Utah Style and Design FA21 by Utah Style & Design

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Designer Brand Fur niture At Guaranteed Lowest Prices!

Bellissimo is Utah’s finest and most desired wedding and event venue. Featuring beautiful gardens, a stunning gazebo, incredible views surrounded by the beauty of Mount Olympus. Bellissimo features multiple stunning and memorable areas within the venue and is nestled right up to Tuscany restaurant, one of Utah’s finest restaurants. With unparalleled service and exquisite attention to detail, Bellissimo Gardens at Tuscany will make your wedding or event a once-in-a-lifetime experience*

WEDDINGS - BANQUETS - CORPORATE EVENTS EVENT HOURS 11 am - 3 pm 5 pm - 10 pm

Tours are available by appointment. bellissimolovegarden.com

2834 East 6200 South, Salt Lake City UT 84121 - 801.274.0448

“Tuscany offers an enchanting fine dining experience with a menu inspired by the heart of Italy. Our patio is voted Salt Lakes best outdoor dining, surrounded by lush greenery reminiscent of an Italian Villa. Bring your friends and family on a quick trip to Italy. We’ll look forward to seeing you.”

INSPIRED BY THE HEART OF ITALY HOURS Sunday - Thursday Friday and Saturday 5 pm - 9 pm 5 pm - 9:30 pm

Make your reservation at tuscanyslc.com

2832 East 6200 South, Salt Lake City UT 84121 - 801.277.9919

awaken those moments of surprise and delight Create cherished memories that linger, that last, and that can be recreated. Curate your custom Sub-Zero, Wolf, and Cove appliance package at the Roth Living Showroom. Schedule your virtual or in-person appointment today!

rsvpslc@rothliving.com | 801.582.5552 1400 S. Foothill Dr. | Suite 212 | Salt Lake City, UT 84108 | www.rothliving.com

Anne-Marie Barton CLASSICAL ROOTS MODERN EXPRESSION

AMB INTERIOR DESIGN AND INSPIRATION AL VIDEOS 801.272.8680

AMB@AMBDESIGNINC.COM

ANNEMARIEBARTON.COM

INSTAGRAM @ANNEMARIEBARTON

Custom made artistic panels, any pattern, size or color available.

venetian tile & stone gallery our stone, your style...

We ship material Nationwide & Overseas Visit our unique selection of slabs and tile at our showrooms 17275 Daimler | Irvine Ca 92614 | 949.261.0146

825 West 2400 South | Salt lake City, UT 84119 | 801.977.8888

www.venetianstonegallery.com

Direct Importers of the World’s Finest Rugs

“Fall ... Changes are a coming.”

At the Historic Villa Theater

We are a full-service rug company, featuring the world’s finest rugs. We specialize in new, antique, and semi-antique hand-woven masterpieces from all over the world with one of the largest selections in the country.

Adibs.com 3092 S Highland Dr, Salt Lake City 801-484-6364

PHOTO MALISSA MABEY

FALL 2021 | VOLUME 25 | NUMBER 4

58 ON THE COVER COVER IMAGE BY MALISSA MABEY

A bucolic site inspires the compelling design of a new Alpine Home.

ALL TOGETHER NOW Galleries, collages, collections—by any name, grouped art is an easy way to showcase your personal style on most any wall in your home. But you want to get it right. To help, we’ve done some gathering of our own.

FLORES BY BRAD MEE PHOTOS BY HEATHER NAN

Floral designers Sarah Winward and Nicole Land travel to a centuries-old hacienda to host an inspiring workshop in the heart of Mexico.

Rooted to a pastoral site in Alpine, a new family home is grounded by natural materials, creative design and details galore.

BY BRAD MEE

NEW HOME, OLD SOUL BY BRAD MEE PHOTOS BY SAVANNAH BUSWELL

Steeped in tradition but designed for today, a Millcreek family home melds classic style with charm, comfort and convenience.

COMFORTS 100 THE OF HOME BY BRAD MEE

PHOTOS BY REBEKAH WESTOVER

DOWN TO EARTH BY BRAD MEE PHOTOS BY MALISSA MABEY

With a mix of the rustic, the relaxed and layered shades of white, a new Utah County home envelops a family in natural comfort and style.

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CONTENTS |

FALL 2021

DEPARTMENTS 32

COLOR CRUSH

BLUE GOES GREEN BY AVREY EVANS

Not quite blue and not quite green, fresh shades ranging from peacock to teal are driving the design of many of today’s most memorable spaces.

BY THE YARD

CHANGING COLORS BY BRAD MEE

Exuberant color delivers a fresh perspective to archival patterns and traditional motifs.

113

CRAVINGS

HITTING THE SAUCE BY MARY BROWN MALOUF

Four fresh takes on classic cranberry sauce

116

DESIGN DIRECTORY A resourceful guide of materials, places and products.

119

SOURCES A listing of this issue’s people, places and products.

120 GETTING RIBBED DESIGN DETAILS

Farewell plain planes. Ribbed, grooved and channeled surfaces are delivering dimension to formerly flat-fronted furnishings and fixtures.

style file EDITOR’S PICK MOST WANTED PALETTE DISH ON THE TOWN BEFORE & AFTER

120

21 22 24 26 28 30

Find more design inspiration at utahstyleanddesign.com

U TA H S T Y L E A N D D E S I G N | FA L L 2 0 2 1

Nestled on 2,000 acres neighboring Park City, Utah, Red Ledges was designed for better living. Red Ledges Homebuilding invites you to discover luxurious living spaces and exceptional architecture within a vibrant and engaging community. Mother nature created the natural beauty. We make it easy to create your custom home here.

New Homes from $1.2M-$6M | On-Site Design Studio Obtain the Property Report required by Federal law and read it before signing anything. No Federal agency has judged the merits or value, if any, of this property. The California Department of Real Estate has not inspected, examined, qualified this offering. All recreational facilities are privately owned and operated as a club with mandatory membership fees. This does not constitute an offer to sell or a solicitation of an offer to buy in Ohio or in any other jurisdiction in which registration or any other legal requirements have not been fulfilled. © 2021 Red Ledges Land Development, Inc. ©2021 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of Columbia Insurance Company, a Berkshire Hathaway affiliate. Equal Housing Opportunity.

PUBLISHER

Margaret Mary Shuff EDITOR-IN-CHIEF

Brad Mee ASSISTANT EDITORS

Avrey Evans Josh Petersen Christie Porter Jeremy Pugh WRITING CONTRIBUTORS

Mary Brown Malouf Natalie Taylor ART DIRECTOR

Jeanine Miller GRAPHIC DESIGNER

Scott Peterson PHOTOGRAPHY CONTRIBUTORS

Shelby Bourne Joshua Caldwell Rochelle Jahdi Meagan Larsen Malissa Mabey Heather Nan Jerry Rabinowitz Lindsay Salazar Rebekah Westover Scot Zimmerman PRODUCTION MANAGER

Arianna Jimenez WEB EDITOR/SOCIAL MANAGER

Avrey Evans DIRECTOR OF SALES

Cori Davis ACCOUNT EXECUTIVES

Janette Erickson Ashley Hebrew Kristin McGary

515 S. 700 East, Suite 3-i, Salt Lake City, UT 84102

/ 801-485-5100 Fax / 801-485-5133 / magazine@utahstyleanddesign.com Website / utahstyleanddesign.com

Phone Email

PRESIDENT & PUBLISHER

Margaret Mary Shuff EDITOR-IN-CHIEF

Marie Speed CONTROLLER

Jeanne Greenberg PUBLISHERS OF

Salt Lake magazine Utah Bride & Groom Utah Style & Design Boca Raton magazine Worth Avenue magazine Mizner’s Dream Delray Beach magazine Florida Style & Design

U TA H S T Y L E A N D D E S I G N | FA L L 2 0 2 1

EDITOR’S NOTE

TAKE THE FALL If this past season had an anthem, Nat King Cole’s hit “Those Lazy-Hazy-Crazy Days of Summer” certainly strikes the right chord. And while my summer had many high notes, I’m ready for a less bouncy autumn. From what I hear, I’m not alone. For many of us, the leaf-kicking days of fall are an ideal time to catch one’s breath and slow the tempo before the rhythms and rituals of the holiday season take over. They’re also a period when we turn our attention back to our homes and enjoy a little decorative daydreaming and even-measured doing. We composed this issue to inspire both. As captured on our cover, autumn’s golden light spills through the expansive windows of Tom and Shelby Andra’s new Alpine home. There, designers Parker Lamborn and Brynne Flowers orchestrated a compelling mix of at-ease colors, organic materials and masterful details that root the décor to the home’s pastoral site. In a nearby Utah County home, a palette of layered whites melds with rustic and relaxed elements to shape a welcoming family retreat.

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And in Millcreek, a dream team created a stately Colonial-style residence that nods to the past amid an up-to-the-minute floor plan and ultra-livable details. “Our clients wanted a timeless, traditional home that functions for modern living and entertaining,” says architect Bradford Houston. Mission accomplished. Throughout this issue you’ll also find tips on choosing and using color, finessing fabrics, tracking trends, arranging memorable floral arrangements and adding a few new dishes to your fall menus. And even if you’re not good with a hammer, the savvy advice of local design pros will tempt you to curate a spirited gallery wall that will personalize and enliven your décor. Enjoy! These pages are as varied and inspiring as the autumn season itself.

BRAD MEE, EDITOR IN CHIEF

Follow me on Instagram @brad_mee

Appliances | Plumbing | Hardware

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style file FALL | 2021

PHOTO COURTESY OF SANDRA JORDAN

MAD FOR PLAID Choosing a conventional plaid is fine if you’re donning a kilt or attending a lumberjack convention, but if you’re decorating with a traditional tartan, you’ll want one that sets you and your space apart. Sandra Jordan has you blissfully covered. Her softer-than-cashmere Prima Alpaca plaids are ultraluxurious and imagined in fresh colorways that give this timeless pattern an updated spin. Sandra Jordan Prima Alpaca, sandrajordan.com, to the trade, John Brooks Inc., SLC, johnbrooksinc.com;

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style file |

MOST WANTED

Taylor Centerpiece bowl from Arteriors, to the trade, Curate to the Trade, SLC, curatetothetrade.com

BOWLED OVER

Functional vessels or decorative accents, bowls are versatile design staples that never go out of style. Is it any wonder we can’t get enough of them?

1. Small Byers planter/bowl, $164, The Fox Shop, Holladay, thefoxshop. com 2. Katin wood bowls, $100 black/$80 white, Crate & Barrel, Murray, crateandbarrel.com 3. Nautilus 2 and 3 by Rina Menardi, $150 and $210, Glass House, SLC, glasshouseslc.com 4. Andorra Wicker bowl by Palecek, $599, The Garden Store, SLC, thegardenstoresaltlake.com 5. Bleached Mango Wood bowl, $90, Parkway Avenue Design and Mercantile, Draper, parkwayavenuedesign.com 6. Marble Handkerchief bowl, $322, Alice Lane Home Collection, SLC, alicelanehome.com 7. Axiom Glass 11-inch Gold Topaz Thorn Vessel, $1,950, O.C. Tanner Jewelers, SLC, octannerjewelers.com 6

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OFFERING THE FINEST SELECTION OF

T E R R A Z ZO A N D DIMENSIONAL TILES

style file |

PALETTE

AUTUMN LIGHT

1. Cedar by Scion 2. Josef by Casamance 3. Oscillation by Harlequin 4. Woods & Pears by Cole & Son 5. Evelyn by Zoffany 6. Timberline by Lee Jofa

U TA H S T Y L E A N D D E S I G N | FA L L 2 0 2 1

PHOTO: HEATHER NAN; STYLIST: VERONICA ROGERS; CREATIVE DIRECTOR: GINNY AU

Fall decorating doesn’t demand dark hues and heavy patterns. As captured by photographer Heather Nan, an alternative palette of luminous light, crisp colors and fresh motifs offers a soothing aesthetic for any décor.

POTTERS CLAY 1221 Benjamin Moore

BEACON HILL DAMASK HC-2 Benjamin Moore

HARDWICK WHITE No. 5 Farrow & Ball

ROSY PEACH 2089-20 Benjamin Moore

ALABASTER SW 7008 Sherwin-Williams

SINGLE FAMILY HOMES TOWNHOMES CONDOMINIUMS

DESIGNED FOR LIFE 801.800.8208

EDGEhomes.com

DISH

DO THE MASH

BASIC MASHED POTATOES Serves 6 2 lbs. potatoes 1 tsp. salt 1 cup milk or half-and-half 6 Tbsp. butter 1 egg salt and pepper

Easy ways to give the season’s mashed spuds a tasty twist.

Roasted Tomato Potatoes Fold 3 oven-roasted tomatoes, coarsely chopped, into hot mashed potatoes.

Blue Potatoes

Pakora Potatoes

Pesto Potatoes

Fold ½ cup crumbled blue cheese into hot potatoes. Top each serving with bacon bits.

Fold 1 tsp. Turmeric, ½ tsp. curry and 1 cup of frozen peas into hot mashed potatoes.

Fold ½ cup basil pesto into hot mashed potatoes. Garnish with toasted pine nuts.

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Peel and quarter potatoes. Put them in a large pot with enough cold water to cover them. Add salt and bring water to a boil. Lower heat to medium and simmer potatoes until they are tender when pierced with a fork (15-20 minutes). Drain the potatoes, add the butter and mash with a ricer or electric mixer. Add the egg and beat it into the potatoes with a wooden spoon. Add milk or cream and continue to mash until fluffy.

PHOTOS (LEFT) ADAM FINKLE

style file |

LivE YO U R S T Y L E

ivyinteriorsutah.com

801.486.2257

3174 S. Highland Dr. Salt Lake City, UT 84106

style file |

ON THE TOWN

LET’S TALK SHOP Ah, co-working. The dream of the future. Untethered from the 9-to-5 grind, itinerant laptop jockeys, aspiring start-up founders and gig workers share space, swap ideas, network and guzzle fuel from barista-level coffee makers and endlessly flowing taps of kombucha. But then sharing space, of any kind, became problematic and, just like normal old boring offices, shiny co-working spaces were caught in pandemic lockdown. But like a phoenix rising from the ashes, a new co-working club— The Shop Workspace—opened its doors last April, with an eye for local art and Utah-inspired design. “The Shop is coming at a perfect time for Salt Lake City as it collectively reevaluates what going back to work can and should mean,” says Giv Development’s executive director Chris Parker. Giv Develop-

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ment and New Orleans-based partner Domain Companies are behind the project, located near the Salt Lake Library and inside the Mya, a mixed-income residential development. The Shop is a bright and airy three-floor setup with more than 30,000 square feet of furnished co-working space, including private offices, event space, a full kitchen, a roof-top deck overlooking the mountains, multiple meeting rooms and, of course, a bar. The showpiece is the main entry stairway lined with intricate wooden panels inspired by railroad trellises as a nod to Utah’s place in the history of the transcontinental railroad. “We wanted our members to feel a connection to Utah,” says Anne Olsen, The Shop’s Community Manager. 350 E. 400 South, SLC, 801-980-2660, shopworkspace.com

BY JEREMY PUGH; PHOTOS THE DOMAIN COMPANIES

A new co-working space with an eye for design opens its doors in SLC.

Photographer Rebekah Westover

style file |

BEFORE & AFTER

LOGS TO LUX An outdated Park City house boasts a bold new remodel.

BEFORE

When Dezirae Bruni and Jessica Rae Sommer of Maverick Design encountered the 1996 semi-custom log home, they recognized a “diamond in the rough,” Sommer says. The duo teamed with Wedgewood Homes to transform the dated lodge into a modern mountain retreat. “Our mission was to deliver a restorative retreat with improved finishes and flow, while celebrating the home’s existing features that are perfect for families and entertaining,” Bruni explains.

1. Overworked design elements dated the previous primary bath. Today, the room features medallion-tiled floors and a cleanlined oak vanity. A wet room houses a freestanding tub and multiple shower heads.

BEFORE

2. The design team relocated and expanded

3. The ‘90s era staircase featured worn mountain finishes and bullying log railings. The new staircase maintains a similar shape, but gains an airiness thanks to cable railing details and oak treads. The team ditched the original stone fireplace in favor of an open floor plan and integrated a modern firebox on the room’s opposite wall. BEFORE

maverickdesign.com

U TA H S T Y L E A N D D E S I G N | FA L L 2 0 2 1

BY AVREY EVANS; PHOTOS: JON WOODBURY

the kitchen into an adjacent space. Now, custom white-oak millwork and dual islands bring the kitchen into modern times. Large windows frame the mountain views and oversized Rejuvenation pendants animate the space.

COLOR CRUSH

Blue Goes Green

Not quite blue and not quite green, fresh shades ranging from peacock to teal are driving the design of many of today’s most memorable spaces. BY AVRE Y E VANS

U TA H S T Y L E A N D D E S I G N | FA L L 2 0 2 1

t’s versatile, fresh and sophisticated. Blue-green can elevate a room to royal status or simply deliver a chic accent to the overall space—it’s all about how you use it. Local designers are smitten with the shade and offer the following tips and inspiration for making it part of your décor.

Stephanie Holdaway of Gatehouse No. 1 chooses a watery teal to make a bold statement in a Lehi home’s living room. With paneled walls drenched in Benjamin Moore’s Aegean Teal, the color-saturated space makes a lasting impression. To soften the deepcolored walls, Holdaway brings in layers of less vivid hues. “Pairing blue-greens with neutral tones of the same depth is the key to making this color stay rich and sophisticated,” she says. gatehousestyle.com

“

PHOTOS: (1) REBEKAH WESTOVER; (2) REAGEN TAYLOR; (3) KENT MILLER, 7D8; (4) REBEKAH WESTOVER

If you can’t choose between one blue-green shade or another, designer Kristin Rocke suggests using them all together. “I love combining shades of blue-green, especially on drapes and rugs.” Rocke layers this dining room with a custom Kyle Bunting rug and tie-dye-inspired Casamance drapes. The zinc metal table top and wood elements offer a warm contrast to the cool shades of blue. krockedesign.com

Pull quote tktktk” —By

“We were going for bold, and I love the drama this color added to the space,” says designer Heather Russo, who used the rich shade of blue-green to visually separate the open living space from the home theater. She painted the theater walls with Benjamin Moore’s New Providence Navy and added coordinating barstools to complete the look. tabcopc.com

2 3

Designer Danielle Hickman places pops of deep teal in a bedroom to evoke a sense of natureinduced tranquility. “Think of traveling to Maui and gazing at the wide blue ocean; teal brings that same calm, serene feeling indoors,” she says. The blue-green pillows accentuate similar hues found in the art above, delivering a subtle brightness without overbearing the room’s calming ambiance. dhdesignstudio.com

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COLOR CRUSH

A formal sitting room receives a dramatic, head-to-toe dressing of bottomless blue-green. Designer Cara Fox color-matched paint with the velvet sofa to give the room a chic, customized look and feel. Gold details and a framed original painting by Paige Anderson add to the room’s grandeur. “An accent like gold brightens the deep shade and brings a beautiful richness to it,” Fox explains. thefoxgroup.com

6 7

7 NEW PROVIDENCE NAVY 1651 Benjamin Moore

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AEGEAN TEAL 2136-40 Benjamin Moore

INCHYRA BLUE No.289 Farrow & Ball

Instead of trying to brighten a dim basement office, the team at cityhomeCOLLECTIVE embraced its inherent moodiness. “We purposely selected a very complex, richly saturated shade of blue-green that changes hues as the daylight transitions,” says designer Helena Morozoff. She paired Farrow & Ball’s Inchyra Blue with natural wood tones and neutral hues to enhance the impact of the rich color. “The most impactful design element is the paint color because it envelopes and unifies all other elements,” she says. cityhomecollective.com

PHOTOS: (5) LINDSAY SALAZAR; (6) LINDSAY SALAZAR; (7) KERRI FUKUI

To capture an “edgier feel,” interior designer Andrea West arranged blue-green cement tiles in a floor-to-ceiling fashion. The geometric design and striking color make an impactful duo while remaining timeless—an aspect West says is crucial when playing with bold hues. “When designing with blue-greens, select a shade that is more sophisticated and moody so that you will enjoy it for a longer period of time.” andreawestdesign.com

BY THE YARD

Changing Colors Exuberant hues deliver a fresh perspective to archival patterns and traditional motifs.

PHOTO BY BRAD MEE; FABRICS COURTESY OF JOHN BROOKS INC.

BY BR A D M EE

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CLOCKWISE FROM UPPER LEFT (OPPOSITE PAGE): Brer Rabbit in Burnt Orange, Morris & Co.; Akasaka Hand Block in Red/Blue, Clarence House; Reattu in Poppy, Clarence House; Willow Bough in Skye & Leaf Green and Olive & Turquoise, Morris & Co.; Brer Rabbit in Olive & Turquoise, Morris & Co.; Cantaloupe in Tumeric/ Indigo, Sanderson; Talete in Giallo, Blu, Corallo, Rubelli; (THIS PAGE): Il Marchese di Carabà in Bonjour, Rubelli; Leopold in Claret, Clarence House; Déjeuner Sur L’Herbe in Verde, Rubelli; San Polo in Topazio, Giada, Smeraldo, Rubelli; Il Marchese di Carabà in Bonne Nuit, Rubelli.

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TRAD WITH A TWIST Used sparingly or with abandon, vibrant colors enervate classic patterns throughout the home. Bloomsbury Garden lampshade by Timorous Beasties, Regency Royale, SLC, regencyroyale.com; Willow Boughs wallpaper by Morris & Co., to the trade, John Brooks Inc., SLC, johnbrooksinc.com; Déjeuner Sur L’Herbe cotton fabric by Rubelli, to the trade, John Brooks Inc., SLC, johnbrooksinc. com; Studio Damask wallpaper by Timorous Beasties, Regency Royale, SLC, regencyroyale.com; Tarbana Amethyst Decorative Pillow by Designers Guild, Glass House, SLC, glasshouseslc.com

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PHOTOS COURTESY OF (CLOCKWISE FROM UPPER LEFT): TIMOROUS BEASTIES, MORRIS & CO., RUBELLI, TIMOROUS BEASTIES, DESIGNERS GUILD

BY THE YARD

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BY THE YARD

TO THE MAX

Icon Iris Apfel designs a new collection as colorful as the centuryold starlet herself. As a fashion icon, decorator and textile designer, 100-year-old Iris Apfel is a colorful figure with a highly celebrated career. So it comes as no surprise that her new Maximal Couture collection—a collaboration with Fabricut—is as vibrant, eclectic and fascinating as the maven herself. The fabrics are diverse—ranging from lux faux furs to striped velvets—and showcase exuberant colors, patterns and textures that beg to be layered in imaginative and innovative ways. In true Apfel style, her couture trims perform like dazzling jewelry that finish the textile offerings with wit and flair. fabricut.com

Colour can raise the dead.” — Iris Apfel

FLEURALEE TAPE

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EHSANI TAPE

ROCHA TAPE

EXUBERANT TAPE

SACHI TAPE

PHOTOS COURTESY OF FABRICUT

WITH ALL THE TRIMMINGS

SPECIAL ADVERTISING SECTION

ST YLEMAKERS BY NATALIE TAYLOR

MAKING MAGIC

PHOTO COURTESY BACCARAT

Never before have our homes been more important to us, so it's no wonder we want and demand more from our abodes—more comfort, more style and more livability. In this special section, we present some of Utah's most talented design professionals, craftsmen, services and purveyors of premium home products, indoors and out. Each can help you transform your house into a haven, a source of ease and a reflection of your personal style. Whether you're upgrading an existing dwelling, building a dream retreat or simply elevating the style of a treasured space, these talented professionals are ready to work their magic for you and your special place called home.

Baccarat's Harcourt My Fire Candlestick is a chic collector's piece revisted by designer Philippe Stark; $950, O.C. Tanner Jewelers, SLC, octannerjewelers.com

SPECIAL ADVERTISING SECTION

BARTILE BARTILE is a local, family-owned business that’s been perfecting the art of premium roof tiles since 1942. Incombustible, Bartile roof tiles far surpass a class-A fire rating and have a 75year warranty. Some styles even have a class-4 hail rating. Customization is the name of the game at Bartile. “We have more than 700 custom colors, designs and textures, so we can literally create anything,” says Nick Evans, general manager. “If you see something you like, bring us a photo and we’ll make it for you.”

7 2 5 N. 1 000 Wes t, Ce nt e rv i l l e 8 0 1 - 2 9 5- 3443 b a r t i l e .co m @b ar t i leroof s

Bartile can create a shake or slate tile that looks like the real thing but will last more than 75 years without the fire hazard or maintenance issues. “With our gable options, designers and homeowners can create a true shake or slate roof at a fraction of the price,” Evans explains. In addition to manufacturing the tiles, they also provide expert installation services in northern Utah. “We offer a warranty on tile as well as the installation,” says Evans. “Expert installation helps insulate the house to keep ice dams down in winter and keep cooling costs down in the summer.”

GUIDING PRINCIPLE

“We make one-ofa-kind dream roofs. As the only custom tile manufacturer in the United States, we customize our roofs to meet very specific requests—and that keeps the business exciting.” NICK EVANS / GENERAL MANAGER

Ask the Expert WHAT’S AHEAD Environmental sustainability. Our eco-friendly roofs last 75–100 years and when it’s time to replace them, we can recycle every material. In addition, our lightweight tiles are made from more than 50% recyclable materials.

EXCITED ABOUT We build to last. When you compare the cost of replacing your asphalt roof every 20 years, the lifecycle of a tile roof will result in significant savings—as much as 200% the first time and more every additional time you replace it.

FRESH IDEAS Legendary Slate or Legendary Split Timber tiles are the ideal complements to modern or contemporary homes. Perfect for low-pitched roofs, these tiles create a free-flowing pocket of air that helps insulate the house and keep cooling costs down.

SPECIAL ADVERTISING SECTION

THE BLACK GOOSE DESIGN THE BLACK GOOSE DESIGN has been providing high-end furniture and fresh designs for 35 years. In that same time span, they’ve also been cultivating relationships with exclusive vendors, so if you don’t see something in the showroom, they’ll special order it for you. “We carry everything you need to create your dream space,” says Randi Smith, director of design. If you’re feeling overwhelmed by the project, you’re not alone. “People don’t realize just how many decisions go into designing or remodel7 6 5 2 H olden St., M i d v a l e 8 0 1 - 562- 1933 t heblackgoos edes ign.c om

ing a new home,” says Smith. “Our team of award-winning designers can also help you streamline those decisions.” Whether you love modern, traditional, transitional or farmhouse design, their experts can help you design a home that radiates joy. “We make sure that the home interacts with its setting and outdoor space to create a continuous flow inside and out,” Smith says. With a wide array of quality home furnishings, accessories, custom window treatments and wall coverings to choose from, there’s no limit to what you can create.

RANDI SMITH / DIRECTOR OF DESIGN

“I get to know each client, anticipate how they’ll live in their home, then surprise and delight them with the best version of their space. I see the world through their eyes and pull out the details of what they love to create, something that truly reflects them.”

Ask the Expert WHAT’S AHEAD We love our 1906 building. We’re planning on expanding—the addition will give us more space for both the showroom and design presentations.

PHOTOS LINDSAY SALAZAR PHOTOGRAPHY

EXCITED ABOUT Mixing patterns. The market showcased so many new, fresh patterns mixed with vibrant colors, and we’re excited to incorporate all these patterned pieces into upcoming designs.

FRESH IDEAS A new chandelier or vibrant throw pillows are great ways to freshen up a room that feels stagnant.

SPECIAL ADVERTISING SECTION

BRANDON BODELL CONSTRUCTION BRANDON BODELL began his career framing homes in Deer Valley. Over the past two decades, his passion has expanded from those humble roots to building and remodeling some of the most breathtaking custom homes in Utah. The secret sauce is his hands-on approach. “I am a smaller, boutique shop, so I can meet clients onsite when they want to meet,” he says. “They can ask cost questions and make decisions right there. No lag time waiting for a response.” He only takes on a few select projects at a time 6 8 6 Stokes Ave., Dr a p e r 8 0 1 -3 01- 3290 b r an d o n bo dellco n s tr uc t i on.c om

and assembles the budget himself so projects move along faster. “Budgets are completely transparent from start to finish,” he says. “Clients never have to wonder where their money is going or if they can afford an upgrade.” And that makes for a fun, clean, and easy building process—especially when you’re working with some of the best designers and craftsmen in the state. “Our core group of interior designers, suppliers and contractors deliver high-quality service,” he says.

BRANDON BODELL / OWNER

"We specialize in the unique – every home needs to tell its own story. I love to bring out elements of my client's personality and craft them into the home."

Ask the Expert WHAT’S AHEAD It’s been a challenging year. Many of the traditional materials that were available are still on back order. So we’re getting creative with available resources to either finish projects or design something new that clients love even more than their original visions.

EXCITED ABOUT Exterior elements such as fascia details, soffits and rafters. Architects are really pushing design in Utah and it’s fun to build these cutting-edge homes.

FRESH IDEAS Enhance your home’s unique personality with window wrap details, exterior elements, roof, rain gutters, masonry or siding.

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EVE RY B LOOMING THING FRESH FLOWERS infuse a space with exquisite aromas and gorgeous colors. A floral bouquet uplifts your mood and accents interior design. Whether you have them in your home every day, give them as gifts, or include arrangements in your celebrations, the power of fresh flowers is unmistakable. No one knows this better than the talented designers at Every Blooming Thing. For more than four decades, these folks have been designing arrangements for every occasion. “We capture our client’s unique style and vision to create something as timeless as it is fresh and current,” says Robert Upwall, owner. 1 3 4 4 S. 2 100 E as t, S LC 8 0 1 - 521- 4773 e v e rybloomin g th in g.c om @E v er yBloomin g Thi ngS LC

By using unexpected items in nontraditional settings Every Blooming Thing creates organic elegance in modern or industrial spaces and adds a touch of luxurious glam to rustic settings, “I love taking the most common ingredients and doing the most unconventional things with them,” says Mark Abbott, owner. In addition to flowers, Every Blooming Thing serves as a local art gallery. Use the array of accessories and keepsakes to inspire you. “Fall in love with your project,” says Upwall. “Let it move you.” Trust the experts to elevate the important moments in your life. For upcoming events, follow @EveryBloomingThingSLC

ROBERT UPWALL AND MARK ABBOTT / OWNERS

“I have always been drawn to Scandinavian design and am fascinated with minimalistic, purposeful design. I follow my sixth sense in the art of placement.” —Robert Upwall, Owner

Ask the Expert WHAT’S AHEAD We continue to evolve with fresh paint, a rejuvenated logo, new sign and much more. Our updated point-of-sale system makes it easy to order and we can’t wait to share our revamped online platform. For the holidays, we’re introducing novel product lines and welcoming new local artisans into our fold.

EXCITED ABOUT People are simply happy to gather together this year, celebrating and sharing the holiday season with those they cherish most. Our thoughtful gifts, accessories and floral designs will be the allimportant details that enhance your special events.

FRESH IDEAS Pay attention to the seasons and seasonal transitions. Create what’s to come with what grows now. Every blossom is unique as is every person and project. So, we find the unique element of our clients and events and then design to celebrate that individuality.

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GATEHOUSE NO. 1 ARE YOU READY TO DESIGN a space that inspires you? The talented team of designers at Gatehouse No.1 are ready to help at any stage of the process. For the past 25 years, Gatehouse No.1 owners Stephanie and Doug Holdaway, as well as their expert team of designers, have helped thousands of satisfied clients. “Walk into our store with a dream and walk out with everything you need to make it reality,” Stephanie says. “Sit on the furniture, feel the rich textures and see all the vibrant colors and patterns.” 6 7 2 S . State St., Orem 8 0 1 - 2 25- 9505 g at eh ou s es tyle.com @g a t e ho u s en o 1

An unflinching dedication to high quality is at the heart of this local furniture store and interior design studio. “From our professional design and delivery teams to our custom furniture, curated accessories and everything in between, quality matters,” Stephanie says. All this at your fingertips lends itself to a satisfying experience. “We want to make it fun,” says Doug. “We’ll help you create a space that is functional, practical and beautiful. You can have it all.”

STEPHANIE HOLDAWAY / OWNER AND PRINCIPAL DESIGNER

“Don’t get caught up in what others are doing. Designing a space that is true to you will always be on trend. Your home should be a haven—fill it with things you love and that inspire you. Express yourself.”

Ask the Expert WHAT’S AHEAD Our curated holiday collection will be available online in October. We’ve been shopping at the markets and hand-picked every single piece. These beautiful items are sure to delight.

EXCITED ABOUT Rich color, tone-on-tone and attention to detail in millwork and furniture. From fabric and art to lighting and rugs, the simplest elements can transform an entire space.

FRESH IDEAS Live life in color. Embrace bold wallpapers, moody hues and rich textiles. Painted furniture is also making a comeback. 2021 is all about color.

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GOLD COIN JEWELRY GOLD COIN JEWELRY is a collector’s dream. From century-old U.S. banknotes and imported art to antique watches, shoppers are sure to find the one-of-a kind items they are looking for. “We have a broad selection of watches and jewelry from all over the globe,” says Johnny Ma, owner. “We carry luxury lines including Rolex and Omega from Switzerland and Cartier from France.”

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In addition, the shop showcases gold and jade jewelry imported from China and Hong Kong, as well as stone carvings from South Africa and Brazil. “Visit us for a truly global shopping experience,” Ma says. Gold Coin Jewelry is packed with charming gifts, fine jewelry and home décor. “If you’re looking for something specific, we can find it for you,” says Jamie He, partner.

JOHNNY MA / OWNER

“We offer a unique collection of imported items you can’t find anywhere else in the state.”

Ask the Expert WHAT’S AHEAD We’re excited about our grand opening. Visit our shop to see all the specialty items we carry.

EXCITED ABOUT Hand-carved jade jewelry, Chinese calligraphy and gold coins.

FRESH IDEAS With vendors in Hong Kong, New York and San Francisco, we carry treasures from around the world.

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JEFF LANDRY DESIGN WE DO LOTS OF DESIGN WORK. In lots of places. Interior, exterior, residential, rental, commercial and hotel design. We are experts at creating beautiful spaces, whether they be new builds or renovations. Every project is that much better when we have a client with an opinion, a desire, a functional issue that needs solving. The collaboration with clients of all kinds creates the most beautiful spaces. We have the reputation of hearing clients and giving them exactly the aesthetic they desire, while solving all their functional needs. And always with consideration for scheduling and completion dates, along with being very careful with budgets. 3 3 9 P i er pon t Aven u e , S LC 8 0 1 - 5 3 3- 8530 j e ffl an dr ydes ig n .co m

JEFF LANDRY / PRINCIPAL DESIGNER AND OWNER

“Good design is good design, no matter the style. Our process is the same whether it's contemporary, traditional, mountain, beach or city. Listening and creating something special for every client is always our direction”. — Jeff Landry

Ask the Expert WHAT’S AHEAD We’re excited to be working with a few long-term clients on projects throughout the country. A contemporary project in Rancho Santa Fe, California. A family lake house in the Berkshires. And a transitional southern ranch house on 9 wooded acres in South Florida. Plus lots of fantastic projects here in Utah.

EXCITED ABOUT Layering. Our recent work has been driven by a sense of more depth of design. More interesting finishes, details and materials along with a greater sense of contrast.

FRESH IDEAS Our firm is so client-centric that keeping it fresh is never a problem. We work on so many different types of projects with a huge variety of personalities. It’s always fresh.

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JOHN SON DE SI GN GRO UP IF RICH AND TIMELESS IS YOUR STYLE, then Johnson Design Group is the firm for you. For the past 25 years, Rachelle Johnson, owner, has been designing, renovating and remodeling homes across the nation. As an architectural designer, Johnson reconfigures spaces. “I rework the space to enhance and renew its use, as well as how it flows from room to room,” she says. “I try to include local artisans and use organic materials as often as possible.” The award-winning group works on a variety of residential, commercial and hospitality projects.

“We have a diverse background,” says Liz Jackson, interior designer and project manager. “Holistic planning means we look at the whole picture, not just one part of the equation.” Now that people are traveling again, they want to recreate the oasis they find away at home. “Selfcare is key,” says Jackson. “People want a comfortable, healing environment.” They are splurging on a little bit of luxury. “We’re seeing a big trend in better quality and finer details,” says Johnson. “We can help you create your sanctuary.”

PHOTOS: (INTERIOR) JENNIFER FOWLER PHOTOGRAPHY, (PORTRAIT) CHRISTINE SARA PHOTOGRAPHY

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RACHELLE JOHNSON / OWNER

“We recognize now, more than ever, an outdoor living space’s use as an at-home getaway. These areas have just as much value as what is inside. We add doors and larger windows to open up spaces and invite more sunlight and fresh air, as well as incorporate cohesive designs that bring the outside in.”

Ask the Expert WHAT’S AHEAD Gallery shows with local artists, trunk shows, and previews of our gift and lifestyle items. We offer curated accessories, furniture, local art, lighting, rugs and materials that really give a space personality.

EXCITED ABOUT We’re working with a number of start-up companies and exciting new businesses that recently launched. There are big shifts in what people find important right now, and it’s exciting to see where things are headed.

FRESH IDEAS Trends in patterns, color, and furniture are dictated by fashion. Right now, those are all influenced by global, multicultural and bohemian vibes.

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K. ROCKE INTERIOR DESIGN DESIGNING LIVABLE, artistic spaces that create a comfortable context for people as their lives evolve is a passion for acclaimed designer Kristin Rocke, owner of K. Rocke Interior Design. For the past 17 years, this Utah-based interior design firm has been completing uniquely designed and influential interiors coast-to-coast and across the globe. With an extensive and award-winning list of projects, Rocke has been listed as one of the “Top 10” Interior Designers by Traditional Home and featured in various distinguished publications.

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The firm’s impressive portfolio includes resorts, restaurants, retail shops and residences. “My clients trust me to push the envelope and take them somewhere unexpected, knowing that each project ultimately represents their individuality,” explains Rocke. Rocke, an NCIDQ Interior Designer, also owns Glass House, a pulsating design store furnished with unique items that delight shoppers and elevate the style of their homes. Visit social @ glasshouseslc and krockedesign.

KRISTIN ROCKE / PRINCIPAL AND OWNER

“We give clients more than what they know they wanted. Once they have it—they love us for it.”

Ask the Expert WHAT’S AHEAD Making the most of our tremendous range of projects. We’re currently working on edgy modern projects as well as beautiful traditional projects. It’s interesting to create entirely unique spaces that reflect owners, location and tastes. Our projects give us a continuous source of inspiration to draw from and develop into sophisticated designs.

EXCITED ABOUT I love all the distinct and interesting homes we’re creating. Our designs take advantage of light and workability, and we have outfitted them like couture for the home. We can dream it, develop it, draw it, and work to help get it built—from the smallest to largest details— including one-off furniture, fabrics and wallcoverings.

FRESH IDEAS I keep it fresh by listening to clients and finding inspiration by taking in what I see around me. It’s such an exciting time to be in design. There is so much available and so many opportunities to bring creative visions into being.

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KOALA POOLS IMAGINE diving into your private pool, the silky feel of water against your skin as you glide, the sound of waves, lap after lap. Installing a pool in your own backyard is within reach— and can happen faster than you think. “We offer high-end, custom-made pools as well as Plungie® pre-cast concrete pools,” says Andrew McNamara, owner of Koala Pools. “Depending on your budget, space and timeframe, we can make it happen.” Born in Melbourne, Australia, Andrew ran his father’s pool business for years. He knows quality pools. If you have a custom project, Koala Pools will work with a landscape designer/

architect to ensure the pool complements your home and landscape. “I focus on high-quality projects and give them my personal attention,” he says. “I’m accountable and offer the best construction practices, finishes and equipment, so you can rest assured you’ll enjoy your pool for years.” If you want something pronto, consider a pre-cast concrete pool–they are more durable and aesthetically pleasing than a vinyl or fiberglass equivalent. “Plungie pools are high-quality, pre-engineered pools that can be installed in 3-6 weeks rather than waiting 3 months for a custom pool,” he says.

"Installing a pool not only adds value to your property, it’s also an attractive water feature to look at year-round— and the health benefits of being in or around water are priceless." ANDREW MCNAMARA / OWNER

9 2 6 5 S. H igh lan d Dri v e #901210, S a nd y 8 0 1 - 876- 5574 k o a l a pools .com

Ask the Expert WHAT’S AHEAD The demand for quality swimming pools shows no sign of abating. There are, however, some labor and material constraints that make pre-cast pools a great option for families looking to enjoy a quality pool as quickly as possible.

EXCITED ABOUT Plungie pools are democratizing the pool market. It’s exciting to think that more families will be able to enjoy the benefits of a backyard pool. You can have a high-quality pool in less time than you think and, because of their smaller size, they are more affordable to install and maintain.

FRESH IDEAS Ozone (O3) is one of the most powerful oxidizers available for swimming pool use. Not only does it minimize the use of chlorine, it also works to remove contaminants. The clarity of ozonated water is stunning and offers one of the purest swimming environments possible.

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LMK I N TE R I O R DESIG N LMK INTERIOR DESIGN is one of the most progressive contemporary design firms in the western region. Founded more than 18 years ago, this award-winning firm was at the forefront of modern design and still leads the region for high-end residential and commercial interiors. LMK Interior Design combines the passion for interior design and shared aesthetic sensibility of partners Rion Locke and Richard Miller. This dynamic team offers diverse options and expert guidance to help you create the home of your dreams. LMK Interior Design is a full-service design

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firm providing comprehensive interior services including construction management, interior architectural design, specification of materials, space planning, furnishing and accessorizing. Through the use of Auto CAD and other stateof-the-art technology, LMK Interior Design creates detailed construction documents that help with accurate bidding, budget and scheduling requirements. LMK Interior Design’s signature style brings out the personality of its clients while introducing fresh elements into the existing environment.

RION LOCKE AND RICHARD MILLER / PARTNERS

“We’re committed to the principles of simplicity and modernism.”

Ask the Expert WHAT’S AHEAD Miller: We don’t pay much attention to trends. We like clean lines and classic shapes and furnishings. To keep it classic, we mix the finishes such as pairing dark, light and grey tones where they all relate to each other.

EXCITED ABOUT Locke: Going to the market and seeing all the accessories including lamps, artwork, mirrors and rugs and bringing those ideas to our design. We love using patterned fabrics in different textures and colors as accents.

FRESH IDEAS Locke: Updated classic styles, unexpected mixes, double islands and gravity-defying islands with material finishes.

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O. C . TA N N E R JEWELERS FOR UNIQUE HOME DÉCOR, luxurious accessories and exceptional gifts, visit O.C. Tanner Jeweler’s Home & Lifestyle Department on the third floor of the flagship store in Salt Lake. The City Creek and Park City locations also offer seasonal selections. Highly curated, there are always new offerings from well-known and recently discovered designers and artisans. “We attend several markets a year to find the perfect items,” says Dixie Merback, Associate Buyer. “We place a premium on exclusivity and have personal relationships with many of our partners.” O.C. Tanner is the exclusive retailer in Utah for Baccarat crystal. This year, Baccarat celebrates the 180th anniversary of its iconic Harcourt line. Created in 1841, Harcourt stemware hails from the Napoleon era and has been selected for use by royalty and celebrities as well as those who appreciate distinctive style. Because it embodies both timeless elegance as well as a modern, chic flair, its classic pattern and unique silhouette has been copied for years. “This is not your grandmother’s crystal,” says Merback. “It has a storied past but use it every day. Don’t let it sit in the cabinet.”

GUIDING PRINCIPLE

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Ask the Expert

“Timeless design. We feature the finest home décor and lifestyle brands for sophisticated tastes.” DIXIE MERBACK / ASSOCIATE BUYER

WHAT’S AHEAD If you’re tired of using wine charms at your parties, consider the Baccarat Bubble Box. It comes with six champagne flutes in six distinct patterns, so each guest can select the piece that reflects his or her taste and sip the bubbly in style.

EXCITED ABOUT The Everyday Baccarat Tumblers set includes six cut crystal glasses, each embellished with a different pattern. Use them to serve everything from breakfast juice to cocktails and desserts.

FRESH IDEAS Mix and match serving pieces and pair handmade pottery with crystal. You don’t need a special occasion to use your crystal, and an eclectic approach adds an element of surprise to your table setting.

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PEPPERTREE KITCHEN AND BATH PEPPERTREE KITCHEN AND BATH opened in 1986. Today, Peppertree has become one of the best-known cabinet manufacturers in the state. “We stay on the cutting edge of design with an unflinching commitment to quality,” says president Wyatt McDaniel. “We can build whatever cabinet design our clients are looking for.” The craftsmen at Peppertree have honed their skills over two decades. “Our employees, our people, stay here and the owner works in the shop to help tackle any challenges,” says McDaniel. “We run like a well-oiled machine and can produce an impressive amount of work in our 9,000-square-foot shop.”

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Whether you want cabinets for your study, media room or library, or want to level up your pantry or closet, the cabinet designers at Peppertree can help you choose the best wood species, style and functionality for your space. “We do so much more than kitchens and bathrooms,” says McDaniel. “Mud rooms, hidden bookcases, doors with integrated handles—you name it.” “Our clients are very educated, they know exactly what they want and how they want the cabinets to work,” says McDaniel. “We love seeing ideas interior designers bring us.” From remodels and additions to new builds, the experts at Peppertree can help regardless of budget or project size.

DOUG NUFFER / VICE PRESIDENT AND WYATT MCDANIEL / PRESIDENT AND OWNER

“Our cabinet designers are so knowledgeable. We consistently under promise and over deliver.”

Ask the Expert WHAT’S AHEAD We import the Leicht kitchen line from Germany. More and more, people ask for its unmistakable contemporary flair and high-quality functionality.

EXCITED ABOUT New trends coming out of Europe. Painted, rift-sawn white oak, and quartered walnut with veneer cabinets. Steel is still hot.

FRESH IDEAS Taller and wider cabinets for a more polished look. More drawers and better organization within the drawers providing better visibility and access to pots and pans and other items. Handleless drawers with tip-on latches and no-touch opening devices.

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A N G IE NEL DE N, REALTOR SUMMIT SOTHEBY'S INTERNATIONAL REALTY “WE CONSIDER LUXURY TO BE AN EXPERIENCE, NOT A PRICE POINT,” says Angie Nelden, associate broker, Summit Sotheby’s International Realty. “No matter the area, price or size of your property, when you list with me, you’ll receive million-dollar marketing.” “I’m so proud to offer best-in-class marketing for every client that includes professional architectural photography and videography, print and digital ads, copywriting, public relations and everything else you could dream of from an advertising agency,” Nelden says. When it comes to finding the perfect home, Angie has nearly 20 years of experience and knows how to win in a competitive market. She grew up immersed in the real estate industry and served as the president of the Salt Lake Board of REALTORS in 2014. "It has been and always will be about my clients and providing them a professional and stress-free transaction,” she says. “I am so lucky to work with and around such fabulous people every day.”

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A ANGIE NELDEN / REALTOR

“Real estate is in the details. It is important to hire a professional that you trust to help you navigate the buying & selling process.”

Ask the Expert WHAT’S AHEAD Real estate sales have soared in 2021 in Utah. Interest rates are historically low, and we’re welcoming new faces to our state at an unprecedented rate. We’re always working hard to innovate and look for better ways to serve our growing and diverse communities.

EXCITED ABOUT I’m excited about fun minimalist trends featuring warm, cozy components. There’s also an uptick in multi-use, functional spaces and the creative options are near-endless, so it’s fun to see how those spaces get used in different homes.

FRESH IDEAS

©MMXXI Sotheby’s International Realty Affiliates, Inc. All Rights Reserved. Sotheby’s International Realty® is a licensed trademark to Sotheby’s International Realty Affiliates, Inc. An Equal Opportunity Company. Each Office Is Independently Owned And Operated. Copyright© Summit Sotheby’s International Realty 2021.

I am constantly looking for ways to improve my client’s experience. Adjusting to current market trends and staying on top of what’s happening around the world in the real estate industry is key to staying fresh and energized.

In her soaring entry hall, designer Cara Fox curated framed art pieces of multiple mediums to fill the two-story space. A large still life by Jill Barton anchors the sweeping display. “I always start with the largest pieces first, and once they are up, I cluster others of similar sizes and then fill in with the smallest pieces last,” Fox explains. She used gold frames to help unite the collection, and took inspiration from European museums as she painted the curved, paneled wall a soulful blue-gray.

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PHOTOS: ROCHELLE JAHDI; (LEFT) SHELBY BOURNE

size it up

deck the halls Consider the impact you can make displaying art pieces on facing walls in a hallway like the Alder & Tweed design team did in this modern mountain home. A large bison image draws the eye down the passage and delivers surprising scale to the framed art of various sizes. The designers paired white walls and minimalist framing with wildlife and vintage photos to create a sophisticated mountain display that allows the hallway to feel open and spacious.

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Galleries, collages, collections—by any name, grouped art is an easy way to showcase your personal style on most any wall in your home. But you want to get it right. To help, we’ve assembled inspiring examples and professional advice to help you create your own dynamic displays. Grab a hammer and get hanging. BY BRAD MEE

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Think beyond framed art—galleries of surprising collections can create dynamic, personalized displays as well. In a Park City home, an expansive exhibit of vintage game boards enlivens a spacious family room. The boards are arranged in an orderly grid to lend a structured pattern to the walls, but the boards’ varied colors, shapes and sizes deliver interest to the overall presentation.

mix it up Designer Suzanne Hall composed a mountain home’s gallery from a variety of objects—framed paintings, drawings, a map, baskets and tiny dolls—and displayed it inside a cozy reading nook. “Some arrangements are very formulated, but this is more flexible because the pieces are all so different,” says Hall, VP of Design for Alice Lane Interior Design. To avoid a haphazard look, Hall anchored the display with larger framed pieces and built around them. “Too many small pieces don’t work,” she explains. A sleek wall sconce enhances the display and adds light to the space. “This is a living gallery—you can add and subtract items.”

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PHOTOS: (LEFT) SCOT ZIMMERMAN; (BELOW) LINDSAY SALAZAR; (OPPOSITE PAGE ) JOSHUA CALDWELL

raise your game

IT’S A WONDER “Above all, a grouping should instill curiosity,” says designer Anne-Marie Barton. “A collage wall of gathered items should tell your personal story—the places you’ve been, items you admire, quotes you live by, things that inspire you.” Barton fashions her groupings to fascinate, and she offers the following tips for creating similarly expressive and engaging displays of your own. • Place the most important piece first. Don’t center the most focal image, but rather incorporate it into the visual layers nicely. Lay it on the floor and build around it before moving the entire group to your wall. Invite a second set of eyes to help you create your composition. • Identify at least one unique element that will unify your collection and repeat it within the grouping. A recurring color, framing type, material, art medium, subject matter or overall style can each serve as a common denominator that makes a display feel cohesive and inviting. • Everything doesn’t have to be high-end. Fine art partners beautifully with informal finds and treasures.

build out Designer Anne-Marie Barton asymmetrically arranged drawings, painting, phrases and more above a desk to foster the room’s informal, gathered style. She added dimension to the collection by extending a brass art light from the wall and positioning a framed image forward on the desktop below. These unexpected pieces cleverly break up the plane of wall-mounted art.

• Create a display mix, from ornate framing to simply tacking or taping a piece of art on the wall. Consider options beyond traditional frames. Lucite boxes, for example, add depth and dimension while, in contrast, unframed pieces casually lay flat against the wall. • When creating a collage, place pieces closely together or even overlap them to create a single focal point. Don’t feel driven to cover an entire wall. Be creative—collages are about you and should be eclectic and personal, including anything from flea-market finds to book pages. • Don’t be afraid to make mistakes. “A grouping may not be perfect the first time,” Barton explains. “Above all, feel free to move pieces around as you add more over time.”

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take shape Look to architectural features for guidance. Inspired by their living room’s barrel vaulted ceiling, homeowners Kyong and Donnie Millar centered an art collection above an antique credenza. They filled the space with an arched display of treasured pieces, many purchased at European flea markets. “Collecting what you love creates a more unique and authentic gallery,” Kyong says. “If you see something you love, buy it. You’ll eventually find a spot for it in your home.” This salon-style gallery offers the couple plenty of opportunities to add and reposition collected pieces within the boundaries of the arched backdrop.

Frame vibrant collections in white to craft an eye-catching gallery. “The colorful and cheerful nature of the work is harnessed by the white mattes and white frames,” says designer Kristin Rocke, describing a gallery of children’s art she curated in a client’s hallway. Size plays into her display as well. “It also works because of the scale,” she explains. “Small works on paper would lack strength individually, but in a grouping, they are bold and brave.” Rocke aligned the pieces along the top of the display and organized the remainder in small collections separated by 1-inch spaces within the groupings. She chose three frame sizes to create a sense of order. “I find it’s best to limit sizing,” she says. When asked how to mix treasured art, Rocke simply suggests, “with abandon.”

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PHOTOS: JERRY RABINOWITZ; (OPPOSITE PAGE) SCOT ZIMMERMAN

congregate color

ON A ROLL

Designer wallpapers turn any space into an eye-catching gallery, no hammer required.

BUNNY WALL Lee Jofa kravet.com

GALLERY CHARCOAL Andrew Martin andrewmartin.co.uk

FERN GALLERY Sanderson sandersondesigngroup.com

THIS OTHER EDEN Barneby Gates barnebygates.com

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the old collage try If a more spontaneous, casually collected style is your goal, consider a layered collage. This bedroom belongs to two teenage girls who love the look and feel of the Tezza Collage Kit installed by John Martine Studio designers Brynne Flowers and Parker Lamborn. “The girls love the blues and corals, so we toned the room’s color scheme down a bit with softer tones that aren’t too on the nose,” Lamborn says. The designers used two kits to fill the wall and arranged the pieces to flow upward to meet a ladder that leads to a loft space above. “This product is great.” Flowers says. “It is an intense selection that is already curated for you.”

“It’s like creating a story of memories,” says Tessa Barton. She and husband Cole Herrmann designed the Tezza Collage Kits, curated collections of their original photographs produced for instant installation. Utah-born Barton is a photographer, musician, entrepreneur and creative influencer who enjoys a loyal following of fashion and lifestyle enthusiasts. Count us among them. We recently chatted with Barton about her captivating collages. ON INSPIRATION “I grew up loving fashion and pulled pages from magazines that inspired me. Then I taped them to my wall,” Barton says. Years later, she and Cole did the same with their own work. “We had a tiny apartment in New York City and had limited ways to make it cute on a budget, so we started hanging our photos on our wall in a constantly evolving collage,” she recalls. Barton shared the gallery with followers and fans. They wanted the same style for their own rooms, so Tessa and Cole curated a kit of high-quality prints and began selling them online.

ON EVOLVING “We curate images that make people feel like they are somewhere that they want to be,” Barton explains. The couple began with the original City Kit and then moved to creating “more specific vibes,” including the Coastal collection (see left) featuring drool-worthy shots of the Amalfi Coast and other “moments” and phrases. Other offerings include an ethereal Dream Kit, a sketchfocused Tezza x Charles Barton Kit and a chic new Creamy Kit. “I’m always thinking about what would I want to hang and look at in my own rooms.”

ON ARRANGING “We’ve done it all,” Barton says, from lining them up in grids to overlapping them in free-form shapes, arranging them from light to dark, and creating multiples of small groupings. “Be creative,” Barton suggests. “They are works of curated art that can be arranged to look and feel like you created them yourself.” —shoptezza.com

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PHOTOS: MALISSA MABEY; (PORTRAIT) TESSA BARTON; (OPPOSITE PAGE) 1 & 2 SCOT ZIMMERMAN, 3 MEAGAN LARSEN

PICTURE PERFECT

climb on up Look to your stairwell for an often-overlooked spot to compose a memorable gallery wall. Art ascends with the stairs, inspiring uniquely shaped collections. Close proximity to the wall allows you to view framed pieces up close and personal. 1. Designer Robert McArthur placed the main pieces from his tightly arranged collection at eye-level and in the center of the composition. “Keep the frames close together to unify the art,” he advises. To heighten contrast and visual interest, he mixed shiny metallic and matte black frames, and painted the wall a light color. “It is a supporting actor for the darker framed pieces,” he explains. 2. Designer Gregg Hodson began with the largest art piece as he built his stairwell’s striking gallery. “It’s large scale, so it breaks up the smaller pieces effectively,” he says. “Too many small pieces gets overly busy.” Hodson aligned the art at the top of the collection to “make it cohesive” and chose a combination of art mediums and frame weights to “maximize the texture and interest” of the grouping. 3. Landon Taylor, lead designer with Ezra Lee Design + Build, chose a large, gold-framed oil painting to anchor a client’s stairwell gallery and built around it with a mix of framed paintings and round medallions that break up the composition’s hard lines. “The placement is more contemporary and the pieces are more traditional,” he explains.

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This arrangement shows off Sarah Winward’s signature mix of compelling textures and harmonious colors. A loose mingling of nasturtium leaves, oxalis and brown lisianthus creates volume while ranunculus, pansies and pocketbook plant deliver shapely forms and rich hues. Strawberries trail over the compote’s edge.

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Floral designers Sarah Winward and Nicole Land travel to a centuries-old hacienda to host an inspiring workshop in the heart of Mexico. BY BRAD MEE PHOTOS BY HEATHER NAN

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exico’s historic haciendas and splendid gardens inspire artists of all kinds. Count floral designers Sarah Winward and Nicole Land among them. Traveling from their homes in Salt Lake City, these pros teamed to host a collaborative workshop at the luxury retreat Hacienda Acamilpa, a 17th century sugar mill nestled in the Mexican countryside south of Mexico City. “It’s an incredible setting surrounded by nature, which is integral to both of our work,” Winward says. Land agrees. “We are inspired by how things grow in nature and take our cue from our surroundings.” There were plenty of cues to go around. From the Hacienda’s stately Colonial architecture and romantic spaces to its vine-covered porticos and glorious grounds, the retreat served as an oasis of inspiration for Winward and Land as they instructed floral designers from around the globe. For two magical days, the Utah designers composed stunning arrangements and floral displays, explaining the thoughts and techniques behind their creations. Here, Winward and Land share a number of the concepts they discussed during the workshop to help you craft memorable arrangements of your own.

DRAW FROM YOUR SURROUNDINGS “Whether you’re cutting from your garden or pulling from a Mexican jungle, take your cues from nature,” Land says. Also consider your site to create compositions that are extensions of the surroundings, Winward suggests. The duo walked Hacienda Acamilpa’s grounds for ideas and inspiration, and they became enchanted by jungle overtaking stone walls and blooming vines covering archways. “It was so lush and layered, and that fueled our designs,” Winward explains. Assisted by Mexican florists By Allegra, the duo sourced local flowers and plants from Mexico City, providing a curated mix of materials for arrangements.

CHOREOGRAPH COLOR “We are inspired by subtle and nuanced shades of green, blue and brown in our work, but there are a lot of contrasting colors like hot pink, yellow and orange that grow naturally in Mexico,” Winward says. The duo selected many muted elements like curly dried ferns and brown lisianthus to balance the more vibrant indigenous flowers and foliage they selected. To begin each arrangement, the designers created a

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Nicole Land began this arrangement with an urn once used to store molasses over 250 years ago at Hacienda Acamilpa. She created a nature-inspired display intermingling foxglove, chocolate Queen Anne’s Lace, privet berry, begonia, roses and dried bougainvillea. OPPOSITE TOP LEFT: Floral designers Sarah Winward (sarahwinward.com) and Nicole Land (soilandstem.com) OPPOSITE BOTTOM LEFT: The glorious Hacienda Acamilpa dates back to the 17th century.

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CON TA I N YOU R E N T H USI A SM Vessel strategies from Winward and Land

UR NS Large urns are ideal for “creating impactful moments with towering oversized arrangements,” says Winward, who often uses them to adorn entry tables, kitchen islands and event bars. Unlike smaller centerpieces, urn compositions are looser and less detail oriented. “It’s about stepping back and letting the product do the work for you,” says Land. She often bunches and repeats a single material like apple branches to deliver the drama. “The impact is the abundance and scale, rather than the variety of materials,” says Land, who combined an overflowing volume of foxglove, lisianthus and fern to fill this large terra-cotta urn.

COM POT E S “Compotes help elevate the design and allow the flowers to float above the table,” says Winward, describing the footed bowls. Their arrangements’ success relies on a curated mix of materials and an attention to detail when integrating them. The raised vessels also allow the designs to spread beyond the containers by placing fruit, petals or small blooms on the table top surface below. “With small arrangements, it’s all about the details,” says Land, who loosely mingled tulips, ranunculus, pansies, straw flower, clover and wandering vines in this compote arrangement. Tiny red potatoes scatter below.

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A subdued palette amplifies the rich texture and loose form of Winward’s sprawling compote arrangement. Far-reaching eucalyptus and jasmine mosqueta mix with lisianthus, foxglove, licorice plant and oxalis. Mango and local fruits extend the asymmetric display to the tabletop.

monochromatic base palette by using tones close to each other on the color wheel, and then they “punched in” contrasting colors repeated throughout the composition. “The colors look cohesive but not loud,” Land explains.

TOUCH ON TEXTURE “Texture makes an arrangement more interesting,” says Winward, who chooses blooms of different sizes and shapes to create the desired texture. “Unlike a vase of roses that just gets stuck, we use big blooms lower in an arrangement and then layer on the lighter and smaller shapes just as you would add pillows to a sofa to create interest,” she explains.

TAKE SHAPE While teaching the ins and outs of centerpiece design, the

duo began with footed compotes created by local potter CAT Ceramic. Then they composed uniquely shaped arrangements that capture the natural aesthetic that defines their work. Flowers and foliage rise and fall with peaks, valleys and rivers formed by colors and shapes. “You want to create continuous paths for the eyes,” Lands explains. Asymmetrical yet balanced, the compositions sit low with branches spilling over the sides, just as they would from a garden shrub. Meanwhile, assorted blooms intermingle congenially. Dahlias, for example, may face forward in a more assertive stance while delicate pansies turn sideways to the sun or bow their heads in a loose, retired pose. Beneath, scatterings of berries or dropped petals may extend the arrangement onto the tabletop, finishing the compositions. Winward explains, “The arrangements are meant to be experienced, not just seen.”

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PHOTO SAVANNAH BUSWELL

Homes

A Millcreek home’s glass-enclosed conservatory resembles a glowing lantern in the evening light, page 88.

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The ranch-style property inspired designers Parker Lamborn and Brynne Flowers to imagine the canal-like water feature that runs beneath the home’s breezeway. The unique design integrates old irrigation gates provided by homeowners Tom and Shelby Andra. OPPOSITE: Alpacas graze in the pasture fronting the home’s two-acre property in Alpine. With pitched rooflines and expansive, multi-paned windows, the mostly brick house boasts portions uniquely clad in ebony charred wood. Intentionally imperfect brickwork extends to the ground to prevent an unsightly foundation detracting from the handsome facade.

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DOWN to

EARTH

Rooted to a pastoral site in Alpine, a new family home is grounded by natural materials, creative design and details galore. BY BRAD MEE

PHOTOS BY MALISSA MABEY

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LEFT: Windows draw natural light into the soaring stairwell, an ideal place for greenthumbed Shelby to grow a potted tree. The sconces are from Hudson Valley Lighting; the pendants are by Edison Light Globes. ABOVE: The owners’ love of brick informed an expansive window wall and fireplace details in the spacious living room. Reclaimed beams span the soaring ceiling as well as the opening of the large, plastered fireplace. Lounge chairs are by Lawson-Fenning, and the coffee table is by Phillips Collection.

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In the matter of fashioning family dream homes, there appear to be a few must-haves shared by most. Welcoming gathering spaces for relaxing and entertaining—certainly. A functional layout and easy-flowing floor plan—of course. A strong connection to the outdoors—check. Tom and Shelby Andra embraced these absolutes for their new Alpine home, but they also craved less mainstream ideas and materials to distinguish their forever home from others. “We wanted a rambler style with a throwback look and feel,” says Tom. The couple played a crucial role in

the creation of their new home, as did the talented team they assembled to design and build it: Think Architecture, Robison Home Builders and John Martine Studio. The project began with a flat, two-acre property that is backed by sweeping mountain views and fronted by a bucolic pasture graced with age-old maple trees. The Andras envisioned their ideal home rooted to the rural site. “We wanted the look of an old farmhouse with what appear to be additions added over time,” Tom explains. That’s exactly what they created. With steeply pitched

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The open kitchen reflects the owners’ love of walnut. The custom cabinets’ simple-slab style showcases the wood grain magnificently, and Lamborn’s masterful details include exposed finger joints, rounded cabinet fronts and recessed bronze pulls. Richly veined Paonazzo marble spans the broad backsplash and wraps the large waterfall island. Soapstone tops the two smaller prep islands. Cabinets crafted by Peterson Woodworks.

TOP RIGHT: A lowered ceiling helps delineate the open kitchen from the adjacent living room area. Both open to the pool and patios behind the home. BOTTOM RIGHT: Custom floor tile delivers a vintage vibe to the butler’s pantry, where a mix of open and closed storage allows the work space to perennially look orderly and presentable. Pendants are by Hudson Valley Lighting; faucet is by Waterworks.

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ABOVE: A silk-shaded pendant light hangs above a custom dining table crafted by North North in the open dining room. The designers changed the direction of the oak plank flooring to help delineate this space from the neighboring kitchen and living areas of the great room. An interior wall of windows looks into the workroom. LEFT: Designed to accommodate homework and crafts, the work room features built-in cabinets that store supplies and office equipment behind bi-fold doors. A mix of chicken-wire and clear glass panes suggest the interior partition is old and had some panes replaced over time. Red schoolhouse-style chairs from Hay, pendants from Original BTC Lighting.

rooflines and large, multi-paned windows, the predominantly brick dwelling features “additions” clad in shou sugi ban—ebony-toned charred wood that delivers dark contrasting color and rich organic texture to the impressive structure. “The Andras are very detail-oriented and had strong ideas of what they wanted, which was very refreshing,” says designer Parker Lamborn, who teams with Brynne Flowers as principals of John Martine Studio. The designers collaborated closely with Tom and Shelby to help infuse everything they wanted—and a few surprises—into their home. Brick topped the list. “We are passionate about it,” says Tom, who has a thing for the red-

brick lofts of New York City. Consequently, the designers integrated brick throughout the interior, using it to accent fireplaces and form numerous walls. Because the Andras didn’t want a modern look, the team chose flawed bricks—some broken to create varied sizes—and had them stacked in an inconsistent linear pattern. “We didn’t want a uniform look,” Tom explains. White walls and a relaxed, neutral palette unifies the décor and links to the pastoral setting outside. “We wanted it to feel warm, casual and inviting,” Flowers says. In the living room, which overlooks the pool and mountain views, the designers relied on light natural hues, warm

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TOP LEFT: Fostering a cohesive design throughout the home, ceiling cedar planks and reclaimed beams repeat from the kitchen into the primary bedroom. The bed is by Verellen, boucle-covered lounge chairs are by Lawson-Fenning and the Moroccan rug is from Adib’s Rug Gallery. BOTTOM LEFT: The primary bathroom’s his-and-hers walnut cabinets add warmth and richness to the sanctuary-like space. ABOVE: The designers laid concrete tiles in a herringbone pattern to create the illusion of a rug beneath the primary bathroom’s cast concrete bathtub. They selected Waterworks faucetry in unlacquered brass so that it will patinate with age. Two stones of slightly different shades span the floor, creating subtle pattern and interest.

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wood tones and mossy green. They worked earthy clay and red into the light-filled dining and study areas, which connect through an interior wall of windows. The primary suite soothes with hushed tones including heathered lilac and cream. The picturesque setting also inspired natural materials that similarly inform the warm, welcoming décor, and Lamborn and Flowers

integrated them into the design masterfully. Inside the front door, for example, reclaimed Trestlewood beams frame the entry space and add rough-hewn texture and space-defining detail to the ceilings of the great room and kitchen beyond. “Tom and Shelby hand-selected the beams themselves,” Flowers explains. Walnut cabinets—another of the homeowners’ must-

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Parker Lamborn and Brynne Flowers, principals of John Martine Studio.

LET THERE BE LIGHT Abundant windows and select skylights flood the house with natural light. Meanwhile, interior window walls allow the bright light to flow freely from space to space.

1. An interior wall of metal-framed glass panes allows light drawn from a large exterior window to flow from the room into a nearby hallway. Set between two custom cabinets, a square window overlooks the landscape.

2. Brass-and-glass shelves hang from the ceiling in front of the pantry’s large window. The glass shelves provide Shelby with a bright spot to grow herbs without obstructing light and views from filling the space.

The laundry room’s exterior window frames an enviable pasture view while interior window walls and a paned glass door allow the room’s natural light to flood the mudroom entry and hallway.

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2. 3.

Doors open without level changes from the great room and primary bedroom to the sparkling pool and outdoor living areas. “I wanted the flow of a California-style house that has walkouts rather than steps leading to the outdoor areas,” Tom explains.

haves—deliver timeless wood tones and graining to the open kitchen and primary bathroom. Dramatically veined Paonazzo marble enrich these spaces as well. White oak floors and black-framed windows—featured indoors and out—add to the carefully edited mix. “There is a consistent voice throughout,” Lamborn explains. If the home had a mantra, “design is in the details” is certainly apt. “The owners didn’t want to clutter with art,” Lamborn says. “Instead, they wanted the details to be the art of the house.” Simple to sublime, details take pride of place across the board: an irrigation valve designed into a canal-like water feature, bronze pulls recessed

into walnut cabinetry, rugs layered under a teak table, wire glass panes sporadically mixed among interior windows, hardwood planks changing direction to define spaces—the list is long. “This house shows how successful design can be when you do what you love and love what you create,” Lamborn says. Tom agrees. “I still walk into this house and can’t believe it is ours. It makes me giggle inside.” Thanks to the talented team and a strong collaboration with inspired homeowners, the home is rich with unique features, beloved natural materials and highly personalized design. “These are the things that I am passionate about,” Tom says.

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NEW HOME

old soul

Steeped in tradition but designed for today, this Millcreek family home melds classic style with charm and livability. BY BRAD MEE PHOTOS BY SAVANNAH BUSWELL

The new family home nestles into a landscape designed by Emily Brooks Wayment. Colonial-style influences infuse the architecture by Bradford Houston. The main massing, clad in stone, boasts strong symmetry with a handsomely detailed portico at its center. The clapboard-clad garage features a gambrel roof and creates the illusion that it, like other wings of the home, was added over time. Stonework by Artistic Stone.

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Set back in a quiet Millcreek neighborhood, a new house appears long-established in its tree-shaded landscape. Its stone and clapboard facade, simple symmetry and two-story form epitomize Colonial-style architecture. And while its traditional roots date back centuries, its design was fueled by the present. “Our clients wanted a timeless, traditional home that functions for modern living and entertaining,” says architect Bradford Houston. He teamed with Establish Design principals Elizabeth Wixom Johnsen and Kimberly Rasmussen and contractor The Fox Group to create exactly that for the young active family. The architecture, featuring clapboardwrapped wings that step out into gardens designed by Emily Brooks Wayment, convincingly suggests an original stone house with additions attached over the years. “The mix of materials creates the impression the house has evolved over time,” Houston explains. The central stone building’s symmetry, arched portico, Chippendale railings and copper accents deliver a buttoned-up persona. The attached garage, on the other hand, features clapboard siding and a gambrel roof that convey a more relaxed style. “It’s a perfect combination that makes the house look and feel so settled,” says Johnsen, describing the Colonial-style home’s stone massing as Georgian and the garage wing as Dutch. Capturing the essence of the classic architecture, the interior is, above all, about light, Johnsen explains. “This family exudes

OPPOSITE: A centered entry table visually separates the great room’s casual family room and more formal living room areas. The space opens to the kitchen and boasts a wall of French doors overlooking a lush landscape. The coffered ceiling adds classic detailing while helping to delineate the individual living spaces. TOP RIGHT: The formal living room area opens to the frontof-the-house music room. French doors separate the rooms for privacy and sound control. BOTTOM RIGHT: “The staircase is one of the home’s crowning jewels,” Johnsen says. The designers crowned the wainscoting with a stained cap to accentuate its lines as it mimics the flow of the masterfully crafted railing.

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Elizabeth Wixom Johnsen and Kimberly Rasmussen, principals of Establish Design. OPPOSITE PAGE (CLOCKWISE): French doors open off the entry into the study. Cherrywood walls, a papered ceiling, and a fireplace detailed with brass and hand-painted tiles emanate warmth and charm. An arched portal frames a view of the staircase connecting the home’s three levels. Designers Elizabeth Wixom Johnsen and Kimberly Rasmussen warmed the study’s cherrywood with a light walnut stain to promote a brown rather than a brick-red color. The finish carpentry is by The Finish Guys. In the off-the-entry music room, walls are painted a soft blue-gray “to elevate thought and create a sense of place,” Johnsen explains. The paint color is Farrow & Ball’s Light Blue No. 22. ABOVE: The symmetrical kitchen opens to the great room. Two portals lead to a back hallway and a butler’s pantry. Each is crowned with a leaded-glass transom that repeats window detailing from the front of the home. Small Vaughan chandeliers hang above the island topped in quartzite. The cabinetry was crafted by Forever Furniture.

a beautiful light, and we wanted to create a place of light for them.” From the front of the home, symmetrically placed and traditionally proportioned windows draw light into front rooms through timeless tracery. Toward the back of the home, light pours through similarly detailed windows and doors clustered in a more modern fashion. “This opens the house to more light and views through large expanses of glass while maintaining a traditional look and feel,” Houston says. A modern-day floor plan similarly twists tradition. The front door opens to an understated entry flanked by a music room and a wood-paneled study. This balanced arrangement furthers the symmetry established by the exterior. Surprisingly, though, there is no statement-making staircase. “We moved it to the side of the house to create a beauti-

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The light-filled conservatory serves as a gracious dining room that opens to the patios and gardens. OPPOSITE : Topped with Chippendale railings and surrounded by clipped boxwood hedges, the glass-enclosed conservatory/ dining space pushes out into the tailored landscape. ”I love the lightness of the glass and wood juxtaposed against the weight of the home’s stone,” says Houston.

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ful stair hall that connects the three levels,” Houston says. He performed a similar sleight of hand by merging the traditionally separated living room, family room and kitchen areas into an open great room devised for modern living and entertaining. “In the old days, these might have been split by a hallway,” Johnsen explains. Here, the entry looks directly through the center of the open space to a wall of French doors and windows overlooking the landscape. “In this home, you come in and it opens up, exploding with light and space,” Johnsen says. The designers allowed natural light to flow freely through windows, washing across warm-white walls and timeless trim and millwork. “This is a heritage house, so the white had to have a little cream to age it,” Johnsen explains. The designers added “watercolor” hues to shape a cohesive, cheery palette that doesn’t feel old or stodgy. “Our clients wanted light and airy and craved soft colors.” Johnsen explains. As if pulled from the gardens, hushed aqua cools the kitchen’s quartzite, pale blue soothes the primary suite and pastel pink tints a quaint window seat. “We used lighter tones in the more formal living areas and deeper colors and bolder patterns in more casual spaces, including the family room and lower level,” Johnsen explains. Underfoot, soft carpets invite barefoot moments on medium-toned oak floors, while arched portals, coffered ceilings and artfully arranged furniture define and choreograph

TOP LEFT: Tall windows flank the primary suite’s bed. The bedside table can double as a small, window-front desk. BOTTOM LEFT: A graceful arch frames a view of the classic clawfoot tub and golden oak floors in the primary bathroom. OPPOSITE: A brass Visual Comfort light hangs from a tongue-and-groove ceiling in the primary bedroom. A soothing blue-and-white palette and symmetrically arranged furniture promote the room’s tranquility.

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OPPOSITE PAGE (CLOCKWISE): “The arch reminds me of a secret garden,” says Emily Brooks Wayment, who designed the European-inspired portal and positioned lush gardens and raised grow boxes beyond it. Stonework by Artistic Stone. In a charming guest room, the designers created built-in cabinets to form a window portal in which the bed sits. “I love the home’s warm creamy color, so I mimicked it with lush masses of hydrangeas,” Wayment explains. An eating nook occupies a light-filled bay in the open kitchen. The custom banquette table was crafted by Forever Furniture. ABOVE: A backless bench fronts an arched, upstairs window. The designers covered the custom cushion and pillows in Colefax and Fowler fabrics. The art is by Sydney Klecker.

spaces throughout. The designers filled the house with carefully wrought details, giving each space a charmed quality. In the stair hall, for example, handsome wainscoting mimics the lines of the handrail as it moves from the top floor down. In the dining/conservatory room, deep coffers deliver dimension to the stained tongue-and-groove-ceiling. Blue-painted windows accentuate the office’s warm cherry walls, built-in cabi-

nets create a window portal for a bed in a main-level guest room and at the end of an upstairs hallway, a footed tub creates a memorable focal point. The result is a new home with old soul. “It is very classic in its detailing yet very relaxed and livable by virtue of the floor plan and architecture,” Johnsen says. Thanks to the talented team, the family lives in the now while surrounded by a stylish sense of the past.

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Large panes of linenpatterned privacy glass flood the large entry with natural light. Custom double doors open to views of the staircase and the great room beyond. OPPOSITE: A whimsical toy house echoes the home’s natural, hand-crafted charm.

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comforts of home the

With a mix of the rustic, the relaxed and layered shades of white, a new home envelops a family in natural comfort and style. BY BRAD MEE

PHOTOS BY REBEKAH WESTOVER

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Painted a slightly darker white than the surrounding walls, shiplap adds timeless character to a stairway landing. A large mirror draws light into the space and frames views of the great room’s beamed ceiling. Dark wall vents were designed to resemble air returns common in old homes. OPPOSITE TOP: The entry leads into the great room, where a two-story living area opens to the spacious dining and kitchen areas. Their lowered ceilings are framed with reclaimed beams handselected by the owner. OPPOSITE BOTTOM: A large wall of windows floods the great room’s living space with natural light that accentuates the towering stone fireplace and the timbered ceiling. “Our clients wanted the entire house to feel light and bright,” says designer Katie Phelon.

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“It was all about the mix,” says Katie Phelon, lead designer with Remedy Design Firm. She and principals Stacy Andersen and Joey Johnson teamed with home designer Joe Carrick and builder McEwan Custom Homes to create a new family residence in Utah County. The homeowners’ personal style drove the design from the very beginning. “It is a very unique home with some elements that are more traditional, others are rustic and still others are more transitional,” says Devin Dye, McEwan’s project manager. “It’s a mix of ideas done very well.” The owners came to the table with a wish list that began with a spacious, livable floor plan. The team delivered with common areas and a primary suite on the home’s main level, while the upstairs comprises children’s bedrooms and an office. The lower level caters to guests and fun-seekers, featuring everything from a bunk room and an indoor pool to a climbing wall and sports court. Guests enter through large double doors that open to the welcoming entry. An expansive wall of windows immediately draw them into the nearby great room and its light-filled living area. With a soaring ceiling and broad mountain views, the space showcases two of the husband’s must-haves: beautiful reclaimed hickory floors and rustic, reclaimed oak beams that recur through-

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KEY TO THE STYLE The color scheme is neutral with contrasting accents created primarily of natural elements including wood, metal and stone.

An edited and consistent palette of materials helps unify the spaces throughout the entire home.

Multiple and varied textures create interest and depth. “They create a tactile experience and are cozy,” designer Katie Phelon says. Patterns are kept to a minimum and include subtle variations teamed with timeless plaids and stripes.

Carefully selected performance fabrics dress the majority of the upholstered pieces, making them livable and luxurious.

RIPE OLIVE Sherwin Williams

RAILINGS Farrow & Ball

SHADOW WHITE Farrow & Ball

GALVESTON GRAY Benjamin Moore

An edited color palette drives the home’s décor. “All the colors we chose are natural tones that make the home feel more comfortable and cozy,” says Phelon. PAVILION GRAY Farrow & Ball

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With their warm woods and painted finishes, the kitchen and dining areas are an expression of the owners’ love for natural materials and casual, comforting style. Reclaimed beams add rustic charm to the ceilings and the plastered range hood. Clean-lined walnut cabinets deliver a more refined element to the mix. The dining area’s custom hutch houses a collection of cake stands. Custom cabinets created by Craig Veenker.

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out the home. These timeless elements ground the white-walled interior with rich wood tones, compelling texture and eye-catching craftsmanship. “The beams were the owner’s baby; he even handselected them from a source in Idaho,” Dye explains. The woman of the house craved more transitional and vintage elements. “She wanted a casual, comfortable home with a charming, lived-in look and feel,” Phelon explains. Once the beams and floors were selected, the wife said “I got this,” and the décor developed. Memorable elements abound. The doors to her off-the-entry office, for example, were reproduced from distressed antique versions she admired. “We replicated them with new doors that function like new but still look distressed and old,” Dye says. The same sleight-of-hand gives the laundry room’s new Dutch door an age-old appeal.

ABOVE: In the kitchen, open shelves are stacked with everyday dishware. Custom cabinets combine painted and natural woods to deliver contrast. A backsplash of Bedrosians’ Cloe tile extends to the ceiling, adding sheen and subtle pattern. LEFT: “We love plaid,” says Phelon, referring to the stairway’s handsome runner. “In a home with a lot of feminine details, plaids offer a nice masculine nod.” OPPOSITE: The design team kept the kitchen’s material elements to a minimum, leaning heavily toward walnut, painted wood and subtly veined quartz. Reclaimed hickory floors and rustic ceiling beams add texture, while a plaid window blind and small rugs soften the space with muted patterns. Metal-mesh cabinet fronts visually link to nearby brass sconces.

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Designers Stacy Andersen, Joey Johnson and Katie Phelon, Remedy Design Firm

To ensure the owners’ personal style prevailed, the Remedy Design team created a neutral backdrop upon which special features and details stand out. “We chose the kitchen’s cabinet color as the jumping off point,” says Phelon, who lightened Farrow & Ball’s Shadow White for the custom cabinets. They teamed it with Benjamin Moore’s Simply White, which dresses most of the interior’s walls and trims. “These warm whites work well together, and their subtle color differences add interest,” she explains. Shiplapped surfaces feature a slightly darker white that adds yet another layer to the interior’s unifying, white-toned canvas. “You have to be careful when creating this type of palette,” Phelon warns. “The worst is to pick a bunch of whites that don’t work well together.” The interior’s light-filled spaces easily embrace the curated mix of rustic, vintage and transitional elements with a relaxed, layered sensibility. Take the great room, where the expansive space is grounded by a towering stone fireplace and was made comfortable and cohesive with a mix of handsome furnishings dressed in lux-yet-livable performance fabrics. The gray velvet sectional and muted herringbone-covered spindle chairs, for example, team with a tufted leather ottoman and a subtlypatterned rug. “We’re not much for crazy patterns or colors,” says Phelon, describing an edited palette of understated materials and colors that unifies the décor throughout. The designers ensured that boredom has no place in the décor with surprising contrasts running throughout. The entry, for instance, gets a shot of daring with dark balusters and a wreath posed against a black wall. The kitchen and dining areas are

ABOVE LEFT: Tilted vanity mirrors by Restoration Hardware reflect the primary bathroom’s mirrored, Tudor-style barn door by Rustica. Custom cabinets are painted in Benjamin Moore’s Galveston Gray. Sconces are by Visual Comfort. BOTTOM LEFT: A black, free-standing tub contrasts with light, linentextured floor tiles in the primary bathroom. OPPOSITE: In the primary bedroom, a Rejuvenation ceiling fan hangs above furnishings from Elements Design. Brick walls, reclaimed hickory floors and a rustic wood ceiling contrast with the primary bedroom’s more refined draperies and lux bedding.

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similarly animated. They boast a perfected pairing of white-painted and natural walnut cabinets teamed with shimmering Cloe tile and notable light fixtures, some black iron and others brass. “There’s not just one moment; we repeat elements to create cohesiveness,” Phelon explains. Perhaps the most striking example is the primary bathroom, where a Tudor-style metal barn door and a black freestanding tub add bold contrast to the room’s light and airy décor. The house may be new, but as Phelon says, it feels a bit lived in and that’s by design. “It has a comfortable, functional and collected feel that reflects the owners and their style,” she says. Dye agrees, “The team took the vision the homeowners had and made it work.” Through thoughtful planning, savvy choices and successful collaboration, it is an outcome they had all imagined from the start.

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ABOVE: A wreath hangs on the entry’s board and batten wall painted in Railings by Farrow & Ball. Traditional paneling adds formal flair to the adjoining music room. OPPOSITE (CLOCKWISE FROM TOP LEFT): Vertical shiplap and stepped compartments unify upper and lower beds in the lower-level bunk room. The homework loft overlooks the great room. Each child has a cubby painted in Ripe Olive by Sherwin Williams. In a boy’s bedroom, the bed is unexpectedly placed in front of a window framed by open shelves and shiplap. Patterned floor tiles, tiny mosaic wall tiles and a ‘20s-inspired wall sink charm the laundry room, where Farrow & Ball’s Pavilion Gray colors the work space.

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CRAVINGS

HIT TING THE

SAUCE Four fresh takes on classic cranberry sauce BY M A RY BROW N M ALOU F

BEGIN WITH:

THE BASIC CRANBERRY SAUCE (Makes about 2 1/2 cups)

1 cup water ¾ cup sugar 1 12-oz. package of cranberries

Bring sugar and water to a boil, stirring to dissolve the sugar. Add cranberries, bring back to a boil, reduce heat and simmer for 10 minutes or until berries start to burst. Cool completely, then chill.

COLORFUL, TART AND a seasonal must-have, cranberries are the perfect complement to holiday menus. Roast turkey, duck and goose all benefit from the mouth-puckering acidity of cranberries. But it's time to give them a tasty twist. These easy-to-make variations on the classic sauce will have you and your guests asking for more.

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CRAVINGS

CRANBERRY-APPLE SAUCE Substitute the juice of half an orange for the 4 Tbsp. water. Zest the orange and cut into tiny dice. Chop 1 tart apple into cranberry-sized pieces and add the apple and zest to sugar water with the cranberries. Proceed with the basic recipe. Season with ground cinnamon to taste after removing sauce from the heat. Garnish with apple fan.

SPICED CRANBERRY SAUCE

CHILI CRANBERRY SAUCE

CRANBERRY-PORT SAUCE

Add to basic sauce after removing from the heat: ½ tsp. ground cinnamon 1 ∕8 tsp. ground allspice 1 ∕8 tsp. ground cloves 1 ∕8 tsp. ground nutmeg 1 ½ tsp. grated, peeled fresh ginger Garnish with crystallized ginger.

Substitute 1/4 cup white wine for 1/4 cup of the water. Seed and chop a ripe, mild chili pepper (an Anaheim or poblano; or substitute 1/2 ripe red bell pepper and 1/2 ripe jalapeño pepper) and add to water with the berries. Proceed with basic recipe. Garnish with fresh red pepper.

Skip the water. Cook cranberries, 3/4 cup sugar, 3/4 cup orange juice and 2 Tbsp. grated orange rind together until just a few berries burst. Add 1/2 cup ruby port and cook another 2-3 minutes, until most of the berries have burst. Garnish with orange rind.

Think beyond Thanksgiving. Whole raw cranberries freeze beautifully for a month, so try later with duck, rack of lamb, or grilled chicken and jack cheese in a quesadilla.

PHOTOS ADAM FINKLE

KICK THE CAN Easy ways to jazz up your jelly Many of us have memories of perfectly can-shaped cranberry jelly on the holiday table. That's great, but if you're looking for a way to jazz the jelly up a bit, here are a few ideas: • Serve the jelly in slices. • Add texture by sprinkling the jelly slices with chipped, toasted pecans. • C hill the jelly thoroughly, slice and shape with small cookie cutters. • Mash the jelly so that it resembles jam and garnish with orange zest. • Mash the jelly and sprinkle with crumbles of blue or goat cheese.

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UTE GAME DAYS

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DESIGN DIRECTORY Builders/Contractors/ Construction Bartile 725 N. 1000 West, Centerville Toll Free 1-800-933-5038 In Utah 1-801-295-3443 bartile.com

Brandon Bodell Construction 686 Stokes Ave., Draper 801-301-3290 brandonbodellconstruction.com

Ezra Lee Design + Build 363 S. Main St. Ste. 100, Alpine 801-448-6876 ezralee.com

Curate To The Trade

Osmond Designs

360 S. Rio Grande St., Salt Lake City 801-618-0216 curatetothetrade.com

Orem

Forsey’s Fine Furniture + Interior Design

Traditional & Contemporary 2977 S. Highland Dr., Salt Lake City 801-487-0777

Craftsman House

1660 N. State St. 801-225-2555

Lehi 151 E. State St. 801-766-6448 osmonddesigns.com

Parkway Avenue Design and Mercantile

2955 S. Highland Dr., Salt Lake City 801-463-0777 forseys.com

1265 Draper Pkwy., Draper 801-987-8164 parkwayavenuedesign.com

Gatehouse No. 1

San Francisco Design

672 S. State St., Orem 801-225-9505 gatehousestyle.com

Salt Lake City 2970 S. Highland Dr. 801-467-2701

Park City

Jackson & LeRoy

Helm

4980 S. Highland Dr., Salt Lake City 801-277-3927 jacksonandleroy.com

5253 S. State St., Murray 801-263-1292 helmhome.com

Jaffa Group

Ivy Interiors

4490 N. Forestdale Dr. Ste. 202, Park City 435-615-6873 jaffagroup.com

3174 S. Highland Dr., Salt Lake City 801-486-2257 ivyinteriorsslc.com

1890 Bonanza Dr. 435-645-7072 sanfrandesign.com

The Black Goose Design

Furnishings Adib’s Rug Gallery 3092 S. Highland Dr., Salt Lake City 801-484-6364 adibs.com

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7652 Holden St., Midvale 801-562-1933 theblackgoosedesign.com

The Garden Store LIFEFORM Available at Relax The Back 4844 S. Highland Dr. Salt Lake City By appointment: 801-252-5677 lifeformchairs.com/your-chair-your-way/

678 S. 700 East, Salt Lake City 801-595-6622 thegardenstoresaltlake.com

Home Accessories/ Stationery/Jewelry

Forsey’s Fine Furniture + Interior Design

Parkway Avenue Design and Mercantile

Traditional & Contemporary

Every Blooming Thing

2977 S. Highland Dr., Salt Lake City 801-487-0777

1265 Draper Pkwy., Draper 801-987-8164 parkwayavenuedesign.com

1344 S. 2100 East, Salt Lake City 801-521-4773 new.everybloomingthing.cc

Gold Coin Jewelry 12229 S. 900 East, Draper 801-230-6866 or 801-541-0862

La Petite Maison 915 E. 12600 South, Draper lpmantiques@gmail.com shoplpma.com

Modern West Fine Art 412 S. 700 W., Salt Lake City 801-355-3383 modernwestfineart.com

O.C. Tanner Jewelers

Craftsman House 2955 S. Highland Dr., Salt Lake City 801-463-0777 forseys.com

MLD Gatehouse No. 1 672 S. State St., Orem 801-225-9505 gatehousestyle.com

Ivy Interiors 3174 S. Highland Dr., Salt Lake City 801-486-2257 ivyinteriorsslc.com

Jeff Landry Design 339 Pierpont Ave., Salt Lake City 801-533-8530 jefflandrydesign.com

Salt Lake City 15 S. State St. 801-532-3222

City Creek Center 50 Main St., Ste. 273, Salt Lake City 801-532-3223

Park City 416 Main St. 435-940-9470 octannerjewelers.com

Interior Design AMB Design 4680 S. Kelly Circle, Salt Lake City 801-272-8680 annemariebarton.com

Ezra Lee Design + Build 363 S. Main St. Ste. 100, Alpine 801-448-6876 ezralee.com

Kitchen/Bath

Johnson Design Group 422 W. 900 South, Greenery Art Space #106, Salt Lake City 801-231-0305 jdgstudios.com

K. Rocke Design/Glass House 3910 S. Highland Dr., Millcreek 801-274-2720 krockedesign.com

Salt Lake City, UT 2345 S. Main St. 801-466-0990

Provo, UT 50 E. 500 South 801-932-0027

Boise, ID 627 N. Dupont Ave., Ste. 102 208-258-2479

Sun Valley, ID 491 S. 10th St. 208-576-3643

Jackson, WY 485 W. Broadway 307-200-3313 mld.com

Peppertree Kitchen & Bath 7940 S. 1300 West, West Jordan 801-565-1654 peppertreekitchen.com

Roth Living 1400 S. Foothill Dr., Salt Lake City 801-582-5552 rothliving.com

LMK Interior Design 4626 S. Highland Dr., Salt Lake City 801-272-9121 lmkinteriordesign.com

Landscaping/ Outdoor Additions

Osmond Designs

Koala Pools

Orem 1660 N. State St. 801-225-2555

9265 S. Highland Dr., Sandy 801-876-5574 koalapools.com

Lehi 151 E. State St. 801-766-6448 osmonddesigns.com

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Lighting Hammerton 217 Wright Brothers Dr., Salt Lake City 801-973-8095 hammerton.com

Oelo 3842 Redman Dr., Fort Collins, CO 970-475-8705 oelo.com/houston

Inside Out Architecturals 3412 S. 300 West Ste. A, Salt Lake City 801-487-3274 insideoutarchitecturals.com

The Stone Collection 2179 S. Commerce Center Dr., Ste. 500, West Valley City 801-875-4460 thestonecollection.com

Venetian Tile & Stone

Real Estate/ Developments EDGEhomes 13702 S. 200 West, Draper 801-800-8208 edgehomes.com

Red Ledges 205 N. Red Ledges Blvd., Heber City 877-733-5334 redledges.com

Sotheby’s International Realty | Summit Find an office near you at: summitsothebysrealty.com

Stone/Tile European Marble & Granite

South Salt Lake 2575 S. 600 West 801-974-0333

Park City 6622 N. Landmark Dr. Ste. B160 435-214-7445 europeanmarbleandgranite.com

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825 W. 2400 South, Salt Lake City 801-977-8888 venetianstonegallery.com

Windows/Doors/ Window Coverings Park City Blind & Design 1612 Ute Blvd., Ste. 109A, Park City 435-649-9665 parkcityblind.com

Style Source Productions 731 N. 1340 West, Orem 801-427-4439 stylesourceproductions.com

Other Bellissimo 2832 E. 6200 South, Salt Lake City 801-274-0448 bellissimolovegarden.com

Tuscany 2832 E. 6200 South, Salt Lake City 801-277-9919 tuscanyslc.com

Statement Required by 39 U.S.C. 3526 showing the Ownership, Management and Circulation of UTAH STYLE & DESIGN magazine, published four times a year. ISSN 1941-2169. Annual subscription price: $14.95 1. Location of known Office of Publication is 515 S 700 E Suite 3i, Salt Lake City, Utah 84102 2. Location of known Headquarters of General Business offices of the Publishers is 515 S 700 E Suite 3i, Salt Lake City, Utah 84102 3. The names and addresses of the publisher and editor are: Publisher: Margaret Mary Shuff, 515 S 700 E Suite 3i, Salt Lake City, Utah 84102 Editor: Brad Mee, 515 S 700 E Suite 3i, Salt Lake City, Utah 84102 4. The owner is Utah Partners Publishing LLC, 515 S 700 E Suite 3i, Salt Lake City, Utah 84102 5. Known bondholders, mortgages, and other security holders owning or holding 1 percent or more of total amount of bonds, mortgages or other securities are: None. 6. Extent and nature of circulation Average No. No. Copies Copies Each of Single Issue Issue During Published Preceding Nearest to 12 Months Filing Date A. Total Number of Copies Printed

19,265 16,563

B. Paid Circulation 1. Mailed Outside-County Paid Subscriptions. 4,121 7,787 2. Mailed In-County Paid Subscriptions. 5,176 3. Paid Distribution Outside the Mails including Sales Through Dealers and Carriers, Street Vendors, Counter Sales, and Other Paid Distribution Outside USPS®. 2,323 2,378 4. Paid Distribution by Other Classes of Mail. - C. Total Paid Distribution

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D. Total Free or Nominal Rate Distribution 1. Free or Nominal Rate Outside-County Copies 3,461 4,455 2. Free or Nominal Rate In-County Copies 1,519 3. Free or Nominal Rate Copies Mailed at Other Classes - 4. Free or Nominal Rate Distribution Outside the Mail 1,433 960 E. Total Free or Nominal Rate Distribution

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G. Copies Not Distributed H. TOTAL I. Percent Paid 7. I certify that all statements made by me above are correct and complete.

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SOURCES STYLE FILE EDITOR’S PICK PAGE 21 Sandra Jordan, sandrajordan.com, to the trade, John Brooks Inc., SLC, johnbrooksinc.com

MOST WANTED PAGE 22 Alice Lane Home Collection, SLC, alicelanehome. com; Crate & Barrel, Murray, crateandbarrel.com; Curate to the Trade, SLC, curatetothetrade.com; Glass House, SLC, glasshouseslc.com; O.C. Tanner Jewelers, SLC, octannerjewelers.com; Parkway Avenue Design and Mercantile, Draper, parkwayavenuedesign.com; The Fox Shop, Holladay, thefoxshop.com; The Garden Store, SLC, thegardenstoresaltlake.com

PALETTE PAGE 24 Heather Nan, Millcreek, heathernanphoto.com

ON THE TOWN PAGE 28 The Shop Workspace, SLC, shopworkspace.com

BEFORE & AFTER PAGE 30 Maverick Design, Redondo Beach, Calif., maverickdesign.com Wedgewood Homes, wedgewoodhomes.com

COLOR CRUSH BLUE GOES GREEN PAGES 32-34 Andrea West, Andrea West Design, Kaysville, andreawestdesign.com; Cara Fox, The Fox Group, SLC, thefoxgroup.com; Danielle Hickman, Domichele Hickman Design Studio, SLC, dhdesignstudio.com; Heather Russo, Tabco Construction, Park City, tabcopc.com; Helena Morozoff, cityhomeCOLLECTIVE, SLC, cityhomecollective.com; Kristin Rocke, K.Rocke Design, SLC, krockedesign.com; Stephanie Holdaway, Gatehouse No.1, Orem, gatehousestyle.com

BY THE YARD CHANGING COLORS PAGES 36-40 John Brooks Inc., SLC, johnbrooksinc.com; Regency Royale, SLC, regencyroyale.com; Glasshouse, SLC, glasshouseslc.com

ALL TOGETHER NOW PAGES 58-65 Alder & Tweed, Park City, alderandtweed.com; Anne-Marie Barton, AMB Design, SLC, annemariebarton.com; Brynne Flowers and Parker Lamborn, John Martine Studio, SLC, johnmartine. studio; Cara Fox, The Fox Group, SLC, thefoxgroup.

com; Gregg Hodson, Gregg Hodson Designs, St. George and SLC, gregghodsondesigns.com; Kristin Rocke, K.Rocke Design, SLC, krockedesign.com; Landon Taylor, Ezra Lee Design + Build, Alpine, ezralee.com; Robert McArthur, Robert G. McArthur Studios, Bountiful, robertgmcarthurstudios.com; Suzanne Hall, Alice Lane Interior Design, SLC, alicelaneinteriordesign.com; Gallery Charcoal, Andrew Martin, andrewmartin.co.uk; Bunny Wall, Lee Jofa, Kravet.com; Picture Gallery, Sanderson, sanderson.sandersondesigngroup.com; This Other Eden, Barneby Gates, barnebygates.com; Studio Neutral, Andrew Martin, andrewmartin.co.uk; Fern Gallery, Sanderson, sanderson. sandersondesigngroup.com; Artists and framing (page 58): Steve McGinty, stevemcgintyart.com; Emily Carruth Fuller, ecfuller.com; Lydia M. E. Schrader, lydiamarieelizabeth.com; Jill Barton, @jill_barton_art; Javier Vilato; new framing: Relics Gallery, relicsgallery.com

FLORES PAGES 66-73 Sarah Winward, Sarah Winward Design, SLC, sarahwinward.com; Nicole Land, Soil and Stem, SLC, soilandstem.com; Hacienda Acamilpa, en.acamilpa.com

DOWN TO EARTH PAGES 76-87 Designers: Parker John Lamborn and Brynne Martine Flowers, John Martine Studio, SLC, johnmartine.studio; Architect: Think Architecture, Sandy, thinkaec.com; Builder: Robison Home Builders, Orem, robisonhomebuilders.com; Custom Cabinets (fabricator): Peterson Woodworks, Lindon, petersonwoodworks.com; Custom Furniture: Ben Manheimer, North North, SLC, northnorth.us; Photos by Malissa Mabey, SLC, malissamabeyphoto.com

PAGE 78 STAIRWELL Sconces: Hudson Valley Lighting, hudsonvalleylighting.hvlgroup.com; Pendant lights: Edison Light Globes, edisonlightglobes.com

PAGE 79 ENTRY Console table: Burke Decor, burkedecor.com; Rug: Adib’s rug Gallery, SLC, adibs.com

PAGE 79 LIVING ROOM Lounge chairs: : Lawson-Fenning, lawsonfenning. com; Coffee table: Phillips Collection, phillipscollection.com

PAGE 80-81 KITCHEN Hardware: Sun Valley Bronze, sunvalleybronze. com; Plumbing: Waterworks, waterworks.com; Range: Ilve, ilveusa.com; Custom cabinets: Peterson Woodworks, Lindon, petersonwoodworks.com

PAGES 81 BUTLER’S PANTRY Floor tile: Keystones from Daltile, daltile.com; Pendants: Hudson Valley Lighting, hudsonvalleylighting.hvlgroup.com; Faucet: Waterworks, waterworks.com

PAGE 82 WORK ROOM Red chairs: Hay, us.hay.com; Pendants: Original BTC Lighting, originalbtc.com

PAGE 83 DINING Silk pendant: Ruemmler, ruemmler.us; Custom dining table: North North, SLC, northnorth.us

PAGE 84 PRIMARY BEDROOM Rug: Adib’s Rug Gallery, SLC, adibs.com; Bed: Verellen, verellen.biz; Lounge chairs: LawsonFenning, lawsonfenning.com

PAGE 86 SECONDARY BATHROOM Scones:Hudson Valley Lighting, hudsonvalleylighting.hvlgroup.com; Mirrors: Rejuvenation, rejuvenation.com; Hardware: Ashley Norton, ashleynorton.com; Plumbing fixtures: Brizo, brizo.com

NEW HOME, OLD SOUL PAGES 88-99 Designers: Elizabeth Wixom Johnsen and Kimberly Rasmussen, Establish Design, SLC, establishdesign. com; Architect: Bradford Houston, Bradford R. Houston, SLC, bradfordrhouston.com; Builder: The Fox Group, SLC, the foxgroup.com; Landscape Designer: Emily Brooks Wayment, SLC, gardenbyemily.com; Exterior stone work: Artistic Stone, SLC, artisticstonemasonry.com; Cabinetry: Forever Furniture, SLC, foreverfurnitureinc.com; Carpentry work: The Finish Guys, SLC, thefinishguys.com; Photographer: Savannah Buswell, SLC, establishdesign.com

THE COMFORTS OF HOME PAGES 100-111 Designers: (principal) Stacy Andersen, Joey Johnson; (lead) Katie Phelon, Remedy Design, Springville, remedydesignfirm.com; Builder: McEwan Custom Homes, Alpine, mcewancustomhomes.com; Architect: JCD Homes, Spanish Fork, jcdhomes.com; Furniture and accessories: Elements By Remedy, Springville, elementsbyremedydesign.com; Photographer: Rebekah Westover, rebekahwestover.com

Sources are acknowledgements of services and items provided by featured design principals and homeowners. Those not listed are either private, pre-existing or available through the professionals noted.

USD (ISSN 1941-2169) Utah Style & Design is published quarterly (Winter, Spring, Summer and Fall) by Utah Partners Publishing, L.L.P. Editorial, advertising and administrative office: 515 S. 700 East, Suite 3i, Salt Lake City, UT 84102. Telephone: 801-485-5100; fax 801-485-5133. Periodicals Postage Paid at Salt Lake City and at additional mailing offices. Subscriptions: One year ($14.95); outside the continental U.S. add $20 a year. Toll-free subscription number: 855-276-4395. POSTMASTER: Send address changes to Utah Style & Design/Subscription Dept., PO Box 820, Boca Raton, FL 33429. Copyright 2021, JES Publishing Corp. No whole or part of the contents may be reproduced in any manner without prior permission of Utah Style & Design, excepting individually copyrighted articles and photographs. Manuscripts accompanied by SASE are accepted, but no responsibility will be assumed for unsolicited contributions.

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DESIGN DETAILS

Canyon Ridge Buffet by Bernhardt, $4,340, Helm, Murray, helmhome.com

GETTING RIBBED

Farewell plain planes. Ribbed, grooved and channeled surfaces are delivering dimension to formerly flat-fronted furnishings and fixtures of all kinds.

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1. Hammerton Studio Textured Glass Round Chandelier, $2,375, hammerton.com 2. Kanan Lounge Chair by McGuire, starting at $5,547, LMK Interior Design, SLC, lmkinteriordesign.com 3. Palomar Outdoor Bowl by Palecek, $448, The Garden Store, SLC, thegardenstoresaltlake.com 4. Atwell Ribbed Drinking Glasses and Decanter, $6-$45, Crate & Barrel, crateandbarrel. com 5. Stream Grip Door Hardware by Rocky Mountain Hardware, $569, MLD, SLC, mld.com 6. Lucca Side Table, $1,565, Alice Lane Home Collection, SLC, alicelanehome.com 7. Hendrix Cabinet by Arteriors, to the trade, Curate to the Trade, SLC, curatetothetrade.com

Utah Style and Design FA21

Articles inside

DESIGN DETAILS

SOURCES

CRAVINGS