PORT FOLIO
ARCHITECTURE & INTERIOR DESIGN
BY: URJA PATEL
This portfolio is a compilation of the last eight years of my professional training in Architecture & Interior Design.
INTERIOR DESIGN PROJECTS
E-SPORT CENTER
CAFÉ DESIGN: THE WALL OF WILDFLOWER
ARCHITECTURAL PROJECTS
PERFORMING ARTS INSTITUTE, KERALA, INDIA
TRANSGENDER DEVELOPMENT CENTER, INDIA
CONVENTION CENTER, INDIA
CRAFT BAZAAR, INDIA
RESIDENTIAL
TABLE OF CONTENTS
DESIGN ART GALLERY
1. 2.
6. 7. 8.
3. 4. 5.
E-SPORT CENTRE, San Francisco, California.
The Academy of Art University and its Game Development are working together to create a new venue for the Academy’s e-sport team. The project location is within the current gaming development campus. The venue is intended to focus on an e-sports competition arena, complete with a spectator and live web event broadcasting environment. Service should include a welcome lobby design, viewing lounges café, public gaming room, a merchandise store and all the supporting functional spaces required to support the space. The street-level centre should also intermingle with the bustling urban location.
01
CONCEPT Lost in the DESERT
CONCEPT STATEMENT
The project idea is to design an e-sport centre with a unique aesthetic that emanates a free spirit and blends easily and eclectically, giving spaces a curated look and calming appeal.
DESERT: BOTANICAL + NATURAL COLOURS + TEXTURE.
To achieve the look and the concept I have tried to use an earthy colour palette and the use of natural materials will play an important role in achieving the required desert style.
CONCEPTUAL SKETCHES
DESIGN PROCESS
STAGE 1 STAGE 2 COMPETITION ARENA PRODUCTION, STUDIO, BROADCAST OFFICE CONFERENCE MEETING RM SERVICE RM TEAM LOUNGE REST ROOM TROPHY/ KIOSK LOBBY/ RECEPTION AREA CAFÉ/BAR/WAITING LOUNGE PUBLIC GAMING REST RM WAITING AREA OPEN SPACE PRIMARY ENTRY SECONDARY ENTRY NATURAL LIGHT` NATURAL LIGHT NATURAL LIGHT NATURAL LIGHT FIRE EXIT
STAGE 3
1. RECEPTION/LOBBY
2. WAITING AREA
3. CAFÉ/BAR
4. SEATING AREA
5. OPEN PUBLIC GAME AREA
6. WAITING LOUNGE
7. COMPETITION ARENA
8. TEAM LOUNGE
9. TEAM A
10. TEAM B
11. VIP LOUNGE WITH PRIVATE BAR
12. CAUSAL LIBRARY
13. SOUVENIR BOOTH
14. RESTROOM (male/female)
15. OFFICE
16. BROADCAST ROOM
17. PRODUCTION ROOM
18. STUDIO
19. CONFERENCE ROOM
20. ALL GENDER RESTROOM
FLOOR PLAN B B’ A’ A’
MATERIAL: Natural Wood, Rattan, Stone, Concrete.
WABI SABI
WABI: stands for RUSTIC SIMPLICITY
SABI: interprets as enjoying the IMPERFECT
CHARACTERISTICS
Asymmetry
Texture
Roughness
Modesty
Simplicity & austerity
….
It is the appreciation of both natural objects and the faces of nature.
MATERIAL BOARD
RAW WOOD LIME PLASTER RELIEF PLASTER (RIBBED)
ROUGH CLAY PLASTER
STONE
CONCRETE RAW PLASTER
OORJAA: LIVE LIGHTLY
Kishi-Pendant
Sku:
FF SPECIFICATION
HOUSE OF LEON
1. Kyoto lounge chair: oatmeal on natural
1 2
2. Kyoto sofa: oatmeal on natural
BRDR-KRUGER ARV Chair
Lamp
JPSP1016
CRATE & BARREL Cabo large woven pendant light
PAVEL ZHURAVLEV CERAMICS
Handmade
OBJET D’ ART
Primitive Hand Carved Wood low Table
FABHUB Raw Wood Stool
DANISH DESIGN STORE Round Café Table Birch Natural Oil
PAYNES GRAY
Dover Jute Braided Rug
RECEPTION TABLE
MARCELO CARUSO Beta Bar Chair
-0”
LVL 0’-0” WAITING LOUNGE CAFÉ/BAR COUNTER
15’ BEAM BOTTOM 17’ CEILING HEIGHT
15’ BEAM BOTTOM 17’ HEIGHT
CAFÉ SEATING BAR COUNTER COMPETITION ARENA TEAM LOUNGE TEAM ROOM
SECTION A-A”
PUBLIC GAMING 1. PUBLIC GAME AREA 2. CAFÉ SEATING AREA WAITING AREA
SECTION B-B”
15’ BEAM BOTTOM 17’ HEIGHT
CAFÉ SEATING AREA VIEW
PUBLIC GAMING LOUNGE VIEW
COMPETITION ARENA SEATING VIEW
CAFÉ DESIGN: The Wall of Wildflower
The aim of this studio was to select materials that are functional but comfortable creating a place to dine in a homely, inviting atmosphere that warms a customer’s heart.
02
CONCEPT COUNTRYSIDE LIVING
Refined, Natural & Traditional
CONCEPT STATEMENT
The idea of the project was to design a café located in a hypothetical countryside site and set in nature. The idea was to bring people in for the comfort food which will be house-made fresh in the cafe. It is also the dining space and a place where people come for calmness.
The design of the space is very natural and neutral. By including lots of natural textures, the space feels homey and airy. The ambient lights give the glow of relaxation and provide a calming atmosphere. The café will also house a small flower nursery showcasing the unique flowers carefully curated from the flower farm. Visitor can try their hand at farming or participate in activities such as pottery workshops every weekend.
Design: Soft colour palette + texture + textile
Mood Board
Furniture Selection
WILLIAMS SONOMA: HOME
21.5” W X 22.5” D X 30.75” H
Handcrafted of kiln-dried solid wood
The seat is crafted of tightly woven cane
Seat height: 18”
Seat depth: 19”
Seat width: 19”
URBAN OUTFITTERS
Product: 53326013
Colour code: 020
Mid-century dining table 47” dia X 30” H
MODERN JAPANESE STYLE HANGING LIGHT
Texture: stripes
Colour: Green
Material: Iron, Metal, Glass Stone
Finish: Electroplated Brass
Shade Type: clear glass
MODERNITY
Glass Wall Lamp Material: Brass, Glass
MODERNITY
Glass Wall Lamp Material: Brass, Glass
INDUSTRY WEST
Product:984ER64
Can also be Customize
THE ENGLISH PANELLING COMPANY
Victorian Paneling Material: MDF
MDF is applied to the flat walls to recreate traditional solid paneling.
BENJAMIN MOORE
Mid-century Paint Colour Shade: Soft White
Chantilly Lace
ANTHROPOLOGIES
Watchdog Tie Back Solid Individually 7.75” H, 3” W 4.25 Projection
BALLARD DESIGNS
French Return Curtain Rod Material: Brass
Size: Customize
Conceptual sketch
Conceptual sketch
LIME PLASTER
FLOOR & DECOR
Marble Countertop
BRASS DETAIL
CLAYBROOK
Green Parade Straight Joint
Colour Code: CW15
Finish: Glass
Size: 1x6
HOME DEPOT
Wooden flooring
LIME PLASTER
Material: GLASS & BRASS
Victorian MDF PANEL
TRANSPARENT GLASS
SOLID WOOD FRAME
LOUVER WINDOW
CURTAIN
WINDOW A
WINDOW B
FIRST FLOOR PLAN
OPEN SPACE FOR FARMING
DINING SPACE
OUTER OPEN SPACE
KITCHEN MAIN ENTRANCE CAFÉ ENTRY TERRACE RESTROOM COUNTER
OPEN SPACE FOR FARMING NURSERY
SECOND FLOOR PLAN
FLOORING PATTERN FOR TERRACE 1.
CONCRETE TEXTURE TILE
TERRACOTTA
MOSAIC TILE USED AT STAIRCASE
DETAIL MARBLE FOR COUNTERTOP
MATERIALS
DETAIL A-A”
LAMP SHADE: HOMES & GARDENS
CUSHION: HOMES & GARDEN
END TABLE: CRATE & BARREL
SOLID WOOD FRAME
PAINT COLOUR SHADE
ALTO UPHOLSTERED CHAIR
PAINT COLOUR SHADE
SIMONINI- INDUSTRIAL DESIGN BAR CHAIR
LOUVER WINDOW
OPEN TERRACE
THE WALL OF WILDFLOWER
FLOWER BASKET
PAINT COLOUR SHADE
CAFÉ ENTRY
OUTDOOR OPEN SPACE FOR WORKSHOP
FRONT ELEVATION
EXPLORING THE VERNACULAR ARCHITECTURE OF KERALA: DESIGNING A PERFORMING ARTS INSTITUTE AT ERNAKULAM
THIS PROJECT INTENDS TO PROVIDE SPACES WITH FORMS, FUNCTIONS & PROMOTION FOR THE DEVELOPMENT OF PERFORMING ARTS.
Performing arts has well-placed status in the culture and tradition of Indian society, Indian performing arts are well-acclaimed by people across the globe. Based on the Nava rasas or the nine basic emotions. The Indian performing arts exist. The four major groups of performing arts in India are dance, music, theatre and film.
The study is aimed to give a platform for learning and promotion of some curated performing arts of southern India by making an appropriate environment for all the activities which will cater to the tourism of the state, especially of southern India by designing an institute for them. The main objective is also to develop an understanding of elements essential in the design process which reflect the vernacular architecture of Kerala.
This creates an appropriate environment for the activities which in turn will cater to the tourism of the state providing that there will be workshops and various performances and leisure activities, to make a combination of different trends of the southern classical art form of India, to achieve this few case studies are conducted to understand built context, response to the climate, physical conditions and the type of spaces required and lastly the project ends with a description of the proposed program with a depiction of the studies done for gaining the most required need for the site and the context of the same.
03
ABOUT KERALA?
Kerala is a state on the southwestern Malabar coast of India and it has been a preferred destination of discerning travellers from all over the world who preferred culture, heritage, and traditions in the fields of arts, the large number of visitors who come to Kerala and the locals as well as enjoy the rich traditional art forms kathakali, koodiyanttom etc.
Kerala has its own typical art forms which reflect the life and outlook of the people. The renowned Kathakali is considered to be the complete art form as it synthesis all that is best in the fields of drama, music, and dance. For ages, the rich & vibrant culture of Kerala has intrigued people worldwide of Kerala lay in the cultural heritage of its people.
WHY THIS SITE ONLY?
This site is an appropriate raising of the centre by reason of its location situated in lush greenery surrounded by the kadambrayar river of kizhakkambalam Ernakulam district. It has a peaceful, calm environment and also has an educational institute in the nearby surrounding & the site is near to all kind of transport facility etc. and also the authority is planning to develop the site and surrounding as a major tourist place it is initiative by kadambrayer management council
WHY ERNAKULAM NEEDS A PERFORMING ART KNOWLEDGE CENTRE?
Ernakulam is the arts and cultural heritage of southern India, and so to protect its values, Importance of cultural, and classical arts, and vocals, in our heritage and to promote itself as a cultural hub for propagation and preservation of Kerala's ethnic classical arts, ancient costumes etc and props it needs a cultural & performing art knowledge centre.
ON-SITE FACTORS SITE
site area: 50,454 sq. mt
Location : Kizhakkambalam, Ernakulam. NEIGHBORS
On the north side of the site, it has a residential area, on the south side it has the kadambrayar river, on the east side of the side it is mostly vegetation, & on the west side, there is a instate and eco-tourism station.
ACCESS
The site has vehicular & pedestrian access from one side of side.
TOPOGRAPHY
The site is predominantly flat with a slight slope towards the kadambayer river.
CLIMATE DATA
The temperature range is relatively 33’C to 22’C.
The city of Ernakulam features a humid tropical climate since the region lies in the southwestern coastal state of Kerala the climate is tropical, with only minor differences in temperature between day & night as well as over the year.
WEATHER DATA
TEMPERATURE – MAX 33’C MIN 22’ C
WIND – 7KM/H from east HUMIDITY – 70%
RAINFALL – Average annual 3000 mm SOLAR DATA – 6:41 am (sunrise)
SITE SITE ACCESSIBILITY EXISTING TREES
BUILDING TYPES & ARCHITECTURE CHARACTERISTIC
The building is built around a central open-tosky courtyard which provides light & ventilation. The courtyard in traditional Kerala architecture commonly features a pond/pool of water. Which helps to cool the built-form by continuous evaporation.
The roofline projects out to shade the wall from rain and sun and also creates large shadows perverting direct sunlight on the walls of the built form.
Kerala architecture is one of the most exciting examples of the preservation of the vernacular style.
The climate of Kerala greatly influenced traditional architecture. The material used is stone, timber, clay, masonry etc.
AMBAL KULAM (POND)
Courtyard
Passage
NADUMUTTOM (COURTYARD)
Pillars in wood or stone with carvings or decorating.
SITE PLAN DEVELOPMENT
The massing of the building are done based on the vernacular style of architecture of kerala, a rectangular structure where four blocks are joined together with a central courtyard open to the sky diving this traditional architecture the symmetry of the block is introverted in nature is still well connected with each building blocks. Thus, driving with the layout by making a symmetrical axis having a connected courtyard to form a sense of unification.
As deriving the form from the vernacular architecture of kerala and by using architectural elements of kerala, such as courtyards, colums, waterbody, and sloping roofs which will play major roles in the design.
SITE LAYOUT
TRANSGENDER DEVELOPMENT CENTER (Institution design)
The focus of the studio was to design an institute for Transgender People, where they are not kept away from their rights to do work. The site was in the Hot and Dry region of Rajasthan, taking into consideration the climate as the local context of the place and the availability of the material.
Furthermore, to design space which creates an environment that will improve the overall mentality of the transgender by introducing them to a completely different place and thus designing something that looks bold well as inspire them to live a better life. Also, to make them realize that deserve to be treated in a better manner too.
04
CONVENTION CENTER, Rajasthan, India
The focus of this studio was to design a convention centre by keeping in mind the climate condition, the local factors and government rules and regulations of development, and the feasibility of FSI and future expansion space.
Furthermore, the goal is to design a convention centre in Jaipur City, India with the intention of developing the overall conceptual development for the settlement and trying to achieve more height as it portrays a huge mass and also to play with available FSI.
05
FOOD TRAIN (ANTHROPOMETRY)
The basic purpose of this studio was to create a space according to anthropometry suitable for a mobile restaurant within a minimum space of 10M X 2.5M X 4M and design by keeping in mind the basic requirement of the project and to give a leisure experience to the individual visiting the restaurant.
06
CRAFT BAZAAR, Rajasthan, India
The basic idea of this studio was to design a craft bazaar on the hypothetical contoured site located in the Rajasthan desert.
07
About Project
The client Mr Solanki owing a plot at Riverway, Sevasi in Vadodara visited Ar. Nitin Bhardwaj & Associates with a dream of having a basic idea of their dream house. The client wanted to follow Keralan architectural elements and also was particular about Vastu ShaStra and the openness, Connectivity of the house. Henceforth, understanding the client’s requirement, client choice, climate consideration and basic aspects of Vastu shastra, the material used in elevation was exposed brick, and smooth plaster gives the design minimalistic yet spacious.
Urja Patel urjapatel110@gmail.com