PRECOLLEGE SATURDAY SCHOOL FALL 2016 + SPRING 2017 WRITING, PERFORMING + VISUAL ARTS CLASSES FOR HIGH SCHOOL STUDENTS
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RADICALLY ALTER YOUR WEEKENDS UARTS SATURDAY SCHOOL OFFERS HIGH SCHOOL STUDENTS AN UNRIVALED ARRAY OF INNOVATIVE CL ASSES FOR BRINGING OUT YOUR INNER ARTIST. WALK AWAY WITH MORE THAN JUST KNOW-HOW: EVERY MEMBER OF UARTS FACULT Y ACTIVELY PRACTICES THEIR SPECIALT Y, MERGING EXPERIENCE + EXPERTISE.
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OCTOBER 15 – DECEMBER 10 EIGHT SATURDAYS, 10 AM – 1 PM
FALL 2016
NO CLASS SATURDAY, NOVEMBER 26 FOR THANKSGIVING HOLIDAY
COURSES OFFERED DURING THE FALL SEMESTER SS 220
SS 103
Figure Drawing
SS 112 Animation
SS 127
Game Design
SS 128
Character Design
SS 153
Creative Writing: Journalism + Memoir
SS 216
Graphic Design: Posters + Promo
SS 213
Illustration I: The Essentials
SS 129
Darkroom Photo: Toy + Vintage Cameras
SS 108
Painting I: The Essentials
Acting Studio: Monologues
SS 130 Digital Filmmaking: Documentary SS 156
Digital Filmmaking: Structure + Composition
SS 101
Drawing I: The Essentials
SS 141
Fashion + Fibers: Sewing + Pattern Making
SPRING 2017
SS 132
Photography I: The Essentials
SS 102
Portfolio Preparation
SS 157
Product Design: Laser Cutter + 3-D Printing
SS 222
Sculpture Studio + Casting
SS 218
Skateboard + Media
SS 140
Taxidermy as Wearable Art
FEBRUARY 11 – APRIL 1 EIGHT SATURDAYS, 10 AM – 1 PM
COURSES OFFERED DURING THE SPRING SEMESTER SS 221
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SS 217
Graphic Design: Packaging
SS 112 Animation
SS 210
Graphic Novel
SS 161
Creative Writing: Fiction
SS 160
Illustration II: Advanced Projects
SS 158
Digital Filmmaking: Directing
SS 126
Intro to the Music Industry
SS 159
Digital Filmmaking: Experimental
SS 107
Jewelry + Small Metals
SS 139
DIY: Screen Printing
SS 108
Painting I: The Essentials
SS 101
Drawing I: The Essentials
SS 219
Painting II: Alternative Painting
SS 125
Drawing II: Advanced Projects
SS 132
Photography I: The Essentials
SS 168
Fashion + Fibers: Surface Manipulation + Dyeing
SS 102
Portfolio Preparation
SS 103
Street Photography
Figure Drawing
SS 120 SS 134
Zine + Small Press
Acting Studio: Scenes
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will execute your own short animated movie or demo reel.
Offered in Fall + Spring SS 128 CHARACTER DESIGN
Looking to create the perfect protagonist — or adversary — for the story you want to tell? Work from your imagination to develop and design original characters. Use a variety of traditional and digital media to work through a series of thumbnail sketches that evolve into highly-rendered images suitable for various applications — illustration, animation, comic books, cartoons or graphic novels.
COURSE DE SCRIPT IONS
Offered in Fall
SS 220 ACTING STUDIO: MONOLOGUES
Using the Stanislavski method and text analysis, learn to embody characters truthfully and deeply, striking a chord with audiences and directors alike. Pulling from a catalog of classic and contemporary monologues and an array of acting and improvisational exercises, this course will help you gain audition readiness as well as deeper understanding of theatrical texts.
Offered in Fall SS 221 ACTING STUDIO: SCENES
Collaboration between actors is the essence of effective theater. Stanislavski’s system of objections, actions, and obstacles urges actors to think collectively — expanding their own capabilities in tandem with those of fellow student actors. Develop full and complex characters through a series of scenes that provide a vivid backdrop for choice-making exercises.
Offered in Spring SS 112 ANIMATION
From hand-drawn to high-tech, animation has evolved dramatically since its debut in nineteenth century France. In this course a professional animator provides guidance as you learn the basics of motion studies — experimenting with traditional hand-drawn and stop-motion animation. Over the course of the program you 4
SS 161 CREATIVE WRITING: FICTION Conjuring up a plot is one thing. Executing it effectively is another. Merge your great ideas with exacting delivery by developing the elements and subtleties that transform a compelling anecdote, thought or observation into enduring prose. Offered in Spring SS 153 CREATIVE WRITING: JOURNALISM + MEMOIR
American literary journalist and memoirist Joan Didion said, “I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means. What I want and what I fear.” In this course you’ll focus on developing your voice while exploring contemporary approaches to creative non-fiction genres — journalism and personal narrative. You’ll compose original works based on prompts that incite experimentation and analysis, and participate in critiques of your and your classmates’ short stories and essays with a professional writer.
Offered in Fall SS 129 DARKROOM PHOTO: TOY + VINTAGE CAMERAS
In contemporary culture everyone can be a photographer — in this course, you’ll give your photos distinction from the crowd with an experimental edge. Using Holgas, Diana cameras, Lomos, Polaroid and other vintage film cameras, explore the mechanisms and techniques of analog and low-tech photography. Learn to develop photographs in the darkroom as you discover the enduring relevance of these old-school pro-
cesses. This course is open to both experienced photographers and beginners.
Offered in Fall SS 158 DIGITAL FILMMAKING: DIRECTING
This course focuses on contemporary modes of film directing and execution using state of the art cameras, equipment, and software. Develop a project from script to casting, shooting, and post-production. You’ll learn how to prepare for rehearsals, and methods to creatively and effectively communicate with actors so that the characters you envision come alive. In this course you’ll discover a range of creative possibilities and begin to develop your personal themes as a director.
Offered in Spring SS 130 DIGITAL FILMMAKING: DOCUMENTARY
Offered in Fall SS 159 DIGITAL FILMMAKING: EXPERIMENTAL
Discover the works of underground, experimental filmmaking pioneers like Stan Brakhage, Marie Menken, and Andy Warhol — and then make your own experimental short films. Re-think filmic conventions and explore non-narrative, alternative modes of filmmaking, such as techniques for abstraction, sound manipulation, and unconventional editing. Develop your personal vision as an artist as you create unique films that question mainstream commercial cinema and its practices.
Offered in Spring SS 156 DIGITAL FILMMAKING: STRUCTURE + COMPOSITION
When you watch a film, the camera controls what you see and when — so how does the filmmaker use this to her advantage to evoke mean-
Offered in Fall SS 139 DIY: SCREEN PRINTING
Learn the D.I.Y. medium of dissemination that Andy Warhol famously stole from industrial production processes and transformed into art form. Grasp the basics of screenprinting, from set-up and screen prep to image transferring and printing. Learn to screenprint posters, zines, bags, apparel and more. This empowering course will give you the tools to print your imagery, pattern, logo or message on items of your choice.
Offered in Spring SS 101 DRAWING I: THE ESSENTIALS
Drawing is the most basic, rudimentary art and design tool — and it is a fundamental component of all creative disciplines. If you have not had formal training in drawing, here’s the place to start. Instruction will focus on drawing from life, including still life, models and landscape. You’ll explore foundational drawing techniques such as light, shadow, rendering, perspective, and composition. Working in classical media such as pencil, charcoal and ink, you’ll develop essential observational skills and several works suitable for inclusion in a portfolio. Nude figure models will be used in this course.
COURSE DE SCRIPT IONS
Film is one of the primary ways we experience stories in contemporary culture — and often it’s the most powerful. Learn the history and tools of documentary filmmaking including directing, camerawork, and editing. You’ll create a short, observational film and produce assorted group projects under the guidance of the instructor. Following completion of each project, you’ll screen your work with classmates and engage in group critiques and in-class discussions around non-fiction filmmaking.
ing? In this course, examine artistic expression in filmmaking from all sides. Instructor-led class discussions will center on closely and critically examining scenes from selected example films. You’ll work in groups to devise responses to prompts based on the scenes. Through this close examination and analysis, you’ll discover new areas of interest and understanding. Group critiques will further your knowledge of the various readings images can possess, and how to use image juxtaposition and camera placement for your own artistic purposes. At the end of the course, you’ll have a new awareness of the structures and compositions present in all films.
Offered in Fall + Spring SS 125 DRAWING II: ADVANCED PROJECTS
Focus on design and composition as you work toward sustained studies and large-scale finished drawings. Explore structure, space, line and tone while working in various media. Work from still life, interiors, landscape, and figures while experimenting with a variety of materials including conté crayon, pastels, and toned 5
and colored papers. Prior drawing experience preferred. Nude figure models will be used in this course.
tools, and aesthetics to bring your original game concept to life.
Offered in Spring
Offered in Fall
SS 141 FASHION + FIBERS: SEWING + PATTERN MAKING All great fashion begins as a pattern. Work backward from an existing garment you love, replicating its pattern to design a similar piece. Manipulate patterns, utilize drafting changes and work with found material to create new styles. This class focuses on basic sewing using a Bernina sewing machine and pattern-making skills, with a brief tutorial on fabric dyeing.
SS 216 GRAPHIC DESIGN: POSTERS + PROMO
Offered in Fall
COURSE DE SCRIPT IONS
SS 168 FASHION + FIBERS: SURFACE MANIPULATION + DYEING
Make your designs more exclusively yours by manipulating fabric surface in addition to its cut and shape. From dyeing to embroidery to sewing machine drawing, add color, dimension or pattern to an existing garment while improving your sewing machine skills in the process.
Offered in Spring SS 103 FIGURE DRAWING
Drawing the figure is both challenging and rewarding — and can be crucial for many forms of artmaking and design. This course will allow you to focus exclusively on articulating the human form on a 2D surface. Instruction and demonstrations will help you develop observational skills as well as strategies for checking for accuracy. You’ll primarily work from skeletons and models as you learn basic anatomy and skeletal structure, gesture, volume and foreshortening to gain knowledge of figuration that you can utilize for future projects or apply to other media. Prior drawing experience is helpful for this course. Nude figure models will be used in this course.
Offered in Fall + Spring SS 127 GAME DESIGN
Delve into the complex and intricate world of digital games. You’ll explore the principles that inform how games work, what makes them fun, and how they can help us understand our world and social interactions. Learn to construct logical narratives and rules within a hypothetical space, and utilize interface design, programing 6
Design is everywhere in our modern world — posters, publications, album covers, apparel, digital and other media utilize graphic design to convey messages to viewers. Design and popular culture have grown more intertwined through recent history, and this course aims to explore this relationship. You’ll focus on the principles and possibilities for visual communication, including graphic form, type design, layout, image treatment, and sequence using the Adobe Creative Suite. Investigate the influence of design on trending topics while mastering the technical skills involved in this relevant profession.
Offered in Fall SS 217 GRAPHIC DESIGN: PACKAGING
Learn to design graphic communication for three-dimensional consumer packaging structures. Integrate basic design principles and processes using Adobe Photoshop and Adobe Illustrator as you explore type, color, and images for three-dimensional structures. You’ll examine design considerations and experiment with various 3D templates to produce several prototypes. In-class discussions and critiques will address design rational, client concerns, and environmental factors.
Offered in Spring SS 210 GRAPHIC NOVEL
Think graphic novels are just about illustrations? Think again: in this course you’ll strengthen each skill necessary to create a great graphic novel or comic illustration, from conceptual brainstorming to character and narrative development to image making and editing. Learn about contemporary graphic novels and gain insight into what it takes to produce this kind of work. Strong storytelling and drawing skills are helpful for this class.
Offered in Spring SS 213 ILLUSTRATION I: THE ESSENTIALS
Learn how imaginative images can bring life to stories through dynamic visual description.
Gain an understanding of both hand-drawn and digital processes for articulating ideas and meaning visually in comics, children’s books, advertising, editorial and other applications. You will learn how illustrative images can act as both masterful works of art and as practical illustrations. Drawing skills and a passion for storytelling are essential for this course.
Offered in Fall SS 160: ILLUSTRATION II: ADVANCED PROJECTS
Offered in Spring SS 126 INTRO TO THE MUSIC INDUSTRY
Whether your goal is the spotlight, the sound board, or the boardroom, move past media portrayal and myth with this comprehensive introduction to the music industry. Explore the industry’s revenue models, careers, and many moving parts, as well as the roles of entrepreneurship, marketing, copyright and law. Look ahead at how modern technology and distribution shifts are changing the profit landscape. Emerge from this class with a stronger grasp on industry careers and operations along with an informed understanding of what really happens behind the music.
Offered in Spring SS 107 JEWELRY + SMALL METALS
Design and construct original metal jewelry or small sculptures in this studio-based course, gaining a hands-on, working knowledge of metalsmithing techniques in the process. Piercing, soldering, riveting, stone setting and finishing are all explored using silver, bronze and copper. Produce small-scale metal works and learn valuable techniques for jewelry-making.
Offered in Spring
Gain a basic introduction to the language of the oldest art discipline. You’ll sharpen your observational, color and spatial understanding as you work from still life setups and figure models. The course will begin with instruction on fundamental painting techniques and studio processes such as surface preparation, color mixing, paint application and composition — and personalized instruction along with in-class critiques that will further develop your critical and technical foundation. At the end of the course you will have several pieces suitable for inclusion in a portfolio. This course is perfect for beginners, however prior drawing experience is recommended. This course is taught in acrylics. Nude figure models may be used in this course.
Offered in Fall + Spring SS 219 PAINTING II: ALTERNATIVE PAINTING
A lack of boundaries is what makes contemporary art powerful and subversive. This painting course doesn’t emphasize technique or expectation — it harnesses the artist you already are. Consider psychological influences and imaginative approaches to creating paintings. Although technical instruction will be in painting, you will be encouraged to explore and incorporate other media of your choice including drawing, collage, and installation in order to develop individual expression. This course is taught in acrylics.
COURSE DE SCRIPT IONS
Illustration is a non-verbal tool for sharing and communicating feelings and ideas. In this advanced course, you’ll encounter subject matter drawn from various fields and be prompted to respond with imaginative illustrations that articulate insight and provoke emotional response. You’ll focus on developing original concepts, style, visual vocabulary, and personal vision as an illustrator. Various illustration media will also be explored, including gouache, scratchboard, marker, crayon and ink. Previous experience in illustration is preferred for this course.
SS 108 PAINTING I: THE ESSENTIALS
Offered in Spring SS 132 PHOTOGRAPHY I: THE ESSENTIALS
Move past your camera’s automatic mode to take your photographs to the next level. Learn the fundamentals of photography — aperture, shutter speed, ISO, lenses and depth of field — while digging into composition, light, color and tonality to create dynamic images. This digital class offers time for hands-on shooting within Philadelphia’s distinct landscape, along with inclass photo analysis and group critique. A DSLR camera is required for this course.
Offered in Fall + Spring SS 102 PORTFOLIO PREPARATION
Critically evaluate your visual arts college application portfolio in this dynamic and useful course. Work with a variety of 2D media to 7
create four to six works suitable for inclusion in your portfolio, including foundational design projects and observational drawings. Discuss strategies for presentation and photographing your work. At the end of the course, you’ll review your portfolio with a UArts admission counselor to assess its strengths and areas for improvement. This course is open to high school juniors and seniors. Nude figure models will be used in this course.
Offered in Fall + Spring
COURSE DE SCRIPT IONS
SS 157 PRODUCT DESIGN: LASER CUTTER + 3-D PRINTING
Get acquainted with contemporary modes of digital making. You’ll be introduced to the use of digital fabrication tools and their various applications in art and design, as well as create your own 3D printed and laser cut objects. Projects will encourage experimentation and center around the notion of using digital tools to critically “hack” the consumer products found in our everyday lives.
Offered in Fall SS 222 SCULPTURE STUDIO + CASTING
Sculpture incites physical sensation and emotional response through the manipulation of materials, scale and space. Learn the basics of producing art in 3D, from concept and materials to studio processes and execution. Projects will prompt you to explore your own interests in objects while learning essential technical skills for constructing and casting in clay, plaster, and other materials.
Offered in Fall SS 218 SKATEBOARD + MEDIA
In this course you’ll photograph and film classmates while learning to document the art of skateboarding. Use Philadelphia’s historic skate scene as your backdrop to learn traditional techniques in photo and video and how they apply to skateboarding on and off the board. After capturing your footage and photos, you’ll go back to the classroom to edit and print your imagery. Bring your own board and helmet. Both you and your parents will be required to sign a waiver to participate in this course. This waiver is available at: uarts.edu/skateboardwaiver.
Offered in Fall
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SS 120 STREET PHOTOGRAPHY
Follow in the footsteps of pioneering street photographers such as Eugène Atget, Henri Cartier-Bresson — and contemporary artists like Lee Friedlander and Stephen Shore — by capturing the city’s spirit with your lens. Explore camera control along with essential photographic concepts such as “the decisive moment”. You’ll put these concepts to use on walking trips to local Philadelphia parks, markets and galleries, where you’ll transform the conventional into the exceptional and hone your distinct perspective of the world around you. Previous experience using a camera is preferred for this course.
Offered in Spring SS 140 TAXIDERMY AS WEARABLE ART
Taxidermy is one of the world’s oldest and most alluring crafts. In this introductory course, you’ll creatively repurpose, design and fabricate animal specimens. Learn the essentials of basic taxidermy under the supervision of a seasoned instructor, ultimately completing accessories or wearable embellishments of your design. Specimens for class are sourced humanely and are safe to handle.
Offered in Fall SS 134 ZINE + SMALL PRESS
Explore the subversive role of zines, from their emergence in the 1970s as a feature of the concurrent punk scene, to their contemporary cultural relevance. You’ll gain agency by creating original printed zines using time-honored D.I.Y. methods: hand-drawing, printing, photocopying, folding and distributing — and you’ll also be prompted to innovate these methods to adapt to twenty-first century media platforms. The course will include a field trip to a local zine distributor where students will be able to peruse the small press creations of Philadelphia’s local political dissidents and social peripherals.
Offered in Spring
REGISTRATION Registration is accepted online, by fax, by mail, in person or by phone. Registration requires a completed registration form with payment in full. Registration is accepted on a first-come, first-served basis. Note: Scholarship applicants must register by mail, fax or in person.
Download a copy of the SS Registration Form at uarts.edu/saturdayschoolreg TUITION + FEES: $385 PER SEMESTER
The cost of each Saturday School class is $385; this includes $320 for tuition and a $65 nonrefundable registration + material fee. For a class in both the fall and spring semester tuition + fees is $770 total. PAYMENT
Payment may be made by check, money order or credit card. Checks should be made out to: The University of the Arts. The University accepts American Express, Visa, and MasterCard for credit card payments. Cash is not accepted. SCHOLARSHIPS
This brochure is not a contractual document. The University of the Arts reserves the right to change any curricular offering, policy or financial regulation described in this brochure. The University of the Arts gives equal consideration to all applicants for admission and scholarships and conducts all educational programs, activities and employment practices without regard to race, color, sex, religion, national or ethnic origin or disability. OTHER PRE-COLLEGE PROGRAMS
The University of the Arts offers an intensive Summer Institute for high school students in July 2017. Programs are one, two, three or four weeks in length and include Art, Media + Design, Creative Writing, Dance, Theater, Music, Music Business, Entrepreneurship + Technology and One-Week Commuter Intensives. Saturday School students receive a 10% returning student tuition discount. To request a brochure, call 215.717.6006 or visit
uarts.edu/summerinstitute CONTACT MAILING ADDRESSES
A limited number of full and partial-tuition scholarships are awarded to students each semester. Details about scholarship opportunities and applications can be found online at uarts.edu/saturdayschool
USPS Address:
SCHOLARSHIP DEADLINES Fall 2016: Friday, October 7 Spring 2017: Friday, February 3
Fed Ex + UPS Address:
DISCOUNTS
Returning Student + Children of Alumni are eligible to receive a 10% Tuition Discount Please note students are eligible for either a scholarship or a discount, not both. See our website for further information about discounts and scholarships. INFORMATION + POLICIES
Please see our website for information about refund policies, course cancellations, changing
POLICIE S + PROCE DURE S
Payment must be received in full at the time of registration and discounts must be calculated and reflected in payment; no refunds will be issued to correct overpayment.
courses, supplies, snow days, models and all UArts policies.
The University of the Arts Pre College Programs 320 S. Broad Street Philadelphia, PA 19102
The University of the Arts Pre College Programs 311 S. Juniper Street Philadelphia, PA 19107 IN-PERSON ADDRESS The Pre-College Programs office is located at 211 S. Broad Street, 9th Floor, Room 909. OTHER WAYS TO GET IN TOUCH Web Phone Fax Email
uarts.edu/saturdayschool 215.717.6006 215.717.6538 precollege@uarts.edu 9
Pre-College Saturday Schoool 320 S. Broad Street Philadelphia, PA 19102
FALL 2016 + SPRING 2017
PRECOLLEGE SATURDAY SCHOOL WRITING, PERFORMING + VISUAL ARTS CLASSES FOR HIGH SCHOOL STUDENTS
FALL 2016 + SPRING 2017 REGISTRATION FORM
PRE COLLEGE SATURDAY SCHOOL 2016-2017 REGISTRATION FORM
Please complete and submit this form with payment in full.
Fall 2016
STUDENT INFORMATION
Gender:
Last Name
First Name
Spring 2017
Middle Initial
Street Address
Apt #
City
Zip
State
Home Phone #
Student Cell Phone #
Student Email Address
Social Security #
Date of Birth (MM/DD/YYYY)
Name of High School
Year of High School Graduation
2017
2018
2019
2020
RETURNING PRE COLLEGE STUDENT
Attended:
Summer Institute
Saturday School
Year: _____________
Course Taken
OTHER STUDENT INFORMATION
Do you consider yourself to be Hispanic/ Latino (optional)? Yes
No
In addition, select one or more of the following racial categories to describe yourself (optional): Black or African American merican Indian A or Alaska Native
Asian Native Hawaiian or Pacific Islander White
COURSE SELECTION
I prefer a refund if my first choice is not available.
(Students take one course in a semester)
1st Choice (Course title and number)
2nd Choice (Course title and number)
PROGRAM COSTS / TUITION + FEES TUITION
$320
REGISTRATION + MATERIALS FEE
+$65
TOTAL COST PER COURSE
$385
DISCOUNT OR SCHOLARSHIP?
Yes
No
(See Below)*
STUDENT DISCOUNT OR SCHOLARSHIP –$ TOTAL AMOUNT ENCLOSED
Amount = $
PAYMENT Visa
MasterCard
AmEx
Check or Money Order (Payable to: The University of the Arts)
Payment Amount
Credit Card #
Expiration Date Security Code
Name on the Card (please print)
Billing Address (if different from home address)
Signature Date
*DISCOUNT INFORMATION Only one discount may be applied to a student’s account per semester. Discounts must be calculated and reflected in payment made at the time of registration — no refunds will be issued to correct overpayment. Tuition discounts cannot be combined with scholarships. 10% off of tuition ($32) is offered to past Pre-College students and Children of Alumni. CHILD OF AN ALUM
Attended:
UArts
RETURNING PRE-COLLEGE STUDENT
CAD
CPA
CMAC SCHOLARSHIP
Parent/Guardian’s Last Name / First Name
School / Degree and Year of Graduation
PARENT/GUARDIAN INFORMATION
Last Name
First Name
Relationship to Student
Home Phone #
Cell Phone #
Email Address
Address Same As Student?
Yes
No (If no, complete below)
Street Address
City
State
Zip
PARENTAL CONSENT I hereby give my consent for my son/daughter to participate in the above courses including the possibility of nude models or field trips, as scheduled by instructors at the University of the Arts Saturday School. I hereby grant to the University of the Arts the right to the use of or to reproduce, exhibit, display, broadcast and distribute photographic, videotaped or other images of my child and/or their artwork, as well as University-related works derived from said images, for use in connection with the activities of the University or for promoting, publicizing or explaining the University or its activities. This grant includes without limitations, the right to publish such images as public relations/promotional materials such as marketing and admissions publications, advertisements, fundraising materials and any other University-related publications. Each student is responsible for observing all regulations in the brochures and website of the Division of Continuing Studies that may affect academic progress, financial obligations, relationships with University authorities, transferability of credits, and acceptance of credits for certification, as well as knowing regulations regarding withdrawals, refunds, deadlines, program changes and academic policy.
Parent/Guardian Signature
Date
SUBMIT COMPLETED FORM TO: Email PRECOLLEGE@UARTS.EDU Fax 215.717.6538 Web
CONTACT INFORMATION Office Location
Mail PRE-COLLEGE SATURDAY SCHOOL
CONTINUING STUDIES TERRA HALL, 9TH FLOOR, ROOM 901 211 SOUTH BROAD STREET PHILADELPHIA, PA 19107
The University of the Arts 320 South Broad Street Philadelphia, PA 19102
Phone
UARTS.EDU/SATURDAYSCHOOL
215.717.6006
FOR OFFICE USE ONLY
SCHOLARSHIP CODE:
STUDENT ID #
DATE PROCESSED:
SCHOLARSHIP OR DISCOUNT:
YES
NO
INITIALS: