001 Cover db Oct 2014 _Layout 1 30/10/2014 10:22 Page 1
ISSUE 147
•
OCTOBER 2014
ISSUE 147 • OCTOBER 2014
RED CARPET ROLLOUT
PROSECCO • GERMANY • PROWEIN PREVIEW • SOUTH AFRICA • LOW-ALCOHOL WINE • WHISKY • COGNAC
REVEALING THE MEDAL-WINNING WINES IN THIS YEAR’S GLOBAL MASTERS FOR RIESLING, SAUVIGNON BLANC AND CHAMPAGNE
SOUTH AFRICA
SPARKLING WINE
ARE WHITE BLENDS THE CAPE’S BEST WINES?
CONSIDERING THE POTENTIAL COMPETITORS FOR PROSECCO
BULK WINE
LOOKING AT THE REAL COSTS OF SHIPPING IN BULK
BUILDING BELVEDERE • JACKSON FAMILY WINES
•
NYC’S TOP SOMMS
www.thedrinksbusiness.com
xx_sb_apr_Teq_Corralejo_2013_Layout 1 23/05/2014 10:31 Page 1
03 Editorial Nb_Layout 1 02/10/2014 12:28 Page 3
editorial Own-brand Champagne is commanding a significant proportion of the market, much to the despair of some traditional houses IT’S OFTEN said that Champagne is a bastion of successful brands – buy why? According to the marketers, it’s a place where class-leading cuvées offer everything that consumers want: consistency (achieved through blending across a large area and different vintages), authenticity (due to provenance), simplicity (it’s just sparkling), and visibility (memorable branding, whether it’s on the bottle, ice bucket or in an advertisement). However, as this month’s lead article on Champagne highlights (pages 30-38), the majority of the region’s sales in UK retail aren’t from such effectively-marketed brands. Indeed, they are not even from marques owned and managed by a producer. Over 53% of the volume sales in Champagne’s largest export market, the UK, are from labels controlled by the supermarkets – whether they use their own name or one that’s exclusive to them. For example, to consider Britain’s biggest retailer, the Champagne on the shelf is likely to be either Tesco own-brand or its exclusive label: André Carpentier. But it’s the likes of the latter label that really drive sales. Regularly sold at half-price, such Champagnes account for almost 40% of Britain’s off-trade business. Obviously it’s more appealing for retailers to offer deals on something that is unique to them but doesn’t carry their own name, particularly considering it’s usually suffixed with superlatives such as “Finest” or “Extra Special”. In short, over half of UK consumers – and a similar quantity in France too – appear to just want to buy Champagne at the cheapest price. But is this situation bad for the region? The grandes marques would say it is, because it’s at odds with the region’s luxury positioning. But others say it opens up the appellation, with its upmarket associations, to a wider audience. It also holds back the competition from New World sparklers – or, in the UK, English
Printed by Buxton Press, Winner, Print Week Printing Company of the Year 2009 and 2011
PEFC Certified This product is from sustainably managed forests and controlled sources PEFC/16-33-576
www.pefc.org
ones – as well as preventing Prosecco taking an even greater share of the global fizz business. In essence, without the sales of exclusive-label Champagne through Europe’s largest retailers, the sparkling wine region would lose an important safety valve for a significant proportion of its circa 300 million annual bottle production – particularly worrying when times are tough. And considering the still shaky economic situation in Europe, we can certainly expect the usual low-priced Champagne deals in the run up to Christmas. Bearing in mind the latest quarter’s poor sales results from some of the UK’s leading supermarkets, one can be sure that Champagne prices will take a thoroughly comprehensive slashing later this year. But it’s not just fizz we feature in this edition. Elsewhere, we bring you the medal-winners from 2014’s Fortified Masters (pages 84-88), which follows on from a piece on the growing global taste for top-end Tawny (pages 76-80). We also consider Scotch sales in Asia after China’s austerity drive (pages 70-74), as well as the French regions to watch (pages 90-96). Then, as our cover attests, we look in detail at the drinks trends in travel retail, just in time for the annual TFWA show in Cannes (pages 50 to 66). Similar to the supermarkets mentioned in the Champagne article, travel retail is home to a high proportion of exclusives. But in this environment there’s a crucial difference: such retailers aren’t touting drinks for their cheap, discounted price – rather, they are charging a premium, because their products truly are exclusive.
PATRICK SCHMITT EDITOR-IN-CHIEF
• Editor-in-chief Patrick Schmitt
• Chairman & Publisher Anthony Hawser
• Managing Editor Gabriel Stone
• Deputy Chairman David Rose • Art Director Alan MacKenzie-Morris
• Deputy Editor Lucy Shaw
• Director of Sales Spirits Bert Grant • Director of Sales Drinks
• Senior Staff Writer Rupert Millar
Andrew Oliver • Marketing Director David Hennelly
• Staff Writer Simon Howland
• Sales Executive Jennifer Frame • Spirits Manager Daisy Jones
• News & Website Editor Lauren Eads
• Advertising Manager Marcus Clark • Research & Events Sheila Crisp
• Contributing Editor Tim Atkin MW
• Events Manager Chloé Beral • Sales and Events Coordinator Natalie
• Sub-Editor Neal Baker • Contributors Giles Fallowfield, Michael Edwards
Sellers • Web Designer Matthew Quitter • Subscriptions Sales Manager
• Consultant Jack Keenan • US Consultant Clint Rodenberg
Lewis O’Sullivan • Production Manager Mile Budimir
Published by: The Drinks Business, Unit 122, 30 Great Guildford Street, London SE1 0HS Tel: +44 (0) 20 7803 2420 • Fax: +44 (0)20 7803 2421 • E-mail: info@thedrinksbusiness.com
Printed by: Buxton Press • ISSN: 1477-7495 Annual subscription: UK: £158 • Europe: £216 • Rest of world: £258 • Subscription enquiries: Lewis O’Sullivan www.thedrinksbusiness.com
3
04-05 Contents_Layout 1 30/10/2014 11:22 Page 2
contents 68
60 news & views 06 news of the month China’s spirits drop; California quake costs $80m; Trade reacts to Scottish ‘no’ vote
features cover image Getty Images
26 interview Despite retiring from Diageo 14 years ago, Dr Alan Rutherford has never been busier
30 champagne Does the rise in own-brand supermarket Champagne threaten its luxury image?
40 champagne pressing Looking at the importance of the pressing stage in Champagne production
46 top ten champagne brands Finding out what it takes to become the world’s leading Champagne brands
52 travel retail We look at the forecast for the travel retail sector, with Asia set to overtake Europe
70 scotch Will the latest Scotch export figures dent confidence in the category?
76 port Looking at the top prices charged by leading Douro producers for their latest offerings
84 fortified masters Analysis of the full list of medal winners in this highlight of the Global Masters series
90 france Why French producers can still turn heads despite the dominance of the New World
2
04-05 Contents_Layout 1 30/10/2014 11:22 Page 3
o c t o b e r 2 01 4 • i s s u e 1 4 7
OFFICIAL WATERS OF
finder
22
54
26
marketing
fine wine
100 campaigns
122 fine wine update
Lanson’s festive design; Grey Goose goes galactic; Jack Daniel’s takes to the stage
104 products Klein Constantia Vin de Constance 2009; Zonin Prestige 1821; Grey Goose VX
108 trends Mintel figures are showing the return of the wine spritzer
on-trade 116 update Restaurant news; French wine in the ontrade; new Michelin stars announced
118 profile We look at the restaurant taking Levantine cuisine in London to a new level
Chinese boom ‘never really happened’; Asia will edge US in future auctions; Latour 1996
124 monitor Revisiting the underrated 2005 Bordeaux, and its potential to tempt buyers back
people 126 moves Casa Vinicola Zonin in board shake-up; Corney & Barrow Asia GM; Dirk Niepoort
132 salut Beckham jets to Singapore for Haig Club; Johnnie Walker at F1; Matua plays Bestival
Absolut Alfred Rothschild Andre Carpentier Ataraxia Avion Ballantine’s Beefeater Benedictine Bertrand de Bessac Bouchard Pére & Fils Brunello Buffalo Trace Campo Viejo Canard-Duchêne Champ de Rêves Champagne Deutz Champagne Gosset Champagne Henriot Champagne Pannier Chanoine Charles Lafite Charles Mignon Château de Pommard Château Haut-Brion Château Lafite Rothschild Château Latour Château Margeaux Château Smith Châteauneuf du Pape Chivas Regal Clarendelle Clos des Lambrays Cloudy Bay Compass Box Cordon Bleu Cristal De Cazanove De St Gall De Vallois Dom Pérignon Domaine Bousquet Domaine Clarence Dillon Domaine Michel Lafarge Drambuie Duval-Leroy Étienne Dumont Faustino Follador GH Martel GH Mumm Glanfarclas Glendiddich Grey Goose Graham’s Guinness Haig Club Havana Club Heidsieck-Monopole Heineken Hooch Inver House Jack Daniel’s Jackson Estate Jacob’s Creek Jacquart Johnnie Walker Kenwood Klein Constantia KWV Lanson Laurent-Perrier Legend of Kremlin Les Roches Blanches Louis Delunay Louis Dubince Louis Jadot Louis Roederer Louvel Fontaine Maison Albert Bichot Maison Burtin Maison Louis Latour Martell Matua Mercier Miraval Moët & Chandon Mouton Cadet Nicolas Feuillatte Niepoort Oudinot Pabst Penfolds Perrier-Jouët Petrus Piper Heidsieck Pol Aimé Pol Roger Pommery Quintus Raphaël-Michel Rémy Martin Rosso di Montalcino Schloss Johanissberg Scion Stoli Taylor’s The Balvenie The Macallan 6 Tullamore Veuve Clicquot Victoria’s Gin Villa Maria Wemyss Whyte & Mackay Zonin
14 31, 32 32 20 16 6, 14 14 56 34 93 16 106 66 31 24 44 36 36 36 31 32 36 22 92 64 10, 12 64 16 64 14 92 10 64 27 6 18 31, 32 31 32 18, 104 105 92 91 7 32 32 64 62, 64 31, 32 14, 31, 41 71 7, 100 100, 105 77 7, 101 132 14 31 26 101 72 101 12 14, 64 32 ,105 53, 100, 132 16 104 105 31, 100 31 58 34 36 34 91 36, 41, 104 38 91 32 90 6, 14 132 31 91 31, 44 101 31 77 31 24 64 36 64 31 32 36, 132 31 24 91 6 16 22 77 101 77 7 72 18 31, 41 132 64 26 8, 26 62, 105, 126
3
04-05 News Nb_Layout 1 30/10/2014 09:20 Page 6
top story
HARVEST 2014: EUROPE TESTED BY TOUGH SUMMER
As Europe brings its 2014 harvest to a close, few of the key wine regions appear to have escaped the unsettled weather conditions that look set to characterise this vintage, writes Gabriel Stone. For some, an Indian summer brought miraculous salvation for a vintage that appeared doomed as late as August. For others, the rain arrived at just the wrong moment, with results very-much dependent on the reaction of individual winemakers. On a national level, the big picture from 2014 has been the bounceback from France, where overall production rose by 10% on last year. This allowed the country to reclaim the number one global production spot from Italy, which was forced to endure particularly wet conditions. In Champagne, a disappointingly wet summer was salvaged by warm, dry conditions in September. However, a number of producers, such as Bruno Paillard and Veuve Clicquot reported that Chardonnay had weathered the conditions better than the thin skinned Pinot Noir. Declaring himself “happy” with the quality potential at this stage, GH Mumm chef de cave Didier Mariotti suggested that 2014 “looks fairly similar to the 2008 vintage in terms of ripeness and acidity levels.” For Bordeaux, a region eager for good news after a trio of underwhelming vintages, 2014’s fortunes appear to have been transformed by a burst of warm weather during September and early October. Summarising his feelings as
4
“both relieved and satisfied”, Dourthe CEO Patrick Jestin predicted “a really good vintage for the reds which wouldn’t have been possible without an Indian summer”. Meanwhile consultant Denis Dubourdieu pointed to “a rare and interesting vintage”. In Burgundy a warm spring meant the growing season went off to a flying start, with some vineyards two weeks ahead of their
‘For Bordeaux, a region eager for good news after a trio of underwhelming vintages, 2014’s fortunes appear to have been transformed’ normal development. Hopes for a bumper crop to replenish recent shortfalls were dealt a blow by a severe hailstorm at the end of June, which hit Pommard, Volnay and Beaune particularly hard. For those producers who remained unscathed by hail, the final story was a positive one. “It’s going to be a good harvest – the weather was great,” said Charles Lachaux of Domaine Arnoux-Lachaux, who pointed to the likelihood of “a fresh easy-drinking vintage.”
Reporting from the Rhône, regional specialist John Livingstone-Learmonth indicated that in general the north had fared better than the south, where cooler conditions caused “stubborn ripening” for Grenache and producers reported the need for rigorous sorting of grapes. In the Northern Rhône, heavy rainfall hit Cornas in particular during the third week of September, causing problems for those producers who were still harvesting then. For all the challenges faced by French regions this year, other countries had much more severe weather conditions to tackle. Wet weather across much of the country saw Italy report significant declines in production, especially in its far northern and southern regions. It was not all bad news for quality however, as Stefano Girelli, owner of Sicilian estate Feudo di Santa Tresa, hailed “an exceptional year for Sicily”. In his view, “the reds have a perfect balance of fruit, alcohol and tannins. The whites really are stunning – the cooler conditions have resulted in higher than average acidity – they are excellent.” The Douro was another region hit by dramatic rainfall, which caused severe soil erosion in many parts of this steep valley and left many producers facing an unsettled end to a challenging year. Nevertheless, Paul Symington, joint managing director of Symington Family Estates maintained: “Those winemakers lucky enough to be able to get grapes from various locations across the Douro will certainly have made some brilliant Ports and wines. It was a year to take full advantage of judicious vineyard investment in the best sub-regions.” While Spain as a whole is expected by the OIV to return back to average after last year’s record high, Rioja’s consejo was predicting a bumper final harvest of 434m kilograms of grapes, compared to 368m kg in 2014. Although the region was hit by “unfavourable” weather conditions in the final part of the harvest, which brought problems with rot, the DOCa maintained that both quality and quantity were set to remain higher than previous two years. Despite periods of heavy rain, there were positive reports from Germany both in terms of quality and quantity. The OIV recorded that the country’s overall volume of production is set to rise by 16%, while the German Wine Institute reported “overall satisfaction with the quality of the harvested fruit.”
04-05 News Nb_Layout 1 30/10/2014 09:20 Page 7
n ews & v iews
TRIBUTES PAID TO HEIDSIECK WINEMAKER THIERRY ROSET The trade has paid tribute to the skill and modesty of Charles Heidsieck winemaker Thierry Roset, who died earlier this month aged just 55. During the launch of Heidsieck’s 2005 vintage in London last month, executive director at the Champagne house, Stephen Leroux, raised a glass to Roset, and described him as “the man behind the resurrection of Charles Heidsieck for the last few years”. Although Roset had worked at the house since 1988, he took over the reins as chef de caves at Charles Heidsieck in 2012 when Regis Camus, a man he had worked with since 2004, became director of viticulture and wine for Piper and Charles Heidsieck, which are both owned by EPI. Leroux said that Roset was “a
YVONNE MAY EVENT Members of the drinks trade are invited to raise a toast in celebration of the life of Yvonne May at an event in December. Yvonne, regional director for the UK and Europe for Wine Australia, died on August 29 at the age of 53 after a five-month battle with Acute Lymphoblastic Leukaemia. Yvonne was a well-known and respected member of the UK trade, particularly with regard to Australian wine. A celebration of her life will be held at Australia House in London on December 9 at 2pm. Please RSVP by Monday, 1 December, by emailing emma.symington@wineaustralia.com
wonderful father, a wonderful friend, a wonderful colleague and a wonderful winemaker”, while noting that it was apt that attendees of the event should be served Heidsieck’s Champagne Charlie 1985, which was Roset’s first encounter with the brand. In a statement given to db, Louis Roederer’s head winemaker and vice president JeanBaptiste Lecaillon described Roset as a good friend with whom he shared his greatest winemaking secrets. “Thierry was an honest friend, a fantastic winemaker and he had the Charles’s style in his blood. “His descriptions of his wines were so intelligent and always very clever,” he wrote, adding, “We will miss him and his humble but
warm presence.” David Gleave MW, head of Liberty Wines, which is the UK importer for Charles Heidsieck, said Roset had an “outstanding palate” that was coupled to a “touching humility”.
BIBENDUM MERGES WITH PLB GROUP Bibendum Wine Limited has merged with drinks importer the PLB Group to create The Bibendum PLB Group. Both businesses will continue to trade as separate companies with the new group’s structure set to allow Bibendum and PLB to focus on their own area of expertise with Bibendum focusing exclusively on serving the on-trade and PLB the off-trade. The Bibendum PLB Group will be made up of five trading companies in total; existing Bibendum trading arms, the Wondering Wine Company, Instil Drinks Company and PLB’s beer division. It was also announced in October that Walker and Wodehouse Wines has joined the group, a
company which has a history dating back to 1794 that will focus on supplying independent merchants and regional wholesalers. Michael Saunders, chief executive of The Bibendum PLB Group said: “By uniting the strengths of Bibendum with the strengths of PLB, maximising the expertise within each company, our group will be uniquely placed to offer customers the best possible service.”
CALIFORNIA MAKERS HAIL 2014 VINTAGE DESPITE DISASTERS Despite a devastating earthquake and continued drought, Californian vintners are hailing the 2014 harvest as one of the best ever seen, calling it the “third great vintage of the decade”. The declaration comes following a year that saw the region rocked by an earthquake in late August, causing £80 million worth of damage just as the year’s crush was getting underway; tackle a number of wild fires which swept perilously close to some vineyards, notably in the Sierra Nevada foothills and Napa regions; and battle continued severe drought. However despite significant challenges, vintners are confident that 2014 will be one of the best vintages of the decade, according to the Californian Wine Institute. Following 2013’s record high crop, the United States Department of Agriculture is predicting that this year’s crop will come in at 3.9 million tonnes, down 8%, but still making 2014 the third largest on record. Corey Beck, president and director of winemaking at Francis Ford Coppola
Winery, went so far as to say that the 2014 was the best vintage he had ever seen in his 17 years at the winery. He said: “We’ve been so fortunate to have two back-to-back phenomenal harvests. We buy grapes from a variety of growers in various sub-appellations throughout Sonoma County, and to see that level of quality and consistency in each of the diverse varieties across the region is remarkable. The Chardonnay grapes were supple and succulent; the Cabernets were deep and complex— across the board, it’s a great vintage.”
5
6-8 News Nb_Layout 1 30/10/2014 09:19 Page 6
news & v iews
CHABLIS IS AS ‘STRONG AS CHAMPAGNE’ The strength of “brand Chablis” and its pulling power in terms of driving sales is on a par with Champagne, according to one leading producer in the region. Speaking to the drinks business during a recent trip to the region, Nathalie Févre of Domaine Nathalie et Gilles Févre said: “Chablis has the brand strength of Champagne to the extent that people buy on the fact that it’s Chablis over the domaine or climat name.” While Jean-Francois Curie, commercial
director at Domaine Drouhin Vaudon has noticed a newfound enthusiasm for grand cru Chablis, particularly in the US. “There’s a new wave of interest in Chablis at the moment, particularly in the grand cru wines; they’re hugely popular in the US. Chablis is considered apart from Burgundy as its own thing and its own brand. Of course it is Burgundy, but it’s Chablis first, Burgundy second,” he said. “The style of Chablis is going back to being more tense and linear, which is what we’re all about. The more fleshy and opulent Chablis of the ‘80s are being phased out and we’re coming back to what the region is known for,” he added. Domaine Drouhin Vaudon recently acquired two hectares in the premier cru climat of Mont de Milieu with “planting increasing every year”, said Curie.
‘Ghost’ tube stops could become bars London tube stops, abandoned since the Second World War, could be turned into bars, if a UK businessman gets his way. Ajit Chambers has been lobbying Transport for London for the past five years with ambitions to turn the subterranean stations into a number of bars, restaurants and museums. The capital’s 26 “ghost” stations, which have not been used since the 1940s and 50s, are estimated to be worth about £1 billion. Speaking to Bloomberg Chambers said he wanted the disused stations to become “the ultimate tourist attractions in London.” Transport for London said that it would not consider selling the stations entirely, but would consider if parts of the station sites could be used.
LIDL DEFENDS SELLING WINE BELOW COST Lidl Spain has defended its decision to purposely ignore retail regulations by selling some wines at below cost price, telling the drinks business that doing so “rarely ends up in disciplinary proceedings.” The discount retailer was embroiled in controversy as it emerged that leading Spanish winemaker Bodegas Marqués de Cáceres had reported it to market competition authorities for selling the producer’s wine brands at below cost price. A Marqués de Cáceres spokesperson told the drinks business that during the first fortnight in October, Lidl had advertised an offer for one of its products on a national scale whereby consumers could acquire its wines at a lower
6
price than the cost price paid by Lidl. Under Spanish law, the selling of products at below cost price is illegal, barring perishable goods that are going out-of-date. Marqués de Cáceres said the underpricing was “against its will and contrary to the explicit requirements conveyed to the supermarket chain.” However the supermarket has since hit back, telling db that the pricing was part of a promotional campaign and that being reported to market authorities “rarely ends up in disciplinary proceedings,” adding: “When it does happen, it does not mean that Lidl has actually violated the law.” Bodegas Marqués de Cáceres, which distributes to over 120 countries, said Lidl has “questioned the professionalism and integrity of the Marqués de Cáceres distribution circuit.”
Paso Robles divides into 11 appellations The Californian wine region of Paso Robles has been granted permission to set up 11 new appellations within its borders. The ruling was passed by the Alcohol and Tobacco Tax and Trade Bureau (TTB), a subsidiary of the US Treasury, on 9 October. The Paso Robles AVA Committee, a trade body of the area’s winemakers, petitioned for the change in 2007, but it wasn’t until September 2013 that federal regulators issued the proposal to the TTB. The changes will allow vintners to better describe the origin of their wines and consumers to better identify wines. As of 10 November Paso Robles AVA winemakers will be able to label their wines with one of the 11 new appellations; Adelaida District, Creston District, El Pomar District, Paso Robles Estrella District, Paso Robles Geneseo District, Paso Robles Highlands District, Paso Robles Willow Creek District, San Juan Creek, San Miguel District, Santa Margarita Ranch and Templeton Gap District.
Cattle develop a taste for Pinot Noir Van Duzer Vineyards in Oregon has found a novel use for its leftover Pinot Noir grape pomace – feeding it to calves on a neighbouring farm. The winery was left with 30 tonnes of pomace waste after this year’s harvest, offering it to the Flying F Ranch to feed its calves to supplement the lucky herd’s traditional diet of grain and hay. “We tried giving them the pressings from our Pinot Gris too, but the cows didn’t like those stems,” said Van Duzer’s vineyard manager, Bruce Sonnen. A recent study in Australia found that feeding cows grape pomace leads to extra tender, well-marbled meat. Given that the skins have been fermented, Sonnen said the traces of alcohol do have an effect on the cows. “They get a bit buzzed. The older cows don’t go for the skins, but the ‘teenage’ calves can’t get enough.”
xxx_db_Oct_MH Belvedere_Layout 1 22/09/2014 14:26 Page 1
6-8 News Nb_Layout 1 30/10/2014 09:19 Page 8
news & v iews
TURMOIL AT TESCO AS JAGO SUSPENDED
The Serious Fraud Office (SFO) is to carry out a criminal investigation into the finances of UK supermarket Tesco after it emerged the company had overstated its profits by £263 million, £13m more than it first admitted. The company first announced a £250 million overestimation of its £1.1 billion profit forecast in September, which prompted eight executives – including beer wine and spirits director Dan Jago – to be suspended and Sir Richard Broadbent to step down from his position as the company’s chairman. Bosses have since admitted that the shortfall was in fact £263 million and that its post-tax profits were down by 92% from £1.39bn to £112m, with sales from stores open at least a year suffering a 5.5% drop. Having completed its own investigation, accountancy firm Deloitte said the supermarket chain had overstated its profits by £118m in the first half of this year, by £70m in the 2013/2014 financial year and by £75m the year before that. Now, the SFO are to step in launching a criminal investigation into the supermarket’s finances in partnership with the Financial
Conduct Authority, the City watchdog. Announcing his resignation, Sir Richard said the financial problems were “a matter of profound regret,”adding that he would “prepare the ground for his succession. Despite the company’s misreported profits dating back for the last three years, industry veteran and former Sainsbury’s head of wine Allan Cheesman has stated his belief that the chain’s beer, wine and spirits division was not likely to have contributed much, if anything, to the supermarket’s accounting “black hole”. Speaking exclusively to the drinks business, he said: “In any dealings with suppliers there are various sources of income and support, and I am sure Tesco has tried and tested methods to track and account for these not-inconsiderable funds.”He continued: “I’m not sure the alcohol volumes would add much [to the gap in the accounts] and there are only a few mega suppliers in BWS – Diageo, Accolade, SABMiller and Pernod Ricard – a shrewd bunch.” Tesco shares have plunged to an 11-year low since it announced the overstatement in September. Warren Ruhomon, financial analyst at Finspreads, told the drinks business: “The lack of transparency on the level of profits that Tesco expects to report for full year performance is another dagger through the heart of investor sentiment. “The lack of guidance, a deeper than expected accounting hole and a grocery sector that is in structural decline are three of the biggest issues affecting Tesco right now.” A total of eight executives, including Jago, remain suspended from the company while the investigation takes place.
Canard-Duchêne results buck overall trend Canard-Duchêne has hailed a “truly historical performance” as it outshone the wider Champagne category by posting 2.5% growth for the first half of 2014. As the Champagne Bureau reported a 1.4% uplift in exports compared to the first six months of 2013, signalling an end to the consecutive declines seen in 2013 and 2012, Canard-Duchêne predicted “strong growth prospects for the remainder of 2014.”
8
The Ludes-based house shipped 1.67 million bottles between January and July 2014 and saw a particularly strong performance in Europe, where shipments rose by 17%. Its domestic market proved notably healthy with sales growth of 5.3% in the off-trade and 16% in the on-trade. By contrast, the wider Champagne category saw a decline in the French market, where shipments slipped by -3.1%. Beyond France, however, the overall picture was healthier with growth of 6.9%.
Wine lovers urged to embrace old Rioja “Buy it while you can” was the message from Sarah Jane Evans MW at a 50th anniversary tasting of Rioja’s classic 1964 vintage in London. If lovers of old, rare wines are being priced out of Bordeaux and Burgundy they would do well to consider Rioja, reckons Evans, who said at the event, “With rains at the right time and a long ripening period it is commonly thought to be the greatest Rioja vintage of the 20th century,” said Evans, who saw the tasting as “proof you can keep Rioja if stored in the right place and well-made to start with. The best had that lovely attenuated elegance – the mix of forest floor aromas, cherry fruit freshness and mature, vanilla oak to make a really lyrical blend.” Evans was particularly impressed by the Herederos del Marqués de Riscal. While praising the Consejo Regulador for boosting Rioja’s mainstream appeal, Evans questioned if “they’ve overlooked the great wines”, and if they are under-priced because the bodegas have not taken themselves “seriously enough.” She said: “It’s extraordinary that Rioja doesn’t feature more strongly in auctions.” Anyone interested in collecting old Rioja is advised to think about the cellar history. “Ask yourself where it’s been, and how it’s been looked after,” said Evans, who also pointed out that the terms; ‘Reserva’ and ‘Gran Reserva’ date from 1972. Older wines labelled as such are either fakes or were labelled post-1972 in the cellar. “Gran Reserva and Reserva from top bodegas with age sell well,” said Richard Harvey MW, Bonhams’ head of wine sales. “Crianza, even if mature, does not, especially if not from the top houses.”
xx_db_Nov_Mcguigan Wines_Layout 1 27/10/2014 15:14 Page 1
10-12 News Nb_Layout 1 30/10/2014 11:31 Page 10
news & v iews
AUSTRIA STEPS UP SPARKLING AMBITION Italian woes sees The Austrian Wine Marketing Board has announced a new threetier quality hierarchy for the country’s sparkling wines as it seeks to raise the profile of this style. Level 1, the lowest tier, features a tightened minimum requirement for Austrian sparkling that guarantees all grapes and base wines have been produced within the country. Sparkling wines within this category must spend at least nine months maturing on lees. The second tier requires wines to be produced in the traditional method, with their secondary
fermentation carried out in bottle. All grapes and base wines must be sourced from one of Austria’s “generic” wine growing regions spending at least 18 months maturing on lees. At the very highest tier, Austrian sparkling wines may come only from a single commune, such as Gols or Langelois, with the option to include specific vineyard designations, with a minimum 30-month period of maturation on lees required. These wines may not reach the market until at least three years after their harvest. The AWMB, which hopes to achieve legal status for the classification in 2015, highlighted that these top end requirements are as strict, if not stricter, than leading sparkling wine styles such as Champagne or Franciacorta. Sparkling styles currently account for around 10% of the nation’s total wine production.
Singer launches cannabis-infused wine American singer Melissa Etheridge has announced the launch of a range of products made from cannabis, including a cannabis-laced wine, aimed at people suffering from cancer. Etheridge is a long-time proponent of cannabis reform and, having survived breast cancer herself, has often touted the benefits of cannabis to alleviate side effects of chemotherapy and attributes her recovery to its use. In a recent interview with Bloomberg, Etheridge said: “I believe this is a huge opportunity, a huge business and a huge market and you’re going to see my name with a lot of these things.” Etheridge, who has recently released a new album, entitled This is M.E., went on to say she hoped to bring her cannabis-infused wine to all medical marijuana states soon.
YOUNG WINEMAKER DIES IN VAT FALL Nerea Pérez, niece of Bierzo winemaker Raul Pérez, died after falling into a fermentation vat and suffocating. According to police Nerea, 25, fainted while inspecting a wine vat during fermentation at the family winery in Salas de los Barrios in Spain’s north-west, and suffocated after falling in. She was found unconscious by her uncle Raul, one of Bierzo’s most highly regarded winemakers. A National Police unit helped
10
remove her from the vat, however paramedics were unable to resuscitate her. Nerea had been working in the winery for two years following her graduation from Coruña University in Chemistry and the Environment in 2012 and was also secretary of the Socialist Youth of Bierzo. Its district secretary, Alvaro Gerardo Courel: said: “We regret the loss of a member of Bierzo, a companion, which is made more painful by her youth.” Raul Pérez is a well known winemaker in the Spanish region of Bierzo. Carbon dioxide poisoning during winemaking can occur easily if precautions are not taken. The gas is colourless, odourless and heavier than air, which means it sinks to the bottom of vats and in wine cellars and a concentration of just 8% is enough to kill an adult.
France take top spot
France regained its position as the world’s biggest wine producer as the International Organisation of Vine & Wine released its global wine production estimates for 2014. The 271 million hectolitre worldwide total predicted for this year represented a 6% decline on 2013, itself a 37-year low for the industry, after a number of large volume countries struggled with difficult weather conditions during the growing season. Among these was Italy, which lost its number one spot after wet weather saw the country receive 73% above-average rainfall during July alone. Production estimates suggested total production volumes of 44.4m hl, a 15% decline on last year. Eastern Europe was also hit hard, with Bulgaria, Romania and Slovakia seeing production slide by 30%, 20% and 16%. Despite some problematic weather of its own, France saw a 10% increase in production against last year to hit 46.2m hl. There was also a strong rise of 16% for Germany, where volumes hit 9.7m hl. Meanwhile, Spain saw production levels return to the country’s average of 37m hl after last year’s record high. Outside Europe, the US recorded its third consecutive increase to reach a predicted 2014 harvest of around 22.5m hl. The picture was more mixed in the southern hemisphere, where Chile slipped back by 22% to 10m hl in the wake of two record years. Argentina remained stable at 15.2m hl, just 1% higher than in 2013, while South Africa saw a 4% rise to reach 11.4m hl. Meanwhile, in Oceania, New Zealand enjoyed record production of 3.2m hl, smashing its previous 2013 record by 29%. It was a more measured performance from Australia, where volumes rose to 12.6m hl compared to 12.3m hl a year ago.
xxx_db_Nov_Accolade Wines_Layout 1 27/10/2014 15:12 Page 1
10-12 News Nb_Layout 1 30/10/2014 09:17 Page 12
news & v iews
AUSTRIA STEPS UP SPARKLING AMBITION Italian woes sees The Austrian Wine Marketing Board has announced a new threetier quality hierarchy for the country’s sparkling wines as it seeks to raise the profile of this style. Level 1, the lowest tier, features a tightened minimum requirement for Austrian sparkling that guarantees all grapes and base wines have been produced within the country. Sparkling wines within this category must spend at least nine months maturing on lees. The second tier requires wines to be produced in the traditional method, with their secondary
fermentation carried out in bottle. All grapes and base wines must be sourced from one of Austria’s “generic” wine growing regions spending at least 18 months maturing on lees. At the very highest tier, Austrian sparkling wines may come only from a single commune, such as Gols or Langelois, with the option to include specific vineyard designations, with a minimum 30-month period of maturation on lees required. These wines may not reach the market until at least three years after their harvest. The AWMB, which hopes to achieve legal status for the classification in 2015, highlighted that these top end requirements are as strict, if not stricter, than leading sparkling wine styles such as Champagne or Franciacorta. Sparkling styles currently account for around 10% of the nation’s total wine production.
Singer launches cannabis-infused wine American singer Melissa Etheridge has announced the launch of a range of products made from cannabis, including a cannabis-laced wine, aimed at people suffering from cancer. Etheridge is a long-time proponent of cannabis reform and, having survived breast cancer herself, has often touted the benefits of cannabis to alleviate side effects of chemotherapy and attributes her recovery to its use. In a recent interview with Bloomberg, Etheridge said: “I believe this is a huge opportunity, a huge business and a huge market and you’re going to see my name with a lot of these things.” Etheridge, who has recently released a new album, entitled This is M.E., went on to say she hoped to bring her cannabis-infused wine to all medical marijuana states soon.
YOUNG WINEMAKER DIES IN VAT FALL Nerea Pérez, niece of Bierzo winemaker Raul Pérez, died after falling into a fermentation vat and suffocating. According to police Nerea, 25, fainted while inspecting a wine vat during fermentation at the family winery in Salas de los Barrios in Spain’s north-west, and suffocated after falling in. She was found unconscious by her uncle Raul, one of Bierzo’s most highly regarded winemakers. A National Police unit helped
10
remove her from the vat, however paramedics were unable to resuscitate her. Nerea had been working in the winery for two years following her graduation from Coruña University in Chemistry and the Environment in 2012 and was also secretary of the Socialist Youth of Bierzo. Its district secretary, Alvaro Gerardo Courel: said: “We regret the loss of a member of Bierzo, a companion, which is made more painful by her youth.” Raul Pérez is a well known winemaker in the Spanish region of Bierzo. Carbon dioxide poisoning during winemaking can occur easily if precautions are not taken. The gas is colourless, odourless and heavier than air, which means it sinks to the bottom of vats and in wine cellars and a concentration of just 8% is enough to kill an adult.
France take top spot
France regained its position as the world’s biggest wine producer as the International Organisation of Vine & Wine released its global wine production estimates for 2014. The 271 million hectolitre worldwide total predicted for this year represented a 6% decline on 2013, itself a 37-year low for the industry, after a number of large volume countries struggled with difficult weather conditions during the growing season. Among these was Italy, which lost its number one spot after wet weather saw the country receive 73% above-average rainfall during July alone. Production estimates suggested total production volumes of 44.4m hl, a 15% decline on last year. Eastern Europe was also hit hard, with Bulgaria, Romania and Slovakia seeing production slide by 30%, 20% and 16%. Despite some problematic weather of its own, France saw a 10% increase in production against last year to hit 46.2m hl. There was also a strong rise of 16% for Germany, where volumes hit 9.7m hl. Meanwhile, Spain saw production levels return to the country’s average of 37m hl after last year’s record high. Outside Europe, the US recorded its third consecutive increase to reach a predicted 2014 harvest of around 22.5m hl. The picture was more mixed in the southern hemisphere, where Chile slipped back by 22% to 10m hl in the wake of two record years. Argentina remained stable at 15.2m hl, just 1% higher than in 2013, while South Africa saw a 4% rise to reach 11.4m hl. Meanwhile, in Oceania, New Zealand enjoyed record production of 3.2m hl, smashing its previous 2013 record by 29%. It was a more measured performance from Australia, where volumes rose to 12.6m hl compared to 12.3m hl a year ago.
xx_db_Oct_Mac De Cac Gran Reserva_Layout 1 20/10/2014 09:08 Page 1
10-12 News Nb_Layout 1 30/10/2014 09:17 Page 14
news & v iews
4G TO TAKE ON NORTHERN HEMISPHERE The man behind South Africa’s ambitious 4G wine venture has acknowledged the challenge of creating a completely “new category” for the wine market. Introducing the 2012 vintage, the third commercial release produced by this self-proclaimed “First Growth of the Cape”, 4G Wine Estate’s CEO Philipp Axt described his project as “the talk of the country” in South Africa. “Some are reluctant to see change, but others say that it’s good to have someone from outside looking to take us in a different direction,” he told the drinks business of his peers’ reaction to 4G, which releases a maximum of 6,000 bottles per year of its grand vin at around £250 each. Emphasising the difference between 4G and South Africa’s other high-end wines, Axt maintained: “Even the boutique wines are targeted at high production – 30,000 bottles, not 3,000 – so it’s difficult to change their financial model.” With 4G’s vineyards spreading out on a 130km radius across the Western Cape from its winery base in Stellenbosch, Axt summed up the mentality as a meeting between Old World and New World mindsets.
“We’re combining Bordeaux and Hermitage in style,” he claimed of the predominantly Cabernet Sauvignon and Syrah blend, noting the influence of consultant Denis Dubourdieu. “We have the Burgundian approach in selecting vineyard, or even rows in the vineyard, and combine that with the New World blending approach to have the maximum complexity,” explained Axt. He praised the particular suitability of the Cape for such a project, maintaining that no other country “has the concentration of very different microclimates in one spot.” By way of example, Axt noted: “We have one vineyard that’s like Bordeaux: 400m high and 3km from the sea. Then you drive 30km and you’re in the middle of the desert with thick fruit and it’s totally different. That’s specific to the Cape.” As for the market’s reaction to 4G, Axt noted that the maiden 2010 vintage received critic ratings “on a par with the big wines we want to play with,” while: “2011 and 2012 went beyond that.” Having previously compared his venture to Australian icon Penfolds Grange, Axt said: “The idea was to make the best wine of the Southern Hemisphere and then ultimately to take on the Northern Hemisphere. That’s a vast universe of quite different styles but being a part of that playground is fascinating.” However, he accepted that achieving this would take time, saying: “We are creating a new category and the market must understand that. Professionals understand it, but consumers will take a bit longer.”
Champagne celebrates ambassadors The great and good of the Champagne community descended on Reims last month to celebrate 10 years of the Champagne Ambassador’s Awards. The tenth anniversary of the Comité Champagne’s pan-European Champagne Ambassador Competition, the only competition to recognise and reward wine educators, was marked with a Gala dinner in Reims on 16 October, with ambassadors from the past nine years invited to intend. The Gala was held in place of the competition at the Palais du Tau in Reims
12
with the intention of strengthening the network to promote Champagne and to reach out to future ambassadors. The competition was first founded in 2005, taking place in nine European countries including the UK, Austria, Belgium, France, Germany, Italy, The Netherlands, Spain and Switzerland. However at the event Thibaut Le-Mailloux, communications director of the CIVC, hinted at plans to further expand the competition.
Champagne houses eye-up English fizz
Champagne houses will soon be seeking to acquire some of England’s top sparkling wine estates, according to one producer in the UK. Speaking to the drinks business, Christian Seely, co-owner of Hampshire-based estate Coates & Seely said:“The French have already expanded the Champagne region as much as they can and there is nowhere left to plant so no more Champagne can be made. Their next move is to target China, and once Chinese consumers catch on, there won’t be enough bubbles to go around, so they will have to start looking elsewhere. Due to supply and demand, the price of Champagne will inevitably go up and the Champenois will start scouring the UK for land.” Though perhaps loath to do so, Seely believes the French are finally coming round to the idea that England makes decent fizz. “English sparkling wine is not far off being taken seriously by the French. The quality from the top producers is astonishingly good, and we’re doing this with relatively young vines. This hasn’t escaped the notice of the Champagne houses and their investment committees, which I think is an entirely positive thing that I’d welcome,” he said. As for whether English fizz would profit from a catchall name like “Champagne”, Seely isn’t sure it would work. “We trademarked ‘Britagne’ and use it to describe our sparklers, but I’m not sure there will ever be one single name for English sparkling wine. The French call it crémant d’Albion, which I rather like, but I think people might end up asking for a glass of ‘Hampshire’, ‘Sussex’ or ‘Kent’,” he said.
xx_db_Nov_Fratelli Martini Estates_Layout 1 20/10/2014 16:29 Page 1
16 news Nb_Layout 1 30/10/2014 09:15 Page 18
news & v iews
DOURO REFLECTS ON ‘YEAR OF THE FOX’ Dramatic landslides and heavy rainstorms have brought mixed results from the Douro in a year that Symington Family Estates’ managing director Paul Symington has dubbed “The Year of the Fox”. Conceding that 2014 was “a challenging year in the Douro”, Symington pointed to a very wet winter that brought 44% more rain than the region’s average – welcome news for the vines, but less helpful for those replanting vineyards on the Douro Valley’s steep slopes. Coupled with mild spring conditions, the wet winter encouraged early budbreak. This was followed by what Symington described as “unsettled” weather during early summer, culminating in a “huge rainstorm”, which hit parts of the Douro on 3 July. With more than 80mm falling on the area around Pinhão within a few hours, he said: “This caused extraordinary damage, flooding the local railway station and precipitated an avalanche of rock and mud that destroyed the car of a well-known winemaker in the village.” After the damage from this storm had been cleared up, the region enjoyed cool conditions throughout August. “In fact we all began to think of 2007, when an equally cool August delivered some stupendous quality grapes to our wineries,” admitted Symington. As the harvest began in early September, two weeks ahead of 2013, he pointed to grapes “in really lovely condition; soft skins, full berries and balanced sugars and acidity; perfect for making great Port and very good Douro wines.” Despite these promising results, the return of unsettled weather led to problems in certain
parts of the Valley, especially Baixo Corgo. Producers were hit by another downpour of more than 80mm recently just as the harvest came to a close. Nevertheless, Symington remarked: “It is clear that some extraordinarily good wines were made in the Douro Superior which had only occasional rainfall and that was of short duration and therefore ran off quickly.” Summing up the likely results from 2014, Symington predicted: “Those winemakers lucky enough to be able to get grapes from various locations across the Douro will certainly have made some brilliant Ports and wines. It was a year to take full advantage of judicious vineyard investment in the best sub-regions.” As for the decision to nickname 2014 “The Year of the Fox”, he pointed to the “wily” skills required in order to manage such a challenging growing season.
Alcohol found to improve memory Far from impairing your memory, drinking moderate amounts of alcohol in later life could actually help improve it. Researchers at the University of Texas Medical Branch at Galveston found that for people aged 60 and over who do not have dementia, light alcohol consumption during later life could actually help them to remember events. More than 660 patients who did not have a history of alcohol abuse were monitored as part of a study. The findings revealed that light and moderate alcohol consumption in older
16
people was linked to the ability to recall memories of events better and a larger “hippocampal” volume – the part of the brain responsible for short and long term memory. Furthermore, the results showed alcohol had no significant impact on executive function or overall mental ability. Scientists warned that long periods of alcohol abuse is still harmful to the brain. The findings were published in the American Journal of Alzheimers Disease and Other Dementias.
Arrests made over £80m alcohol fraud Three people have been arrested in relation to a £80 million alcohol fraud after a series of dawn raids by UK HM Revenue and Customs (HMRC) officers. More than 70 officers swooped on properties in London, Cambridgeshire and Hertfordshire on 17 October as part of a series of co-ordinated raids. Two men, aged 37 and 39, were arrested on suspicion of being involved in an alcohol diversion fraud suspected to be worth up to £80m a year in lost duty. A woman, aged 30, was also arrested on suspicion of money laundering offences. All three are believed to have laundered money or assisted in the fraud for their personal gain. Cash totalling £150,000, computers and personal and business records, as well as a Taser gun, were also seized. All defendants have been bailed until April 2015.
Scotland to reduce drink drive limit Drivers in Scotland will have to adhere to tougher rules on drink driving this festive season with the country’s blood alcohol limits set to be slashed. New measures will come into force from 5 December when the blood alcohol limit will decrease from 80mg per 100ml to 50mg. The changes will bring Scotland into line with Northern Ireland and most of Europe, while the limit in England and Wales remains at 80mg. It means that drivers could be over the limit and breaking the law if they have drunk a small glass of wine or one pint of beer. The Scottish justice secretary, Kenny MacAskill, said the plans had “broad support” with almost three quarters said to back the change according to a previous government consultation. He said support had come not just from the police and law enforcement, but from the general public and those involved in road safety. Around one in ten deaths on Scotland’s roads involve drivers who are over the limit.
xxx_db_Nov_Fratelli Martini Canti_Layout 1 20/10/2014 16:27 Page 1
18 News Nb_Layout 1 30/10/2014 09:15 Page 18
news & v iews
DIAGEO CONFIDENT DESPITE SALES SLIP Diageo CEO Ivan Menezes has told investors to expect an improved performance this year, despite the company reporting a 1.5% decline in organic net sales for its first quarter. Following a £1.1 billion sales slide in 2013/14, the group described its figures for the first three months of its new financial year to the end of September as “in line with expectations”. In Europe, sales were impacted by declines in Russia and Eastern Europe, which Diageo linked to the ongoing tensions in Ukraine. Meanwhile sales in Western Europe fell by 1%, primarily driven by price increases in Benelux and
“continued weakness” in the German market. Despite a “weak” performance from Nigeria, the group pointed to positive results from its regional markets and East Africa. It also hailed a “good performance” in core domestic markets across Latin America and the Caribbean, although Brazil saw a decline in sales as a result of price increases in a large number of states. The biggest decline came from Asia Pacific, where sales fell by 7.4%. In contrast the group pointed to “good growth” from India, the Middle East and its Global Travel Asia division. Despite this, Menezes said he expected full year top line growth to improve on last year’s performance, adding: “I am confident we are on the road to realise our full potential.”
1914 Pol Roger bottle sells for £5k A bottle of 1914 Pol Roger Champagne, harvested to the sound of WW1 gunfire, has sold for £5,640 at a Bonhams auction in London. Proceeds from the sale will go to the Imperial War Museum in London to support the refurbishment of its First World War Galleries. Regarded as one of the finest vintages of the 20th century, the grape harvest in 1914 very nearly didn’t take place, with German soldiers having engulfed Épernay at the start of the war. With all able-bodied men called up to fight, the harvest was carried out by women, children and men who were too old or unwell to fight. Some of the grapes were picked earlier than usual as Pol Roger feared the Germans would renew their offensive, with the increased acidity contributing to its longevity.
GLENFARCLAS UNVEILS SHERRY TWIST Speyside whisky producer Glenfarclas has confirmed plans to introduce a 1966 fino Sherry cask expression as the first part of a new series to be released. A total of 1,400 bottles have been filled from four fino casks which were discovered in the Glenfarclas warehouses last year. “We didn’t realise we had this,” admitted George Grant, sales director at Glenfarclas. After realising that a
18
group of casks had been seasoned with something other than the oloroso Sherry more normally used by the brand, the team consulted diaries kept by Grant’s grandfather and discovered that he had purchased some fino casks from an Edinburgh broker. Having bottled the whisky in December last year, Glenfarclas now plans to release it around the world in November. Although precise allocations and prices are yet to be confirmed, the UK is expected to receive around 300 bottles, priced at about £750-800 each. Each bottle is packaged in a black box bearing a silver coin which features an image of John Grant, who founded the distillery six generations ago. It marks the first in a series of six different Glenfarclas special releases, one for each generation of the family.
Sonic Decanter seeks funds to launch in US
A decanter that claims to be able to improve the taste of wine using sound waves is on the cusp of being launched via a Kickstarter campaign. Invented by Charles Leonhardt and marketed via Dionysus Technology Concepts, in addition to improving the flavour of wine, the Sonic Decanter also allegedly enhances aroma, mouthfeel and finish “in minutes”. The patented technology uses “safe, ultrasonic sound wave energy” to change the molecular and chemical composition of wine, reducing sulphur dioxide levels. During the process many of the dissolved gases in the wine are released to create new chemical bonds similar to those formed during the traditional ageing process. Dionysus Technology Concepts’ CEO, Michael Coyne, claims the device has “simplified the tedious process of waiting for red wines to develop with bottle age”. “The Sonic Decanter makes every wine taste better, adding flavour, aroma and finish never before achievable in such a short timespan,” he said. Having trialled the decanter, John Allen, national operations manager for beers, wines and spirits at Woolworths, said: “It changed the wine in ways that I hadn’t expected. It makes wines that may have a bit too much grip or tannin much softer and more flavourful, making the wine more gentle and drinkable.” After placing cold tap water and your chosen wine into the decanter, all you have to do is push the “Red” or “White” button and wait for 15 minutes. The device can also be operated on smartphones via the Sonic Decanter app. If it reaches its Kickstarter target of US$85,000, (£53.6k) the decanter will go on sale in the US for $199 (£123). At time of press, the decanter has 330 backers and raised a total of $45k (£28k).
19 Bordeaux advertorialApproved Nb_Layout 1 30/10/2014 09:15 Page 19
sponsored profile A word from the UK trade HAL WILSON, DIRECTOR, CAMBRIDGE WINE MERCHANTS “There has never been such choice of good quality, affordable Bordeaux that is ready to drink, and at Cambridge Wine Merchants we have wines from vintages 2000-2010 that are delicious for drinking right now.” CHARLES LEA, DIRECTOR, LEA & SANDEMAN “There is a general feeling that Bordeaux is expensive, although the reality is that the prices of most wines have barely moved in 10 years.”
FINE WINE
for all
Its top wines may be pricey, but Bordeaux continues to win fans with a broad range of everyday styles WITH ITS prestigious châteaux and luxurious pricing, Bordeaux can feel a world away from the dinner tables of most wine lovers. In fact, this reputation masks the reality of a region that remains full of producers working hard to create a broad spectrum of highly accessible styles and price points. From dry whites to refreshing rosé, classic claret and its sweet golden gems, few parts of the world can match the breadth and expertise on offer in this particular corner of France. As one of Bordeaux’s most longstanding and loyal customers, the UK continues to be an important market. While IRI data for the UK off-trade shows a 2.8% decline in overall wine volume sales during the two years to 21 June 2014, the same period has seen Bordeaux volumes soar by an impressive 17.1%. What’s more, consumers appear to be broadening their stylistic horizons, in particular towards
white Bordeaux. The last two years show a 40% increase in volume sales for this category, which today accounts for 26% of all Bordeaux wine sold in the UK. To raise further awareness about the approachable nature of these wines, the Bordeaux Wine Council has launched a new advertising campaign highlighting the special strengths of the region and the diversity of its wine, while also supporting its wider promotion of “Everyday Bordeaux”. CIVB marketing director François Jumeau explains: “Our global strategy is to make wine drinkers more aware of the quality, diversity in styles and accessibility of the wines produced in Bordeaux. The Everyday Bordeaux campaign, which is a global initiative, focuses on an annual selection of wines priced between £6-£20 available in each market and selected by independent local
LUCY CLEMENTS, PRODUCT DEVELOPMENT MANAGER FOR WINE, TESCO “Value is incredibly important in our whole range and what Bordeaux offers is the comfort and security of a traditional region. We are delighted with the style and quality of our Finest Bordeaux range, while still respecting the traditional terroir of our regions of sourcing – Médoc and St Emilion.” SIMON TAYLOR, DIRECTOR, STONE VINE & SUN “We used to be rather philosophically undisposed to Bordeaux, but paradoxically we’re buying more and more. It’s what our customers want and there is some great value from the 2009 and 2010 vintages between £8 and £25.” JOHN MELHUISH, FINE WINE MANAGER, TANNERS “Despite inflated prices at the top end, Bordeaux provides us with some of the best quality and value Cabernet and Merlot based wines in the world. Tanners Claret is still a best seller.”
judges to fit the criteria of approachability and great value for money.” To find out more about the campaign and the wines chosen for this year’s selection, visit www.bordeaux.com/uk
19
20 News_Layout 1 30/10/2014 09:14 Page 20
news & v iews
GAMAY: NZ’S RED ANSWER TO SAUVIGNON? The winery that claims to be New Zealand’s only Gamay producer has suggested that this grape variety could fulfil a similar role for the country as Sauvignon Blanc. Speaking to the drinks business at a portfolio tasting of his company’s wines, Te Mata estate director Nicholas Buck, who took over the helm at the Hawke’s Bay producer from his father last year, pointed to the success of New Zealand Pinot Noir as creating an opportunity for lighter wine styles such as Gamay. “Pinot Noir introduced the concept that red wine didn’t have to be a blockbuster; that’s been a good thing for New
Zealand and has allowed an opening for Gamay,” he said. Although Te Mata’s own single vineyard Gamay carries a high-end price point of £17.99, Buck noted an important part of the variety’s appeal was its ability to produce wine at an accessible cost. By contrast, he observed, “Pinot Noir has a very high price point around the world but when it’s not good it tends to be one of the meanest wines – and it’s still expensive.” Buck suggested: “You could have Pinot Noir for your icon wines, but then something more like Gamay, just as Beaujolais sits alongside Burgundy, as a fruity, light red.” Indeed, he maintained: “It fulfils a similar role to that which Sauvignon Blanc has carved for itself with whites from New Zealand.”
France takes world blind tasting title France has beat reigning champions Belgium in the second annual world blind tasting championship, held at House Bollinger near Épernay in Champagne. Competitors were given 12 wines from around the world, of which four were French, and asked to determine the main grape variety, country of production, name, producer and vintage. A total of 18 from countries including China, Russia, Argentina and Brazil competed, however the French team dominated, managing to identify all five criteria for three of the wines tasted – a record for the competition. The winning quartet, from Toulouse in south west France, was made up of Jean-Michel Perrussan, Eddy Gautier, Didier Sanchez and Pierre Cistern. France won the competition ahead of Belgium, with Spain third.
DIAGEO FINED £18K AFTER TWO INJURED
Drinks giant Diageo has been fined £18,000 after it was found guilty of breaching health and safety regulations that led to two workers suffering injuries including broken bones and memory loss. Robert Edward, then 51, fell nearly four metres from a portable ladder while clearing a blockage inside a chute in a grain silo at Burghead Maltings in Moray, Scotland, in 2012. He was found unconscious on the floor by another worker and taken to hospital with concussion, a cut to his head and a dislocated finger. Two months later, at Glenlossie Dark Grains Plant in Thomshill, Elgin, Peter Douglas,
20
then 43, was standing on the engine bonnet of a loader shovel to wash the roof when he slipped and fell more than two metres to the ground. Mr Douglas was taken to hospital suffering from a bleed to the brain and a shattered bone in his left leg and now suffers from short-term memory loss. Both men have since returned to work, however an investigation by the Health and Safety Executive (HSE) concluded that Diageo had failed to take sufficient steps to prevent the incidents which “could have proved fatal”. HSE principal inspector Niall Miller, said: “It is not sufficient for health and safety instructions merely to be given to workers; employers must also ensure those instructions are carried out.” Diageo Scotland Ltd was fined £18,000 after pleading guilty to breaching the health and safety regulations.
Sazerac: Big brands ‘stifle innovation’
Sazerac master blender Drew Mayville – a leading hand in the distiller’s Bourbon offerings like Buffalo Trace and Eagle Rare – has hit out at big producers’ lack of experimentation, claiming they are “all about consistency” at the expense of encouraging new ideas. Speaking to the drinks business at a portfolio masterclass in London, Mayville revealed his thoughts on what he says is the unimaginative atmosphere that exists in some of the world’s biggest spirits brands. He said: “I used to deal with some of the biggest brands in the industry: Captain Morgan’s Spiced Rum, Crown Royal, Seagram’s Gin – all the main brands. All we did was try to maintain consistency. If you came in with a new idea it was like “see ya later Charlie” because it’s all about the marketing and making the money at the end of the quarter,“ adding: “When I worked for the big companies, Diageo especially, you were always on guard. It was all about the politics.”Comparing this environment to that of Sazerac, he said, “It was really different. Here we treat it like our own business. We want to make money, but we’re not out to gouge. I mean look at our pricing; we could easily charge more, so it’s a completely different type of company.” Sazerac is around four months into its first Bourbon experiments at Warehouse X – a purpose-built million-dollar facility set up at the company’s Buffalo Trace distillery to gauge the effects of a number of environmental factors in Bourbon production, including light, temperature, air flow and humidity in an effort to create “the perfect Bourbon.”
21 Cyprus Advertorial_Layout 1 30/10/2014 09:14 Page 21
i n association w i th C y p ru s Trad e C ent re in Lo n do n
A new era for Cyprus wines Winemakers of the island are refining their unique traditions and varieties for a modern marketplace THE LAST 10 years have seen dramatic changes in the Cypriot winemaking landscape. Following the country’s entry into the EU in 2004, the winemakers of Cyprus have taken the best of what Europe offers from wine production through to marketing and branding and combined it with their own personality and history to offer UK consumers something unique. Winemaking in Cyprus stretches some 6000 years into the past and it is widely believed it was these early vineyards that triggered the spread of winemaking around the ancient world. Cyprus still boasts some of the oldest wine grape varieties, unaffected by phylloxera at the beginning of the 20th century, many of which have colourful histories of their own. None more-so than the renowned and several-times award-winning Commandaria. The amber-coloured sweet wine documented in Cyprus back to 800 BC and has the distinction of being the world's oldest named wine still in production. It was said to have been served at the wedding of Richard the Lionheart during the crusades of the 12th century. As the base of various orders of knights, the region and wine came to be known as Commandaria, or military Indigenous grapes give the wines of Cyprus a unique selling point in the UK market and blend well with imported varieties
headquarters, and soon after the wine could be found at the royal tables of Europe. Commandaria wine is made exclusively from the indigenous grapes Xynisteri and Mavro. After harvest the grapes are laid in the sun to concentrate their natural sugars. During fermentation winemakers have the option of fortifying the wine, which is then aged in oak for a minimum of four years. But more impressive than ancient history are the more recent advances of the industry. When it comes to native grapes, Cyprus has identified those with the greatest quality potential, white and red, and is growing plantings, ensuring there is a real sense of place to the wines produced. The leading indigenous white variety Xynisteri produces fresh, light-coloured wines with low alcohol levels that are, until now, not amendable to ageing, performing best when young. A new generation of oenologists has also proved that Xynisteri may give aged wines with rich, complex flavours and a full-bodied palette. Also, one of the best-known is red grape Maratheftiko or Bambakada, that makes for a concentrated wine for which the tanning, fragrance, colour and structure are extremely close to those of Cabernet. It is a multidynamic variety that can give a multitude of wine types – from rosés and light reds to reds suitable for ageing. On the other hand, Mavro (black) is by far the most widespread red wine variety of the island, which performs best from vines found
in mountainous regions with poor, barren soils giving red wines that must be consumed young. Maratheftiko and Mavro often blend together to give truly Cypriot red wines. Indigenous grapes give the wines of Cyprus a unique selling point in the UK market and blend well with imported varieties, such as Chardonnay, Sauvignon blanc, Sémillon, Cabernet Sauvignon, Syrah, Cabernet Franc, Muscat of Hamburg, Grenache and the greek Lefkada, which are mostly planted over the past forty years, and are also vinified on their own. Since 2004 Cyprus has upheld a classification system based on the right given to four viticultural regions on the island (Akamas Laona, Vouni Panayias – Ambelitis, Pitsilia and the villages of Limassol) to produce wines denoted as ‘Wines of Controlled Appellation of Origin’ and a fifth region where Commandaria Wine (Protected Geographical Indication) is produced. Over the past generation the four key traditional wineries - ETKO, KEO, SODAP and LOEL – have been joined by over 60 smaller regional wineries which gave birth to a new era in Cyprus viniculture and wine production. Cyprus’ winemakers are continuously expanding production by planting new vineyards, buying and restoring old wineries and investing in human expertise to develop new techniques and blends in winemaking that have led to many international distinctions. When it comes to wine marketing however, Cyprus is all about modernity. Its brands and labels, sharp, sleek and of simple design, reflect how the industry presents itself within the global wine market. Its wine industry has strived to stay globally competitive by investing large sums to maintain the best facilities. The effects can be seen in the quality of the visiting centres at wineries across the country. Tasting rooms are state of the art and there is the Wine Routes of Cyprus – seven designated tours taking in fascinating scenery whilst tasting wines in some stunning settings. If world-class wines and incredible scenery aren’t enough on their own, consider the annual Wine festival of Cyprus, held between late August and early September. The festival consists of days of music, traditional Cypriot fare and, of course, wine in abundance. Alternatively, wine lovers can visit the Wine Museum, built near Limassol to showcase the long history of Cyprus’ wines and their diversity and the relationship between the islands viticulture and its culture. Overall, the Cyprus wine industry has a battle on its hands, but everybody in the sector acknowledges that the island rapidly gets the place it deserves on the international wine map. After all, Cyprus wines continue a wonderful 6000 year-long tradition of enjoyment! A comprehensive directory of wineries in Cyprus can be found on the Cyprus Trade Centre website: www.cyprustrade.com
21
22-25 interview Nbgs_Layout 1 30/10/2014 08:45 Page 22
interview
(From left to right) The Jackson/Banke and Seillan Families: Nicolas Seillan, Julia Jackson, Helene Seillan, Monique Seillan, Pierre Seillan, Katie Jackson, Barbara Banke, Shawn Kajiwara (Katie Jackson’s husband), and Christopher Jackson
A FA M I LY matter Most business partnerships fall apart before their founders retire, and seldom do they reach into the next generation. But, against all odds, the Jackson-Seillan wine partnership is roaring into the next generation. Roger Morris reports
22
22-25 interview Nbgs_Layout 1 30/10/2014 08:45 Page 23
interview
OVER THE speakerphone from Château Lassègue in St-Émilion, Julia Jackson and Hélène Seillan giggle like school girls as they recall their adventures as teenagers a decade ago, riding their horses bareback through the Sonoma mountain vineyards owned by Julia’s parents; vineyards that produced grapes that were made into wines by Hélène’s father; wines that, a few years later, were being given perfect 100-point ratings by Robert Parker. That partnership between the late Jess Jackson and his wife and business partner, Barbara Banke, and the French winegrowing couple Pierre and Monique Seillan, was – is – a special one that has now expanded over almost 20 years to include five separate wine brands made in three different countries on two continents. And, rarer still, it now firmly spans two generations.
Katie and Christopher, all work in some aspect of the Jackson Family Wines Collection which oversees the partnership with Banke as its chairman. FINE WINE AMBITIONS It all began in the late 1990s, when Jess Jackson was expanding the wine business he had started in 1974 and set a personal goal of making a world-class California Merlot. Already, his Kendall Jackson Vintner’s Reserve Chardonnay, an off-dry table wine first introduced in 1982, had exploded in popularity to become a huge commercial success. But Jackson’s popular wines had not impressed the critics, and he now wanted their acclaim. One beautiful evening in June 2010, Jackson recalled the details of what proved to be a hugely successful quest as I sat with him on the veranda of the family’s estate in the mountains east of Healdsburg, the unofficial capital of California’s Sonoma wine region. The occasion was a weekend of festivities celebrating a 100-point score given by Parker to the 2007 Vérité La Joie, the first of the Jackson/Seillan partnership wines which began with the 1998 vintage. Later, six more vintages of Vérité three blends – La Muse (Merlot-based), La Joie (Cabernet Sauvignonbased) and Le Désir (Cabernet Franc-based) – would also receive perfect Parker ratings. By any accounting, Jackson and Seillan were on their way to exceeding goals set a decade earlier. Although the topic of his health didn’t come up that evening, the 80-year-old Jackson was then being treated for what proved to be terminal cancer. Dressed smartly in a brown suit with a brown spotted tie, Jackson was a lean but stillimposing figure, stubble flecking his square jaw and a straw hat covering a bald head that was once a massive shock of white hair. Yet then and over the next two days Jess Jackson seemed the picture of vitality, and
‘I wrote to Immigration, I wrote the State Department, I wrote the President. I said, ‘If you don’t let Pierre into the US, you will be making a big mistake!’ While it is commonplace for family businesses to pass from one generation to the next, seldom do the children of partnerships continue that business relationship. Among the reasons: disaffection among the original partners, no family ties or inheritance provisions and no special closeness among the next generation that cousins often have. Yet today, Hélène and Julia, now in their mid-20s, are fully immersed in their family alliance. Hélène is making wines in Sonoma and Bordeaux, and Julia is working her way up through the business side. Moreover, Hélène’s older brother, Nicolas, and Julia’s two siblings,
that evening his voice was firm – imagine, if you will, the film actor Peter Graves talking – and he laughed often as he told stories. His partner, Pierre Seillan, a shorter, but tough-looking former rugby player from Gascony, sat nearby, often chuckling and stroking his own square chin. Before meeting Jackson, Seillan had already made a reputation as a Bordeaux winemaker with a speciality for Merlot. “Vérité was a dream of mine and his,” Jackson said as he slouched in his chair facing the glow to the west. “We both have a passion for land and the grapes, but he was the one that brought the technical skills. I’ll share a story with you that Pierre has heard a few times,” Jackson said, grinning at his French partner. “It was in the 1990s, and Pierre was having trouble getting admitted in the United States to work. I wrote to Immigration, I wrote the State Department, I wrote the President. I said, ‘If you don’t let Pierre into the US, you will be making a big mistake!’” Such was the warmth of the relationship between the men that went beyond making wine. Ten months later, Jackson was dead. The relationship started with a chance meeting between a friend of Barbara Banke, who had married Jess in 1988, and Monique Seillan in 1995 at the Bordeaux
23
22-25 interview Nbgs_Layout 1 30/10/2014 08:45 Page 24
Convention Center, where Monique had a marketing job. She suggested the two couples get together, which they did the following summer. “We did not even know the Jackson name at that time,” Monique says.
Pierre remembers. “Jess wanted to change that.” And so the Seillans decided to move to California in late 1997. Monique and Hélène would go first and set up housekeeping. Older brother Nicolas, along with Pierre, would follow. INSTANT RAPPORT “My first memory of the Jacksons was I saw this man in my house in Bordeaux who looked like a cowboy,” says Hélène, who was nine at the time and spoke no English. “A week later, we went to California on his plane.” There she met Julia Jackson, who is a year younger. “We instantly felt comfortable together,” Hélène recalls. “My mom called us double trouble.” The 1998 vintage was a challenging one for the Vérité venture – “not a good vintage, at all,” Pierre said, shaking his head – but the wine quickly improved in subsequent years. In fact, the partnership was soon going so well that
‘My first memory of the Jacksons was I saw this man in my house in Bordeaux who looked like a cowboy’
The couples liked each other immediately, and Jess asked Pierre to work with him in Sonoma. “At the time, Merlot was not considered to be a premium wine in Napa and Sonoma,”
24
(From left to right) The Second Generation: Nicolas Seillan, Julia Jackson, Katie Jackson, Hélène Seillan, Christopher Jackson, and Shawn Kajiwara (Katie Jackson’s husband)
Jacksons asked the Seillans – Monique was now working for the venture, as she still is – to take on three more brands: Anakota Cabernets in Knights Valley, the new Arcanum estate in Tuscany, plus also to locate a suitable property to purchase in Bordeaux. In 2003, with the Seillans as partial owners, the partnership bought Châteaux Lassègue, just up the road from Château Pavie and just down the hill from Mondotte. With Lassègue came a contiguous property, Château Vignot. By then, Nicolas Seillan had completed his formal education with an MBA from Golden Gate University and had been for three years a financial analyst for top corporate clients at BNP Paribas in San Francisco. It was Jackson who invited him to come into the business. “Nicolas said, ‘Why not?’” recalls Pierre, who had just negotiated the Lassègue purchase. “It
22-25 interview Nbgs_Layout 1 30/10/2014 08:45 Page 25
interview
meant a lot that Jess asked him to help with the closing on the estate.” DIVISION OF LABOUR Today, Nicolas, now 40, is managing director of the properties in Italy and France. Although he has an interest in the winemaking side, he says, “I try to make sure that things are happening, being in charge of production, finances, banking, the auditors.” Katherine – Katie – the oldest of Jess’ and Barbara’s three children at 28, is employed in the sustainability and community relations part of the business,
which she developed as an art student in college and which drives her preference for international sales and marketing. Hélène, 27, on the other hand, is a chip off the old barrel, working since 2006 with her father, especially at Lasseque during her formal studies. “Dad always gave me a lot of confidence,” she says, “especially when it was my turn to learn blending,” the heart of Bordeaux-style winemaking. Hélène was given a first shot as lead winemaker in 2009 with her own new label, “Cenyth,” a red Bordeaux blend with Sonoma grapes. Of course, her colleague Julia designed the label. “I’m more of a realist in painting” Julia laughs, “so naturally they wanted me to do an abstract for Cenyth.” Hélène adds, “She approves of my winemaking, and I approve her art.” The first vintage was released last year to good reviews. But it was with the 2011 vintage that Hélène felt she had come of age when Pierre had to return to France before she was finished with the blending. “After he left, I sent him my formula for the blend,” she says. “When he got off the plane, he simply sent back the word ‘Blend.’”
‘He and my father are like-minds... Both have a little stubbornness in their personalities, but in a critical storm both keep their eye on the goal’ although she has worked her way up through a number of jobs in California and abroad. “I try to look after the family’s reputation in the community through outreach programs and sitting on non-profit boards,” she explains. Christopher, 24, the youngest Jackson, is in law school at the University of California at Berkeley, “following in my father’s footsteps.” He says he thinks he will eventually be part of the business. “Pierre is like a father to me,” Chris adds. “He and my father are like-minds,” he says, still using the present tense. “Both have a little stubbornness in their personalities, but in a critical storm both keep their eye on the goal.” But it is the two youngest women – the “double trouble” – that perhaps best embody the spirit of the joint venture. Julia, 26, has a strong creative streak
A HAPPY SHIP Of course, it is Barbara Banke who now keeps things running – a continuation of her total involvement with the wine business even while Jess was living. In addition to her and Jess’ three children, Jess’ two daughters by his first marriage and their husbands are part of the business. One, Don Hartford, is her CEO. Now that the recession is over, Barbara has expanded the Jackson family empire significantly with large purchases in Australia, California and Oregon. She also heads the family’s thoroughbred stables. “Jess and I wanted our children to be involved in the business,” she says, “but we wanted them to come to it on their own. Our company is a meritocracy, and
Helene Seillan (left) and Julia Jackson we believe in cross-training.” That said, she and her friend and partner Monique Seillan sometimes themselves act like siblings, and Barbara says their children “are more like brothers and sisters.” She says she sees herself as everyone’s “resources manager.” The five primary wines produced in partnership with the Seillans are now all part of the Spire Collection within the Jackson Family Wines Collection. It is always difficult to predict what will happen next. Pierre and Monique may one day retire to their own family winery, Bellevue Seillan, in Gascony, but it is difficult to imagine him soon leaving Lassègue, where he is still making innovations. Who else, for example, not only makes his own barrels for aging wine, but also gets to choose which trees to use? Meanwhile, the five children – the next generation – are still young and fully engrossed in the different aspects of their work. For now, it’s a big and exciting adult playground they’ve created. db
25
26-34 Sauvignon Blanc Masters Nb_Layout 1 30/10/2014 09:13 Page 26
S UAV E
sauvignons Reporting on this latest addition to The Drinks Business Global Masters series, Gabriel Stone reports how the quality and style range of some of the wines had our judges talking
26
SAUVIGNON BLANC is undoubtedly one of the biggest success stories for the wine industry in recent years. While Sancerre has long been a staple of fridges and wine lists around the world, the vivacious, aromatic expressions unleashed by the New World in particular have catapulted this grape variety to a whole new level of consumer awareness. The latest report to July 2014 from the Wine & Spirits Trade Association shows that, in the UK at least, Sauvignon Blanc remains on a firm upward trajectory. What’s more, commanding a well above average off-trade retail price of £6.08 per 75cl bottle (compared to £5.27 for Chardonnay), this is far more than just a volume driver. As such, Sauvignon Blanc represented an obvious candidate for the latest extension to The Drinks Business Global Masters Series. What’s more, with no fewer than 17 different countries represented among the medallists, the blind tasting format flagged up both the high quality and truly international offer from this grape variety today. This diversity of origin extended right up to the very highest medal categories. While New Zealand scooped a predictably large proportion of gold medals awarded, it shared this podium with Spain, France, Australia, South Africa, Chile and the US. Meanwhile it was a Sauvignon Blanc from Spain – hardly the first place most people would associate with this grape – that took home the only Master of the competition. Regardless of origin, the judges offered a clear view of what they look for from Sauvignon Blanc. “It needs to be alive, tight and mouth-watering,” summed up Sarah Knowles, buyer for The Wine Society. Expanding on this view, Clive Barlow MW, director of merchant and consultancy business Press Wine Services, remarked: “There always needs to be harmony between crisp acidity and fruit, whatever that fruit style may be.” Despite the proliferation of Sauvignon Blanc in the marketplace, he also warned: “It’s not
26-34 Sauvignon Blanc Masters Nb_Layout 1 30/10/2014 09:13 Page 27
sauvignon blanc masters Trade talk: Why enter wine awards?
a forgiving variety. You’ve got to be careful or you can lose some aromatics.” SUCCESS STORIES As the discussion developed, there was an acknowledgement of the significant impact that one country in particular has had on this variety’s profile. “New Zealand has been so successful it’s shaped the market,” remarked Barlow. However, he stopped short of suggesting that competitors need to pursue this country’s trademark highly aromatic expression in order to succeed. Rather, he continued, “New Zealand raised the profile of the variety. It made people realise there’s more out there and maybe helped to break that Pinot Grigio stranglehold.” In particular Barlow pointed to the boost this raised awareness has given to the Loire. “People know it’s not the New Zealand style but they’re still happy to
‘It’s not a forgiving variety. You’ve got to be careful or you can lose some of those aromatics’ buy it,” he reported. “New Zealand has moved people towards a grape that they might not otherwise have tried. The Loire is still the home of Sauvignon Blanc and sells really well.” Despite the success of these two regions, for those in search of a bargain, Laithwaites’ global buyer & winemaker Robin Langton waved the flag for a completely different corner of the world. “New Zealand is still the category leader but Chile is better value for money,” he insisted. “Under £10 Chilean Sauvignon Blanc over-delivers quality to price.” For all this area of strength, that was not to suggest that the country should restrict its
ROB BUCKHAVEN, TORRES SENIOR BRAND MANAGER, JOHN E FELLS We have to be selective about which awards we enter as there are now so many in existence. However, wine awards are a great vehicle for brand building and sales; the two are not mutually exclusive. We enter awards as our customers find any successes great to promote the wines and in turn stimulate sales. For example, we were approached to submit Torres Fransola into the db Masters by several of our customers who are currently championing premium Spanish wines. Fransola’s success in the competition will act as an additional tool to support that promotional initiative. But winning an award is not enough in itself to promote a brand or see an uplift in sales. Torres sets the benchmark among wineries in how to maximise the impact of a win. They take every success and really capitalise on it, in all their marketing communications – from medals on bottles through to full-size banners at shows and wine fairs. They really know what to do with any win they have, on a local and a global level. We have examples where they have taken awards they have won in the UK and used them to promote the winery at trade fairs throughout the world. This is how Torres tell their story: by taking successes like these and using them effectively. It’s very impressive and highly effective!
focus to the entry level. While Langton praised Leyda as offering “benchmark” expressions of Sauvignon Blanc, the competition also threw up a pleasant discovery for presenter and consultant Sam Caporn MW: “One real surprise was a 2006 Sauvignon from Chile that had passed the test of time really very well,” she reported.
About the competition The Global Sauvignon Blanc Masters is a competition created and run by the drinks business, and is an extension of its successful Global Masters series for major international varieties such as Cabernet Sauvignon, Chardonnay and Pinot Noir. With Sauvignon Blanc entries from around the world, in total nearly 150 wines were judged blind by a group of Masters of Wine and senior buyers using Schott Zwiesel Cru Classic glasses supplied by Wine Sorted. Wines were awarded Gold, Silver and Bronze medals, with only the very highest scoring entires being given the accolade of a Master. The wines were tasted over a single day at Broadway House in Fulham, London.
OAK WORRIES If there was one particular area of contention among the judges, it was the issue of using oak to vinify Sauvignon Blanc. Described as “a car crash” by Hugo Rose MW, chairman of the Wine Investment Association, others offered a more nuanced view. “Undoubtedly there are some great oaked Sauvignon Blancs around the world,” commented Knowles. “When it’s done well it’s great, but when done badly then it’s the worst wine in the bottle. There’s no middle ground.” For Langton, this approach to Sauvignon Blanc requires intelligent handling by the producer. “It’s about winemakers trying to take the wine somewhere other than just tank-fermented and clean,” he observed, but warned that with a variety as “unforgiving” as Sauvignon Blanc, “if you’re going somewhere else it’s easy to overdo it.” Above all, Langton maintained: “As soon as you use new oak
27
26-34 Sauvignon Blanc Masters Nb_Layout 1 30/10/2014 09:13 Page 28
sauvignon blanc masters 100% Sauvignon Blanc – Unoaked Company Unoaked under £10 Quinta de Maipo Four Seasons Wines Marisco Vineyards Viña Valdivieso Viña Casa Silva Lismore Wines NZ Sumaridge Estate Wines Te Pa Family Vineyards Viña MontGras Gruppo Mezzacorona Australian Vintage Santa Carolina/Ehrmanns Viña Siegel DGB Bottle Green Viña Casa Silva Viña Casa Silva Mt Beautiful Les Vignobles Foncalieu Cono Sur Viña Valdivieso Vinimark Bergsig Estate Santa Rita Estates Santa Rita Estates Brand Phoenix Crown Cellars/Carlsberg Australian Vintage Viña San Pedro Tarapaca Weingut Gross Miguel Torres Chile
Wine
Country
Vintage
Medal
Palo Alto Sauvignon Blanc Ritu Sauvignon Blanc The Ned Sauvignon Blanc Valdivieso Reserva Sauvignon Blanc Casa Silva Cool Coast Sauvignon Blanc Flying Kiwi Sauvignon Blanc Te Pa Marlborough Sauvignon Blanc Amaral Castel Firmian Sauvignon Blanc McGuigan Classic Santa Carolina Reserva Sauvignon Blanc Siegel Special Reserve Sauvignon Blanc Franschhoek Cellar, Statue de Femme Sauvignon Blanc The Long White, Spring Creek Vintners Reserva Cuvée Colchagua Sauvignon Blanc Doña Dominga Coasta Sauvignon Blanc Mt Beautiful Sauvignon Blanc Le Versant Sauvignon Cono Sur Reserva Especial Reserva Sauvignon Blanc Porcupine Sauvignon Blanc, Boekenhoutskloof Bergsig Sauvignon Blanc Carmen Wave Sauvignon Blanc Doña Paula Los Cardos Sauvignon Blanc First Cape Vineyards, Special Cuvée Sauvignon Blanc Cono Sur Las Ondas Sauvignon Blanc Nepenthe Altitude Sauvignon Blanc Castillo de Molina Reserva, Elqui Valley Jakobi Sauvignon Blanc Cordillera Sauvignon Blanc
Chile India New Zealand Chile Chile New Zealand South Africa New Zealand Chile Italy Australia Chile Chile South Africa New Zealand Chile Chile New Zealand France Chile Chile South Africa South Africa Chile Argentina South Africa Chile Australia Chile Austria Chile
2014 2014 2014 2013 2014 2014 2014 2014 2014 2013 2013 2014 2014 2014 2013 2014 2014 2013 2013 2013 2006 2014 2013 2014 2014 2013 2014 2014 2014 2013 2013
Silver Silver Silver Silver Silver Silver Silver Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze
Unoaked £10-£20 Craggy Range Saint Clair Family Estate Framingham Wines DGB Cono Sur Pernod Ricard Crown Cellars/Carlsberg Bottle Green Andeluna Cellars Matahiwi Estate Babich Wines Accolade Wines Nederburg Wines Accolade Wines DGB Pernod Ricard Marisco Vineyards Carolina Wine Brands Viña Errazuriz Tarras Wines Forrest Wines Saint Clair Family Estate Weingut Gross Diemersdal Wine Estate Diemersdal Wine Estate
Sauvignon Blanc, Avery Vineyard, Marlborough Pioneer Black 3 43 Degrees Sauvignon Blanc Framingham Marlborough Sauvignon Blanc Boschendal Elgin Sauvignon Blanc 20 Barrels Sauvignon Blanc Brancott Estate Terroir Series Sauvignon Blanc Invenio, Sauvignon Blanc Vistamar Sepia Reserva Sauvignon Blanc Andeluna 1300 Sauvignon Blanc Matahiwi Estate Sauvignon Blanc Babich Marlborough Sauvignon Blanc Mud House Sauvignon Blanc Nederburg Private Bin D234 Sauvignon Blanc Mudhouse Woolshed Vineyard Marlborough Sauvignon Blanc Boschendal 1685 Sauvignon Blanc Brancott Estate Letter Series “B” Marlborough Sauvignon Blanc The King’s Favour Sauvignon Blanc Viña Casablanca Nimbus Single Vineyard Sauvignon Blanc Max Reserva Sauvignon Blanc Tarras Vineyards Sauvignon Blanc Forrest Sauvignon Blanc Saint Clair Marlborough Premium Sauvignon Blanc Sauvignon Blanc Steirische Klassik Diemersdal Sauvignon Blanc Reserve Diemersdal 8 Rows Sauvignon Blanc
New Zealand New Zealand New Zealand South Africa Chile New Zealand France Chile Argentina New Zealand New Zealand New Zealand South Africa New Zealand South Africa New Zealand New Zealand Chile Chile New Zealand New Zealand New Zealand Austria South Africa South Africa
2013 2014 2014 2012 2014 2013 2013 2013 2014 2014 2014 2013 2014 2013 2014 2013 2013 2013 2014 2013 2013 2014 2013 2014 2014
Gold Gold Gold Gold Gold Silver Silver Silver Silver Silver Silver Silver Silver Silver Silver Silver Silver Silver Silver Silver Silver Silver Silver Silver Silver
the aromatics almost fight each other.” One enthusiastic advocate of barrels for this variety was Caporn. “I really liked the oaked styles,” she declared. “When done well it adds a layer of complexity and interest that is otherwise quite hard to find in Sauvignon Blanc.” HIGH-END APPEAL? This connection between oak and more ambitious expressions of Sauvignon Blanc
28
‘I really liked the oaked styles. When done well it adds a layer of complexity and interest that is otherwise quite hard to find in Sauvignon Blanc’
led naturally to a debate about the appeal of this variety once you venture up above the £10 or even £20 mark. It may command a higher than average price point in the UK but, with a few notable exceptions, Sauvignon Blanc is rarely viewed as being in the same aristocratic league as Riesling or Chardonnay. Nevertheless, there were plenty of examples reaching right up to the £30 mark that won acclaim from the
Cultivating and processing grapes scientifically in order to produce a wine with unmatched sensory dimensions and health-promoting properties: this is the vision of Prof. Dr. Michael Popp, pharmacist and CEO of Bionorica SE. At his country estate “Es Castellet” nestled in the Tramuntana Mountains of north-western Mallorca, Sauvignon Blanc, Shiraz, Cabernet Sauvignon and Merlot grapes flourish on the Steep and narrow ancient stone terraces that give this exclusive wine its name: “Stairway to Heaven”. These terraced plots are optimal for the production of great wines. Sundrenched by day, this Cliffside perch stores the heat to insulate the vines during the cool nights. Complementing the beneficial climate are fertile soil an natural drainage. Dense planting guarantees highest-quality grapes, which – in keeping with the vineyard´s demanding standards – are carefully hand-picked and subject to a strict selection process while still on the mountainside. The wines are matured in barriques made of French and Hungarian oak and fermented in innovative oak and steel tanks.
Bodega Castell Miquel Ctra. Alaró – Lloseta Km 8,7 07340 Alaró / Mallorca – Spain Tel. 0034 971 510 698 Contact: Gaitanis@castellmiquel.com www.castellmiquel.com
VIGNON B L AU
GOLD 2014
MASTER NC S A
Castell Miquell – the wine with positive health benefits.
O E GL BAL S TH
031_db_Nov_Vinorica_Layout 1 30/10/2014 10:58 Page 1
26-34 Sauvignon Blanc Masters Nb_Layout 1 30/10/2014 09:13 Page 30
sauvignon blanc masters 100% Sauvignon Blanc – Unoaked Company Crown Cellars/Carlsberg Viña Garcés Silva Cortes de Cima Aresti Chile Wine Accolade Wines Vinivola LA Cetto Nederburg Wines Viña Quintay Foucher Lebrun Viña Garcés Silva Babich Wines Foucher Lebrun Quinta de Maipo Spier Wines Pernod Ricard Cono Sur DGB Kingsland Spier Wines Aaldering Vineyards & Wines Paul Cluver Estates
Wine Cloud Island, Sauvignon Blanc, ZGM Boya Sauvignon Blanc Cortes de Cima Sauvignon Blanc Aresti Trisquel Sauvignon Blanc Flagstone Free Run Sauvignon Blanc L. A. Cetto Sauvignon Blanc Nederburg Manor House Sauvignon Blanc Q Grand Reserve Sauvignon Blanc Pouilly Fumé “Les 2 Collines” Amayna Sauvignon Blanc Babich Family Estates Wakefield Downs Sauvignon Blanc Sancerre Blanc “Foucher Lebrun” Gran Devoción Sauvignon Blanc Spier 21 Gables Sauvignon Blanc Brancott Estate Flight Marlborough Sauvignon Blanc 20 Barrels Sauvignon Blanc Boschendal Sauvignon Blanc Reserve De Grendel Sauvignon Blanc Spier 21 Gables Sauvignon Blanc Aaldering Sauvignon Blanc Sauvignon Blanc
Country New Zealand Chile Portugal Chile South Africa Mexico South Africa Chile France Chile New Zealand France Chile South Africa New Zealand Chile South Africa South Africa South Africa South Africa South Africa
Vintage 2013 2013 2013 2014 2011 2013 2014 2013 2013 2013 2013 2013 2013 2013 2014 2013 2013 2014 2014 2013 2014
Medal Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze
Unoaked £20-£30 Blaxland Wine Group Sunstone Vineyards & Winery
Jonathan Tolley Sauvignon Blanc, Copestick Murray Sauvignon Blanc
Australia USA
2014 2013
Bronze Bronze
Unoaked £30+ Casa Vinicola Zonin
Tenuta Ca'Bolani Aquilis Sauvignon Friuli
Italy
2013
Bronze
Medal
100% Sauvignon Blanc – Oaked Company Oaked under £10 Nederburg Wines
Wine Name
Country
Vintage
Nederburg Winemaster's Reserve Sauvignon Blanc
South Africa
2014
Gold
Oaked £10-£20 Santa Rita Estates Matahiwi Estate D'Aria Winery Te Pa Family Vineyards Viña Valdivieso Viña Valdivieso Australian Vintage Craggy Range Viña San Pedro Tarapaca Viña Leyda Backsberg Australian Vintage
Santa Rita Floresta Sauvignon Blanc Holly Sauvignon Blanc The Songbird Sauvignon Blanc Te Pa Oke Sauvignon Blanc Single Vineyard Sauvignon Blanc Single Vineyard Sauvignon Blanc Nepenthe Petraea Sauvignon Blanc Sauvignon Blanc, Te Muna Road Vineyard, Martinborough Tarapacá Gran Reserva Sauvignon Blanc Leyda Lot 4 Sauvignon Blanc John Martin Reserve Sauvignon Blanc Tempus Two Copper Sauvignon Blanc
Chile New Zealand South Africa New Zealand Chile Chile Australia New Zealand Chile Chile South Africa Australia
2013 2013 2014 2012 2012 2010 2013 2013 2013 2013 2013 2014
Gold Gold Silver Silver Silver Silver Silver Silver Silver Bronze Bronze Bronze
Oaked £20-£30 Gitton Père et Fils Australia West Wine Exports Bodegas Castell Miquel Winetraders Cakebread Cellars Yarden Golan Heights Winery Vinimark
Sancerre Galinot Larry Cherubino Pemberton Sauvignon Blanc Castell Miquel Sauvignon Blanc Stairway to Heaven Bellbird Spring, Block Eight Sauvignon Blanc, Waipara Sauvignon Blanc Yarden Sauvignon Blanc, Golan Heights Winery Reyneke Sauvignon Blanc
France Australia Spain New Zealand US Israel South Africa
2010 2013 2013 2012 2013 2013 2013
Gold Gold Gold Silver Silver Silver Bronze
judges, although there was a general consensus that Sauvignon Blanc’s natural comfort zone lies below £20. “The most impressive category in my view was £10£20,” remarked Rebecca Palmer, associate director and buyer for Corney & Barrow. “This is the range that seemed to offer the
30
‘Over £20 it was harder to see the value and a couple of wines were actually penalised for that’
best quality and value on the style catwalk, with wines that spanned the spectrum from exuberant, self-assured Kiwis to the more restrained and savoury.” By contrast, she found that when venturing above the £20 mark “some were simply too full bodied to do the variety any favours.”
GOLD 2014
THE G LO
RIESLING AL B
TERS AS M
VIGNON B L AU
MASTER NC S A
O E GL BAL S TH
033_db_nov_Adverts_Layout 1 30/10/2014 11:06 Page 1
GOLD 2014
no family trees, no dusty bottles, just quality wine
Reserva Especial Complete and consistent, this range of Premium wines reflects elegance and is an excellent selection for special occasions. It also has great cellar potential
the drinks business is proud to announce the launch of the Chianti Masters. Arguably the most iconic of all Italian wines, the competition will recognise and reward only the finest Chianti on the world stage. As part of the drinks business Masters series, wines from the Chianti region will be judged exclusively by style and price by a panel of leading industry experts. The judging panel will be composed exclusively of Masters of Wine, Master Sommeliers and senior wine buyers. The wines will be tasted blind and only the best wines will be awarded medals ranging from Bronze through to Gold, with the opportunity for truly exceptional wines to be awarded the title of “Master”.The results will be published to an international audience both in print and online.
To enter your Chianti, please contact Chloé Beral on chloe@thedrinksbusiness.com or by phone on +44 (0) 207 803 2437 Deadline for entry is Friday 5 December 2014
inks busin dr
s es
THE CHIANTI MASTERS 2015
www.conosur.com
th e
20 Barrels Limited Edition In 1996 we decided to tackle the challenge of making our first ultra premium wine; the chosen variety was Pinot Noir and for its inaugural production we set apart 20 barrels of the best fruit the `96 vintage had provided.`
CHIANTI 2015
26-34 Sauvignon Blanc Masters Nb_Layout 1 30/10/2014 09:13 Page 32
sauvignon blanc masters Blends (minimum 50% Sauvignon Blanc) – Unoaked Company Miguel Torres/John E Fells Robert Mondavi/Accolade Wines Santa Rita Estates Maison Ginestet Château Hostens-Picant Sumaridge Estate Wines Marchesi Antinori La Motte Wine Estate Jackson Family Wines Jackson Family Wines Château Brown Maison Ginestet Maison Ginestet Accoalde Wines Chamlija Wines Lapostolle/Berkmann Wine Cellars Jackson Family Wines
For Caporn, “you get what you pay for if you spend over a tenner as you get deeper concentration, better flavours, length and complexity.” However, at the very top end she echoed Palmer’s view, suggesting: “Over £20 it was harder to see the value and a couple of wines were actually penalised for that.” Nevertheless, while the £10-£20 price bracket proved a particularly prolific source of top medals, the healthy cohort of £20-£30 gold medal winners indicated both strong interest from winemakers in making these upmarket styles and the qualitative success of many such endeavours when sensitively handled.
32
Wine Name Torres Fransola Robert Mondavi Napa Valley Fumé Blanc Santa Rita 120 Sauvignon Blanc Marquis de Chasse Cuvée des Demoiselles Maritimus Conte della Vipera, Castello della Sala La Motte Pierneef Sauvignon Blanc Atalon, Napa Valley Sauvignon Blanc Kendall Jackson Vintners' Reserve Sauvignon Blanc Chateau Brown Ginestet Mascaron par Ginestet Treaty Tree Reserve Sauvignon Blanc/Semillon Chamlija Sauvignon Blanc Casa Sauvignon Blanc Matanzas Creek Winery Sauvignon Blancm Sonoma County
‘I really liked the oaked styles. When done well it adds a layer of complexity and interest that is otherwise quite hard to find in Sauvignon Blanc’
Country Spain USA Chile France France South Africa Italy South Africa US US France France France South Africa Turkey Chile US
Vintage 2012 2012 2014 2013 2012 2011 2013 2014 2013 2013 2012 2013 2013 2013 2013 2013 2013
Medal Master Gold Silver Silver Silver Silver Silver Silver Silver Silver Silver Bronze Bronze Bronze Bronze Bronze Bronze
BLENDED OFFERINGS One final area of discussion centred on the handful of blended Sauvignon Blanc entries. There was particular enthusiasm for the results when this variety is combined with Semillon, as demonstrated so prominently by Bordeaux and Margaret River in particular. “Semillon gives you that breadth on the palate,” noted Langton as he considered the merits of this combination. However, for the moment at least, Knowles described the Sauvignon/Semillon blend as “very difficult to sell.”
035_db_nov_Adverts_Layout 1 30/10/2014 11:07 Page 1
Flying Kiwi Sauvignon Blanc 2014
Flying Kiwi Sauvignon Blanc comes from selected vineyards in the Marlborough province which is New Zealand’s sunniest and predominant wine region.
inks busin r d
s es
th e
Silver Medal Global Masters
G
lo ba
15
PINOT NOIR 2 l Masters
0
The Global Pinot Noir Masters 2015 After the success of last year’s competition that judged wines from no less than 16 countries, the drinks business is proud to announce the second year of the Global Pinot Noir Masters.
Grapes were harvested in early April then transported to the winery for crushing and pressing to obtain fresh clear juice. The juice was fermented slowly in stainless steel at cool temperatures to retain the unique Marlborough Sauvignon Blanc varietal characters, using a range of carefully selected aromatic yeast strains to preserve the intense varietal character and vibrant flavours of this wine, combining a crisp acidity and ripe tropical fruit characters bursting with classic passionfruit, gooseberry underlying hints of lemon lime. Fantastic value!
VIGNON B L AU
SILVER
MASTER NC S A
All Global Masters are judged blind by the finest palates in the world – a panel of Masters of Wine, Master Sommeliers and senior buyers only. The best competing wines are awarded medals from Bronze through to Gold, and ultimately “Master” for exceptional examples.
O E GL BAL S TH
The competition will recognise and reward the finest Pinot Noirs on the world stage.
2014
The calibre of the judges guarantees international recognition of all the medals awarded.
To enter your Pinot Noir into the Global Pinot Noir Masters, please contact Chloé Beral on +44 (0) 207 803 2437, or by email on chloe@thedrinksbusiness.com.
Deadline for entry is Friday 5 December 2014
For further information contact: Canal House 100 Lissadel St. Salford Manchester M6 6BP Tel: 0161 736 9500 Email: info@myliko.co.uk Web: www.myliko.co.uk
26-34 Sauvignon Blanc Masters Nb_Layout 1 30/10/2014 09:13 Page 34
sauvignon blanc masters
Even if this style remains something of a trade secret for now, with Sauvignon Blanc’s star shining so brightly at the moment winemakers around the world have plenty of incentive to continue refining their product and pushing boundaries. Of course, many consumers will undoubtedly remain content to lap up the cheaper, crowd-pleasing expressions that occupy such a vast expanse of shelf space. However, it is reassuring to know that there are plenty of rewarding options for those who choose to explore further up the price ladder. db
The judges
xxxxxxxxxxxx xxxxxxxxxxx xxxxxxxxx
34
Clive Barlow MW, director, Press Wine Services Sam Caporn MW, consultant John Casson MW, consultant Simon Howland, staff writer, the drinks business Sarah Knowles, buyer, The Wine Society Robin Langton, senior buyer & consultant winemaker, Laithwaites Wine Rebecca Palmer, associate director & buyer, Corney & Barrow Hugo Rose MW, chairman, Wine Investment Association Gabriel Stone, managing editor, the drinks business Patrick Schmitt, editor in chief, the drinks business Clem Yates MW, sourcing & supply director, Off-Piste Wines
99_dbhk_Nov_DB Newsletter Filler_db_april_folio_ 23/10/2012 17:13 Page 1
36-40 Champagne Masters Nb_Layout 1 30/10/2014 12:14 Page 36
AWA R D I N G
luxury
This year’s Champagne Masters showed that efforts to create the upmost in luxurious sparkling wine stretched beyond the top-end offerings and into categories that previously didn’t fare well, writes Patrick Schmitt
36
36-40 Champagne Masters Nb_Layout 1 30/10/2014 12:14 Page 37
champagne masters BEARING IN mind the high price of Champagne, particularly grandes marques, one should expect a large collection of medal-winners in any competition devoted to this sparkling wine region. But having awarded silvers to almost half the entries in this year’s Champagne Masters cheapest category – Brut NV under £30 – we realised that the sector’s base level was now home to very high quality fizz, and undoubtedly fewer disappointing examples compared to 2011, when we first held the competition. Furthermore, former weak points in the tasting – the extra brut and rosé categories – both contained firstrate wines in 2014, proving that Champagne with very low levels of sugar can be attractive, while pink Champagne is a serious fizz too. In essence, the results attest to the fact that viticultural and winemaking improvements across the region are really becoming evident now in the wines, whatever the style. FAMOUS FACES Initially, the non-vintage category at all prices yielded some impressive results, and in particular, proved the quality available among Champagne’s most famous names. Commenting after the tasting’s results were revealed, chair of the judges and Berry Bros buyer Simon Field MW said, “The grandes marques are really on form at the moment,” before adding, “Showing well across the piece were, not to my great surprise, Charles Heidsieck and Deutz.” He then mentioned his particular respect for Louis Roederer, which, like Heidsieck, achieved the top award of the tasting: a Master for its Brut NV. “Hats off to Roederer’s Brut, demonstrating [chef de caves] Monsieur Lecaillon is primus inter pares when we are discussing Champagne masters!”
Findings from the tasting Champagne’s grandes marques performed well in this year’s competition, particularly Charles Heidsieck, Louis Roederer and Deutz. Brut NV Champagnes proved high quality and good value, while rosé and extra brut styles did better than in previous competitions, suggesting a quality improvement among wines in these fashionable categories. Blanc de Blancs Champagnes gained good scores, particularly more expensive examples. Charles Heidsieck was the outstanding house in this year’s competition, a testament to the skill of its late chef de caves, Thierry Roset, who died suddently aged 55 in October this year. Some lesser-known houses also performed well, such as Chassenay d’Arce and Ployez Jacquemart. The overall quality standard was extremely high.
Nevertheless, it was Charles Heidsieck that performed the best overall in this year’s competition. Not only did this house achieve a Master for its Brut Réserve, but also its Brut Millésime 2000, while it gained a gold for its Blanc des Millenaires 1995 and a silver for its Rosé Reserve. Indeed, while we are paying tribute to winemakers, such a successful outcome for Charles Heidsieck Champagnes is testament to the skill of the late Thierry Roset, chef de caves at the house, who sadly died suddenly in early October aged 55. Also impressive were the scores of Charles Heidsieck sister house PiperHeidsieck, which achieved the only gold in the NV category for Champagnes priced £30-40 for its Brut Essential, while it gained a silver for its Brut NV in the under £30 category. Another notable success was Jacquart, which gained a silver for its Brut Mosaïque – a Champagne that has undergone a quality improvement since former Veuve Clicquot winemaker Floriane Eznack joined the brand in January 2011. It also earned silvers for its new prestige cuvée Alpha, with the 2005 vintage, as well as its blanc de blancs 2006 and its extra brut NV. Meanwhile, the little-known brand of Chassenay d’Arce picked up silvers for its Cuvée Premier Brut NV, Pinot Blanc
Judges Pictured, left to right: Simon Field MW, buyer, Berry Bros. & Rudd Jamie Hutchinson, owner, The Sampler Sue Daniels, wine buyer, Marks & Spencer Rebecca Palmer, associate director & buyer, Corney & Barrow Michael Edwards, journalist, author, Champagne expert Anthony Foster MW, director/buyer, Bonhote Foster Marcel Orford-Williams, buyer, The Wine Society Patrick Schmitt, editor-in-chief, the drinks business
‘The grandes marques are really on form at the moment’
37
36-40 Champagne Masters Nb_Layout 1 30/10/2014 12:14 Page 38
champagne masters Champagne Masters 2014 – The Results Company Non Vintage Under £30 Champagne Ployez Jacquemart Champagne Paul Goerg Champagne Jacquart Champagne Piper-Heidsieck Champagne Chassenay D'Arce Vranken Pommery Champagne Drappier Champagne Palmer & Co Le Brun de Neuville Champagne Nicolas Feuillatte Comte Audoin de Dampierre Champagne Boizel Champagne Delamotte Champagne De Castelnau
Wine
Medal
Style
Extra Brut Passion Tradition Brut Mosaïque Brut Cuvée Première Brut Pommery Brut Royal Carte d'Or Brut Réserve Cuvée Authentique Brut Réserve NV Grande Cuvée Brut Réserve Brut NV Brut NV
Silver Silver Silver Silver Silver Silver Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze
Extra Brut Brut Brut Brut Brut Brut Brut Brut Brut Brut Brut Brut Brut Brut
Non Vintage £30-£40 Champagne Piper-Heidsieck Champagne Mumm Champagne Henriot Champagne Jacquart Champagne Pannier Champagne Philipponnat Lanson International UK Champagne Perrier-Jouët Lanson International UK
Brut Essentiel GH Mumm Brut Cordon Rouge Brut Souverain Extra Brut Brut Selection Royale Réserve non dosé Champagne Massé Brut Grand Brut Lanson Black Label NV
Gold Silver Silver Silver Silver Bronze Bronze Bronze Bronze
Brut Brut Brut Extra Brut Brut Brut Nature Brut Brut Brut
Non Vintage over £40 Champagne Charles Heidsieck Champagne Louis Roederer Champagne Deutz Champagne Gosset Lanson International UK Lanson International UK Champagne Piper-Heidsieck
Brut Réserve Brut Premier Brut Rosé Grande Réserve Lanson Extra Age Brut Lanson White Label Dry-Sec Cuvée Sublime
Master Master Gold Bronze Bronze Bronze Bronze
Brut Brut Brut Brut Brut Sec Demi-sec
Vintage £30-£40 Champagne Cattier Champagne Ployez Jacquemart Champagne Serge Matthieu
Vinothèque 2007 Extra Brut Vintage Blanc de Blancs 2005 Millesime 2008
Silver Bronze Bronze
Brut Extra Brut Brut
Vintage over £40 Champagne Charles Heidsieck Champagne De Castelnau Champagne Piper-Heidsieck Champagne Henriot Champagne Gosset Vranken Pommery Champagne Mumm Champagne Deutz Champagne Philipponnat Champagne Charles Heidsieck
Brut Millésime 2000 Vintage 2002 Vintage 2006 Brut Millésime 2005 Grand Millésime 2004 Pommery Grand Cru 2004 Vintage 2006 Brut 2007 Cuvée 1522 millésime 2005 Rosé millésime 1999
Master Silver Silver Silver Silver Silver Bronze Bronze Bronze Bronze
Brut Brut Brut Brut Brut Brut Brut Brut Brut Brut
Lady de N Clovis
Silver
Brut
Confidences Brut Palmes d'Or Brut 2004
Gold Gold
Brut Brut
Collection privée Joyau de France Clos du Moulin Brut Cuvée Alpha 2005 Pommery Cuvée Louise 2002
Silver Silver Silver Silver Silver
Brut Brut Brut Brut Brut
Prestige Cuvée £30-£40 Le Brun de Neuville Prestige Cuvée £40-£100 Chassenay D'Arce Centre vinicole Champagne Nicolas Feuillatte Champagne Soutiran Champagne Boizel Champagne Cattier Champagne Jacquart Vranken Pommery
‘This does prove that you do have to spend quite a bit on blanc de blancs, but when you do, you are rewarded’ 38
Extra Brut, and a gold for its blanc de blancs 2005 as well as its prestige cuvée, named Confidences. Meanwhile, Field mentioned further houses which impressed him in the tasting, which was conducted, like last year, at The Dorchester hotel. “I was pleased that some of the less lauded houses such as Lanson and Piper were able to rise to the challenge too.” He added, “This indicates to me a confidence across the region and an overall qualitative consistency.” Finally he said that he was pleased to see Cattier, Palmer and Henriot “all showing their worth”, describing them as “three houses I admire”. In particular, he commented that he was “encouraged” to see large co-op Palmer making “such good wines”. HIGH FLYERS At the peak of Champagne’s price pyramid, prestige cuvées over £100 performed extremely well, although it was only Deutz’s Cuvée William Deutz 2002 that achieved the ultimate by gaining a Master. Such a result was both a sign of the quality winemaking from this house, but also the conditions of the vintage, with 2002 considered one of the standout harvests of the last decade. Among the more niche categories of Champagne, as noted above, drier Champagne styles did well this year, suggesting that winemakers are becoming better at producing fizz with little added sugar – doubtless choosing riper, richer base wines to reduce the potential for tartness. Serge Mathieu, Drappier, Chassenay d’Arce, Jacquart and newcomer to the competition, Ployez Jacquemart were all awarded silver medals for the extra bruts. Then there was the blanc de blancs category which this year in particular drew attention to the quality of pure Chardonnay Champagnes. While Palmer was the only wine to be awarded a gold for Blanc de Blancs under £40, over that price point and no less than four golds were given – 50% of the wines judged at this more expensive level. As one judge said, “This does prove that you do have to spend quite a bit on blanc de blancs, but when you do, you are rewarded.”
xx_dbhk_Nov_Louis Roderer_Layout 1 23/10/2014 14:36 Page 1
36-40 Champagne Masters Nb_Layout 1 30/10/2014 12:14 Page 40
champagne masters Champagne Masters 2014 – The Results Company Prestige Cuvée £100+ Champagne Deutz Champagne Deutz Champagne Charles Heidsieck Champagne Piper-Heidsieck Champagne Philipponnat
40
Wine
Medal
Style
Cuvée William Deutz 2002 Amour de Deutz 2005 Blanc des Millénaires Millésime 1995 Rare Millesime 2002 Clos des Goisses 2005
Master Gold Gold Silver Silver
Brut Brut Brut Brut Brut
Alternative Grape / Blanc de Blancs £40 Chassenay D'Arce Pinot Blanc Extra Brut
Silver
Extra Brut
Blanc de Blancs Under £30 Le Brun de Neuville
Cuvée Chardonnay
Silver
Brut
Blanc de Blancs £30-£40 Champagne Palmer & Co Le Brun de Neuville Champagne Cattier Champagne Delamotte Champagne Jacquart Champagne Nicolas Feuillatte
Blanc de Blancs 2008 Lady de N Chardonnay Brut Blanc de Blancs Blanc de Blancs NV Blanc de Blancs 2006 Grand Cru Chardonnay Millésime 2005
Gold Silver Silver Silver Silver Silver
Brut Brut Brut Brut Brut Brut
Blanc de Blancs Over £40 Champagne Henriot Lanson International UK Champagne Deutz Chassenay D'Arce Champagne De Castelnau Champagne Mumm Champagne Philipponnat Champagne Louis Roederer
Blanc de Blancs Lanson Extra Age Blanc de Blancs Blanc de Blancs 2008 Blanc de Blancs 2005 Blanc de Blancs Blanc de Blancs Mumm de Cramant Grand Blanc 2006 Blanc de Blancs 2007
Gold Gold Gold Gold Silver Silver Silver Bronze
Brut Brut Brut Brut Brut Brut Brut Brut
Blanc de Noirs Under £30 Champagne Serge Matthieu Champagne Serge Matthieu
Extra Brut Brut Tradition
Silver Silver
Blanc de Noirs £30-£40 Comte Audoin de Dampierre Champagne Serge Matthieu Champagne Dosnon
Cuvée des Ambassadeurs Grand Vintage 2005 Millesime 2008 Champagne Dosnon & Lepage Récolte Noire
Gold Silver Bronze
Brut Brut Brut
Blanc de Noirs Over £40 Champagne Cattier Champagne Philipponnat
Cattier Brut Blanc de Noirs Philipponnat Blanc de Noirs 2008
Gold Silver
Brut Brut
Rosé Under £30 Champagne Drappier The Wine Society
Brut Nature Rosé Champagne Jeanaux-Robin Rosé Brut NV
Bronze Bronze
Brut Nature Brut
Rosé £30-£40 Champagne Palmer & Co Lanson International UK Champagne Jacquart Champagne Boizel Champagne Cattier Lanson International UK
Brut Rosé Champagne Massé Rosé Rosé Rosé Brut Rosé Lanson Rose Label NV
Silver Bronze Bronze Bronze Bronze Bronze
Brut Brut Brut Brut Brut Brut
Rosé over £40 Champagne Henriot Champagne Deutz Lanson International UK Champagne Philipponnat Champagne Charles Heidsieck Vranken Pommery Champagne Mumm Champagne Delamotte Chassenay D'Arce Champagne Perrier-Jouët Champagne Cattier
Brut Rosé Rosé 2009 Lanson Extra Age Rosé Royale Réserve Rosé NV Rosé Reserve Pommery Apanage Rosé Brut Rosé Rosé NV Cuvée Rosé Brut Blason Rosé Clos du Moulin Rosé
Gold Gold Gold Silver Silver Silver Bronze Bronze Bronze Bronze Bronze
Brut Brut Brut Brut Brut Brut Brut Brut Brut Brut Brut
Design & Packaging Champagne Drappier Chassenay D'Arce Champagne Cattier Champagne Cattier Le Brun de Neuville Le Brun de Neuville
Coffret Grande Sendrée Pinot Blanc Extra Brut Clos du Moulin Brut en Coffret Brut Sensation Millésime 2006 Edition Limitée - Cuvée Chardonnay Collection
Master Gold Gold Silver Silver Bronze
Extra Brut Brut
We also had a good showing from blanc de noirs in 2014. Both Cattier and Comte Audoin de Dampierre impressed the judges with this style, and each of these houses gained golds. As judge Michael Edwards said of the wines, “These are wonderful winter Champagnes”, while fellow judge Anthony Foster MW said, “These are food Champagnes.” As in previous competitions, the vintage category attracted high levels of praise from the judges and plenty of high scores, while unlike last year, rosé achieved a clutch of golds. Particularly delicious examples of the latter came from Henriot, Deutz and Lanson. Overall, the blind tasting drew attention to those houses producing cuvées of exceptional quality, while showing the high standard of wines being made in Champagne today. It also proved that the fashionable pink and very dry styles of Champagne have undergone a marked quality improvement. For value and quality, however, the results suggest that the region’s biggest category, Brut NV, is hard to beat. db
About the competition The Champagne Masters is a competition created and run by the drinks business and an extension of its successful Masters series for grape varieties such as Chardonnay and Pinot Noir, as well as regions such as Rioja and Chianti. The competition is exclusively for Champagne and the entries were judged by a selection of highly experienced tasters using Riedel Chianti/Riesling glasses supplied by Sensible Wine Services. The top Champagnes were awarded Gold, Silver or Bronze medals according to their result, and those Champagnes that stood out as being outstanding received the ultimate accolade – the title of Champagne Master. The Champagnes were tasted over the course of a single day at the Dorchester Hotel in London. This report features only the winners of medals.
xxx_db_Oct_Champagne Pannier_Layout 1 22/09/2014 14:23 Page 1
42-46 Reisling Masters 2014_Layout 1 30/10/2014 09:12 Page 42
riesling masters
RIESLING
f ro m t h e a s h e s When judges are kicking down the door to join in with a tasting, and medalists are hailing from all corners and at all price-points, you know you have a special varietal on your hands. Patrick Schmitt reports on the Global Riesling Masters OF ALL the grapes that featured in September’s Global Masters, it was Riesling that attracted the most interest from our pool of potential judges. While we coaxed Masters of Wine to sample Sauvignon Blanc and Chardonnay, we actually turned some away when it came to Riesling, such was its popularity among the professionals. As a result,
42
before the grape was even tasted, we were acutely aware of the strong affection that exists in the trade for Riesling. However, it was only after the tasting that we realised the force of feeling when it comes to the handling of this grape, which, few would disagree, is capable of producing some of the greatest and most distinctive white wines in the world.
And just as great Chardonnay can result from an ideal balance between fruit and oak, great Riesling is about a balance too, but one between sugar and acidity. As competition judge Neil Sommerfelt MW commented, “The balance between the residual sugar and the acidity provides the key – and at all levels of price and from all regions.”
42-46 Reisling Masters 2014_Layout 1 30/10/2014 09:12 Page 43
riesling masters Feature findings
In other words, it is not the actual level of sugar that matters. Neither sweetness nor sharpness should dominate the wine, but together they should enhance it. Hence, stated judge Alex Hunt MW, “We rewarded balance… as well as complexity” (see pXX for Anne Krebiehl MW’s Riesling feature). Evidence of Riesling’s rare ability to both please and cleanse the palate, even when sugar is present in massive qualities, was behind the fact that our sole “Master” in the competition was by far
white grape in the world, but it is certainly the most versatile,” commented Sebastian Payne MW. Proving his point, the second highest scoring wine of the tasting was a bone dry example from Australia: Jacob’s Creek Steingarten Riesling 2012. After this particular wine’s source was revealed, Beverly Tabron MW admitted she had thought it was European, and described the wine as a “revelation”. Further proof of the grape’s adaptability can be seen in the source countries of the gold medal winners, as well as range of sugar levels. GLOBAL SUCCESS Rieslings from Australia, Germany, France, Chile and Canada all gained top medals in the tasting, including, it was interesting to note, two major global wine brands: the aforementioned Jacob’s Creek, and Cono Sur, with its single vineyard Riesling that, like the former, was another that many of the tasters thought was European. Although few gold medals were awarded, the tasting saw a remarkably high number of silvers relative to the number of entries, pointing to Riesling’s reliably high level of quality. “There were good wines at each price point,” recorded Payne, adding, “there was a huge proportion of silvers compared to the number of wines entered: the average standard was incredibly high.” Summing up, he stated, “Riesling is a very safe bet.”
‘Riesling is either the best or second best white grape in the world, but it is certainly the most versatile’ the sweetest – 2004 Kaseler Kehrnagel Eiswein from Bischöfliche Weingüter Trier. Containing 185g/l, and waves of alternating dried and fresh fruit flavours, it finished with a pleasant tang to make sure one would salivate, and reach for another sip. But not all our high scorers were laden with sugar. Indeed, the range of wines at the top of the table attests to another important Riesling trait: versatility. “Riesling is either the best or second best
There was a high demand to judge in the Global Riesling Masters because the grape is much-loved among professionals. The results proved that top quality Riesling must achieve a balance between residual sugar and acidity. The tasting also highlighted the versatility of Riesling, which can be made in a variety of styles from diverse sources. Riesling’s characteristic petrol aroma was considered a positive component when present at low levels as part of a complex aroma. The high proportion of silvers proved that the average standard of Riesling, even at low price points, is very high. Riesling has a strong and clearly identifiable personality.
Hunt agreed, although he commented that Riesling “should be something that can be done well at a relatively low cost” – a point that was proven by the fact four of the six golds in the competition were for wines under £20. A CERTAIN WHIFF Of course, no Riesling tasting could be complete without a discussion about the scent of petrol – an aroma closely associated with the grape, particularly after many years ageing in bottle. Although considered a defect in a wine when present at very high levels, particularly in a youthful wine, in low levels the judges felt this smell can add a layer of complexity as well as character to the wines. “When Riesling is very good it has the most fantastic smell, but there are people who really don’t like Riesling, and
43
42-46 Reisling Masters 2014_Layout 1 30/10/2014 09:12 Page 44
riesling masters The Global Riesling Masters – Results Company Dry (up to 4g/l) Charles Schleret Karl May Jacob's Creek - Pernod Ricard Jacob's Creek - Pernod Ricard Freigut Thallern Wein GmbH Australian Vintage Vinteloper Jacob's Creek - Pernod Ricard Larry Cherubino Domäne Wachau Wakefield/Taylors Wines Wakefield/Taylors Wines Penfolds Wakefield/Taylors Wines Chateau Ste. Michelle Viña Cousiño Macul Brotherhood America's Oldest Winery Ste. Michelle Wine Estates Charles Schleret Brooks
Wine
Vintage
Country
Medal
Alsace Riesling 2007 Bechtheimer Geyersberg Riesling 2013 Jacob's Creek Steingarten Riesling Jacob's Creek Reserve Barossa Riesling Riesling Alte Ried McGuigan Shortlist Riesling Vinteloper R1/13 Watervale Riesling 2013 Jacob's Creek Riesling Cherubino Riesling Riesling Smaragd Kellerberg St Andrews Riesling St Andrews Riesling Penfolds Bin 51 St Andrews Riesling Dry Riesling Isidora Dry Riesling - New York Premium Selection Riesling Eroica Alsace Riesling 2005 Ara
2007 2013 2012 2013 2012 2014 2013 2012 2011 2013 2012 2013 2014 2014 2013 2013 2013 2013 2005 2011
France Germany Australia Australia Austria Australia Australia Australia Australia Austria Australia Australia Australia Australia USA Chile USA USA France USA
Gold Gold Gold Silver Silver Silver Silver Silver Silver Silver Silver Silver Silver Bronze Bronze Bronze Bronze Bronze Bronze Bronze
Medium Dry (up to 12g/l) Cono Sur Cono Sur Domdechant Werner'sches Weingut Langmeil Jean Biecher et Fils Cave de Ribeauvillé Villa Huesgen Weingut Die Weinmacher GmbH Freigut Thallern Wein GmbH Nederburg Wines Firesteed Cellars Brotherhood America's Oldest Winery Kloster Eberbach Bischöfliche Weingüter Trier Cave de Ribeauvillé ZGM
Single Vineyard Riesling Reserva Especial Riesling Domdechant Werner Hochheim Riesling Classic Eden Valley Riesling Alsace Grand Cru Riesling Schlossberg 2013 Riesling 2010 Grand Cru Osterberg, Alsace Grand Cru AOC Villa Huesgen Alte Reben Riesling Blue Fish Riesling Trocken Riesling Selektion Nederburg Winemaster's Reserve Riesling Riesling Riesling - New York Premium Selection Wiesbadener Neroberg 'Crescentia' Dry Riesling Kaseler Nies'chen Riesling Spätlese Trocken Riesling 2013 Collection, AOC Alsace Invenio Riesling
2013 2013 2012 2012 2013 2010 2013 2013 2013 2014 2011 2013 2013 2012 2013 2013
Chile Chile Germany Australia France France Germany Germany Austria South Africa USA USA Germany Germany France Germany
Gold Silver Silver Silver Silver Silver Silver Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze Bronze
I think one of the reasons is that they don’t like the smell of petrol,” proposed Payne, before pointing out that of all the possible Riesling characters, it is the smell of sherbet that puts him off, “although that seems to have diminished.” Meanwhile, Hunt commented, “I don’t mind if the petrol is there as part of the aromatic mesh, but if comes on very strong and very early [in the wine’s development] then it is upsetting.” What was apparent however was that the wines in the tasting, with few
44
‘There are people who really don’t like Riesling, and I think one of the reasons is that they don’t like the smell of petrol’
exceptions, seemed to overtly display Rieslingness, if such a word exists. “Riesling has personality,” stated Payne. Similarly, Hunt commented, “All the wines had varietal character, and very few would not be immediately identifiable as Riesling.” But what made them obviously Riesling? Well, aside from the occasional hint of petrol, Sommerfelt in particular listed a few key traits for the grape. “Stylistically, depending on a wine’s particular origins, I would expect to see wines exhibit flavours that are
42-46 Reisling Masters 2014_Layout 1 30/10/2014 09:12 Page 45
riesling masters The Global Riesling Masters – Results Company Medium Sweet (up to 45g/l) Schmitt Söhne Mission Estate Bischöfliche Weingüter Trier Die Weinmacher GmbH Sula Vineyards Langmeil - Berkmann Wine Cellars Schmitt Söhne Framingham Wines Friedrich Wilheilm Gymnasium Reichsgraf von Kesselstatt
Wine
Vintage
Country
Medal
Rethink Riesling Mission Estate Riesling Kaseler Nies'chen Riesling Spätlese Feinherb Blue Fish sweet Riesling Sula Riesling Live Wire Thomas Schmitt Private Collection Kabinett Framingham Classic Riesling Fritz Willi Riesling Josephshöfer Riesling Kabinett
2012 2012 2012 2013 2014 2012 2013 2013 2013 2013
Germany New Zealand Germany Germany India Australia Germany New Zealand Germany Germany
Silver Silver Silver Bronze Bronze Bronze Bronze Bronze Bronze Bronze
Sweet (+ 45g/l) Bischöfliche Weingüter Trier Peller Estates Winery Zimmermann-Graeff & Müller Bischöfliche Weingüter Trier Reichsgraf Von Kesselstatt Dr Loosen Friedrich Wilheilm Gymnasium Louis Guntrum
Kaseler Kehrnagel Riesling Eiswein Signatures Series Riesling Icewine Peter & Peter Riesling Sweet Ürziger Würzgarten Riesling Kabinett Piesporter Goldtröpfchen Riesling Spätlese Dr Loosen Erdener Treppchen Riesling Auslese Graacher Domprobst Spätlese Riesling Spätlese Oppenheim Herrenberg
2004 2012 2013 2011 2013 2013 2012 2013
Germany Canada Germany Germany Germany Germany Germany Germany
Master Gold Silver Silver Silver Silver Bronze Bronze
redolent of citrus fruits (lemon/lime), exotic fruits (peach/nectarine) with a keen-edge of vibrant acidity and minerality, depending on a wine’s origins.” Continuing, he noted, “Alcohol levels will vary according to the origin, chosen style and vintage but in all cases a purity, vigour and tension should be evident to a greater or lesser degree.” While picking up on the point raised at the outset, he concluded, “Even wines at the very sweet end of the spectrum should offer sufficient acidity in order to ensure that the wine is ultimately appetising, leaving the palate cleansed and refreshed.”
And once this is in place, one imagines there will be even greater demand among the judges to take part in the Global Masters for Riesling. db
DEPTH FROM OLD AGE But if there was one key aspect to Riesling that was not addressed in the tasting, it was the grape’s remarkable ability to develop greater complexity after many years, decades even, ageing in bottle. With the majority of wines from the 2010 vintage onwards, the judges weren’t able to enjoy the beauty of aged Riesling, although we plan to correct this next year, with a new category for older examples.
45
46-50 Jackson Family tasting Nbgs_Layout 1 30/10/2014 08:44 Page 46
Left to right from Jackson Family Wines: Dimitri Mesnard MS, international brand ambassador; Monique Seillan, vice-president of communications; Barbara R. Banke, chairman and proprietor; Nick Bevan, senior vice-president; Gayle Bartscherer, vice-president of international marketing; and author and Californian wine expert Stephen Brook
FA M I LY p o r t ra i t The clarion call sounded across London, summoning some of the city’s top sommeliers to The Dorchester hotel for what Patrick Schmitt discovered to be an eye-opening tasting of some of Jackson Family Wines’ top offerings
46
46-50 Jackson Family tasting Nbgs_Layout 1 30/10/2014 08:44 Page 47
j a c ks o n w in es event Feature findings
WHEN A London tasting room is packed with silent sommeliers, you know it’s something special. Seated in the quiet and upmarket confines of The Dorchester, attendees from the capital’s finest restaurants awaited a rare, revealing, and spoiling tasting – and their excited anticipation was not sparked by vintage hype. The event, organised and hosted by Jackson Family Wines, would see library samples from its top-end Californian brands sampled alongside the likes of Lafite and Pingus, but began with a tasting of the latest releases of Jackson’s Cardinale, Vérité and Lokoya from the 2011 vintage – a year renowned not for its greatness, but extremely challenging weather conditions. Introducing the 2011s was wine writer, author and Californian (as well as Bordeaux) specialist Stephen Brook. “2011
oversee the harvest at Jackson’s sole Bordeaux property, Château Lassègue, and on his return, the grapes in California still weren’t fully ripe. But rather than expressing concern about the vintage conditions, Brook suggested that they may have yielded wines that might suit the palates of the London audience. “We in Europe like this type of vintage because there is some restraint; it’s still ripe, but not overblown,” he said. Adding to Brook’s analysis of the vintage was Jackson Family Wines’ chairman and proprietor Barbara R. Banke. “It was a cool vintage, but because Pierre [Seillan] loves to pick early he managed to get the grapes in before the rains,” she said of Sonoma’s Vérité estate. As for Cardinale and Lokoya, she noted, “Our Napa wines are from mountain vineyards so they are very well drained and the grapes ripened in due time, although they produced less.” Summing up the vintage character, she commented, “It is a really good vintage for wines which will age, wines which will be around for a long time, and wines which will be interesting for a long time.” Also part of the panel during the tasting was Monique Seillan, Pierre’s wife and vice president of communications at Jackson Family Wines. “We need this type of petit vintage, where it is the soil that is very important for the wine, not just the sun,” she commented.
‘We like it when it is a little difficult, because in a challenging vintage you do better, because you have to pay a lot of attention to the vineyard’ was the kind of vintage that sends most Californian growers into a panic,” he began, before commenting that it was also the type of year European winemakers are used to. Not only did the Californians face a later start to the growing season as rains delayed flowering, but then they faced a cool summer, punctuated by a few heat spikes, followed by more rain in early autumn. Illustrating the delaying effect on grape ripening due to the anomalous conditions in California during 2011, Brook recalled that Vérité’s winemaker, Frenchman Pierre Seillan, went to St-Emilion to
VERITABLE BLESSING Then, focusing on the wines of Vérité, she commented, “Vérité has spectacular terroir, it is a dream for a winemaker, and we are blessed because we can work with four different appellations in Sonoma, so we can blend to make a dream wine.” She continued, “We like it when it is a little difficult, because in a challenging vintage you do better, because you have
Although the cool and wet 2011 vintage in California was the type of year that throws growers into a panic, it produced wines of restraint that can be favoured by Europeans. Furthermore, despite the difficult 2011 vintage conditions, Jackson Family Wines made wines without blemish due to rigourous selection, as well as the use of early-picked fruit and grapes from free-draining mountain vineyards. Jackson Family Wine’s Vérité brand benefits from the best sites across Sonoma and a fine-tuned barrel toasting regime. The company’s Cardinale label sources Cabernet from a selection of Napa vineyards to create a symphony of the best sites. On the other hand, Lokoya comprises four wines, all 100% Cabernet Sauvignon, and each from a different mountain site in Napa. A global comparative tasting of library vintages showed that Jackson Family Wines’ top Californian labels can compete with the world’s greatest wines, from Masseto to Mouton.
to pay a lot of attention to the vineyard. Pierre says his job is easy; he just has to listen to the soil. You must be humble, the terroir gives the signature to the wine, not the maker.” She then considered the sites for the wine, which has three labels in the range: La Muse, which is Merlot dominant; La Joie, which is Cabernet dominant; and finally Le Désir, which is Cabernet Franc led. “We source from Alexander Valley, but there is no valley in Barbara’s portfolio – it is really Alexander mountain; we are in the clouds,” she
47
46-50 Jackson Family tasting Nbgs_Layout 1 30/10/2014 08:44 Page 48
CARDINALE SYMPHONY Shifting to Napa, Banke began with a look at Cardinale, which she said was “a Cabernet-based blend,” before introducing the component parts. “Cardinale winemaker Christopher Carpenter says his vineyards are instruments to create a composition with Cabernet, and Cardinale is supposed to represent a symphony of the best sites in the Napa Valley,” she said, mentioning vineyards such as Keyes, Veeder Peak and Spring Mountain. Picking up on her earlier point about the benefits of mountain vineyards in the wet
‘In California, we have differences in vintage, differences in terroir, and differences among winemakers. I just say make the best wine you can’ began, pointing out that clay soils in this AVA are used primarily for Vérité’s Cabernet Franc. As for the Merlot, this is mainly sourced from the Bennett Valley vineyard planted by Pierre Seillan in 1999. “I think we are now getting the best Merlot from this very beautiful vineyard,” she commented, while Brook added that Bennett was “a sweet spot for Merlot, not in the jammy style, but for producing wines with lift and raciness.” Indeed, Banke added that Jackson Family Wines was behind the recognition of Bennett as an AVA around 10 years ago. Next, Monique mentioned Knight’s Valley, which, at the foot of Mt St Helena, “is beautiful for Cabernet, and we are just across the street from Peter Michael.” Finally, she identified Chalk Hill AVA as home to the Vérité winery but also
48
first-rate Cabernet Franc and Merlot in chalk soils. Aside from the superb Sonoma sites that are used for Vérité, Seillan also pointed out that the wine benefits from Jackson Family Wines’ barrel sourcing (the company is part owner of a stave mill in the Vosges mountains in France). “Because we have a stave mill in France, Pierre has taken a great interest in the barrel regime and chooses which part of the forest he wants for his staves, and how long to season the wood, as well as which toast profiles – he uses 22 different ones, which each change for every block,” she recorded. She also stressed, “In 2011 we have many more micro crus than when we started in ‘98 – and even more in 2014, so Vérité is going to be better and better – remember that.”
2011 vintage, Banke said, “We picked later in 2011 than we would in Sonoma [for Vérité], but Chris was able to get away with it because the mountains were able to drain the rainfall, so 2011 is a good vintage for the mountains… it’s not big, but it’s a focused vintage.” For a more detailed look at Napa’s mountain wines, the tasting then turned to Lokoya, which comprises four wines, all 100% Cabernet Sauvignon, and each from a different mountain site: Spring Mountain, Diamond Mountain, Mount
46-50 Jackson Family tasting Nbgs_Layout 1 30/10/2014 08:44 Page 49
j a c ks o n w in es event
Veeder and Howell Mountain. Barbara said that the wine from Veeder was known as “the monster” due to its concentration and tannins, and it was her late husband Jess Jackson’s favourite source of Cabernet in California. On the other hand, she added that her favourite was Howell Mountain because, “it’s more towards the blue fruit”. Agreeing with Banke, Brook then commented, having tasted through the wines at the outset, “The Howell Mountain for now has the most complexity and it is the most harmonious of the quartet.” The discussion then turned to the wines from the 2011 vintage, with both attendees and Brook expressing their respect for what Jackson Family Wines had achieved in a challenging vintage. In essence, to create such accomplished wines in 2011, Barbara admitted that for all three estates at the tasting they “had to green drop on a truly massive scale because some of the grapes just weren’t going to ripen.” And this in part explained Brook’s observation that, much to his surprise, “I was expecting the vintage to show some greenness, but there isn’t any greenness in these wines – it just isn’t there.” Banke then provided the final words on 2011 across the eight wines tasted: “In
California, we have differences in vintage, differences in terroir, and differences among winemakers. I just say make the best wine you can.” SURPRISE SELECTION Following a brief break and a glass of Henriot Champagne, imported by John E Fells – the UK agent for Jackson Family Wines – attendees returned to their seats to find a different, and thrilling selection of wines in their glasses. Sitting alongside Vérité La Muse 2004, Cardinale 2007 and Lokoya Mount Veeder 2001 were some of the world’s greatest wines from the same vintages, including Bordeaux first growths Mouton and Lafite Rothschild, as well as first growth equivalents from Spain, Australia and Italy: Dominio de
Pingus, Penfolds Grange, and Sassicaia respectively – along with Merlot blockbuster Masseto. Explaining the selection of wines was Gayle Bartscherer, vice-president of international marketing and business development at Jackson Family Wines. She said, “The comparative tasting component is not supposed to be a beauty contest to prove our wines are the best, but to show how different terroirs react in the same vintage.” Continuing, she noted, “We also want to promote discussion and show how our wines can age and sit comfortably among the great wines of the world, but, because the wines are so different, it’s not about saying which one is your favourite.” Initially, the 2004s were tasted and discussed. “2004 was first rate in California: the vintage was a bit cool initially but the wines were opulent and enjoyable from the moment of release,” recorded Brook. Speaking of the Merlot-
‘I can imagine sitting down and drinking these wines with a book in the winter’
49
46-50 Jackson Family tasting Nbgs_Layout 1 30/10/2014 08:45 Page 50
jacks on w in e s event The wines tasted 2011 Vérité La Muse 2011 Vérité La Joie 2011 Vérité Le Désir 2011 Cardinale 2011 Lokoya Spring Mountain 2011 Lokoya Diamond Mountain 2011 Lokoya Howell Mountain 2011 Lokoya Mount Veeder 2004 Vérité La Muse 2004 Tenuta dell’Ornellaia Masseto 2004 Château Mouton Rothschild 2007 Cardinale 2007 Penfolds Grange Bin 95 2007 Dominio de Pingus 2001 Lokoya Mount Veeder 2001 Tenuta San Guido Sassicaia 2001 Château Lafite Rothschild
dominant Vérité La Muse, he then commented, “This is a terrific wine, it is opulent with freshness and youthfulness. It has some of that opulence that you look for with California, and you can drink it
the concentration of a truly great vintage. On the other hand, he applauded the richer, flamboyant style of the Masseto 2004, which had benefitted from time. “It can seem monolithic when it’s young,” he stated, adding, “This is a massive wine with freshness; it is magnificent, admirable, but brutal.” 2007 was the focus of the next flight, beginning with Cabernet Sauvignondominant Cardinale 2007. Brook began with his thoughts on the wine: “On the nose you expect great concentration, but actually it’s not that concentrated on the palate, with chewy tannin, a nice balance, and it still has great potential.” The wine was tasted along with Penfolds Grange 2007 and Dominio de Pingus, representing top expressions of two different grapes: Shiraz and Tempranillo respectively. Brook put the Cardinale ahead of the Grange, before expressing his delight at the Pingus: “It’s complex and seductive, and usually I would be tearing my hair out at 15.5% abv, but I don’t get any burn.” Banke said how much she had enjoyed all three wines in the flight. “I can imagine sitting down and drinking these wines with a book in the winter.”
‘I really liked the 2004 Vérité La Muse – it is a terrific wine – and I loved the Cardinale’
now, but it will hold.” Tasted alongside this was Mouton Rothschild 2004, which Brook said was a little disappointing – “it lacks punch and drive” – but added that 2004 was not a brilliant year in Bordeaux, and consequently the wine didn’t show
50
We then moved back more than a decade to 2001, with Lokoya Mount Veeder, Sassicaia and Lafite Rothschild. Just 270 cases were made of the Lokoya from the Veeder site that produces bunches with extremely small berries, giving wines of immense concentration and colour. Indeed, the wine seemed to have the youngest appearance of any of the wines in this comparative tasting. “I love the nose, with black fruit, a touch of Christmas pudding, and on the palate it is still going strong; it is not fading in the least, and I see it staying on a plateau. You have done an excellent job with this wine,” said Brook. Sadly, the Sassicaia seemed prematurely aged. On the other hand, the Lafite was just emerging and showing extremely well. “It’s a beauty, with some evolution and cassis. It’s so poised and stylish, and although it’s not a blockbuster it still holds its own after all the other wines,” commented Brook, adding, “The tannins, acidity, and oak are all beautifully integrated; it is so immensely drinkable.” Concluding, Brook picked out his star wines: “I really liked the 2004 Vérité La Muse – it is a terrific wine – and I loved the Cardinale 2007, while I thought the Pingus was gorgeous, and I’m humbled by the Lafite, which is a beautiful wine, but they’ve been doing it for 200 years…” As for Banke, she added, “I wouldn’t turn any of these down. They are all excellent in their own way.” db
THE W
THE W
THE W
THE W
ISL ANDS
& DS AN
D WHISKY M RL O
D WHISKY M RL O
GOLD
S TER AS
ISKY MAS WH TE
GOLD
D WHISKY M RL O
S TER AS
D WHISKY M RL O
S TER AS
SIN
ASK RELEAS ES
TCH WHISKY CO M -S
EC GL
RS TE AS
12YO - SC OT
S TER AS
HIG HL
RS
< DS
CH
ANDS & ISL HL AN IG
51 Ben Nevis Advertorial Nb_Layout 1 30/10/2014 08:41 Page 51
sponsored prof ile
C L I M B I N G BAC K
up the mountain The venerable Ben Nevis distillery may have endured years in the wilderness, but it’s now back at the top – just like its namesake peak – with an armful of treasured awards GOLD MEDALS for a host of Ben Nevis whiskies this year are high-profile proof that the distillery has entered an exciting new chapter. 2014 has so far saw the producer secure two Gold and two Master medals in the Single Malt Premium category of The Spirits Business World Whisky Masters, while last year the company’s 15 Year Old single cask expression, Ben Nevis Malt, won gold medals at both the Beverly Hills
Ross has been working with one aim in mind – to return Ben Nevis to its glory days when Long John’s son ran the distillery Spirits Competition and the International Spirits Challenge. The same whisky also went on to scoop a Masters Award in The Spirits Business Scotch Whisky Masters, with this top accolade also going to the McDonald’s Traditional Ben Nevis malt. Finally, the judges at 2013’s IWSC awarded a gold (outstanding) medal and trophy to the Ben Nevis 15 Year Old, single cask, cask strength, single malt. Having recently celebrated its 185th anniversary, the distillery has spent over
20 years quietly rebuilding its reputation after almost 50 years of somewhat unconventional management. Once one of Scotland’s most powerful distilleries, Ben Nevis was founded in 1825 by “Long John” MacDonald, but it ran into trouble by the late 1930s and closed down – along with all but four producers – at the beginning of the Second World War. Between then and 1989, when it was the acquired by Japanese firm Nikka (a subsidiary of Asahi Breweries), Ben Nevis acquired a “chequered past” according to John Carmichael, visitor centre manager at the distillery and a long-standing employee. This saw the company pass through the ownership of eccentric Canadian businessman Joseph Hobbs and his son, as well as Whitbread’s spirits division, Long John International. As a consequence, Ben Nevis has seen occasional gaps in its production, as well as unusual developments, such as the installation of a column still alongside the traditional pot stills used for malts. The former still, designed for making grain whisky, was removed by Whitbread, which bought Ben Nevis in
1981 from Joseph Hobb’s son, before closing the distillery in 1986 and finally selling it to Nikka in 1989. However, since Japanese ownership and the appointment of Colin Ross to run the operation, the distillery has begun its return to prominence. One aspect of this revival has been the introduction of the 10 Year Old single malt, which was launched in 1999 and has since gone on to collect numerous international awards. In essence, Ross has been working with one aim in mind – to return Ben Nevis to its glory days when Long John’s son, Donald Peter MacDonald ran the distillery. Aside from the introduction of various age statements, Ross has added a special release single malt called McDonald’s Traditional Ben Nevis, an attempt to recreate a whisky from 1882, following extensive study of warehouse records and the acquisition of a 140-yearold Ben Nevis malt at auction. Carmichael says this release has achieved an amazing reception, with little marketing. Indeed, he says all the distillery’s customers show affection and loyalty to the Ben Nevis brand. “We have been building up a tremendous band of friends who phone us up and ask what’s coming out next – and they buy without even tasting,” he adds. “They say whisky is made from three ingredients: water, barley and yeast,” says Carmichael, “but at Ben Nevis, there are six: water, barley, yeast, patience, people and hospitality in equal measures.” Add to that the mounting pile of awards, and Carmichael concludes: “It’s a cliché, but if we could get the break, we would be the star – people would be saying, ‘where have you been all these years?’”
51
H
52-56 germany Nbgs_Layout 1 30/10/2014 08:43 Page 52
BA L A N C I N G
act
Never mind consumers, the wine trade is still hung up on the sweet/dry divide when it comes to German Riesling, to the discredit of more nuanced offerings, writes Anne Krebiehl MW DRY GERMAN Riesling is carving out a growing niche in the UK market, especially in the mid- and upper price bands. New packaging, ultra-clean flavours and not least the inherent quality of a noble grape have wrought the change. Yet the discussion seems to be stuck: mention Germany and talk invariably turns to sweetness when what really matters is balance.
52
Challenging stereotypes is always hard but in this instance it is particularly tricky. There are several reasons: the message that Germany now produces more dry than sweet wine only penetrates slowly*. Communication is difficult: even if strides have been made with new, straightforward labels – particularly with the VDP’s Grosse Gewächse which finally gives the market one single category for
dry, high quality wines from classified single sites – the way German wine is taught, due to its painful labelling laws, does more to confuse than clarify. This confusion does the “dry” message no favours. Perhaps resulting from this very confusion there still is, both in Germany and the UK, an obsession with analytic data, even for trocken wines. Here lies the crux of the matter: even many
52-56 germany Nbgs_Layout 1 30/10/2014 08:43 Page 53
germany professionals lack the most basic understanding of how residual sugar and acidity interact. THE RIESLING DIFFERENCE The biggest, most enduring mistake is to look only at the residual sugar (RS) of Riesling without considering acidity. It is in this very respect, however, that Riesling is different from other wines. Notwithstanding harvest date, this variety almost always has far more acidity than other white grapes – and this goes for Riesling from both cooler and warmer regions of Germany as well as from the rest of the world. As a comparison, most white wines have a titratable acidity (TA) of between 4-6g/l. Riesling customarily has TAs of between 6-10g/l, in cooler years, cooler regions or when the juice in grapes was concentrated by freezing or botrytis infection this can be even higher. Chenin Blanc from cooler regions show similar acidity, as do some Sauvignon Blancs. Due to early harvest and sometimes
“residual” fructose. When exploring perceived sweetness-sourness interactions, Zamora, Goldner and Galmarini found in a 2006 paper published in the Journal of Sensory Studies that “the suppressive effect of tartaric acid on fructose sweetness is stronger than the suppressive effect of fructose on tartaric acid sourness.” It must also be noted that in very small quantities, sugar does not act as a sweetener but rather as a flavour enhancer of fruit – a fact also evident in side-by-side comparisons of dosed/nondosed Champagnes. This explains why Riesling can take a certain amount of RS and still taste and finish completely dry. Crucially, it also explains why looking at RS without considering TA is simply wrong. Context is everything: “Sugar is a substance you can measure, but sweetness is a human sensation – they are just not entirely related,” says Clark Smith, oenology wizard and author of Postmodern Winemaking. So, short of lecturing everyone, including professionals, on acid/sugar interaction, might it not be better to just communicate that these Rieslings are dry?
‘You mention the word sugar to customers and they immediately have a perception of sweetness’
climate, base wines for sparkling wine are similar in acidity profile too, as are English wines due to the marginality of their climate. But the high acidity of these wines is often balanced by RS and, in the case of sparkling wines, by dosage and the additional body from lees ageing. Alcohol and texture also balance acidity, but acid-sugar interaction is complex. We taste them both, but they have masking effects on each other – not to the same degree, though. The composition of the acids in wine varies too, even though we are dealing mostly with tartaric and malic acids. RS in Riesling occurs mostly as fructose, simply because yeasts prefer to metabolise glucose, leaving literally
GETTING THE MESSAGE When it comes to consumers, Kate Dowdeswell, senior national account manager at ABS Wine Agencies, thinks so: “You mention the word sugar to customers and they immediately have a perception of sweetness. It’s the same with wood: they say they don’t like oaked wines but pour them white Burgundy fermented in new oak and they love it. When talking to consumers one should simply describe the wines as dry – without worrying if there is RS or not,” she says unequivocally, and notes increasing demand for dry German Rieslings. Sebastian Thomas of German specialist importer Howard Ripley, has seen a great uptake of dry German Rieslings. “It’s a sector we didn’t really deal with at all ten years ago, now it’s a significant part of our business, especially in restaurants,” he reports. “Grosses Gewächse have found a lot of interest amongst our private customers.”
Feature findings Dry German Riesling is performing well in the UK, but is overshadowed by outdated discussions on sweetness when the focus should be on balance. The biggest mistake, and one which even the vast majority of wine professionals make, is to look only at the residual sugar (RS) of Riesling without considering acidity – the latter having a unique impact on this variety. Research into the relationship between sugar and acid on taste is revealing surprising conclusions. The over-reliance on residual sugar readings on labels of German Riesling is encouraging consumers to taste with their heads before drinking the wine. Preconceptions in the trade also indicate a lack of understanding.
ANALYSIS OVERLOAD But he is frustrated with Germany’s insistence on stating RS/TA data: “In which other country do people talk about analytic values? Have you ever heard a Burgundian talk about RS or acidity in wines? Consumers, and I lump them together with the average sales person, are just confused by analytic values.” On the other hand, Steffen Christmann, chairman of the VDP but also a winemaker of fine dry Rieslings in the Pfalz, says that the UK and, to a far smaller degree the US and Asia, are the only markets that constantly harp on about RS. “In all other markets the fact that these wines are dry is taken for granted,” he asserts. All agree, however, with winemaker Katharina Prüm of the famous Joh. Jos.
53
52-56 germany Nbgs_Layout 1 30/10/2014 08:43 Page 54
germany
Prüm estate, that analytic data is mostly “misleading”, not only among consumers but also within the trade. It is for this reason that they and estates like Markus Molitor – both incidentally in the Mosel where higher RS levels are more common – categorically do not publish analytic data. Prüm is clear: “Sadly only a minority understand that a Mosel Riesling can finish dry with 30g/l of RS. If you provide people with analytic data they judge with their head.” She also emphasises that “taste impression cannot be depicted by analytic data. Even wines with the same analytic data taste different.” She agrees that there is a German tendency to overvalue data and thinks that “sugar is over-interpreted.” Dowdeswell observes that even for dry Riesling, “most of our growers are very
‘I wish even the trade were less hung-up on figures and more focussed on how they perceive the wine and if it is in balance’
reluctant to publish residual sugars and acidities because people don’t necessarily read them in context and make assumptions. I wish even the trade were less hung-up on figures and more focussed on how they perceive the wine and if it is in balance.” A GROSS MISUNDERSTANDING Jim Tresize, US-based co-founder of the International Riesling Foundation, who developed a “Riesling Taste Profile”, a widely-used scale featured on Riesling bottles at all sweetness levels, says: “I do believe that there is a gross
54
Trade talk: Should German Riesling producers shift the focus of their winemaking and communication away from dry/sweet and instead concentrate on ‘balance’? ALEX RITTLINGER, MARKETING & DOMESTIC SALES DIRECTOR, REH KENDERMANN With balance almost as a given, communication should only mention sweetness where the wines are very sweet such as a Mosel Auslese. We believe there should be greater focus on what the wine stands for, whether it be an estate wine like our joint co-operation Riesling with the Staatsweinbaudomäne Oppenheim, our premium “foodie” wine, Kendermann’s Limited Edition Riesling, our terroir series including Roter Hang and Kalkstein Rieslings, or now our new global branded concept for younger consumers, “Über”, a truly cool and contemporary expression of Riesling. STEFFEN SCHINDLER, HEAD OF MARKETING, GERMAN WINE INSTITUTE Producing Riesling is always a balancing act and it’s something that German winemakers have been doing for centuries. Riesling more than any other grape variety has the lusciousness and elegance of fruit coupled with a lively acidity that helps it age and develop structure. German wine producers have been talking about balance for years and so has the wine trade, but the question is how do you communicate to consumers that a wine with 30g of residual sugar actually tastes drier than expected because it has a high acidity? Does a consumer “get” the concept of balance? Probably not. Do consumers understand “sweet” and “dry”? Probably yes. With this in mind, we will continue to talk about balance and dry style German Riesling to consumers while also creating descriptors that are better able to tell the story and style of the wine using terms such as “elegant”, “fruity”, “mouth-watering”, “refreshing” and “crisp”. PATRICK LANGGUTH, INTERNATIONAL MANAGING DIRECTOR, FW LANGGUTH ERBEN Riesling stands for German wine because it is by its very nature light, lively and fruity, thanks to Germany’s unique climatic and geological conditions. The FW Langguth Erben winery with its own steep slope vineyards in the Moselle valley has cultivated Riesling wines for eight generations and is nowadays a leading producer in the regions of Rheinhessen and Pfalz as well. All Rieslings in our portfolio, such as our new Blue Nun Riesling, the Erben Riesling Réserve and our Villa W estate Riesling are produced to reflect the best of their individual origin, be it the steep slope slate vineyards of the Moselle valley or rolling hills of the Rhine region. Balance of flavour, acidity and natural sweetness is thereby given the utmost attention by our winemakers. That means we have always concentrated on the “balance” and individual profile of each of our Riesling wines. In terms of our communication we try to work to the expectations of our individual target groups as close as possible. This means that on branded propositions such as Blue Nun Riesling we do not state any prominent taste descriptors to avoid confusion. These wines are sold around the world and, whether dry or sweet, can be perceived very differently depending on where the wine is being enjoyed. So, balance and continuity are very much in the focus of our Riesling winegrowing and winemaking.”
xxx_db_Nov_Reh Kendermann _Layout 1 29/10/2014 15:40 Page 1
52-56 germany Nbgs_Layout 1 30/10/2014 08:43 Page 56
germany Playing the sweet game
misunderstanding by a large segment of the trade; they don’t understand Riesling. Even though the Taste Profile to a great extent is aimed at consumers, it also is extremely valuable for the trade because many of the people who work in restaurants frankly are not that knowledgeable about wine.” Christine Parkinson, group head of wine for the Hakkasan Group, rightly states that “Riesling is the most deceptive wine, always having much more acidity and sugar than is apparent.” Having observed countless sommeliers across the world, she explains: “Sommeliers almost always state whether a wine is sweet or dry when guests enquire about Riesling. They realise there are drier styles, although they may not appreciate the role acidity plays in creating a dry taste.” However, it is particularly with modern, lighter styles of cooking that dry Riesling can shine. Just a smidgen of RS in a dry wine beautifully accentuates the small, sweet elements so common to contemporary cuisine. Understanding is key. Those who do can pair Rieslings well and don’t find it a difficult sell. Jan Konetzki, head sommelier at Restaurant Gordon Ramsay says: “Rieslings with their RS and high acidity are fascinating because they are very dramatic – many people are surprised. It’s a little rollercoaster with each sip. The wines are not difficult to sell; they bring something new to the table.” But he is adamant that “looking at technical sheets before tasting is wrong. Data cannot tell you what the taste is.” It is safe to say that a certain lack of understanding on the professional side has hindered Riesling. The oft-cited factor that it is a hard sell seems more and more like an excuse on the part of those who don’t really know how to talk about it. Once understood, acid/sugar interaction becomes a wonderful way of thinking about Riesling and other high-acidity wines. The best Rieslings, whether dry, off-dry or sweet, display a thrilling tension between those two elements.
56
Even in Australia, the traditional stronghold of bone-dry Riesling, winemakers are experimenting with residual sweetness: Chester Osborn of D’Arenberg on his McLarenVale Dry Dam Riesling: “You have Rieslings that have RS but they taste dry. The trick is getting the triangle between sugar, acid and alcohol right so it tastes pretty much dry, is not too acidic and the alcohol is in balance – it all comes together.” Mac Forbes, of the eponymous Yarra Valley winery: “I think often the Oz approach is outcome-focused and certain winery procedures are considered the only way to make Riesling (like whole bunch pressing, fining phenolics out at multiple stages of wine making and the use of temperature control, stainless steel, yeast and enzymes). In all respects we break with these traditions because the fruit dictates it. and I think it also suffocates vineyard expression. We are not making sweet Rieslings for the sake of sugar, but with our high natural acids and flavoursome and delicious skins (no bitter or hard sunburn characters are found) we find the RS helps balance out the wine.” Jeremy Dineen, winemaker at Josef Chromy Wines, Tasmania: “Tasmania can produce very different acidity profiles with delicate flavours that are highly suited to crafting off-dry styles, particularly at lower alcohol levels. RS is really a tool to balance natural acidity. We do not chaptalise or adjust acidity, so RS enables me to pick very early with incredibly delicate flavours and very low pH (2.8 to 2.9), yet still achieve a balanced and harmonious wine. I particularly enjoy the tension of timing the two critical decisions of when to harvest and when to stop the fermentation to achieve that balance. It is a nice combination of precision and intuition.”
Perhaps it’s also time we focussed more on balance and had more faith in our own perceptions. As Katharina Prüm declares, “wines with personality are like people; they can’t be reduced to figures. db * Data from Wines of Germany, based on Riesling produced in the Bundesland Rheinland Pfalz (i.e. Pfalz, Rheinhessen, Mosel, Mittelrhein, Nahe and Ahr, excluding all other wine regions but representing 75% of German Riesling production). In 1985 39.63% were dry or off-dry; in 2013 61.17% were dry or off-dry.
‘Perhaps it’s also time we focussed more on balance and had more faith in our own perceptions’
xx_db_Nov_Moselwein _Layout 1 20/10/2014 16:30 Page 1
58-64 sparkling wine Nb_Layout 1 30/10/2014 09:08 Page 58
T H E TA S T E
for fizz
The UK sparkling wine market is going from strength to strength on the back of still-rocketing Prosecco sales. However, as Gabriel Stone reports, a broader market featuring several sparkling regions is emerging IF YOU’RE seeking a success story in the UK wine category at the moment then look no further than sparkling wine. There may be nothing particularly obvious to celebrate at the moment, but that doesn’t matter these days. Such is the British taste for fizz, combined with the wealth of affordable options, that we’ll pop a cork with as little ceremony as we might pour a G&T.
58
According to Kantar Worldpanel, UK off-trade sales of sparkling wine rose by 14.8%, or £70 million, in the year to the end of July 2014. When that same report flags up a 25% category uplift among discounters such as Aldi and Lidl, it’s clear that this is a trend driven by everyday enjoyment rather than showing off. There was a similar story from the Wine & Spirit Trade Association, whose
market report in September highlighted sparkling wine as the only alcoholic drink category to enjoy double digit growth in the UK during the last year. That performance stood out particularly in the on-trade, where CGA Strategy showed 17% volume growth for sparkling wine, compared to 1% growth for Champagne and a -3% decline overall. Talk to individual companies and the
58-64 sparkling wine Nb_Layout 1 30/10/2014 09:08 Page 59
sparkling wine picture is similarly buoyant. “We’re selling more than double the amount of sparkling wine compared to Champagne in the on-trade at the moment,” reports Simon Jerrome, wine purchasing director for Matthew Clark, who points to a 36% increase in sparkling wine sales during the last year. There are no prizes for guessing which style of fizz in particular is responsible for the majority of this impressive surge. “It’s definitely Prosecco leading the way,” confirms Jerrome. A particular volume boost for this success story has come from its gradual acceptance as an alternative to Champagne at events. Even for special occasions such as weddings, Jerrome observes: “Prosecco is not necessarily perceived as a cheap option; you’re not seen to be scrimping on quality.” For Rebecca Palmer, associate director & buyer for Corney & Barrow, the rise of Prosecco coincided, perhaps not entirely coincidentally, with the “huge downturn” in Champagne sales following Lehman
scenario,” warns Palmer. Drawing an inevitable comparison with the uphill battle created by Cava’s early but shortsighted success in the supermarkets, she remarks: “Prices inevitably go up with inflation or harvest so I think there could be a problem with quality moving forward if Prosecco is presented as an entry level fizz that the multiples will use to drive sales.” However, Jerrome flags up one safeguard against this development that adds a further distinction between Prosecco and Cava. “Prosecco has no brands so there’s no big brand promotion in the supermarkets,” he notes. “That helps in some respects, but brands will emerge.” BEYOND PROSECCO Perhaps it’s too easy to knock Cava though. The Spanish sparkler may not be driving sales to the same extent as the Italian upstart, but Jerrome points to the category’s recent “great work in building sales, especially with Spanish food and tapas pairings.” A significant vote of confidence for Cava comes from Simon Field MW, Spain buyer for Berry Bros & Rudd, who has just added Raventos I Blanc to the merchant’s portfolio as a stablemate for Gramona. (Technically Raventos is no longer a Cava, having resigned its DO classification in 2012 in favour of imposing its own more rigorous requirements.) “The key thing is the quality of these wines,” he remarks. “They’re discernibly Cava but with an autolytic nature.” While it is conceivable that some existing Cava fans may be tempted to explore the category’s higher echelons, Field suggests an altogether different target audience for these wines: “Their market is the discerning customer, probably the same people looking at Berry’s grower Champagnes.” Cava and Prosecco may account for much of the UK sparkling wine market, but other categories are waiting eagerly in the wings. “We are selling more sparkling wine in the UK and really believe that the market for Crémant is taking off,” reports Sébastien Briend, commercial director for
‘People still feel confident about buying Prosecco and what we’re starting to see now is interest in DOCG and the higher quality levels’ Brothers’ collapse in 2008. “We saw an enormous upsurge in Prosecco that has not stopped,” she reports. “It’s been really incredible.” Although acknowledging an element of trading down, Palmer notes customers’ ongoing desire for quality and suggests that Prosecco continues to meet that criterium despite its proliferation in the supermarkets. Indeed, she comments, “People still feel confident about buying Prosecco and what we’re starting to see now is interest in DOCG and the higher quality levels.” It may not have fallen victim to its own success just yet, but there remains concern about how well Prosecco can continue to handle this newfound fame. “The danger is that prices become fixed in the off-trade
Feature findings Sparkling wine was the only alcohol category to achieve double digit growth in the UK last year, driven by Prosecco. There is a growing belief that France’s various regional Crémant and Mousseux styles are now well-placed to stage a break through in the UK. New World styles remain of interest to the UK trade, but are struggling to find the right price. Rather than Champagne feeling threatened, there is a feeling that it should be well-placed to benefit from the new sparkling wine consumers recruited by these more accessible styles.
Loire-based producer Ackerman. Although conceding that “the big supermarkets do not really have Crémant,” he adds: “We are seeing really big demand in restaurants and that’s where a new market starts. We really believe that it is the beginning of something.” To back this up, Ackerman recently launched a new Crémant de Loire, Cuvée Ambrosa in the UK. A traditional method blend of Chenin Blanc, Chardonnay and Cabernet Franc, its softer style and £11.99 price tag appears deftly designed to tempt Prosecco drinkers into new territory. This optimism about France’s future wins support from Ben CampbellJohnston, organiser of UK sparkling wine fair Fizz. Noting a “marked increase” in Crémant and Mousseux exhibitors at this year’s event, he predicts: “My feeling is that they could be the next thing to come through. They have a good price and a good supply.” Remarking that “most of them tend to be under £10 or in the £10-15
59
58-64 sparkling wine Nb_Layout 1 30/10/2014 09:09 Page 60
sparkling wine Prosecco matures It may have cultivated a highly successful niche as an easygoing, everyday option for the UK’s growing army of fizz fanatics, but some Prosecco producers are now keen to show a less frivolous side to their category. This year has seen DOCG estate Nino Franco host a series of vertical Prosecco tastings to mark the 30th vintage of its Primo Franco expression. The man after whom this wine is named, Nino Franco’s current owner and president Primo Franco, stresses Prosecco’s ability to age well “when it is done with competence, knowledge and with the aim of having always a high quality in your bottle.” However, he acknowledges that such styles still constitute a “unique experience” rather than widespread offering from the region’s producers. “On one side they might not have enough stock; on the other side it is not obvious to find a good wine in an old bottle if you do not have a quality vision,” he remarks. With its youthful style and relatively quick production process such important aspects of Prosecco’s appeal, the market for these mature expressions is unlikely to be huge. Nevertheless, this extra dimension represents a useful tool for those brands looking to extend their appeal to the specialist end of the market.
bracket,” Campbell-Johnston continues: “Some of those Alsace, Burgundy, Jura, Loire and Limoux styles are high-quality wines and I think there’s space for them here, especially if they can undercut some of the Proseccos, which seem to be getting more and more expensive.” Over at Matthew Clark, Jerrome is similarly upbeat about this opportunity for France to prove that it has more up its sleeve than Champagne. Looking ahead to the future development of the UK’s sparkling wine market he asserts: “The key area of interest is going to be French
BRAVE NEW WORLD But what about the New World? Both Jerrome and Palmer confirm that they are keen to explore the sparkling options here, but point to a challenge of finding the right commercial niche for these wines. “We did try some Chilean stuff but it didn’t have the profile and because of the tax it ended up in a no-man’s-land price point,” reports Palmer, who reveals that Corney & Barrow is currently trialling an Argentine fizz. “It’s always going to be a bit more expensive but if it’s good quality and can fit the £15-upper teens then it would be interesting,” she remarks. That price point is certainly the niche that Moët Hennessy’s Argentine brand Chandon has set its sights on. However, as Palmer remarks, “When Prosecco is so good, what’s the incentive for anyone to trade up?” A more upbeat report comes from Alison Easton, head of marketing at González Byass UK, whose agency portfolio includes Chilean producer Undurraga. Recording “an enormous following” the brand’s sparkling wines, she remarks: “they represent fantastic value for money, a
‘We did try some Chilean stuff but it didn’t have the profile and because of the tax it ended up in a no-man’s-land price point’
sparkling. France has finally got its head around the great gap between cheap entry-level fizz and the top end and is producing excellent sparkling wine.”
60
Trade talk: How should sparkling wine brands look to build on the recent success of this category in the UK? ROSS SLEET, MARKETING DIRECTOR, CAPE LEGENDS What the UK consumer is looking for is an affordable, high-quality alternative to Champagne. Our Pongrácz sparkling wines have been doing particularly well over the past 12 months, seeing double digit growth and it’s easy to see why: these wines are made from Champagne grapes using the same method, provide a genuine, good quality Champagne alternative, and at £13.99 for Pongrácz Brut and £14.99 for Pongrácz Rosé, they are much more affordable. The way forward for us now is to continue to seek premium on-trade listings as well as listings in premium retailers and independent merchants to continue this level of growth.” ALASTAIR RIMMER, CELLAR MASTER, KLEINE ZALZE It’s important that Methode Cap Classique producers consistently communicate their unique point of difference to the market – drawing a comparison with Champagne will never be the route to brand or category identity. The sparkling wine consumer has evolved and is looking for unique stories and brands in order to broaden their horizons. Quality, however, should also always be core to the message, as the consumer benchmark and fall-back will always be Champagne. Thus a message of quality consistency is paramount to the sustainable success. The flexibility of wine styles, terroir and varietal selection should also be seen and embraced by sparkling wine producers as a major advantage within this category; for example many South African bottle-fermented sparkling wine producers have had some phenomenal success with Chenin Blanc and Pinotage.
063_db_nov_Adverts_Layout 1 30/10/2014 10:39 Page 1
58-64 sparkling wine Nb_Layout 1 30/10/2014 09:09 Page 62
sparkling wine English fizz and the export conundrum So much of the buzz around English sparkling wine has focused on quality and rising production levels that it’s easy to overlook the hard-nosed commercial concern of where all this fizz is actually going to sell. With £20 really the lowest viable entrylevel price point, the opportunities in mainstream retail appear limited. They’ve got to be very careful,” warns Simon Jerrome of Matthew Clark. “Sales are growing and they need to look to export markets.” Fortunately it is clear that some of the most ambitious players in this exciting young category have exports firmly in their sights. Among these is Rathfinny, which opened its winery this year and aims to hit annual production of one million bottles by 2020. It may sound a lot for a sector whose reputation remains rather boutique but, argues Rathfinny’s owner Mark Driver, “one million bottles is nothing on a global scale.” Indeed, he maintains, “The problem with English wine isn’t the quality – we’ve proved with all our international awards that we can make consistent quality year on year – but what we don’t have is quantity. There is tremendous demand for English sparkling wine, not just in the UK but around the world.” Setting the competition firmly in his sights, Driver insists: “You’ve got to get to a scale where you’re competing with the major names of Champagne – they have such an advantage over us.” Although production at his own estate remains low for now, Driver is already planning visits to potential distributors in the US and Australia next year with a view to building a business whose sales are 50% export driven. Without underestimating the “fantastic brand” built by Champagne, Driver is confident that English sparkling wine can carve itself a niche. “A group from one of the monopoly nations wanted 10,000 cases,” he reveals. “No one in the UK currently can supply that quantity. That’s the level of demand we have to be able to supply in future.” This view is backed up by Simon Robinson, owner of Hattingley Valley Wines, who reports: “Knowledge of the product outside the UK is almost nil but when buyers try it at the big trade fairs, such as Prowein and Vinexpo HK, they are almost invariably very impressed – and surprised!” Confirming that exports represent “an important component” of the brand’s sales strategy, Robinson nevertheless stresses the fertile soil of his domestic market. “It is the second largest market for Champagne in the world, which is exactly the sector of the market we are all aiming at,” he remarks. “But exports will help us achieve our pricing aims in the UK; they are not just about increased sales.” Meanwhile, Rebecca Palmer of Corney & Barrow reports that the merchant is already selling “small volumes” of Wiston Estate through its Hong Kong outpost and is “in talks” with the US at the moment. For all the interest surrounding this category, she warns: “You need to have an awful lot of brand-savviness and guidance in order to be able to navigate these waters. Champagne is an established brand with extremely savvy marketing – it’s much more akin to the way spirits are marketed. It’s going to be a rollercoaster ride.” As the pressures of matching supply with demand in a profitable manner continue to mount, Driver believes that the shape of the English wine industry will inevitably change. “The big are becoming bigger and the smaller are not really expanding,” he notes, adding: “In all honesty I hope that there’ll be some consolidation with the smaller producers.” Looking ahead to the possible evolution of this category, he draws a parallel with a well-established wine producing nation, albeit one with greater scope for mainstream appeal. “To me England is where New Zealand was 2530 years ago,” he suggests, “just at the beginning of something extremely exciting.”
Trade talk: How should sparkling wine brands look to build on the recent success of this category in the UK? ADOLFO HURTADO, CHIEF WINEMAKER, CONO SUR At Cono Sur we realise there are several important differences between wine and sparkling, therefore we emphasise treating sparkling as a separate category, which I think has been a key factor in its success. We maintain the same values that we instill in our still wines: producing premium, quality and expressive wines; however, their look is unique, with a more festive, edgier packaging that distinguishes them from other products in their category. As we are always looking to the horizon, we are currently developing a new sparkling that follows the traditional champenoise method, made of 100% Chardonnay grapes from the Casablanca Valley. I feel confident that this will soon be known as the best sparkling from Chile, the best example of what Chilean sparkling wines can achieve.
very approachable, drinkable style and represent a perfect celebratory option for parties and social gatherings.” What’s more, observes Easton, “people buy them because they taste great and fit the bill, not specifically because they are Chilean.” Indeed, she suggests that the broadening sparkling wine’s reach is perhaps more of a psychological hurdle for the trade than the general public. “It is easy for us as a trade to think of wine in category terms, whereas the end consumer doesn’t necessarily approach it like that,” she remarks. “They are choosing a wine for a particular occasion, and it’s up to us to give them a varied and interesting choice that fits their needs.” CHAMPAGNE’S STANDING Champagne may remain resolutely aloof from the competition lower down the ranks, but with so many good quality
62
CCO M SE O
TERS AS
THE PR
xxx_db_Sep_Giusti_Layout 1 27/08/2014 10:50 Page 1
MASTER
2 014
58-64 sparkling wine Nb_Layout 1 30/10/2014 09:09 Page 64
sparkling wine Trade talk: How should sparkling wine brands look to build on the recent success of this category in the UK? sparkling wines at cheaper price points, not to mention the acclaim for Franciacorta or English wines that both nudge well into its price bracket, is its position really so unassailable? For the moment, yes, believes Palmer. “The Champagne houses are very aggressive,” she comments. “They do have a marketing budget and they’re going to target chains especially; it’s very hard for a restaurant chain to turn them down.” That said, Palmer is keen to note the growing number of outlets who are “daring” to offer an English sparkling wine by the glass instead, and remarks: “I do think that we should be aware of the increasing quality options in traditional-
‘This is a great opportunity for Champagne to see customers drinking Prosecco and persuade them that they should trade up’ method sparkling.” For Jerrome, the rise of other sparkling categories represents an opportunity rather than a threat for Champagne. “If the Champenois can hold their nerve, work on their by-the-glass offer and deal with the problem of wastage then they’ve got to benefit from this,” he maintains. “There’s a whole pile of people coming into the sparkling wine category so this is a great opportunity for Champagne to see customers drinking Prosecco and persuade them that they should trade up.” Indeed, Jerrome extends this sense of opportunity across the fizz category as a whole. “Sparkling wine now has become part of everyday drinking, not just celebration,” he concludes. “If we can keep that momentum then it can only be good news.” db
64
GIUSEPPE DI GIOIA, EXPORT SALES DIRECTOR, ZONIN Sparkling wines gained an amazing success in the UK and producers now should work on two points in order to let this great performance endure: we should use new varieties and wine formulas – product innovation – and we should create new concepts in order to differentiate consumption styles. GIANLUCA BISOL PRESIDENT & CEO, BISOL We work tirelessly with passion so that Conegliano will gain the same prestige as Reims, Valdobbiadene the same charm as Epernay, and Prosecco the same notoriety as Champagne. Prosecco is extremely versatile, it fits in perfectly with modern tastes and is perfect at any moment of the day. Prosecco has a unique freshness and versatility that cannot be compared to other competitors. Its identity is strong and precise. It is perfect for sipping at home, on special occasions and as a high quality “mid-week” aperitif. Prosecco is great outside of meals yet it is not only an aperitif par excellence but also the perfect companion to a vast array of dishes. With this our thoughts turn to its wonderful matching ability with fusion cuisine and elegant Asian dishes – and we shouldn’t forget that Cartizze Superiore Bisol is fantastic with desserts and definitely with those scrumptious English biscuits! GIOVANNI MATIA PIANCA, EXPORT MANAGER, VINICOLA SERENA Today in the era of globalisation we see brands grow very fast, just as they can vanish very fast. It’s fundamental to create around the products and the company a common value that can continue through the years. From my point of view, a brand is the ensemble of important values like people, quality, terroir, history and tradition. Prosecco is a brand recognised around the world that has grown in a very short time. The companies that can express the values connected to this area and quality wine will be able to create their own brand image worldwide. We are in the era of internet, and information flies very fast from Europe to America to Asia. It’s fundamental to try to bring the same message and values all around the world. SAMANTHA CROSS, BRAND MANAGER, COPESTICK MURRAY Our sales of Prosecco have grown enormously since we started working with Mionetto and we expect great things from this brand. We are working on a comprehensive range of consumer events to support the Mionetto brand, which we see as a potential market leader in the UK. We are also developing plans for branded and private label products from our partners in Hungary and Germany, which as yet are relatively untapped areas for sparkling wine in the UK. PAOLO LASAGNI, MANAGING DIRECTOR, CASA VINICOLA BOSCO MALERA Easy, premium, and terroir linked: these are probably the three best adjectives to describe the success of a sparkling wine brand in the UK. Why easy? No matter whether it’s on shelf or in a restaurant list, everybody prefers to read a word which is easy to pronounce and therefore to remember. Premium doesn’t necessarily mean expensive, but it’s more related to the psychological effect on the consumer: it has to look expensive! Why terroir linked? In the average consumer’s knowledge, there are some countries which are perceived as best producers or as a guarantee of quality. If packaging or a brand clearly points out the country of origin, that could definitely have a more than positive impact.
xx_db_Nov_HENKELL Mionetto_Layout 1 23/10/2014 14:30 Page 1
66-67 Bulk Wine Advertorial Nb_Layout 1 30/10/2014 11:22 Page 66
spon s o red profile
T h e i n c re d i b l e
BULK The 6th Annual World Bulk Wine Exhibition is coming to Amsterdam, and it promises to be yet another not-to-miss event for the sector LATER THIS month, Amsterdam will
host the 6th World Bulk Wine Exhibition (WBWE) which promises to maintain its status as the greatest global platform for trading with bulk wine. A record number of 220 exhibitors from 21 countries have already booked space at the exhibition – an increase of 25% over the previous year – that takes place at the Amsterdam RAI Exhibition Centre over
66
November 24 and 25. The Spanish organisers, Pomona Keepers S. L., expect more than 6,000 visitors from around the world during the two-day event and WBWE is the only event at which buyers from all continents can offer access to a total volume of about 30 million hectoliters at all price and quality levels. These increases are due to the growing appeal of the WBWE among professionals
of the sector, who recognize the exhibition as a place where some of the most important commercial transactions of the year are closed. Conceived out of the need for a meeting place for both the buyers and sellers of bulk wine, WBWE provides the world bulk wine industry with a platform through which the world’s principal buyers, wine brokers, dealers and agents
66-67 Bulk Wine Advertorial Nb_Layout 1 30/10/2014 11:22 Page 67
s po n s o red profile can acquaint themselves with the quality and variety of bulk wines the market currently offers. The WBWE is also the ideal forum for wineries in the bulk wine market that are seeking new markets for export as well as providing the best possible opportunity to promote, improve transactions and market their quality bulk wines. The location of Amsterdam is ideal as an important business centre that is very close to the vast majority of Europe’s capitals and whose international airport is one of the most popular in the world. It is here that in the space of just 48 hours we bring together the entire world of bulk wine in order to conduct business in the fastest, most efficient manner possible. In addition to the great wine producing countries of Spain, Italy and France, the
for recognition and commercialization of wine in large volumes. Wines from all over the world are eligible as long as they are produced in minimum quantities of 10,000 litres and the wines will be judged by panels of independent wine experts. The WBWE Conference Cycle will promote reflection through scheduled presentations that, under the sponsorship of the International Organisation of Vine and Wine (OIV), will share the participation of the world’s current leading experts who have the most to say about the industry. The conferences will focus on the new wine-consuming countries where their wine trends and preferences of the new markets will be debated by eleven professionals who will have come from all over the world for this occasion. The speakers will include professionals such as Subhash Arora, President of Indian Wine Academy, Werner Engelbrecht, Managing Director of ConeTech in South Africa, and Yann Juban, assistant to the Director General of the International Organization of Vine and Wine (OIV). The Program of Conferences is one of the highlights of the WBWE. This year’s Voice of Wine prize has gone to Wines of South Africa (WOSA) for its successful marketing of bag-in box wines and will see the WBWE reward efforts made to promote South African bulk wines abroad as well as efforts to improve their image. WOSA is a non-profit organisation whose mission is to contribute to the success of the wine sector by creating and building upon the South African wine brand identity and to widen the appreciation for South Africa as a producer of exciting wines with excellent quality-price ratios. A new event will take place at this year’s WBWE named The Vine: A Boundless Business and will consist of an area devoted to the vine and its manifold business possibilities in the future. The Vine will consists of a forum for professionals to meet the heads of new businesses that have been created in the vine and wine sectors with a goal of broadening commercial contacts among
‘Professionals of the sector recognize the exhibition as a place where some of the most important commercial transactions of the year are closed’ WBWE will also see the overseas nations like South Africa, Argentina, Chile, USA, Australia and New Zealand in attendance. Furthermore, several producers from Eastern Europe have also recognized the value of WBWE as a global forum for bulk wines and representatives of Macedonia, Moldova, Romania and the Ukraine have confirmed their participation this year Aside form the key tasting areas in the exhibition hall and the silent tasting room, the WBWE also offers an extensive program of seminars and competitions designed to demonstrate the latest trends in the bulk wine market. The International Bulk Wine Competition has been developed to help provide a better appreciation and understanding of the qualitative potential of large volume wines as well as bringing to light its strengths and rewarding the efforts of producers as part of a new effort
professionals in the sector through making available the commercial applications generated by research, studies and innovations. By offering this opportunity, the WBWE seeks to go one step further than simply consolidating past efforts by fostering an environment of discussion and debate and helping to generate synergy between the different branches of the sector and consensus on how best to communicate these findings to the consumer. And returning this year will be one of the most popular of past exhibitions in the Cooking Showroom, in which the Galician chef Francisco Piñeiro will be letting his creativity run wild with such mouthwatering combinations as truffled foie gras bites, kangaroo with pistachio and quince and Chilean ceviche. As the foremost annual gathering of bulk wine specialists, the 2014 WBWE promises to build on previous years and continue to provide the sector with a yearly exhibition worthy of the sector.
67
68-72 Bulk Wine IGF_Layout 1 30/10/2014 10:33 Page 68
THEREâ&#x20AC;&#x2122;S MORE
i n s t o re
In an ultra-competitive marketplace the UKâ&#x20AC;&#x2122;s top bonded warehouses have upped their game offering increased flexibility, state-of-the-art temperature control, energy efficiency savings and niche specialisations. Gabriel Savage reports 68
68-72 Bulk Wine IGF_Layout 1 30/10/2014 10:33 Page 69
bonded warehouses Feature findings
WHETHER PRICING, provenance, green or growth, the drinks industry faces a variety of pressures across every sector. In each case, bonded warehouses are constantly reevaluating their own offer to provide competitive solutions, both for their own business and that of their drinks clients. In addition to the obvious efficiency saving and specialist drinks industry expertise that so many of these bonded warehouses now offer, the last year alone has seen the more dynamic operators implement a wide range of new systems and services to set them apart from the crowd. When it comes to wine storage in particular, especially fine wines that are likely to remain in bond for many years, temperature and humidity control are
vital. It is no coincidence that many bonded warehouses, such as Cert Octavian or Norbert Dentressangle’s Buxton site, are located underground where nature provides a helping hand in this respect. However, last year saw a number of companies install state-of-theart systems to keep them ahead of the field. Jürgen Mentzel of Rotterdam-based firm Mentrex-Lemac reports: “Last year Mentrex-Lemac renewed its warehouse and installed a system to be able to control temperature and guarantee the highest degree of services to the wine and spirit industry.” This is also a major current project for London City Bond’s fine wine subsidiary Vinotheque, which is in the process of installing an air conditioning system that will offer
Within the last year alone, bonded warehouse operations have take major steps to improve and diversify the service they can offer to their clients. The crucial areas of temperature and humidity control can now be regulated with great accuracy, as well as varied according to the different needs of specific products. Flexibility is also key, especially as many wine businesses today are increasingly keen to place smaller, more frequent orders. Environmentally friendly initiatives in the bonded warehouse sector not only support clients’ green targets but by improving efficiency they can often help to generate cost savings too.
68-72 Bulk Wine IGF_Layout 1 30/10/2014 10:33 Page 70
xxxxxx
Trade talk: How can the bonded warehouse sector help to improve a wine business’s profitability? MARK FERGUSSON, COMMERCIAL DIRECTOR, TRADETEAM “While distributors typically have to hold significant levels of stock in the UK to cover the lead times involved in sourcing wine from their producers, they can gain significant financial advantages by operating with logistics providers operating ‘duty in suspense’ warehousing. By using a bonded solution distributors are able to improve their cash flow by deferring payment of duties on this inventory until it is ready to be despatched to the end customer. It is important that distributors work with a partner who can satisfy the strict criteria HMRC demand from a bonded warehouse relating to systems, processes and site security.” MATTHEW DEER, MANAGING DIRECTOR, UNISERVE DRINKS LOGISTICS “The payment of customs duties and meeting the plethora of customs compliance matters can be very daunting, costly, time consuming and a risky matter for our customers. We provide bonded warehousing which offers significant cash-flow benefits. Most of our customers do not sell their goods of receiving stock into our warehouses. This means that they will have paid the duty and VAT upfront on all of their stock. By using a bonded warehouse all of the stock in the warehouse can be classed as ‘duty suspended’, thus avoiding this advance duty payment on goods which may not be sold yet. To support our customers our OneWorld platform simplifies and automates the day-to-day complexities of handling bonded goods, ensuring compliance with HM Customs & Excise. We also provide our customers with bespoke reports relevant to a bonded operation.”
on packaging”. On top of this effort to perfect the management of one very specific part of its service, last year also saw LCB implement a new, fully integrated system
visibility throughout the whole warehousing and distribution cycles, from pre-advice of receipt to signature on delivery, and all in real time”. In order to provide yet more peace of mind for its clientele, 2012 also saw LCB install a new digital CCTV system, as well as new photographic booths to help with its condition reporting. One firm that is actively looking to develop its business within the UK drinks sector is Norbert Dentressangle, which currently operates its logistics and warehousing service in 23 countries around the world. With UK clients already including Maxxium and Carlsberg, the company’s business development director Martin Palmer is confident that his firm can offer a more bespoke service than many in their sector. “One of the great differences about Norbert is that the whole company is
We’ve managed to retain the ability to do things quickly, which is an overarching trend we’re seeing in the needs of UK customers
to cover every aspect of its supply chain role. Outlining its benefits, Hogg explains that the new system is now “giving customers individually tailored management information and full
70
based on a very entrepreneurial culture,” he explains. “There’s a flat management structure so individuals can take decisions quickly, which creates a very agile business. We have a turnover of more than one billion pounds, but we’ve managed to retain the ability to do things quickly, which is an overarching trend we’re seeing in the needs of UK customers.” Picking out one area in particular where he feels the company can make a difference, Palmer notes: “Like everyone else, our clients are trying to differentiate their product, which includes shorter lead times and smaller orders. Even larger retailers now want to order as little as possible as often as possible – we can do that.” In addition to this current
073_db_nov_Adverts_Layout 1 30/10/2014 11:08 Page 1
BULK WINE BUSINESS BUILT ON SERVICE TAILOR MADE WINES
Join us at World Bulk Wine Exhibition in Amsterdam - STAND A38 -
www.raphael-michel.com
68-72 Bulk Wine IGF_Layout 1 30/10/2014 10:33 Page 72
bonded warehouses Trade talk: How can the bonded warehouse sector help to improve a wine business’s profitability?
service, he reveals efforts to cultivate longer-term, mutually beneficial business relationships: “We’re also working with our existing customers on a number of strategic projects for their next move that might be three to five years away.” In terms of a specific bonded warehouse offer, Norbert Dentressangle’s underground Buxton facility not only claims a natural advantage on the temperature control front, but also gives the company a strategic foothold in what Palmer flags up as a very localised service in a growing sector. “Wine is increasingly something that people are looking to invest in,” he remarks, adding the further observation, “people like to have that product physically nearby.” With the needs of its fine wine client base covered in this way, Norbert Dentressangle is also working to bring an added-value service to its significant whisky client base. This includes a copacking service at its Glasgow base, where Palmer explains that the company not only offers storage and distribution, but also “we help to create some of their more intricate products”. To date these include high-profile projects such as attaching the distinctive Celtic cross that appears on certain Jura whisky bottles, as well as creating the wooden case packaging for the Mackinlay’s distillery Shackleton whisky. “That kind of niche specialisation is definitely an area that’s on the increase,” reports Palmer. Not only is this service “cost-effective for the client”, but he highlights the flexibility of scale that is possible for these projects, confirming: “We can do 10,000 bottles or 50 bottles.” GREEN AGENDA Finally, as with the rest of the drinks industry, environmental concerns are high on the agenda for many players in
72
CHRIS PORTER, DIRECTOR, JF HILLEBRAND “Bonded warehousing alone cannot improve wine trade profitability; the key is efficient supply chain management. JF Hillebrand is always reviewing and looking at ways to minimise the distance wine travels between A and B when working with clients. Working in partnership with bonded warehouses gives us the ability to re-palletise an order, separating import and re-export orders before the demands of import duties are levied; this is an advantage to any business. But as always, the key to improved wine business profitability lays in the efficiency and strength of your entire supply chain.” DAVID HOGG, SALES DIRECTOR, LONDON CITY BOND “A wine merchant, be it an independent or part of a chain, is normally pretty much focused on maximising sales, and in marketing its business and the services it provides to its customers. Entrusting its logistics requirements to a specialist partner, such as London City Bond, allows the merchant to focus and concentrate on its key objectives of sales and marketing. One of the main benefits working with such a partner brings is the ability to provide a national distribution solution, which is particularly beneficial to smaller merchants, as it allows them to compete with national competitors. At London City Bond, we hold in excess of 2.2 million cases in stock at any given time which gives merchants enormous scope for inter-bond trading (transfers of stock under bond from one account to another) and which allows their own inventory levels to be minimised with associated savings in storage charges. London City Bond provides a national delivery service and with 92% of all orders being delivered in our own vehicles within 24 hours of being placed, merchants have scope to limit their duty liability to an absolute minimum.”
the bonded warehouse sector. Just as winemakers, wholesalers and retailers have discovered, this “green” outlook often presents a convincing commercial argument in addition to feel-good factor, with energy savings often leading to greater efficiency and, crucially, cost benefits. Among those emphasising the importance of sustainable – and indeed ethical – practices is JF Hillebrand. The company has not only signed up to the “UN Global Compact”, a 10-point initiative that covers corporate policy on areas such as the environment, anticorruption measures and human rights, but is also a member of the marine logistics industry’s “Clean Cargo Working Group” and the not-for-profit supply chain organisation Supplier Ethical Data Exchange. Explaining the importance of this element of Hillebrand’s business, director Chris Porter comments: “We add value which, in today’s difficult economic
environment, is what every business is looking for. All this happens because we work to great ethics, implemented daily by great people and partnerships, who underpin everything we do as a company and they relay that to the customer through excellent service.” Another company seeking to combine green benefits with cost savings is Uniserve Drinks Logistics, which is adding to its current 500,000 square foot warehouse in Tilbury with a further “state-of-the-art, port-centric” 1.5 million square foot expansion across the London Gateway and Felixstowe ports. Setting this project within a green context, Uniserve’s managing director Matthew Deer outlines: “The environmental benefits of the offering, in terms of transport emissions due to distance saved and optional modes of transport provided by rail and feeder vessels, along with modern, more economic and environmentally friendly buildings, will
075_db_nov_Adverts_Layout 1 30/10/2014 10:47 Page 1
Growers Wine Group is not a co-operative group; we are owned by four of the largest grapegrowers in Australia with 100 years each of grapegrowing history and winemaking experience at Barossa Vintners and Step Rd at Langhorne creek. We have developed a brand around us in a joint partnership with Enotria called “The four growers” as they are our exclusive distributor of all our wines in the UK market. This brand is currently available in the UK market only, but we are looking to expand it in other countries. The Group of four includes CEO Ross Mayfield who has held senior roles with The Wine Group, Kingston Estate Wines and Grant Burge Wines over a 22-year career path in large bulk wine production.
in 12 months and we will use the Bulk Wine Fair in Amsterdam to discount our remaining stocks every year. As we are not relying on the grape market to source our grapes we have the ability to offer long-term contracts at stable and competitive pricing. Our large scale vineyards give us the lowest growing costs in the country, and matched with Australia’s 15th largest winery by crush in close proximity to the shipping port we can offer FOB prices that are competitive and sustainable in the long term.
The decision to join forces came about with the opportunity to purchase a modern winery in our hometown in the Riverland SA.
We also offer bulk wine sourcing and blending solutions, as well as custom crush solutions, so you can hand select your fruit and process at our winery for your existing brands. We have some international clients that have chosen the custom crush path to give them better control over their branded wines.
Growers Wine Group specialises in Bulk wines and supplying private brands in joint ventures. Our vineyards produce 40,000 tonnes of wine grapes and we own a modern 40,000 tonnes crush winery at the doorstop of the vineyards.
Growers wine group is your one-stop solution to your bulk wine needs. We own the vineyards, the winery, and we provide skilled staff to handle all of your wine needs.
Our aim is to be the lowest cost producer in Australia with quality wines that are sourced from our own vineyards. We aim to move all the stock on hand
Ross Mayfield rossm@growerswinegroup.com.au 61 0438 498 170
74-75 Marques de Caceres dps Nb_Layout 1 30/10/2014 09:00 Page 74
sponsored profile
W H E E LS
keep on turning Marqués de Cáceres has got the ball rolling on its latest white wine mission that promises to reveal the character of Rueda’s exceptional terroirs
74
74-75 Marques de Caceres dps Nb_Layout 1 30/10/2014 09:00 Page 75
sponsored prof ile WHILE BASED in Rioja, Spanish wine brand Marqués de Cáceres has branched out to Rueda in the province of Valladolid, in order to focus on white wine production. The company’s Rueda project has been implemented in two phases, involving the purchasing of two vineyards and the construction of a new winery and bottling plant for its new fleet of whites. Distribution and marketing of Marqués de Cáceres Rueda meanwhile will take place at the company’s headquarters in Rioja Alta. The company looked to Rueda due to a shortage of white grapes in the Rioja region, with the volume of white grapes grown in Rioja in recent years proving unable to keep up with global demand. While the Consejo Regulador has made moves to try and increase white wine production in the region, allowing for 2,500 hectares of new white grape plantings taking in six foreign white grape varieties, the initiative has been slow to get off the ground, with white grapes still only accounting for a tiny 6%
of this DO’s exceptional terroirs. The intention is for Marqués de Cáceres Rueda to form the missing part of the triangle with its current range from Rioja and the brand’s successful Albariño from Rías Baixas. “We are convinced that there are opportunities for Rueda, especially on the international scene, for in 2013 only 19% of its total volume sales were exported,” says Forner, adding, “Rueda offers great diversity taking in everyday wines at entry level price points as well as quality wines that call for ‘grands terroirs’, as is the case in any prestigious wine area. Our aim is to explore the high end of Rueda.” The DO’s from Rueda and Ribera del Duero are in fact teaming up to launch a strategic co-marketing partnership this autumn in the USA. Marqués de Cáceres has purchased 125 hectares of vineyard land on sandy and pebbly soils in Rueda, comprised mainly of Verdejo vines, along with a small amount of Sauvignon Blanc in the villages of La Seca and Serrada, where the winery is based. Recruiting a team of local professionals, the Rueda project is being overseen by technical director Ramon Viega, with assistance from winemaker Carmen Blanco. The pair aims to extract the very best attributes from their Verdejo grapes in a bid to fully express the variety’s signature mineral character and make wines that stand out from the crowd due to their idiosyncratic personality. As always when quality is involved, this is a long-term project for Marqués de Cáceres, having learned from its 45 years of experience that consistency requires patience, savoir-faire and a passion for excellence. “Rather than volume, we are more interested in complementing our existing range with wines of personality that will add to the diversity of our other white Riojas and our Albariño. The quantities produced will very much depend on the selection that we make from the vinification of this first harvest with grapes from our own vineyards,” confirms Forner. In keeping with the quality
‘Rather than volume, we are more interested in complementing our existing range with wines of personality’
of vineyard land in Rioja. “The DOCa has lost opportunities to adapt to current trends when one in every three bottles of wine sold in the world is white. The situation drove us to invest in Rueda at the end of 2013 in order to guarantee excellent quality going forward, as the vineyards we have purchased are over 30 years old,” comments Cristina Forner, president of Marqués de Cáceres. Meaning “wheel” in Spanish, Rueda whites are known for the region’s indigenous Verdejo grape, which according to Forner, offers great and exciting potential to reveal the character
over quantity approach, Marqués de Cáceres will be seeking exclusive distribution channels for its new addition in a bid to stamp Rueda on the international wine map. The company has just completed its first harvest in the region and is “delighted” with the results, achieving yields of 3,500kgs/hectare in some parcels and 6,800kgs/hectare in others. “The grapes were harvested at night in healthy condition, with some picked by hand, and have been cold-macerated then fermented slowly between 14-16 degrees in order to obtain the maximum aromatic richness and structure in the wines,” says Forner. The wines were vinified in small tanks in order to keep the parcels separate. Marqués de Cáceres exports to over 120 countries, with Europe accounting for just over half of the estate’s sales, North America making up 31%, Latin America and the Caribbean 14%, Asia Pacific 2% and the Middle East and Africa 1%. Spotting the increasing importance of the Asian market, the brand is turning its gaze to the East and is ramping up both its marketing and export activity in countries such as China, Japan, Malaysia, Korea, Singapore and Vietnam. Wine tourism remains high on the company’s agenda, with the Marqués de Cáceres headquarters in Rioja Alta having recently undergone a two-year makeover in order to make it tourist friendly, from building a new barrel cellar to creating a consumer tasting room and wine shop. db
75
76-82 South Africa Nb_Layout 1 30/10/2014 11:19 Page 76
GOING AROUND
the blend South Africa’s blended white wine is a flagship for the country’s overall offering. Here, Tim Atkin MW takes us through this strengthening category
76
76-82 South Africa Nb_Layout 1 30/10/2014 11:19 Page 77
south africa Feature findings
THERE AREN’T many first releases that send wine writers into a lather, especially if they’re made by relative unknowns. But the 2011 Alheit Cartology, described by Chris Alheit as “an exploration of the Cape’s heritage”, had critics purring with pleasure. A blend of mostly Chenin Blanc with 12% Semillon, it set a new benchmark for South African whites. Not bad for what Alheit describes, with characteristic modesty, as “village wine”. With hindsight, Cartology may come to be seen as a milestone in the history of Cape wine, and this for two reasons. First, it focused people’s attention on the quality of some of the country’s old vines – a scarce and, until comparatively recently, dwindling resource thanks to the uprooting of venerable parcels of Chenin Blanc; and secondly, it underscored something that insiders have known for
Cape wine, since the first democratic elections in 1994. In fact, you could argue that white blends really began in 2001, when André van Rensburg, the outspoken winemaker at Vergelegen, launched what he now calls his GVB White: a barrel-fermented Bordeaux style blend of Semillon and Sauvignon Blanc. Just as significantly, the following year saw the release of the first bottling of Eben Sadie’s Palladius, a “Mediterraneanstyle” cuvée based on Chenin Blanc and containing anything up to nine other varieties, depending on the vintage. One of the anomalies of the South African scene is that Chenin, the country’s most planted white grape with 17,889 hectares out of a national total of 99,680 ha, is regarded as a warm rather than cool climate grape. So Rhône or Mediterranean style blends often, but not always, contain Chenin Blanc. BLENDING REVOLUTION Van Rensburg and Sadie started a twin revolution. The two strands of the white blend category – Sauvignon and Semillon on the one hand and “Mediterranean” on the other – have gone from strength to strength since the turn of the century. In the space of only 14 years, they have come to include many of the Cape’s best whites. Any credible list of South Africa’s leading producers would include Cape Point, Chamonix, Newton Johnson, Steenberg, Tokara, Fable Mountain Vineyards, Mullineux, Rall, Alheit, David, Miles Mossop, David Nieuwoudt and Keermont as well as the two pioneers, Vergelegen and Sadie Family (as Eben Sadie calls his winery), all of whom make outstanding white blends. The two schools of white blend are very different in style, but also, more often than not, in origin. The Bordeaux style blends tend to come from coastal sites in Cape Point, Constantia, Elim, Durbanville, Elgin and Walker Bay or the
‘The category is remarkably recent, emerging, like so many positive trends in Cape wine, since the first democratic elections in 1994’
some time: South Africa’s best wines are its white blends. In fact, I’d go further than that. They may be less well-known than varietal Chardonnays, Sauvignon Blancs and Chenin Blancs, but South African white blends are some of the most exciting and best value wines in the New World. They may only represent what Tim James in his book, Wines of the New South Africa, calls “a tiny proportion of South African production”, but they are vital for the industry’s image and sense of worth. The category is remarkably recent, emerging, like so many positive trends in
The 2011 Alheit Cartology may come to be seen as a milestone in the history of Cape wine because it reenforced the point that South Africa’s best wines are its white blends. The two strands of the white blend category – Sauvignon and Semillon on the one hand and “Mediterranean” on the other – have gone from strength to strength. Bordeaux blends are nearly always dominated by Sauvignon Blanc due to market popularity. Mediterranean white blends are a much more diverse category. Now in its third vintage, Cartology continues to deliver the goods, as do many South African white blends.
cooler parts of Stellenbosch, Bot River and Franschhoek, while the Mediterranean ones, as their name suggests, hail from the hotter climates of Wellington, Paarl and especially the Swartland. There are exceptions to both rules, but they are solid generalisations. Sauvignon Blanc doesn’t do well in warm sites, just as, say, Viognier and Roussanne underperform in cool ones. Chenin Blanc, as we know, is more adaptable, producing equally brilliant wines in the Loire and South Africa, but it, too, tends to prefer the warmer regions of the Cape. BORDEAUX STYLE Bordeaux blends are nearly always dominated by Sauvignon Blanc. This is partly because there is a lot more Sauvignon than Semillon under vine – 9,320 ha as opposed to 1,194 ha – but also because the former is more popular with consumers both in South Africa and on export markets.
77
76-82 South Africa Nb_Layout 1 30/10/2014 11:19 Page 78
A Personal Selection Of The Best South African White Blends – Mediterranean Style
Rosa Kruger
2013 Alheit Vineyards Cartology, Western Cape 2013 Bellingham The Bernard Series Grenache with Viognier, Paarl 2012 BLANKbottle Moment of Silence, Wellington 2013 David Aristargos, Swartland 2013 Fable Jackal Bird, Western Cape 2013 Keermont Terrasse, Stellenbosch 2010 Lourensford Winemaker’s Selection Reserve White Blend, Stellenbosch 2011 Miles Mossop Saskia, Coastal 2012 Mullineux White Blend, Swartland 2012 Rall White, Coastal 2013 Sadie Family ’T Voetpad, Swartland 2013 Sadie Family Skerpioen, Swartland 2012 Sadie Family Palladius, Swartland 2009 Sterhuis Astra White, Stellenbosch 2013 Thorne & Daughters Rocking Horse White Blend, Western Cape
Eben Sadie Semillon is among the oldest varieties in the Cape and was widely planted in the 19th century, but is not as celebrated or as well known as it ought to be. Plantings have dwindled and old vineyards are increasingly rare, despite the efforts of viticultural consultant Rosa Kruger, who seeks out and tries to preserve venerable blocks of Semillon and Chenin Blanc among others. There are very few stand-alone examples – Boekenhoutskloof, Fairview, Constantia Uitsig, Steenberg, Anthonij Rupert, Fleur du Cap and David Nieuwoudt spring to mind – and Semillon tends to be the “lesser” partner in most Bordeaux style blends, although it definitely contributes a herbal edge to Sauvignon Blanc. Of the best known Bordeaux style blends, Newton Johnson
78
Resonance has 16%, Cape Point Isleidh has 25% Semillon, Tokara Director’s Reserve 26%, Constantia Glen Two 29% and Chamonix Reserve White and Steenberg Magna Carta 40% each. Ever
‘The heart of the Mediterranean white blend movement lies in the Swartland – an area that was rediscovered by Charles Back of Fairview’
the maverick, André van Rensburg takes a different tack, using 56% Semillon in his Vergelegen GVB White. Why? “Paradoxically, it makes my wine more accessible at an earlier stage, but it also keeps well because it has a low pH. And it’s a bit less Sauvignon.” HEADING TO THE MED Mediterranean white blends are a much more diverse category. The pool of grapes that goes into them includes Chenin Blanc, Viognier, Grenache Blanc, Verdelho, Marsanne, Roussanne,
xx Klein Zalze AdvertorialWAITING_Layout 1 30/10/2014 08:26 Page 79
sponsored profile
Building for t h e f u t u re New launches in the UK follow further investment in vineyards and winemaking for Kleine Zalze KLEINE ZALZE is one of South Africa’s best-known winemakers, with a track record of award-winning wines and a reputation for leadership. This year, the Stellenbosch-based producer has undertaken ambitious further investments, developing its team and vineyard area. Kleine Zalze is now proud to announce the launch of new wines for UK customers, through its agent Hatch Mansfield. “Cleefs”, named after the farm’s founder, Nicolas Cleef, is being launched for the independent sector. Including key varietals Chenin Blanc, Sauvignon Blanc, Pinotage, Shiraz and Cabernet Sauvignon, the Classic Collection of five varietals and Reserve Collection of four wines are, says current owner Kobus Basson, “A tribute to Nicolas Cleef, his vision and his belief in our land as having great potential to produce exceptional wines.” A history of finding and working with highly skilled viticulturists and winemakers has been key to Kleine Zalze’s success, and the company’s most recent appointment is that of Alastair Rimmer as cellarmaster. A graduate of Stellenbosch University, Alastair comes to Kleine Zalze having worked extensively in South Africa and internationally. His
wealth of knowledge and experience will contribute to the success of Kleine Zalze’s current winemaking activities, and to its future as it extends its vineyard area. This year the company started developing 150 hectares of prime vineyards located between Stellenbosch and the coast.
‘A history of finding and working with highly skilled viticulturists and winemakers has been key to Kleine Zalze’s success’ Known as “Faure”, this area will be a key source of Chardonnay and Pinot Noir for Kleine Zalze’s vintage Brut which is launching in the UK in 2015, as well as of Chenin Blanc, Sauvignon Blanc and Shiraz for other ranges. Kleine Zalze has also started to plant 20 hectares close to its existing winery with Bordeaux and Rhône red varietals for its highly reputed
New cellarmaster Alastair Rimmer Vineyard Selection and Family Reserve. Kleine Zalze wines are distributed in the UK on-trade exclusively by Matthew Clark and are available for other UK channels through Hatch Mansfield. KLEINE ZALZE WINE RANGES Cleefs Classic Collection: Sauvignon Blanc, Chenin Blanc, Rose, Pinotage, Shiraz/Viognier – From RRP £8.25-8.79 Cleefs Reserve Collection: Chenin Blanc, Chardonnay, Cabernet Sauvignon, Shiraz/Mourvèdre/Viognier – From RRP £10.49-10.00. Kleine Zalze Vintage Brut: From RRP £24 Cellar Selection: Chenin Blanc, Sauvignon Blanc, Gamay Noir, Pinotage, Cabernet Sauvignon – From RRP £8.49 Vineyard Selection: Chenin Blanc, Chardonnay, Shiraz / Mourvèdre / Viognier, Cabernet Sauvignon – From RRP £9.99 Family Reserve: Sauvignon Blanc, Pinotage, Cabernet Sauvignon, Shiraz – From RRP £19.99 CONTACT email: orders@hatch.co.uk Tel: 01344 871800 www.hatchmansfield.co.uk, www.kleinezalze.co.za
79
76-82 South Africa Nb_Layout 1 30/10/2014 11:19 Page 80
A Personal Selection Of The Best South African White Blends – Bordeaux Style
Andre van Rensburg
2011 Black Oystercatcher White Pearl, Elim 2013 Bloemendal Kanonberg Sauvignon Blanc/Semillon 2012 Cape Point Isleidh, Cape Point 2012 Chamonix Reserve White, Franschhoek 2012 Constantia Glen Two, Constantia 2013 David Nieuwoudt Ghost Corner The Bowline, Elim 2011 Flagstone Treaty Tree Sauvignon Blanc/Semillon, Western Cape 2012 Gabriëlskloof Semillon/Sauvignon Blanc, Bot River 2012 Newton Johsnon Resonance, Cape South Coast 2013 Savage White, Western Cape 2011 Steenberg Magna Carta, Coastal 2013 Thorne & Daughters Tin Soldier, Franschhoek 2012 Tokara Reserve White, Stellenbosch 2012 Vergelegen GVB White, Stellenbosch
Chris Alheit Clairette, Palomino, Muscat, Chardonnay and (a little confusingly) Semillon, which is also used for Bordeaux blends. Chenin, as I’ve mentioned, is at the core of many of these wines, partly because there is so much of it. Like Semillon, it is an old Cape grape, but it has fared rather better in terms of its survival. There is only 51ha of Roussanne in South Africa for example, and a more meager 9.53ha of Marsanne. BLENDING BIRTHPLACE The heart of the Mediterranean white blend movement lies in the Swartland – an area that was rediscovered by Charles Back of Fairview, who released his first wines under the Spice Route label in 1998, using the then-unknown Eben Sadie as his winemaker. The irony here was that Back was originally alerted to the potential of the region by the quality of a
80
Sauvignon Blanc he tasted from a local Swartland co-operative, rather than a Mediterranean grape. Sadie himself, a passionate, almost obsessive winemaker, remains the most important figure in the world of Mediterranean white blends. He makes a
‘The Cape has suffered from Bordeaux-itis for too long, and it’s a very severe virus. You need to plant what really belongs in any given area, not what others tell you’
couple of varietal old vine Chenin Blancs, Mev Kirsten and Skurfberg, but his other whites are all blends of one type or another: Kokerboem (Semillon and Semillon Gris), ‘T Voetpad (Chenin, Semillon, Muscat and Palomino), Skerpioen (Palomino and Chenin Blanc) and Palladius (Chenin Blanc with nine other grapes). Despite his love of Semillon – as much for its history as its role in Bordeaux blends with Sauvignon Blanc – Sadie thinks that Mediterranean grapes are the way forward for the Cape’s warmer regions.
083_db_nov_Adverts_Layout 1 30/10/2014 10:53 Page 1
“AYAMA - “Someone to lean on”. When we first saw Slent, it felt as if we had finally come home. This amazing country was deep in our hearts. Stone Age hand axes found on the farm speak to us of our earliest ancestors, and Slent’s more modern colonial history connects us to the pioneers who dared all to settle on these fertile slopes. We wish to keep this farm deeply connected to its vibrant past, and to grow the place and its people towards an even better future. We have worked hard to understand climate, soils, varietals, bio-diversity and different cultures. It has taken some time to adapt Italian roots to all this. But belief and passion give us the ability to rise to the challenge, and the strength to succeed. Slent has a wide variety of soils, micro-climates and altitudes above sea level, which are a great blessing to a
wine farmer. It is a perfect location for Chenin Blanc and Shiraz, but on this farm, many crops can be grown, given the right choice of site. After much research into both cultivation and marketing, we decided to focus on what are uniquely South African cultivars – Pinotage and Chenin Blanc. We are now planting new vineyards of these varietals, some of them bush vines, which will produce our icon wines in the future. Being Italians, with a family wine background and connections with Italian viniculture, we co-operated with a Wellington nurseryman to introduce the first Vermentino into South Africa. This white grape from Sardinia will be a unique addition to our range, and, we hope, be very popular with our customers. “
Ayama wines | Voor Paardeberg, South Africa | phone/fax +27 (0)21 8698313 | info@slentfarms.com
76-82 South Africa Nb_Layout 1 30/10/2014 11:20 Page 82
south africa Trade Talk: ‘Are white blends South Africa’s best wines – and if so why ?’
Duncan Savage “South Africa’s conditions are generally much closer to those of Spain, Portugal or southern Italy than they are to those of France. Rabat is further from the Equator than Stellenbosch is, so why aren’t we looking at the grapes they grow in Morocco? The Cape has suffered from Bordeaux-itis for too long, and it’s a very severe virus. You need to plant what really belongs in any given area, not what others tell you.” Sadie has inspired a generation of younger winemakers to produce Mediterranean blends, both white and red. These include Donovan Rall, David Sadie (no relation), Chris and Andrea Mullineux, John Seccombe of Thorne & Daughters, Carl van der Merwe of DeMorgenzon, Paul Nicholls and Rebecca Tanner of Fable Mountain Vineyards, Alex Starey of Keermont, Niël Groenewald of Bellingham and, of course, Chris Alheit from Alheit Vineyards. Tellingly, Alheit describes Sadie as the person who “changed the game completely in South Africa. He’s the most important ever winemaker in the Cape.” Some would argue that for a man who is still in his early thirties, he’s not done so badly himself. Now in its third vintage, Cartology continues to deliver the goods, as do many South African white blends. db
82
ROLLO GABB, FOUNDER, JOURNEY’S END Whilst there are some World Class examples of white blends being produced today in South Africa there are also World Class examples of single varietals – most notably with Chardonnay and Chenin Blanc. The ‘One Size fits all’ philosophy is a dangerous avenue to go down and whilst new and exciting blends may attract much excitement and focus of many exploratory wine drinkers, varietal stalwarts such as Chardonnay and Chenin have stood the test of time and still remain amongst the very best wines in the World. With such an incredible diversity of regions and within those regions hundreds of mesoclimates one can find today an immense treasure chest of fantastic reds, whites, blends and varietal wines to suit all palates. On Chardonnay specifically, the broad style being produced in South Africa today and more specifically the cooler coastal regions is one of elegance, refinement and purity of fruit – with very gentle handling of oak. We believe this style is very much in tune with the UK palate of the moment and delivering exceptional value and quality when compared with other premium winegrowing regions in the world. In conclusion, single varietal whites – notably Chardonnay and Chenin Blanc – as well as blended varietals are all deeply compelling and exciting at this time. South Africa is offering incredible quality at incredible prices. BRADLEY GOLD, INTERNATIONAL MARKETING MANAGER, DGB Single varietal or blends, white, red or rosé – South Africa is about exploration, the beauty of the place, the warmth of the people. These form a melting pot for interesting wines. White blends are just another part of the journey of discovery. ROSS SLEET, MANAGING DIRECTOR, CAPE LEGENDS White blends possibly offer South Africa the best opportunity at the top end due to the diverse terroirs we have and the opportunity to balance temperatures and micro climates. Chenin-based wines offer an amazingly diverse palate due to the solid acidity in the base wine, and we have found expression in diverse blends such as our Neethlingshof Six Flowers blend of six white varietals, Chenin, Chardonnay, Sauvignon Blanc, Gewurtz, Riesling, Chardonnay and Viognier.
‘South Africa’s conditions are generally much closer to those of Spain, Portugal or southern Italy than they are to those of France’ John Seccombe
83 South Africa Comment Nb_Layout 1 30/10/2014 08:59 Page 83
south africa: comment
Bruce Jack, chief winemaker, Accolade Wines South Africa Are white blends South Africa’s best wines, and if so, why? JUST LIKE with people, blends are inevitably more interesting. But this comment, while true, doesn’t take into account the fact that 99.999% of all wines are blends. Even if it is a single variety, and if it is any good, it will have benefited from the blending of different vineyards, each with their own characters. And even in the rare case of true single vineyards, there will be the inevitable blending of different ferments and different tanks. How these elements are introduced, how they go on a first date, how they ‘click’ and eventually fall in love is what we somewhat dismissively call ‘blending’ – the act of which is the most important skill after knowing when to pick. Of course, when blending different varieties one just has so much more noise with which to pump up the party. Why this works particularly well in South
have enticing aromatics, while a high altitude, cool climate Viognier will have the aromatics, but also a nagging bitterness at the finish. So you balance this with a warm climate Chardonnay from alluvial soil – but not too much, or you lose the structure and tenacity of the Chenin etc. There’s an enormous amount of trial and error and the more varieties you throw into the cauldron, the more of a Rubik’s cube you make it. Perhaps South African winemakers are more used to the intriguing complexities of blending because of our radically differentiated soils. We’ve had to embrace this diversity and we’ve just been doing it for so much longer. So putting this 3D wine puzzle together comes easier to us. Interestingly, from a numbers perspective, the white varietal blend category is flat generally, but Kumala White blends in the GMs are growing 3% volume and 4.7% value over the last 52 weeks (data to 13/09/14). Over 90% of all the Kumala whites are blends. This was a brand that pioneered blends from South Africa in the early 1990s; putting things together like Colombard and Chardonnay, which hadn’t really been done much before. At Flagstone we have always blended radically different vineyard sights to build a complex, balanced and ‘whole’ wine. We call it ‘total wine’. Over the last fifteen years, we’ve done such exciting experiments, especially around the way certain soils ‘click’ with each other. So the same variety planted on different soils with different aspects and at different altitudes will produce radically different wines. It’s putting those different wines together in just the right ratio that is so satisfying. Add in an extra layer of intrigue by utilising different varieties and the initial puzzle may be harder to crack, but the solution will be so much more satisfying. When all the components fit together, you don’t see any edges – there is solidity, poise, a sort
‘When all the components fit together, you don’t see any edges – there is solidity, poise, a sort of live electricity’ Africa is a bit of a mystery. There’s no reason why other origins shouldn’t also be able to take advantage of this obvious x-factor. But somehow South African blends in general – and white blends in particular – stand out from the crowd, especially at commercial ‘lifestyle’ price points, like Kumala. There are four main reasons we winemakers blend on a commercial scale; for consistency, to hide weak tanks in a big blend, to enhance complexity and to achieve balance. Sometimes you have one of these outcomes in mind when you start, but mostly you have two or three. So you are blending in three dimensions really. Each variety and each tank of each variety will do something to one or more elements of the final wine. A ripe, dryland Chenin will add structure and midpalate weight to the wine, but may not
of live electricity and real presence – it’s like there is no ‘wasted’ space in the wine. That’s when I get excited. It’s such a cool feeling – I guess it’s like alchemy. Our most famous white blend is Flagstone Noon Gun, which is a blend of Chenin, Sauvignon Blanc and Viognier. In its 15th vintage, it is our biggest Flagstone blend at about 70,000 cases a year. I believe it is one of the best value for money wines on the market. Our single biggest customer is Matthew Clark so it goes into the on-trade, where premium South African wines are really beginning to find an enthusiastic consumer – if only sommeliers would list more, they might see their revenue increasing. Building ‘total wine’ white blends in South Africa requires a certain hedonistic approach to the craft of blending. Making things simpler doesn’t always make them better. Mies van der Rohe wouldn’t have been comfortable in my cellar – less definitely isn’t more in this case. It’s as though you are swimming against a rip tide of complexity. Your instinct is to swim against it, to fight it. But this is the quickest way to die. You need to relax and go with the flow. Embracing the natural diversity our soils gifts us a wonderment of complexity – the main thing is not to panic. The one skill we need is in balancing it all out. And that’s when the delicious magic happens. db
83
84-85 marketinggs_Layout 1 30/10/2014 08:42 Page 84
marketing campaigns ROYAL SALUTE GETS TRAVELLERS TO SADDLE UP Scotch brand Royal Salute is inviting consumers to become polo players for the day via a travel retail campaign in key Asian airports including Korea and Taiwan. A pop-up space at Taiwan Taoyuan Airport has been equipped with a horse sculpture and interactive polo table along with a tasting area where guests will be encouraged to participate in a polo quiz offering travellers the chance to try the sport for themselves as part of a four-day trip to Dubai in 2015. The prize includes accommodation at a deluxe resort and tickets to the The Royal Salute Nations Cup tournament. In addition, the winner will attend a polo masterclass hosted by a world-class polo player.
HEINEKEN BACKS EUROPEAN RUGBY CHAMPS Beer brand Heineken continues to support European club rugby, having become a founding sponsor of the new European Rugby Champions and Rugby Challenge Cups. The new tournaments replace the Heineken Cup and Amlin Cup, which both concluded in May after 19 successful seasons. Considered as the pinnacle of world club rugby, the new competitions will be enjoyed by fans all over the world; with new television and digital distribution deals taking them to more than 100 countries. They will follow the successful formats of the UEFA Champions' league and Europa Cup by having a top tier of premium sponsors, each bringing something unique to the tournaments. Heineken will give rugby fans the “ultimate access” to the matches by offering them the chance to participate in the Heineken Back Stage Stadium Tour and be present at the Heineken Coin Toss alongside the referee and two captains. The UK will host the finals of the two tournaments at Twickenham in May 2015.
BALLANTINE’S BRINGS HISTORY TO LIFE Scotch brand Ballantine’s has released a “humorous” new film to reveal what could have happened if the brand had taken an unexpected and alternative route through the years. The digital campaign aims to highlight the brand’s “vibrant personality” and its “commitment to staying true to itself” throughout its near 200-year history. Created by M&C Saatchi, the campaign goes live with the release of two films: Could Be True and Stay True. The former takes the viewer through Ballantine’s heritage in an unexpected way, illustrating what could have happened had Ballantine's not stayed true to founder George Ballantine’s vision. The latter recounts Ballantine’s true story, demonstrating the ways in which the brand has stayed true to itself since it was founded in 1827. “We’re aiming to tell the story of Ballantine’s in a surprising and light-hearted way, and one that is unexpected of a Scotch whisky brand,” says Ballantine’s global brand director, Peter Moore.
DISARONNO STARS IN FASHION HOOK-UP Amaretto-flavoured liqueur Disaronno has hooked up with fashion house Versace on a “glamourous” new bottle design. Inspired by the Versace Home Collection, the bottle features a light blue design embellished with a white and gold motif. The collaboration supports Fashion 4 Development, a global campaign sponsored by the United Nations that uses fashion to tackle issues in the developing world, with Disaronno donating part of the proceeds from each bottle towards the development of the project in Africa. “We’re proud to be partnering with one of Italy’s finest fashion houses,” said Augusto Reina, CEO of Illva Saronno. The limited edition bottle has an RRP of £15.
84
84-85 marketinggs_Layout 1 30/10/2014 08:42 Page 85
marketing campaigns MUMM IN NEW RED RIBBON TIE-IN Champagne house GH Mumm has become official supplier of the French Palais de la Légion d’Honneur in a partnership born out of a longstanding relationship. Mumm’s flagship fizz, Cordon Rouge, was created in 1876. Each bottle was adorned with a red silk ribbon to symbolise the highest of French honours – the Grand Croix de la Légion d'Honneur. The Cordon Rouge bottle became the symbol of Mumm in the 19th century. This new tie-in will see the house continue to “honour the best of human achievements” through its partnership with the Palais de la Legion d’Honneur. “Something that was created as a tribute to La Legion d’Honneur has become our most recognisable attribute, but the connection doesn’t stop at the red
ribbon,” said Phillippe Guettat, CEO of GH Mumm. “We are honoured that our shared quest for excellence is being celebrated with this partnership.”
JAMESON ROLLS OUT BARREL-AGED COCKTAILS Irish whiskey brand Jameson has unveiled a new programme to inspire bartenders to broaden their understanding of cocktail making and the unique flavours found within Irish whiskey. Jameson Barrel Aged Cocktails was developed in conjunction with London bartender Myles Davies at the recently opened Hixter Bankside in south-east London. Central to the hook-up is a 200-litre Jameson-seasoned barrel that was dismantled and then “painstakingly re-assembled” by master cooper Ger Buckley into a 15-litre barrel for ageing Myles’ cocktail creations. Among the sips will be Autumn Leaves, priced at £9.50 a pop, which blends Jameson with sweet vermouth and a Somerset apple brandy, before the mix is aged for several weeks in wood. According to the brand this maturation process in the Jameson-seasoned barrels imparts extra vanilla and wood flavours, creating a more rounded flavour profile.
JACK DANIEL’S ROCKS OUT ACROSS THE UK Tennessee whiskey brand Jack Daniel’s is to roll out its new music campaign nationwide this month. Jack Rocks aims to celebrate the independence, authenticity and integrity of real music. The campaign kicked off with its own live music venue in east London and the brand is now set to run a series of partnerships with selected festivals, venues and clubnights across the UK. JD will build momentum with venue takeovers at the Dim Swn and Liverpool Music Week festivals. “It’s exciting to see the Jack Rocks campaign spreading nationwide. Dim Swn Festival and Liverpool Music Week have been leading lights in the UK music scene for several years and we’re proud to be working with them,” said senior brand manager for Jack Daniel’s, Michael Boaler.
IN BRIEF Coors Light is giving people the chance to step inside Jean-Claude Van Damme’s ice bar. To coincide with a new TV advert for the beer featuring the Belgian actor, fans of the brand can book a slot to visit one of the bespoke Coors Light Ice Bars built for the campaign in London or Manchester, opening in December and March 2015 respectively. Brit Award-winning band Rudimental will open both bars, which will feature guest DJs, bespoke frozen Coors Light cocktails, a Snow Angel photo opportunity and a Twitter wall crafted from ice. Molson Coors is to offer five million free NOW TV Sky Sports Day Passes this winter with selected packs of Carling. For the second year running, Carling has teamed up with NOW TV, Sky’s internet TV service. The offer gives Carling customers free access to all seven live Sky Sports channels for 24 hours. Selected packs of Carling will contain a “Unique Ref Number” that will access a day pass worth £6.99. The number can be activated online and channels can be streamed to a range of devices, including tablets and smartphones. The promotion will run until December in all major supermarkets and convenience stores. Tia Maria has collaborated with beauty brand Babyliss in a move to recruit new consumers and reward existing fans of the coffee liqueur brand. The promotion offers consumers a free pair of Babyliss hair straighteners when they buy a 70cl or 100cl bottle and enter a unique code into the bespoke website created for the offer. The neck collar also features a menu of simple serves to showcase the brand’s versatility in cocktails. The Babyliss promotion goes live this month in stores across the UK, including Tesco, Sainsbury’s and Morrisons, and forms part of the recently launched multi-million pound above the line marketing investment for Tia Maria.
85
86-87 new products_Layout 1 30/10/2014 08:59 Page 86
new products PRODUCT Sandeman Cask 33 Very Old Tawny CONTACT Stevens Garnier +44 (0)1865 263 308
PRODUCT William Fèvre Hipster Chablis 2013 CONTACT 31Dover www.31Dover.com
Chablis producer William Fèvre has released a limited edition glow-in-the-dark bottle aimed at “hipsters” in a bid to attract younger consumers to the brand. Illustrated with ultraviolet ink and glows under UV lighting revealing a graffiti-style design, the 12.5% abv wine is aimed at clubbers and partygoers. The bottle also features a QR code on the back that links to a 360° animation and a level indicator allowing clubbers to monitor how much of the wine they have drunk. Its makers describe the wine, which is aged for eight months in stainless steel, as boasting a “refined bouquet of citrus and acacia” along with “richness and minerality that are characteristic of the appellation.” Fèvre produced its first vintage in 1959. Now owned by Champagne house Joseph Henriot, the domaine includes 15 hectares of grand cru vineyards. RRP: £16.99.
Taking advantage of the current thirst for ancient tawny, Sandeman is celebrating its 225th anniversary next year with the release Cask 33 Very Old Tawny Port. Just 685 bottles of the Port have been produced from cask 33 at the Sandeman cellars in Vila Nova de Gaia, which contains wine of up to 70 years old and an average age of 600 months. Cask number 33 was chosen from a collection of 40 for this limited edition release. Wine from the cask is usually used as part of the blend in the house’s collection of aged tawnies; however, it had remained untouched for the last two years. “Back in January, on the lookout for something special to celebrate our 225th anniversary, we found that cask 33 showed such a promising evolution and great character that we singled it out for this limited edition release,” said Sandeman’s chairman, George Sandeman. RRP: £525.
PRODUCT Compass Box The Lost Blend CONTACT Compass Box +44 (0)20 8995 0899
The latest release from Compass Box, The Lost Blend, is a trio of single malts that pay homage to the long lost Eleuthera whisky, and boast the same smoky signature style. After a decade of searching, whisky maker John Glaser was finally able to track down the unique whiskies earlier this year. “In 2001, we created our first single malt blend which we called Eleuthera. It was an elegant marriage of 80% unpeated Highland and 20% peaty Islay single malts. After three years, we were no longer able to obtain one of the key whiskies required for the recipe so we retired Eleuthera in 2004. I’ve been looking for whiskies that we could use to bring it back without any luck. Until now,” says Glaser. Bottled at 46%, the trio are packaged in a gift box adorned with lost items from scissors, clocks and typewriters to trombones. RRP: £85.
86
PRODUCT Babycham Cream Soda CONTACT Accolade Wines +44 (0) 1483 690 000
Sparking perry brand Babycham has released its first two flavoured variants since the brand was created in 1953. Popular when the brand was founded, cherry soda and cream soda were chosen for their retro feel. Available across the UK at Asda, brand owner Accolade hopes the innovation will attract new consumers. “Since Babycham updated its packaging at the beginning of the year, we've seen renewed interest from retailers and consumers alike, which has led to the development of these two new flavours,” says marketing director for Accolade Wines, Amy White, adding, “The range is establishing itself as a year-round drink but with Christmas approaching we also have a range of gift packs.” Babycham was the first alcoholic drink to advertise on national TV in the ‘50s. RRP: £3.50.
86-87 new products_Layout 1 30/10/2014 08:59 Page 87
new products PRODUCT Ben Truman 1883 Export Pale Ale CONTACT Truman’s Beer +44 (0)20 8533 3575
PRODUCT Cotswolds Dry Gin CONTACT Fortnum & Mason +44 (0)20 7734 8040
Truman’s has celebrated the first anniversary of its return to brewing in London with a “re-imagination” of one of its most popular beers. Ben Truman 1883 Export Pale Ale is based on a recipe from the Victorian era and uses eight hops – from Britain, Bavaria, Bohemia and the US – to create a 6% abv Pale Ale available in cask at select London pubs and in bottle via the Truman’s website. “We wanted to mark Truman’s return to East London brewing with something special – and Ben Truman Export is just that,” said managing director James Morgan, who describes the brew as “strong and complex” with aromas of “orange peel, lemon and biscuit.” RRP: £2.99.
Adding to the already booming gin category is newcomer Cotswolds Dry Gin. Made from a blend of nine “carefully-considered” botanicals including juniper, coriander and angelica root, the expression of the traditional London dry style comes from a 12-hour maceration into pure wheat spirit. A botanical mix of Cotswolds lavender, bay leaf, fresh grapefruit peel, fresh lime peel, black pepper and cardamom seed is then added into the still for distillation before finishing with naturally refined Cotswolds water. The result, according to its makers, is “a classic well-balanced juniperled gin with crisp citrus and spice.” The brand is so new, the distillery only began bottling the stuff last month but has managed to secure a listing at Fortnum & Mason, where it goes on sale this month. “We’ve worked hard to create a quality, small-batch gin that reflects the heritage of the Cotswolds,” says founder Dan Szor. RRP: £35.
PRODUCT Campo Azul Selecto Blanco CONTACT Campo Azul
Tequila brand Campo Azul has a shiny new look for autumn. In a bid to appeal to a sophisticated crowd, the labels have been pared down and are more simple and clean in appearance, while the plastic cap has been replaced with wood. The Blanco expression is made from 100% Blue Weber Agave plants within Campo Azul's own plantations in Jalisco in order to ensure quality. Blanco Tequila is unaged and bottled immediately after distillation, or aged for less than two months in stainless steel or neutral oak barrels.
PRODUCT Kleine Zalze Cleefs collection CONTACT Hatch Mansfield +44 (0) 1344 871 800
Stellenbosch producer Kleine Zalze has introduced a new range called Cleefs targeted at the UK independent sector. Named after the estate’s founder, Cleefs’ offers a five-strong Classic Collection alongside a four-strong Reserve Collection comprised of a Chenin Blanc, Sauvignon Blanc, Pinotage, Shiraz and Cabernet Sauvignon. Each of the whites come from the 2014 vintage, while the reds hail from 2013 and 2012. “Our Cleefs range is a tribute to Nicholas Cleef, his vision and his belief in this land as having great potential to produce exceptional wines. The Cleefs range is linked to our history and will play an important part in our future as it helps us and our UK agent Hatch Mansfield to extend our offer to independent sectors of the trade,” said estate owner Kobus Basson. RRP £8.25-£8.79 (Classic); £10.49-£10.99 (Reserve).
PRODUCT Stoli Night Edition CONTACT Stoli www.stoli.com
Vodka brand Solichnaya has launched its second packaging innovation aimed at clubbers and partygoers. Following on from the success of its glow-in-the-dark label launched last yet comes the second Night Edition, the label of which comes alive when chilled. The frosted glass bottle has elements printed in temperature activated ink, with the design becoming visible when the bottle is chilled to under 15C. The intricate label design includes a DJ, shakers, drinks and music symbols, with the heart on the front of the bottle growing horns to symbolise the transformation from day to night. Going on sale at select airports this month, the bottle will be rolled out globally next January. "We’re thrilled to be launching our Night Edition 2014 at TFWA World Exhibition in Cannes,” said Stoli’s travel retail drrector, Jean-Philippe Aucher.
87
88-89 Belvedere brand builder Nb_Layout 1 30/10/2014 08:59 Page 88
SWEET nothings
Belvedere vodka is striving to show that there need not be a division between high-quality cocktails and a healthy lifestyle, as Lucy Shaw discovers
88
88-89 Belvedere brand builder Nb_Layout 1 30/10/2014 08:59 Page 89
brand builder WITH SUGAR hitting the headlines for all the wrong reasons this year, luxury vodka brand Belvedere has taken the step of educating both bartenders and consumers about both lower alcohol and sugar free cocktails, believing neither need lead to dull, one-dimensional drinks. The brand used London Cocktail Week as a platform to launch its “Drink, Eat, Live” three-day pop-up bar aiming to change the way both consumers and the trade view cocktails and how we consume them. Running from 8-10 October at Seven Dials in London’s Covent Garden, the pop-up served cold press juices and a variety of sugar free Belvedere cocktails including the Lemongrass Collins, blending Belvedere Citrus with dextrose citrus and thyme sherbet, freshly squeezed lemon juice and grapefruit bitters; the Spiced Sour, blending Belvedere Pink Grapefruit, vanilla and almond-infused rice malt syrup and freshly squeezed lemon juice; and the Hail Mary, a twist on a Bloody Mary
“Cocktails are more than just their alcohol content. A great drink is a combination of well-balanced flavours, aromas, tastes and textures, and we think cocktails should not be measured by how weak or strong they are but simply by whether they are delicious or not. Today we are aware of the harmful effects of overindulgence from not just alcohol but from sugar and artificial flavours, and Belvedere would like to show that there are ways to drink ‘better’, when armed with a little bit of knowledge,” she adds. Describing health as “the new wealth”, Drink, Eat, Live is an ongoing programme created by Smith-Warner to promote health and wellness within the context of responsible drinking. The programme was originally created to give lifestyle advice to bartenders, who often find it difficult to find a balance in a world where alcohol takes centre stage. “Our approach is not feast nor famine, but rather somewhere in the middle. Moderation is more important than ever. At Drink, Eat, Live we focus on moderation and being mindful while in the act,” she says. Smith-Warner describes the pop-up’s reception as “incredible”, and having encouraged a number of big gun bartenders to approach cocktails differently. “The ultimate aim of the pop-up was to give consumers greater choice when it comes to cocktails via sugar free, lower abv and non-alcoholic versions. We’re hoping we’ve inspired bartenders to play if forward and put some of the cocktails onto their menus,” she says, adding, “The bartenders who visited the pop-up really appreciated the complexity of the cocktails and consumers were taken too. It was important to us to make it friendly rather than preachy as we wanted it to be a valid way to talk about responsible drinking and encouraging a movement towards more health-conscious cocktails.” Made from 100% Polish Dankowskie Diamond rye, Belvedere is distilled across four columns and doesn’t contain any sugar, glycerine, additives or enhancers. The gluten free brand’s flavoured variants contain 100% fresh fruit rather than
‘Enjoying a well-made cocktail is part of the social fabric of life, and we wanted to celebrate this’
featuring Belvedere Vodka, tomato juice, beetroot, cucumber, fresh lemon, chili, spices and seasoning. In addition to cocktails, the pop-up also included a number of masterclasses on positive drinking and tips aimed at bartenders on incorporating yoga into their working day in order to boost their health and wellbeing. “Enjoying a wellmade cocktail is part of the social fabric of life, and we wanted to celebrate this by demonstrating fantastic cocktails made with a variety of alcohol levels as well as different, 100% natural flavours and sweeteners,” says Claire Smith-Warner, head of spirit creation for Belvedere.
relying on sugar and artificial sweeteners. “We use fantastically fresh and juicy fruit, soaking it into the vodka, then redistilling the fruit and the vodka in a small pot still, leaving clear yet flavoured fruit spirits,” says Smith-Warner. While the brand is due to launch a new flavoured expression in the US next year, following on from the success of Belvedere Mango Passion, Smith-Warner believes super-sweet vodka flavours like cookie dough and whipped cream are on their way out. “There’s a backlash going on in the US towards these faddish flavours like vanilla and cupcake, which rose to prominence during the recession as consumers typically seek comfort and reassurance during times of economic strife, hence the popularity of mother’s milk-style flavours. Now that we’ve emerged from the recession, consumers have become more confident in their purchasing decisions and are moving away from the sweeter flavoured vodkas,” she says. In keeping with this newfound consumer confidence, there is increased interest in authenticity and provenance in the vodka category, with drinkers keen to know exactly where their vodka comes from. Seeking to capitalise on this trend, Smith-Warner believes the Martini is the ideal cocktail in which to showcase the true character of Belvedere Unfiltered. “It’s really starting to see traction this year as it offers a lovely expression of its rye base,” she says.
Claire Smith-Warner
89
90-91 on-trade updates Nb_Layout 1 30/10/2014 08:58 Page 90
on-trade update
RESTAURANT OPENINGS Already causing a buzz around town is Sea Containers, which recently opened at the shiny new Mondrian hotel on London’s Southbank. With interiors designed by Tom Dixon, including a hulking copper hull running from lobby to kitchen, behind the stoves is New York chef Seamus Mullen, owner of Tertulia in the West Village. Taking the golden age of transatlantic travel as a theme, on the menu, British ingredients are given an American accent. Dishes include homemade ricotta with pickled vegetable ribbons and toasted seeds; herb gnocchi with braised rabbit, brown butter and sage; and middle white pork chop with grilled peach vinaigrette. After a long wait, Skye Gyngell has finally taken up residence in an elegant 19th century drawing room at Somerset House with her first solo venture, Spring. Guided by the seasons, lunch and dinner menus change daily at the 100-seater restaurant, which features an atrium garden created by designer Jinny Blom. Having made her name at Petersham Nurseries, Australian-born Gyngell will serve the likes of grilled langoustine with seaweed butter; roasted turbot with porcini and bone marrow; and hazelnut tart with warm chocolate sauce. The wine list meanwhile has been put together by Frank Embleton, formerly of The Clove Club. Gaucho’s former managing director Martin Williams is striking out on his own with his first solo venture, “M”, in the City of London. The ambitious project, set across 15,000 square feet, includes two 100cover restaurants, a tartare and tirado bar, wine bar, cocktail bar, private dining rooms, event spaces and a “secret den”. Headlining on the menu will be “grade 10++” Kobe beef priced at £150 for 150 grams of fillet, and Australian Blackmore Wagyu beef costing £120 per 200g of sirloin. M includes a walk-in ageing room where guests can choose their cut directly from a butcher.
90
CHESHIRE RESTAURANT VOTED BEST IN BRITAIN Fraiche in Oxton, Cheshire, has been voted the best restaurant in Britain after scooping first place in the 2014 edition of The Sunday Times Top 100 Restaurants list. Owned and run by chef Marc Wilkinson, the restaurant was praised for its flair and originality. Now in its fifth year, the list, in association with Harden’s, is based on 70,000 reviews. Raymond Blanc’s Le Manoir aux Quat’ Saisons in Oxfordshire took second place while Simon Rogan’s temple to foraging, L’Enclume in Cumbria, came third. Two London restaurants made it into the top 10, with The Ledbury in Noting Hill taking fourth place and Rasoi in Chelsea seventh. “It’s exciting to see the evolution of the list since it was first published in 2010. This year has seen an increase in the number of restaurants outside London, a sign we are becoming an increasingly sophisticated culinary nation,” said the list’s editor, Karen Robinson.
HOTEL OFFERS CHANCE TO SLEEP IN A SCULPTURE The recently opened Beaumont hotel in Mayfair, the latest venture from restaurant moguls Chris Corbin and Jeremy King of The Wolseley fame, offers guests the chance to sleep inside an Antony Gormley sculpture. Housed in an Art Deco listed building, for £2,500 a night, guests can stay inside Gormley’s giant geometric inhabitable sculpture, Room, visible from the hotel’s façade. Containing nothing but a bed, on entering the sculpture, you’re plunged into total darkness. Gormley describes the experience as similar to being in a cave, telling The Telegraph, “I hope that people leave not only the world behind when they enter that bedroom but also all of their clothes.” On the food front, The Beaumont boasts a 100-seater brasserie, The Colony Grill Room, serving American classics like clam chowder and Reuben sandwiches alongside wines from California’s Ridge, Corison and Frog’s Leap.
90-91 on-trade updates Nb_Layout 1 30/10/2014 08:58 Page 91
on-trade update SPIRITED PERFORMANCE FROM GIN AND TEQUILA It’s an exciting time for the white spirits category in the UK on-trade with value growth of 3.6% driving the current total spirit growth of 1.1%, writes Matt Crompton of CGA Strategy. Growth in the sector is coming from a variety of different categories but gin and Tequila are on particularly fine form with value growth of 12.3% and 22.3% respectively. Vodka meanwhile continues to lead the way within white spirits and makes up a third of all volume sales in the category. Despite this, its growth remains modest when pitched alongside other categories, with year on year value sales at +1.6%. Tequila is enjoying a new lease of life in the on-trade, buoyed by the current Latin American food boom, which has recently gone mainstream. Education around the category is starting to improve and Tequila is being increasingly considered a sipping drink rather than something to shoot. Cocktails continue to be one of the growth drivers in the on-trade, with volume sales growing by 10.8% versus two years ago. Tequila, mainly through the Margarita serve, plays an important role in the cocktail market and featured as an ingredient in 16.2% of total cocktails served in the UK on-trade in the past year. The Margarita has grown to become the seventh most popular cocktail in the on-trade and with a plethora of Mexican-themed bars having popped up across the country, this trend looks set to continue. Gin has been one of the leading lights in the on-trade for the past couple of years and its popularity continues to surge with premium brands driving the category. Gin is becoming increasingly important to influential bartenders across Britain, particularly in London. The spirit is benefitting from playing into the provenance and heritage trends heavily influencing the country’s pubs and bars. Many small-batch, locally produced gins are now available across the UK, which is helping the category to spread its wings.
Spirits Value % Change vs. Year Ago MAT Tequila
22.3
Gin
12.3
Rum
3.1
Brandy
1.7
Vodka
1.6
Whisk(e)y
1.4
Specialities
-4.1
Non-Cream Liqueurs
-6.0
Cream Liqueurs
-6.0
CARING TO OPEN CASUAL VERSION OF THE IVY Restaurant mogul Richard Caring, owner of Caprice Holdings, is to open a casual sister site to celebrity favourite, The Ivy. Due to be called Ivy Market Grill, the restaurant is slated to open at 1a Henrietta Street in London’s Covent Garden in December. The restaurant will be overseen by Yishay Malkov, formerly general manager at Roka and once restaurant director of Gordon Ramsay at Claridge’s. Manning the stoves meanwhile will be head Sean Burbidge, who comes by way of Pétrus in Knightsbridge, where he was head chef. The idea has been simmering for a while, with Caring reportedly keen to open an Ivy Café on Curzon Street in Mayfair back in 2011, though the site was snapped up by the Soho House Group, becoming Little House. Caring also owns several other popular celebrity hangouts like Scott’s and J Sheekey.
BAR OPENINGS London is to get a new private members wine club in the form of 67 Pall Mall. Due to take over a branch of Hambros Bank in a grade II listed building in St James’s, the ground floor of the clubhouse will include an oak-panelled Members’ Lounge, restaurant the Lutyens Room and a wine library. The lower ground floor meanwhile will feature a tasting room and events space, while the basement will serve as a wine storage facility separated into individual, temperature controlled cellars that can be rented out by club members, with the most valuable wines placed in the bank’s former vault. Flying the flag for Hawaii is Dalston newcomer Pond. Boasting industrial interiors and leather booth seating, cocktails at the low lit bar have a tropical twist. The Luscious Lanai blends pineapple sorbet with Prosecco and St Germain elderflower liqueur, while the Kamm On Baby Light My Fire mixes Kamm & Sons with pisco, lime and tiki bitters. Served hot or cold, the Plum Pudge Punch includes Mandarine Napoleon, plum wine, mandarin sherbert, white tea, Campari and orange bitters, and the Tinglet twists on the Gimlet blending blanco Tequila with Ting cordial. Bar snacks include deep-fried Spam with yuzu mayo and “hurricane” popcorn. Cognac brand Rémy Martin opens a pop-up member club in London this month. Running from 25 November until 6 December at 19 Greek Street in Soho, La Maison Rémy Martin will be spread over four floors with a VSOP Bar & Lounge on the first serving cocktails mixed by three of the capital’s best bartenders: Agostino Perrone of The Connaught Bar, Erik Lorincz of The American Bar at The Savoy and Alex Kratena of Artesian. A retail space dubbed “Cognathèque” will occupy the second floor, while the Rémy Martin XO lounge at the top will specialise in XO serves.
91
92-96 On-trade profile Nb_Layout 1 30/10/2014 08:57 Page 92
Patrick Capiello of New Yorkâ&#x20AC;&#x2122;s Pearl and Ash
SUPER
somms Commanding the status of celebrity chefs and acting as subjects for popular cinema, sommeliers have shaken off their dower image and are instead being viewed as increasingly influential figures in the industry, writes Elin McCoy 92
92-96 On-trade profile Nb_Layout 1 30/10/2014 08:57 Page 93
on-trade prof ile
WHEN WINEMAKER Ted Lemon of Sonoma’s Littorai winery hosted a retrospective tasting of his brilliant Pinot Noirs and Chardonnays at Per Se restaurant last June, most of the guests were sommeliers. They’re the people, Lemon says, who really helped make his winery a success. How so? In the late 1990s, when Lemon launched his wonderfully elegant wines, the country’s most powerful critics were heaping praise on super-ripe, oaky, alcoholic ones. So he turned to sommeliers seeking wines with the balance and freshness to show off their restaurants’ food. They bought, poured, and the rest is history. Lemon’s wine-attention-getting strategy was a harbinger of how important sommeliers would be in the 21st century. About a decade ago, ‘somms’ (as they’re popularly referred to in the US) started morphing into major wine world influencers with the kind of rock star status once reserved for celebrity chefs. They not only wield the power of the purse, but they’re also key arbiters of what’s good and what’s trendy. Would Sherry, the wines of the Jura, or grower Champagne have become so hot in New York without them? I doubt it. “An important restaurant’s list is a showcase,” says Donna White of Gregory White PR firm. “Somms are often the first to introduce people to a new name or region, and because of social media, their reach is now huge.” Most are active on Twitter and Instagram; customers happy with what they’ve recommended save photos of favourites on their smartphone to refer to later in a retail shop. Which is why so many producers, importers, and regional wine organisations are wooing sommeliers. Take the Bordelais. “They’re all seeking the next new thing, and in the past five years the younger ones have disdained Bordeaux,’’ says Philippe Newlin, director of the New York office of negociant Duclot/La Vinicole, which opened last year. “We’re trying to show them how
great Bordeaux can be and make it cool for their generation.” He invites them to regular tastings of top bottles in Duclot’s light-filled downtown loft and even took a small group to Bordeaux. Planet Bordeaux, a trade association of Bordeaux and Bordeaux-Supérieur winemakers, just named Michael Madrigale, the high-profile head sommelier at Boulud Sud, Bar Boulud, and Epicerie Boulud, as its US Brand Ambassador (he has more than 10,000 followers on Twitter). Ironically, like many young somms, his personal tastes run more to Burgundy. When sales of Australian wine dropped some 26% in the US as drinkers soured on the country’s power-packed, alcoholic
reds, the North American office of Wine Australia started a program to convince sommeliers that big-bruiser Shiraz wasn’t the only style of wine Australia produced, showing off top boutique bottles from cool climate regions to 600 somms in 10 major US cities. The payoff, says Angela Slade, the organization’s head, has been slow but reasonable growth, with wines at higher price points landing on wine lists. Every night, she adds, they’re educating drinkers in small five-minute sound bites. In fact, producers are leaping to link their brands to sommeliers in surprising ways. Penfolds has collaborated with GQ magazine to sponsor a #bestdressedsomm contest, with the winner, AJ Ojeda-Pons, wine director at The Lambs Club in New York, revealed at a glitzy ceremony at Penfolds House in the city last month – evidence that this is a glam profession.
‘Somms are often the first to introduce people to a new name or region, and because of social media, their reach is now huge’
93
92-96 On-trade profile Nb_Layout 1 30/10/2014 08:57 Page 94
on-trade profile
Aldo Sohm
Rajat Parr
AJ Ojeda-Pons
The rise of the sommelier began with the explosion of interest in food culture and vino-centric restaurants as the economy boomed in the 21st century. “There’s oceans of wine out there now, so restaurants have to have someone with basic knowledge and expertise,’’ explains Daniel Johnnes, the wine director for the Dinex Group of Daniel Boulud’s restaurants. “Wine is the second most powerful source of a restaurant’s revenue, usually 30 to 40 percent of the total.’’ Not so long ago only a handful of fancy
restaurants employed a sommelier, usually a haughty older man in a sober black tuxedo with a silver tastevin hanging from a chain around his neck. In cartoons, he was the ultimate wine snob, looking down his long nose to humiliate some poor wine-challenged customer. Today’s somms have a different image; at high-end spots they wear suits and ties, at casual ones, jeans, tattoos, biker boots and long hair. They smile, wax enthusiastic about their latest wine discoveries, and there are plenty of women among their ranks, whether in San Francisco, Boston, Austin, or Miami. The role has changed, too. Johnnes is one of the key figures that helped redefine it. The current US obsession with Burgundy owes much to Johnnes. During his first stint as a sommelier, in 1985, at Montrachet in New York’s Tribeca district, his Burgundy focus on the wine list and lavish
‘There’s oceans of wine out there now, so restaurants have to have someone with basic knowledge and expertise’
94
wine dinners turned the restaurant into a thriving destination. He magnified his influence by importing wines, and gained an international reputation with his annual extravaganza La Paulée, which he modelled on Burgundy’s La Paulée de Meursault. He held the first ``mini-Paulée’’ in 1992 and the event, which alternates between New York and San Francisco, has become a wine highlight of the year, attended by several dozen producers and the country’s top collectors. As one told me, Johnnes himself is now a brand. Sommelier competitions put an early spotlight on the job as a profession. San Francisco star Larry Stone gained notoriety when he beat out the French to become the first American to win Best International Sommelier in French wines in Paris, a competition trumpeted in the media. His influence spread as he mentored a new somm generation at restaurants like Charlie Trotter’s and Rubicon, then moved on to create his own wine label, manage Francis Ford Coppola’s winery, and help start Evening Land Vineyards. Paul Grieco, the goateed Riesling evangelist who revived American interest in the grape, shaped the sommelier-ashipster image. After working at several New York restaurants in the 1990s, he cofounded Hearth restaurant in 2003 and later the Terroir Wine Bars. His quirky wine lists, part rant, part manifesto, and part erudite educational essays, feature off-the-beaten-path wines that reflect his personal philosophy. A self-described “acid freak,” Grieco inspires the tastes and attitudes of many young somms. When he announced in 2008 that the only whites he’d pour by the glass during that summer would be Rieslings, he essentially ignited a movement. By 2014, his Summer of Riesling concept had gone nationwide, with several hundred restaurants participating. As people have become less reliant on critics like Robert Parker, says sommelier Patrick Capiello, co-founder of New
95 IWSC – approved Nb_Layout 1 30/10/2014 08:57 Page 95
sponsored prof ile
B R AV E n ew wo r l d Australia may have dominated, but there was plenty of excitement on offer from other countries as the IWSC unveiled its Southern Hemisphere wine results WITH NORTHERN Hemisphere wine and spirit results already out in the open, it only remained for the IWSC to unveil this year’s winners from the Southern Hemisphere. Once again, the Beautiful South tasting in London offered the perfect moment to reveal the 2014 medals for South America and South Africa. Boosted no doubt by the decision in recent years to hold an initial judging round in Paarl, South Africa performed particularly well among this group of countries, bringing home a total of 632 medals, of which 36 were either Gold or Gold Outstanding. There were strong individual performances from KWV, which picked up 22 medals for its wines, and Nederburg, which won three of the country’s seven Gold Outstanding medals. Meanwhile Chile took home 375 medals this year, including a Gold Outstanding gong for the Casas del Bosque Syrah Pequeñas Producciones 2012. The country’s Aconcagua region also performed well, with four of its white wines winning Silver Outstanding medals.
As for Argentina, there were 234 medals for this country in 2014, with Mendoza Malbecs showing particularly well to win four Gold medals. It’s also worth highlighting the success of Brazil, whose wines are beginning to build a larger presence in international markets. The IWSC awarded the country a total of 19 medals, with four of its five Silver medals going to sparkling wines. However, as the results for Australia and New Zealand followed later on, the former country’s 878 medals showed that it continues to dominate rivals both in terms of quantity and quality. An impressive 52 medals from Australia’s haul were either Gold or Gold Outstanding. What’s more, these top performing wines offered a neat reflection of the broad array of styles available Down Under: classic Barossa and McLaren Vale Shiraz, elegant Chardonnay and mature examples of Riesling and Semillon, not to mention the fortified styles on which this nation’s industry was built. Although considerably smaller than its neighbour, New Zealand proved an ability
to punch above its weight by scooping no fewer than 391 medals. As the world’s love affair with Kiwi Sauvignon Blanc continues, Ara’s Gold medal winning Select Blocks 2012 expression emerged as the top example in a crowded field. However, it was New Zealand Pinot Noir and Riesling that accounted for the majority of the country’s Gold medal tally. In addition to flagging up talent among countries and producers, the 2014 results also highlighted the strength of many UK supermarket own label offerings, with Tesco winning 20 Southern Hemisphere medals, Sainsbury’s taking home 18 and Aldi scooping seven. With all this year’s medal and product trophy results now decided, the top performers of 2014 will have to wait until the IWSC Awards Banquet in London on 12 November to find out whether they have done enough to be named as one of the Competition’s prestigious national producer winners.
• For more information or to keep up to date with the latest news, visit iwsc.net or follow @theIWSC on Twitter.
95
92-96 On-trade profile Nb_Layout 1 30/10/2014 08:58 Page 96
on-trade profile
Paul Grieco
Michael Madrigale York’s Pearl & Ash restaurant, “they transferred some of their trust to sommeliers. That gave us power.’’ Frenchborn Pascaline Lepeltier, the beverage director of New York’s Rouge Tomate, is an influential champion of natural,
biodynamic, and organic wines, particularly those from the Loire Valley. Rajat Parr, wine director for Michael Mina Group and one of the founders of In Pursuit of Balance, a group of wineries aiming for lower alcohol and more elegance, ignited a debate when he revealed his policy of not listing wines containing more than 14 percent alcohol in one restaurant. But trading classic reference point wines like Bordeaux for the obscure and the trendy has provoked a backlash. In the Aussie press recently, wine critic Huon Hooke charged that too many lists of little-known wines put diners “at the mercy of the sommelier.” Lepeltier sees it differently. “What’s happening now is that regular customers are more curious,” she says. “So they push us to find what’s new and interesting. It’s a soft revolution for the taste and palate.” Their choices also reflect their restless curiosity. Most U.S. sommeliers tend to be well-educated university grads with an appetite for mastering a subject. That’s prompted many, like Lepeltier, who once planned to be a philosophy professor, to study for a Master Sommelier degree through the Court of Master Sommeliers. The documentary, called SOMM, which follows four candidates struggling to pass the prestigious Master Sommelier exam, was a surprising commercial success last year. The organisation, established in England to improve the standards of drinks knowledge and service, has gone international and helped professionalize the job. Others aren’t so sure. A fascinating article early this year by former sommelier Carson Demmond in the magazine Punch claimed formal academic training will promote the opposite of the relaxed, freestyle wine atmosphere revolutionizing restaurants. And most eagerly seek out networking opportunities, which encourages the spread of ideas about what wines are trendy and
‘They push us to find what’s new and interesting. It’s a soft revolution for the taste and palate’
96
which are not. The danger, of course, is a kind of wine groupthink, overly precious wine lists, and a new kind of snobbery. One place to network is TexSom, a sommelier conference in Dallas, now in its 10th year that draws hundreds of attendees to two days of seminars and tastings. Another is The Guild of Sommeliers, which launched its website in 2009 and has created a cohesive community of 9,000 members. Both give regions and producers a way to reach somms as a group, says Geoff Kruth, the Guild’s COO. Today’s sommeliers may start by working the restaurant floor, but many are ambitious with a serious entrepreneurial streak, and use their initial job to leverage a bigger career, extending their influence on how people think about wine and what they drink. Jean Luc Le Du left Restaurant Daniel to open a downtown wine shop; Veritas’s Tim Kopec advises collectors; Paul Roberts, once at The French Laundry, runs cult winery Colgin Cellars; while Aldo Sohm at Le Bernardin, has just opened a no-reservations wine bar, Aldo Sohm Wine Bar, on West 51st Street in New York. He also sells his own glassware line and signature Laguiole corkscrew. So what’s the future? I predict somms, especially in other countries, will become even more influential and entrepreneurial. The models are out there. Andres Rosberg, president of the sommelier association of Argentina and one of the country’s first professional somms, for example, writes, organizes wine fairs, founded Argentina’s first wine auction house, has won awards for his restaurant lists, and is managing director of a vineyard. There is also huge scope for Chinese somms to influence what people drink, with Beijing-based sommelier Weiley Lu predicting that Sherry will be the next big thing in the People’s Republic. db
97 WSI Advertorial APPROVED BY CLIENT Nb_Layout 1 30/10/2014 08:56 Page 97
sponsored prof ile
H a p s b u rg s p e a r h e a d s t h e a b s i n t h e re n a i s s a n c e Beloved by artists and celebrated by poets and authors all around the world, there’s no denying that the reputation of absinthe precedes most people’s first taste of the iconic spirit THE SPIRIT was originally synonymous with La Belle Époque, the period of late 19th century culture, which ended with the outbreak of the First World War. A century on, and absinthe has now reclaimed its rightful place: as a ‘musthave’ spirit on the back bar; as an essential product in the armoury of career bartenders and in the core repertoire of spirits aficionados. The Hapsburg brand, created in 1999 and celebrating its 15th anniversary, has played a significant role in driving this continuing absinthe renaissance. Dale Sklar, creator of Hapsburg Absinthe and founder of the industry-respected Wine &
‘While respecting the heritage and provenance of absinthe, within Hapsburg we’ve created a brand that fits the spirits range of modern venues’ Spirit International business, says: “Absinthe was once at the heart of the spirits range in every bar, and it’s appropriate that it has taken almost a century for the circle to turn. The revival of the cocktail culture is not just about the drinks themselves, it’s also about the overall customer experience and theatre
of the serve.“From burlesque to jazz and poetry to performance art, British bars are once again at the heart of a thriving arts and increasingly quirky entertainment scene. The wealth of absinthe history creates an added frisson because of its echoes of the liberated spirit of La Belle Époque and the Moulin Rouge.” However, it’s just as important to make the brand experience feel fresh, modern and exciting for today’s customers rather than reminiscing about the past and pretending to be part of the 19th century Paris movement and their green fairies. Sklar adds: “Rather than sitting reverently around an absinthe fountain, consumers are enjoying absinthe as a flavour in a wide range of cocktails and premium mixed drinks that match their aspiration to enjoy life to the full. While respecting the heritage and provenance of absinthe, within Hapsburg we’ve created a brand that fits the spirits range of modern venues with a more contemporary brand identity to appeal to today’s consumer.” The flagship Hapsburg Absinthe Classic has been reformulated using allnatural botanicals including Grand Wormwood, Roman Wormwood, Star Anise and Fennel. While the new formula maintains the distinctive bitter absinthe flavour, it
also offers a more rounded, floral taste which enables bars to offer absinthe in a wider range of serves. Hapsburg Classic is the ideal spirit for bartenders looking to add an authentic absinthe flavour to their own drinks recipes. The award-winning, limited edition Hapsburg La Magnifique is a unique, blended absinthe. Combining bleu absinthes from the Swiss Val-de-Travers region with absinthe from the South of France, the depth, character and complexity of La Magnifique earned it the only Masters Award given in the Verte Distilled category of the Spirits Business Absinthe Masters 2014. “La Magnifique is a prime example of our modern approach to the absinthe category,” says Dale Sklar. “Even the idea of a blended absinthe gives some traditionalists an attack of the vapours, but blending is at the very heart of the distillers’ art. “In La Magnifique, we have a genuinely innovative, ultra-premium spirit which extends the appeal of absinthe to a wider range of discerning drinkers.” Among La Magnifique’s most enthusiastic advocates is Purl London, the acclaimed West End bar that celebrates both forgotten cocktails and innovation. General manager Emanuele Genovese says: “La Magnifique is probably one of the finest absinthes available, and the idea of blended absinthe takes the drinking experience to a whole new level.” Sklar is passionate about the revival of the absinthe category and re-asserts: “We recognise it’s a big world and there’s room for many different approaches in the category, including those brands who wish to live with their fairies in pre-war Paris; however, we are engaging with 21st century cool Britannia.” www.hapsburgabsinthe.com www.purl-london.com
97
98-99 fine wine updates Nb_Layout 1 30/10/2014 08:51 Page 98
fine wine update
BURGUNDY ‘THE SIZZLE IN THE STEAK’ FOR AM&C AUCTION SALES The growing thirst for Burgundy is illustrated by recent figures from Acker Merrall & Condit, whose CEO John Capon picked out key auction market trends. “Burgundy has definitely been the sizzle in the steak,” he said. “From our sales in the first half of the year, it accounted for 50% of our sales by value. Bordeaux was about 30%.” Among the most sought-after wines, he mentioned “certain producers like DRC, Leroy and Jayer that are considered the first growths of Burgundy, but also rising stars like Coche-Dury and Roumier.” If such wines lack the scale to ever drive the secondary market like Bordeaux, Kapon is not bothered. “Yes, there’s less of them being traded, but that’s what makes them ultimately more tradable because of their scarcity,” he remarked. Despite the alarm bells raised by Rudy Kurniawan’s recent high profile fraud
conviction, Kapon insisted: “I think the market’s healthier than it’s ever been, and there is confidence among buyers. Obviously, with the oldest wines there is more trepidation than before, but I think all the [auction] houses have stepped up their level of diligence and processes to the point where the market is probably safer than ever.” Compared to his Hong Kong clients, those in New York “tend to have a wider bandwidth of wine producers,” said Kapon. However, he described the US market for young Bordeaux as dormant, saying: “I think people are looking to older vintages they can drink and are actually less expensive.” Beyond France, “California’s always a big chunk of sales in New York,” said Kapon, adding: “Italy has a very strong following and Spain has been really hot – particularly the older wines.”
240 220 200 180 160 140 120 100 80
Sep 08 Nov 08 Jan 09 Mar 09 May 09 Jul 09 Sep 09 Nov 09 Jan 10 Mar 10 May 10 Jul 10 Sep 10 Nov 10 Jan 11 Mar 11 May 11 Jul 11 Sep 11 Nov 11 Jan 12 Mar 12 May 12 Jul 12 Sep 12 Nov 12 Jan 13 Mar 13 May 13 Jul 13 Sep 13 Nov 13 Jan 14 Mar 14 May 14 Jul 14 Sep 14
Index Level (rebased at 100 in Jan 08)
Auction Monitor Liv-ex Claret Chip Auction Index • Includes all first growths from the last 15 years (excluding en primeur) that have scored 95 plus from Robert Parker • Tracked by average price achieved at auction each month. If the wine in question was not sold at auction that month, the previous month’s price is used • All US and HK auction prices are converted to GBP using the spot rate on the day of the auction
Source: Liv-ex.com
Total value sold at auction in September: £15,000,000. Auctions held: 12 TOP 5 LOTS BY VALUE IN SEPTEMBER Date of Auction Auction house City Lot No 2014-09-06 Hong Kong Christie’s 83 2014-09-11 London Christie’s 69 2014-09-06 Hong Kong Christie’s 87 2014-09-11 London Christie’s 70 2014-09-20 Hong Kong Acker 710
98
Region Burgundy (Red) Burgundy (Red) Burgundy (Red) Burgundy (Red) Burgundy (Red)
Wine DRC, Romanee Conti DRC, Romanee Conti DRC, Romanee Conti DRC, Romanee Conti DRC, Romanee Conti
Vintage 1988 1988 1999 1997 2007
Unit Size Quantity Price 12x75cl 1 £106,571 12x75cl 1 £94,000 1x75cl 6 £62,974 1x75cl 6 £44,650 1x75cl 6 £39,076
98-99 fine wine updates Nb_Layout 1 30/10/2014 08:51 Page 99
fine wine update
PONTET-CANET SECOND WINE DOWNGRADED TO VIN DE FRANCE The 2012 vintage of Pontet-Canet’s second wine, Les Hauts de Pontet-Canet, has had its AOC application rejected and will instead be bottled as Vin de France. All wines wishing to be bottled under their appellation name in France are subject to a series of tests by an independent panel to ensure it is typical of its origin. The 2012 vintage of the fifth growth’s second wine was rejected by the panel and so will not be able to bear the AOC Pauillac designation and will have to settle for the generic Vin de France label which replaced Vin de Table in 2010. Owner Alfred Tesseron told local paper Sud-Ouest: “I don’t understand. This has never happened in my 30 years of work here.”
TOP JAYER LOTS BOUGHT UP BY ASIAN BUYERS
Asian buyers from China, Hong Kong, Taiwan and Singapore drove bidding at Sotheby’s recent London sale and scooped up the top lots of Burgundy producer Henri Jayer that were on offer. The auction, which took place at the end of October, realised £684,579 in total, with two lots of Henri Jayer’s Vosne-Romanée Cros Parantoux 1990 achieving the top prices. Of the seven Jayer lots that attracted top level bidding, five went to Asian buyers, one to the UK and one to South America. Asian buyers also snapped up a bottle of 1999 Romanée-Conti from Domaine de la Romanée-Conti for £9,165, as well as 12 bottles of 1986 Lafite for £6,815.
As the 2012 vintage is due to be delivered to clients in the coming weeks, the apparent lowering of its status is potentially disastrous. However, Tesseron added that he has had “practically no” cancellations from the négociants he deals with. Expressing surprise at the news, several merchants who spoke to db didn’t think it would prove much of a handicap to selling the wines. Fine & Rare’s Asia director, Ross Eva, admitted it wasn’t “ideal”, particularly for the estate, but added that when it came to confirming allocations with clients: “I don’t imagine it will be a problem. We’ll just have to get on with it and hope that the good will Pontet-Canet has built up over the years by making so many fantastic wines will hold.”
WINE PASSPORT TO HELP PREVENT FRAUD Liv-ex has introduced a system to check the condition of individual bottles in its quest to simplify and speed up fine wine trading. Following the 2011 creation of its Liv-ex Wine Identification Number, or LWIN – an identification system that works in a similar way to ISBN book codes – Liv-ex’s head of logistics Ashley Hopkins’ latest innovation is the SIB (standard in-bond) Passport. “What the Passport is trying to identify electronically is whether the wine is in good condition or
not,” Hopkins told db. “It is like a seal of approval for the merchant or end consumer that the stock has been checked independently.” Checks include whether the wine is filled to the right level, has good labels and is in its original case. While it might take a warehouse a week to provide photographic proof of a wine’s condition, the new system should definitely speed up the process reckons Hopkins. “It’s all to encourage electronic trading and avoid needless movement of stock,” he explained.
GRAHAM’S INTRODUCES ‘PORT BOND’ TO TAP INTO GIFTING MARKET Graham’s is offering people the chance to prepurchase vintage Port in the year of its harvest in order to meet demand for birth and wedding gifts. Since vintage Port is only declared, bottled and released 18 months after harvest, those wishing to buy a Port to commemorate the current year have either needed to buy this retrospectively or settle for an older vintage already on the market. In a bid to resolve this issue, Graham’s is offering a “Vintage Port Bond”, which can then be redeemed once the wine has been bottled and
shipped. The buyer will receive a “Vintage Port receipt” and “Vintage Port Bond Certificate”, with the latter given to the individual for whom this gift is ultimately intended. With most Port houses tending to declare only three to four vintages per decade, if the decision is subsequently taken not to make a declaration of that year, Graham’s confirmed that it would substitute double the quantity of vintage Port from its Quinta dos Malvedos estate, which does declare on an annual basis.
99
100-101 fine wine monitor Nb_Layout 1 30/10/2014 08:48 Page 100
fine w in e mon ito r
Shifting up a gear The growing momentum that the Liv-ex 100 has enjoyed of late may not save 2014, but all signs point to a more positive climate to welcome in the new year As we move into the final quarter of the year, it almost feels as if change is in the air. The Livex 100 index has risen for two consecutive months, and although First Growth prices drifted this month, the Liv-ex 50 index is still above the levels it saw in July and August. Couple this with reports of a sunny September for the Bordeaux 2014 harvest – a potentially “handsome” one in the words of winegrower Gavin Quinney – and the mood feels more optimistic than it has for some time. Certainly, 2014 has not been like previous years. As shown in Chart 1, the first three months of 2011, 2012 and 2013 saw fine wine prices rise, boosted by anticipation of the upcoming En Primeur campaign. But this was not to be the case in 2014. With 2013 considered one of the most challenging vintages in two decades, plus increasing dissatisfaction with the châteaux’ prices, few expected much of En Primeur and sentiment going into 2014 was poor. As such,
the Liv-ex 100 had fallen 3.2% by March. The second quarter of the year has been negative for 2012, 2013 and 2014 – In 2011 the 2010 campaign was still in full flow and prices lifted. But it is Q3 where the pattern changes. In the previous three years, price falls from En Primeur continued. This year, however, the Liv-ex 100 began to rise, with Q3 up 0.33%. So why was this? One reason was that the sellers stopped selling – or rather, stopped slashing prices. By the middle of 2014 it is just possible that all the bad news had been discounted: a poor vintage, an even poorer campaign, and an unprecedented three years of price falls. The sellers became tired of selling stock at such low levels, and the value of offers on Liv-ex dropped from £19m in May to just £13m in mid-August. This did not go unnoticed by buyers, with bids increasing by over £3m on the Exchange between June and August. As Chart 2 shows, 2014 was also the year in which Bordeaux dropped away from the rest of
the market. Having traded at such a premium during 2010 and 2011, the First Growths saw prices fall until they were trading at a parity with the broader market from June 2012 through to September last year. The bubble had burst. And then prices fell anew, taking the First Growths’ return performance against the broader market into negative territory. While the Liv-ex 1000 has risen 22% over five years, the Liv-ex 50 has risen just 8.7%. For the Liv-ex 100 to close this year up it would have to rise 8% between now and the end of December. This seems unlikely. It is more probable that 2014 will be the fourth negative year in a row for the fine wine market, an unprecedented event. But for the moment the market appears to be stabilising. If it can hold steady, and with the promise of the best vintage release in four years, 2015 has every chance of starting on a positive note.
The Liv-ex Fine Wine 50 Chart 1: Liv-ex 100 movement by quarter
274 272
5%
2012
0% -5%
2013 2014
-15%
Q1
Q2
Q3
Q4
264 262
The Liv-ex Fine Wine 50 Index tracks the daily price movement of the Bordeaux first growths from the 10 most recent vintages (excluding futures, currently 2002-2011)
Sep 14
Jun 14
Dec 13
Liv-ex 1000
Sep 13
Jun 13
Dec 12
Mar 13
Sep 12
Jun 12
Dec 11
Mar 12
Sep 11
Jun 11
Mar 11
Sep 09
Dec 10
Jun 09
Mar 09
Sep 09
Liv-ex 50
Mar 14
190 180 170 160 150 140 130 120 110 100 0
Dec 09
258
Source: Liv-ex.com
Chart 2: Liv-ex 50 vs Liv-ex1000: five years Index level (rebased at 100 in Sept 09)
266
260
-10%
100
268
01.07.14 08.07.14 15.07.14 22.07.14 29.07.14 05.08.14 12.08.14 19.08.14 26.08.14 02.09.14 09.09.14 16.09.14 23.09.14 30.09.14
Percentage Change of LX100
2011
Index Value
270
10%
Liv-ex is an independent trading and settlement platform for the fine wine trade. For prices and other market information visit www.liv-ex.com.
100-101 fine wine monitor Nb_Layout 1 30/10/2014 08:48 Page 101
f i ne w i n e mo nito r Rising Stars (£/9 litre case) Bordeaux (Red) Ausone Calon Ségur Cantemerle Cheval Blanc Conseillante Cos d'Estournel Ducru Beaucaillou Figeac Grand Puy Lacoste Gruaud Larose Haut Brion Lafite Rothschild Lafleur Lagune Latour Léoville Barton Léoville Las Cases Léoville Poyferré Lynch Bages Margaux Mission Haut Brion Montrose Mouton Rothschild Palmer Petrus Pichon Baron Pichon Lalande Pin Talbot Vieux Château Certan
1982 4351 2400 719 6352 2953 3600 2525 2850 2400 2700 5828 26000 27500 1312 14609 1450 3500 3680 2839 7693 8500 1680 10102 2275 42000 1450 5900 38000 1780 2300
1989 2800 858 750 2797 2525 1220 853 1050 800 990 11100 4950 8395 695 3285 870 1280 1063 2342 3497 8050 2650 2640 2200 29900 2150 1515 23374 795 1095
1990 3401 1180 598 6448 3343 1600 980 1600 1850 1500 4500 5214 12000 670 5523 1195 1896 2400 1964 7200 3950 4950 2800 1564 30999 2388 960 36000 750 1800
1995 4800 750 295 2995 1050 1395 1280 1080 945 625 3050 5026 3500 380 3750 680 1400 715 1100 3434 1750 920 3271 1700 16000 895 1400 14500 675 920
1996 3750 687 325 2800 844 1185 1500 818 825 700 2830 7000 2600 450 4978 750 1700 840 1128 4050 1420 980 3300 1750 16965 990 1625 15644 650 895
2000 9000 720 420 5249 1500 1230 1318 1090 770 830 4800 10800 13000 420 7396 925 2086 1090 1458 5944 4010 1100 11200 2058 34456 1485 1550 31040 700 1500
2003 7600 663 256 2950 700 1232 1100 711 349 390 2550 6500 3500 330 6400 720 1179 980 1020 3650 1251 1413 3200 1200 15500 900 950
1988 879 550 420 2970
1990 1100 720 623 2385
1996 520 314 385 1350
1997 495 330 350 1717
2001 1816 834 690 4000
1995 2580 3350 17500 42000 105024 7800 2519
1996 2580 2719 22000 39600 87000 9984 1172
1998 2772 1178 14500 39000 93600 6048 1878
1999 3000 1178 33000 33000 117600 11160 2806
Champagne Krug, Brut Louis Roederer, Cristal Dom Perignon
1985 3708 3000 2518
1989 3000 3156
1990 2802 6600 2100
Others Antinori, Tignanello Beaucastel, CNDP Chapoutier, Ermitage Pavillon Chave JL, Hermitage Guigal, Côte Rôtie Mouline Jaboulet, Hermitage Chapelle Mondavi, Opus One Ornellaia Penfolds, Grange Rayas, CNDP Reserve Sassicaia Vieux Telegraphe, CNDP
1998 720 550 1742 1900 3500 680 2092 1500 3200 3333 1800 580
1999 735 420 1050 2500 6344 625 2178 1600 2700 2700 1400 360
Port Dow’s Fonseca Graham’s Noval Taylor’s Warre’s
1966 1000 1428 1200 840 1044 900
1970 870 1140 900 720 1248 695
Bordeaux (White) Climens Rieussec Suduiraut Yquem Burgundy Comte de Vogüé, Bonnes Mares Comte Lafon, Meursault Charmes DRC, Assortment DRC, Montrachet DRC, Romanée Conti Rousseau A, Chambertin Rousseau A, Clos Roche
450 1050
2005 9950 575 251 3975 1400 1280 1450 930 650 460 4220 5700 7112 500 5889 640 1700 639 990 5100 2875 840 3600 1800 23470 900 750 18699 480 1200
2009 10000 620 225 6600 1356 2050 1945 1450 500 530 5120 6221 9200 398 8791 620 1612 1400 990 5075 4030 1900 4500 1848 24182 1050 950 27500 380 2000
2010 11579 640 240 7600 1422 1346 1440 1500 500 500 5310 5594 8944 385 9009 745 1517 768 890 4930 3508 1564 4750 1990 25604 1200 1090 24000 379 2250
2003 520 286 300 1400
2004 362 220 360 1380
2005 550 284 340 2100
2007 780 309 316 2100
2009 580 310 480 3900
2002 4716 2105 20500 34200 94800 12300 2674
2005 4020 1749 30152 35760 109992 14400 2500
2006 2390 1284 18500 31800 90000 6700 1980
2007 2200 1345 22500 31200 83400 5580 1896
2009 3000 1390 23950 27972 102000 10380 2500
2010 3000 1440 26000 30900 98400 11000 3150
1995 1880 2734 1500
1996 2500 2350 1700
1998 1550
1999
2002
2004
1410
1980 950
2000 1500 1650 1040
1700 1080
1400 860
2000 740 516 1708 2000 1850 663 2362 1740 2700 2820 1670 340
2001 1000 515 1150 1597 2952 725 2303 1700 2900 3550 1903 390
2005 585 460 1260 1609 5000 760 2534 1299 3150 4680 1398 433
2006 720 390 1490 2175 1700 800 2252 1500 3350 2279 1620 290
2007 660 480 890 1440 2100 1010 2220 1400 3110 4829 1350 450
2008 541 358 840 879 1350
2009 549 430 2250 3275 3400 1440 1861 1200 3100
2010 540 460 2400 3300 3000 1140 1800 1260 3540
1060 320
1070 460
1977 610 1080 600
1985 450 521 540 360 520 420
1997 330 495 425 1950 450 336
2000 340 400 395 480 540 312
2003 550 380 425 500 580 440
2005
2007 620 600 475 350 500 340
2011 550 590 580 619 475 480
780 495
2150 1260 3800 2431 1179 310
126 470
101
102-103 People _Layout 1 30/10/2014 11:25 Page 102
people moves
CASA VINICOLA ZONIN IN BOARD SHAKE-UP Casa Vinicola Zonin has carried out a top level restructure of its board in response to the Italian producer’s global growth. The shake up has seen Domenico Zonin appointed chief executive officer, while Massimo Tuzzi has stepped into the new role of chief operating officer. Another family member, Giuseppe Zonin, was nominated vice-president. Commenting on these changes, president Gianni Zonin said: “This new organisation of the company will allow us to stand up successfully to the forthcoming challenges in the world of wine, attain important goals and achieve an overall company turnover of €200 million (£156m) within a few years.” He highlighted the “considerable experience in the field of wine production” of his son Domenico, who is already president of national body the Unione Italiana Vini among other posts. Meanwhile Gianni described Tuzzi’s “international know-how” as “invaluable” to the company’s commercial growth. Zonin currently owns over 2,000 hectares of vineyard and sells its wine in 106 markets.
Corney & Barrow has appointed a new general manager for its Asian operations as well as new additions to its marketing and sales teams. Thibaut Mathieu will join as general manager on 13 October, replacing Cecily Burchett-Chambers who left the business in June. He has built up 12 years of experience working in Shanghai and Hong Kong. Corney & Barrow sales director Oliver Hartley commented: “This is an incredibly exciting time for the company and Thibaut’s appointment comes at a time when we have invested heavily in expanding the sales and marketing teams in Asia.” In recent months the merchant has also appointed Linda Tan as its new marketing manager for Asia, while Olivia Cain, MarcoJean Cloete and Eunice Fu have joined the sales team to help develop private and on-trade sales.
IN BRIEF
BOARD CHANGES contact BOARDEX on +44 (0) 20 7160 9600, sales@boardex.com Name Karen Hester Joao Giffoni de Castro Neves Bernardo Paiva Luiz Ziegler de Saint Edmond Luiz Ziegler de Saint Edmond Pascal Bazin Benoît Ghiot Benoît Hérault Benoît Hérault Krzysztof Trylinski David Johnston Norman Celliers Ethel Matenge-Sebesho Anne Carron Emmanuel Faber Emmanuel Faber Bernard Hours Franck Riboud Franck Riboud Gilbert Ghostine Syl Saller Thomas Bucher David Brown Kirk Davis Matthew Fearn René Hooft Graafland Gautam Banerjee Vibha Rishi Paul Logan Paul Logan Clarence Tan Clarence Tan Sharon John Michel Boulaire
102
Description Joins Leaves Joins Leaves Leaves Leaves Joins Leaves Joins Leaves Joins Leaves Joins Leaves Joins Joins Leaves Leaves Leaves Joins Joins Leaves Leaves Joins Leaves Joins Leaves Joins Leaves Leaves Leaves Leaves Leaves Leaves
Company ADNAMS PLC AMBEV SA AMBEV SA AMBEV SA ANHEUSER-BUSCH INBEV SA BELVEDERE SA BELVEDERE SA BELVEDERE SA BELVEDERE SA BELVEDERE SA C&C GROUP PLC CAPEVIN HOLDINGS LIMITED CAPEVIN HOLDINGS LIMITED DIAGEO PLC GREENE KING PLC GREENE KING PLC GREENE KING PLC HEINEKEN NV LAURENT-PERRIER SA LAURENT-PERRIER SA LVMH MOET-HENNESSY LOUIS VUITTON SA LVMH MOET-HENNESSY LOUIS VUITTON SA LVMH MOET-HENNESSY LOUIS VUITTON SA MARSTON'S PLC MARSTON'S PLC MOLSON COORS BREWING CO PERNOD-RICARD PERNOD-RICARD REMY COINTREAU SA UNITED SPIRITS LIMITED UNITED SPIRITS LIMITED UNITED SPIRITS LIMITED UNITED SPIRITS LIMITED WETHERSPOON (J.D.) PLC
CORNEY & BARROW NEW GM FOR ASIA
Role ED Alternate Director CEO Alternate Director Regional President Independent Board Member Board Member - SD Independent Board Member Independent Chairman Chairman Company Secretary Independent NED Independent NED CCD Officer/Regional President Director - Corporate Finance CFO GFD CFO Chairman (Executive) Chairman (Executive) Division CEO Division CEO Division Chairman/CEO Independent NED Independent NED Regional MD Independent Director Independent Director Chairman/CEO Independent Director Independent Director Director - SD Independent Director FD/Company Secretary)
Denis O’Flynn, managing director of Pernod Ricard UK, has been elected the next chairman of the UK Wine and Spirit Trade Association. A member of the WSTA executive board since 2011, O’Flynn started his career in brewing before working with Diageo. He joined Pernod Ricard in 1998 and has headed its UK business since 2011. O’Flynn will take over from current WSTA chairman Nick Hyde on January 2015. Dan Jago has been given the additional responsibility of beer and spirits at Tesco, broadening his role as the supermarket group’s director of wine. The move sees Tesco’s beer, wine and spirit categories brought under a single remit, allowing a “unified” approach to promotional planning across all alcoholic drinks categories. Vinexpo has named two new directors as the wine and spirit exhibition organiser enters “a development phase”. Taking up the role of sales director is 33 year-old Mathieu Vanhalst, who has spent seven years assisting with Tax Free World Association events in France and the Far East. Meanwhile, 35 year old Richard Guyon has joined as marketing director, bringing experience of the hospitality and tourism sector from his former role at the Relais & Châteaux network.
102-103 People _Layout 1 30/10/2014 11:25 Page 103
p ro u st q& a
THE PROUST Q&A: BERNARD HICKIN Melbourne born Bernard Hickin is the chief winemaker of Jacob’s Creek. Having graduated from Roseworthy College with a degree in oenology, Hickin has worked for the brand since 1976, starting out as assistant winemaker at Rowland Flat. In 1997, he was made group winemaker for white and sparkling wine, launching Jacob’s Creek’s first sparkling wine range a year later. Having worked as chief winemaker since 2006, Hickin travels the world promoting the Jacob’s Creek brand and the wines in its portfolio. He lives in the Barossa Valley with his wife Carolyn. What is your idea of perfect happiness? Drinking a glass of Chardonnay on the deck of a sailing boat in a light breeze on a warm Saturday afternoon. What is your greatest fear? Falling off the boat (and spilling my Chardonnay). Who do you most admire? David Attenborough for his love of all things living, or fossilised. What is your greatest extravagance? I’ve developed a keen interest in rocks and minerals. What is your current state of mind? z Relaxed, with an eye on living life to the fullest. What is the quality you most like in a woman? Someone with shared interests who I can talk to in a meaningful way. Who or what is the greatest love of your life? My darling wife Carolyn and three intrepid sons. If you could change one thing about yourself, what would it be?
Schussing down a Cardrona ski slope near Queenstown, NZ, where my only care in the world was to avoid breaking a leg or running into a boulder. If you could change one thing about yourself what would it be? My obsession with chocolate. Which talent would you most like to have? To be a mesmerising guitarist. What is your most treasured possession? My Fender Stratocaster guitar. What do you consider your greatest achievement? My three grown-up sons, who are now, finally, fully engaged in the workforce. Where would you most like to live? In spite of the cold winters, I couldn’t imagine anywhere better than the Barossa. What is your most marked characteristic? Some people have told me that I look a bit like Harrison Ford. Who are your favorite writers? I’ve a great respect for James Halliday and his passion for and knowledge of both New and Old World wines. Who is your hero of fiction? Indiana Jones, of course. Who else?
Who would be your ideal dinner party guests and what three wines would you serve? English comedy actor Peter Cook, Australian geologist Reginald Sprigg and English national treasure Sir David Attenborough. I’d begin them on 2005 Steingarten Riesling and would move on to 2010 Grand Cru CortonCharlemagne, ending with 2004 St Hugo Cabernet Sauvignon.
What is it that you most dislike? People who don’t appreciate good Riesling. What is your greatest regret? That there is a great wine out there somewhere that I haven’t tasted yet. What is your motto? Live life to the fullest, both within and outside of work.
103
104 Vinoteca profile Nb_Layout 1 30/10/2014 08:47 Page 104
sponsored profile
I N V I N OT E C A V E R I TA S The burgeoning wine-focused eatery Vinoteca is charming its way across the length of London THE BRAINCHILD of Brett Woonton, Charlie Young and Elena Ares, Vinoteca opened its first site in Farringdon in 2005, taking the enotecas of Spain and Italy that double as wine shops as its inspiration. The thinking behind the brand was to create a convivial atmosphere in which to serve high quality, characterful wines available to take away at retail prices, served alongside fresh, seasonal dishes. Waiting five years before opening a sister site, the trio branched out into Marylebone in 2010, with a site in Soho opening in May 2010, followed by Chiswick last September, with a fifth site due to open in King’s Cross next spring. Vinoteca takes the stuffiness out of wine and injects it with a much-needed dose of fun. Big on buzz, high on charm but refreshingly devoid of pretension, the 285 wines by the bottle and 25 by the glass are exciting, intriguing and fairly marked up, with wine flights offering explorations into specific regions and grape varieties. Smart small plates play on the brasserie theme and include the likes of smoked
104
eel, leeks and lovage; John Dory with chorizo; and double-crusted meat pies. The interiors at all four sites meanwhile are light and French in feel, with open brickwork and Art Nouveau posters ruling the roost.
‘For its next trick, the Vinoteca team has teamed up with winemaker Darry Catlin in the Adelaide Hills to produce its first own-label wine’ This summer, Vinoteca became the first London wine bar to pioneer the trend of selling Riesling out of a 20-litre keg. The dry Riesling in question, made by Axel Neiss in Pfalz, was offered by the
glass to customers. Having championed the idea, the team was surprised at how much of a hit the keg format proved to be. “Sales went off like a frog in a sock and the kegs did even better than we expected them to – it helped that the staff got behind them straight away,” says Young. In a bid to cut its carbon emissions, in addition to using kegs, Vinoteca also import its own premium bag-in-box wines. The success of the Pfalz Riesling in keg has helped to boost German wine sales for the group this year, with Pinot Noir from producers like Oliver Zeter and Pinot Blanc from Markus Scheider also proving a hit. Greece has also been a surprise success story for Vinoteca in 2014, buoyed by sales of an organic Retsinsa from Tetramythos and a Naoussa from Thymiopoulos. For its next trick, the Vinoteca team has teamed up with winemaker Darry Catlin in the Adelaide Hills to produce its first own-label wine, called Rodney & The Horse, in a hat tip to Brett and Charlie’s nicknames among the wine trade. Fermented with wild yeast and aged on its lees, the 2014 Clare Valley Riesling will retail at £13.95 to take away, with the menu listing coming in at under £30 a bottle. With just 2,688 bottles made, in addition to going on sale at Vinoteca, small allocations of the wine will be on pour at fellow wine-focused venues, including 10 Greek Street, 8 Hoxton Square, the Kensington Wine Rooms, Hawksmoor and Foxlow. db
107-109_DB_NOV_index_Layout 1 30/10/2014 10:56 Page 105
DB INDEX BRANDS & SERVICES AGENTS WANTED
THE VO D MASTERS
REST OF W O
DRL
KA
SILVER
L RETAIL AVE SP TR I
A SIA 13
BRANDY & COGNAC
HE VODKA -T
ASTERS TM RI
VODKA - T HE
H
TERS AS M
SMO OT
ABSINTHE
DAK BOKER VO -
MOOTH - V O -S
OF WORLD ST RE
A MASTER DK S VO
R
E VODK AM - TH
GOLD
ASTERS AM DK
VODKA BO KE
GOLD
M
S TER AS
PRE MI U
HE VODKA -T M
RS TE AS
SMO OT
0 GOLD 2 H
Seeking International Agents For more information please contact r.berardi@fraternityspirits.com www.fraternityspirits.com
BURGUNDY
Log on Discover the
.com ANALYTICAL CHEMISTS
Seeking International Agents
For more information please contact r.berardi@fraternityspirits.com www.fraternityspirits.com
107-109_DB_NOV_index_Layout 1 30/10/2014 10:56 Page 106
DB INDEX BRANDS & SERVICES CHAMPAGNE
CORKS & CLOSURES
GLASSWARE
MINIATURES
Fast nationwide delivery
DISTILLERIES
Shelton House, 4 Coningsby Street, Hereford HR1 2DY Email: polroger@polroger.co.uk Tel: 01432 262 800 Fax: 01432 262 806 www.polroger.co.uk
Lochy Bridge, Fort William PH33 6TJ Telephone: 01397 702476 Fax: 01397 702768 www.bennevisdistillery.com
ITALIAN WINES
Champagne Bollinger
For the Love of Wine
Sole UK importer:
ORGANIC WINES
Quality selection from the small vineyards of Italy
Contact: Robert Steel - 01280 822500 Ian Steel - 01359 270377
Mentzendorff & Co, Prince Consort House, 27-29 Albert Embankment, London SE1 7TJ Tel: 020 7840 3600 Fax: 020 7840 3601 www.mentzendorff.co.uk
Email: swiss.wine@fortheloveofwine.co.uk Web: www.fortheloveofwine.co.uk
LEBANESE WINES
Moët Hennessy (UK) Ltd 18 Grosvenor Gardens, London SW1W 0DH Tel: 0207 808 4400 Fax: 0207 808 4402
Moët Hennessy UK Ltd VEUVE CLICQUOT MAISON FONDEE EN 1772 A REIMS – FRANCE 18 GROSVENOR GARDENS, LONDON SW1W 0DH TEL: 0207 808 4400 – FAX: 020 808 4402 www.veuve-clicquot.com
CONTRACT BOTTLING
M A SSole UKSAgents: AYA
RIOJA
THORMAN HUNT & CO LTD
The ONLY way to ensure you get your own personal copy every month is to subscribe UK 1 Year £158 Europe 1 Year £236 Rest of World 1 Year £258 Call Lewis O’Sullivan on: Tel: +44 (0)20 7803 2427 Fax: +44 (0)20 7803 2421 Email: subs@thedrinksbusiness.com
Tel: 020 7735 6511 Fax: 020 7735 9799 Email: sales@thormanhunt.co.uk 4 Pratt Walk, London SE11 6AR www.massaya.com
LOGISTICS
Head Office: UNION VITI-VINICOLA SA 26350 Cenicero, La Rioja, Spain. Tel: +34 941 45 50 64 Fax: +34 941 45 44 00 Email: export@marquesdecaceres.com Web: www.marquesdecaceres.com
RUM WORTHY PARK ESTATE LTD.
offers Jamaican Pot Still Rum Available in Bulk, aged and unaged. Contact: g.clarke@worthyparkestate.com
www.worthyparkestate.com
107-109_DB_NOV_index_Layout 1 30/10/2014 10:56 Page 107
DB INDEX BRANDS & SERVICES ROMANIAN WINES
SOFTWARE SOLUTIONS
SPECIALIST IMPORTER
TEQUILA
STORAGE
TRADE MARKS
SHIPPING
Solution for Storage, Marketing & Education • Bonded Stock • Duty Management • En Primeur • Customer Reserves • Integrated EPoS • CRM • Accounts End-to-end business
management for the drinks industry
01792 818177
Need to know about protecting your brand names and labels?
Wildbore House, 361 Liverpool Road, London N1 1NL
Asia Pacific Wine Hub Pte Ltd 76 Pioneer Road Singapore 639577 Tel: (+65) 6863 2662 Fax: (+65) 6863 2692
Tel: +44 (0)20 7607 7312 Fax: +44 (0)20 7609 9062 Email: info@wildbore.eu www.wildbore.eu
WINE RACKS
www.accountingoffice.co.uk wine@accountingoffice.co.uk
Email: info@apwinehub.com Website: www.apwinehub.com
TAX WAREHOUSES
WINES FOR THE TRAVEL INDUSTRY
Email: wine.uk@schenker.com
SWISS WINES
For the Love of Wine
The widest selection of wines from Switzerland
Contact: Robert Steel - 01280 822500 Ian Steel - 01359 270377
Email: swiss.wine@fortheloveofwine.co.uk Web: www.fortheloveofwine.co.uk
The only way to ensure you get your own personal copy every month is to subscribe.
+44 (0)20 7803 2427
108 Salut Nbgs_Layout 1 30/10/2014 08:46 Page 108
salut in asso ciation w ith
www.polroger.co.uk
BOUT WITH OUT AND A USINESS B THE DRINKS nd Rover, Pol Roger, La Wild Wessex land and The ol H & nd la ol H Navy Club at the Army & et m o C um Pl challenge. tish “Macnab” ot Sc a of d ea ah Rectifier Guild’s Grand IN G E TH . 2 Ibolya Bakosayman, with H er ph to is hr C lers, one of r House Distil ve In of er nn To nisation. rs of the orga 24 new membe d ornwall visite Duchess of C E TH H R H n, . 3 pel Dow producer Cha English wine ith a limited w d presente where she was illa”. of “Cuvée Cam edition bottle
om 1. A TEAM fr
1
e an
an Carlos mad
ing Ju here 4. HRM the K astillo Ygay, w at ce Rioja’s C appearan historic augurated this he officially in vation. eight-year reno estate after its
off its new NO SHOWED 5. DISARON with a party at inspired bottle Versacests included Mayfair. Gue London’s One m Faiers. is Essex star Sa The Only Way
2
7
dys
sor Har CRICKET spon ayers 6. ENGLISH enary with pl
’s bicent marked Lord oggart, Mark n, Matthew H so er James And Olly Smith. ine personality Butcher and w ic
mus CKHAM joined say 7. DAVID BE d Gordon Ram
6
3
Fuller an mogul Simon o to launch sted by Diage at a dinner ho b whisky. db ar ’s Haig Clu the football st
5 4 • CHAMPAGNE POL ROGER • CROWN ESTATES • DROUHIN-VAUDON • GLENFARCLAS • HINE • JOSEPH DROUHIN • JOSMEYER • SINSKEY • STAGLIN
HE VODKA -T
MASTERS
REST OF W O
THE VO D KA
DRL
SILVER
L RETAIL AVE SP TR I
13
A SIA
ASTERS TM RI
VODKA - T HE
H
TERS AS M
SMO OT
31_dbhk_Sep_Bokor_db_april_folio_ 24/09/2014 16:03 Page 1
HE VODKA -T M
For more information please contact r.berardi@fraternityspirits.com www.fraternityspirits.com
DAK BOKER VO -
MOOTH - V O -S
OF WORLD ST RE
A MASTER DK S VO
Seeking International Agents
R
E VODK AM - TH
GOLD
ASTERS AM DK
VODKA BO KE
GOLD
M
S TER AS
PRE MI U
H
RS TE AS
SMO OT
0 GOLD 2
124_db_Sep_Ron Prohibido Rum_db_april_folio_ 28/08/2014 11:17 Page 1
For more information please contact r.berardi@fraternityspirits.com www.fraternityspirits.com