Fall | Winter 2016 Catalog by The University of Texas Press

Index by Title

About Antiquities, Çelik . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

contents

Antebellum, Mora . . . . . . . . . 16–19

Books f or the Trade . . . . . . . . . . . . . . . . . . . . . . 4–49

Arresting Development, Pizzino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Trade Backlist . . . . . . . . . . . . . . . . . . . . 24–25, 50–53

At the Crossroads, Paquette . . . . . . . . . . . . . . . . . . . . . 66–67

Books f or Scholars

. . . . . . . . . . . . . . . . . . . . .

54–91

Award Winners . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92–93

Becoming Belafonte (new in paper), Smith . . . . . 32–33

New in Paper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94–99

Bert Long, McEvilley . . . . . . . . . . . . . . . . . . . 118–119

Texas on Texas . . . . . . . . . . . . . . . . . . . . . . . . . . 100–119

The Bread Book, Josephson . . . . . . . . . . . . . . . . . . . . . 26–27 The Burden of the Ancients, Christenson . . . . . . . . . . . . . . . . . . . . . . . . 61 Cattle in the Backlands, Wilcox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70 Connecting with the Enemy, Katz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 Culture and Revolution, Legrás . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Texas Backlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120–125 Tower Books

. . . . . . . . . . . . . . . . . . . . . . . . . . . . .

126–129

Journals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130–139 Sales Inf ormation

. . . . . . . . . . . . . . . . . . . . . . . . . . . 140

Sales Representatives Staff List

. . . . . . . . . . . .

140–141

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

142–143

Index by Author . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

The Devil’s Sinkhole, Wittliff . . . . . . . . . . . . . . . . . . . . . . . . 36–39 Directed by God, Peleg . . . . . . . . 90 Don’t Suck, Don’t Die (new in paper), Hersh . . . . . 14–15 El Eternauta, Daytripper, and Beyond, Foster . . . . . . . . . . . . . 80 Fade to Gray, Shary & McVittie . . . . . . . . . . . . . . . . 83 Flatbed Press at 25, Smith & Brimberry . . . . . . . . 44–47 Handbook of Latin American Studies, No. 71, McCann & North . . . . . . . . . . . . . . . . . 73 Houston on the Move, Strom . . . . . . . . . . . . . . . . . . . . . . . 110–113 Industrial Sexuality, Hammad . . . . . . . . . . . . . . . . . . . . . . . . . . 86 It Starts with Trouble (new in paper), Davis . . . . . 34–35 Learning from Bogotá, Berney . . . . . . . . . . . . . . . . . . . . . . . . . 56–57 The Long Shadow, Rienstra & Stiles . . . . . . . . 128–129 Mano Dura, Wolf . . . . . . . . . . . . . . . 72 The Making of Hillary Clinton, McNeely . . . . . . . . . . . . . . . . . . . . . . . . . . . 6–9 Mexico, Cohen . . . . . . . . . . . . . . 20–23

Midwives and Mothers, Cosminsky . . . . . . . . . . . . . . . . . . . . . . . . . 71 New Maricón Cinema, Venkatesh . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 Notions of Genre, Grant & Kurtz . . . . . . . . . . . . . . . . . . . 82 On Story—Screenwriters and Filmmakers on Their Iconic Films, Austin Film Festival . . . . . . . 28–29

The Revolutionary Imaginations of Greater Mexico, Gómez . . . . . . . . . . . . . . . . . . 68 Sacred Consumption, Morán . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 Seeing Texas History, Bullock Texas State History Museum . . . . . . . . . . . . . . . . . . . . 114–117 Spectacular Wealth, Voigt . . . 63

A People Without a State, Eppel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Subversives and Mavericks in the Muslim Mediterranean, Moreau & Schaar . . . . . . . . . . . . . . . 85

Picturing the Proletariat, Lear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

The Tacos of Texas, Rayo & Neece . . . . . . . . . . . . 102–105

The Portuguese-Speaking Diaspora, Sadlier . . . . . . . . . . 58–59

T Bone Burnett, Sachs . . . . 10–11

Practicing Transnationalism, Lundy & Lundy . . . . . . . . . . . . . . . . . 88 A Pure Solar World, Youngquist . . . . . . . . . . . . . . . . . . . . 12–13

The Teabo Manuscript, Christensen . . . . . . . . . . . . . . . . . . . . . . . 62 Theatre for Youth II, Jennings & Berghammer . . . . . . . 91 Toby Snax, Hersh . . . . . . . . . . 48–49

The Recurring Dream, Schenck . . . . . . . . . . . . . . . . . . . . . . 40–43

We Could Not Fail (new in paper), Paul & Moss . . . . . . . 30–31

The Republic of Football, Conine . . . . . . . . . . . . . . . . . . . . . 106–109

The White Shaman Mural, Boyd . . . . . . . . . . . . . . . . . . . . . . . . . . . 74–77

Copyright © 2016 by the University of Texas Press. All rights reserved. Front cover photo: Balloons and Cigarettes. From The Recurring Dream by Rocky Schenck. Back cover photo: from Antebellum by Gilles Mora. Catalog design by Simon Renwick

R OBE R T MC NE E LY Bethel , New Yor k McNeely served as President Bill Clinton’s official White House photographer from 1992 to 1998. He is the author of The Clinton Years: The Photographs of Robert McNeely.

D OUGLA S BR INKLE Y Austin a nd Houston, Te x a s Brinkley is the award-winning author of books on presidents Theodore Roosevelt, Franklin Roosevelt, John F. Kennedy, Gerald Ford, Jimmy Carter, and Ronald Reagan.

Focus on American History Series

House, comprising one hundred previously unpublished photographs drawn from his archive at the Dolph Briscoe Center for American History at the University of Texas at Austin. McNeely reveals Hillary’s central participation in areas of politics and policy, ranging from health care reform and other domestic issues to international conflicts, far beyond that of any of previous presidential spouse. The photographs clearly show how her experiences in the White House laid the groundwork for her future political career as senator from New York, secretary of state, and presidential candidate. U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

The Dolph Briscoe Center for American History University of Texas at Austin Don Carleton, Editor

r e le as e dat e | jan uary 12 x 11 inches, 192 pages, 100 duotone photos ISBN 978-1-4773-1167-7

$50.00 | £38.00 | C$75.00 hardcover

Studio shot of Burnett by unknown photographer; photo courtesy of T Bone Burnett

From the book “T Bone Burnett now carries such weight in the entertainment capitals of Hollywood and Nashville that the title ‘record producer’ can contain him no more than ‘film director’ could contain Orson Welles. His O Brother soundtrack altered the landscape of American music so markedly that it may well have affected our culture as significantly as Citizen Kane did. From his own critically acclaimed

work as a singer and songwriter to his close associations with Bob Dylan and Sam Shepard—one of the greatest songwriters of our time and one of the greatest playwrights— to his outspoken efforts to overhaul digital recorded sound, Burnett’s accomplishments have made the musician-producer one of the most significant figures in popular culture during the past forty years.”

“T Bone Burnett proves that a producer can make as much of an artistic impact as a performer. Enjoyable, sparkling prose.”

—GEOFFREY HIMES Music writer for the Washington Post and former senior editor of No Depression and Paste

U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

| m u s i c | Memoir

NPR Best Books of 2015 Rolling Stone 10 Best Music Books of 2015 No Depression.com Best Books of 2015 Finalist, ABA 2016 Books of the Year KR IST I N H E RSH

A M A N DA P E TR US IC H

American Music Series

New Or le a ns, Louisi a na

Brook ly n, New Yor k

David Menconi, Editor

Hersh is a founding member of the bands Throwing Muses and 50 Foot Wave. Her memoir Rat Girl was widely praised by publications from the New York Times to Rolling Stone, which named it one of the top ten best rock memoirs ever written.

Petrusich is the author of several books about music, including Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World’s Rarest 78 rpm Records.

release date | september 4√ x 7 inches, 200 pages, 10 b&w photos ISBN 978-1-4773-1136-3

$14.95 | £11.99 | C$22.50 paperback ISBN 978-1-4773-0874-5

$14.95 e-book U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

MARK C OH E N

J O R GE VO L P I

Philadelphia, Pennsylvania

Pr inceton, New Jersey

Cohen’s photography is in many major collections, including the Museum of Modern Art; the Art Institute of Chicago; the Museum of Fine Arts, Houston; the Whitney Museum of American Art; the George Eastman House; and the Nelson-Atkins Museum of Art. He has published four previous books— Frame, Grim Street, True Color, and Dark Knees—and his work has been included in over eighty individual and group exhibitions.

Volpi is a well-known Mexican novelist, essayist, and professor whose books include the award-winning En busca de Klingsor. He currently directs the Festival Internacional Cervantino, Latin America’s most important cultural fair.

Copublished with Éditions Xavier Barral, Paris

r e le as e dat e | o ct o be r 9 x 11∑ inches, 240 pages, 200 duotone photos ISBN 978-1-4773-1171-4

$55.00 | £42.00 | C$82.50 hardcover Not for sale in France

U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

PDN Photo Annual Best Photo Books of 2016 American Photo Best Books of 2015 Wall Street Journal 2015 Best Books for Photography Lovers Guardian (UK) Best Photography Books of 2015 Photo-Eye Best Books 2015 U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

| history |

“The first African Americans to join the United States space program encountered pushback both inside and outside NASA’s doors. When they moved to Cape Canaveral and other Deep South pillars to work on Apollo missions, the Ku Klux Klan was there to greet them. Even history and space program buffs should find insight in We Could Not Fail’s fresh look at a well-trodden era.” —ESQUIRE

“Replete with fascinating details about ways in which the civil rights movement influenced the space program . . . an important —WASHINGTON POST contribution to African American history.”

“Hard to put down. . . a terrific read.”

—SCIENCE MAGAZINE

R IC H A R D PAUL Wa shington, DC

“Surprising and insightful.” —NEW YORK TIMES BOOK REVIEW

A former producer of The Diane Rehm Show, Paul is an awardwinning independent public radio documentary producer whose work includes Race and the Space Race.

S T E V E N MOS S

“A ‘must read’ book, particularly at a time when we are once again openly struggling with the role of government in ensuring opportunity and civil rights for all our citizens.” — M A E J E M I S O N , M D

Former NASA astronaut and principal, 100 Year Starship

Waco, Te x a s Moss, an associate professor of English at Texas State Technical College and a fellow of the Kellogg Institute, wrote one of the first academic works on NASA and civil rights.

release date | september 6 x 9 inches, 312 pages, 16 b&w photos

“Vital and of interest to all Americans.”

— L I B RA R Y J O U R N A L

ISBN 978-1-4773-1113-4

$17.95 | £13.99 | C$26.95 paperback ISBN 978-0-292-77251-9

$17.95 e-book

U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

| a m e r i c a n s t u d i e s | History; Film, Media, and Popular Culture

“This is the book I’ve been waiting for: a penetrating, revelatory account of how this Harlem-born child of Jamaican immigrants became Harry Belafonte, the multitalented singer, actor, and radical activist. From her rich portrait of Harlem’s cultural milieu to the exigencies of the Black Freedom movement, Judith Smith embeds Belafonte firmly within the world that made him, delivering a fresh and original perspective on the man, — R O B I N D . G . K E L L E Y, the artist, and the citizen.” Author of Thelonious Monk: The Life and Times of an American Original

“Far more than a biography of Harry Belafonte as both activist and artist, Becoming Belafonte documents a web of critical collaborative relationships and the tight alignment of progressive cultural production and anti-racist activism from the Popular Front through the 1960s in theater, film, music, and, later, television. A rich, compelling, important book.” — M A T T H E W F R Y E J A C O B S O N , Yale University

JUD IT H E . S MIT H Boston, M a ssachuset ts Smith is a professor of American studies at the University of Massachusetts Boston. She is the author of several books, including Visions of Belonging: Family Stories, Popular Culture, and Postwar Democracy, 1940–1960.

Discovering America Mark Crispin Miller, Series Editor

r e le as e dat e | publis h e d

“A wonderful portrait of Belafonte and his times.” —ROBERT DECORMIER,

Musical director for Harry Belafonte, 1957–1961

5½ x 9 inches, 368 pages, 38 b&w photos ISBN 978-1-4773-1051-9

$24.95* | £18.99 | C$37.50 paperback ISBN 978-0-292-75670-0

$24.95* e-book U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

| literature |

“More than three decades after [Goyen’s] death, his stubbornness finds its reward in this smart, admiring, and attentive biography by Clark Davis.”

—LOUIS BAYARD, New York Times

“Mr. Davis has done a great service in recounting the major events of Goyen’s life and reminding us, along the way, of his remarkable literary achievement.”

—WALL STREET JOURNAL

“This stellar biography . . . will resurrect Goyen’s brilliant writing for a new generation of readers.”

— P U B L I S H E R S W E E K LY

“An essential read for anyone interested in literature and art.” —LOS ANGELES REVIEW OF BOOKS

C LA R K DAV IS Den v er, Color a do Davis is a professor of English at the University of Denver. He is the author of Hawthorne’s Shyness: Ethics, Politics, and the Question of Engagement and After the Whale: Melville in the Wake of Moby-Dick.

release date | september 6 x 9 inches, 392 pages, 19 b&w photos ISBN 978-1-4773-1067-0

$24.95* | £18.99 | C$37.50 paperback ISBN 978-0-292-77195-6

$24.95* e-book U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

Papa in the Devilâ&#x20AC;&#x2122;s Sinkhole

U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

Calley Pearsall

rel ease dat e | o ct o b e r 7 x 10 inches, 202 pages, 20 illustrations ISBN 978-1-4773-0974-2

$29.95 | £22.99 | C$44.95 hardcover ISBN 978-1-4773-0976-6

$9.95 e-book

Pelo Blanco but also the evil, murdering Arlon Clavic and deliver Little Missey, the mysterious Wild Woman a’the Navidad, to the safe haven of the Choat farm. With dangers and emergencies around every bend, it’s a rough ride to the Devil’s Sinkhole, where this world and the next come together, bringing Papa and Calley, Pelo Blanco and Arlon to a climax that will leave readers clamoring for the next adventure. U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

Southwestern & Mexican Photography Series The Wittliff Collections at Texas State University David L. Coleman, Series Editor

release date | september 12 1/8 x 8∑ inches, 160 pages, 141 color photographs

from suggestive landscapes to scenes of people dwelling in various “found realities” and the occasional manufactured reality. Inspired by his rich dream life, the images insinuate subtle narratives that entice viewers to create stories in their own imaginations. A foreword by the director William Friedkin, who has used Schenck’s photographs as sets for several operas, and an afterword in which Schenck describes his creative process complete the volume.

ISBN 978-1-4773-1066-3

$50.00 | £38.00 | C$75.00 hardcover

U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

ROC KY SC H EN C K Holly wood, Ca lifor ni a Schenck is the author of Rocky Schenck: Photographs. His fine art photographs, which have been shown in galleries around the world, have attracted prestigious public and private collectors. Schenck has also photographed hundreds of album covers and written and directed numerous short films and music videos, working with many talented artists.

W I L L I A M FR I E D K I N Friedkin is an Academy Awardâ&#x20AC;&#x201C; winning director, producer, and screenwriter who is best known for The French Connection and The Exorcist.

U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

Left: Garboâ&#x20AC;&#x2122;s Dresses Top Right: Endless Bottom Right: Daydream

MA R K LE S LY S MIT H Indi a na polis, Indi a na A longtime leader in the Austin visual arts community, Smith is a cofounder of Flatbed Press and served as its codirector and gallery curator for twenty-three years. Currently he teaches at the Herron School of Art and Design at Indiana University–Purdue University and serves as a consultant to private and corporate art collectors.

KAT H E R INE BR IMBE R R Y Austin, Te x a s Now the sole owner and director of Flatbed Press, Brimberry cofounded the press and has served as a codirector, director, and master printer over the past twenty-five years. As master printer, she is in charge of collaborations with artists and the production of their projects.

S USA N TA LLMA N Chicago, Illinois Tallman is the editor-in-chief of Art in Print. Her many publications include The Contemporary Print from Pre-Pop to Postmodern.

Black Cats Go Off, Michel Ray Charles (1994)

man’s introduction places Flatbed in a national context, defines its uniqueness, and discusses many of the outstanding artworks that have been created there. Photographs of the facilities and equipment, technical processes, and artists and printers at work, as well as a chronology and glossary, complete the volume.

M. Georgia Hegarty Dunkerley Contemporary Art Series

r e le as e dat e | n o v e m be r 10 x 12 inches, 432 pages, 59 color photos, 42 b&w photos, 168 color illustrations ISBN 978-1-4773-1008-3

$65.00 | £50.00 | C$97.50 hardcover U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

2016 Art of Eating Prize Finalist, 2016 James Beard Book Awards NPR Best Books of 2015 New York Times Book Review Holiday Gift Selection Slateâ&#x20AC;&#x2122;s Best Coffee-Table Books 2015 Outstanding Contribution to Publishing Citation, Black Caucus of the American Library Association 2015 Kirkus Guide to Gift Books U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

“Alina Simone’s Madonnaland is a totally excellent book, and if you don’t bother to read it, you will be missing something significant in the development of modern cultural criticism. . . . It’s an intense jewel in the already sparkly crown of a consis— P O P M AT T E R S tently perceptive critic.” “Idiosyncratic . . . Simone finally achieves a productive union between the obscure and the intriguing. She has wandered away from Madonnaland to a place where she actually —NEW YORK TIMES BOOK REVIEW wants to be.” “Simone’s book is more than a portrait of Madonna and the people who love her, it’s a reflection on the nature of pop —MICHAEL SCHAUB music fandom.” Men’s Journal Best Books of March, 2016

“How do we start with sparkly cone bras and end with a wellconsidered philosophy of human fulfillment? No idea, but Simone manages to do it. Madonnaland is a profound and hilarious stream-of-consciousness funfair ride through the postmodern theme park of super fans, celebrity, taste, and capitalism, with Simone as the perfect conductor.” — A M A N D A PA L M E R “Alina Simone’s critical (and hilariously self-critical) look at pop culture, ambition, identity, and the strange things that can happen when art meets time is, if you’ll pardon the expression, —BEN GREENMAN a ray of light.”

New York Times best-selling author of Mo’ Meta Blues and The Slippage

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Drawing of the White Shaman mural. From The White Shaman Mural by Carolyn E. Boyd.

| r e f e r e n c e | Latin American Studies

The newest volume of the benchmark bibliography of Latin American studies

Handbook of Latin American Studies, No. 71 Social Sciences K AT HER INE D. M CC A NN, H U M A NI T IE S ED I T O R Tr ac y Nort h, Soci a l Sciences Edi tor Beginning with Number 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 140 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research underway in specialized areas. The subject categories for Number 71 are as follows: • Anthropology • Geography • Government and Politics • International Relations • Political Economy • Sociology

“The Handbook has provided scholars interested in Latin America with a bibliographical source of a quality unavailable to scholars in most other branches of area studies.” — L AT I N A M E R I C A N RESEARCH REVIEW

r e le as e dat e | o ct o be r 6 x 9∑ inches, 720 pages ISBN 978-1-4773-0956-8

$130.00* | £100.00 | C$195.00 hardcover ISBN 978-1-4773-1197-4

$130.00* e-book U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

Top: Drawing of the White Shaman mural. Left: Pecos River–style anthropomorph at Halo Shelter. Middle: Nine-foot-long “panther” figure. Right: Four-foot-tall, white anthropomorph at Cedar Springs

“The White Shaman Mural not only provides a thorough demonstration of technique but also raises provocative issues regarding the history and cosmovision of Native America.” —ALFREDO LÓPEZ AUSTIN Author of The Myth of Quetzalcoatl and emeritus researcher, UNAM

U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

“It is rare that a book completely changes our perspective on a major body of rock art. Yet that is what Carolyn Boyd’s The White Shaman Mural will do for the spectacular Pecos River murals. Combining an impeccable ethnological approach with hard data obtained via new recording methods, this groundbreaking book is eminently readable despite the complexity of the concepts involved. It should appeal to lay readers as well as professionals.” —JEAN CLOTTES Author of Cave Art

U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

Hotel EndĂŠmico, outskirts of Ensenada, Baja California (Jorge Gracia, 2012); courtesy of architect, from The Architecture and Cities of Northern Mexico from Independence to the Present by Edward R. Burian

Contents 1. Hamlin (1984): The Tie That Doomed the Pied Pipers 2. Odessa (1946): Hayden Fry Leads the Bronchos 3. Snyder (1952): Grant Teaff’s First Lessons 4. Brownwood (1960s): Gordon Wood’s Legacy Begins 5. San Antonio (1963): The One They Call “The Game” 6. Lubbock (1968): The Estacado Matadors’ Phenomenal Debut 7. Mexia (1968): Blackcats Roll with the Changes 8. Celina (1974): The Birth of the 10-1 Defense 9. Big Sandy (1974): The Wildcats Kiss Their Sisters 10. Temple (1975): Bob McQueen Adds It Up 11. Midland (1983): Lee Rebels Pull Off Historic Double 12. Daingerfield (1983): The Tigers’ Amazing Shutout Streak 13. Corpus Christi (1985): Calallen Builds a Winner 14. West Orange (1986–1987): Kevin Smith Leads Stark to Title 15. Idalou (1988): South Plains Superman 16. White Deer (1988): Bucks Ride Swinging Gate to Glory 17. Rockport-Fulton (1992): Dat Nguyen’s Pirates Raid Homecoming 18. Converse (1992–1993): Judson Rockets Blast Off 19. Tyler (1994): John Tyler’s Lions Knew How to Finish 20. Sealy (1994): Tigers’ Dynasty Rises Up 21. Galena Park (1994): North Shore Lays Its Foundation 22. Wortham (1996): The Bulldogs Grow into Champions

U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

23. Waco (1996): University’s LT Runs into Spotlight

24. Austin (1996): Westlake Breaks Through 25. New Braunfels (1997): Father and Son Build a Winner

26. Katy (1997): Tigers Pound Their Way to a Title

27. Mart (1999): “Cosby Show” Panthers Thrive in Prime Time 28. Everman (2001–2002): Bulldogs Unleash Dominant Streak 29. Ennis (2001): Harrells’ Lions Come Roaring Back 30. Palestine (2002): The Call That Changed Adrian Peterson’s Path 31. Georgetown (2002): Mason Crosby Kicks His Way to the Top 32. Southlake (2002): The Carroll Dragons’ Ascent 33. Tuscola (2003): McCoys Lead Jim Ned to the Brink 34. Crawford (2004): Pirates Put the President on Hold 35. Abilene (2004): Wylie Wins First Crown on Final Play 36. Highland Park (2005): Scots Prevail in Epic Battle 37. Copperas Cove (2007): RG3, Bulldawgs Come Alive 38. Brenham (2009): Cubs Advance with Improbable Rally 39. Aledo (2008–2011): Johnathan Gray Runs into the Record Book 40. Fort Worth (1983–1984): Trimble Tech’s Glory Days 41. Denton (2002): Ryan Raiders Swipe Semifinal Victory from Ennis

109

Left: Allied Bank Plaza under construction in 1982. Top right: Houston skyline from the north, photographed in 1986 by Marvin Bailey. Middle: Prince’s Drive In with an outdoor jukebox, 1942. Bottom: Aerial view of the Astrodome and the adjacent Astroworld amusement park in the foreground, ca. 1968.

112

Medical Center, and Johnson Space Center—to nostalgic scenes of daily life. Bob Bailey’s expertly composed photographs reveal a great city in the making: a downtown striving to be the best, biggest, and tallest; birthday parties, snow days, celebrations, and rodeos; opulent department stores; Hollywood stars and political leaders; rapid industrial and commercial growth; and the inexorable march of the suburbs. An irresistible “remember that?” book for long-time Houstonians, Houston on the Move will also be an essential reference for historians, photographers, designers, and city planners. U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

Bert L. Long Jr.’s work, which straddles the worlds of fine and outsider art, can be found in many collections, including the Metropolitan Museum of Art; Dallas Museum of Art; Museum of Fine Arts, Houston; Contemporary Museum, Honolulu; Fabric Workshop Museum, Philadelphia; Museum of Southeast Texas, Beaumont; Jack S. Blanton Museum, Austin; and others in the United States and Europe.

TH O MAS MC E VI L L E Y McEvilley (1939–2013) was an art critic, poet, novelist, scholar, and art historian at Rice University and the School of Visual Arts in New York City. He was an expert in the fields of Greek and Indian culture and the history of religion and philosophy. He published books and essays on Greek and Indian poetry, philosophy, religion, and contemporary art and culture. U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 1 6

Riding the Tiger, 2002

Distributed for Houston Artists Fund

release date | september 5√ x 8∏ inches, 120 pages, 34 color photos ISBN 978-0-9674395-4-9

$19.95 | £14.99 | C$29.95 paperback ISBN 978-0-9674395-3-2

$34.95 | £26.99 | C$52.00 hardcover

119

Lutcher & Moore Lumber Company timberland with unknown subjects, ca. 1900, Stark Foundation Archives

This history places the families within the context of their times, divesting them of myth and presenting them factually as the exceptional people they were. It represents the first in-depth treatment of the wealth of primary material in the Stark Foundation’s archives, never before publicly available. It presents a part of Texas that is distinct in culture, history, and terrain while offering an intriguing saga of the lives and vicissitudes of this extraordinary family.

Distributed for the H. J. Lutcher Stark Center for Physical Culture and Sports

release date | september 6 1/8 x 9 ¼ inches, 640 pages, 227 b&w photos ISBN 978-1-4773-0871-4

$45.00* | £32.99 | C$67.50 hardcover

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Index by Author

Austin Film Festival, On Story—Screenwriters and Filmmakers on Their Iconic Films . . . . . . . . . . 28–29 Berney, Learning from Bogotá . . . . . 56–57

journals Sue Hausmann Assistant Director and Journals Manager Karen Broyles, Stacey Salling Production Coordinators Sheila L. Scoville Promotion Coordinator Rebecca Frazier-Smith Circulation and Rights & Permissions Manager Elizabeth Fairman Circulation Coordinator

information systems William Bishel Information & Business Systems Analyst Bailey Morrison Website and Digital Marketing Coordinator Sharon L. Casteel Digital Publishing Manager

Boyd, The White Shaman Mural . . . . . . . . . . . . . . 74–77 Bullock Texas State History Museum, Seeing Texas History . . . . 114–117 Çelik, About Antiquities . . . . . . . . . . . . . . . . 84 Christensen, The Teabo Manuscript . . . . . . . . . 62 Christenson, The Burden of the Ancients . . . . . 61 Cohen, Mexico . . . . . . . . . . . . . . 20–23 Conine, The Republic of Football . . . . . . . . . . . . . . . . 106–109 Cosminsky, Midwives and Mothers . . . . . . . . . . 71 Davis, It Starts with Trouble (new in paper) . . . . . . . . . . . . . . . 34–35 Eppel, A People Without a State . . . . . . . 87 Foster, El Eternauta, Daytripper, and Beyond . . . . . . . . . . . . . . . . . . . . . . . 80 Gómez, The Revolutionary Imaginations of Greater Mexico . . . . . . . . . . . . . . . . 68

McCann & North, Handbook of Latin American Studies, No. 71 . . . . . . . . . . . . . . . . . . . . 73 McEvilley, Bert Long . . . . . . . . . . . . . . . . . . . 118–119 McNeely, The Making of Hillary Clinton . . . . . . . . . . . . . . . . . 6–9 Mora, Antebellum . . . . . . . . . . . 16–19 Morán, Sacred Consumption . . . . . . . . . . . 60 Moreau & Schaar, Subversives and Mavericks in the Muslim Mediterranean . . . 85 Paquette, At the Crossroads . . . . . . . . . . 66–67 Paul & Moss, We Could Not Fail (new in paper) . . . . . . . . . . . . . . . 30–31 Peleg, Directed by God . . . . . . . . . . . . . . . . . . 90 Pizzino, Arresting Development

. . . . . . . .

Rayo & Neece, The Tacos of Texas . . . . . . 102–105 Rienstra & Stiles, The Long Shadow . . . . . . . . 128–129 Sachs, T Bone Burnett . . . . . . . . . . . . . . . 10–11 Sadlier, The PortugueseSpeaking Diaspora . . . . . . . . 58–59 Schenck, The Recurring Dream . . . . 40–43

Grant & Kurtz, Notions of Genre . . . . . . . . . . . . . . . . . 82

Shary & McVittie, Fade to Gray . . . . . . . . . . . . . . . . . . . . . . 83

Hammad, Industrial Sexuality . . . . . . . . . . . . 86

Smith, Becoming Belafonte (new in paper) . . . . . . . . . . . . . . . 32–33

Hersh, Don’t Suck, Don’t Die (new in paper) . . . . . . . . . . . . . . . . 14–15

UT Press belongs to the Association of American University Presses. Visit the AAUP website, aaupnet.org

Smith & Brimberry, Flatbed Press at 25 . . . . . . . . . 44–47

Hersh, Toby Snax . . . . . . . . . . . . . . . . . . . . 48–49

Strom, Houston on the Move . . . . 110–113

Jennings & Berghammer, Theatre for Youth II . . . . . . . . . . . . . . 91

Venkatesh, New Maricón Cinema . . . . . . . . . . . 81

Josephson, The Bread Book

26–27

Voigt, Spectacular Wealth . . . . . . . . . . . . . 63

Katz, Connecting with the Enemy . . . 89

Wilcox, Cattle in the Backlands . . . . . . . . 70

Lear, Picturing the Proletariat . . . . . . 69

Wittliff, The Devil’s Sinkhole

Legrás, Culture and Revolution . . . . . . . . 64

Wolf, Mano Dura . . . . . . . . . . . . . . . . . . . . . . . . 72

Lundy & Lundy, Practicing Transnationalism . . . . . . . . . . . . . . . 88

Youngquist, A Pure Solar World . . . . . . . . . . 12–13

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. . . . . . . . . . . . .

. . . . . . . 36–39

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