2 minute read
UNOWNED WEN LI inclusivity = emotion and expression
by UNSWBE
The Social Agency studio this year questioned what is a meaningful architectural response that builds inclusion. I found a rich amount of street artwork and graffiti around the Redfern area. Through further research, I found an interesting relationship between this graffiti and property.
The graffiti laneways of Melbourne and Huangjueping Graffiti Street in Chongqing, China, became valuable references showing me how social inclusion has been created when the law and policy step back and so much emotional expression can let people draw on buildings.
I designed this building without concern for property protection (fire safety, construction, etc, are, however, still normal). Kids can paint and skateboard on the site and people can come to paint graffiti and share it on social media. I use the train to add a public element to the part of the unowned architecture to emphasise visitors’ experience to act with greater freedom within the public space by painting, eating, talking or singing.
I designed this building without concern for property protection (fire safety, construction, etc, are, however, still normal). Kids can paint and skateboard on the site and people can come to paint graffiti and share it on social media. I use the train to add a public element to the part of the unowned architecture to emphasise visitors’ experience to act with greater freedom within the public space by painting, eating, talking or singing.
Grafitti, Street Art, Redfern, Inclusion
The Social Agency studio this year questioned what is a meaningful architectural response that builds inclusion. I found a rich amount of street artwork and graffiti around the Redfern area. Through further research, I found an interesting relationship between this graffiti and property.
The graffiti laneways of Melbourne and Huangjueping Graffiti Street in Chongqing, China, became valuable references showing me how social inclusion has been created when the law and policy step back and so much emotional expression can let people draw on buildings.
The Social Agency studio this year questioned what is a meaningful architectural response that builds inclusion. I found a rich amount of street artwork and graffiti around the Redfern area. Through further research, I found an interesting relationship between this graffiti and property. The graffiti laneways of Melbourne and Huangjueping Graffiti Street in Chongqing, China, became valuable references showing me how social inclusion has been created when the law and policy step back and so much emotional expression can let people draw on buildings.
I designed this building without concern for property protection (fire safety, construction, etc, are, however, still normal). Kids can paint and skateboard on the site and people can come to paint graffiti and share it on social media. I use the train to add a public element to the part of the unowned architecture to emphasise visitors’ experience to act with greater freedom within the public space by painting, eating, talking or singing.
The Social Agency studio this year is a meaningful architectural response inclusion. I found a rich amount of and graffiti around the Redfern area. research, I found an interesting relationship this graffiti and property.
The graffiti laneways of Melbourne Graffiti Street in Chongqing, China, references showing me how social created when the law and policy step much emotional expression can let buildings.
