watercolour Jars in a Handmade Wooden Box, Earth Colours

The Sea of Grass studio is a love of colour, and a love of quality, natural materials sourced from all corners of the earth. It is a union of modern, sustainable technologies and simple craft processes. 3 Watercolour Jars in a Cardboard Tube, Bright Colours

The Sea of Grass is a contribution towards a simpler, more sustainable, slower way of living.

3 Limited Edition Tubes in a Tin

Travel Palette

Small Artist’s Sketchbook

6 Natural Beeswax Crayons in a Bag

Natural Beeswax Crayons in a Bag

Naomi Singer

Hand Crafted

Naomi is a fused glass artist who creates unique wall art, bowls, plates and more by FRPELQLQJ GLJLWDO LPDJHV RI ÀRZHUV DQG traditional glass techniques. 1DRPL ¿UVW VWDUWLQJ ZRUNLQJ LQ JODVV ZKLOH VWXG\LQJ for her degree in Contemporary Crafts at Falmouth College of Arts. It was during her time at university WKDW VKH ¿UVW GLVFRYHUHG WKH WHFKQLTXH RI IXVLQJ her own digital images into the glass, a process that she has continued to use to create her distinctive designs.

Dotty Collection (Fired Glass) Bespoke (Fired Glass)

After graduating Naomi set up her business, Naomi Singer Glass Design, selling to local small shops and galleries before expanding to provide pieces to galleries nationwide. Naomi has been selected to be a member of both the Devon Guild of Craftsmen and the Cornwall Crafts Association and she sells regularly in their shops and has been invited to exhibit in solo focus exhibitions several times with both organisations. Alongside her regular pieces Naomi also creates bespoke wall art for private homes and businesses. Naomi’s work is inspired by the landscape and plants that grow around her Cornish home. Her work contains images of many favourite Cornish ÀRZHUV DQG WKH EOXHV DQG JUHHQV RI KHU SLHFHV echo the nearby sea and rugged coastline.

Mini Dish Group (Fired Glass)

Dotty Collection (Fired Glass)

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Wall Art (Fired Glass)

All of Naomi’s pieces start as a digital photograph taken near her home, which are then PDQLSXODWHG RQ WKH FRPSXWHU XQWLO VKH KDV FUHDWHG WKH ¿QDO GHVLJQ 2QFH SULQWHG WKH GLJLWDO LPDJH LV ¿UHG LQWR D KDQG FXW SDWWHUQ RI FRORXUHG JODVV WR FUHDWH WKH ¿QDO SLHFH $ORQJ ZLWK KHU LQGLYLGXDO SLHFHV 1DRPL KDV DOVR GHVLJQHG VHYHUDO FROOHFWLRQV EDVHG RQ SRSXODU ÀRZHUV 7KHVH collections include a range of Naomi’s work from small gift items to larger feature pieces.

Esther Smith

Hand Crafted

I grew up in rural Scotland and now have a workshop in Cornwall, the surroundings and wildlife of both places are a constant source of inspiration. Walking in the British countryside R௺HUV XS EHDXWLIXO VFHQHV WR UHFUHDWH ZKHWKHU that be a simple running hare which becomes D VWDWHPHQW SHQGDQW RU D ZLOGĂ€RZHU PHDGRZ that becomes an automata. I also like to delve into folk songs and storytelling for ideas, even using excerpts from the very evocative Shipping Forecast.

Collections of hand-crafted silver jewellery alongside automata and small scale sculpture made in patinated copper, brass and silver. A strong sense of storytelling DQG IXQ SHUYDGHV P\ ZRUN , DP LQÀXHQFHG by the natural world and aim to capture some of the tiny moments in life that are so precious. I gained an honours degree in jewellery design at Birmingham School of Jewellery in 1990. I have made and sold jewellery throughout the UK and abroad since then. A move to Cornwall introduced me to the exciting craft of automata-making and I couldn’t resist giving this a try. I now make a collection of automata and small scale sculpture, some of which incorporates wearable pieces of jewellery. Making larger pieces has given me the opportunity to explore a wider range of subject matter. My work is in the collection of the National Trust at Trelissick House and is regularly exhibited through the Cornwall Crafts Association.

Walkies (Silver and copper) A brooch which celebrates the simple joy of walking the dog Snow Geese (Silver) A pendant that envisions the ‘V’ formations of migrating geese in northern Scotland

Whale Studs (Tiny silver stud earrings)

Companions (Patinated copper, silver, reclaimed oak) In this automata the whale can be removed and worn as a brooch or simply left as it is to keep the albatross FRPSDQ\ RQ LWV ÀLJKW DFURVV WKH VHD

Arboretum (Patinated copper, enamel and bell jar) $ SDVWRUDO VFHQH ZKLFK UHĂ€HFWV RQ D SHDFHIXO moment in Cornish woodlands

My jewellery is hand-crafted in silver while the automata and small scale sculpture combine silver with patinated copper and brass. Touches of enamel and recycled tin allow me to add some intense highlights of colour. Each piece sits on either a reclaimed wooden base or a section of Cornish branch taken from locally coppiced trees. I use traditional hand crafting techniques to achieve a three dimensional picture. My work is often bought as a reminder of a happy memory or as a celebration of the simple things in life.

Washing Hens (Patinated copper, brass, enamel and bell jar) A scene which evokes a happy memory of feeding the hens on a blustery autumn day

Mystery at Elginshill (Silver, patinated copper, brass and reclaimed mahogany) An automata that was inspired by an enchanting encounter with a group of circling hares in the depths of a beech wood.

Fox Went Out (Patinated copper, silver, metal leaf and rhododendron section) This automata was inspired by the old folk song “Fox Went Out on a Chilly Night�

Jane Smith

Hand Crafted

My artwork combines glass and ceramic in order to emphasise the beauty and contrast of both materials. I studied at Dartington College of Art and then Birmingham City University gaining a BA (Hons) in Ceramics and Glass. I have taught glass and ceramics for over 20 years with social services, in schools, colleges and Adult Education as well as producing both public and private commissions. Connections (Glass and Ceramic)

0\ FXUUHQW ZRUN H[SORUHV WKH GL௺HUHQW TXDOLWLHV RI WZR NLOQ IRUPHG PDWHULDOV ceramics and glass. The aim of the work is to create balance between the two materials both physically and aesthetically. My work emphasises the importance of balance and harmony, both aesthetically and physically and I currently enjoy combining the materials and techniques to create pieces that emphasise the importance of this balance.

Pebble Pots (Ceramic and Glass)

Equilibrium (Glass and Ceramic)

Deconstruction (Glass and Ceramic) Standing Stones (Ceramic)

Fiona J Sperryn

Hand Crafted

Luxury handwoven ponchos for women in a range of weights and styles. Limited edition, unique or bespoke, these exclusive designs are developed from RULJLQDO GUDZLQJV ZRYHQ E\ KDQG LQ ¿QH yarns on a digital jacquard loom and PHWLFXORXVO\ KDQG ¿QLVKHG It was during a Masters course that Fiona J Sperryn MA RCA discovered the piece of equipment that allowed her to combine her love of drawing and her love of weave – a jacquard loom. With several drawing and design prizes, commissions and sponsorship from the Worshipful Company of Weavers, Fiona decided to launch a creative career.

Orangutan poncho in supersoft cashmere, merino wool and linen

A high degree of technical knowledge underpins the design process. Fiona has developed her skills working as a freelance textile designer for weave, selling samples for industry in the UK and US (clients include CK home, CK menswear, M&S, Boden). She has designed in a New York studio and as a lover and keen learner of languages, has enjoyed working at mills in Guatemala and Italy. She has lectured in Textile Design at Falmouth University for a number of years. Having studied in Cornwall, she is now back and is inspired by her local environment, Bodmin Moor, and wider themes of sustainability and biodiversity. Fiona has a hands-on approach, drawing in various media, choosing colours and sustainable yarns before translating the ideas WKURXJK GLJLWDO PHGLD LQWR ÂżOHV WR EH KDQGZRYHQ on a state-of-the-art jacquard loom. A love of WKH WHFKQLFDO SURFHVVHV FRQVWUXFWLRQ DQG ÂżQLVKLQJ of cloth allow her to create a unique product. (YHU\ SURMHFW LV ÂżOOHG ZLWK QHZ GHVLJQ LGHDV DQG fuelled with technical challenges.

Detail of the Johann poncho available in a range of pinks and blues

Detail of the textured Semita poncho, cashmere, wool and cotton

Fiona J Sperryn is launching a new range of luxury ponchos for women, handwoven in her Cornwall studio from sustainably sourced merino wool, cashmere, silk and other fine yarns. Whether you’re looking for a glamorous layer to complement a special outfit or an elegant touch of warmth for an informal occasion, these soft luxurious pieces are the answer. Easy to wear, they are also perfect for travel. These contemporary versatile garments are skilfully designed and digitally crafted with a NHHQ DWWHQWLRQ WR GHWDLO DQG ¿QLVKLQJ (DFK SLHFH LV FDUHIXOO\ KDQGZRYHQ WDNLQJ VHYHUDO GD\V to complete. As heirloom pieces, these beautiful ponchos are for discerning customers who appreciate skilled craftsmanship and are willing to pay a little more for it. The range includes one-off articles and limited edition pieces. The perfect gift for a stylish person. ,QVSLUHG E\ WKH VHD WKH ,VWLR SRQFKR ¿QH PHULQR ZRRO ecowash wool and linen

Fiona also creates handwoven tapestry-style art pieces from her studio in Cornwall. She is represented by Circle Contemporary gallery and has exhibited in Cornwall, London and Berlin.

A contemporary take on a traditional pattern, the Johann poncho, merino wool

This beautiful Flosa poncho grew out of loose colourful drawings

Detail of Flosa poncho, merino wools and silk

Rachel Stowe

Hand Crafted

I specialize in Devore, which is a technique, which enables you to burn out the pile of IDEULF OHDYLQJ D UDLVHG DUHD DQG D ÀDW DUHD allowing me to dye another colour underneath, dyed often in contrast to the top pile. This process begins with me hand cutting a stencil and then printing with an acid paste which I mix once this is dry I have to KHDW WKH IDEULF WR HQDEOH WKH ¿EUHV WR IDOO away. The last stage of the process is to hand paint or dyes the fabric and then stitch the IDEULF LQWR LWœV ¿QLVKHG SURGXFW 3URGXFH luxurious printed silk and silk velvet fabric accessories for fashion and interiors. Rachel began her training at Herefordshire Art College and completed a HND in Textiles and Fashion, then in 1997 she started her own business where she produces unique hand painted and printed silk and velvet accessories, experimenting with various techniques including devore, dye reduction, wax resist, screen printing and hand painting. She gained an MA in 2001 at Birmingham University in Textiles and followed that with a Cert Ed in 2006. Rachel is constantly developing her work which is widely exhibited through galleries and the Guild of Gloucestershire Craftsman and recently the Cornwall Craft Association.

After celebrating 20 years as a professional textile artist & tutor I would like to push the boundaries and establish new relationships with galleries and other markets for my work. I am regularly producing new Collections of scarves and accessories. Either commission for exhibitions for sale in galleries. I get inspired By everyday scenery living on WKH FOL௺V DQG VHHLQJ DPD]LQJ FRORXUV DQG WH[WXUHV FKDQJLQJ LQ WKH VHDVRQ VR P\ ZRUN DOZD\V stays fresh and exciting. I am very interested in fashion & interior design and it does have an LQĂ€XHQFH RQ WKH FRORXUV , FKRRVH LQ P\ ZRUN , JHQHUDOO\ FUHDWH VZDWFKHV RI ZRUN RYHU D &RXSOH of months with a common theme which Works well when shown together but each Work will be unique in its own way. My aim is to Create “ beautifulâ€? pieces of wearable art.

Hugh West

Hand Crafted

I make individual hand-thrown pieces in porcelain. My limited edition prints are altered and enhanced photographs of the Cornish coast. After studying art and ceramics and after work experience with several established potters in &RUQZDOO , RSHQHG P\ ÂżUVW SRWWHU\ LQ 1HZTXD\ in 1971. I have spent 17 years over two periods working in France in the pottery village of La Borne. My present studio is just outside Truro.

Mevagissey Harbour

Fluted Bottle Vase (Porcelain)

I have worked with various clay bodies from stoneware to raku and now exclusively use porcelain, the clay which responds best to my love of throwing. Porcelain demands respect but allows delicacy of form. I enjoy taking it to its limits and exploring its endless possibilities.

Bottle Vases (Porcelain)

My second love is photography. Walking extensively in Cornwall, I have all I could wish as subjects: the coasts, of course, ZLOGOLIH DQG ÂżVKLQJ YLOODJHV 8VLQJ H[FLWLQJ modern technology, I play with images which are professionally printed on archival PXVHXP TXDOLW\ WH[WXUHG ÂżQH DUW SDSHUV

Red Fishing Boats

Vase with Chattered Rim & Base (Porcelain)

Bowl with Chattered Rim (Porcelain)

Vase (Porcelain)

Glazed Bottle Vase (Porcelain)

Waves

Franca Westaway

Original design Interiors fabrics and ‘ethical works’ textile products. Ethically sourced printed fabrics for all your interiors and XSKROVWHU\ QHHGV DQG EHDXWLIXOO\ ¿QLVKHG handmade textile products including FXVKLRQV EDJV DQG WDEOH OLQHQV 6XUIDFH pattern design for apparel and interiors for OLFHQVH VDOH 6HDVRQDO FROOHFWLRQV H[WHQVLYH portfolio and custom design projects for SULYDWH FOLHQWV LQWHULRU GHVLJQHUV DQG manufacturing. Franca’s background in Fashion and Textiles, work in the fashion industry and extensive experience as a teacher, visiting artist, workshop facilitator and community artist, together with a love of decorative detail, colour and fabrics have comELQHG WR ¿QG D QDWXUDO RXWOHW LQ VXUIDFH SDWWHUQ design and her own range of fabrics and textile products.

Cushions and Fabrics Mark and Monstera

Beautiful, eye-catching design combines with a focus on QDWXUDO ¿EUH IDEULFV DQG HWKLFDO SURGXFWLRQ DQG EXVLQHVV SUDFWLFH %ULWLVK OLQHQV RUJDQLF DQG XQEOHDFKHG FRWWRQV EDPERR IDEULFV DQG KDQGPDGH EHDXWLIXOO\ ¿QLVKHG KRPH WH[WLOH LWHPV

With a central focus on ethical and environmental issues in sourcing, production, manufacture, supply and consumption as well as business practice, Franca is driven by the desire work with these considerations at the fore. Building productive and creative working relationships with like-minded customers and businesses is where she is most inspired and excited. She lives with her husband and children on the beautiful North coast of Cornwall in the South West of England, drawing inspiration from the glory of the natural surroundings and her garden. A SDVVLRQ IRU SODQWV DQG ÀRZHUV DV ZHOO DV GLYHUVH LQÀXHQFHV IURP WKH EXLOW HQYLURQPHQW DEVWUDFW art and mid 20th Century design can be seen in her bold aesthetic and use of colour and line.

Peace Lily Monochrome

Ethical Works Cushions (Pineapple Head, Plantlife and Mark in Natural, Teal and Ochre)

)UDQFD :HVWDZD\ SURGXFHV KHU RZQ VHDVRQDO UDQJHV of interiors fabrics and the ‘ethical works’ range of textile SURGXFWV WR RUGHU DV ZHOO DV DQ H[WHQVLYH SRUWIROLR DQG FXVWRP GHVLJQ ZRUN IRU SULYDWH DQG LQGXVWU\ FOLHQWV +HU work is a celebration of the beauty of the natural world WKURXJK OLQH DQG FRORXU 6XUIDFH SDWWHUQ GHVLJQ DQG LOOXVWUDWLRQ IURP KHU H[WHQVLYH SRUWIROLR RU FXVWRP SURGXFHG WR FOLHQW EULHI LV DYDLODEOH WR SULYDWH DQG LQGXVWU\ FOLHQWV IRU OLFHQVH RU VDOH Ethical Works Cosmetic Bags (Pineapple Head and Poppygosh)

Leaf Terrazo and Leaf Tumble

$ UDQJH RI UHFHQW DQG DUFKLYH ZRUN FDQ EH VHHQ DW ZZZ IUDQFDZHVWDZD\ FRP SRUWIROLR SDVVZRUG DYDLODEOH XSRQ UHTXHVW Clients include; Nomads Clothing - Fair Trade Fashion, 3DFVXQ /$ 7RUULG /$ 7RSVRQ 'RZQV /$

Fabrics by the Metre (Pineapple Head, Poppygosh and Inky Link)

Seedhead Charcoal

Cushions (Seedhead Charcoal, Seedhead, Leaf Tumble and Leaf Terrazo)

FEATURED FASHION Jill Blackie Farnworth & Cole Krishnaa Shyam Sundar Maude and Fox Milochie Owen Barry AnaĂŻs Renaud

Hand Crafted

Highlights products that are handmade

Jill Blackie

Colourful, eye-catching designs created using mixed media. Jill graduated from Exeter College of Art with a BA (Hons) in Fine Art Printmaking. Her work encompasses a wide range of media, from her early etchings and lithographs to more recent silk paintings and designs created using computer technology. Using the Serti method, many of Jill’s original GHVLJQV DUH SDLQWHG RQ VLON 6WHDP ¿[ SDLQWV JLYH WKH ¿QLVKHG SLHFH D YLEUDQF\ ZKLFK VKH ¿QGV LGHDO IRU UHSURGXFLQJ LQ RWKHU PHGLD +HU VLON SDLQWLQJV KDYH EHHQ H[KLELWHG ZLGHO\ in the South West and she has received commissions from clients in France, Bermuda and Australia.

Peony Scarf (Hand painted silk) Foxglove Scarf (Hand painted silk)

Although my art and designs have been exhibited and sold locally, commissions received from overseas clients indicates it has a wider appeal. The ability to work across a broad spectrum of media gives me the versatility to produce designs suitable for reproduction on a wide range RI HQG SURGXFWV HLWKHU DV µRQH R௺V¶ RU RQ a commercial scale.

Aquilegia Design Tote Bag

Jill’s fascination for Japanese woodcuts is UHÀHFWHG LQ WKH ÀRZLQJ OLQHV DQG FRORXU ZKLFK FKDUDFWHULVH D ORW RI KHU ZRUN ,QVSLUHG E\ WKH EHDXW\ RI WKH 6RXWK :HVW -LOO LV QHYHU VKRUW RI inspiration and rarely goes anywhere without RQH RI KHU FDPHUDV RU VNHWFKERRNV

Lilies Design (Ink on paper)

Aquilegia Design (Hand painted silk)

Magnolia Scarf (Hand painted silk)

Tree Peony Design (Hand painted silk)

Peacock Scarf (Hand painted silk)

Tile Design Tote Bag

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Farnworth & Cole

Silk scarves lovingly designed in England and made in Italy. From a very early age, Alison loved to paint and draw and took her inspiration from nature and her surroundings in Somerset. In her mid-twenties she completed a Fine Art degree specialising in painting. A few years after graduating she was given a bag of tapestry wool and canvas by a neighbour and was immediately drawn to the rich vibrancy and warm texture of the wool. She began to stitch. After years of stitching and unpicking Alison eventually perfected a pointillist way of stitching which meant she could create a GLPHQVLRQDO WRQDO HႇHFW WR KHU ZRUN 6KH DOVR captured a unique quality stitching colours so close in value next to one another that the work glows. It is achieving this quality which now makes wool her medium of choice. In 2013 Alison was delighted to be commissioned to produce a series of pieces for Ehrman Tapestries. These commissions rekindled her interest in the natural world often choosing subjects unseen RU XQNQRZQ EXW ¿QGLQJ D EHDXW\ LQ WKHP DQG translating this to needlepoint. In her research for her stitched pieces, she also discovered the plight of so many creatures, many of them under threat, or facing extinction. Raising awareness of threatened creatures has also become a theme in her work and it will be developed further with Farnworth & Cole.

The Open-Winged Jewel Beetle with Border Scarf

The Adonis Ladybird Scarf

The story of our silk scarves begins and ends in a single stitch. Each scarf originates in a intricate needlepoint design, which is then carefully photographed and edited and translated into pattern and digital print. The scarves are made to the very highest quality in Como, Italy using both generations of expertise and the very latest print technology.

Becoming increasingly aware of the creative potential of technology, Alison recently began her exploration into extending the creative process of her work into print. The challenge was to be able to reproduce her work without compromising the integrity of the original stitched piece. Early in 2017 she discovered the silk industry and print expertise in Como, Italy. She founded Farnworth & Cole and began to work on producing KHU ÂżUVW UDQJH RI VLON VFDUYHV

The Glossy Starling Scarf in a Box

The Green and Blue Beetles Scarf

Because of this story, the print is completely unique. The vibrancy and integrity of the original embroidery is enhanced by the natural qualities of silk which results in beautiful, unique, wearable works of art.

The Glitter Weevil Scarf

The Shrill Carder Bee Scarf

The Parenthesis Ladybird Scarf

Maude and Fox

Hand Crafted

British tweed, British made and designed clothing with a bit of a twist. All designed WR EH SUDFWLFDO ZLWK ÀDLU DQG FUHDWH DQG Urban Country Chic look. Clothing for ladies and gents that has a contemporary look and feel. Maude and Fox was established in 2012 , Sue Longmore the Creative Director was trained as a Landscape Architect and has worked in the UK, Hong Kong and Australia in the design industry as well as teaching in design at Kingston University UK. Sue works closely in the Maude and Fox studio with Tanya Glynn who studied fashion at Bournemouth University. Maude and Fox originally took its inspiration from Country pursuits, some of the products that remain from the original collection are The Gamekeeper and The Foxy Sports Gilet. Since the beginning the tweed clothing has evolved to include garments such as the Fur Fly ZLWK LWV WDLORUHG ¿W EXW FRV\ ÀHHFH OLQLQJ LW ORRNV fabulous in town or country.

Blenheim Tweed Bomber

The Crusader Cape

Fur Fly Grey Tweed

Nosy Tweed Parka

Maude and Fox is a British Company designing and making tweed clothing with a bit of a twist. Maude and Fox adds a contemporary edge to a traditional material all made in Britain. Clothes for ladies and gents are designed to really work as well as looking good. All Maude and )R[¶V FORWKLQJ JRHV WKURXJK WKH VWUDSOLQH WHVW ZKHQ GHVLJQLQJ WR PDNH VXUH LW ¿WV ZLWK EUDQG YDOXHV these are ‘Tweed With A Twist’, ‘Practical With Flair’ and ‘Urban Country Chic’. Patriot Gilet and Patriot Bag

An element of fun is also important to the company. 'L௺HUHQW UDQJHV LQFOXGH 7KH 3DWULRW 5DQJH LQVSLUHG E\ WKH 2O\PSLFV ZKLFK ZHUH WDNLQJ SODFH LQ WKH 8N LQ WKH \HDU RI 0DXGH DQG )R[¶V HVWDEOLVKPHQW ± WKLV UDQJH KDV SURYHG WR KDYH JUHDW VWD\LQJ SRZHU 6RPH FORWKLQJ LV GH¿QLWHO\ DLPHG DW WKH &RXQWU\ 6KRRWLQJ ZRUOG VXFK DV 7KH µ3XOO¶ 6KRRWLQJ Vest and The Gamekeeper Tweed Hoodie whereas others can be worn in town or country such as The Fur Fly made out of a tweed from Scotland or The Nosy Tweed Parka, all super cosy with ÀHHFH OLQLQJV

0DXGH DQG )R[ LV SUHVHQW DW KLJK SUR¿OH HYHQWV such as The Gamefair, Horse Of The Year Show and The Rare Brand Market – it has equal appeal at all events with a broad spectrum of customer types. Customers inspire many products and feedback inspires many new ideas, garments named after customers include The Karl, The Dave and The Romain.

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Recently the brand received National Coverage in The Times and continually receives press coverage to spread brand awareness.

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Maude and Fox won a place to represent British Brands at Dusseldorf Fashion Week in 2018. Maude and Fox is based in a Coach House within a country based estate in Dorset UK. A perfect location for people to visit and see us at work.

Patriot Red Jack Skirt & Classic Tweed Hoodie

The Crusader Cape

Brace & Parka

Jacket

Milochie

No compromise, more action. Milochie LV DQ DFWLYHZHDU EUDQG ZLWK D GLႇHUHQFH FUHDWLQJ ¿WQHVV JHDU WKDW LV HWKLFDO DQG HFR IULHQGO\ PDGH IURP QDWXUDO ¿EUHV After all, recycled plastic is still plastic that ends up in the eco-system. Introducing the Wanderlust collection exploring the heart of four fascinating cities. Our new range is made with our own developed fabric, 0LORÀH[Š 0DGH IURP 7HQFHOŠ 0LORÀH[Š is incredibly sustainable and great for your skin. 7HQFHOŠ LV FUHDWHG IURP ZRRG SXOS ZKLFK FRPHV from sustainably harvested trees that are turned LQWR IDEULF XVLQJ D VXSHU HႈFLHQW FORVHG ORRS V\VWHP WKDW UH XVHV RI LWV ZDVWH 7HQFHOŠ ¿EUHV DUH QDWXUDOO\ DQWL EDFWHULDO VZHDW ZLFNLQJ biodegradable and luxuriously soft! Your skin will thank you. We aim to spread awareness and empower customers to participate in ethical and environmentally sustainable solutions. Get fit and care for the planet.

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Jaipur Print 1

Stockholm Print 1

We are living in a wasteful society, where nearly everything we own is ‘disposable’. Many items are cheap in production, cheap on our wallets, but expensive for our environment. Most yoga wear is made of synthetic materials and often produced in unethical factories. More natural products are often poorly designed and uninspiring.

Kyoto Print 1

The Milochie ethos is to create stylish and functional yoga and activewear which is sourced from manufacturers who treat employees fairly and are crafted from natural materials wherever possible. With high quality clothing, made to last, we go against the throw-away culture, providing a ‘No &RPSURPLVH¶ GHDO *HW WKH WHFKQLFDO IHHO EXW ZLWK WKH QDWXUDO EHQH¿WV )URP IDEULF LQQRYDWLRQ WR VWXQQLQJ SULQWV RXU SUHPLXP DFWLYHZHDU R௺HUV VRPHWKLQJ WKDW VWDQGV RXW from the crowd…showing that natural materials and an ethical production line are the superior choice. By 2020, activewear is predicted to represent $83 billion in sales in the US alone. Let’s make sure it’s earned the right way. We currently sell through the UKs largest online yoga retailer, our own website and other online retailers. We have also sold wholesale to various European countries and kitted out several UK yoga studios.

Bali Print 1

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Owen Barry

Hand Crafted

Leather, Sheepskin, & Cowhide, handcrafted products from British manufacturer who has been manufacturing in traditional artisan methods for over 70 years, all products are a bi-product of the food industry and are HFR DQG HQYLURQPHQWDOO\ FHUWL¿HG 7KH\ DOVR FRPH ZLWK D OLIHWLPH JXDUDQWHH The Barry family have been involved with Sheepskin & Leather tanning and manufacture in Somerset UK for over 70 years, we can trace our leather working roots back to the mid 1800’s. Today in our workshops in the South West of England we still manufacture everything by KDQG ZH KDYH D WHDP RI VWDႇ WKLV YHUVDWLOH team enables us to supply leading retailers and designers globally, with North America/Canada, Japan and South Korea being our 3 main marketplaces. We visit our export markets regularly and would be pleased to present personally if of interest.

Small & Large Vermont Purses

Shearling Fingerless Mittens

Kent Sheepskin Mens Trapper Hat

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Our collection has expanded to include ready to wear clothing and accessories, handbags, purses(wallets) and small leather goods, also soft furnishings and lifestyle products, including sheepskin beanbags, aprons, doorstops etc. Our range is quite eclectic, but primarily based around beautiful skins and attention to detail, we have in house capabilities to adapt and customise designs to the clients own specs (minimum quantities apply).

Sheep Doorstop

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Sheepskin Hotwater Bottle Cover

Harrogate Toscana Wrap

Mathilde

Dudley and Zara

Artisan Apron

AnaĂŻs Renaud

Hand Crafted

Anaïs Renaud creates niche silk scarves for the wanderlust, which are designed in the UK. Every print is unique and meticulously created, exhibiting bright bohemian colours DQG GLVWLQFW ÀRUDO PRWLIV We have designed a vibrant collection of scarves around Cala Gonone and Porto Cervo in Sardinia. It is these wonderful coves and ancient graphics that have been recreated.

Palau CarrĂŠ Scarf

We care about the quality of our silk prints whilst integrating patterns and colours in the most UH¿QHG ZD\ Our core values are rooted in the way we treat great fabrics mindfully and integrate the right colours. Spain, Italy and France inspire the use of a strong palette of colours in our work. Using our signature colour greens, golds and whites, our ÀDJVKLS VFDUI LV 5LFRWWD ZKLFK UHVXOWV LQ EHDPLQJ classic, dazzling and eclectic scarves. Our stockists are based in Chelsea in London, Mumbles, Swansea and Clifton, Bristol. We are creating our next collection with our Italian manufacturer.

Regatta CarrĂŠ Scarf

Palau CarrĂŠ Scarf

Regatta CarrĂŠ Scarf

Anaïs Renaud, trained in London is designing luxurious patterns. Traveling and discovering new places often means unsettling and re-adapting to the new country and we want our scarves to be the familiar accessory. Scarves are always a great companion to bring along dazzling prints. Every collection is unique DQG PHWLFXORXVO\ FUHDWHG LQ RXU GHVLJQ VWXGLR DQG RXU EULJKW FRORXUV DQG GLVWLQFW ÀRUDO PRWLIV EULQJ uniqueness to your personality.

RosĂŠ Ricotta Scarf

Ricotta CarrĂŠ Scarf

Ricotta CarrĂŠ Scarf

Ricotta CarrĂŠ Scarf

Krishnaa Shyam

Hand Crafted

100% Silk and Cashmere-Modal scarves designed in the World Heritage city of Bath and printed in a small design workshop in India. My art is inspired, in equal measure, by the beautiful city of Bath where I live and the great folk traditions of India, where I grew up. This cultural blend has resulted in a unique style that is at once modern and deeply rooted. I primarily draw freehand and then digitally assemble my drawings in repeat patterns. These patterns are often hard to disentangle, making them visually compelling and ideally suited to large surfaces. I initially trained at home, learning the traditional Indian technique of Tanjore Painting from my grandmother. My deepened interest in the history and theory of art led me to degrees in the History of Fine Art from Stella Maris in Chennai and then a BFA in Illustration from the renowned Savannah College of Art and Design. However, it was my masters project at Bath Spa University’s MA in Brand Management that set me on my current path to become a surface pattern designer.

Autumn Wheat

Blooming Blue

Spice Garden Green

Spice Garden Green

Mosaic Kumkum Red

I came to see scarves as a modern embodiment of the traditional Indian silk saree - which is womenswear comprising of a single 6m long piece of cloth - as the ideal surface for my designs. This resulted in a unique Kickstarter project where every backer of my specially designed scarves would automatically support the livelihood of woman artisans in India. Through this successful campaign, I have shipped my scarves to happy customers all over the world.

Mosaic Rose Pink

Palmyra Dark Mauve

Optic Fish

Beautiful Peonies

My luxurious scarves create a unique west-to-east aesthetic that appeals to fashionable women who like a twist of colour and pattern in their lives. The scarves are printed on beautiful 100% crêpe silk or a unique blend of cashmere and modal in a small design-led workshop in India. The silk is carefully selected, precision cut and machine-edged. The cashmere-modal is ZRYHQ VSHFLDOO\ WR FDUU\ P\ ¿QH OLQHV DQG YLEUDQW FRORXUV ,W LV raw edged, and light to the touch but warm and snug when worn. Both materials are loved by my customers and are available at highly competitive wholesale prices.

Mosaic Rose Pink

Beautiful Peonies

Bougainvillea Wistful Pink

Mosaics

Bougainvillea Chilli Red

FEATURED HOME & INTERIORS Kinsley Byrne Cornish Pots DOR & TAN LIGA Lovegrove Essentials Particle Press Kaitlyn Pearson Purmoren Crafts Heather Scott Stuart Scott Emmeline Simpson zero12photography

Hand Crafted

Highlights products that are handmade

Kinsley Byrne

Hand Crafted

The original ideas are carved directly from a single wooden block or two pieces joined together to create a hollow form, in the case of the vessels, usually in oak. Starting from a sketch it can take months to carve a single piece especially when working with green wood as it has to be dried carefully and slowly to avoid splitting.

Sculptural furniture and objects from wood and bronze. Born in Yorkshire, I studied furniture making at Leeds College of Art and Design, which included two work placements at Ecole Boulle in Paris. I went on to work as a cabinetmaker for David Linley, making many pieces for his shop in London. After a period of working on wooden boats, and UHVWRULQJ DQG VDLOLQJ P\ RZQ JDႇ ULJJHG FXWWHU , settled in Cornwall and continue to develop my own ideas in Art and Design. I am fascinated and inspired by the beauty and simplicity found in nature. In science and the history and development of humanity over millennia. My work has been exhibited at the Millinery Works Gallery in London and as part of the Cornish Craft Association at Trelissick and Trelowarren.

Venus Stool Bronze Sonin Vessel

Venus Stool

Venus Stool with Feet

The Venus stool has been carved from a single block of tulip wood and then coated with jesmonite and black pigment to check the shape, without the grain and features in the wood throwing the eye. It can then be shaped again and recoated several times to perfect the form before being sent away to the foundry to be lost wax cast in bronze. The bronze can then be polished and/or patinated to the client’s preference.

Sonin Vessel in Oak

Ushuri

Cornish Pots

Hand Crafted

Cornish Pots is a collection of ceramic tableware inspired by the traditions of pottery and the landscape of Cornwall. A range of ceramic cups,mugs,pourers, bowls and vases. Created in a studio in the countryside of Penwith, Cornwall. Designs are inspired by &RUQLVK QDWXUDO EHDXW\ ÀRUDO KHGJHURZV EOXH skies and white-crested waves. Exhibited both Nationally and Internationally. Ceramic work can be found in both public and private collections.

Cornish Pots Display

Cornish Pots Collection

The pots are individually thrown using white earthenware clay, decorated with a coloured slip on the potter’s wheel, glazed with a transparent, soft glaze DQG WKHQ ¿UHG (DFK SRW EHORQJV WR WKH collection but is subtly unique. Rebecca Harvey Cups

Flower Vase

Cereal Bowl

DOR & TAN

Hand Crafted

Minimal and environmentally mindful, hand-thrown ceramic tableware. Made to be used every day and cherished. We are a ceramic design studio quartet based in St Ives, Cornwall with Sharron Page Stocks as our head potter and designer. She has a qualification in 3D design from Loughborough University and has been creating ceramics for over 40 years. The Cornish environment is our muse and inspires the way we work and think. Hues, textures and forms from the coastline we’re nestled in are UHĂ€HFWHG LQ RXU FHUDPLFV :H EHOLHYH WKDW GHVLJQ and function isn’t only skin deep, it’s also about making mindfully and for causes you feel deeply connected to. We source most of our clays locally, which means we can keep Co2 emissions down, but also help support businesses close to home. All our ceramics are hand thrown on a kick wheels using no electricity, just human kinesis. Every kiln runs on green energy, and all our packaging is recyclable. Collaboration is a key part of our studio, we’ve FUHDWHG PDQ\ FRႇHH VSHFLDOLVHG FHUDPLFV IRU 2ULJLQ &RႇHH 5RDVWHUV $V ZHOO DV GHYHORSLQJ bespoke glazes especially for them, we’ve sponsored and are still sponsoring UK barista champion Dan Fellows and Italian Barista &KDPSLRQVKLS ÂżQDOLVW )UHG &XFFDWR HYHQW WR be held in the coming year). Sharron earlier this year also collaborated with Eco Chef and writer of “The Natural Chefâ€? Tom Hunt. Together they created a collection of tableware bespoke made IRU KLV &KLQHVH ÂżYH HOHPHQW LQVSLUHG IHDVW

Strata Plates and Tumblehome Bowls

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Marran Green and Lava Fleck Espresso Cups from our Sea Of Greens collection

Minimal, thoughtfully designed ceramic tableware made sustainably. When we are designing QHZ LWHPV ZH ÂżUVW EULQJ WKHP LQWR RXU KRPH :H SXW WKHP RQ RXU VKHOYHV DQG XVH WKHP LQ our daily rituals. We wear them in and see how tactile and functional they are. To see which colours, forms, and textures we subconsciously migrate to time and time again. These items ZH EULQJ LQWR WKH VWXGLR WR UHÂżQH DQG GHYHORS LQWR ZKDW HYHQWXDOO\ PDNHV LW RQWR RXU VWRUH The process of making is slow and thoughtful, taking care to choose the proper way over the HDVLHU ZD\ (DFK REMHFW LV WKURZQ E\ KDQG IURP FOD\ IRXQG ORFDOO\ DQG ÂżUHG XVLQJ JUHHQ HQHUJ\ 7KHVH WUDGLWLRQDO SURFHVVHV PDNH HYHU\ SLHFH XQLTXH QR WZR REMHFWV ZLOO EH LGHQWLFDO sisters not twins.

:H VHOO WR D VHULHV RI ERXWLTXHV DQG FRႇHH shops based in Cornwall and London; the list can be found on our website (dorandtan.com). Strata Pinch Dish and SPSC X Tom Hunt Chawan

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Carafe and Shallow Footed Bowl from SPSC X Tom Hunt collection, food by Tom Hunt

SPSC X Tom Hunt and Strata Plate collections

LIGA

We design Eco Homewares for everyday living inspired by the natural world. We use recycled, organic and sustainable materials in recognition of our personal responsibility for our planet. My background is in Retail and Interior Design. We trial new designs in our own shops in Cornwall. We have been wholesaling our products for under twelve months to over one hundred stores, mostly in the UK. Swallows Cork

Oyster Candles

Fern Cork

We are loving working with Cork - designing our range of tableware and homewares. Cork is harvested every nine years, the bark is extracted from the Cork Oak without any harm. Cork trees can live for more than 200 years and the more cork we use, the more trees will be planted. Cork is sustainable, renewable and recyclable - practical too, water impermeable and easily wipe clean and insulating. Our Tide Clock is made from recycled plastic milk bottles and looks a like slate, but warmer to the touch. Our Oyster Candles are from made from real oyster shells with hand poured pure white wax. 2XU IDPLO\ UXQ EXVLQHVV LV EDVHG LQ &RUQZDOO ZKHUH ZH GHVLJQ PDQXIDFWXUH DQG ÂżQLVK DOO RXU SURGXFWV

Dandelion Cork

Pinecones Cork

‘Look deep into nature and then you will understand everything better’ Albert Einstein

Tide Clock

Coastal Cork

Sardine Cork

Lovegrove Essentials

Hand Crafted

Luxurious holistic skincare, handmade in Dorset. We use pure essentials oils and the highest quality organic and natural ingredients. Lovegrove Essentials founder – Hannah Lovegrove & Hayley De Beers:

Hannah trained at Chichester College in classical Health & Beauty Therapy in the 1970s. She believes that a Therapist has to work with the highest standards of ethics and care, and that a thorough understanding of theory and practice LV QHFHVVDU\ WR JLYH 7KHUDSLVWV WKH FRQ¿GHQFH WR GHOLYHU WRS FODVV HႇHFWLYH WUHDWPHQWV 1DWXUDO FRVPHWLFV DQG WKH KROLVWLF XVHV RI HVVHQWLDO RLOV KDYH DOZD\V EHHQ DPRQJ KHU PDLQ LQWHUHVWV +HDOWK DQG ZHOOQHVV FRQWLQXH WR EH D PDMRU IRFXV H[SUHVVHG WKURXJK KHU practice as a well-known and respected Iyengar Yoga Teacher and Facial Therapist. +D\OH\ WUDLQHG DW WKH 'HODPDU $FDGHP\ LQ Ealing Studios and has worked as a Make-up $UWLVW DQG +DLU 6W\OLVW LQ WKH ¿OP PXVLF YLGHR and photography industry since 2008. Hayley ZDV +HDG 0DNH 8S $UWLVW LQ 8UEDQ 5HWUHDW # +DUURGV IRU VHYHUDO \HDUV DQG KDV H[WHQVLYH H[SHULHQFH LQ KLJK HQG UHWDLO DQG OX[XU\ EUDQGV $IWHU EHLQJ WKH RQ FDOO DUWLVW RI FKRLFH IRU PDQ\ of the leading 5-star hotels and spas in London, +D\OH\ QRZ ZRUNV DV D IUHHODQFH 0DNH 8S $UWLVW GHVLJQLQJ DQG GHOLYHULQJ WUDLQLQJ SURJUDPPHV IRU FRVPHWLFV FRPSDQLHV VSDV DQG VDORQV Hayley co-created the full range of Lovegrove Essentials products and as Creative Director, RYHUVHHV WKH EUDQG GHYHORSPHQW DQG PDUNHWLQJ

“Lovegrove Essentials delivers exceptional natural skincare. Hand-made and carefully formulated to support you through the GL௺HUHQW VWDJHV LQ \RXU OLIH ZH XVH RQO\ natural and adaptogenic ingredients that FDQ XSOLIW UHOD[ UHMXYHQDWH DQG LQVSLUH We believe that good health is supported by natural purity and that our bodies respond EHVW WR ZKROHVRPH LQJUHGLHQWV ERWK LQVLGH and out.â€? 6LQFH ZH KDYH FUHDWHG D UDQJH RI PXOWL DZDUG ZLQQLQJ IDFLDO VNLQFDUH DQG a professional range for spas and mobile WKHUDSLVWV ZLWK DFFUHGLWHG WUDLQLQJ WR SHUIRUP our unique signature facial treatment. We DOVR KDYH DQ DZDUG ZLQQLQJ UDQJH RI ERG\ 0DVVDJH %DOPV ZLWK D P\ULDG RI XVHV DQG EHQHÂżWV 2XU QHZHVW DGGLWLRQ LV D UDQJH of organic In-room toiletries for hotels and VSDV SOXV D +DQG :DVK DQG +DQG /RWLRQ for their customer bathrooms that can be UHÂżOOHG LQ RUGHU WR UHGXFH WKH FRPSDQ\ÂśV use of single-use plastics. 7KLV \HDU ZH RSHQHG RXU ÂżUVW /RYHJURYH (VVHQWLDOV :HOOQHVV 5RRP LQ FROODERUDWLRQ ZLWK 7KH 2OOHURG 'RUVHW :H FDQ QRZ provide a consultation service to boutique KRWHOV WKDW ZRXOG OLNH WR VWDUW R௺HULQJ treatments to their guests. We help them to GHVLJQ DQG FUHDWH WKHLU ZHOOQHVV VSDFH DQG WUHDWPHQW PHQX DQG WR ÂżQG KLJKO\ TXDOLÂżHG therapists and train them to perform our OX[XULRXV KROLVWLF WUHDWPHQWV XVLQJ Lovegrove Essentials products.

Particle Press

Hand Crafted

I design and make homewares and gifts, inspired by nature. My images start out as drawings and paintings, and develop in to patterns for fabric printing and screen printing. Born in Elgin, Scotland in 1983. I studied for a BA in Printmaking at Grays School of Art in Aberdeen, and went on to study for a Masters in Printmaking at the Royal College of Art in London in 2004. After graduating from the RCA, I continued making work from my London studio, and I also went on to teach printmaking at London Print Studio.

Cornish Garden Birds Lampshade Wild Flowers Weekly Planner

I exhibited in various exhibitions, including the Royal Academy Summer Show, Mall Galleries and the Royal Scottish Academy.

Tea Towels

From my beautiful studio nestled in the countryside, I produce homewares and gifts inspired by the rambling hedgerows, ZLOGĂ€RZHUV DQG JDUGHQ ELUGV 0\ ZRUN starts out as either paintings or drawings of things that I have collected or spotted DURXQG RXU &RUQLVK ÂżHOGV

I set up Particle Press after discovering a love for fabric printing, and have recently rediscovered painting which has allowed my work to be translated in to full colour fabric designs. Screen printing still remains at the crux of my practice, and I enjoy making small collections of prints to sell alongside my digitally produced fabrics.

They are then translated in to bright uplifting patterns, which I turn in to lampshades, cushions, tea towels and stationery.

I am now based in the countryside, just outside Falmouth in Cornwall, where I design and make my work. I also run a programme of workshops throughout the year, teaching my love of screenprint to all ages.

Fiona Leighton Cornish Garden Birds Lampshade and Cushion

Cornish Garden Birds Tea Towel

Blue Tits and Poppies Lampshade

Screen Printed Pink Flowers Zip Purse on Linen

Flying Song Thrush Lampshade

Song Thrush Cushion

Kaitlyn Pearson

I am a mostly self taught illustrator/designer who has a love of colour, the sea, nature and animals. I live in Cornwall with my boyfriend and 13 little dogs. I studied Graphic Design but then lacked the FRQ¿GHQFH WR SXUVXH LW DV D FDUHHU VR ZHQW WR ZRUN LQ DQ DFFRXQWV RႈFH IRU PDQ\ \HDUV , ZRXOG VWLOO GUDZ FDUWRRQV DQG PDNH YDULRXV WKLQJV EXW QHYHU GUHDPHG LW ZRXOG RQH GD\ EHFRPH P\ FDUHHU $ FKDQFH HQFRXQWHU DW RQH MRE OHG PH WR H[SHULPHQW FRQYHUWLQJ P\ FDUWRRQ VW\OH LQWR D FRPSXWHU JHQHUDWHG LPDJH XVLQJ WKH VKDSHV LQ 3XEOLVKHU 7KH RQO\ SURJUDP , KDG XVHG DW WKH WLPH ZKLFK ZRXOG DOORZ PH WR EH FUHDWLYH ,W ZDV D VXFFHVV DQG WKDW OHG PH WR FUHDWH PDQ\ GHVLJQV ZKLFK DUH VWLOO YHU\ SRSXODU WRGD\

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I print a lot of my own homewares and gifts after learning the sublimation process. These are all made in a static caravan next to our KRPH DQG , XVH WKH VSDUH URRP DV P\ R௻FH and printing room.

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Purmoren Crafts

Hand Crafted

Purmoren Crafts is based in Cornwall and produces handmade stoneware ceramics with the essence of Japan. So named after the Cornish translation for Kathryn – ‘Pure Maiden’. Originating from London, Kathryn has gradually moved further south; settling in Cornwall in 2001. Kathryn returned to education following several years of working in the banking industry, choosing Truro and Penwith College to complete a BTEC in Art and Design with a triple distinction. After 5 years of creative studying and graduating from Falmouth University, in 2013, Kathryn focused on being an established crafts person and a member of the creative family at Krowji, Redruth.

Stoneware Jar (Willow Copper String Brush Detail)

Porcelain Chopstick Rests

Currently entering her next chapter, Kathryn has relocated to work in a new space and focus on some new projects. Having exhibited her work at various places around Cornwall, Kathryn is currently part of the Poly Guild (Falmouth), Truro Arts (Truro), Herringbone (Polperro) and The Lane Gallery (Truro).

Kathryn Watson’s work is mostly made from Cornish Stoneware and is mainly depicting a Japanese essence i.e. sushi platters, teapots, tea bowls and sake sets. In addition to these stoneware items she also produces porcelain rice bowls and chopstick rests from porcelain slip and other functional everyday items such as mugs, bowls and pots.

Kathryn also exhibited her work at Carcadden Gardens in Trellisick, Feock, a National Trust property. The ‘Dancing Willow’ sculpture was there for over 3 years. There are still times when willow is incorporated in her work i.e. handles for her teapots. Kathryn’s work is inspired by the simplicity of a range of Japanese ceramics which was introduced to her when studying her BTEC in Art and Design. The work she produces is an emblem of Japanese subtlety and transience, and although she is a perfectionist sometimes likes to work outside of her comfort zone.

Porcelain Rice Bowls

Matt Black Stoneware Teapot

Most of the glazes used are lead free and her work is original and handmade.

Satin White (Willow Copper and String Brush Detail)

Satin White Stoneware Tea Bowls

Black Red Stoneware Sake Set

Matt Black and Red Stoneware Sushi Platter

Small Blue Stoneware Teapot

Heather Scott

Hand Crafted

I’m a woodworker and metalworker, based in Cornwall, creating furniture and homewares that echo the simple beauty of Japanese and Scandinavian design. It’s all in the detail - the craftsmanship, the honesty and the functionality of products that make more of your everyday. After studying a year of Contemporary Crafts BA at Falmouth University I decided to focus solely on woodwork, taking up a carpentry apprenticeship IRU WZR \HDUV DQG WKHQ ¿QGLQJ P\VHOI D ZRUNVKRS locally. My workshop is based on a farm in West Cornwall, surrounded makers and artists. My environment has inspired me to look at other materials and encouraged me to learn to weld and explore metalwork. This ability to combine materials has been the basis for my new furniture collection. I have exhibited across the UK at London Design Fair, The Contemporary Craft Festival in Bovey Tracey and Newlyn Art Gallery and the Devon Guild of Craftsmen.

My work is strong in style and elegant in form. I work with both timber and steel, from planing to welding, sanding to grinding. I combine materials to create elegant structural forms. My pieces are made to last and made to be used, time and time again.

Stuart Scott

Hand Crafted

We design and make by hand beautiful contemporary furniture. We were born in 2011 with the idea of creating a unique make-to-order collection. We are based in Wiltshire having started out with 750sq. ft. We now have close to 5000sq. ft. We are very proud to say that we make furniture and we make it well. Each piece is signed and numbered – we keep a register of everything we make and I personally check each and every piece before it leaves. We have built the business on creating a superb product. We have looked at the global whole as our market place. We now sell to most of Europe, and export to Russia, the Middle East, Far East and the US. We have collaborated with some amazing brands, such as Sophia Webster, The Four Seasons and McLaren Automotive.

Fleure Bench

Hex Dining Table

Marci Console Table

We recently opened a London based showroom in collaboration with a British luxury home furnishing brand and soon we will be celebrating the making of our 1000th piece.

Stuart Scott is a self-confessed perfectionist. He is driven to design furniture that combines JHRPHWULF PRGHUQLVW SUHFLVLRQ ÀRZLQJ RUJDQLF EHDXW\ DQG SXUH FRPIRUW +LV ZRUN is the product of a singular vision and a deep HQJDJHPHQW ZLWK DXWKHQWLF QDWXUDO PDWHULDOV of great character. The results are hand-made masterpieces designed to stand the test of time. We have a collection of upholstered pieces, sofas, chairs, cabinet pieces - side and occasional tables, dining tables and consoles. 2XU XSKROVWHU\ DQG IUDPH PDNLQJ LV GRQH LQ KRXVH 2XU VXSSO\ FKDLQ LV ORFDO DQG ZH FKRRVH FDUHIXOO\ :H DOVR ZRUN ZLWK D WLJKW QHWZRUN RI HQJLQHHUV VDGGOHUV VSHFLDOLVW ¿QLVKHUV DQG JXLOGHUV (DFK SLHFH LV EXLOW E\ KDQG LQ RXU ZRUNVKRS LQ Wiltshire, England. Nothing is mass-produced. This ensures complete attention to detail, structural integrity and sheer build quality. We never compromise.

Florence Easy Chair

Fleure Sofa

Constructor Chair

Isabella Slipper Chair

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Adoni Sofa

Emmeline Simpson

Emmeline Simpson is an artist/designer producing unique contemporary souvenirs and gifts inspired by British cities and made in Britain. In her home town of Bristol back in 2009, Emmeline felt that her city wasn’t being celebrated enough. She began to see a demand for high quality contemporary souvenirs inspired by the city as well as functional products for people’s homes which celebrate their own personal memories of landmarks that are special to them. After selling her greetings cards to gift shops in Bristol, she began to incorporate her iconic collage images into a range of products including tea towels, mugs, stationery, as well as high quality melamine placemats and coasters, all produced in small factories in the UK.

Kew Cushion

Borough Market Placemat

Parliament Square Padblock

Emmeline’s designs begin with a line drawing which is embellished with elements of collage taken from magazines, newspapers and fabric, and then paint is added. ‘I am passionate about collage... it always brings something new and exciting with so many and varied patterns and textures it brings to a landscape.’

Clifton Balloons Bristol Placemat

Poppies Mug

Set Of Six London Coasters

Her collections include a number of British FLWLHV %ULVWRO %DWK 2[IRUG &DUGL௺ (GLQEXUJK Cheltenham and London. Her London range brings together the well-known tourist sites of Tower Bridge, Parliament Square and Piccadilly Circus, as well as featuring well loved and favourite haunts of Londoners themselves such as Kew Gardens, Hampton Court, Borough Market, and Carnaby Street. She hopes that her work will be enjoyed as much by those who live in the cities she depicts as those who are passing through or have moved on. People have a strong connection with the cities and places where they live, and by giving a gift to someone featuring that place, they are celebrating a memory they had together, The idea behind her products is they are functional objects, so rather than having a piece of artwork on your wall, it can be incorporated into a product that can be used in everyday life.

Piccadilly Circus London Coaster

London Notecards

Buckingham Palace Placemat

zero12photography.com Homeware products based on my artwork and photography. After falling in love with photography and art at an early age there was no question on what I was going to study. After going to university and receiving my BA in photography, I decided to set up my small business zero12photography from my own home where I could indulge in mixing art with photography. All products are handmade by me and are based on my work, which is inspired by my love of travelling and colour.

Glass Coasters 4

Glass Coasters 2

Glass Coasters 3

I am based in Wiltshire and have exhibited my work at the Old Truman Brewery Art Exhibition in Shoreditch, London.

My work is based on colour, emotion and what , ¿QG LQVSLULQJ $OO P\ SURGXFWV DUH EDVHG RQ P\ DUWZRUN DQG SKRWRJUDSK\ DQG FRPH DW DQ D௺RUGDEOH SULFH DOORZLQJ HYHU\RQH WR KDYH D SLHFH RI DUW LQ WKHLU KRPH Glass Placemat 1

Glass Coasters 5

Glass Coasters 1

Plush Velvet Cushion 1

Plush Velvet Cushion 2

FEATURED STATIONERY Hattie Buckwell Caroline Cook Fivebargate HRIBARCAIN Poet and Painter The Pattern Book Laura Stoddart Chloë Tinsley

Hattie Buckwell

Illustrations of times of adventure. Trained in illustration and textiles print design, I am based in the vibrant city of Bristol, UK. I sell my work through more than 50 shops and galleries throughout Europe, including co-owning my own Gallery Shop in Central Bristol. Original paintings using watercolour & ink. Prints are high quality Giclee Prints produced XVLQJ DUFKLYDO LQNV ¿QH DUW SDSHU

Seasonal Flowers

Explore

Starry Roundscape

Fill your walls with prints & cards to remind you of all the Mountains to climb and Oceans to Swim. Illustrations of times of adventure playfully populated with snow-capped mountains, tessellating VKRDOV RI ¿VK DQG ZLOGODQGV IURP DFURVV WKLV LOOXVWUDWHG ZRUOG /RRN FORVHO\ LQWR FRORXUIXO GUHDPVFDSHV WR VHH WKH WLQ\ VXUIHUV DPRQJVW LQN\ WXUTXRLVH ZDYHV DQG VHFUHW SRROV SHUIHFW for wild swimming. “I love the storytelling in each illustration and the prints are hard to distinguish from a painting. 6R HDV\ WR EX\ DV SUHVHQWV DQG QHYHU JLYH DZD\ ´ / :KLWH

Koi

Moon Phase

Feast

Dive

Surf

Caroline Cook

A West Country artist Caroline Cook specialises in equestrian art and other animal portraits. She has been painting since she was old enough to hold a paintbrush. Self-taught her paintings capture mood, light and action, whilst retaining accuracy and attention to detail.

Making a Splash

Barn Owl in Winter

I Love Whippets

Although originally known for her equestrian art, &DUROLQH &RRN DOVR SDLQWV D ZLGH UDQJH RI GL௺HUent subjects. Dogs, wildlife, country scenes, and horse racing are all captured by this versatile artist. She paints the things she knows and loves best and this is apparent in her stunning artwork.

September Pheasants

Dawn Riders A Near Miss (Fox and Pheasant)

Sunrise Stag

The Greeting

Springtime

Morning Glory

Highland Cattle

Big Orange Defeats Order of St George

Fivebargate

Graphic prints and cards. Fivebargate is the brainchild of Andy Goodman a designer, illustrator and London escapee who works from his home just outside the city of Bath. Andy’s work uses bold, geometric imagery and visual puns to underpin or subvert everyday phrase and language. His love of contemporary design and minimalism is evident in his use of both colour and form.

Informal Hedge Figure & Flute

Six Colours Under the Sun

Andy Goodman collaborates with design agencies and publishing companies and is currently working on graphics for three children’s wards at St Thomas’ Hospital in London. He continues to write and design graphic tales for children and is published by Edizioni Corraini in Italy and Princeton Architectural Press in New York.

Brushstrokes

A horse, a horse, my kingdom for a horse

When in Rome

Mouse in Convertible Clog

Final Bow

Red Herrings that Grow in the Wood

HRIBARCAIN

Ground breaking, innovatively designed pencils, pens and accessories. Co-founders, Ashley Hribar-Green and Matthew Aston Cain are British entrepreneurs with a wealth of experience in product design engineering. After working for one of the largest technology companies in the world, Ashley and Matthew decided to pursue their dream of designing products that challenge convention as a result of groundbreaking innovation. Every design conceals a unique technology exclusive to HRIBARCAIN. This philosophy represents the company’s drive and passion to create products that have a clear design advantage and make them stand out amongst the rest. Their goal is to package innovative technology in the most unassuming way in order to maintain a pure and minimalist aesthetic.

MAGNO- 2mm Magentically Energised Pencil (Cutaway)

“Living in a society surrounded by age old products we conform to tolerate their faults. It is not until these faults are recognised and relentless design is implemented that we discover the rebirth of a product in all its fruition. This philosophy is the very heart and soul of Hribarcain”. MAGNO-INK Pen (Strawberry Gold)

Ashley Hribar-Green / Matthew Aston Cain (Co-founders and Directors of Hribarcain)

Every component is completely bespoke with a clear purpose and made with the highest engineering and manufacturing standards at heart. Their belief is that product perfection is only achieved through a vigorous approach to design development and prototyping prior to manufacture. All prototypes are machined in house by HRIBARCAIN in order to better understand how each design can be optimised. This meticulous approach is evident in the quality and attention WR GHWDLO GLVSOD\HG E\ WKH ¿QDO SURGXFWV MAGNO-INK Colour Range with Docking

MAGNO-2mm Magnetically Energised Lead Pencils

HRIBARCAIN Accessories

MAGNO-INK Magnetically Energised Pen (Cutaway)

MAGNO-INK Magnetically Energised Pen Colour Range

Poet and Painter

Contemporary greetings cards and prints. At Poet and Painter British artists Lucy Creed and Bryn Dineen create strikingly original, witty cards and products, with an eye for the unnoticed in the every day. Their training in Fine Art brings a freshness to the work, which features a bold love of colour and wordplay, to create unpredictable and Rႇ EHDW GHVLJQV Their range covers everything from parenting to pet ownership through to teenage trauma and life’s curve balls. While the studio itself produces a constant stream of current, and often snortingly funny, original writing, a selection of designs feature the brilliant poems of Trevor Parsons, a stalwart of modern British Poetry. So, whether they are cheerily illustrated poems, or beautifully created imagery, the cards have something to say to all of the people in your life.

FP427 Best Friend Lover

FP31 Perpetua

Poet and Painter Products

We are delighted to have been nominated as Finalists in the UK’s prestigious Henries Awards 2018 (Contemporary Trend Category.)

The Poet and Painter studio is located in the beautiful countryside just outside the glory that is Georgian Bath, and Lucy and Bryn are as much inspired by city culture as by the contemplative country life.

Customers love our playful humour, which is the LQN\ ¿QJHUSULQW RI WKH 3RHW DQG 3DLQWHU EUDQG IXQQ\ ZLWKRXW EHLQJ R௺HQVLYH LQFOXVLYH \HW irreverent. One could say very British…

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FP112 Thinking of You Group

FP234 Still Smitten

FP456 Dad Star Unsung Hero

The Pattern Book

The Pattern Book curates vintage graphics from art, literature and science and re-purposes them into everyday greetings cards. Partners Nick Crowe and Neil Baber both have an eye for the unusual. With a passion for art history and ideas, they share the key tasks of curating, re-purposing and designing greetings cards for internationally recognised brands. Finding images they can adapt into cards not only requires painstaking research but a great deal of luck. They’re always looking for original images that might strike a chord with customers’ hobbies, interests and intellectual pursuits, and it can take days to strike it lucky in any particular archive or library. Their most prized designs often come from outof-print books. Some of their best selling cards explore the theory of colour, natural history and LFRQLF SURGXFW GHVLJQ RႇHULQJ D QHZ DSSURDFK to greetings cards which resonates with the curious and creatively minded. This approach was rewarded in January 2018 when eighteen months after launch The Pattern Book was short listed for the Top Drawer ‘Spotted’ award for the best newcomer at the international trade show in Olympia, London. Before The Pattern Book, Nick was an arts writer for Prospect Magazine and former musician in the rock band Gay Dad. He is a contributing author to the Phaidon book Body of Art (2015). Neil Baber is a graduate in History of Art from the University of Manchester and was a book editor at the art publisher Phaidon Press for many years. As well as running The Pattern Book he is now a part-time lecturer in publishing at Bath Spa University.

The Pattern Book Mantelpiece

Standards of Hue

Pencils

Greens

Since launching in 2016 with only a handful of cards, The Pattern Book now has a dozen ranges featuring over 100 designs.

Swimming

5LJKW IURP WKH RXWVHW WKH EXVLQHVV ZDQWHG WR GH¿QH LWV RZQ QLFKH LQ WKH KLJKO\ FRPSHWLWLYH JUHHWLQJV card industry rather than following seasonal or design trends, and Nick and Neil thought long and hard about their own interests and the kinds of cards they’d like to receive themselves. So they decided that designs should have a timeless quality, be beautiful enough to frame, and stimulate their intellectual curiosity. 1DWXUDOO\ ERRNVKRSV JDOOHULHV PXVHXPV VWDWLRQHUV IUDPHUV DQG VW\OLVK JLIW VKRSV DUH IXOO RI FXULRXV SHRSOH DQG QRZ PDNH XS 7KH 3DWWHUQ %RRN¶V JURZLQJ FXVWRPHU EDVH LQ WKH 8. 6WRFNLVWV QRZ LQFOXGH WKH /RQGRQ 'HVLJQ 0XVHXP WKH &RQUDQ 6KRS 7DWH %ULWDLQ 7DWH 6W ,YHV WKH :HOOFRPH &ROOHFWLRQ 6FRWWLVK 1DWLRQDO *DOOHULHV WKH 'DXQW %RRNV FKDLQ %ODFNZHOO¶V ERRNVKRSV GR]HQV RI LQGHSHQGHQW ERRNVKRSV VWDWLRQHUV IUDPHUV DQG JLIW VKRSV DFURVV %ULWDLQ DV ZHOO DV PDQ\ FRXQFLO UXQ SXEOLF JDOOHULHV DQG PXVHXPV 7KH EXVLQHVV LV QRZ UHDG\ WR H[SDQG LQWR QHZ WHUULWRULHV DQG QRW MXVW (QJOLVK VSHDNLQJ FRXQWULHV PDQ\ GHVLJQV DUH UHDGLO\ WUDQVODWDEOH $OO QHZ VWRFN LV SULQWHG RQ D FDUERQ QHXWUDO IRXU FRORXU OLWKRJUDSKLF SUHVV XVLQJ VXVWDLQDEO\ VRXUFHG DFLG IUHH ,WDOLDQ WH[WXUHG SDSHUV DQG DUH SDFNDJHG ZLWK UHF\FOHG ÀHFN NUDIW HQYHORSHV LQ UHF\FODEOH FHOORSKDQH EDJV (DFK FDUG LV EDU FRGHG DQG VROG LQ SDFNHWV RI VL[ SHU GHVLJQ

Chemistry of Birthday Candle

Lego

Oeufs

Laura Stoddart

Laura Stoddart’s distinctive and beautiful work has made her one of the most admired of British illustrators. Laura Stoddart was born in Liverpool in 1971. She grew up in rural Cheshire and always wanted to be an illustrator. After studying at Brighton University and the Royal College of Art she began her career with a commission from the Royal Mail for the 1996 Christmas stamps, the youngest professional artist ever to have designed a set of stamps. Since then she has worked for a broad range of clients, from Gardens Illustrated and Crabtree & Evelyn to Portmeirion and Unicef, in all areas of design and illustration.

Globe Head

Magnolia Man

Two years ago she set up a company to design, produce and sell illustrated products, her beautiful and distinctive work can be seen on stationery, china and giftware as well as a series of limited and unlimited editions of prints.

Fireworks

Laura now lives and works on the Devon/ Somerset borders with her husband and two children.

Ways to Die

She loves chairs, trees, china dogs and red shoes and many other things, and is very proud of being a third generation illustrator.

Plant Hunter

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Storm in a Tea Cup

Tea Tree

Topiary

Bernard and Ethel

ChloĂŤ Tinsley

My cards printed onto quality, recycled paper from the South West, packaged in compostable packaging with a recycled envelope, really are the guilt free selection for many customers.

‘When it rains, knowing my paint will slide Rႇ WKH FDQYDV , UHWUHDW WR P\ VWXGLR DQG draw in inks and gouache. I work on Wildlife and Botanics, inspired by things I see in nature. These originals are then turned into limited edition prints, and cards and packaged in compostable packaging.‘ Swimming in the sea every morning, I get that time to meditate on and connect with the natural environment. To be able to convey that sense of full life, of nature bursting forward, present and dynamic through the use of line and colour is wonderful. Starting the drawings in inks, it challenges my draughtsmanship, and allows a strength of voice to come forward. A fully contrasting media and technique to my plein air painting, although one often informs the other, existing symbiotically.

Standing out from the others on the market at WKH PRPHQW WKHUHœV DQ DUUD\ RI RYHU GL௺HUHQW designs to choose from, all reproduced to a very high print quality, and remain very close to the original artwork. The style is free and dynamic conveying a sense of movement. The subject matter and their presentation, are all of WKH PRPHQW 7KH\ ¿OO WKH JDS IRU D WKRXJKWIXO card, one that is for keeping, and for the more discerning individual.

Gutweed

Having put together large scale art exhibitions, worked on garden and interior designs and produced much graphic material; taking the drawings and working on them to create illustrative cards, combines my skills and allows me to make something entirely unique, accessible and GHÂżQLWHO\ VRPHWKLQJ WR EH VKDUHG An art scholar through my teens, I was fascinated by line; visiting Paris and Barcelona with my sketchbook and black pen, inspired me to never be without art or inspiration from such a young age. I studied the History of Art at Edinburgh and La Autonoma in Madrid; my grounding in art and its histories is full. After this I surrounded myself with many contemporary and award winning artists, those who had a lot to share. The Langham Gallery in London are currently showing my original inks and my cards can be found across the UK from Scotland to Cornwall, and my wonderful Falmouth is championing them very proudly to which I am very grateful for.

Pheasant on Parade

In particular my cards would suit a store that has customers with a strong ethical voice, an eye for nature and a love for the distinct.

Agapanthus

Signed, limited edition giclĂŠe prints of these are also available, ready framed, perfect for the art collector or interiors industry buyer for large orders, (lead times applicable). More details of her work at www.chloegallery.co.uk.

Kelp

Iris

ChloĂŤ Tinsley Card Selection

FEATURED BABY Cuddle Dry Rockit Toucan Toucan William and the Wolf

Cuddledry Ltd

The Cuddledry baby apron towel attaches around your neck like an apron, so both hands are free. Lifting baby up out of the bath is easy and safe, as you naturally wrap up baby in your arms and cuddle them dry, strengthening the bond between you. The cosy hood goes over their head to keep them warm. You don’t have to think about holding a towel at all. Cuddledry was founded by Polly Marsh and Helen Wooldridge, two friends and both working mums. They realised that every parent faced the same juggling act at bath time, trying to hold a baby with two hands whilst also holding a towel and wrapping them up warm. Many parents cited this moment as the most stressful moment of all. Polly and Helen realised there was a very simple solution and set about designing a “hands freeâ€? towel - enabling parents to safely lift and cuddle baby without having to hold up a towel. Natural. Simple. Safe. The product was snapped up by Mothercare and WKH 1&7 DW WKHLU ÂżUVW WUDGH VKRZ DQG DGYLVHG it was the best product at the show. They were asked to go on Dragons Den, where 3 of the Dragons wanted to invest all the money, but the girls turned them down, proving their product hugely successful. Since then most major retailers have stocked The Cuddledry, and the range has expanded to include bath time products and accessories for children up to age 6, including toddler towels, hair towels, wash cloths, natural sponges and chewable latex ducks. Over 50 awards have been won to date, including Mumsnet Best for 9 years running. This award is bestowed upon brands by parents and is not a competition entered by brand owners themselves, hence Cuddledry being particularly proud of this one. Cuddledry aspires to make bath time safe, simple, and fun - for everyone. &XGGOHGU\ ZDQW DOO SDUHQWV WR EHQHÂżW IURP WKLV VLPSOH EXW KXJHO\ HႇHFWLYH SURGXFW DQG DUH involved in social enterprises to assist parents from poorer backgrounds in India and inner cities in the UK.

Cuddledry attaches to the parent/carer around the neck, giving parents two hands free to safely lift baby into your arms. Simply wrap towel up around the baby and there is a hood to keep them warm. Parents can cuddle them dry naturally in their arms. The whole process takes a second or two. The towel is double the size of most baby towels and lasts years, rather than months so is excellent value for money. When the parent wants to put baby down, there is no need to unwrap the baby or untie anything behind the back or neck - the poppers are located on the shoulder at the front of the product, enabling a simple pull to release the towel, all the while safely holding onto baby in your arms. Baby stays warm, and parents stay dry. It’s truly the most simple and natural thing in the world. Even when baby starts walking, parents continue to use the Cuddledry as a large toddler towel with a hood. The whole product is double layered - to trap air - making the Cuddledry much warmer than a normal single layer towel. The towel is made using a special blend of bamboo and cotton. Bamboo ensures the product is super soft which is great for baby’s skin. Bamboo is also much more absorbent than cotton so great for a towel, and is naturally anti-bacterial and eco-friendly (being the most sustainable crop on the planet, requiring no irrigation, pesticides or fertilizers). No wonder Cuddledry has won so many awards and is the number one baby bath towel in the UK.

Rockit

5RFNLW LV D SRUWDEOH EDE\ URFNHU WKDW ¿WV any pram or stroller and gently rocks to soothe your baby to sleep or keep them asleep when the stroller comes to a halt. We design and manufacture innovative nursery products. Rockit was developed by 3 dads on mission to help other parents safely soothe their babies to sleep. Dr. Nick Webb invented it when his three-month-old daughter Abby refused to sleep in the pushchair at the supermarket checkout. Rockit was launched in September 2017 and within a few months it was stocked in the UK by John Lewis, Mothercare and JoJo Maman Bébé as well as over 130 independent retailers all over the country. We started exporting in January 2018 and have now sold over 45,000 units worldwide. Rockit has won multiple design awards including the prestigious Design Council Spark Award, the European Product Design Award and The Progressive Preschool ‘Innovation Award’. Other accolades have included a ‘Made for Mums’ Gold and a ‘Family Choice Gold Award’ Since launch, Rockit has made plenty news ZLWK SUHVV FRYHUDJH FRPLQJ IURP KLJK SUR¿OH publications including Which? Magazine, The Times and T4 Magazine, amongst others. Celebrities have also raved about Rockit including 3KLOOLS 6FKR¿HOG DQG +ROO\ :LOORXJKE\ RQ µ7KLV 0RUQLQJ¶ ,79¶V ÀDJVKLS PDJD]LQH VKRZ :H DUH currently working with Brilliant PR and Marketing and planning a US targeted PR campaign for Q3-Q4 2019.

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ToucanToucan Ltd Fairly genderless mini jarmies.

My husband John and I have two children; one of each. We founded ToucanToucan because , IRXQG LW UHDOO\ GLႈFXOW WR ¿QG VZHHW WUDGLWLRQDO style jarmies for my little people which were JHQGHU QHXWUDO VRIW RUJDQLF FRWWRQ DQG QRW going to cost the earth! :H FXUUHQWO\ OLYH LQ 6DOLVEXU\ 8. EXW RXU IDPLO\ started in a tiny country in Africa called Malawi.

We believe that children should be free to GH¿QH WKHPVHOYHV :H¶UH DERXW QRQ JHQGHU GH¿QLQJ SULQWV SDWWHUQV DQG FRORXUV (YHQ WKH FXW RI RXU FORWKLQJ LV IDLUO\ JHQGHUOHVV <RX ZRQ¶W ¿QG DQ\ IULOOV RU ODFH ZLWK XV :KDW \RX ZLOO ¿QG LV KDQG SDLQWHG LOOXVWUDWLRQV GLJLWDOO\ SULQWHG RQWR JRUJHRXVO\ VRIW *OREDO 2UJDQLF 7H[WLOH 6WDQGDUG *276 FHUWL¿HG FRWWRQ :H KDYH DOVR WHDPHG XS ZLWK D ZRPHQ¶V FRRSHUDWLYH LQ =LPEDEZH =LP]DODELP LV D VPDOO VRFLDOO\ UHVSRQVLEOH ZRPHQ¶V FR RSHUDWLYH RSHUDWLQJ LQ 'RPERVKDZD %XGLULUR DQG 0DNDQ\H (DFK DQLPDO LV PDGH IURP =LPEDEZHDQ FRWWRQ DQG VWX௺HG ZLWK SRO\HVWHU 7KH DQLPDOV FRPH &( PDUNHG VR WKH\¶UH VDIH IURP QHZERUQ XSZDUGV ZLWK QR GHWDFKDEOH SDUWV RU FKRNLQJ KD]DUGV (DFK SXUFKDVH KHOSV WR VXSSRUW VWUXJJOLQJ IDPLOLHV LQ WKH UXUDO DUHDV RI =LPEDEZH 7KDQNV WR \RXU RUGHU WKH NQLWWHUV ZLOO EH DEOH WR D௺RUG VFKRROLQJ PHGLFLQH DQG KHDOWK FDUH DV ZHOO DV KHOSLQJ WRZDUGV WKHLU GD\ WR GD\ OLYLQJ FRVWV +DYLQJ VWDUWHG RXU IDPLO\ LQ 0DODZL ZH DUH SDVVLRQDWH DERXW JLYLQJ EDFN WR WKH FRPPXQLWLHV ZKR KHOSHG XV DORQJ WKH ZD\ WR ¿QG RXU KDSSLQHVV

William and the Wolf

Hand Crafted

William and the Wolf’s style focuses on blending classic style with more fun and quirky elements, making them unique and still completely suitable for little cubs. Having never sewn before, being accepted to study Product Design at A Levels provided both her (and her teachers!) with a challenge. Becky rose to the occasion, spending many lunch breaks and after school sessions in an attempt WR OHDUQ WR FUHDWH WKH PRVW GLႈFXOW FORWKLQJ KHU ¿UVW VHZQ JDUPHQW ZDV D IXOO\ OLQHG DQG ERQHG corset. Never one to shy away from a challenge, her next project took her into the world of Parents and Children, and she created a modular changing bag which transformed into a toddler backpack and changing mat.

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The research she had done into this market opened her eyes to the lack of diversity within childrenswear, especially handmade clothing. $ ORW RI WKH FORWKLQJ IHOW SDWURQLVLQJ DQG MXYHQLOH Becky decided to start creating a range of solid colour bibs to add interest but still compliment HYHU\ RXW¿W 6KH WKHQ H[SDQGHG WKH UDQJH WR include clothing and now has a range including dresses, t-shirts, leggings, rompers and bloomers.

The design aesthetic for William and the Wolf come from the majority of Becky’s childhood spent watching old movies with her mum. The eternal style of the 50s and 60s was emphasised, with icons such as Grace Kelly and Hitchcock’s blondes inspiring the sophistication that is present in the design. Fun and quirky elements are added in to made it suitable for a younger market. All items are hand sewn to make them as long lasting as their design. Amy Bloomers

Crowns

Casper Crowns

Little Pup Romper

gov.uk/dit

DIT Department for International Trade is the Government Department that helps UK-based companies succeed in the global economy. We also help overseas companies bring their highquality investment to the UK’s dynamic economy acknowledged as Europe’s best place from which to succeed in global business. Disclaimer :KHUHDV HYHU\ HႇRUW KDV EHHQ PDGH WR HQVXUH WKDW WKH LQIRUPDWLRQ LQ WKLV GRFXPHQW is accurate, neither Department for International Trade nor its parent Departments (the 'HSDUWPHQW IRU %XVLQHVV ,QQRYDWLRQ DQG 6NLOOV DQG WKH )RUHLJQ DQG &RPPRQZHDOWK 2ႈFH accept liability for any errors, omissions or misleading statements, and no warranty is given or UHVSRQVLELOLW\ DFFHSWHG DV WR WKH VWDQGLQJ RI DQ\ LQGLYLGXDO ¿UP FRPSDQ\ RU RWKHU RUJDQLVDWLRQ mentioned. © Crown Copyright 201 You may re-use this information free of charge in any format or medium, strictly in accordance with the terms of the Open Government Licence. To view this licence, visit: www.nationalarchives.gov.uk/doc/open-government-licence or email: psi@nationalarchives.gsi.gov.uk. :KHUH ZH KDYH LGHQWL¿HG DQ\ WKLUG SDUW\ FRS\ULJKW LQIRUPDWLRQ LQ WKH PDWHULDO WKDW \RX ZLVK WR XVH \RX ZLOO QHHG WR REWDLQ SHUPLVVLRQ IURP WKH FRS\ULJKW KROGHU V FRQFHUQHG Any enquiries regarding this material should be sent to us at enquiries@dit.gsi.gov.uk or WHOHSKRQH Image Credit: -XOLD 5RZODQGV Produced by the Department for International Trade South West

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