Ships Not Shelters_POI_Shopwork

1

Ships not Shelters p.

Dedicated to the leavers.

Published in 2011 by Shopwork www.shopwork.net

22

2

"Re-s e a r c h m e a n s l o o k a g a i n , d o n ' t it?

Means t h e y ' r e l o o k i n g f o r s o m e t h i ng they f o u n d o n c e a n d i t g o t a w a y someh o w , a n d n o w t h e y g o t t o r e s e arch for i t ! " Lyman Enders Knowles Kurt Vonnegut – Cat's Cradle Consi d e r i n g L . K n o w l e s s t a t e m e n t a bove feel f r e e t o r e f e r t o u s a s a S e a rch & Devel o p m e n t / D e s i g n ( S & D / D ) p l a t f o rm.

Our t o p i c s a r e m a n y a n d p o t e n t i a l ly any. T o p i c s t h a t a r e v e n t u r e d a n d there f o r e c h o s e n d u r i n g o u r r e g u l ar and n u m e r o u s d i a l o g u e s . S o m e a r e / were o f t h e m o m e n t b e l o n g i n g t o t he zeitg e i s t s , b u t m o s t a r e m o r e e n d uring and c o n s i s t e n t t h e m e s t h a t w e s h a re and c a n n o t r e s i s t t o b r i n g u p a t any given o p p o r t u n i t y .

Shopw o r k

3

The Young Hegelians Circa 1840

4

5

85

6

IT TAKE A TO THIS

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or any

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WILL YOU NUT READ BOOK. . 18

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This book contains language, Earth (human) references population currently estimated and images to be 6.92 billion. that were 1 Pint of deemed acceptable Milk at the time of publication.

Underwriter

p.77

8

Humans, known taxonomically as Homo Sapiens (Latin for "wise man" or "knowing man"), are the only living species in the Homo Genus of bipedal primates The imperial version in Hominidae, the great ape family. is 20 imperial Anatomically, modern humans originated in fluid ounces and is Africa about 200.000 years ago, reaching equivalent to about full behavioral modernity around 50.000 568 mL, while the The world's years ago.

U.S. version is 16 tallest U.S. fluid ounces structure is and is equivalent to the 828 m about 473 mL. One (2.717 ft) tall imperial pint is equal Burj Khalifa to 19.2152 US fluid in Dubai, ounces. Pints are United Arab commonly abbreviated Emirates. as either “p” or “pt”.

Milk is a white liquid produced by the mammary glands of mammals.

Outstretched-Sl

ow-clap p. 10

& p. 12

(Gregorian Calendar)

SPI resin identification coding high-density polyethylene (HDPE) or polyethylene high-density (PEHD) is a polyethylene thermoplastic made from petroleum. It takes 1.75 kilograms of petroleum (in terms of energy and raw materials) to make one kilogram of HDPE. HDPE is commonly recycled, and has the number '2' as its recycling symbol. In 2007, the global HDPE market reached a volume of more than 30 million tons.

AFN ALL DZD ARS AUD BSD BHD BDT BBD BMD BRL BGN XOF XAF CAD CLP CNY COP XPF CRC HRK CZK DKK DOP XCD EGP EUR FJD XAU HKD HUF XDR ISK INR IDR IRR IQD ILS JMD JPY JOD KES KWD LBP MYR MUR MXN MAD NZD NOK OMR PKR XPD PEN PHP XPT PLN QAR RON RUB SAR XAG SGD ZAR KRW LKR SDG SEK CHF TWD THB TTD TND TRY AED GBP USD VEF VND ZMK

Currency Unit Afghanistan Afghanis Albania Leke Algeria Dinars Argentina Pesos Australia Dollars Bahamas Dollars Bahrain Dinars Bangladesh Taka Barbados Dollars Bermuda Dollars Brazil Reais Bulgaria Leva CFA BCEAO Francs CFA BEAC Francs Canada Dollars Chile Pesos China Yuan Renminbi Colombia Pesos

Units per GBP 70.7480995688 162.8358003331 118.5692272836 6.7153104550 1.5234080440 1.6453046411 0.6203538214 120.5185518209 3.2906092823 1.6453046411 2.6504851782 2.2485874007 754.2030052086 754.2030052086 1.5706382735 768.9332395346 10.6846919353 2,940.9820439219 Comptoirs Français du Pacifique Francs137.2046622214 Costa Rica Colones 818.0454868140 Croatia Kuna 8.4786686082 Czech Republic Koruny 27.8678636394 Denmark Kroner 8.5724043551 Dominican Republic Pesos 61.9457221229 East Caribbean Dollars 4.4423226095 Egypt Pounds 9.7739326453 Euro 1.1497750694 Fiji Dollars 2.9291520043 Gold Ounces 0.0010895154 Hong Kong Dollars 12.7858871487 Hungary Forint 303.8483705146 IMF Special Drawing Rights 1.0281097525 Iceland Kronur 187.0711376970 India Rupees 73.4957816373 Indonesia Rupiahs 14,031.1579753829 Iran Rials 17,278.9825076761 Iraq Dinars 1,922.5379475104 Israel New Shekels 5.7262612527 Jamaica Dollars 140.0976922819 Japan Yen 133.6489856633 Jordan Dinars 1.1681657009 Kenya Shillings 141.1671425565 Kuwait Dinars 0.4528717609 Lebanon Pounds 2,483.5842018615 Malaysia Ringgits 4.9054760302 Mauritius Rupees 45.5749393935 Mexico Pesos 19.0392602799 Morocco Dirhams 13.0172233543 New Zealand Dollars 2.0767048631 Norway Kroner 8.9719534513 Oman Rials 0.6335738887 Pakistan Rupees 139.8508944122 Palladium Ounces 0.0022786043 Peru Nuevos Soles 4.5961584250 Philippines Pesos 70.6164721427 Platinum Ounces 0.0009211757 Poland Zlotych 4.4861481190 Qatar Riyals 5.9921991743 Romania New Lei 4.6994111025 Russia Rubles 45.5589562269 Saudi Arabia Riyals 6.1703038050 Silver Ounces 0.0440744151 Singapore Dollars 2.0273197243 South Africa Rand 11.1852357126 South Korea Won 1,768.6929451431 Sri Lanka Rupees 180.4405569806 Sudan Pounds 4.4036576105 Sweden Kronor 10.3074575661 Switzerland Francs 1.4536229249 Taiwan New Dollars 47.1462024412 Thailand Baht 49.5400526748 Trinidad and Tobago Dollars 10.5299490335 Tunisia Dinars 2.2699434123 Turkey Lira 2.5964540076 United Arab Emirates Dirhams6.0435330909 United Kingdom Pounds 1.0000000000 United States Dollars 1.6453046411 Venezuela Bolivares Fuertes 7.0748099569 Vietnam Dong 33,868.5960335413 Zambia Kwacha 7,806.9705221831

GBP per Unit 0.0141346553 0.0061411557 0.0084338915 0.1489134429 0.6564229485 0.6077901776 1.6119832998 0.0082974777 0.3038950888 0.6077901776 0.3772894141 0.4447236517 0.0013259030 0.0013259030 0.6366838354 0.0013005030 0.0935918421 0.0003400225 0.0072883821 0.0012224259 0.1179430458 0.0358836261 0.1166533867 0.0161431648 0.2251074692 0.1023129621 0.8697353305 0.3413957345 917.8392691639 0.0782112331 0.0032911152 0.9726588018 0.0053455600 0.0136062231 0.0000712700 0.0000578738 0.0005201458 0.1746340161 0.0071378763 0.0074822865 0.8560429392 0.0070838014 2.2081306154 0.0004026439 0.2038538144 0.0219418833 0.0525230490 0.0768212984 0.4815320741 0.1114584472 1.5783478737 0.0071504727 438.8651391801 0.2175730050 0.0141610020 1,085.5692453518 0.2229083778 0.1668836384 0.2127926198 0.0219495810 0.1620665743 22.6889000888 0.4932621076 0.0894035696 0.0005653893 0.0055419913 0.2270839580 0.0970171348 0.6879363162 0.0212106161 0.0201856871 0.0949672213 0.4405396163 0.3851406561 0.1654661247 1.0000000000 0.6077901776 0.1413465529 0.0000295259 0.0001280907

ousand

One-one-th p. 91

The average English speaking and reading human adult reads prose text at two hundred and fifty words per minute.

Two hundred and fifty words per minute equals four point one six words per second.

If you are an average English speaking and reading human adult it will have taken you about nine seconds to read the text which this text is refuring to and a further eight seconds to read this text.

9

10

p. 8 le

ptab

Acce

"Outstretched-Slow-Clap" Delivery of the obvious Delivery of the non-excellent Peter Serafinowicz as Kevin Spacey

11

"Face-Punch-Dribble" A sudden realisation A paradigm shift In Undefeatable (1993)

othe

r dim

ensio

ns

p. 83

12

p. 8 le

ptab

Acce

"Outstretched-Slow-Clap" Delivery of the obvious Delivery of the non-excellent Peter Serafinowicz as Kevin Spacey

13

"Face-Punch-Dribble" A sudden realisation A paradigm shift In Undefeatable (1993)

othe

r dim

ensio

ns

p. 83

p. 92

2001

type s

tuff

p. 12

6

What ya look

in' at?

14

Figure 1: Map of Space (taken from The Definitive Book of Space)

"2001 (A Space Odyssey) came out in sixty eight. That's a whole year before man landed on the moon, and so the first generation of Exo-Earth humans that went out into space, landed on a foreign, untouched, unexplored world, already had in their minds such a definitive piece of simulacra as a reference. I'm not going to go as far as to say it dictated certain behaviour, like the way they documented and rationalised their journey, but it must have been an influence. An influence that early explorers of, say, the Antarctic wouldn't have been subjected to."

Background books "These need not accompany us physically; the point is that we travel with preconceived notions of the world, derived from our cultural tradition.

In a very curious sense we travel knowing in advance what we are on the verge of discovering, because past reading has told us what we are supposed to discover."

Umberto Eco - From Marco Polo to Leibniz

15

Blue-sky, No-sky, Dark-sky.

Athens

p. 124

Pupil and Socrates

This place is surely not your studio, the office, your house, my house, the pub, a cafe, "The Academy", a movement, lunch, bed, a game, a school, your car, a holiday, a train or a field. I remarked.

I accept this to be so.

It is none of those places and more. So you will not have seen, read or heard of its kind, so how will you know what is acceptable or what part you are expected to assume?

It is a place and so I am aware of its inherent place-hood, and I being myself will assume a familiar role to the one I have always played. Even if this proves over time to be unbecoming I surely will learn and adapt?

Learn from who and adapt to what? I asked. Of course you will borrow from your former self but this new environment is not so forgiving or responsive to anything that once was. Your learning will be of your own invention, and your surroundings will in time be a product of that learning. What will you make of yourself in a place that demands nothing of you?

Q.:Who invented gravity?

A.:Sir Isaac Newton

16

Q.:W h o f o u n d e d P O I ?

A.:W e d i d n ' t f o u n d i t ; we found it.

The H a c i e n d a M u s t B e B u i l t Ivan Chtcheglov The B a t - M o b i l e M u s t B e B u i l t Anvil "A seemingly naive or simple minded narrator who finds everything encountered somewhat surprising, notable and potentially amazing. The aim is perhaps to be the most interested and productive person in the room."

Sidereal time is a time-keeping system astronomers use to keep track of the direction at which to point their telescopes to view a given star in the night sky.

"Everybody hates a tourist. Especially one who thinks it's all such a laugh."

– Pulp

Elba Feo

We ad v o c a t e t h e f i g u r e o f t h e p o s tdisci p l i n a r y , a k i n d o f ' a p p r e n t i ce of ev e r y t h i n g a n d m a s t e r o f n o t h i ng', an ac t i v e p a r t i c i p a n t i n t h e const r u c t i o n o f o u r s h a r e d i m a g e of ourse l v e s , t h e w o r l d , t h e u n i v e r s e… let’s c l a i m a p l a c e f o r t h e 'desi g n e r - e c c e n t r i c s ' .

To be a n o u t s i d e r i s n o t a b o u t b e ing outsi d e t h e s y s t e m b u t a b o u t b e i n g able t o l o o k a t t h e s y s t e m f r o m a s near t o t h e o u t s i d e a s y o u c a n .

The o u t s i d e r s a r e a b l e t o a s s e s s the syste m i n a n e w l i g h t b e c a u s e t h e y do not s h a r e ( o r c h o o s e t o i g n o r e ) t he speci f i c s e t o f c u l t u r a l r u l e s t h at apply t o t h e s p e c i f i c s i t u a t i o n .

Our i n t e r e s t l i e s o n t h e s e e d g e s , which w e t r y t o e x p l o r e , a n d i n v i te other s t o c o m e a n d e n j o y t h e v i e w s from h e r e . . .

p. 81

No Gallery?

No Reference?

No Money?

Adjective belonging to a foreign country or nation • unfamiliar and disturbing or distasteful • relating to or denoting beings supposedly from other worlds • (of a plant or animal species) introduced from another country and later naturalized

17

p. 39 id yram

P

Collective notes from dialogue 27/11/10

The Zine

p. rn

Bu

er

aft

d

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Ban

Self published Fanart, Canon, Non-Canon & Fanon.

1 p. 11

The documentation of the conversations, ideas, new terminologies and references developed during our time together at Shopwork as POI.

76

18

You can pause this book by putting it down.

p.

7

k

oo

is b

Th

19

p. 20 tic ermeneu

H

When you see it means that it is beneficial for you and the narrative to put the book down and do something else.

20

p. 19

This b o o k i s t o b e c o n s i d e r e d as a h e r m e n e u t i c o f P O I a n d n o t of it s w o r k s . C o n t a i n e d w i t h i n this, a r e a d i n g o f i t s b e i n g , a r e some o r i g i n a l p i e c e s o f p r o s e , reali s e d & u n - r e a l i s e d p r o p o s a l s , inter p r e t a t i o n s , i m a g e s , r e f e r e n c es and q u o t e s . T h e n a r r a t i v e s , s h i f t ing voice , a u t h o r i t y a n d e v e n r e a l i t y is in d i c a t i v e o f t h e i n i t i a t i v e s missi o n a n d b e h a v i o u r s . I t s e r v e s as a bri e f f o r w o r k s t h a t a r e y e t t o be and r e t r o a c t i v e l y f o r t h a t w h i c h was alrea d y i n m o t i o n p r i o r t o f o r m a t ion.

The c o n t e n t h a s b e e n g r o u p e d i n t o three l o o s e c h a p t e r s w h i c h a r e b a sed on a p r o p o s e d t h r e e s t a g e m i s s i o n .

These s e c t i o n s a r e f u r t h e r e x p l a i ned via t h e u s e o f t h e ' 3 L ' s ' . T h e L 's are o u r R ' s ( t h e t h r e e R ' s b e i n g Readi n g , W r i t i n g a n d a R i t h m e t i c * ) and i s j u s t a s f l a w e d a s y s t e m f o r label l i n g o u r o u t p u t a s t h e R ' s a re for p r o p e r l y s u m m a r i s i n g a m a n i f e sto for b a s i c e d u c a t i o n , b u t t h e y a r e to be n o t e d a n d i n c l u d e d a s t h e ' 3 L's' w e r e a n d a r e c r i t i c a l d u r i n g the e a r l y s t a g e s o f P O I ' s w o r k a s well a s t h e c o m p i l a t i o n o f S n S ( S hips not S h e l t e r s ) . I t i s a l s o t h o u g h t to enhan c e t h e w a y f i n d i n g t h r o u g h t h e infor m a t i o n , h i g h l i g h t i n g t h e t e n sion betwe e n t h e n o n - l i n e a r a s p e c t s o f the work a n d t h e l i n e a r n a t u r e o f b o o ks.

21

Living

The 3 L’s

*The three Rs (as in the letter R) are the foundations of a basic skillsoriented education program within schools: Reading, wRiting and aRithmetic. The phrase was attributed to Sir William Curtis around 1825.

Leaving

Landing

22

POI – The Peckham Outer-Space Initi a t i v e i s a t t h e f o r e f r o n t o f searc h & d e v e l o p m e n t , a n d t a s k s i tself with t h e u t i l i s a t i o n o f s p a c e f o r not simpl y t h e p r e s e r v a t i o n b u t e v o l u tion of th e h u m a n s p e c i e s a n d i t s c u l t ure.

A pri m a r y o b j e c t i v e f o r P O I i s t o devel o p a n d e s t a b l i s h i n - t r a n s i t non-E a r t h l i v i n g s i t u a t i o n s . T h e s e situa t i o n s a r e p r o p o s e d a s s o l u t i ons to cu r r e n t f o r m s o f p l a n e t a r y b a s ed socie t y a n d l i v i n g , a n d a s s u c h P OI emplo y s t h e m a n i f e s t o / s l o g a n : p. 1

Ships not Shelters

23

3 10 p. et rp Ca

"In civilizations without boats, dreams dry up, espionage takes the place of adventure, and the police take the place of pirates."

Michel Foucault

The ship is the hetero -topia par excellence.

Lu ft

bu

nk

er

p.

56

24

Sermon On The Mound The foolish man built his house on the rock: and the rain descended, the floods came, and the winds blew and beat on that house; and it did not fall, for it was founded on the rock.

The wise man built his house on props and boosters: and the rain descended, the floods came, and the winds blew but his house was nowhere to be seen, for it was founded on props and boosters.

As the rains lessened, the floods waned, and the winds quietened, the foolish man looked out from his home that had stood fast through the storm. The new day greeted him with devastation and despair, the life his house had fought so hard to preserve was now meaningless. Everything he once had considered true, just and real was now gone, and so to was the wise man.

Gone.

25

It would seem that for the majority of [humanity's] existence a crude recurring theme has emerged when dealing with the prospect of great turmoil. We get down on our bellies, crawl into a ball and wait.

We have of course developed more comfortable and sophisticated places from which to cower, but the situation we now face demands that we get into craft and look spaceward.

Vis ta

s

3 out of 5 stars

By AlexP

p. 1

04

"I wouldn't say Up & Out was an essential read as much of the thinking discussed is now so common.

Although it remains a staple read due to its historic importance, I can't help but feel we are more than a little beyond this now."

ge

ed wl

no

fk

so

on

n Ca

"Up & Out" – T. Soley

76

p.

26

Me-topias vs Micro "Fuck your grand narratives."

– Hennessy Youngman (on Post-structuralism)

"He liked this sort of old world atmosphere(…) and he liked the wall space. For one thing he felt in the other building that he had that it was all glass."

– Visions Of Space Mies van der Rohe: Less is More

Self LGT

FOO

E

"You are responsible for what you are and, as well, you are responsible for everyone since you choose for mankind." p. 48

You-topias Macro

"He [Mies van der Rohe] designed those apartments for other people to live in."

"Anguish is what we feel when we recognize that we must choose for everyone, not just for ourselves, but cannot have any proof of being right."

Paraphrase of Jean-Paul Sartre (on Existential Ethics)

State

27

p. 30

28

3 GENERATIONS

3.4 MILLION SPECIES

1 SPECIES

8 MINUTES

HOME

29

ECOSYSTEM

ENVIRONMENT

6 PERSON CRAFT

4-MAN CRAFT

NO LIFE FORMS (IT MUST HAVE SHORT-CIRCUITED)

9 MONTHS

30 The

ones they did come up with were test runs for many of the political concepts we live with today; Totalitarianism, Collectivism, Tyranny, Oligarchy, Democracy. All of were tried out in p.them 2

THE TEST TUBES THAT WERE THE CITY STATES 7

(of ancient Greece)

Design/Miami

Richard Miles BBC Ancient Worlds SO1EO3

p.

12 4

At

he

ns

31

ANCIENT GREECE IN SPACE

An accuracy flouting, history ignoring, idealised…

"You should have this note of suspicion. And that’s largely it was the 19th century German scholarship which, as it were, invented the Greeks for us."

Rick Roderick

32

p.

Establishing an autonomous space complex, an overview: The project's success is reliant on understanding and establishing the balance between a state of the art adaptive and responsive environment, and a carefully considered occupant. Three of the major steps needed to achieve this are outlined here. The Orbita itself and the preceding two test simulations ‘L’ (land) and ‘S’ (submerged).

1. Land Simulation: Heygate Estate A true model of modern urban living, simulation ‘L’ is a much desired place to live, offering light and spacious living conditions with parts of the estate connected via walkways and bridges, reducing the need to stand on the surface. Designed to replicate isolated-complex-living, data collected will inform many new developments such as simulation ‘S’ and ‘Lunar Base Alpha’. Some residents have been vetted or invited but are mainly there by choice, free to come and go as they please. The complex provides shopping, education and recreational areas, making leaving the estate for anything but employment redundant.

LAND SI MULATI ON TH E DE PARTMENT FO R THE MODERN UTIL IS ATION OF SPACE

19 64-2011

COURTESY OF THE POI RESOURCE LIBRARY

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6

33

P&

O

LAND SIMULATION: HEYGATE ESTATE

Photo: London SE1 Community

1. L LAND SIMULATION: HEYGATE ESTATE

RD - Research & Design CS - Construction Start BP - Begin Population FO - Fully Operational D - Decommissioned

O S L 1960

CS

BP

1970

FO

DC D

1980

1990

2000

2010

34

2. Submerged Simulation: Phoenix The first pure example of a gated community is finally achieved in this offshore underwater platform, housing and sustaining a large community with no external contact for months at a time. The aquatic platform is the transition stage from a landlocked inter-dependant community to a truly autonomous island. Unlike in simulation ‘L’ the residents not only live and socialise but work in the complex, given roles involving the upkeep of the platform, farming, research, development and observation.

SU BMERG ED SI MULATI ON TH E DE PARTMENT FO R THE MODERN UTIL IS ATION OF SPACE

1973-2000

COURTESY OF THE POI RESOURCE LIBRARY

35

SUBMERGED SIMULATION: PHOENIX

Photo: U.S. Navy Built by The Electric Boat devision General Dynamics Corporation.

The USS Phoenix (SSN-702) was extensively used during the population phase of the project, ferrying residence, supplies and some materials (bullets & beans). Its main function is to patrol the parameter of the complex ensuring the safety and comfort of its residents.

1. L LAND SIMULATION: HEYGATE ESTATE

RD - Research & Design CS - Construction Start BP - Begin Population FO - Fully Operational D - Decommissioned

2. S SUBMERGED SIMULATION: PHOENIX

O S L 1960

CS

CS

BP

1970

D

FO

BP

FO

11

1980

D

1990

2000

2010

36

3. Space Probe: The Orbita A self-contained society located in LEO (Low Earth orbit) is the home of perhaps the most envied, inspirational and respected humans of our age. Inhabitants have little need or want to be in contact with Earth, as everything needed to sustain a healthy and fulfilling life is to be found within the complex. During the early 90’s, three years into construction a steady population period commences, occupants are introduced and acclimatised to their new surroundings, settling into their homes. Operational in time for the advent of the new millenium, The Orbita begins its journey around the Earth serving as a life raft for humanity and its future endeavours. A modern celestial icon, one to rival the Sun & Moon, coasting triumphantly in the skies, a constant reminder of humanity’s potential.

AUTONOMOUS SPAC E PROBE TH E DE PARTMENT FO R THE MODERN UTIL IS ATION OF SPACE

19 90

COURTESY OF THE POI RESOURCE LIBRARY

37

SPACE PROBE: THE ORBITA

Photo: NASA Langley Research Center

1. L LAND SIMULATION: HEYGATE ESTATE

RD - Research & Design CS - Construction Start BP - Begin Population FO - Fully Operational D - Decommissioned

O

RD

CS

S L 1960

2. S SUBMERGED SIMULATION: PHOENIX

CS

CS

BP

1970

BP

FO

1980

3. O SPACE PROBE: THE ORBITA

BP

FO

FO

5

15

11

16

26

1990

2000

D

2010

“The cost of constructing an interstellar spacecraft would be huge and for the society that made it there would be little payback, they would never see it again. So constructing such a machine will either be the greatest act of generosity in history or it will have to be funded by the travellers themselves.�

Stephen Hawking 38

“From stone pusher 39 to priest, every worker would likely have recognized his or her role in continuing the life-and-death cycle of the pharaohs, and thereby in perpetuating the glory of Egypt.�

National Geographic

So Long, and Thanks for Everything.

Arc

hite

ctur es i

n tr

ans

it

p. 1

7

40

p. 1 34 Sea and

t/St /Wh eel

Shopwork Zine No. 2 Draft

p. 145

Corporatio

ns

Gh er kin

p.

45

41

Type in: slave ship Type in: von braun's spaceship drawing

42

“The creative conquest of space will serve as a wonderful substitute for war.”

p.

68

Fa te

James S. McDonnell

Close quarter living

43

...until we start star wars.

Swiss Reinsurance Company Ltd 44

p. 41

von brau n's s lave ship

45

46

47

"Let's GTFO of Earth" Esc

p. 122

48

Living

The 3 L’s

Leaving

Landing

Escape Velocity

Self

Escape Velocity is the speed needed to 'break free' from a gravitational field without further propulsion. The term 'escape velocity' is a misnomer.

p. 26

Our discourse is focused in the struggle to escape from our own set ways of seeing, analyzing and understanding the world we live in and this permeates to all aspects and products of culture: aesthetics, science, politics, religion, industry, etc. Design is the underwriter of reality, it is what tells us what is real and what is not, what is hot or cold, long or short. Design therefore acts as mediator between the world and humans. We explore and analyze the world through design and we no longer have an experience of it that is not mediated by what design has taught us to be ‘true’ about it. Plato’s cave is still providing us the shadows of what we see, the shadows lit by the fire of culture. What if we moved the fire? Would the shadows change perspective? What if we were ready to do without the fire, even if it was for a few seconds? Would we be able to see past it or would we be subdued by the effects of phosphenes into what is called ‘prisoner's cinema’? Moreover, what if we were to do without the fire altogether and become accustomed to the dark and explore it with other senses? Design is then both the source of all our knowledge and pit of all our ignorance. Therefore we find it paramount for our work to keep trying to move the boundaries of what design practice is and could be. If as a byproduct of this activity we are contributing to generating new sets of realities, opening alternative routes, then...

49

p. 76

50

The mission: Never come back “Are we safe to talk here?”

“No, let's go some place quiet so we can talk things over.”

“We are grown up (enough) and leaving home.”

The time has come for us to say goodbye, goodbye to all our inherited comforts and safety. An emotional, anticipated farewell is in motion, it now dawns that the countdown is irreversibly underway. With moist eyes, thank yous and hugs, we exchange heartfelt, hard to keep slogan'd promises of 'take care', 'keep safe' and 'look after'. Embarrassingly, we clutch with nervous palms and roaming fingers a lovingly wrapped parcel, contained within its thin shell are the last examples of our once accustomed comforts, an already decomposing symbol of generosity, affection and pride. We express our thanks as best we might, with messages that fall short of their meanings, meanings that are lost to our words, words that fight to be heard over the occasion's noisy significance.

"Saying Goodbye To Your Home" D. Rodgers

We are handed a final communique, enveloped & ceremonially sealed. We have no need to read it.

We kiss them goodbye.

They kiss us goodbye.

“Are you about to change your mind?” we ask ourselves, “Not yet!” we reply.

There will be no phone calls, no visits at weekends or during the holidays.

“The Mission: will not be televised.”

There will be no audience, no updates, no interstellar publications for our fans to subscribe to.

"The definitive guide to a self induced exodus, a first and last epic journey away from home."

"Don Quixote for the space age."

"Imagine the story of the prodigal son, but this time the son gets into a rocket and never returns."

51

1 out of 5 stars

by RadioRose “I am very openminded when it comes to literature (I even read through Dead Planet without any objection) but I just hated this book! If it wasn’t required reading, I would have stopped on the fourth page! I think the writter could have done much better!”

We were your friends, we were once of you, but we turned a bridge, fired a rocket, blasted an allegory.

We won't have to be popular when we've gone. We won't have to be popular when we don't get there. No one will know when to care, when we don't get there.

We will be busy making timesakes of our references, references that will become originals, originals that are destroyed by our references. You will be busy doing the same, and not doing the same.

“Don't wait up” we joke, “Oh, but we will” they lie.

We wave goodbye.

They wave (a little longer) goodbye.

In time, they are likely to remark, “It's important for humanity that these people exist. They remind us it's possible to live in a different way.” and we shall say something identical of them.

On our dash sits a picture of Mum (or Dad).

On their mantle sits a picture of us.

p. 1

62

“Where can we be human?”

“Here we can be human.”

We have no need to read their last communique to us, as we're the ones who wrote it.

It reads: “The mission: Never come back.”

Are we there yet?

52

53

54

55

Mou nd

56

Front & back cover Shopwork Zine No. 11

57

58

'Notes from Dialogue' Zine No. 9 Zero Shelters

59

60

LEAVINGCRAFT FLOATS UP TO A SUFFICIENT ALTITUDE BEFORE EXPELLING ENOUGH THRUST FROM ITS THREE LUNGS TO ACHIEVE E.V.

61

LANDINGCRAFT QUANTUMCRAFT

Quantumcraft Quantumcraft LANDINGCRAFT

LIVINGCRAFT LEAVINGCRAFT

62

Whoever controls the Moon - Earth ‘Gravity Well’ will control who gets on and off planet Earth.

John M. Cloins

DISTANCE IN MILES

ENERGY REQUIRED

239,750

40%

250

60%

63

L4

L5 MOON

Card

The EBA is responsable for the EBC (Earth Border Control)

Landing

EBC

p. 142

LEO

EARTH

“We are all tired of being stuck on this cosmical speck with its monotonous ocean, leaden sky, and single moon that is half useless. It's possibilities are exhausted, and just as Greece became too small for the civilization of the Greeks, so it seems to me that the future glory of the human race lies in the exploration of at least the solar system!�

John Jacob Astor, Journey in Other Worlds: A Romance of the Future, 1894

64

65

T h e O u t e r Space Treaty provides the b a s i c f r a mework on international space l a w , i n c l uding the following principles: * t h e exploration and use of outer s p a c e s h a ll be carried out for the b e n e f i t a nd in the interests of all c o u n t r i e s and shall be the province of a l l m a n k i nd; * o u t er space shall be free for e x p l o r a t i on and use by all States; * o u t er space is not subject to n a t i o n a l appropriation by claim of s o v e r e i g n ty, b y m e a n s of use or occupation, or by any o t h e r m e a ns; * S t a tes shall not place nuclear w e a p o n s o r other weapons of mass d e s t r u c t i on in orbit or on celestial b o d i e s o r station them in outer space in a n y o t h e r manner; * t h e Moon and other celestial b o d i e s s h all be used exclusively for p e a c e f u l purposes; * a s t ronauts shall be regarded as t h e e n v o y s of mankind; * S t a tes shall be responsible for n a t i o n a l space activities whether c a r r i e d o ut by governmental or nong o v e r n m e n tal bodies; * S t a tes shall be liable for damage c a u s e d b y their space objects; and * S t a tes shall avoid harmful c o n t a m i n a tion of space and c e l e s t i a l bodies. h t t p : / / w w w.oosa.unvienna.org/oosa/ S p a c e L a w / outerspt.html

Contingent Planned History p. 68

66

"What better display of doublethinking/doing/existence than to be in the relentless pursuit of constructing a utopia. Each day adding to its noncompletion, and yet constantly remarking on the unprecedented progress being made. What other state would you wish to be in?"

67

Why we are (and not) leaving: 2+2=5, 5&3 or 'sour grapes' "Doublethink" George Orwell

“Two plus two equals five”– Winston Smith

“Sometimes they are five. Sometimes they are three.

Sometimes they are all of them at once” O’Brien

"I am sure they are sour"

"It is easy to despise what you cannot get" – Aesop’s The Fox and the Grapes

p. 42

Close q

uarte

r

Fate has ordained that the men who went to the moon to explore in peace will stay on the moon to rest in peace.

Sea of Tranquil

In Event of Moon Disaster

ity p. 139

Failure

p. 66

68

69

Prior To The President's Statement: The President should telephone each of the widows-to-be.

After The President's Statement, At The Point When Nasa Ends Communications With The Men: A clergyman should adopt the same procedure as a burial at sea, commending their souls to "the deepest of the deep," concluding with the Lord's Prayer.

These brave men, Neil Armstrong and Edwin Aldrin, know that there is no hope for their recovery. But they also know that there is hope for mankind in their sacrifice.

These two men are laying down their lives in mankind's most noble goal: the search for truth and understanding.

They will be mourned by their families and friends; they will be mourned by their nation; they will be mourned by the people of the world; they will be mourned by a Mother Earth that dared send two of her sons into the unknown.

In their exploration, they stirred the people of the world to feel as one; in their sacrifice, they bind more tightly the brotherhood of man.

In ancient days, men looked at stars and saw their heroes in the constellations. In modern times, we do much the same, but our heroes are epic men of flesh and blood.

Others will follow, and surely find their way home.

Man's search will not be denied. But these men were the first, and they will remain the foremost in our hearts.

For every human being who looks up at the moon in the nights to come will know that there is some corner of another world that is forever mankind. http://en.wikisource.org/wiki/In_Event_of_Moon_Disaster

70

71

CARRIER 'Jesus Craft'

72

"The path of evolution is now in space as much as on earth."

G. Kitmacher

73

Biblio c

Yes te

lasm

rda y

p. 8 5

p. 76

74

Tomorrow is the best place to be With our (Western) fascination of three part narratives told 'originally' in works such as 'The Odessey' and 'The Bible' that go from "an absolute original beginning, a redemptive middle and then a final and glorious end"6 is it any wonder that we find ourselves stuck with a fanatic relationship with progress? Is it really such a puzzler that it was a Human with 'Western-Christian tendencies who first stepped on the moon?

"There once was a speedy who bragged about how fast he could run. Tired of hearing him boast, equally fast & boastful, another challenged him to a race.

All the animals in the forest gathered to watch(…)"7 Through a most expensive and time consuming duel of one-upmanship with 'an-other', we would see whose technological and presumably therefore whose cultural chest could stick out furthest. History tells that it was a and not a chest that did so, but that race was won simply by a 'linear-thinker', for both 'sides' believed: "Yesterday was worse than today and tomorrow is the best place to be."8 In the end it came †down to who believed in‡ progress the most and how long they had previously done so. "[…]After that, always reminded himself, 'Don't brag about your lightning pace, drive and aspiration, for someone else with equal pace, drive and aspiration but greater technology and underwriters won the race!"7

Toward & Ideology – Michael Kranz "Are we there yet?"

75

6 Rick Roderick "The Self Under Siege" Foucault and the Disappearance of the Human 1993 7 Anon "The Hare and the Hare" 8 Unknown "The rhyme of the progressionists" 9 Leonidas Donskis, "End of Utopia", Ground Control, technology and utopia, European Union, 1997, p. 163 10 Shad, J. A., Jr., "Globilisation and Islamic Resurgence", Comparative Civilisations Review, vol. 19, no. 3, Fall 1988, p. 76 † American Capitalist ‡ Soviet (Russian) Communist

It is hard for me to imagine in the 60's a or walking on the Moon, not because of technological ability, finanical backing or historic accuracy but because of their traditional understanding of time and its consequential importance for developing an idea of progress. As is noted by Leonidas Donskis via Jeffrey A. Shadd, Jr. through Seyyed Hossien Nasr, utopian aspiration is tied directly to concepts of time.

"Utopianism is most deeply concerned with two fundamental anthological dimensions–space and time.p. 157 As such, it reflects the most basic categories of the ontology and worldview. For this reason, as Jeffrey A. Shadd, Jr. notes, it is difficult to find similar ontological constituents of utopian consciousness in non-Western civilisations."9 'That rejects the Western ideology of progress is affirmed by Seyyed Hossien Nasr [who] notes that there is no word for utopia in Arabic or Persian because believe that paradise exists only in heaven. This is reflected in the conception of time which, according to Nasr, is not linear, as in the West, but based essentially on the cyclic rejuvenation of human history though the appearance of various prophets and ending finally in the eschatological events identified with the appearance of the Mahdi"…. "This", says Nasr, "re-establishes harmony and peace in the world through direct intervention and not through the secular changes brought about by means of mere human agency.'10

p.

17

0

Ma

po

p. 50

76

f th

eW or

All records relating to the period between the death of Christ and the year One Million A.D. would be hauled to dumps and burned. This would be done because museums and archives would be crowding the living right off the earth. The million-year period to which the burned junk related would be summed up in history books in one sentence: Following the death of Jesus Christ,

Saying Goo dby To Yo ur

Home

ld

'Canons of Knowledge'

there was a period of readjustment that lasted for approximately one million years.

The Sirens of Titan –Kurt Vonnegut Jr

p. 17

The Zin

e

Up & Out p. 25

77

p.

80

p. 8 1P

int

1N

UT

Underwriters of Reality To Be Continued...

Go

og

le &

ma

ps

p.

85

For Utopia to work you need some kind of supercognition, an absolute understanding and acceptance of a shared vision and version of reality. The transition from our place and space to this Non-Place is where our troubles begin. But certain tools have pushed and continue to bring us about into a basic form of shared reality.

p. 82

We have designed: Clocks, Calendars, Watches, Cardiographs, GMT, Globes, Maps, GPS, Thermometers, Speedometers, Scales, Tuning Forks, Money, HRM’s, Light Meters, Anemometers, DB Meters, Alphabets, Languages... (TBC)

These devices are the underwriters of reality. They maximise the potential for inter-human cognition and push us forward to a utopia based on comprehension and knowledge.

Cu

ltu

re p

.1

49

78

79

80

[Dis amb igua tion ]

p. 12 0

p. er

rit

erw

d Un

77

d p. 7 To rea

= NUT (New Universal Time) New U n i v e r s a l T i m e i s a l m o s t exclu s i v e l y r e f e r r e d t o i n i t s abbre v i a t e d f o r m - N U T . I t i s a u nit time t h a t i s r e l e v a n t a n d s t a b l e regar d l e s s o f l o c a t i o n , g r a v i t y , speed and t e m p e r a t u r e .

Perha p s t h e b e s t w a y o f u n d e r s t a n ding this s u b j e c t i v e , p e r s o n a l a n d y e t to be fu l l y d e f i n e d ( o r ' u n d e r s t o o d ' ) unit o f t i m e i s t o c o n s i d e r a n a n alogy invol v i n g a b o o k a n d t w o r e a d e r s .

Both r e a d e r s s e t a b o u t t o r e a d t h e same b o o k . T h e y d o s o a t d i f f e r e n t times . T h e t i m e i t t a k e s t o r e a d the whole b o o k i n c l u d i n g b r e a k s o r ' p utdowns ' f o r d r i n k s , w o r k , h o l i d a y s , to st a r t a n o t h e r b o o k e t c . d e f i n e s the l e n g t h o f t i m e i t h a s t a k e n t o read t h a t b o o k , a t i m e w h i c h i s o nly partl y d e f i n e d b y t h e a c t u a l c o n t ent of th e b o o k a s i t h a s b e e n i n f l u e nced by ot h e r f a c t o r s s u c h a s r e a d i n g abili t y a n d l i f e s t y l e . T h e y w i l l almos t c e r t a i n l y f i n i s h a t a n d w i thin diffe r e n t t i m e s , b o t h a r e v a l i d a nd 'actu a l ' t i m e s t o f i n i s h a b o o k i n.

And s o i t i s w i t h t h e N U T .

Some e x a m p l e s o f t i m e s i t m i g h t take t o r e a d a b o o k :

p. 170

40,00 0 s e c o n d s 3 day s 4.5 m o n t h s 224 m i n u t e s over a y e a r 1 Cen t u r y

Soon

All o f t h e s e v a r i a b l e s ( a n d m o r e / any) can b e c a l l e d a o r 1 N U T .

81

Subconcepts: Unresolved NUTs (comparison with not yet completed books or unfinished works) Interplay between using not and NUT (If that ship leaves the ground and you're not with us, you'll regret it. Maybe N.U.T today. Maybe N.U.T tomorrow, but soon and for the rest of your life).

satellite photo: cliff1066™

82

p.

77 h

tc Wa

What are you watching?

Reality?

Dimensional Positioning System

83

DIMENSIONAL POSITIONING SYSTEM 3RD DIMENSION

4TH DIMENSION 3

4

p. 89

10TH DIMENSION CONSULT I / IIA / IIB / HO / HE

10

11TH DIMENSION CONSULT M-THEORY MANUAL

26

26TH DIMENSION CONSULT BOSONIC MANUAL

ON 1-5 23-26 OFF 6-22

0

OFF 1-5 23-26 ON 6-22

ip

Drip Drip Dr

1

DPS 1-26 CHIPS

DM POWER SUPPLY

BASIC LIGHT SEQUENCING SOLID =LOCATION FIXED= – FLASHING =LOCATION 75% CERTAIN= – FLASHING ON 2 OR MORE POSITIONS =LOCATION APPOXIMATION OR TRANSITION= – 3,24,25,26 SOLID =ERROR, CONSULT POI CONTROL=

–IN EMERGENCY – DM POWER SUPPLY CAN BE REMOVED– –DISABLE THE DPS CHIPS WITH THE MASTER KILL SWITCH–

WARNING: OBJECTS IN OTHER DIMENSIONS MAY APPEAR & FUNCTION DIFFERENTLY WETTIGHEID VAN DE REIS VAN DE EERBIED DE DIMENSIONALE LÉGALITÉS DIMENSIONNELLES DE VOYAGE DE RESPECT ∆ΙΑΣΤΑΤΙΚΕΣ ΝΟ Ι ΟΤΗΤΕΣ ΤΑΞΙΔΙΟΥ ΣΕΒΑΣ ΟΥ 点次元旅行合法性 RESPECT DIMENSIONAL TRAVEL LEGALITIES ЗАКОННОСТИ ПЕРЕМЕЩЕНИЯ УВАЖЕНИЯ ГАБАРИТНЫЕ 존경 차원 여행 합법 LEGALIDADES DIMENSIONAIS DO CURSO DO RESPEITO

Fa

ce

-P

un

ch

-D

rib

ble p.

Foil & White Audio 'Watch'

11 &

13

84

p.

74

To m

or

ro w

85

ter

p. 7

7

p. 114

wri

that?

der

possibly know

Un

How can you

86

"Christmas tree" created by Skylab 4 crewmembers Collection: NASA Johnson Space Center Collection Title: "Christmas tree" created by Skylab 4 crewmembers Description: This "Christmas tree" was created by the three crewmen of the third manned Skylab mission aboard the space station in Earth orbit. Food cans were used to fashion the tree. This photograph was made from a television transmission made from a video tape recording on December 24, 1973.

Photo ID: S73-38687 Film Type: 4x5 BW UID: SPD-JSC-S73-38687

Zeitgeber Zeitgeber (from German for "time giver," or "synchronizer") is any exogenous (external cue that synchronizes an organism's endogenous (internal) time-keeping system (clock) to the earth's 24-hour light/dark cycle. http://en.wikipedia.org/ wiki/Zeitgeber

87

Earth Customs

Traditionally constructed on the first day of Christmas, the 23rd of December, and then removed the day after twelfth night (6th January); to have a tree up before or after these dates was once considered 'bad luck'. http://en.wikipedia.org/ wiki/Christmas_tree

Dialogue: Adam & Joe Show 'Room for Change' 88

is

to there

do

Yep any

it

like way

quicker ?

this

p. 83

89

Water covered 70.9% of the Earth's surface [citation needed] Audio Watch

Drip

Drip

Drip

Drip

Drip

A dripping tap was an annoyance as well as a waste of over 5,000 litres of water a year. [citation needed]

Flick

5,000 litres = 60,872,000 drips = 1 Year [citation needed]

p.

11

om

d re

o 9B

ONE-ONE-TH DREI-UND-Z THIRTY-ONE FOURTY-SIX FIFTY-LOCOM SIXTY-P SEVENTY-CA EIGHT-HUND NINE-THOUS DIX-MILLE-M 90

HOUSAND ZWANZIG E-POTATO XOMOTIVE POTAMUS AT-&-DOG DRED-A-N-D SANDMOUTONS p. 9

'One-One-Thousand' is a method of or 'verbal counting' and can be91spoken to resemble a or 1 second.

Twenty-three is the ninth prime number, the smallest odd prime that is not a twin prime. It is also the fifth factorial prime, the third Woodall prime. It is an Eisenstein prime with no imaginary part and real part of the form 3n − 1.

The potato is a starchy, tuberous crop from the perennial Solanum tuberosum of the Solanaceae family (also known as the nightshades).

Elephants are large land mammals in two genera of the family Elephantidae: Elephas and Loxodonta.

A locomotive is a railway vehicle that provides the motive power for a train. The word originates from the Latin loco – "from a place", ablative of locus, "place" + Medieval Latin motivus, "causing motion".

The hippopotamus or hippo, from the ancient Greek for "river horse", is a large, mostly herbivorous mammal from sub-Saharan Africa.

Mississippi is a U.S. state located in the Southern United States. The name of the state derives from the Mississippi River, whose name comes from the Ojibwe word misi-ziibi ("Great River").

Counting sheep is a mental exercise used in some Earth cultures as a means of lulling oneself to sleep.

p. 1

92

p. 14

04 ta Vis

Map of space

s

Ya seeing that far because there's nothing in the way, ya lookin' at nothin', space is nothin', what ya lookin' at? They say, What do they say? I don't know.

Karl Pilkington

93

Vistas

Vistas

Vistas

94

Kial Ne Sandvico?

Esperanto – Why not a sandwich?

The sandwich is an interface. A universal and definitive one.

95

Sandwich Flag designs from Zine No. 7 POI

96

PRE IN SS TH MOV AN EV UMB E T EN WHE R HE PAGAND STE STA E B EAD TED ACK Y M .

AND OTIO FOR N TH.

LES HT B M E ES H MIG R R EA TEET H TOOTHU YO YOUR PASTE WAS A D N G PASTE OR GEL DENTIU HIN IKE. O S FRICE USED WITH A TOOTHTHE T BRUSNDED L BRUSH AS AN ACCESSORY TO T A H A CLEAN AND MAINTAIN THE T R D WH E SOU E I E E ES AESTHETICS AND HEALTH OF R H G V T A A TEETH. AS DE FACTO TOOTHH TS NUT USH I R IS DENTHOULD BT TWO M T S MO PLE S ABOU PEO TH FOR AY. TEE CE A D TWI

PASTE WAS MINT FLAVOURED AND CONTAINED ACTIVE INGREDIENTS SUCH AS FLUORIDE OR XYLITOL TO HELP PREVENT TOOTH AND GUM DISEASE. SALT AND BAKING SODA WERE REGULARLY SUBSTITUTED FOR COMMERCIAL TOOTHPASTE.

Photo: Steven Depolo

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98

99

100

Job

p. 1

40

101

What is 'Living and where do you think it is happening?

102

Anvil

"Weekenders"

Do plenty

"As for carpets, they were originally reproductions of gardens (the garden is a rug onto which the whole world comes to enact its symbolic perfection, and the rug is a sort of garden that can move across space)."

p. 137

Michel Foucault, "Of Other Spaces."

Lecture given in March 1967, printed in Diacritics 16 [1986]

p. 123

"..the dark side of Mies [van der Rohe] which is the absolute severity, the austerity,

103

no-days-off... you live seriously every second of your life, and here is an environment as good as you on your best day. It's not a place to feel depressed or wanting to nap." – Visions Of Space Mies van der Rohe - BBC Four 2008

He

tero top

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Reproduc

104

Living

p.

The 3 L’s

Leaving

Landing

L

ard

ew

pac

s ook

5

p. 2

Shopwork Zine No. 4 Vistas

93

105

106

From

107

To

108

"The curve of human evolution has been bent."

G. Kitmacher

109

110

Na

tive

111

“My father was born shortly after the Wright Brothers.

He could barely believe that I went to the Moon. But my son, Tom, was five. And he didn’t think it was any big deal.” en Ali

Charlie Duke 10th man to walk on the moon

oth

is n ing we can ee agr on 7

p. 1

p. 1

33

112 It

isn't coming, so we need to get going.

A play by and up & leaving writer (first draft) Hidden away in separate bunkers, for self preservation and perhaps the species, two people begin to contemplate to what ends they drove themselves away.

What follows is that which is audible to us via their radio transmissions.

ONE

It would be nice to wear some boots.

TWO

[static]

...

ONE

“It's a shame that there are no boots to be had.�

...

TWO [static]

ONE

I SAID, it's a shame there are no boots to be had,

for wearing.

TWO

Yes yes yes, quite right.

ONE

Beans* for eating.

TWO

Ah yes plenty for eating.

*'bullets and beans' n.pl. the weapons, munitions, equipment, and supplies of a military; materiel.

ONE

But nothing for wearing.

TWO

As usual.

ONE

As usual.

Some time passes idly.

ONE

Do you think your dreams are coming?

TWO

Yes, sleep is coming and so are my dreams.

ONE

I see, but what about your hopes?

TWO

I hope that I sleep well tonight.

Some time passes.

ONE

You know, I didn't even really like this place when

it was where we left it, and I'm sure it's not like where we

left it.

TWO

Perfect then.

113

ONE

But i'm sure when we present our faces again, there

will be hardly anyone left with enough decency to

remark on how well we cared for these wrinkles

and dimples.

TWO

Chances sound so.

ONE

Are you tired of this?

TWO

No just tired, now let's go to sleep.

ONE

I don't want to re-build.

TWO

Oh no?

ONE

No.

TWO

Fine.

A period of sleep begins and ends.

[Radios hiss into life once more]

ONE

I dreamt of boots.

TWO

What a pity.

ONE

Such a pity, a pretty pair too.

TWO

Yes.

Some time passes

ONE

Have you read anything interesting?

TWO

Yes, I will lend you a copy, I mean I would lend you a copy.

ONE

Thanks, that means a lot.

TWO

Don't mention it.

ONE

Thanks.

TWO

No! I mean don't mention it again, ever.

Some time passes.

114

Reflection and introspection is made apparent.

ONE

What time is it do you think?

When?

TWO

Now.

ONE

TWO

Don't know.

ONE

Never mind.

TWO

So sorry I can't be of more use.

ONE

As usual.

TWO

As usual.

ONE taps a finger sporadically

on the transmitter

ONE

[Inhales deeply]

We will do our level best.

What?

TWO

p. 85

ONE

We will do our level best.

TWO

When?

What

ned ye

happe

ONE

That is what we promised, don't you remember? sterda

TWO

Yes I remember now, it was a Tuesday. y?

ONE

How can you possibly know that?

TWO

I don't.

ONE

So it was a joke?

TWO

It sure was.

ONE

Let's have a little chewing gum. Anybody like

some chewing gum?

115

Are we there yet?

No. 116

117

118

"I recall reading that Conrad and Cooper had music piped up to them during the latter stages of Gemini 5 to combat the boredom."

Matt T

'Jingle Bells' (played live by Schirra/Stafford) - Gemini 6

119

Day

Job

p. 14

0

g pin

e eke Tim p.

89

Spcae Boredom Busters from Shopwork Zine No. 4 Vistas

p. 8

120

0 it of time

A hardshelled fruit, a unit of time, a type of fastener, slang for a human testicle, goddess of the sky, a crazy or eccentric person...

A un

[Disambiguation]

– a hard nut to crack – in a nutshell

– the nuts and bolts

In hieroglyphs – be nuts about – do one's nut – go nuts

121

GTFO

p. 48

122

p. 103

Rug

“In my vision of an Eden type scenario I'm sat on some cheap, faded white garden furniture with this big awkward looking hat on.

It's bright and warm, warm enough to be fighting a losing battle to finish an ,with all its goodness, its imitation fruit flavours oozing down my arm. Oh yeah, and the garden is through space and time.”

123

"What [modern man] wants is a monk’s cell, well lit and heated, with a corner from which he can look at the stars," – Le Corbusier

124

Blue-Sky Thinking "He (Socrates) was helped in his habit by the climate and urban planning. Athens was warm for half the year, which increased opportunities for conversing without formal introduction with people outdoors. Activities which in the northern lands unfolded behind the mud walls of sombre, smoke filled huts needed no shelter from the benevolent Attic skies.

"The Size of the city ensured conviviality. Around 240,000 people lived in Athens and its port. No more than an hour was needed to walk from one end of the city to the other… Inhabitants could feel connected like pupils at a school…"

p. 31

In Space

The Consolations of Philosophy – Alain De Botton

125

p. 15

ue

Dialog

Shopwork Zine No. 5 Sandwich

126

How will you know what is acceptable or what part you are expected to assume?

Pupil and Socrates

"In space, no one can hear you scream."

Alien "In Space No One Can Hear You Smeg."

Red Dwarf

4

p. 1 Ma ace

f sp

po

S. Roosa Command module pilot – Apollo 14

"You're rocking on ready, you're in the burn position, you're ready to go. Then you look and there it is.

It's 2001 type stuff, that old moon is just growing magnificently…"

S. Roosa Command module pilot – Apollo 14

"Whether it's 2001, Star Wars or Star Trek, type on walls or on screens always looked like it was designed in early 1960s Torino Italy: square with rounded corners and the occasional oblique protrusion."

Erik Spiekermann

127

128

Obi-Wan: "That's no moon. It's a space station."

Han: "It's too big to be a space station."

Luke: "I have a very bad feeling about this."

129

130

From

131

From

132

J: (reads) "Once upon a time there was a lovely little sausage called B: Sausage?! SAUSAGE?!!!!! Oh, blast your eyes! (Throws paper down and exits angrily) B: Oh, well, I didn't think it was that bad!

sausage |sôsij|

E: (Looking inside the Dictionary) I think you'll find he left `sausage' out of his Dictionary, Baldrick. (Shuts the Dictionary, but notices something on the first page) Oh, and `aardvark'...

ORIGIN late Middle English: from Old Northern French saussiche, from medieval Latin salsicia, from Latin salsus ‘salted’ (see sauce )

Black Adder III, Episode 2

noun a short cylindrical tube of minced pork, beef, or other meat encased in a skin, typically sold raw to be grilled, boiled, or fried before eating.

• a cylindrical tube of minced pork, beef, or other meat seasoned and cooked or preserved, sold mainly to be eaten cold in slices: smoked German sausage.

• [usu. as adj. ] used in references to the characteristic cylindrical shape of sausages: mold into a sausage shape.

definite |defnit|

adjective clearly stated or decided; not vague or doubtful: we had no definite plans.

• clearly true or real; unambiguous: no definite proof has emerged.

• [ predic. ] (of a person) certain or sure about something: you're very definite about that!

• clear or undeniable (used for emphasis): video is a definite asset in the classroom.

• having exact and discernible physical limits or form.

native |ntiv|

133

noun a person born in a specified place or associated with a place by birth, whether subsequently resident there or not: a native of Montreal | an eighteen-year-old Brooklyn native.

• a local inhabitant: New York in the summer was too hot even for the natives.

• dated often offensive one of the original inhabitants of a country, esp. a nonwhite as regarded by European colonists or travelers.

• an animal or plant indigenous to a place: the marigold is a native of southern Europe. adjective 1 associated with the country, region, or circumstances of a person's birth: he's a native New Yorker | her native country.

• of the indigenous inhabitants of a place: a ceremonial native dance from Fiji.

2 (of a plant or animal) of indigenous origin or growth: pigs are native to China | America's native black bear.

3 (of a quality) belonging to a person's character from birth rather than acquired; innate: some last vestige of native wit prompted Guy to say nothing | a jealousy and rage native to him.

• Computing designed for or built into a given system, esp. denoting the language associated with a given processor, computer, or compiler, and programs written in it.

4 (of a metal or other mineral) found in a pure or uncombined state.

p. 11

0

We h av

e com

e fro

m Ea

rth!

definative

134

Living

The 3 L’s

Leaving

Landing

Seating: 4,600,000,000 Standing: 1,900,000,000

p.40

Priso

n

Wheelchair Users: 100,000,000

Shopwork Zine No. 1 Earth: A Retrospective

135

136

b.

a.

b.

a.

p.

c.

d.

2

10

c.

d.

137

"Grubby space suits are a real good look"

SW

"Don’t tell me that man doesn’t belong out there. Man belongs wherever he wants to go--and he’ll do plenty well when he gets there."

Wernher von Braun

h.

rs

de

en

ek We

h.

6 p. 7

138

Alt

g din En

139

140

p. 1 19 Soli

tair e

Life & Style p. 100

141

The Moon Monetization Programme Any gravity locked society built on a landmass, with understood notions of space and matter will inevitably be limited by our existing ideas of governance and order.

Borders, divisions, definitions and understandings will be re-established far to quickly and easily, we will soon reconstruct a micro, re-hash of Earth much like Disney Land or a kitchen sales room, with all that hyper-reality.

Bureau de (space) change

142

143

Corporations are all about landing, because they are earth bound structures, condemned to reproduce the architectures they once abandoned. Travelling in their spaceship-buildings, they scan the cosmos in search of riches. Their ships are packed with their workforces and armies, living in consented slavery, for the good of the company.

144

They have come together on some planet, referred to as ‘Tortuga’, where they gang up and assess their opposition.

Sands Casino opens its connection shafts and very soon all tables are full with gamblers and good timers coming from as far as Lloyds of London, Shell or McDonalds.

Disney’s Castle is the last one to arrive bringing some well needed nostalgia for their remodelled memories of earth. In the high spheres deals are being struck amongst the ‘Pirate Lords’, fuels, food, entertainment, materials, weapons, workers, children, money and drugs are exchanged, they call it business.

This spectacle of wealth and power will remain a necessary ritual, to reinforce the status quo and ensure their own survival… for as long as no other species can threaten their oligarchy… or everybody abandons ship.

Lloyds of London

145

p hi

eS

av Sl

p.

41

p. 32

146

Estate

Autonomy ensures freedom. “P&O Intergalactic ferries� allow individuals and small autonomous communities the exploration and colonization of deep space.

147

148

149

p. 76

Disposed

"‌Saved on 'wet matter'stored in the suitcases, tucked in , trapped in inclinations. All this might have to be confiscated, eroded, and distilled... and then we might be ready to inform and build culture once more."

150

151

152

– Knave – Jack

a servant, of humble birth or position

'last man Jack' - 'every man Jack' - 'every single person'

– Spade

a tool

Knave of Spades Jack of Spades Jack of Trades – A jack of all trades (and master of none) Someone who can do several different kinds of role (but does not do any of them especially) and so crafts a being and not a job.

–apprentice of everything And master of nothing. Someone who participates in the construction of our shared image of ourselves, the world, the universe etc.

153

"When you have instant access to all information simultaneously, you can't have subjects‌ You can't have jobs.

You can only have roles.

A job is a specialist activity with a fixed boundary, and in a resonant, simultaneous world of auditory space, you cannot retain these fixed boundaries.

So, jobs are out. People prefer roleplaying."

Marshall McLuhan (1971)

154

155

156

p.

75

157

158

159

"Today was no different than many, but similar in many respects to those that were not so different, as today I stirred another memory that I had not had for many years, and it revolves around another

I have forgotten to bring the of the many things

with me. A bright sugary lolly Pop that had been given to me by

my aunt, she had visited some city in desert like Las Vegas, but it wasn't that one. It had a blue logo on one side and some ribbons and text, I don't recall it so well as I didn't much look at that side, I felt it spoiled it. She had brought it back as

a

of

This only becomes stirred of mind now as many of the plant have taken to boil sugar into sweets, I think I will go ask some of them to make me a new one.

Maybe they will be kind enough as to make me two, one for eating and one for putting on my shelf once more. I will try and get them to make it exactly like my old one, I might even include that ugly blue logo, just so I can choose not to look at it again."

souvenir

her trip, but not for her but for me.

I had not thought this odd at the time as I was completely enamoured by the sugary swirl, but now I wonder who that lolly Pop was really brought back for and to what other ends than my eating?

To

my eight year old head,

or

self so that thing was an eclipser alright, at the very least my

of that I am fairly whole certain. Mum or Dad had convinced me I shouldn't rip it open there and then, with what initial reasoning eludes me but it was successful. On subsequent days I remember remarks about how it was simply too arbitrary a time or day, or I had eaten far too much already, and so on. But I cannot pin the blame as to why it didn't get eaten entirely on my parents. I had grown fond of it on my shelf, I thought it amusing for many reasons, one that it collected dust on its plastic wrapper, I enjoyed wiping away the dust in the motion of the spiral to reveal the bright colours underneath once more. I never ate that lolly Pop. I don't even remember what actually happened to it or to my aunt for that matter, but I surely do wish I had it right

I wonder if anyone ate it?

now.

but perhaps it is a relic in a

I know it to be contrary, ?

I have taken to considering all of those forgotten things in a state of preservation of some kind, some most likely sit in grand halls whilst others on sideboards or in dinning cabinets, for remark and reflection.

Recerche Oort Yaw Gone Forever

160

The ‘Freezer’ A time capsule, database, archive, safe, vault, tomb, trove, cache, specimen jar, repository, library, treasury, museum, material store, hoard, reservoir, pile, culmination, log, stash, accumulation, inventory, of Earth’s natural and cultural works.

These layers manipulate the cells’ contents to keep it in a perfect state of preservation termed ‘Dark-Static’.

161

Preservation Cells 9 Independent preservation cells' are housed in the main unit. Maintenance and monitoring of contents is primarily controlled from the deck and hub, but additional tools, monitors and controls are found in the cells themselves as to maintain the cells independence from the rest of the Freezer.

Stabilising support beams surround the inner shell of the preservation cell.

162

p. 51

Right: Mum (or Dad)

163

164

The more of us who departed from ourselves the more leaving we would achieve in our living.

This was to be our only message, our leaving note: 'We are gone and so are you, we too now live differently.'

We owed it to give them a chance of escape, not just to follow but to stay, and in their staying become leavers.

Not for the creation of new or old, pure or deviant as some would inevitably speak, but simply different, someplace else human.

Lists of shopping, reading and transactions, embedded genetics, the souvenirs of days shared and unshared, histories and photo-tropes. All this viscid residue, oblique clues of our minds trajectories, laid out on the programmer's slab awaiting recital.

All of this or as much as we could, should have been disposed of. We had feared for the compilation of some canon, a 'guide to', 'only' or 'definitive' or worse a religion. Like an asinine Q&A compiled with the premise 'to fill up', to crowd, to content any data sacks left hollow, it would mock my mode by association, it would violently fill my absence.

All this noisy pseudo-being would compromise any project we had hoped to construct.

We told not enough silence in that first leaving. We absorbed not enough of ourselves, we left a mark and not a ghost in your sands.

It was doomed at that time because humans still birthed children and ideas into realms that were not theirs to be in. Humans still maintained meanings as if they were lives. This had not been an initial imperative of our material conquests and creations but instantaneously became coupled so.

It simply was no longer to preserve a language so that our works could be understood and therefore act as a form of progeny, it was a defect and disease demanded by our endeavours.

165

Systems of trade, of law, of vanity, of ego, of silent sinister materials, strewn on our battle fields, in our homes and under our continents, and even the very systems of your birth and death demanded the formation of an imperative comprehension: 'The basics', which incessantly spiralled into 'The complexes' and the 'meta complexes'.

A fatal crash course in why any essence, instinct and rationality that might have onced played out was robbed by the only existence left available.

If there was to be a human in that place we had risen to a 'native status', we needed to ensure we continued to understand what we had done, what we had left, and so we sought to devise a preservable, a faxable self.

A 'self', tooled up with a diseased but consistent cognition, so that we might 'say sorry through the ages and hope to mean it.

The leak is in the language'.

A card is in the post.

Is this still your address?

Do you have a letter box?

This time will be different. I will leave this place as well, like you.

You must try to wherever you are, and anything left by chance should not be yours. No signatures, no names, no rights or claims to a fabbed and fading before-ness.

"Better of Before" "Just because it's the best thing you've ever done, doesn't mean you should go writing your name on it."

"Hand it to yourself. Hand it in. You can't handle this. Hold my hand. Give me your hand. Hands up. Hand it over."

"Esta Revolucion es Eterna" (this revolution is eternal) "Ships not Shelters"

Are we there yet?

No... Never.

166

If you want a picture of the future, imagine a rocket blasting off -- forever.

167

168

169

85

76 p.

He paused to feed more papers to the fire. ‘Now we’re alone. We and a handful of others who’ll land in a few days. Enough to start over. Enough to turn away from it all back on Earth and strike out on a new line—‘ 170

The fire leaped up to emphasize his talking. And then all the papers were gone except one. All the laws and beliefs of Earth were burnt into a small, hot ashes, which soon would be carried off in a wind. Timothy looked at the last thing that Dad tossed in the fire. It was a map of the World, and it wrinkled and distorted itself hotly and went – flimpf – and was gone like a warm, black butterfly. Timothy turned away.

‘Now I am going to show you the Martians’, said Dad. ‘Come on, all of you. Here, Alice.’ He took her hand. (…)

The night came down around them, and there were stars. But Timothy couldn’t find Earth. It had already set.

That was something to think about. (…)

‘I’ve always wanted to see a Martian,’ said Michael.

‘Where are they, Dad? You promised.’

‘There they are,’ said Dad, and he shifted Michael on his shoulder and pointed straight down.The Martians were there. Timothy began to shiver. The Martians were there – in the canal – reflected in the water. Timothy and Michael and Robert and Mom and Dad. The Martians stared back at them for a long, long silent time from the rippling water…

Martian Chronicles – Ray Bradbury. p. 80 1 NU

T

Coming soon from Shopwork: THEORIES FROM A DISTANT PRESENT

Stuart Bannocks Roberto Feo Rosario Hurtado Mike

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Proofed by: Lira Leirner & Julia Jarvis