P O R TF O L I O
KUN-CHENG
WANG
NCKU ARCH.110
/王 堃 丞 。 成 大 建 築 系 作 品 集
EDUCATION 2017-2022 ｜ Dept. of Architecture, National Cheng Kung University (Major) 2015-2017 ｜ Dept. of Urban Planning, National Cheng Kung University (Minor)
EXPERIENCE NCKU ARCH. 110 Graduation Design Exhibition
(2021.6-2022.6)
/ Leader of video team MAYU architects/ Intern
(2020.6-2021.1)
NCKU Cinema Club/ President
(2017.9-2018.9)
EXHIBITION 2022 ｜ NCKU ARCH. 110 Graduation Design Exhibition ｜ Songshan Cultural and Creative Park (Taipei), The Spring (Tainan) 2022 ｜ Small Narrative 2.0- VR Final Exhibition ｜ Tainan National University of the Art 2022 ｜ Same Same But Different ｜ Art Classroom of Architecture Department in NCKU 2019 ｜ Ten Major Construction of 110th ( 佰十大建設 ) ｜ B1 Gallery in NCKU Main Library 2018 ｜ Arch4real ( 佰實構築 ) ｜ Old House Dong-Ning Dormitory
KUN-CHENG WANG / 王堃丞
AWARDS 2021 ｜ Recharge The Lovely ( 愛迴樂齡 ) First Prize ｜ HURC Housing and Urban Competition (Taiwan) 2021 ｜ A One and A Two ( 坦坦 ) Third Prize ｜ Huacan Award, Emerging Designer Competition (China)
/ Taiwan /
Born in Kaohsiung
/
architect99ama725et@gmail.com
2021 ｜ One Quarter Patio ( 層埕 ) Excellence Award ｜ Huacan Award, Emerging Designer Competition (China) 2019 ｜ Welcome ( 歡迎光臨 ) Excellence Award ｜ Yang-Ruizhen Architect Memorial Design Award (Taiwan)
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01. DWELL AND GAZE
P.5
02. ONE QUARTER PATIO
P.13
03. RECHARGE THE LOVELY
P.17
04. A ONE AND A TWO
P.21
05. COVER AND EXPOSE
P.25
06. BEFORE SUNRISE
P.29
07. WHEN COLUMN NO LONGER SUPPORTS
P.33
08. WELCOME
P.45
09. VACUITY
P.53
--. OTHERS
P.61
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02.
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09.
PORTFOLIO ON ISSUU (best reading experience)
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01. Dwell and Gaze W.K.C. ARCHITECTURE PORTFOLIO
My graduation project is exploring a mechanism of spatial development that is both precise and random. By negotiating back and forth between basic architectural elements (patio, sliding doors, thick walls) and functions, unexpected spatial relationships are formed. Residents can try new co-living states, or adjust again by changing boundaries. In addition, the pre-anchored L-shaped thick walls and hidden circulation system ensure all pragmatic considerations of the complex (pipelines, foyer zoning, circulation, window openings, service spaces, etc.) and guide the user in the way of splitting the space . Under the penetration of light from the patio and the change of sliding doors' boundary, people in the space can indirectly perceive each other's existence, while maintaining the freedom to close the boundary. It visualizes selectivity, so that all boundaries are at the same time a kind of blank space, boundaries that coexist with each other. ADVISOR：YU-LIN CHEN
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W.K.C. ARCHITECTURE PORTFOLIO
Overall, this seemingly random collage space is actually the result of negotiation between the user and the space. People have to think about how to fit the function of the space, rather than directly meet all personal needs, and the space sometimes expands the user's imagination. The whole of this space is the set of all partial edge (selection) relationships. The edge of constant choice and change presents an attitude of incomplete possession, and shows the questioning of the established form of residence, as well as a possible test of future residence.
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W.K.C. ARCHITECTURE PORTFOLIO
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02. ONE QUARTER PATIO "Excellence Award ｜ Huacan Award"
ADVISOR：JIAN-GUANG ZHUO CO-DESIGNER：CHUAN-CHENG LI
W.K.C. ARCHITECTURE PORTFOLIO
This proposal creates a series of modular squares which are incomplete on a corner. The loss on the corner actually makes nature able to be attached and the relationship between neighbors extended. This is a new co-living proposal starting from the unit design.
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W.K.C. ARCHITECTURE PORTFOLIO
In a 6m*6m modular unit (including a 2m*2m patio), three space usage methods can be a c c o m m o d a t e d : s h o r t- t e r m living, shared living, and longterm living. When the epidemic is approaching which makes a lowdensity living method necessary, it makes people easier to exchange or adapt space. In addition, in the same type of module, there are still opportunities for flexible changes, which is planned in advance for long-term spatial adjustment method.
The unit forms a fragmented, organically growing settlement pattern, including patios, planting, sunshine, and a sense of community inside.
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03. RECHARGE THE LOVELY "First Prize ｜ HURC Housing and Urban Competition"
ADVISOR：SHIH-HONG YANG CO-DESIGNER：YAN-FU LIN,RUI-HENG XIE, ZIH-YUN LIN
W.K.C. ARCHITECTURE PORTFOLIO
This is a proposal to reorganize the urban space resources and the care industry using social housing as a medium. Expand the external public welfare of social housing, while rethinking the relationship between the elderly and caregivers. This is a mechanism that allows love to circulate.
A life circle with social housing as the core and mutual support with BETTER HOUSE.
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W.K.C. ARCHITECTURE PORTFOLIO
For senior citizens who live in buildings with two or more floors without elevators, whose real estate is under their name, and are in the health or disability period, they are open to apply for social housing. The government leases and manages its own house, optimizes the space and equipment to become a BETTER HOUSE, and then leases it out to the care industry for the services of care institutions or the residence of care personnel, and forms the near-localization of the care industry.
ONLINE GALLERY
Residential units allow for future conversion when the space is unused. Whether it is a nursing room for the elderly, or the surrounding school and community activity space, it is also included in the overall plan.
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04. A ONE AND A TWO "Third Prize ｜ Huacan Award " W.K.C. ARCHITECTURE PORTFOLIO
The Fujian Tulou that was used as a defense in the past is no longer in line with the needs of the times. The tribes who once lived in the house are gradually leaving, and the Tulou is in a dilemma that will be eliminated by the times at any time. Because it is built of rammed earth and wood, it takes a lot of money and manpower every year to maintain its integrity, but this persistence gradually become a mere formality. Matter, like human life, will eventually return to nature. Therefore, perhaps in the last time, we should learn to say goodbye tenderly. ADVISOR：SHI-HUA YENG CO-DESIGNER：JUM-MING PENG, YUN DING
From collapse to rebirth.
Our design retains part of the wood structure of the Tulou with a new structure. When its outer wall collapses into a mound, the surrounding high wall becomes an open landscape park, and the existing wooden frame is retained. Through this process, the spirit of the earth building continues, and we can also say goodbye to the Tulou, cherishing the present life and everything more.
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05. COVER AND EXPOSE W.K.C. ARCHITECTURE PORTFOLIO
This is the place that makes the frustrated people welcome a better tomorrow. With a cur ved wall, the outer clothing store and the inner bar space are simultaneously separated and connected. The water was flowing, and we were swimming like clownfish in the coral reef. When you leave tomorrow morning, pick out new clothes! I hope you can see your new self and continue to live happily ever after! ADVISOR：YING-ZE CHEN
UP: concept model (drawing) DN: overall section
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W.K.C. ARCHITECTURE PORTFOLIO
L: practical case measurements and drawings R: overall plans of design
UP: preliminary sectional experiments DN: relevant size records of clothing space
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06. BEFORE SUNRISE This is a ritual from sunset today to sunrise tomorrow, using the power of abstract space to influence the body's feelings. From the emergence of the mist to its dissipation, from the grass to the water, from anxiety to calm...
The bathhouse is located below the ground, but the steam its existence. The passengers in the accommodation space walked in the direction of the steam, and their mood gradually settled in the process. After passing through the woods, the enclosed space opens up again, and travelers will see the bathhouse buried in the ground!
ADVISOR：ZHI-FENG HUANG 1F Plan
W.K.C. ARCHITECTURE PORTFOLIO
emanating from it makes those on the ground aware of
B1F Plan
B2F Plan
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entrance facing the forest, the aisle becomes narrower and narrower, and the light above the head gradually dims, making the mood gradually settle down
W.K.C. ARCHITECTURE PORTFOLIO
Entering from the open
Entrance View
Wa l k i n g d o w n t h e c u r v e d walkway and approaching the bathhouse on the ground floor, the air becomes moist, the fog gradually fills, and the sky becomes more distant. People feel smaller and smaller, and began to be in awe of nature.
Inner View
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EX：Column that appears to be supportive is not. (See thep photo/ drawing on the top right) The seemingly supportive bamboo columns on the facade have actually been damaged, and the newly added columns inside continue to partially support the roof.
"The design studio takes anonymous buildings as the starting point of space creation, and focuses on the architectural elements of anonymous structures and the types of spaces they constitute, including columns, windows, doors, walls, slopes, etc. The studio returns the above to the most basic discussion and definition with the attitude of Modernologio, as the object of thinking and operation of architectural design." (BO-LYU JHAO, SIH-AN YU, 2021)
W.K.C. ARCHITECTURE PORTFOLIO
07. WHEN THE COLUMN NO LONGER SUPPORTS.
ADVISOR：BO-LYU JHAO, SIH-AN YU
The six columns I have found in the Houbi district of Tainan are structurally or symbolically supportive. They give a sense of the co-existing relationship between the force of upward support and the column.
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Layers of planes cut out at each railing height
W.K.C. ARCHITECTURE PORTFOLIO
The three-dimensional grid system is developed after comprehensive consideration of three factors, such as window width (0.6m), aisle width (0.9m), and span. Every time the beams (1.2 meters) at the height of the railings are stacked up, they are moved one block diagonally upwards, so that the original railings gradually develop into unusual columns.
Among them, the real structural columns and the ver tical members of the balustrade are mixed with each other, trying to make people think about whether the seemingly unsupported balustrade can also have the strength of support.
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W.K.C. ARCHITECTURE PORTFOLIO
Columns as thin as window frames hold up the space, balustrades one meter two high hold up the building... When the non-structural vertical elements simultaneously have the structural character of symbolic or substantial upward support, " The relationship between "support" and "column" also appears.
木工廠-室外
操作區/展示
區
木工廠-室內
操作區
+-0
後服務側廊
木工廠-儲藏
區
W.C
後梯間
後展示區B
+-0 後平台
後展廊
後展示區A
後院 -400
後玄關
+-0
半戶外沙發
廚房/洗衣區
區
餐桌/討論區
+100
半戶外沙發
區
閱讀區/收藏
區
+-0
前玄關
木工廠-室外
操作區
前展示區A
前院
-400
前展廊
前平台 前展示區B 前梯間
+-0
地墊區
+100
前服務側廊
W.C
客廳
側廊
入口玄關/停
車區
-400
PLOT PLAN
The structural system of railing beams supporting each other.
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W.K.C. ARCHITECTURE PORTFOLIO
基地線 木工廠-室外操作區/展示區
下方挑空
木工廠-室內操作區 +-0
後服務側廊 W.C 木工廠-儲藏區
後梯間 +-0
後院
後平台
+1400
-500
後展示區B
後展廊
後展示區A 後玄關
+-0
廚房/洗衣區
餐桌/討論區 半戶外沙發區
半戶外沙發區 下方挑空
+100
閱讀區/收藏區
前玄關
+-0
前展示區A
前展廊
前展示區B
地墊區 +100
木工廠-室外操作區 前院 -500
前平台
前梯間 +-0
前服務側廊
下方挑空
W.C +1400
客廳
側廊(二米寬)
GL +1400
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W.K.C. ARCHITECTURE PORTFOLIO
儲藏室
天井
臥室 +7000
放映室 +4200
下方挑空
半戶外休息區 +4200
下方挑空
交流通廊 +7000
夾層平台
下方挑空
+4200
臥室 +7000
下方挑空
天井
下方挑空
GL +4200
GL +7000
下方挑空 下方挑空
半戶外休息區
+5600
夾層平台 +2800
W.C
半戶外休息區
夾層平台 +5600
+2800
浴室
下方挑空
下方挑空
下方挑空 下方挑空
工作室 +2800
夾層平台 +5600
半戶外休息區 +2800
洗衣/晾衣區 +2800
夾層平台/展示區
+5600
半戶外休息區/展示區 +5600
+5600
GL +2800
GL +5600
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The grid system creates a shape that stacks diagonally upwards. These two spaces sometimes overlap and sometimes separate. People in the interior sometimes can only see from afar, and sometimes they can meet. I hope to express a relationship that is both estranged and intimate. The railing creates a more fragmented and intimate sense of space. The railing beam is not only a structure, but also creates a vague block of space, and this block can still be traversed by the body and sight.
W.K.C. ARCHITECTURE PORTFOLIO
The design continues the 3D grid system developed in the previous stage. The two "half" buildings are adjacent to each other. Due to the difference in the boundary relationship, the two spaces are sometimes overlapped and sometimes separated. The aim is to create a sense of intimacy between people with appropriate blank space.
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08. WELCOME W.K.C. ARCHITECTURE PORTFOLIO
"Excellence Award ｜ Yang Ruizhen Architect Memorial Design Award" If the office space can be integrated with the daily life of the city, like delicious food in Tainan, gorgeous sunset at Hele Plaza, or the enthusiasm in the Nobel Walking Music Festival, etc., then there will be opportunities to create new types of commercial and public spaces. Anyway, let's take a break! WELCOME! ADVISOR：BO-NIAN CHEN
Research drawings and models about the publicity of space
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5F PLAN
2F PLAN
3F PLAN
B1F PLAN
1F PLAN
SECTION A-A'
W.K.C. ARCHITECTURE PORTFOLIO
4F PLAN
SECTION B-B'
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W.K.C. ARCHITECTURE PORTFOLIO
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The current Zhongzheng Road is not as important in traffic as it used to be, but it is still an important` urban axis.
The site is not only the endpoint of the commercial activities on Zhong-Zheng Road, but also an important urban landscape in front of Hele Square. Through the partial opening of the boundary space, urban activities can enter the interior of the building, which can not only expand the business, but also allow the internal staff to work in a more dynamic and changing environment, and improve the quality of output.
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09. VACUITY W.K.C. ARCHITECTURE PORTFOLIO
Days without gaps are always alienated, and the vacuity between you and me is a frontier that is expected to be explored. This is a design about the future imagination of campus space, and also about the exploration of gap space (blank space). ADVISOR：SHIH-HONG YANG
Research drawings and models about how the gap (blank space) affects our behavior.
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PERSPECTIVE 2
5F PLAN
RF PLAN
3F PLAN
4F PLAN
1F PLAN
2F PLAN
W.K.C. ARCHITECTURE PORTFOLIO
PERSPECTIVE 1
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W.K.C. ARCHITECTURE PORTFOLIO
The architecture department space I designed makes the planes staggered and matched with the partial elevation on the section. This allows activities to have their own inertia, while being able to perceive activities in other spaces.
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W.K.C. ARCHITECTURE PORTFOLIO
Through the blank space, the inner courtyard of the existing high-rise building as well as the one of the new campus can both connect with the outer street. MUTUAL PENETRATION
T h e b l a n k s pa c e a l l o w s t h e activities of the old and new spaces to combine naturally, while maintaining each other’s domains.
The whole area configuration model.
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--. OTHERS The three axes intertwined in the ring-shaped chassis are both the intent of the design and the real structure. In this workshop, putting imagination into practice rather than falling into the sea is the most vital thing. ADVISOR：CHENG-LUN SYUE
W.K.C. ARCHITECTURE PORTFOLIO
"Floating Garden International Workshop"
L：scale model；R：The finished model (allowing 10 people to stand on it)
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"NCKU Cinema Club/ Short Film Production"
"LONG NIGHT" (VR360)
TAIWAN ｜ 2017 ｜ 20 mins
TAIWAN ｜ 2022 ｜ 10 mins
"THANK YOU, BUBBLE"
"2022 NCKU ARCH.110"
TAIWAN ｜ 2018 ｜ 4 mins
TAIWAN ｜ 2022 ｜ 80 mins
YOUTUBE PLAYLIST
W.K.C. ARCHITECTURE PORTFOLIO
During my tenure as the president of the film club, in addition to conducting film criticism and production courses with a group of film lovers, we also planned the Green Bitter Melon Film Festival with the theme of young cutting-edge directors, so that NCKU, a place where film information is not active, can also have a place to communicate and discuss movies. The experience of the film club (1 year director + 2 year member) has improved my teamwork and coordination ability, and more importantly, it has made me understand that this world is full of infinite possibilities!
"JHU"
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KUN-CHENG WANG
