“Elected Suffering”, digitally illustrated cover for The New Yorker Magazine, 2022 PRICE
8.99
JAN. 10, 2022
Lauren Jacob Graphic Designer and Photographer
Intrinsic to the practice of graphic design and photography is two-dimensionality. Almost in protest of such a standard, I feel naturally compelled to construct my own parameters of dimension within my art. This attitude commonly leads me to create a perceivable foreground and background, often made possible by my strategic use of silhouettes, lines, and colors. Beyond their depth potential, my infatuation with these three visual elements also stems from my belief that their simplicity and rawness force our eyes to discover their expressiveness. They lack the context typically provided through blended hues, tones, shadows, and highlights, making them the perfect resources for my intentions of moderate abstraction. PRICE
JAN. 10, 2022
8.99
PRICE
8.99
JAN. 10, 2022
PRICE
8.99
Digital spot illustrations for The New Yorker Magazine, 2022
JAN. 10
This summation of my visual style combined with my passion for both fine art and applied art characterize my capstone, a mix of photo series and print work. Each project visually represents several different conversations, but ultimately, most important to me was that I make compelling art that raises questions instead of answering them. Providing my audience with just enough to follow me but never know absolutely everything.
Time Magazine interior spread, digital photography and design, 2022
“Current No. 2”, digital collage photo series, 2022