Spring '09 New Book Catalog

university of texas press

university of texas press P. O. Box 7819 | Austin, TX 78713-7819

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Nonprofit Org.

u.s. postage

paid

Austin, TX Permit No. 1510

spring|summer 2009

University of Texas at Austin

2009 spring | summer

university of texas press

10/20/08 9:02:35 PM

| Index by Title | And Let the Earth Tremble at Its Centers, Celorio . . . . . . . . . . . . . 70 Ballads of the Lords of New Spain, Bierhorst . . . . . . . . . . . . 62–63 Blockading the Border and Human Rights, Dunn . . . . . . . . . . 68 Bridger, Bridger . . . . . . . . . . . . . . . . 93 Dividing the Isthmus, Rodríguez . . . . . . . . . . . . . . . . . . . . . . . . 67

Contents Books f or the Trade . . . . . . . . . . . . . . . . . . . . . . 4–31 Trade Backlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32–39 General Interest . . . . . . . . . . . . . . . . . . . . . . . . . 40–51 General Interest Backlist . . . . . . . . . . . . . . . . . . . 52–53

Duchess of Palms, Eckhardt 100

Books f or Scholars . . . . . . . . . . . . . . . . . . . . . 54–81

Enchanted Rock, Allred . . . . . . . 99

Scholarly Backlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82–85

Field Guide to the Songbirds of South America, Ridgely & Tudor . . . . . . . . . . . 26–28 Filming Difference, Bernardi. . 74

Texas on Texas . . . . . . . . . . . . . . . . . . . . . . . . . . . 86–104 Texas Backlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105–106

The First New Chronicle and Good Government, Guaman Poma . . . . . . . . . . . . . . . . . . .61

Print- on-Demand . . . . . . . . . . . . . . . . . . . . . 107–109

Fritz Henle, Flukinger . . . . 18–21

Sales Inf ormation . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Future, Samuel . . . . . . . . . . . . . . . . . . 50

Sales Representatives . . . . . . . . . . . . . 120–121

Golondrina, why did you leave me? Renaud González . . . . . . . . . . 65 Handbook of Latin American Studies, Volume 64, McCann & North . . . . . . . . . . . . . . . . 69

Journals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110–119

Staff List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122–123 Index by author . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Healing Dramas, Romberg . . . . 71 Historic Texas from the Air, Buisseret et al. . . . . . . . . . . . . . . 96–97 Hollywood’s Tennessee, Palmer & Bray . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 I’ve Learned Some Things, Behramog˘lu . . . . . . . . . . . . . . . . . . . . . . 78 Lance Letscher, Letscher . . 14–17 Land of the Permanent Wave (new in paper), Shrake . . . . . . . . . .94 A Library for the New World, Benavides . . . . . . . . . . . . . . . . . . . 48–49 Lightning Gods and Feathered Serpents, Koontz . . . . . . . . . . . . . . . . 60 Photo from The Road Goes On Forever and the Music Never Ends; photo by Lisa Krantz

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The Master Showmen of King Ranch, Colley & Monday . . . . . . 92 Misplaced Objects, Spitta. . 42–45

Placenotes—Austin (2nd edition), The Charles W. Moore Center . . . . . . . . . . . . . . . 103 Placenotes—Fort Worth, The Charles W. Moore Center . . . . . 102 Placenotes—Portland, The Charles W. Moore Center . . 30–31 Postnationalism in Chicana/o Literature and Culture, Hernández . . . . . . . . . . . . . . . . . . . . . . . 64 The Power of the Texas Governor, McCall . . . . . . . . . . . . .101 Princess, Priestess, Poet, Meador . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Private Women, Public Lives, Reyes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

The Seduction of Brazil, Tota . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 Social Stratification in Central Mexico, 1500–2000, Nutini & Isaac . . . . . . . . . . . . . . . . . . 72 Texas BBQ , McSpadden . . . 88–91 Veiled Brightness, Houston et al. . . . . . . . . . . . . . . . 58–59 Venomous Snakes of Texas, Price . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98 Viewpoints, Strong & Wilder . . . . . . . . . . . . 56–57 Walking Nature Home, Tweit . . . . . . . . . . . . . . . . . . . . . . . . . 22–23 The Wrecking of La Salle’s Ship Aimable and the Trial of Claude Aigron, Weddle . . . . . . . . . . . . . . . . 104

Morning Star, Löwy . . . . . . . . . . . . 81

Red, Black, and Jew, Katz (Stephen) . . . . . . . . . . . . . . . . . . . 80

Mystic Cults in Magna Graecia, Casadio & Johnston . . . . . . . . . . . . 77

The Road Goes On Forever and the Music Never Ends, Keen. . 6–9

A Young Palestinian’s Diary, 1941–1945, Katz (Kimberly) . . . . . . . . . . . . . . . . . 79

No Depression #77, Alden & Blackstock . . . . . . . . . . . . . . . . . . . 10–13

Sanctified and Chicken-Fried, Lansdale . . . . . . . . . . . . . . . . . . . . . 24–25

Your Brain on Latino Comics, Aldama . . . . . . . . . . . . . . . . . . . . . . 46–47

North Africa, Naylor . . . . . . . . . . . 51

One Ranger Limited Edition, Jackson . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Copyright © 2008 by the University of Texas Press. All Rights Reserved.

Front cover photo from Lance Letscher by Lance Letscher Back cover photo from Texas BBQ by Wyatt McSpadden Catalog design by Em Dash Austin

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Photo from Fritz Henle by Roy Flukinger

books for the trade

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| music |

The Road Goes On Forever and the Music Never Ends

By Robert Earl Keen

Celebrating the twentieth anniversary of his classic anthem “The Road Goes On Forever,” acclaimed singer/songwriter Robert Earl Keen offers fans a very personal, beautifully designed songbook, scrapbook, and photo album with lyrics and sheet music for twenty-four favorite songs, intriguing glimpses into the stories behind the songs, photos of him in concert and in private, and unique personal memorabilia Rolling Stone hails singer/songwriter Robert Earl Keen as “a writer with a novelist’s eye for character and narrative detail comparable to forerunners like John Prine, Guy Clark, and Kris Kristofferson.” In The Road Goes On Forever and the Music Never Ends, the master storyteller gives us fascinating glimpses into his own story through songs, personal memorabilia, and photographs that span his career from his student days at Texas A&M University to a recent concert at Austin’s legendary Stubb’s Bar-B-Que.

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Photo by Lisa Krantz

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Merry Christmas from the Family

By Robert Earl Keen $16.95 | £10.99 | C$19.50 hardcover ISBN 978-0-292-71266-9

ROB ERT EARL KEEN Bandera, Texas

The Road Goes On Forever and the Music Never Ends contains the lyrics for twenty-four of Keen’s favorite songs, accompanied by oneliners that offer tantalizing hints at the motivations behind the songs (“Corpus Christi Bay” — “True? Yes, unfortunately.”) Accompanying the lyrics is a wealth of material from Keen’s personal archive—newspaper clippings, concert posters, and programs; journal entries and letters that show him in the process of everything from self-improvement (“Do something really nice for my sister”) to raising money to record an album; and photos by and of family, friends, and fans.

A very personal, beautifully designed songbook, scrapbook, and photo album, The Road Goes On Forever and the Music Never Ends is the essential book for everyone who loves the music of Robert Earl Keen.

Also packaged in the book is a CD with printable sheet music for all twenty-four songs, which come from Keen’s critically acclaimed albums Walking Distance, Gringo Honeymoon, What I Really Mean, A Bigger Piece of Sky, Farm Fresh Onions, Gravitational Forces, and Picnic.

Keen is one of Texas’s iconic singer/ songwriters with sixteen albums spanning the years 1984 to 2008. A dynamic live performer who averages 125–140 days on the road every year, he sells out shows from Maine to Mexico and from Washington, D.C., to Seattle. He has performed on Austin City Limits and Late Night with Conan O’Brien multiple times.

His songs have been recorded by the Dixie Chicks, Nanci Griffith, Lyle Lovett, Kelly Willis, George Strait, Gillian Welch, and Johnny Cash and the Highwaymen, among others.

Brad and Michele Moore Roots Music Series

release date | feb ruary 8¼ x 10¾ inches, 128 pages, color and b&w photos ISBN 978-0-292-71999-6

$39.95 | £24.99 | C$45.95 hardcover

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| music |

Continuing the proud tradition of No Depression, the definitive, critically acclaimed magazine of American roots music, this is the next installment of No Depression as a bookazine (whatever that is)

No Depression #77 Surveying the Past, Present, and Future of American Music Edited by Grant Alden a n d P e t e r B l a ck s t o ck

GRANT ALDEN Morehead, Kentucky

PETER B LAC K STO C K Mebane, North Carolina Alden and Blackstock (along with Kyla Fairchild) founded No Depression in 1995 in Seattle, Washington, and have been its editors ever since.

re l e a s e dat e | f e b rua ry 8½ x 11 inches, 144 pages, color photos ISBN 978-0-292-71929-3

$19.95 | £12.99 | C$22.95 paperback

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For most of its thirteen-year history as a beloved and decorated music magazine, No Depression sought to be an instrument of change: to draw attention to the deep well of American musical traditions; to shine a light on performers whose gifts far exceed the size of their audiences or their pocketbooks; and to provide a safe harbor for the best long-form writing about music on the newsstand.

These traditions continue through No Depression’s now semiannual series of bookazines. The inaugural bookazine, numbered ND #76 so as to make explicit the continuity between the magazine and its new format, focused on the next generation of emerging roots music performers. ND #77, due out the spring of 2009, will center around the phrase “instruments of change,” and the various ways in which those words may be interpreted.

Early assignments include profiles of mandolinist Chris Thile by Seth Mnookin, bassist Charlie Haden by Jon Weisberger, Tejano accordion legend Esteban Jordan by Joe Nick Patoski, and A-Team bass player Bob Moore by Rich Kienzle, as well as essays on the strange journey of Dock Boggs’ banjo, and an activist’s memory of Phil Ochs.

The magazine’s cofounders and coeditors, Grant Alden and Peter Blackstock, continue to guide the bookazine. The magazine’s senior writers and contributors remain on board to shape the tone and voice of the bookazine, and its distinctive graphic design imprint continues in the hands of ND art director Grant Alden.

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A Brief History of No Depression No Depression first appeared during the fall of 1995 as a 32-page quarterly magazine.

Ten years later it had become a 180-page glossy bimonthly. Along the way it became one of the most prominent publications to cover American roots music, starting from the intersection of country and rock ’n’ roll and tracing the links to bluegrass, folk, blues, gospel, soul, jazz, indie rock, Cajun, conjunto, and beyond.

No Depression grew to be acknowledged as one of the finest music magazines ever published, was compared often to the 1960s origins of Rolling Stone or the 1970s heyday of Creem, and received awards from the Utne Reader, ASCAP, and the International Country Music Conference. It was cited by the Chicago Tribune in 2004 as one of the nation’s Top 20 magazines in any category.

Still available

No Depression #76 Contents

Samantha Crain by Mark Guarino Bowerbirds by David Menconi Sarah Jarosz by David Baxter Sierra Hull by Silas House Homemade Jamz Blues Band

by Edd Hurt

Basia Bulat by Peter Blackstock Gary Clark Jr. by Michael Hoinski A Portfolio of Photos from our esteemed photographers

Infamous Stringdusters

by Jewly Hight

Crooked Still by Lloyd Sachs Abigail Washburn & the Sparrow Quartet by Barry Mazor Ben Sollee by Barry Mazor Carrie Rodriguez by Don McLeese Duhks by Roy Kasten Hanson by David Cantwell Younger Than That Now an essay

by Paul Cantin

Appendix: Reviews—Mark Olson & Gary Louris; Rodney Crowell; Emmylou Harris; Glen Campbell; Mudcrutch; John Mellencamp; Al Green; Irma Thomas; Willie Nelson & Wynton Marsalis; Ray La Montagne; Ry Cooder ISBN 978-0-292-71928-6

$19.95 | £12.99 | C$22.95 paperback U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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Photos from No Depression #76

Still in print

The Best of No Depression

Writing about American Music

Edited by Grant Alden and Peter Blackstock Brad and Michele Moore Roots Music Series ISBN 978-0-292-70989-8

$19.95 | ÂŁ12.99 | C$22.95 paperback

Clockwise from top: Carrie Rodriguez by Sarah Wilson; Bowerbirds by Derek L. Anderson; Crooked Still by David Wilds

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| art |

Art History

The first full-length monograph on American artist Lance Letscher, whose mysterious, evocative work in collage has garnered international attention

Lance Letscher Collage Artwork by Lance Letscher Introd uction by C h arl es Dee Mitch el l Essay by Brooke Davis And erson An established American artist with a growing international reputation, Lance Letscher transforms found paper into works of art that are mysteriously evocative, often playful, and graphically beautiful. Letscher precisely cuts and recombines scraps of old books and letters, children’s school exercises, recipes, album covers, and other ephemera into motifs that suggest forms abstract and representational. In these collages, which vary from small works on paper to elaborate constructions as large as nine by fourteen feet, Letscher emerges as a skilled colorist and abstractionist who allows blocks of color and fragments of phrases to open up intriguing avenues of memory and association.

Lance Letscher: Collage is the first full-length monograph on this important artist. It presents a catalog of 118 works dating from 2001 to 2008, accompanied by essays that explore Letscher’s artistic development and place in contemporary art.

Charles Dee Mitchell, a well-known critic and arts writer, recounts the artist’s journey from academically trained improvisational sculptor to creator of collages using found materials. Brooke Davis Anderson traces Letscher’s fruitful connections with prominent Outsider and selftaught artists, including James Castle, Martín Ramírez, Adolf Wölfli, and the quilters of Gee’s Bend.

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left: Pink Factory, 2006 Above: Rainy Day, 2001

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Boats, 2001

LANCE LETS CHER Austin, Texas Letscher’s work is represented in New York by Howard Scott Gallery.

He has had one-person exhibitions in Paris, Berlin, Munich, Barcelona, London, and Poznan, Poland, as well as throughout the United States.

Pink Book, 2006

CHARLES DEE M IT CHELL Dallas, Texas Mitchell is a noted art critic who serves as a corresponding editor for Art in America.

BROOKE DAVIS ANDERSON New York, New York Anderson is director and curator of the Contemporary Center of the American Folk Art Museum in New York City.

release date | marc h 9 x 12 inches, 224 pages, 157 color illustrations ISBN 978-0-292-71933-0 $50.00 | £28.99 | C$57.50 Train Ride, 2007

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hardcover

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| photography |

Fritz Henle In Search of Beauty B y R o y F l uk i n g e r

The catalogue of the first major retrospective exhibition of the life and career of master photographer Fritz Henle staged by the Harry Ransom Center at the University of Texas at Austin in honor of the centennial of Henle’s birth Praised as “the last classic freelance photographer” by photohistorian Helmut Gernsheim and as “a true ‘Old Master’ of the reflex camera” by critic Norman Rothschild, Fritz Henle (1909–1993) was one of the greatest photographers of the mid-twentieth century.

Unlike most of his peers who specialized in a particular genre or style of photography, Henle ranged widely and successfully across many genres, including documentary, travel, fashion, commercial, portrait, celebrity, avant-garde, nude, industrial, landscape, and inspirational, to name only a few. He championed the square format photography of the Rolleiflex twin-lens reflex camera, becoming known later in life as “Mr. Rollei.” A master craftsman renowned for exceptional technique and extraordinary composition, Henle was a prolific artist who published more than twenty books of his work, from This Is Japan (1937) to Casals (1975). Beyond his mastery of the craft, however, Henle was driven by a lifelong urge “to show people beauty.” “I am obsessed,” he said, “by showing them beauty.”

Facing page: RCA Building and Chevrolet Grill, New York City. 1937

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ROY FLUKINGER Austin, Texas

This volume is the catalogue of a major retrospective exhibition of the life and career of Fritz Henle staged by the Harry Ransom Center at the University of Texas at Austin. It covers the entire range of Henle’s work, including significant items from the photographer’s archive and family. The catalogue reproduces 127 of Henle’s black-and-white and color photographs, which illustrate Henle’s mastery of both media.

Curator Roy Flukinger’s text covers the full arc of Henle’s career, from his early training in Germany to his prewar travels and photography in the Mediterranean, India, China, and Japan; his freelance work for LIFE magazine; his fashion editorials for Harper’s Bazaar, Mademoiselle, and Town and Country; and his later photography and books of photographs of Mexico, Hawaii, Europe, and his final home, the U.S. Virgin Islands. An extensive bibliography of Henle’s publications and exhibitions, collections that own his work, and critical commentary on Henle’s photography completes this volume.

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Flukinger is Senior Research Curator of Photography at the Harry Ransom Humanities Research Center at the University of Texas at Austin. He lectures and publishes extensively in such fields as regional, cultural, and contemporary photography and the history of art and photography. He has produced nearly fifty exhibitions ranging from classical photohistory to contemporary photography, and from photographer’s retrospectives to American, regional, and Texas photography.

Harry Ransom Center Photography Series

release date | feb ruary 12 x 12 inches, 228 pages, 127 b&w and color plates, 25 b&w illustrations

Clockwise from top left: Coal Miner of the Ruhr Valley, Germany. 1967; Cathedral Steps in the Rain, Siena, Italy. 1931; Geoffrey Holder at His Painting Exhibition, New York City. ca.1965; Street in Old San Juan, Puerto Rico. ca. 1971; Fishermen on the Beach Pulling in the Net, Tobago. 1959

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ISBN 978-0-292-71972-9

$55.00 | £32.00 | C$63.25 hardcover U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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| memoir |

“Walking Nature Home by Susan J. Tweit offers the reader a constellation of healing stories.

Replete with Tweit’s powerful articulations of the human heart and overlaid with the stories of the natural world in all its wonder, this book joins the ranks of the great testimonies of our time.”

Nature Writing, Women’s Studies

A beautifully written, moving memoir about how the diagnosis of a terminal illness led to a perilous journey of self-awareness that not only restored the author’s health but also taught her the healing power of love and of our connection to the natural world

Walking Nature Home A Life’s Journey B y Su s a n J . T w e i t Il lu stratio n s b y S h e rr i e Yo r k

SU SAN J . TWEIT Salida, Colorado Tweit is an award-winning author whose passionate articulation of humans’ relationship with the “community of the land”—nature and the landscapes we love—has earned her accolades that include a Silver Eddie, the Oscar of magazine awards, for “The Last Refuge” in National Parks magazine, and a spot on the Denver Post’s “Colorado Voices” panel— twice. Her eleven books include Colorado Less Traveled, a finalist for the Colorado Book Awards, and The San Luis Valley: Sand Dunes and Sandhill Cranes.

Louann Atkins Temple Women & Culture Series

re l e a s e dat e | m a rc h 5½ x 8½ inches, 192 pages, 8 drawings

Without a map, navigate by the stars. Susan Tweit began learning this lesson as a young woman diagnosed with an autoimmune disease that was predicted to take her life in two to five years. Offered no clear direction for getting well through conventional medicine, Tweit turned to the natural world that was both her solace and her field of study as a plant ecologist. Drawing intuitive connections between the natural processes and cycles she observed and the functions of her body, Tweit not only learned healthier ways of living but also discovered a great truth— love can heal. In this beautifully written, moving memoir, she describes how love of the natural world, of her husband and family, and of life itself literally transformed and saved her own life.

In tracing the arc of her life from young womanhood to middle age, Tweit tells stories about what silence and sagebrush, bird bones and sheep dogs, comets, death, and one crazy Englishman have to teach us about living. She celebrates making healthy choices, the inner voices she learned to hear on days alone in the wilderness, the joys of growing and eating an organic kitchen garden, and the surprising redemption in restoring a once-blighted neighborhood creek. Linking her life lessons to the stories she learned in childhood about the constellations, Tweit shows how qualities such as courage, compassion, and inspiration draw us together and bind us into the community of the land and of all living things.

ISBN 978-0-292-71917-0

$24.95 | £15.99 | C$28.95

—Denise Chávez author of A Taco Testimony: Meditations on Family, Food, and Culture

The constellation Orion

From the book “I come from a culture that trusts the logical conclusions of science without question. Science has much to say about the community of the land and the interrelationships that define and sustain that community, as well as about our place in it. Ecology seems to me to be among the most reverential of the sciences. It honors all of life by listening to every voice without exception, giving words to creatures large and small, common and obscure—even those lying broken on the pavement. It chronicles the relationships that tell the great story of life as it flexes

and fluctuates in its eternal dance with change, and the everyday miracle of reincarnation as the molecules from one being cycle through others from birth to death to birth, time and again. It is not the role of ecology to look for miracles or report on matters of heart and spirit. Still, reading between the lines of its data and theories, what shines out of the careful words is the presence of the sacred, demonstrated in the continuing rhythm of life as it makes a place for all of us on this green and animate planet.”

— Su s a n J . T w e i t

hardcover

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| fiction |

Anthologies

An anthology that brings together the very best short stories, excerpts from the acclaimed novels The Magic Wagon and A Fine Dark Line, and previously unpublished tales by multi-awardwinning writer Joe R. Lansdale

Sanctified and Chicken-Fried The Portable Lansdale

By Joe R. Lansdale Fo re wo rd by B i l l Cr i de r

J OE R . LANSDALE Nacogdoches, Texas Lansdale is the author of thirty novels, including The Bottoms, Mucho Mojo, A Fine Dark Line, Two-Bear Mambo, and Bad Chili, as well as two hundred shorter works in fiction, nonfiction, essays, and columns.

His screenplays, novels, and stories have frequently been optioned by producers and directors such as David Lynch, Ridley Scott, and Adam Friedman. He has written teleplays for Batman: The Animated Series, as well as a multitude of comic book scripts. His novella Bubba Ho-Tep was filmed and starred Ossie Davis and Bruce Campbell, and his short story “Incident On and Off a Mountain Road” was filmed for Showtime.

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Master of mojo storytelling, spinner of over-the-top yarns of horror, suspense, humor, mystery, science fiction, and even the Old West, Joe R. Lansdale has attracted a wide and enthusiastic following. His genre-defying work has brought him numerous awards, including the Grand Master of Horror from the World Horror Convention, the Edgar Award, the American Horror Award, seven Bram Stoker awards, the British Fantasy Award, Italy’s Grinzane Prize for Literature, as well as Notable Book of the Year recognition twice from the New York Times.

Sanctified and ChickenFried is the first “true best of Lansdale” anthology. It brings together a unique mix of well-known short stories and excerpts from his acclaimed novels, along with new and previously unpublished material. In this collection of gothic tales that explore the dark and sometimes darkly humorous side of life and death, you’ll meet traveling preachers with sinister agendas, towns lost to time, teenagers out for a good time who get more than they bargain for, and gangsters and strange goings-on U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

Contents Mister Weed-Eater Tight Little Stitches in a Dead Man’s Back The Big Blow The Magic Wagon (excerpt from) Dirt Devils The Pit Night They Missed the Horror Show Bubba Ho-Tep Fat Man and the Elephant A Fine Dark Line (excerpt from) White Mule, Spotted Pig

at the end of the world. Out of the blender of Lansdale’s imagination spew tall tales about men and mules, hogs and races, that are, in his words, “the equivalent of Aesop meets Flannery O’Connor on a date with William Faulkner, the events recorded by James M. Cain.”

Whether you’re a long-time fan of Joe R. Lansdale or just discovering his work, this anthology brings you the best of a writer whom the New York Times Book Review has praised for having “a folklorist’s eye for telling detail and a front-porch raconteur’s sense of pace.”

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Southwestern Writers Collection Series The Wittliff Collections at Texas State University–San Marcos Steven L. Davis, Editor

release date | marc h 6 x 9 inches, 212 pages ISBN 978-0-292-71941-5

$29.95 | £18.99 | C$34.50 hardcover

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| nature |

Field Guides, Ornithology

Drawn from The Birds of South America: The Oscine Passerines and The Birds of South America: The Suboscine Passerines—with full accounts of nearly 2,000 species and more than 400 new bird paintings, for a total of more than 1,500 species illustrations—this is the definitive field guide to South American songbirds

Field Guide to the Songbirds of South America The Passerines B y R o b e r t S . R i d g e l y a n d Gu y Tu d o r

RO B ERT S . RIDGELY Washington, D.C., and North Sandwich, New Hampshire Ridgely, a leading ornithologist and author of A Guide to the Birds of Panama and The Birds of Ecuador, is Deputy Director of World Land Trust-US. He has served on numerous conservation-related boards, and currently is especially involved with Fundación Jocotoco in Ecuador, of which he is president.

With the publication of the landmark volumes The Birds of South America: The Oscine Passerines and The Birds of South America: The Suboscine Passerines, Robert S. Ridgely and Guy Tudor established themselves as the leading authorities on the songbirds of South America. Reviewers hailed the volumes as the essential reference works for professional ornithologists and avocational birders alike, and they remain the only volumes that provide full scientific coverage of the continent’s passerines.

Recognizing the need for a more compact guide that birders can take into the field, Ridgely and Tudor have now extracted and updated the essential identification information from The Birds of South America to create the Field Guide to the Songbirds of South America.

GU Y T U DOR Forest Hills, New York Tudor, a MacArthur Fellow and wellknown bird artist and naturalist, was the principal illustrator of A Guide to the Birds of Venezuela and A Guide to the Birds of Colombia.

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Plate 121. Oropendolas

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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PLATE 121

OROPENDOLAS

PLATE 121

OROPENDOLAS

PLATE 121

OROPENDOLAS

More on Latin American and neotropical birds

This definitive guide is filled with indispensable features:

• 121

color plates that present Guy Tudor’s magnificently detailed paintings of more than 1,500 species of songbirds, 1 Chestnut-headed Oropendola Zarhynchus wagleri including more than 400 that PLATE 121 OROPENDOLAS p.000 1 Chestnut-headed Oropendola were not illustrated in BOSA Zarhynchus wagleri

• 160

additional color illustrations of subspecies and females

p.000 1 Chestnut-headed Oropendola Zarhynchus wagleri

2 Casqued Oropendola Clypicterus oseryi

Psarocolius viridis

2 Casqued Oropendolap.000 Clypicterus oseryi

3 Green Oropendola p.000 Psarocolius viridis

p.000 2 Casqued Oropendola Clypicterus oseryi

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3 Green Oropendola

3 Green Oropendola

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Psarocolius viridis

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p.000

• Extensively

updated color range maps for all of the species in the field guide, prepared by Robert S. Ridgely with technical assistance from Maria Allen and Terry Clarke, appear opposite the plates for Chestnut-headed Oropendola each bird1family Zarhynchus wagleri

p.000 • Robert S. Ridgely’s authorita-

tive accounts of nearly 2,000 species that cover each bird’s abundance, habitat, and range; elevational preference; taxonomic or nomenclatural changes; plumage description; general behavior and voice; and range beyond South America, if applicable

The Birds of South America

2 Casqued Oropendola Clypicterus oseryi

4 Crested Oropendola

Psarocolius viridis

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Psarocolius decumanus

4 Crested Oropendola p.000 Psarocolius decumanus

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Mildred Wyatt-Wold Series in Ornithology

Psarocolius angustifrons

7 Olive Oropendola

6 x 9 inches, 736 pages, 256 pages of color plates and range maps

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Psarocolius yuracares

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7 Olive Oropendola

re l e a s e dat e | j u n e

p.000 5 Russet-backed Oropendola Psarocolius angustifrons

p.000 5 Russet-backed Oropendola Psarocolius angustifrons

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Volume I: The Oscine Passerines

Volume II: The Suboscine Passerines

By Robert S. Ridgely and Guy Tudor

By Robert S. Ridgely and Guy Tudor

$95.00 | £59.00 | C$109.25

$95.00 | £59.00 | C$109.25

hardcover ISBN 978-0-292-70756-6

ISBN 978-0-292-77063-8

6 Dusky-green Oropendola Psarocolius atrovirens

8 Pará Oropendola

p.000

Psarocolius bifasciatus

8 Pará Oropendola

p.000

Psarocolius bifasciatus

p.000

Belize, Guatemala, and El Salvador, Third Edition

By Ernest Preston Edwards Edward Murrell Butler, Principal Illustrator paperback ISBN 978-0-292-72091-6

p.000

6 Dusky-green Oropendola Psarocolius atrovirens

p.000

Birds of Tropical America

Psarocolius atrovirens

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A Field Guide to the Birds of Mexico and Adjacent Areas

$22.95 | £14.99 | C$26.50

Psarocolius atrovirens

6 Dusky-green Oropendola

Psarocolius bifasciatus

hardcover

p.000 6 Dusky-green Oropendola

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The Birds of South America

9 Black Oropendola Psarocolius guatimozinus

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A Watcher’s Introduction to Behavior, Breeding, and Diversity

Baudó Oropendola p.000 Psarocolius cassini Baudó Oropendola Psarocolius cassini

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By Steven Hilty Illustrations by Mimi Hoppe Wolf

p.000 Mildred Wyatt-Wold Series

in Ornithology $19.95 | £12.99 | C$22.95

ISBN 978-0-292-71979-8

$49.95 | £29.00 | C$57.50

Chasing Neotropical Birds

By Vera and Bob Thornton The Corrie Herring Hooks Series $34.95 | £21.99 | C$40.50 hardcover ISBN 978-0-292-70589-0

paperback ISBN 978-0-292-70673-6

paperback ISBN 978-0-292-71748-0

$125.00* | £86.00 | C$143.75 hardcover Not for sale in the British Common7 Olive Oropendola wealth, except Psarocolius Canada, yuracares or Europe p.000

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9 Black Oropendola

8 Pará Oropendola Psarocolius bifasciatus

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Baudó Oropendola Psarocolius cassini

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U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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| travel |

PLACENOTES

United States

An entirely new kind of travel book—a boxed set of cards that guides you to the unique and memorable places that give Portland its distinctive character

Portland

ISBN 978-0-615-22923-2

Placenotes—Portland T h e C h a r l e s W. M o o r e C e n t e r f o r t h e S t u d y o f P l a c e

Distributed for the Charles W. Moore Center for the Study of Place

re l e a s e dat e | m ay 4 x 6¼ inches box ISBN 978-0-615-22923-2

Placenotes a new kind of travel book: Boxed sets of cards that guide you to the world’s unique and memorable places, cultural institutions, activities, and people.

• Portable. Take only the cards of the places you wish to visit.

• Durable. Placenotes are printed on heavy water- and tear-resistant laminated cards.

• Collectible. Currently available sets include Austin, San Antonio, Santa Fe, New York Art Museums, Houston, Pittsburgh, Dallas, Chicago Art and Architecture, and the University of Texas at Austin.

• Educational. An ideal way for local residents to learn more about the place in which they live.

$19.95 | £12.99 | C$22.95

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U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

Every September, an extraordinary scene takes place in the sky above the Chapman Elementary School. Its chimney is an important nesting habitat for flocks of Vaux’s Swifts (Chaetura vauxi) who stop here on their annual migrations between Canada and Mexico. Like the Congress Avenue Bridge 08 this is a place where the patterns of the natural world in Austin, Texas intersect with the urban. Evolutionary relatives of the hummingbird, swifts are known for their dazzling velocity and ability to snatch insects in flight. So compelling are the swifts’ twilight rituals, that crowds of people gather on the school’s lawn to enjoy each other’s company and learn about the work of the Audubon Society of Portland, which staffs an information table. Sometimes the thousands of swifts dart through the sky as randomly as neutrinos, but then they can spontaneously coordinate into a cyclone swirling in one direction around the chimney’s vortex. A falcon might plunge into the scene, scattering the whole flock into a panic until a defensive squadron forms up to chase the raptor away. The crowd cheers at such moxie. But then the falcon might return and succeed in separating out a lone swift, deftly seizing its prey in mid-flight.

The crowd gasps. As the light diminishes, Mt. St. Helens in the distance gains contrast. All of a sudden, streams of birds dive into the chimney, as if a film projector had been thrown into reverse, the smokestack now inhaling instead of exhaling. Once the last of the swifts is safely inside, the families applaud, gather up their picnics, and return home to their own roosts.

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(503) 292-6855

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Great gifts for business and leisure travelers, as well as unique souvenirs of places visited

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Placenotes is the creation of K EVIN KEI M , Director of the Charles W. Moore Center for the Study of Place in Austin, Texas. Charles W. Moore (1925–1993) was a world-renowned architect, educator, and writer. To carry on his work, the Moore Center was founded in 1994 to teach people about the importance of good places, design, and architecture.

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Places—buildings, neighborhoods, landmarks, and cultural and commercial institutions—help define a city’s unique character, its “sense of place.” This is the key concept behind Placenotes, a wholly new type of travel guide that features the “one of a kind” places that make a city distinctive. Not a conventional travel book, Placenotes is a set of individual cards that describe specific places. The front of each card has a color photograph that captures the spirit of a particular place. The back of the card tells the story of the place, often with commentary by a local expert. It also provides all the practical details you need to plan your visit. A map, index of places, and key to symbols come in the set. The cards are contained in a sturdy box with a lid that snaps shut with invisible magnets.

Chapman Elementary School

nw 26th ave.

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Selected Placenotes— Portland Pioneer Square Hillsdale Library The Pearl District Ira Keller Fountain Chapman Elementary School Moore/Andersson Compound The Rebuilding Center 22 Charles Moore and Arthur Andersson, 1984 TheW.Lovejoy Plaza Ace Hotel When you first visit Arboretum the Moore/Andersson Compound, the last home of the Hoyt late internationally-renowned Silver Falls Statearchitect Park Charles W. Moore, you don’t expect much from Timberline the reticent, Lodge unadorned little structures that quietly inhabit a shady, sloping National site. But asCapital you passCenter through the entry gate and into the Jean Vollum courtyard, place Abbey reveals Library itself layer by layer, each one thwarting your Mt.theAngel initial expectations. In fact, one of the metaphors that Charles Moore used International Rose Test Garden

to describe this place was an architectural geode—austere on the outside, but inside a world of surprising crystalline magic. And even though it is small as far as monuments go, this place is the most potent, joyful architectural experience the compound U n i v in e rall s ioft yAustin. o f TCharles e x a s Moore P r e s and s |Arthur Sp r iAndersson n g 2 0 0 designed 9 to accommodate both their individual homes and shared studios. Synthesizing two Texas prototypes—thick-walled Hispanic courtyard architecture and thinwalled German-immigrant, tin-roofed houses—Moore and Andersson made a place connected to the region, but “uniquely its own.” Inside this world,

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1445 nw 2

(503) 292

www.audu

In the News

The Journey Home

By Dermot Bolger Hailed by Colm Tóibín as “certainly the best Irish novel never released in America,” The Journey Home made its U.S. debut in spring 2008 to critical acclaim from both the New Yorker and the New York Times Book Review.

James A. Michener Fiction Series James Magnuson, Editor ISBN 978-0-292-71806-7

$24.95 | C$28.95 hardcover For sale in the USA, its dependencies, and Canada only

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U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

“The Journey Home seems, at times, like an Irish Rebel Without a Cause: it is, like that 1955 James Dean film, the coming-of-age story of young people who seem to veer helplessly between wanting everything to change—now—and wanting everything to stay the same forever. . . . This is a mournful book, but not a glum one, really: the writer’s love of his agonized characters and his unsettled homeland is unmistakable, and redemptive. . . . Wherever the ‘real’ Ireland is or was or will be, there are great chunks of it, with the smell and texture of Irish earth, in Dermot Bolger’s rich, conflicted, ferociously vital book.” — N e w Y o r k T i m e s B o o k R e v i e w U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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“[Kendrick] thinks of himself not as simply making pictures but also as taking part in the world of the cowboys who are the subjects of his other-worldly tintype portraits. . . .

The pictures . . . are a kind of ideal meeting of subject and style. . . .

The best of the pictures have a timeless power that evokes . . . the portraits of North American Indians taken by Edward S. Curtis in the early 1900s.” — N e w Y o r k T i m e s

In the News

Still Cowboys at the Start of the Twenty-First Century

T i n t y p e s b y R o bb K e n d r i ck E s s ay b y Mar i a nn e Wiggins A f t erw o r d b y Jay Du s a r d Proving that fascination with the cowboy way of life remains strong in twenty-first-century America, Robb Kendrick’s magnificent collection of tintype photographs of modern working cowboys has been praised by a host of national publications, including the New York Times, National Geographic, B&W, Bloomsbury Review, American Cowboy, and Cowboys & Indians.

The M. K. Brown Range Life Series ISBN 978-0-292-71438-0 $50.00 | £28.99 | C$57.50 hardcover

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U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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Documentary

A Procession of Them

By Eugene Richards

$45.00 | £25.99 | C$51.95 hardcover ISBN 978-0-292-71910-1

Exodus/Éxodo

Words by Charles Bowden Photographs by Julián Cardona $50.00 | £28.99 | C$57.50 hardcover ISBN 978-0-292-71814-2

Center for American History

Red Desert

Russell Lee Photographs

Edited by Annie Proulx Photographs by Martin Stupich

Foreword by John Szarkowski Introduction by J. B. Colson

$50.00 | £28.99 | C$57.50

$50.00 | £28.99 | C$57.50

hardcover ISBN 978-0-292-71420-5

hardcover ISBN 978-0-292-71499-1

History of a Place

Literature

Notes on Blood Meridian Revised and Expanded Edition

By John Sepich

What Wildness Is This

Women Write about the Southwest

paperback ISBN 978-0-292-71821-0

Edited by Susan Wittig Albert, Susan Hanson, Jan Epton Seale, and Paula Stallings Yost

$45.00 | £31.00 | C$51.95

$19.95 | £12.99 | C$22.95

$21.95 | £13.99 | C$25.50

hardcover ISBN 978-0-292-71820-3

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paperback ISBN 978-0-292-71630-8

Extraordinary Circumstances

The Presidency of Gerald R. Ford

Danger Pay

Memoir of a Photojournalist in the Middle East, 1984–1994

By David Hume Kennerly $49.95 | £28.99 | C$57.50 hardcover ISBN 978-0-9766697-1-5

By Carol Spencer Mitchell Edited by Ellen Spencer Susman

$24.95 | £15.99 | C$28.95 hardcover ISBN 978-0-292-71882-1

Harry Ransom Center

The Art of Friction Where (Non)Fictions Come Together

Edited by Charles Blackstone and Jill Talbot $24.95 | £15.99 | C$28.95 paperback ISBN 978-0-292-71891-3

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

Avedon at Work In the American West

By Laura Wilson

$60.00 | £35.00 | C$69.00 hardcover ISBN 978-0-292-70193-9

Collecting the Imagination

The First Fifty Years of the Ransom Center

The Covarrubias Circle

Nickolas Muray’s Collection of Twentieth-Century Mexican Art

Edited by Megan Barnard

Kurt Heinzelman, General Editor

$40.00* | £22.99 | C$45.95

$34.95 | £19.99 | C$40.50

hardcover ISBN 978-0-292-71489-2

hardcover ISBN 978-0-292-70588-3

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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The Wittliff Collections

A Book of Photographs from Lonesome Dove

By Bill Wittliff

$45.00 | £25.99 | C$51.95 hardcover ISBN 978-0-292-71311-6

A Certain Alchemy

By Keith Carter

$50.00 | £28.99 | C$57.50 hardcover ISBN 978-0-292-71908-8

Music

Eyes to Fly With

Portraits, Self-Portraits, and Other Photographs

By Graciela Iturbide $50.00 | £28.99 | C$57.50

Bonfire of Roadmaps

By Joe Ely

$19.95 | £12.99 | C$22.95 hardcover ISBN 978-0-292-71653-7

hardcover ISBN 978-0-292-71462-5

Country Music, U.S.A. Second Revised Edition

By Bill C. Malone $34.95 | £21.99 | C$40.50 paperback ISBN 978-0-292-75262-7

Whiskey River (Take My Mind) The True Story of Texas Honky-Tonk

By Johnny Bush, with Rick Mitchell $24.95 | £15.99 | C$28.95 hardcover ISBN 978-0-292-71490-8

Mexico

The Posthumous Career of Emiliano Zapata Myth, Memory, and Mexico’s Twentieth Century

By Samuel Brunk $45.00 | £28.00 | C$51.95 hardcover ISBN 978-0-292-71780-0

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Art

Mexican Suite

Leopoldo Méndez

By Olivier Debroise

By Deborah Caplow

$60.00 | £35.00 | C$69.00

$55.00 | £32.00 | C$63.25

hardcover ISBN 978-0-292-71611-7

hardcover ISBN 978-0-292-71250-8

A History of Photography in Mexico

Revolutionary Art and the Mexican Print

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

James Drake

Melissa Miller

By James Drake

By Melissa Miller

$55.00 | £32.00 | C$63.25

$45.00 | £25.99 | C$51.95

hardcover ISBN 978-0-292-71860-9

hardcover ISBN 978-0-292-71422-9

Land Arts of the American West

By Chris Taylor and Bill Gilbert

$60.00 | £35.00 | C$69.00 hardcover ISBN 978-0-292-71672-8

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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general interest

Photo from Misplaceed Objects by Silvia Spitta

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| c u lt u r a l s t u d i e s |

Latin American and Latina/o Studies, Comparative Literature, Art History

Misplaced Objects Migrating Collections and Recollections in Europe and the Americas B y S i lv i a S p i t t a

From sixteenth-century European Wunderkammern to the veneration of the Virgin of Guadalupe to the Latinization of the United States, this dynamic and innovative book explores how the circulation of objects between Europe and the Americas has profoundly reshaped our understanding of the world “When things move, things change.” Starting from this deceptively simple premise, Silvia Spitta opens a fascinating window onto the profound displacements and transformations that have occurred over the six centuries since material objects and human subjects began circulating between Europe and the Americas.

This extended reflection on the dynamics of misplacement starts with the European practice of collecting objects from the Americas into Wunderkammern, literally “cabinets of wonders.” Stripped of all identifying contexts, these exuberant collections, including the famous Real Gabinete de Historia Natural de Madrid, upset European certainties, forcing Facing Page: An Account of Six Disastrous Years in the Library for Animals by Mark Dion, 1992

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“When people migrate, things migrate as well, and the saga of this endless migration glitters throughout Misplaced Objects, Silvia Spitta’s brilliant study of the intermingling of New and Old World clutter. In her categorybending analysis, Spitta argues that New World exotica upset European certainties and created new rifts in Western classifications. Her marvelfilled book probes the ways in which the loose and unruly objects gathered during conquest and colonization transformed the jigsaw of modernity into curiosity cabinets, nineteenth-century scientific practices, Barnum’s — Pa t r i c i a Y a e g e r sideshows, and the modern museum.”

editor of PMLA and author of Dirt and Desire: Reconstructing Southern Women’s Writing, 1930–1990

Chang and Eng, Mutter Museum, Philadelphia; Below: Tudo continua Sempre, by Farnese de Andrade, 1974–1984

a reorganization of knowledge that gave rise to scientific inquiry and to the epistemological shift we call modernity. In contrast, cults such as that of the Virgin of Guadalupe arose out of the reverse migration from Europe to the Americas. The ultimate marker of mestizo identity in Mexico, the Virgin of Guadalupe is now fast crossing the U.S.-Mexico border, and miracles are increasingly being reported. Misplaced Objects then concludes with the more intimate and familial collections and recollections of Cuban and Mexican American artists and writers that are contributing to the Latinization of the United States.

Beautifully illustrated and radically interdisciplinary, Misplaced Objects clearly demonstrates that it is not the awed viewer, but rather the misplaced object itself that unsettles our certainties, allowing new meanings to emerge.

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S ILVIA S PITTA is Professor of Spanish and Comparative Literature at Dartmouth College. She is the author of Between Two Waters: Narratives of Transculturation in Latin America.

Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture

r e le as e dat e | july 8¼ x 11¾ inches, 288 pages, 141 b&w and color photos ISBN 978-0-292-71897-5

$50.00* | £31.00 | C$57.50 hardcover

U n i v e r s i t y o f T e x a s P r e ss | S p r i n g 2 0 0 9

The Lucasie Family, Barnum’s Human Menagerie

U n i v e r s i t y o f T e x a s P r e ss | S p r i n g 2 0 0 9

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| c u lt u r a l s t u d i e s |

Latina/o Studies, Media Studies, Graphic Novels

The first comprehensive exploration of Latino representations in comics, from Marvel superheroes to creations by Latino masters such as Richard Dominguez

Your Brain on Latino Comics From Gus Arriola to Los Bros Hernandez B y F r e d e r i c k Lu i s A l d a m a

FREDERICK L U I S ALDAMA is Professor of English and Comparative Studies and Director of Latino Studies at Ohio State University, Columbus. His seven previous books include Spilling the Beans in Chicanolandia: Conversations with Writers and Artists.

Cognitive Approaches to Literature and Culture Series Frederick Luis Aldama, Arturo J. Aldama, and Patrick Colm Hogan, Editors

re l e a s e dat e | j u n e 6 x 9 inches, 320 pages, 90 b&w illustrations

Though the field of comic book studies has burgeoned in recent years, Latino characters and creators have received little attention. Putting the spotlight on this vibrant segment, Your Brain on Latino Comics illuminates the world of superheroes Firebird, Vibe, and the new Blue Beetle while also examining the effects on readers who are challenged to envision such worlds.

Exploring mainstream companies such as Marvel and DC as well as stars from other publishers, Frederick Aldama provides a new reading of race, ethnicity, and the relatively new storytelling medium of comics themselves. Overview chapters cover the evolution of Latino influences, innovations, and representations of women in comics, demonstrating Latino transcendence of many mainstream techniques. The author then probes the rich and complex ways in which such artists affect the cognitive and emotional responses of readers as they imagine past, present, and future worlds.

Twenty-one interviews with Latino comic book and comic strip authors and artists, including Laura Molina, Frank Espinosa, and Rafael Navarro, complete the study, yielding captivating commentary on the current state of the trade, cultural perceptions, and the intentions of creative individuals who shape their readers in powerful ways.

Top: Migra Mouse: Political Cartoons on Immigration; Right: Rocketo: Vol. 1: The Journey to the Hidden Sea; Left: Daredevil: Father, Issue 2

ISBN 978-0-292-71973-6

$24.95* | ÂŁ15.99 | C$28.95 paperback ISBN 978-0-292-71934-7

$60.00* | ÂŁ41.00 | C$69.00 hardcover

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U n i v e r s i t y o f T e x a s P r e ss | S p r i n g 2 0 0 9

U n i v e r s i t y o f T e x a s P r e ss | S p r i n g 2 0 0 9

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| c u lt u r a l s t u d i e s |

Latin American Studies, Library and Information Sciences

A sumptuously illustrated volume that presents the treasures of the Benson Latin American Collection at the University of Texas at Austin— one of the world’s great libraries for the study of Latin America from the first European contacts to the current activities of Mexican Americans and Latinos in the United States

A Library for the New World The Nettie Lee Benson Latin American Collection

By A d á n B e n av i d e s

Ad án B e n avi de s is Librarian for Research Programs at the Benson Latin American Collection, where he assists in outreach, library development, grant writing, and reference services. An established author specializing in Spanish and Mexican Texas, he has carried out extensive research projects in the archives of Mexico, Spain, and the U.S. Southwest.

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Founded in 1926, the Nettie Lee Benson Latin American Collection at the University of Texas at Austin has become one of the world’s great libraries for the study of Latin America, as well as the largest university library collection of Latin American materials in the United States. Encompassing all parts of the Western Hemisphere that were ever under the sway of the Spanish or Portuguese empires, the Benson Collection documents Latin American history and culture from the first European contacts to the current activities of Latino/as in the United States. Scholars, students, and members of the public from around the world regularly use the multifaceted, multimedia resources of the Benson.

This lavishly illustrated volume presents the treasures of the Benson Latin American Collection—books, maps, manuscripts, engravings, art prints, photographs, newspapers, and periodicals dating from around 1500 to the present—to visually explain how the collection has documented the vitality of the New World for research, especially in the social sciences. The materials pictured in the book are organized around four broad themes: the diversity and immensity of the physical landscape, the peopling of the New World, its political and economic evolution, and its cultural development. The concluding chapters explore the functions of the Benson Collection, which gathers materials demonstrating human advancement from indigenous writing to electronic information, while also providing reference and technical services to a worldwide community of researchers.

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release date | august 8¼ x 10½ inches, 160 pages, 140 color and b&w illustrations ISBN 978-0-292-72107-4

$45.00* | £28.00 | C$51.95 hardcover U n i v e r s i t y o f T e x a s P r e ss | S p r i n g 2 0 0 9

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| history |

American History, Futurism

The first book to explore how visionaries over the last century imagined the world of tomorrow

| history |

Middle Eastern Studies, Political Science, Sociology, Economics

The most comprehensive history of North Africa to date, with accessible, in-depth chapters covering the pre-Islamic period through colonization and independence

Future

North Africa

A Recent History

A History from Antiquity to the Present

By Lawrence R. Samuel

By Phillip C. Naylor

LAWRENC E R . SAM UEL is the founder of Culture Planning LLC, a consultancy for Fortune 500 companies. He is the author of Pledging Allegiance: American Identity and the Bond Drive of World War II; Brought to You By: Postwar Television Advertising and the American Dream; and The End of the Innocence: The 1964–1965 New York World’s Fair. He lives in Miami Beach and New York City.

The future is not a fixed idea but a highly variable one that reflects the values of those who are imagining it. By studying the ways that visionaries imagined the future—particularly that of America— in the past century, much can be learned about the cultural dynamics of the time.

In this social history, Lawrence R. Samuel examines the future visions of intellectuals, artists, scientists, businesspeople, and others to tell a chronological story about the history of the future in the past century. He defines six separate eras of future narratives from 1920 to the present day and argues that the milestones reached during these years—especially related to air and space travel, atomic and nuclear weapons, the women’s and civil rights movements, and the advent of biological and genetic engineering—sparked the possibilities of tomorrow in the public’s imagination, and helped make the twentieth century the first century to be significantly more about the future than the past.

The idea of the future grew both in volume and importance as it rode the technological wave into the new millennium, and the author tracks the process by which most people, to some degree, have now become futurists as the need to anticipate tomorrow accelerates.

re l e a s e dat e | j u n e 6 x 9 inches, 270 pages

—john entelis

ISBN 978-0-292-71914-9

Professor of Political Science and Director, Middle East Studies Program, Fordham University

$45.00* | £28.00 | C$51.95 hardcover

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North Africa has been a vital crossroads throughout history, serving as a connection between Africa, Asia, and Europe.

Paradoxically, however, the region’s historical significance has been chronically underestimated. In a book that may lead scholars to reimagine the concept of Western civilization, incorporating the role North African peoples played in shaping “the West,” Phillip Naylor describes a locale whose transcultural heritage serves as a crucial hinge, politically, economically, and socially.

Ideal for novices and special“Naylor’s approach is ists alike, North Africa begins innovative, his research with an acknowledgment that defining this area has presented thorough and balanced, challenges throughout history. and, most importantly, Naylor’s survey encompasses the Paleolithic period, early Egyphe exhibits an exceptian cultures, the pharonic dytional empathy for the nasties, the conflicts with Rome and Carthage, the rise of Islam, peoples and cultures of the growth of the Ottoman Emthe region whose history pire, European incursions, and remains little understood the postcolonial prospects for Egypt, Libya, Tunisia, Algeria, in the United States.”

Morocco, and Western Sahara.

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PHILLIP C. NAYLOR is Associate Professor of History at Marquette University in Milwaukee, Wisconsin, where he directed the Western Civilization program. His previous books include The Historical Dictionary of Algeria and France and Algeria: A History of Decolonization and Transformation.

release date | july 6 x 9 inches, 336 pages, 15 maps ISBN 978-0-292-71922-4

$45.00 | £28.00 | C$51.95 hardcover

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Recently Published

The Adventures of a Cello

By Carlos Prieto $24.95 | £15.99 | C$28.95 hardcover ISBN 978-0-292-71322-2

On the Dirty Plate Trail

How Cities Work

Texts by Sanora Babb Photographs by Dorothy Babb

By Alex Marshall

Remembering the Dust Bowl Refugee Camps

Edited with introduction and commentaries

by Douglas Wixson

Suburbs, Sprawl, and the Roads Not Taken

$26.95 | £16.99 | C$30.95 paperback ISBN 978-0-292-75240-5

$24.95* | £15.99 | C$28.95

The Ancient Olympic Games Second Edition, Revised and Updated

By Judith Swaddling $19.95 | C$22.95

Spanish Verbs Made Simple(r)

By David Brodsky

$14.95 | £9.99 | C$17.50 paperback ISBN 978-0-292-70653-8

paperback ISBN 978-0-292-71893-7 For sale in the United States, its dependencies, Canada, and Latin America only

Tex[t]-Mex

Seductive Hallucinations of the “Mexican” in America

By William Anthony Nericcio $22.95 | £14.99 | C$26.50 paperback ISBN 978-0-292-71457-1

hardcover ISBN 978-0-292-71445-8

Deception and Abuse at the Fed Henry B. Gonzalez Battles Alan Greenspan’s Bank

By Robert D. Auerbach $24.95 | £15.99 | C$28.95 hardcover ISBN 978-0-292-71785-5

From Bloodshed to Hope in Burundi Our Embassy Years during Genocide

By Ambassador Robert Krueger and Kathleen Tobin Krueger

A White House Diary

By Lady Bird Johnson

$24.95 | £15.99 | C$28.95 paperback ISBN 978-0-292-71749-7

$26.00 | £15.99 | C$29.95 hardcover ISBN 978-0-292-71486-1

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Goyen

Autobiographical Essays, Notebooks, Evocations, Interviews

By William Goyen Edited and introduced by Reginald Gibbons $24.95* | £15.99 | C$28.95

Woman with a Movie Camera

My Life as a Russian Filmmaker

By Marina Goldovskaya $24.95 | £15.99 | C$28.95 paperback ISBN 978-0-292-71343-7

Harry Reasoner A Life in the News

By Douglass K. Daniel $29.95 | £18.99 | C$34.50 hardcover ISBN 978-0-292-71477-9

hardcover ISBN 978-0-292-71491-5

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Photo from Veiled Brightness by Stephen Houston et al.

books for scholars

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10/30/08 10:45:19 AM

| anthropology |

Viewpoints

Visual Anthropologists at Work Mary Strong Text Editor Laena WiLder Visual Editor

Visual Anthropology, Film and Media Studies, Art History

A broad study of the innovations, obligations, and new possibilities in the field of visual anthropology

Viewpoints Visual Anthropologists at Work Mary Strong, Text Editor Laena Wilder, Visual Editor

M ARY STRONG is president of the American Anthropological Association’s Society for Visual Anthropology. She has been teaching for many years at the City University of New York and is a review editor for the journal Visual Anthropology. Her research involves collaborations with painters and craftspeople in Latin America and the United States.

LAENA WI LDER is a San Francisco–based documentary photographer whose work has taken her throughout the world. Her teaching appointments include Duke University’s Center for Documentary Studies and the University of San Francisco. She is the founder of Seeing Eye to Eye, an international nonprofit organization celebrating diversity through photography, arts, and education.

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Early in its history, anthropology was a visual as well as verbal discipline. But as time passed, visually oriented professionals became a minority among their colleagues, and most anthropologists used written words rather than audiovisual modes as their professional means of communication. Today, however, contemporary electronic and interactive media once more place visual anthropologists and anthropologically oriented artists within the mainstream. Digital media, small-sized and easy-to-use equipment, and the Internet, with its interactive and public forum websites, democratize roles once relegated to highly trained professionals alone. However, having access to a good set of tools does not guarantee accurate and reliable work.

Visual anthropology involves much more than media alone.

This book presents visual anthropology as a work-in-progress, open to the myriad innovations that the new audiovisual communications technologies bring to the field. It is intended to aid in contextualizing, explaining, and humanizing the storehouse of visual knowledge that university students and general readers now encounter, and to help inform them about how these new media tools can be used for intellectually and socially beneficial purposes.

Concentrating on documentary photography and ethnographic film, as well as lesser-known areas of study and presentation including dance, painting, architecture, archaeology, and primate research, the book’s fifteen contributors feature populations living on all of the world’s continents as well as within the United States.

Above: Señor Picón teaching numbers to a beginning student, Vicos, Peru. Photo by John Collier, 1955; Left: From Maasai Interactive

release date | may 8½ x 11 inches, 384 pages, 35 color and 131 b&w photos ISBN 978-0-292-70671-2

$90.00* | £56.00 | C$103.50 hardcover

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| pre-columbian studies |

Art History, Archaeology, Anthropology, Mesoamerican Studies

The first systematic study of how the ancient Maya peoples perceived and used color

Veiled Brightness A History of Ancient Maya Color Above: Rollout photography by Justin Kerr Below: Screwtop vessel from Río Azul.

By Stephen Houston, Claudia Brittenham, Cassandra M e s i c k , Al e x a n d r e T o k o v i n i n e , a n d C h r i s t i n a W a r i n n e r

STE PHEN HOU STON serves as Paul Dupee Family Professor of Social Science at Brown University in Providence, Rhode Island.

He was awarded a MacArthur Fellowship in 2008.

CL AU DIA B RITTENHAM holds a Ph.D. in the History of Art from Yale University and is now a member of the Michigan Society of Fellows at the University of Michigan.

CASSANDRA MESI CK is a doctoral candidate in anthropology at Brown University.

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Color is an integral part of human experience, so common as to be overlooked or treated as unimportant. Yet color is both unavoidable and varied. Each culture classifies, understands, and uses it in different and often surprising ways, posing particular challenges to those who study color from long-ago times and places far distant.

Veiled Brightness reconstructs what color meant to the ancient Maya, a set of linked peoples and societies who flourished in and around the Yucatan Peninsula of Mexico and Central America. By using insights from archaeology, linguistics, art history, and conservation, the book charts over two millennia of color use in a region celebrated for its aesthetic refinement and high degree of craftsmanship.

The authors open with a survey of approaches to color perception, looking at Aristotelian color theory, recent discoveries in neurophysiology, and anthropological research on color. Maya color terminology receives new attention here, clarifying not just basic color terms, but also the extensional or associated meanings that enriched ancient Maya perception of color. The materials and technologies of Maya color production are assembled in one place as never before, providing an invaluable reference for future research.

From these investigations, the authors demonstrate that Maya use of color changed over time, through a sequence of historical and artistic developments that drove the elaboration of new pigments and coloristic effects. These findings open fresh avenues for investigation of ancient Maya aesthetics and worldview and provide a model for how to study the meaning and making of color in other ancient civilizations.

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ALEXANDRE TOKOVININE is Research Associate, Corpus of Maya Hieroglyphic Inscriptions, at the Peabody Museum of Archaeology and Ethnology at Harvard University.

CHRISTINA WARINNER is preparing her doctoral dissertation in anthropology at Harvard University.

The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere

release date | july 8¼ x 11 inches, 168 pages, 24 color photos, 25 b&w drawings, 2 maps ISBN 978-0-292-71900-2

$60.00* | £37.00 | C$69.00 hardcover U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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| pre-columbian studies |

Art History, Archaeology, Mesoamerican Studies

The first extensive treatment in over thirty years of the iconography displayed on public monuments in an important Mesoamerican city in Veracruz, Mexico

| pre-columbian studies |

Anthropology, Andean Studies, Inca Studies

An authoritative, annotated English translation from the original manuscript of one of the best sources for understanding the culture of the Incas and the first century of colonial Peru

Lightning Gods and Feathered Serpents

The First New Chronicle and Good Government

The Public Sculpture of El Tajín

On the History of the World and the Incas up to 1615

By Rex Koontz

REX KOONTZ is Associate Professor of Art History at the University of Houston. He has published two previous books, Landscape and Power in Ancient Mesoamerica (with Kathryn Reese-Taylor and Annabeth Headrick) and Mexico: From the Olmecs to the Aztecs ( fifth edition with Michael D. Coe).

The Linda Schele Series in Maya and PreColumbian Studies

re l e a s e dat e | a pr i l 8½ x 11 inches, 152 pages, 55 figures, 6 b&w photos, 2 maps

El Tajín, an ancient Mesoamerican capital in Veracruz, Mexico, has long been admired for its stunning pyramids and ballcourts decorated with extensive sculptural programs. Yet the city’s singularity as the only center in the region with such a wealth of sculpture and fine architecture has hindered attempts to place it more firmly in the context of Mesoamerican history. In Lightning Gods and Feathered Serpents, Rex Koontz undertakes the first extensive treatment of El Tajín’s iconography in over thirty years, allowing us to view its imagery in the broader Mesoamerican context of rising capitals and new elites during a period of fundamental historical transformations.

Koontz focuses on three major architectural features—the Pyramid of the Niches/Central Plaza ensemble, the South Ballcourt, and the Mound of the Building Columns complex—and investigates the meanings of their sculpture and how these meanings would have been experienced by specific audiences. Koontz finds that the iconography of El Tajín reveals much about how motifs and elite rites growing out of the Classic period were transmitted to later Mesoamerican peoples as the cultures centered on Teotihuacan and the Maya became the myriad city-states of the Early Postclassic period.

ISBN 978-0-292-71899-9

$60.00* | £37.00 | C$69.00

B y F e l i p e Gu a m a n P o m a d e A y a l a Transl ated and ed ited by Rol and Hamilton ROLAND HA M ILTON One of the most fascinating books on pre-Columbian and early colonial Peru was written by a Peruvian Indian named Felipe Guaman Poma de Ayala. The First New Chronicle and Good Government covers pre-Inca times, various aspects of Inca culture, the Spanish conquest, and colonial times up to around 1615. Now housed in the Royal Library, Copenhagen, Denmark, and viewable online at www.kb.dk/permalink/2006/poma/info/en/frontpage.htm, the original manuscript has 1,189 pages accompanied by 398 full-page drawings that constitute the most accurate graphic depiction of Inca and colonial Peruvian material culture ever done.

Working from the original manuscript and consulting with fellow Quechua- and Spanish-language experts, Roland Hamilton here provides the most complete and authoritative English translation of approximately the first third of The First New Chronicle and Good Government. The sections included in this volume (pages 1–369 of the manuscript) cover the history of Peru from the earliest times and the lives of the Inca rulers and their wives, as well as information about the calendar, idols, sorcerers, burials, songs, palaces, and government officials. One hundred forty-six of Guaman Poma’s detailed illustrations enhance the text.

hardcover

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earned a Ph.D. in romance philology from the University of Madrid in 1973. He taught in the Department of Foreign Languages at San José State University for over thirty years before retiring. An authority on Peruvian culture centering on the Incas, he has also translated and edited History of the Inca Empire and Inca Religion and Customs by Father Bernabé Cobo and Narrative of the Incas by Juan de Betanzos. He lives in Los Gatos, California.

Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture

release date | july 6 x 9 inches, 376 pages, 12 color and 146 b&w illustrations ISBN 978-0-292-71959-0

$65.00* | £40.00 | C$74.75 hardcover

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| musicology |

Aztec Studies, Mexican Colonial History

Announcing a New Digital Initiative

An expert transcription, translation, and commentary on a sixteenth-century Nahuatl codex that is one of only two principal sources of Aztec song and a key document in the study of Aztec life in the century after conquest

www.utdigital.org

Ballads of the Lords of New Spain The Codex Romances de los Señores de la Nueva España T ra n s c r i b e d a n d t ra n s l at e d f r o m t h e N a h uat l by J o h n B i e r h o r s t

J OHN B IERHORST is the author of thirty-five books on the Native literature of the Americas, including Cantares Mexicanos: Songs of the Aztecs; A NahuatlEnglish Dictionary; History and Mythology of the Aztecs: The Codex Chimalpopoca; Mythology of the Lenape: Guide and Texts; and Latin American Folktales: Stories from Hispanic and Indian Traditions. He lives in West Shokan, New York.

The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere

Compiled in 1582, Ballads of the Lords of New Spain is one of the two principal sources of Nahuatl song, as well as a poetical window into the mindset of the Aztec people some sixty years after the conquest of Mexico. Presented as a cancionero, or anthology, in the mode of New Spain, the ballads show a reordering—but not an abandonment—of classic Aztec values. In the careful reading of John Bierhorst, the ballads reveal in no uncertain terms the pre-conquest Aztec belief in the warrior’s paradise and in the virtue of sacrifice.

This volume contains an exact transcription of the thirty-six Nahuatl song texts, accompanied by authoritative English translations.

Bierhorst includes all the numerals (which give interpretive clues) in the Nahuatl texts and also differentiates the text from scribal glosses.

His translations are thoroughly annotated to help readers understand the imagery and allusions in the texts. The volume also includes a helpful introduction and a larger essay, “On the Translation of Aztec Poetry,” that discusses many relevant historical and literary issues.

In Bierhorst’s expert translation and interpretation, Ballads of the Lords of New Spain emerges as a song of resistance by a conquered people and the recollection of a glorious past.

Musicians playing the teponaztli drum and the huehuetl drum, Codice Florentino

UT Press, in a collaboration with the University of Texas Libraries, will publish an interactive digital adaptation of the Ballads that will expand the scholarly content beyond what is possible to publish in book form.

The Web site, to launch in conjunction with the book in June 2009, includes all of the printed book plus scans of the original codex, a normative transcription, and space to interact with the author and other scholars, as well as art, audio, a map, and other related material. The digital Ballads will be open access, bringing one of the university’s rare holdings to scholars around the world.

re l e a s e dat e | j u ly 6 x 9 inches, 256 pages ISBN 978-0-292-71852-4

$65.00* | £40.00 | C$74.75 hardcover

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Singer playing the huehuetl, Codex Magliabecchiano

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| c u lt u r a l s t u d i e s |

Chicana/o Studies, Literary Criticism, Gender and Queer Studies

Offering a new interpretation of cultural nationalism in Chicana/o identity, this provo­cative work examines the relationship between globalization and the rise of feminism and gay/lesbian activism

| fiction |

Chicana Studies, Women’s Studies, Texas History

A powerful story of losses, triumphs, and the strong ties that bind a working-class Tejano family in the Texas panhandle

Postnationalism in Chicana/o Literature and Culture

Golondrina, why did you leave me?

B y Ell i e D . H e r n á n d e z

By Bárbara Renaud González

EL L IE D . HERNÁNDEZ is Associate Professor of Women’s Studies at the University of California, Santa Barbara, specializing in gender, sexuality, and globalization.

Chicana Matters Series Deena J. González and Antonia Castañeda, Editors

In recent decades, Chicana/o literary and cultural productions have dramatically shifted from a nationalist movement that emphasized unity to one that openly celebrates diverse experiences.

Charting this transformation, Postnationalism in Chicana/o Literature and Culture looks to the late 1970s, during a resurgence of global culture, as a crucial turning point whose reverberations in twentyfirst-century late capitalism have been profound.

Arguing for a postnationalism that documents the radical politics and aesthetic processes of the past while embracing contemporary cultural and sociopolitical expressions among Chicana/o peoples, Hernández links the multiple forces at play in these interactions.

Reconfiguring text-based analysis, she looks at the comparative development of movements within women’s rights and LGBTQI activist circles. Incorporating economic influences, this unique trajectory leads to a new conception of border studies as well, rethinking the effects of a restructured masculinity as a symbol of national cultural transformation. Ultimately positing that globalization has enhanced the emergence of new Chicana/o identities, Hernández cultivates important new understandings of borderlands identities and postnationalism itself.

A Novel

B ÁRB ARA RENAUD GONZÁLEZ is an award-winning writer, independent journalist, and activist who lives in San Antonio.

Chicana Matters Series Deena J. González and Antonia Castañeda, Editors

release date | april 5½ x 8½ inches, 176 pages ISBN 978-0-292-71958-3

6 x 9 inches, 284 pages

$24.95* | £15.99 | C$28.95 paperback

ISBN 978-0-292-71907-1

ISBN 978-0-292-71918-7

re l e a s e dat e | m ay

$60.00* | £37.00 | C$69.00

$50.00* | £35.00 | C$57.50

hardcover

hardcover

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The golondrina is a small and undistinguished swallow.

But in Spanish, the word has evoked a thousand poems and songs dedicated to the migrant’s departure and hoped-for return. As such, the migrant becomes like the swallow, a dream-seeker whose real home is nowhere, everywhere, and especially in the heart of the person left behind.

The swallow in this story is Amada García, a young Mexican woman in a brutal marriage, who makes a heart-wrenching decision—to leave her young daughter behind in Mexico as she escapes to El Norte searching for love, which she believes must reside in the country of freedom.

However, she falls in love with the man who brings her to the Texas border, and the memories of those three passionate days forever sustain and define her journey in Texas. She meets and marries Lázaro Mistral, who is on his own journey—to reclaim the land his family lost after the U.S.-Mexican War. Their opposing narratives about love and war become the legacy of their first-born daughter, Lucero, who must reconcile their stories into her struggle to find “home,” as her mother, Amada, finally discovers the country where love beats its infinite wings.

Bárbara Renaud González, a native-born Tejana and acclaimed journalist, has written a lyrical story of land, love, and loss, bringing us the first novel of a working-class Tejano family set in the cruelest beauty of the Texas panhandle. Her story exposes the brutality, tragedy, and hope of her homeland and helps to fill a dearth of scholarly and literary works on Mexican and Mexican American women in post–World War II Texas.

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| history |

Latina/o Studies, Women’s Studies, Gender Studies

A study of three women’s lives in colonial California and what they reveal about gendered colonial relations and power hierarchies

| c u lt u r a l s t u d i e s |

Latin American Studies, Literary Studies

The first comparative study in English of transnational Central American literatures and cultures

Private Women, Public Lives

Dividing the Isthmus

Gender and the Missions of the Californias

Central American Transnational Histories, Literatures, and Cultures

By Bárbara O. Reyes

BÁRB ARA O . REYES is Associate Professor of History at University of New Mexico.

Chicana Matters Series Deena J. González and Antonia Castañeda, Editors

re l e a s e dat e | m ay 6 x 9 inches, 246 pages, 1 b&w photo, 4 maps

Through the lives and works of three women in colonial California, Bárbara O. Reyes examines frontier mission social spaces and their relationship to the creation of gendered colonial relations in the Californias. She explores the function of missions and missionaries in establishing hierarchies of power and in defining gendered spaces and roles, and she looks at the ways that women challenged, and attempted to modify, the construction of those hierarchies, roles, and spaces.

Reyes studies the criminal inquiry and depositions of Barbara Gandiaga, an Indian woman charged with conspiracy to murder two priests at her mission; the divorce petition of Eulalia Callis, the first lady of colonial California who petitioned for divorce from her adulterous governor-husband; and the testimonio of Eulalia Pérez, the head housekeeper at Mission San Gabriel who acquired a position of significant authority and responsibility but whose work has not been properly recognized. These three women’s voices seem to reach across time and place, calling for additional, more complex analysis and questions: Could women have agency in the colonial Californias? Did the social structures or colonial processes in place in the frontier setting of New Spain confine or limit them in particular gendered ways?

And, were gender dynamics in colonial California explicitly rigid as a result of the imperatives of the goals of colonization?

ISBN 978-0-292-71896-8

B y A n a Pat r i c i a R o d r í g u e z In 1899, the United Fruit Company (UFCO) was officially incorporated in Boston, Massachusetts, beginning an era of economic, diplomatic, and military interventions in Central America. This event marked the inception of the struggle for economic, political, and cultural autonomy in Central America as well as an era of homegrown inequities, injustices, and impunities to which Central Americans have responded in creative and critical ways. This juncture also set the conditions for the creation of the Transisthmus—a material, cultural, and symbolic site of vast intersections of people, products, and narratives.

Taking 1899 as her point of departure, Ana Patricia Rodríguez offers a comprehensive, comparative, and meticulously researched book covering more than one hundred years, between 1899 and 2007, of modern cultural and literary production and modern empire-building in Central America. She examines narratives of (anti)imperialism, revolution, subalternity, globalization, impunity, transnational migration, and diaspora, as well as other discursive, historical, and material configurations of the region beyond its geophysical and political confines.

Focusing in particular on how the material productions and symbolic tropes of cacao, coffee, indigo, bananas, canals, waste, and transmigrant labor have shaped the transisthmian cultural and literary imaginaries, Rodríguez develops new methodological approaches for studying cultural production in Central America and its diasporas.

ANA PATRICIA RODRÍG UEZ is Associate Professor of U.S. Latino/a and Central American Literatures in the Department of Spanish and Portuguese at the University of Maryland, College Park.

release date | may 6 x 9 inches, 308 pages, 4 b&w photos ISBN 978-0-292-71909-5

$50.00* | £31.00 | C$57.50

$55.00* | £34.00 | C$63.25

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| sociology |

Border Studies, Latina/o Studies, Public Policy

The first book-length study of Operation Blockade and its impact on human rights in the border region

| reference |

Latin American studies

The newest volume of the benchmark bibliography of Latin American studies

Blockading the Border and Human Rights

Handbook of Latin American Studies, Volume 64

The El Paso Operation That Remade Immigration Enforcement

Humanities

B y T i m o t h y J . Du n n

TI MOTHY J . D U NN is Associate Professor of Sociology at Salisbury University in Maryland.

Inter-America Series Howard Campbell, Duncan Earle, and John Peterson, Editors

re l e a s e dat e | m ay 6 x 9 inches, 312 pages ISBN 978-0-292-71901-9

To understand border enforcement and the shape it has taken, it is imperative to examine a groundbreaking Border Patrol operation begun in 1993 in El Paso, Texas, “Operation Blockade.” The El Paso Border Patrol posted 400 agents directly on the banks of the Rio Grande to deter unauthorized border crossings into the urban areas of El Paso from neighboring Ciudad Juárez. This approach, of “prevention through deterrence,” became the foundation of the 1994 and 2004 National Border Patrol Strategies for the Southern Border. Politically popular overall, it has rendered unauthorized border crossing far less visible in many key urban areas. However, the real effectiveness of the strategy is debatable, at best. Its implementation has also led to a sharp rise in the number of deaths of unauthorized border crossers.

Here, Dunn examines the paradigm-changing Operation Blockade and related border enforcement efforts in the El Paso region, as well as the local social and political situation that spawned the approach and has shaped it since. Dunn spotlights the human rights abuses and enforcement excesses inflicted on local Mexican Americans and Mexican immigrants as well as the challenges to those abuses. Throughout the book, Dunn filters his research and fieldwork through two competing lenses, human rights versus the rights of national sovereignty and citizenship.

$50.00* | £31.00 | C$57.50 hardcover

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K a t h e r i n e D . M c C a n n , Hum a n i t i e s E d i t o r T r a c y N o r t h , S o c i a l Sc i e n c e s E d i t o r

“The one source that sets reference collections on Latin American studies apart from all other geographic areas of the world. . . . The Handbook has provided scholars interested in Latin America with a bibliographical source of a quality unavailable to scholars in most other branches of area studies.” — L a t i n Am e r i c a n R e s e a r c h R e v i e w Beginning with Volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 140 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities.

The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas.

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The subject categories for Volume 64 are as follows: Art History (including ethnohistory) ● Literature (including transla- ● ●

tions from the Spanish and Portuguese)

Music Philosophy: Latin American Thought ● Electronic Resources for the Humanities ● ●

release date | august 6 1/8 x 9 1/4 inches, 836 pages ISBN 978-0-292-71971-2

$125.00* | £77.00 | C$143.75 hardcover

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| literature |

Mexican Literature, Fiction in Translation

At last available in English—the acclaimed Mexican novel whose protagonist, like a contemporary Leopold Bloom, takes a day-long tour of his city, exploring magnificent landmarks and grimy bars in pursuit of an elusive history

| anthropology |

Religious Studies, Sociology, Latin American Studies

An ethnographic study of Puerto Rican brujería and the capacity of people to experience the transcendental in corporeal ways

And Let the Earth Tremble at Its Centers

Healing Dramas

By Gonzalo Celorio

B y R a q u e l R o mb e r g

Tra n sl ate d by D i c k G er des Fo re wo rd by Ru b én G al l o

A scholar, fiction writer, and critic, GONZA LO C E LORIO lives in Mexico City, where he has been head of UNAM’s Latin American Literature Department since 1974. He is also author of the novels Amor Propio and Tres Lindas Cubanas; this is his first novel to be translated into English.

DI CK GERDES is an award-winning translator based in Albuquerque, New Mexico.

Texas Pan American Literature in Translation Series Danny J. Anderson, Editor

re l e a s e dat e | m a rc h 5½ x 8½ inches, 158 pages, 1 map ISBN 978-0-292-71962-0

$19.95 | £12.99 | C$22.95 paperback

Professor Juan Manuel Barrientos prefers footsteps to footnotes. Fighting a hangover, he manages to keep his appointment to lead a group of students on a walking lecture among the historic buildings of downtown Mexico City. When the students fail to show up, however, he undertakes a solo tour that includes more cantinas than cathedrals. Unable to resist either alcohol itself or the introspection it inspires, Professor Barrientos muddles his personal past with his historic surroundings, setting up an inevitable conclusion in the very center of Mexico City.

First published in Mexico in the late 1990s, And Let the Earth Tremble at Its Centers was immediately lauded as a contemporary masterpiece in the long tradition of literary portraits of Mexico City.

It is a book worthy of its dramatic title, which is drawn from a line in the Mexican national anthem.

Gonzalo Celorio first earned a place among the leading figures of Mexican letters for his scholarship and criticism, and careful readers will recognize a scholar’s attention to accuracy within the novel’s dyspeptic descriptions of Mexico City. The places described are indeed real (this edition includes a map that marks those visited in the story), though a few have since closed or been put to new uses. Dick Gerdes’s elegant translation now preserves them all for a new audience.

ISBN 978-0-292-71911-8

$50.00* | £35.00 | C$57.50 hardcover

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Divination and Magic in Modern Puerto Rico In this intimate ethnography, Raquel Romberg seeks to illuminate the performative significance of healing rituals and magic works, their embodied nature, and their effectiveness in transforming the states of participants by focusing on the visible, albeit mostly obscure, ways in which healing and magic rituals proceed. The questions posed by Romberg emerge directly from the particular pragmatics of Puerto Rican brujería (witch-healing), shaped by the eclecticism of its rituals, the heterogeneous char“One of the best works acter of its participants, and the heterodoxy of its moral economy.

I’ve ever read on What, if any, is the role of belief spiritual healing. . . . in magic and healing rituals? How do past discourses on possession [It] may well beenter into the performative expericome a classic text in ence of ritual in the here and now?

Where does belief stop, and where the anthropology of do memories of the flesh begin? religion.” — Pa ul S t o ll e r While these are questions that phiProfessor of Anthropology, West Cheslosophers and anthropologists of ter University of Pennsylvania religion ponder, they acquire a different meaning when asked from an ethnographic perspective.

Written in an evocative, empathetic style, with theoretical ruminations about performance, the senses, and imagination woven into stories that highlight the drama and humanity of consultations, this book is an important contribution to the cross-cultural understanding of our capacity to experience the transcendental in corporeal ways.

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RAQUEL ROMB ERG teaches anthropology at Temple University in Philadelphia.

release date | april 6 x 9 inches, 328 pages, 80 b&w photos ISBN 978-0-292-70658-3

$60.00* | £37.00 | C$69.00 hardcover

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| anthropology |

Mexican History, Latin American Studies

Based on fifty years of ethnographic fieldwork, as well as extensive archival research, this is the most complete study of the historical evolution of Mexico’s class system currently available

Social Stratification in Central Mexico, 1500–2000 B y Hu g o G . Nu t i n i a n d B a r r y L . I s a a c

HU GO G . N U TINI is University Professor in the Department of Anthropology at the University of Pittsburgh. He has authored and edited numerous articles and books, including The Mexican Aristocracy: An Expressive Ethnography, 1910–2000 and Social Stratification and Mobility in Central Veracruz.

BARRY L . ISAA C is Emeritus Professor of Anthropology at the University of Cincinnati.

With Nutini, he is the coauthor of Los Pueblos de Habla Nahuatl and was also the series editor of Research in Economic Anthropology from 1983 until 2000.

re l e a s e dat e | j u n e 6 x 9 inches, 277 pages, 20 b&w photos, 3 maps ISBN 978-0-292-71944-6

$60.00* | £37.00 | C$69.00

In Aztec and colonial Central Mexico, every individual was destined for lifelong placement in a legally defined social stratum or estate. Social mobility became possible after independence from Spain in 1821 and increased after the 1910–1920 Revolution. By 2000, the landed aristocracy that was long Mexico’s ruling class had been replaced by a plutocracy whose wealth derives from manufacturing, commerce, and finance—but rapid growth of the urban lower classes reveals the failure of the Mexican Revolution and subsequent agrarian reform to produce a middle-class majority. These evolutionary changes in Mexico’s class system form the subject of Social Stratification in Central Mexico, 1500–2000, the first long-term, comprehensive overview of social stratification from the eve of the Spanish Conquest to the end of the twentieth century.

The book is divided into two parts. Part One concerns the period from the Spanish Conquest of 1521 to the Revolution of 1910. The authors depict the main features of the estate system that existed both before and after the Spanish Conquest, the nature of stratification on the haciendas that dominated the countryside for roughly four centuries, and the importance of race and ethnicity in both the estate system and the class structures that accompanied and followed it.

Part Two portrays the class structure of the postrevolutionary period (1920 onward), emphasizing the demise of the landed aristocracy, the formation of new upper and middle classes, the explosive growth of the urban lower classes, and the final phase of the Indian-mestizo transition in the countryside.

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| history |

Brazilian History, Latin American Studies, Cultural Studies

A fascinating study of how the Roosevelt administration used mass media, including films by such luminaries as John Ford, Walt Disney, and Orson Wells, to promote the American way of life to Brazilians and how Brazilians actively interpreted, negotiated, and reconfigured this effort at cultural seduction

The Seduction of Brazil The Americanization of Brazil during World War II

By A n t o n i o P e d r o T o ta Transl ated by L orena B. El l is Foreword by Daniel J. Greenberg Following completion of the U.S. air base in Natal, Brazil, in 1942, U.S. airmen departing for North Africa during World War II communicated with Brazilian mechanics with a thumbs-up before starting their engines. This sign soon replaced the Brazilian tradition of touching the earlobe to indicate agreement, friendship, and all that was positive and good—yet another indication of the Americanization of Brazil under way during this period.

In this translation of O Imperialismo Sedutor, Antonio Pedro Tota considers both the Good Neighbor Policy and broader cultural influences to argue against simplistic theories of U.S. cultural imperialism and exploitation. He shows that Brazilians actively interpreted, negotiated, and reconfigured U.S. culture in a process of cultural recombination. The market, he argues, was far more important in determining the nature of this cultural exchange than state-directed propaganda efforts because Brazil already was primed to adopt and disseminate American culture within the framework of its own rapidly expanding market for mass culture. By examining the motives and strategies behind rising U.S. influence and its relationship to a simultaneous process of cultural and political centralization in Brazil, Tota shows that these processes were not contradictory, but rather mutually reinforcing.

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Antoni o Pedro Tota is Professor on the Faculdade de Ciências Sociais at the Pontifícia Universidade Católica de São Paulo.

Lorena B . Elli s is Professor of German at Queensborough College of CUNY.

LLILAS Translations from Latin America Series Teresa Lozano Long Institute of Latin American Studies University of Texas at Austin

release date | august 6 x 9 inches, 184 pages, 25 b&w photos ISBN 978-0-292-71993-4

$55.00* | £34.00 | C$63.25 hardcover

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| film and media studies |

Gender and Queer Studies, Race and Ethnic Studies, American Studies

Reflecting diverse voices in film and television, more than a dozen industry professionals explore how their works represent complex identities

| film and media studies |

Theater, American Studies

A vibrant examination of Tennessee Williams’s role beyond the stage and the lasting impact of his films in postwar American culture

Filming Difference

Hollywood’s Tennessee

Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film

The Williams Films and Postwar America B y R . B a r t o n P a lm e r a n d W i ll i a m R o b e r t B r a y

Edited by Daniel Bernardi

DANIEL BERNARDI is Director of Film and Media Studies at Arizona State University in Tempe. He is the author of Star Trek and History: Race-ing Toward Whiteness and editor of several volumes on whiteness and film history.

re l e a s e dat e | m ay 6 x 9 inches, 414 pages, 67 b&w photos ISBN 978-0-292-71974-3

$27.95* | £17.99 | C$32.50 paperback ISBN 978-0-292-71923-1

$70.00* | £48.00 | C$80.50 hardcover

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Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creative people to confront stereotypes and examine their own identities while representing the complexities of their subjects.

Selections range from C. A. Griffith’s “Del Otro Lado: Border Crossings, Disappearing Souls, and Other Transgressions” and Celine Perreñas Shimizu’s “Pain and Pleasure in the Flesh of Machiko Saito’s Experimental Movies” to Christopher Bradley’s “I Saw You Naked: ‘Hard’ Acting in ‘Gay’ Movies,” along with Kevin Sandler’s interview with Paris Barclay, Yuri Makino’s interview with Chris Eyre, and many other perspectives on the implications of film production, writing, producing, and acting.

Technical aspects of the craft are considered as well, including how contributors to filmmaking plan and design films and episodic television that feature difference, and how the tools of cinema—such as cinematography and lighting—influence portrayals of gender, race, and sexuality. The struggle between economic pressures and the desire to produce thought-provoking, socially conscious stories forms another core issue raised in Filming Difference. Speaking with critical rigor and creative experience, the contributors to this collection communicate the power of their media.

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R. B ARTON PALM ER is Calhoun Lemon Professor of Literature at Clemson University in South Carolina and is editor, with David Boyd, of After Hitchcock: Influence, Imitation, and Intertextuality.

WI LLIA M ROBERT B RAY is Professor of English at Middle Tennessee State University in Murfreesboro and is the founding editor of The Tennessee Williams Annual Review.

release date | april

No American dramatist has had more plays adapted than Tennessee Williams, and few modern dramatists have witnessed as much controversy during the adaptation process. His Hollywood legacy, captured in such screen adaptations as A Streetcar Named Desire, Cat on a Hot Tin Roof, and Suddenly, Last Summer, reflects the sea change in American culture in the mid-twentieth century. Placing this body of work within relevant contexts ranging from gender and sexuality to censorship, modernism, art cinema, and the Southern Renaissance, Hollywood’s Tennessee draws on rarely examined archival research to recast Williams’s significance.

Providing not only cultural context, the authors also bring to light the details of the arduous screenwriting process Williams experienced, with special emphasis on the Production Code Administration—the powerful censorship office that drew high-profile criticism during the 1950s—and Williams’s innovative efforts to bend the code.

Going well beyond the scripts themselves, Hollywood’s Tennessee showcases findings culled from poster and billboard art, pressbooks, and other production and advertising material. The result is a sweeping account of how Williams’s adapted plays were crafted, marketed, and received, as well as the lasting implications of this history for commercial filmmakers and their audiences.

6 x 9 inches, 344 pages, 22 b&w photos ISBN 978-0-292-71921-7

$60.00* | £37.00 | C$69.00 hardcover U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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| ancient history |

Mythology, Near Eastern Studies, Women’s Studies, Ancient Religion

The first collection of original translations of all forty-two temple hymns of Enheduanna, the world’s earliest known writer

| ancient history |

Classics, Ancient Religion

An anthology of important discoveries exploring the “mystery religions” of the classical world

Princess, Priestess, Poet

Mystic Cults in Magna Graecia

The Sumerian Temple Hymns of Enheduanna

E d i t e d b y G i o v a n n i C a s a d i o a n d Pat r i c i a A . J o h n s t o n

By Betty De Shong Meador Fo re wo rd by Jo h n Mai er

“Meador succeeds in presenting very unusual poetic material (translated beautifully) and in providing historical and cultural material that is still, alas, not well known to modern readers.

[This work] is exceptional in succeeding at these difficult purposes.”

—John Maier Distinguished Teaching Professor Emeritus of English, SUNY College at Brockport

BETTY DE SHONG M EADOR is a Jungian analyst who has taught at California School of Professional Psychology San Diego, Pacifica Graduate Institute, and California Institute of Integral Studies. She is the author of Inanna: Lady of Largest Heart and Uncursing the Dark.

re l e a s e dat e | au g u st 6 x 9 inches, 318 pages, b&w photos, line drawings, and maps ISBN 978-0-292-71932-3

$60.00* | £37.00 | C$69.00 hardcover

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Living in 2300 bce, Sumerian high priestess Enheduanna became the first author of historical record by signing her name to a collection of hymns written for forty-two temples throughout the southern half of ancient Mesopotamia, the civilization now known as Sumer.

Each of her hymns confirmed to the worshipers in each city the patron deity’s unique character and significance. The collected hymns became part of the literary canon of the remarkable Sumerian culture and were copied by scribes in the temples for hundreds of years after Enheduanna’s death.

Betty De Shong Meador offers here the first collection of original translations and analyses of all forty-two hymns. She introduces the volume with discussions of Sumerian history and mythology, as well as with what is known about Enheduanna, thought to be the first high priestess to the moon god Nanna, and daughter of Sargon, founder of one of the first empires in human history.

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“This book represents the most current state of knowledge about cults in Magna Graecia and will set standards for subsequent discussions of the topic.”

— L a r r y J . Al d e r i n k

Professor Emeritus of Comparative Religion, Concordia College, Moorhead, Minnesota

In Vergil’s Aeneid, the poet implies that those who have been initiated into mystery cults enjoy a blessed situation both in life and after death. This collection of essays brings new insight to the study of mystic cults in the ancient world, particularly those that flourished in Magna Graecia (essentially the area of present-day Southern Italy and Sicily).

Implementing a variety of methodologies, the contributors to Mystic Cults in Magna Graecia examine an array of features associated with such “mystery religions” that were concerned with individual salvation through initiation and hidden knowledge rather than civic cults directed toward Olympian deities usually associated with Greek religion. Contributors present contemporary theories of ancient religion, field reports from recent archaeological work, and other frameworks for exploring mystic cults in general and individual deities specifically, with observations about cultural interactions throughout. Topics include Dionysos and Orpheus, the Goddess Cults, Isis in Italy, and Roman Mithras, explored by an international array of scholars including Giulia Sfameni Gasparro (“Aspects of the Cult of Demeter in Magna Graecia”) and Alberto Bernabé (“Imago Inferorum Orphica”).

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GIOVANNI CASADIO is Professor of the History of Religions at the University of Salerno in Italy. He is the associate editor of the Encyclopedia of Religion and has written more than one hundred articles on various topics of religious history and historiography.

PATRICIA A. J OHNSTON is Professor of Greek and Latin Philology and Literature at Brandeis University in Waltham, Massachusetts. A past president of the Vergilian Society and founder and director of the Vergilian Society’s annual Symposia Cumana, she has published extensively on Greek and Latin literature and culture, specializing in Vergil.

release date | august 6 x 9 inches, 382 pages, b&w illustrations ISBN 978-0-292-71902-6

$60.00* | £37.00 | C$69.00 hardcover

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| poetry |

Middle Eastern Literature in Translation, Turkish Studies

| history |

Memoir, Middle Eastern Studies, Anthropology

selecTed poems ˘ aTaol behramoGlu

TranslaTed by WalTer G. andreWs

An English-Turkish bilingual volume of poetry by one of Turkey’s most celebrated poets

I’ve Learned Some Things ˘ lu

By Atao l B e h ra m o g Tra n sl ate d by Walt e r G . A n dr e ws

˘ lu , Ataol B e h ram o g Professor of Russian Language and Literature at Istanbul University and a columnist for the newspaper Cumhuriyet, continues to write poetry as well as articles, criticism, travel literature, children’s stories, plays, and translations.

I’ve Learned Some Things allows English-language readers the rare opportunity to experience the work of Ataol Behramog˘lu, one of Turkey’s most celebrated poets. The sixty-six poems in this collection span the author’s extraordinary career and are stunning examples of the intense emotional quality of his work. Behramog˘lu celebrates the rich fabric of everyday life by exploring both personal and social struggles, sometimes employing a whimsical tone.

Walter G. Andrews’s skillful translation conveys the vibrancy of Behramog˘lu’s work to an English-language audience, and this bilingual edition allows Turkish-language readers to follow the original text.

Walt er G . A n d r e w s is Research Professor in Near Eastern Languages and Civilization at the University of Washington and is also the Director of the Ottoman Texts Archive Project (OTAP).

Modern Middle East Literatures in Translation Series Center for Middle Eastern Studies (CMES) University of Texas at Austin

re l e a s e dat e | pu b l i sh e d 5½ x 8½ inches, 212 pages ISBN 978-0-292-71969-9

$16.00 | £9.99 | C$18.50

From “10 Poems about Separation” VI Past time If remembered, is right now Or else it’s torn out and thrown away Like a page from a notebook What’s torn out and thrown away Can be a fluttering heart Or else a summer night Its stars dying in agony

A new perspective on life in British Mandate Palestine during the last four years of World War II, captured through the eyes of a young civil servant whose rare diary, accompanied by insightful historical commentary, addresses fundamental aspects of the region’s recent history

A Young Palestinian’s Diary, 1941–1945 The Life of Sa¯mı¯ cAmr T ra n s l at e d , a n n o tat e d , a n d w i t h a n i n t r o d uc t i o n b y K i mb e r l y K a t z Foreword by Sal im Tamari Writing in his late teens and early twenties, Sa ¯mı¯ cAmr gave his diary an apt subtitle: The Battle of Life, encapsulating both the political climate of Palestine in the waning years of the British Mandate as well as the contrasting joys and troubles of family life. Now translated from the Arabic, Sa¯mı¯’s diary represents a rare artifact of turbulent change in the Middle East.

Written over four years, these ruminations of a young man from Hebron brim with revelations about daily life against a backdrop of tremendous transition. Describing the public and the private, the modern and the traditional, Sa¯mı¯ muses on relationships, his station in life, and other universal experiences while sharing numerous details about a pivotal moment in Palestine’s modern history. Making these never-before-published reflections available in translation, Kimberly Katz also provides illuminating context for Sa¯mı¯’s words, laying out biographical details of Sa¯mı¯, who kept his diary private for close to sixty years. One of a limited number of Palestinian diaries available to English-language readers, the diary of Sa¯mı¯ cAmr bridges significant chasms in our understanding of Middle Eastern, and particularly Palestinian, history.

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is Associate Professor of Middle East History at Towson University in Towson, Maryland. She is also the author of Jordanian Jerusalem: Holy Places and National Spaces.

Jamal and Rania Daniel Series in Contemporary History, Politics, Culture, and Religion of the Levant

release date | july 6 x 9 inches, 202 pages, 6 b&w photos, 3 maps ISBN 978-0-292-71931-6

$45.00* | £28.00 | C$51.95

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| c u lt u r a l s t u d i e s |

Jewish Studies, Ethnic Studies, Modern Hebrew Literature, Comparative Literature

A fascinating examination of American Jewish immigrants whose literary legacy included messages of freedom for all marginalized populations, particularly Native Americans and those with African ancestry

| literature |

Philosophy, Politics, History, Art History

The luminary critical theorist dismisses the limited notion of surrealism as a purely artistic movement, re-positioning surrealism as a force in radical political ideologies

Red, Black, and Jew

Morning Star

New Frontiers in Hebrew Literature

surrealism, marxism, anarchism, situationism, utopia

By S t e p h e n Kat z

STE PHEN KATZ is Associate Professor of Jewish Studies at Indiana University in Bloomington.

Jewish History, Life, and Culture Michael Neiditch, Series Editor

re l e a s e dat e | j u ly 6 x 9 inches, 328 pages ISBN 978-0-292-71926-2

$60.00* | £37.00 | C$69.00

Between 1890 and 1924, more than two million Jewish immigrants landed on America’s shores. The story of their integration into American society, as they traversed the difficult path between assimilation and retention of a unique cultural identity, is recorded in many works by American Hebrew writers. Red, Black, and Jew illuminates a unique and often overlooked aspect of these literary achievements, charting the ways in which the Native American and African American creative cultures served as a model for works produced within the minority Jewish community.

Exploring the paradox of Hebrew literature in the United States, in which separateness, and engagement and acculturation, are equally strong impulses, Stephen Katz presents voluminous examples of a process that could ultimately be considered Americanization. Key components of this process, Katz argues, were poems and works of prose fiction written in a way that evoked Native American forms or African American folk songs and hymns. Such Hebrew writings presented America as a unified society that could assimilate all foreign cultures. At no other time in the history of Jews in diaspora have Hebrew writers considered the fate of other minorities to such a degree.

Katz also explores the impact of the creation of the state of Israel on this process, a transformation that led to ambivalence in American Hebrew literature as writers were given a choice between two worlds.

Reexamining long-neglected writers across a wide spectrum, Red, Black, and Jew celebrates an important chapter in the history of Hebrew belles lettres.

By Michael Löwy Introd uction by Donal d L aCoss An expanded edition of revered theorist Michael Löwy’s Morning Star: Marxism and Surrealism (previously published in French, Portuguese, Spanish, Italian, and Greek) this masterwork collects the author’s essays on the ways in which surrealism intersected with a variety of revolutionary political approaches, ranging from utopian ideals to Marxism and situationism. Taking its title from André Breton’s essay “Arcane 17,” which casts the star as the searing firebrand of rebellion, Löwy’s provocative work spans many perspectives. These include surrealist artists who were deeply interested in Marxism and anarchism (Breton among them), as well as Marxists who were deeply interested in surrealism (Walter Benjamin in particular).

Probing the dialectics of innovation, diversity, continuity, and unity throughout surrealism’s international presence, Morning Star also incorporates analyses of Claude Cahun, Guy Debord, Pierre Naville, José Carlos Mariátegui and others, accompanied by numerous reproductions of surrealist art. An extraordinarily rich collection, Morning Star promises to ignite new dialogues regarding the very nature of dissent.

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is Research Director in Sociology at France’s National Center for Scientific Research and the author of several books translated into twentyeight languages, including The Theory of Revolution in the Young Marx and Fire Alarm: Reading Walter Benjamin’s “On the Concept of History.” He has been a member of the Surrealist Movement since the 1970s. Born in Brazil, he now lives in Paris.

The Surrealist Revolution Series Franklin Rosemont, Editor

release date | april 5½ x 8½ inches, 168 pages, 44 b&w drawings ISBN 978-0-292-71894-4

$55.00* | C$63.25 hardcover Not for sale in the British Commonwealth, except Canada, or Europe

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Recently Published

Electronic Tribes

The Virtual Worlds of Geeks, Gamers, Shamans, and Scammers

Edited by Tyrone L. Adams and Stephen A. Smith

Understanding Indian Movies

Culture, Cognition, and Cinematic Imagination

By Patrick Colm Hogan

$24.95* | £15.99 | C$28.95

$55.00* | £34.00 | C$63.25

paperback ISBN 978-0-292-71774-9

hardcover ISBN 978-0-292-71786-2

Black Space

Drugs, Thugs, and Divas

Imagining Race in Science Fiction Film

Telenovelas and Narco-Dramas in Latin America

By Adilifu Nama

By O. Hugo Benavides

$24.95* | £15.99 | C$28.95

$24.95* | £15.99 | C$28.95

paperback ISBN 978-0-292-71745-9

paperback ISBN 978-0-292-71712-1

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Diva

Defiance and Passion in Early Italian Cinema

By Angela Dalle Vacche $34.95* | £21.99 | C$40.50 paperback ISBN 978-0-292-71711-4

Ethnographic Film Revised Edition

By Karl G. Heider $19.95* | £12.99 | C$22.95 paperback ISBN 978-0-292-71458-8

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

Islamism in the Shadow of al-Qaeda

By François Burgat

$45.00* | £28.00 | C$51.95 hardcover ISBN 978-0-292-71813-5

Imagining the Turkish House

Collective Visions of Home

By Carel Bertram $24.95* | £15.99 | C$28.95

Arabs in the Mirror

Israeli Culture between the Two Intifadas

By Nissim Rejwan

By Yaron Peleg

$24.95* | £15.99 | C$28.95

$60.00* | £37.00 | C$69.00

paperback ISBN 978-0-292-71728-2

hardcover ISBN 978-0-292-71877-7

Fortune Told in Blood

The Concubine, the Princess, and the Teacher

Images and Self-Images from Pre-Islamic to Modern Times

By Davud Ghaffarzadegan $16.00 | £9.99 | C$18.50 paperback ISBN 978-0-292-71839-5

paperback ISBN 978-0-292-71826-5

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

A Brief Romance

Voices from the Ottoman Harem

Translated and edited by Douglas Scott Brookes $55.00* | £34.00 | C$63.25 hardcover ISBN 978-0-292-71842-5

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Recently Published

Chicano Rap

Walls of Empowerment

Teatro Chicana

By Pancho McFarland

By Guisela Latorre

$24.95* | £15.99 | C$28.95

$27.95* | £17.99 | C$32.50

paperback ISBN 978-0-292-71803-6

paperback ISBN 978-0-292-71906-4

Edited by Laura E. Garcia, Sandra M. Gutierrez, and Felicitas Nuñez

Edited by Steve Bourget and Kimberly L. Jones

$27.95* | £17.99 | C$32.50

$65.00* | £40.00 | C$74.75

paperback ISBN 978-0-292-71744-2

hardcover ISBN 978-0-292-71867-8

Kitchenspace

Brazil Imagined

Gender and Violence in the Postindustrial Barrio

Chicana/o Indigenist Murals of California

A Collective Memoir and Selected Plays

Every Woman Is a World

There Was a Woman La Llorona from Folklore to Popular Culture

Women, Fiestas, and Everyday Life in Central Mexico

By Gayle Walker and Kiki Suárez

By Domino Renee Perez

By Maria Elisa Christie

$24.95* | £15.99 | C$28.95

$50.00* | £31.00 | C$57.50

paperback ISBN 978-0-292-71812-8

hardcover ISBN 978-0-292-71794-7

Interviews with Women of Chiapas

Edited by Carol Karasik

$24.95* | £15.99 | C$28.95

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An Ancient Andean Society of the Peruvian North Coast

1500 to the Present

By Darlene J. Sadlier $24.95* | £15.99 | C$28.95 paperback ISBN 978-0-292-71857-9

To Be Like Gods Dance in Ancient Maya Civilization

By Matthew G. Looper $60.00* | £37.00 | C$69.00 hardcover ISBN 978-0-292-70988-1

Temples of the Earthbound Gods

Stadiums in the Cultural Landscapes of Rio de Janeiro and Buenos Aires

By Christopher Thomas Gaffney $55.00* | £34.00 | C$63.25

paperback ISBN 978-0-292-71791-6

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The Art and Archaeology of the Moche

hardcover ISBN 978-0-292-71880-7

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Death and the Classic Maya Kings

By James L. Fitzsimmons $60.00* | £37.00 | C$69.00 hardcover ISBN 978-0-292-71890-6

When the Center Is on Fire

Passionate Social Theory for Our Times

By Diane Harriford and Becky Thompson $24.95* | £15.99 | C$28.95 paperback ISBN 978-0-292-71776-3

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Photo from Texas BBQ by Wyatt McSpadden

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| texas |

Photography, Food

Texas BBQ P h o t o g r a p h s b y W y a t t M c Sp a d d e n Fo re wo rd by Ji m Harr i s o n Es say by Jo hn M o rt h l an d

Destined to become a classic like Smokestack Lightning and Legends of Texas Barbecue Cookbook, Wyatt McSpadden’s Texas BBQ is the only large format, full-color photographic odyssey into the world of traditional barbecue To Texans, barbecue is elemental. Succulent, savory, perfumed with smoke and spice, it transcends the term “comfort food.”

It’s downright heavenly, and it’s also a staff of Texas life. Like a dust storm or a downpour, barbecue is a force of Texas nature, a stalwart tie to the state’s cultural and culinary history. Though the word is often shortened to “BBQ,” the tradition of barbecue stands Texas-tall.

Photographer Wyatt McSpadden has spent some twenty years documenting barbecue—specifically, the authentic family-owned cafes that are small-town mainstays. Traveling tens of thousands of miles, McSpadden has crisscrossed the state to visit scores of barbecue purveyors, from fabled sites like Kreuz’s in Lockhart to

“Wyatt McSpadden’s images of the world of Texas barbecue are so strong and evocative that they seem made of heat and smoke and flavor as much as of light and color. He is nothing less than a genius at summoning up the savory world of this most definitive of Lone Star food traditions.”

—Colman Andrews

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Clockwise from Above: German steel, Kreuz Market, Lockhart; Danny Martinez, Cooper’s Pit Bar-B-Q, Mason; Mesquite fire, Cooper’s Old Time Pit Bar-B-Que, Llano

restaurant columnist, Gourmet

“It is incredibly refreshing to encounter a book of barbecue photographs that does not include neon signs of pigs, Confederate flags, or grinning hillbillies. . . . McSpadden restores some dignity to the field. . . .”

—Robb Walsh author of Legends of Texas Barbecue Cookbook

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WYATT M CSPADDEN Austin, Texas McSpadden’s photography—which has ranged from shooting ranch roundups and football games to capturing religion, race, medicine, crime, technology, and virtually every other aspect of Texas life—has appeared in scores of publications nationwide, most notably in Texas Monthly, where he is a contributing photographer.

JIM HARRISON Montana Harrison is the author of thirty books of poetry, fiction, and nonfiction. He has recently published The English Major, a novel, and In Search of Small Gods, a book of poems. He is a member of the American Academy of Arts and Letters.

JOHN M ORTHLAND Austin, Texas

Clockwise from top left: Price list, City Market, Luling; Roy Perez in wood pile, Kreuz Market, Lockhart; Lunch, Kruez Market, Lockhart; Toothpicks, Louie Mueller Barbecue, Taylor

remote spots like the Lazy H Smokehouse in Kirbyville. Color or black-and-white, wide angle or close up, his pictures convey the tradition and charm of barbecue. They allow the viewer to experience each place through all five senses. The shots of cooking meat and spiraling smoke make taste and smell almost tangible. McSpadden also captures the shabby appeal of the joints themselves, from huge, concretefloored dining halls to tiny, un-air-conditioned shacks. Most of all, McSpadden conveys the primal physicality of barbecue—the heat of fire, the heft of meat, the slickness of juices—and also records ubiquitous touches such as ancient scarred carving blocks, torn screen doors and peeling linoleum, and toothpicks in a recycled pepper sauce jar.

“When I first looked at Wyatt McSpadden’s photos I fancied that someone had given the soul of Edward Hopper a camera and sent —Jim Harrison him off to Texas.”

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A writer-at-large for Texas Monthly and food columnist for Texas Journey, John Morthland has written widely on the subjects of food, music, travel, and regional culture for more than thirty years.

Jack and Doris Smothers Series in Texas History, Life, and Culture

release date | marc h 9 7/8 x 11¾ inches, 160 pages, 89 color and b&w photographs ISBN 978-0-292-71858-6

$39.95 | £27.99 | C$45.95 hardcover

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| texas |

Biography, History, Latina/o Studies

A lifelong King Ranch employee recalls his and his father’s adventures in showing the ranch’s famed Santa Gertrudis cattle at venues around the world

The Master Showmen of King Ranch The Story of Beto and Librado Maldonado B y B e t t y B a i l e y C o l l e y a n d J a n e C l e m e n t s M o n d a y, with Beto Maldonado Fo re wo rd by S t ep h e n J. “ Ti o ” K l eb er g

BETTY BAILEY COLLEY Canyon Lake, Texas

JANE CLE MENTS M ONDAY Huntsville, Texas Colley and Monday previously collaborated on the UT Press books Voices from the Wild Horse Desert: The Vaquero Families of the King and Kenedy Ranches and Tales of the Wild Horse Desert.

Ellen and Edward Randall Series

re l e a s e dat e | j u n e 6 x 9 inches, 248 pages, 63 b&w photos, drawings, and memorabilia ISBN 978-0-292-71943-9

$24.95 | £17.99 | C$28.95 paperback

Texas’s King Ranch has become legendary for a long list of innovations, the most enduring of which is the development of the first official cattle breed in the Americas, the Santa Gertrudis. Among those who played a crucial role in the breed’s success were Librado and Alberto “Beto” Maldonado, master showmen of the King Ranch.

A true “bull whisperer,” Librado Maldonado developed a method for gentling and training cattle that allowed him and his son Beto to show the Santa Gertrudis to their best advantage at venues ranging from the famous King Ranch auctions to a Chicago television studio to the Dallas–Fort Worth airport.

In The Master Showmen of King Ranch, Beto Maldonado recalls an eventful life of training and showing King Ranch Santa Gertrudis.

His reminiscences, which span more than seventy years of King Ranch history, combine with quotes from other Maldonado family members, coworkers, and ranch owners to shed light on many aspects of ranch life, including day-to-day work routines, family relations, women’s roles, annual celebrations, and the enduring ties between King Ranch owners and the vaquero families who worked on the ranch through several generations.

| texas |

Biography, Music, Popular Culture

A book that spans many worlds, Bridger is both the story of one man’s artistic journey in creating a new art form and a revelatory overview of American popular culture since the 1950s

Bridger

By Bobby Bridger Renowned for A Ballad of the West, his epic trilogy about the American West from the era of mountain man Jim Bridger to the closing of the frontier, Bobby Bridger has had a career in show business that spans the rockabilly-to-“Music City, USA” era in Nashville, the cosmic cowboy scene in Austin, the flowering of folk music, and even Broadway theater. His multifaceted talents have found expression in singing, acting, writing, painting, and sculpting. In this engrossing account of the personal and artistic journey that led him to create a new American art form, the epic ballad, Bridger touches on almost every major musical, entertainment, and cultural movement of the second half of the twentieth century, with a cast of characters that reads like a “Who’s Who” of American popular culture.

Bridger’s story begins in a small town in northeast Louisiana, where he first experienced the twin attractions of painting and music.

He recounts his early efforts to become a successful Nashville singersongwriter and his growing awareness that the commercial music business would never support his evolving desire to become a historical balladeer. Bridger recalls how his interest in folk music and folk ballads fired his ambition to tell the story of the American West. He movingly describes how this dream eventually became A Ballad of the West, an epic trilogy about Jim Bridger, the Lakota Sioux, and Buffalo Bill that has taken form in an acclaimed cycle of songs, a one-man show, books, full-cast stage performances, and other media.

ISBN 978-0-292-71942-2

$45.00* | £31.00 | C$51.95

BOBBY BRIDGER Houston, Texas In addition to his masterwork A Ballad of the West, which he performs in repertory across America, Bridger is the composer of “Heal in the Wisdom”, the anthem of the internationally famous Kerrville Folk Festival, and author of Buffalo Bill and Sitting Bull: Inventing the Wild West.

Brad and Michele Moore Roots Music Series

release date | marc h 6 x 9 inches, 330 pages, 29 b&w photos, 1 DVD ISBN 978-0-292-71904-0

$29.95 | £20.99 | C$34.50 hardcover

Included in the book is a DVD that offers songs from A Ballad of the West and a sample from the forthcoming documentary Quest of an Epic Balladeer, based on Bobby Bridger’s life and work.

hardcover

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| Texas |

Special Collector’s Edition

Literature

Now available in paperback: The foremost works of one of Texas’s most influential writers— excerpts from all of Bud Shrake’s novels (including Strange Peaches and Blessed McGill); articles from Sports Illustrated; and selections from Willie Nelson’s autobiography, Shrake’s screenplays, and previously unpublished letters

Land of the Permanent Wave An Edwin “Bud” Shrake Reader E d i t e d a n d w i t h a n i n t r o d u c t i o n by S t e v e n L . Dav i s Fo re wo rd by L arr y L . K i n g

ED WIN “ B U D ” SHRA K E Austin, Texas Shrake has worked as a journalist for Sports Illustrated, written several filmed screenplays, and is the author of several acclaimed novels, including Blessed McGill, Strange Peaches, and Billy Boy. He also coauthored Harvey Penick’s Little Red Book, the best-selling sports book of all time.

STEVEN L . DAVIS San Marcos, Texas Davis is the Assistant Curator of the Southwestern Writers Collection at Texas State University–San Marcos.

Southwestern Writers Collection Series The Wittliff Collections at Texas State University–San Marcos Connie Todd, Editor

re l e a s e dat e | pu b l i sh e d 6 x 9 inches, 344 pages, 20 b&w photos ISBN 978-0-292-71996-5

$29.95 | £20.99 | C$34.50

“Catnip to women, much admired by men, the Fort Worth native cut a wide swath in his hard-living days. His writing, honed on newspaper deadlines, is direct, ironic, sending off splinters of light. To discover him now is to gain a friend for life, one who will make you laugh, snicker, and sigh even as shadows are falling.” — D a l l a s M o r n i n g N e w s

By H. Joaquin Jackson “Shrake has experienced a lot more of Texas in his 50-year career than most writers could imagine, and his writing has been equally varied, from pounding out police blotters to bringing New Journalism to the pages of Sports Illustrated, from long-form magazine essays to novels (Strange Peaches, Custer’s Brother’s Horse) to feature films, not to mention coauthoring Willie Nelson’s autobiography and the golfers’ bible, Harvey Penick’s Little Red Book. Land of the Permanent Wave brings all these streams together while folding in personal letters and fascinating excerpts from unproduced screenplays. The book reads more like an accidental autobiography than an introduction for the uninitiated, and one suspects that even if he didn’t [intend] that, he wasn’t — Au s t i n C h r o n i c l e exactly trying to get away from it, either.”

“Great editors near and far revere Bud, and a foreword written by super Texan Larry L. King convinces that he is one of the best if you don’t already know it. . . . He just happens to be one of the best writers — L i z Sm i t h in America!”

New York Post

paperback

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One Ranger Limited Edition

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A special collector’s edition of retired Texas Ranger Joaquin Jackson’s bestselling memoir No Texas Ranger memoir has captured the public’s imagination like Joaquin Jackson’s One Ranger (coauthored with David Marion Wilkinson) and One Ranger Returns (coauthored with James L. Haley). Readers thrilled to Jackson’s stories of catching criminals and keeping the peace across a wide swath of the Texas-Mexico border— and made these books instant classics of Texas history.

Responding to a demand for a special collectors’ edition, the University of Texas Press is pleased to issue this two-volume limited edition of One Ranger and One Ranger Returns. The volumes are handsomely bound in red quarterbinding with photographically illustrated boards, and each volume is signed by Joaquin Jackson on a special limitation page. The slipcase features an image of Jackson’s personal Texas Ranger badge stamped in silver.

Five hundred numbered copies of the One Ranger Limited Edition will be issued.

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Bridwell Texas History Series

Release Date | M arc h 6 x 9 1/4 inches, 2 volumes, 557 pages, 54 b&w photos, slipcased ISBN 978-0-292-72112-8

$250.00* hardcover Short discount. Non-returnable.

For sale in the USA and its dependencies only

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| texas |

Photography, History

Panoramic, aerial photographs of seventythree significant sites, accompanied by concise, lively descriptions, provide a striking visual overview of Texas history

Historic Texas from the Air B y D a v i d Bu i s s e r e t, R i c h a r d F r a n c a v i g l i a , a n d G e ra l d Sa xo n Ae ria l pho to g r ap h s b y Jac k W. G r av e s , Jr .

DAVID B U ISSERET Skokie, Illinois Now retired, Buisseret directed the Smith Center for the History of Cartography at the Newberry Library in Chicago and was also Garrett Professor of History at the University of Texas at Arlington.

Ri c h ard F ran c av i gl i a Salem, Oregon Francaviglia has taught at numerous colleges and universities, including the University of Minnesota, Antioch College, Wittenberg University, the University of Arizona, and the University of Texas at Arlington, where he directed the Center for Greater Southwestern Studies and the History of Cartography.

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The extremely varied geography of Texas, ranging from lush piney woods to arid, mountainous deserts, has played a major role in the settlement and development of the state. To gain full perspective on the influence of the land on the people of Texas, you really have to take to the air—and the authors of Historic Texas from the Air have done just that. In this beautiful book, dramatic aerial photography provides a complete panorama of seventy-three historic sites from around the state, showing them in extensive geographic context and revealing details unavailable to a ground-based observer.

Each site in Historic Texas from the Air appears in a full-page color photograph, accompanied by a concise description of the site’s history and importance. Contemporary and historical photographs, vintage postcard images, and maps offer further visual information about the sites. The book opens with images of significant natural landforms, such as the Chisos Mountains and the Big Thicket, then shows the development of Texas history through Indian spiritual sites (including Caddo Mounds and Enchanted Rock), relics from the French and Spanish occupation (such as the wreck of the Belle and the Alamo), Anglo forts and methods of communication (including Fort Davis and Salado’s Stagecoach Inn), nineteeth-century settlements and industries (such as Granbury’s courthouse square and Kreische Brewery in La Grange), and significant twentieth-century locales (including Spindletop, the LBJ Ranch, and the Dallas–Fort Worth International Airport).

For anyone seeking a visual, vital overview of Texas history, Historic Texas from the Air is the perfect place to begin.

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GERALD SAXON Arlington, Texas Saxon is Dean of the Library at the University of Texas at Arlington and also Associate Professor of History.

JAC K W. GRAVES, JR. Aledo, Texas

Top: The Texas Capitol; Bottom: The Alamo

Graves is a businessman with a passion for flying, photography, and history. His articles and photographs have been published in various professional and leisure publications.

release date | june 11 x 8∏ inches, 224 pages, 215 color and b&w photographs, drawings, and maps ISBN 978-0-292-71927-9

$45.00 | £31.00 | C$51.95 hardcover U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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| texas |

Natural History, Field Guides

A thoroughly revised and updated edition of Price’s Poisonous Snakes of Texas, which has sold more than 8,000 copies since 1998

| texas |

Natural History, Travel

A popular, yet comprehensive, guide to the history, geology, weather, plants, and animals in one of Texas’s most enjoyable state parks— Enchanted Rock State Natural Area

Venomous Snakes of Texas

Enchanted Rock

A Field Guide

A Natural and Human History

By Andrew H. Price

By Lance Allred

ANDRE W H . P RICE Austin, Texas Price was until recently a Natural Resources Scientist in the Wildlife Diversity Program of the Texas Parks and Wildlife Department. He is also a Research Fellow of the Texas Memorial Museum at the University of Texas at Austin.

Texas Natural History Guides™

re l e a s e dat e | au g u st 4½ x 7¼ inches, 146 pages, color photos, line drawings, maps

Texas has about one hundred twenty native species and subspecies of snakes, fifteen of which are venomous. Since 1950, Texans have turned to the Poisonous Snakes of Texas pamphlet series published by the Texas Parks and Wildlife Department for help in identifying these snakes and for expert advice on preventing and treating snakebite. Venomous Snakes of Texas, a thoroughly revised and updated edition of Poisonous Snakes, carries on this tradition as a one-stop, all-you-need-to-know guide to Texas’s rattlesnakes, copperheads, cottonmouths, and coral snakes.

In this authoritative field guide, you’ll find: • Full-color photographs and a county-by-county distribution map for each species.

• Each species’ common and scientific name, description, look-alikes, and a summary sketch of its habitat, behavior, reproduction, venom characteristics, predator-prey relationships, and fossil record.

• Up-to-date advice on recognizing venomous snakes and preventing and treating snakebite, both at home and in the field.

• A glossary of terms and an extensive bibliography.

A special feature of this guide is an expanded treatment of the ecological and evolutionary context in which venomous snakes live, which supports Price’s goal “to lessen the hatred and fear and to increase the understanding, the respect, and even the appreciation with which venomous snakes should be regarded.”

ISBN 978-0-292-71967-5

$15.95 | £10.99 | C$18.50 paperback

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With intriguing domes of pinkish granite surrounded by a sea of Hill Country limestone, Enchanted Rock State Natural Area attracts over 300,000 visitors every year who come to the park to hike, rock climb, spelunk, camp, picnic, and observe birds and wildflowers.

Geologists from around the world come to Enchanted Rock to examine landforms that were shaped by forces on ancient continents of Earth more than one billion years ago! All of these visitors, however, are only the latest comers in a line of human history that stretches back 13,000 years to early Native Americans and includes Spanish explorers, Mexican and German settlers, and thirteen private and public owners up to the current owner, the state of Texas.

Surprisingly, given the area’s wealth of unusual geology, native plants and animals, and human history, no comprehensive guide to Enchanted Rock has been published before now. In Enchanted Rock, you’ll find everything you need to fully appreciate this unique place. Lance Allred draws on the work of specialists in many fields to offer a popular account of the park’s history, geology, weather, flora, and fauna. Whether you want to know more about how Enchanted Rock was formed, identify a wildflower or butterfly, or learn more about plant communities along the hiking trails, you’ll find accurate information here, presented in an inviting style.

Over a thousand color photographs illustrate the enjoyable text.

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LANCE ALLRED Austin, Texas Allred is a professional photographer and naturalist. He has had work published in numerous magazines, including Texas Highways and Outdoor Photographer.

Peter T. Flawn Series in Natural Resources

release date | august 7 x 9 7/8 inches, 352 pages, 1,240 color photos ISBN 978-0-292-71963-7

$50.00 | £35.00 | C$57.50 hardcover

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| texas |

Memoir, Women’s Studies

A “fifties girl” tells the fascinating story of her marriages to novelist Billy Lee Brammer and Congressman Bob Eckhardt, and how these relationships propelled her into the multifaceted life she has led on her own terms

| texas |

Politics

A revealing look at the personal factors that have allowed many Texas governors to wield significant political power despite holding an office with limited authority

Duchess of Palms

The Power of the Texas Governor

A Memoir

Connally to Bush

By Nadine Eckhardt

By Brian McCall Foreword by Wil l iam P. Hobby, Jr .

NADINE EC KHARDT Austin, Texas Eckhardt has worked in politics and journalism, lobbied, sold real estate, and run restaurants. Now retired, she continues to enjoy life as a writer, mother, and grandmother. Duchess of Palms is her first book.

re l e a s e dat e | m a rc h 5½ x 8½ inches, 152 pages, 40 b&w photos

Child of the Great Depression, teenage “Duchess of Palms” beauty queen, wife of an acclaimed novelist and later of a brilliant U.S. congressman, and ultimately a successful single working woman and mother, Nadine Eckhardt has lived a fascinating life. In this unique, funny, and honest memoir, she recounts her journey from being a “fifties girl” who lived through the men in her life to becoming a woman in her own right, working toward her own goals.

Eckhardt’s first marriage to writer Billy Lee Brammer gave her entrée to liberal political and literary circles in Austin and Washington, where she and Brammer both worked for Senator Lyndon B. Johnson. She describes the heady excitement of LBJ’s world—a milieu that Brammer vividly captured in his novel The Gay Place. She next recalls her second marriage to Bob Eckhardt, whom she helped get elected to the U.S. House of Representatives, as well as her growing involvement with the counterculture of social protest, sexual revolution, and drug use. Eckhardt honestly recounts how the changing times changed her perception of herself, recalling that “I didn’t know how to achieve for myself, only for others, and I felt ripped off and empty.”

This painful realization opened the door to a new life for Eckhardt.

Her memoir concludes with a joyful description of her multifaceted later life as a restaurateur, assistant to Molly Ivins, writer, and center of a wide circle of friends.

ISBN 978-0-292-71912-5

George W. Bush called it “the best job in the world,” yet many would argue that the Texas governorship is a weak office. Given few enumerated powers by the Texas Constitution, the governor must build a successful relationship with the state legislature—sometimes led by a powerful lieutenant governor or speaker of the opposing party—to advance his or her policy agenda. Yet despite the limitations on the office and the power of the legislative branch, many governors have had a significant impact on major aspects of Texas’s public life—government, economic development, education, and insurance reform among them.

How do Texas governors gain the power to govern effectively?

The Power of the Texas Governor takes a fresh look at the state’s chief executives, from John Connally to George W. Bush, to discover how various governors have overcome the institutional limitations of the office. Delving into the governors’ election campaigns and successes and failures in office, Brian McCall makes a convincing case that the strength of a governor’s personality—in particular, his or her highly developed social skills—can translate into real political power.

He shows, for example, how governors such as Ann Richards and George W. Bush forged personal relationships with individual legislators to achieve their policy goals. Filled with revealing insights and anecdotes from key players in each administration, The Power of the Texas Governor offers new perspectives on leadership and valuable lessons on the use of power.

BRIAN M CCALL Plano, Texas Brian McCall has served in the Texas House of Representatives since 1991.

A Republican, he currently represents District 66. McCall has been recognized nationally for his efforts in the field of biotechnology, and he wrote and passed one of the largest tax cut bills in the nation. He holds a Ph.D. from the University of Texas at Dallas.

release date | marc h 6 x 9 inches, 172 pages, 20 b&w photos ISBN 978-0-292-71898-2

$29.95 | £20.99 | C$34.50

$24.95 | £17.99 | C$28.95

hardcover

hardcover

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U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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| Te x a s |

Travel Guides

SECOND EDITION

Selected Placenotes— Fort Worth

Selected Placenotes— Austin

Fort Worth Water Gardens Kimbell Museum of Art Fort Worth Botanic Garden Sid Richardson Museum Caddo-LBJ National Grasslands 43 Amon Carter Museum Tandy Hills Bass Performance Hall Botanical Research Institute Fort Worth Modern Marty Leonard Chapel National Cowgirl Museum & Hall of Fame The Stockyards Sundance Square )Caddo-LBJ National Grasslands

PLACENOTES

Moore/Andersson Compound Chapman Elementary School The Veloway Lady Bird Johnson Wildflower Center Harry Ransom Center Hotel San Jose Long Center for the Performing Arts 2nd Street District Texas Governor’s Mansion The Forty Acres Elemen Umlauf Sculpture GardenChap&manMuseum tary Scho ol ) 26 Hamilton Pool Blanton Museum of Art

One named for the president and the other for the Native American tribes that inhabited areas of northeast Texas, the grasslands are places of great, simple power, where meadows reach to the horizon and tall grasses sustain ecosystems of wildflowers, insects, birds, reptiles, and mammals small and large.

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An entirely new kind of travel book—boxed sets of cards that guide you to the unique and memorable places that give Austin and Fort Worth their distinctive characters

There aren’t many houses like this: the short list begins with Jefferson’s Monticello and continues through Sir John Soane’s 1812-1813 house in London, and on to Frank Lloyd Wright’s two Taliesins, Philip Johnson’s Glass House and Frank Gehry’s house in Santa Monica, all buildings that carry an importance in the history of architecture that far outweighs their size. —Paul Goldberger, The New York Times

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Placenotes a new kind of travel book:

KEVIN KEIM , creator of Placenotes, is the Director of the Charles W. Moore Center for the Study of Place in Austin, Texas.

Charles W. Moore (1925–1993) was a world-renowned architect, educator, and writer. To carry on his work, the Moore Center was founded in 1994 to teach people about the importance of good places, design, and architecture.

Boxed sets of cards that guide you to the world’s unique and memorable places, cultural institutions, activities, and people.

• Portable. Take only the cards of the places you wish to visit.

• Durable. Placenotes are printed on heavy water- and tear-resistant laminated cards.

• Collectible. Currently available sets include Austin, San Antonio, Santa Fe, New York Art Museums, Houston, Pittsburgh, Dallas, Chicago Art and Architecture, and the University of Texas at Austin.

• Educational. An ideal way for local residents to learn more about the place in which they live.

Distributed for the Charles W. Moore Center for the Study of Place

ISBN 978-0-615-22924-9

$19.95 | £13.99 | C$22.95 U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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Places—buildings, neighborhoods, landmarks, and cultural and commercial institutions—help define a city’s unique character, its “sense of place.” This is the key concept behind Placenotes, a wholly new type of travel book that features the “one of a kind” places that make a city distinctive. These sets of Placenotes guide you to places where you can experience the authentic culture of Austin and Fort Worth. For visitors, these are the must-see places. For residents, Placenotes offers the perfect opportunity to become deeply acquainted with the places that distinguish their city from all others—an opportunity to invest in the life of the place.

Not a conventional travel book, Placenotes is a set of individual cards that describe unique places in the city. The front of each card has a color photograph that captures the spirit of a particular place.

The back of the card tells the story of the place, often with commentary by a local expert. It also provides all the practical details you need to plan your visit. A map, index of places, and key to symbols comes in the set. The cards are contained in a sturdy box with a lid that snaps shut with invisible magnets.

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Sometim the chimn rdinate domly as es into a cyc ey’s vort neutrin the who os, but ex. A falc lone swi le flock then rling in on might into a pan raptor awa one dire plunge ic until y. The cro ction into the a defensiv and suc wd che scene, scat e squadr ers at suc ceed in tering on form separating h moxie.

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Any attempt to grasp the scale of the grasslands that once spanned the American continent, particularly in the great sweep of territory east of the Rocky Mountains, is prone to failure, since the transformation of this ecosystem into farms, ranches, suburbs, and cities has been nearly total. But in the grasslands that remain, we can learn how eons of ecological layering created fantastically deep strata of soil, held in place against tides of powerful wind and water by the countless roots. It was this delicate balance, that when torn and disrupted by the blades of plows and parched by cyclical drought, unleashed the soil into giant dust storms, further damaging countless millions of acres and ruining a generation’s hopes.

ISBN 978-0-615-22924-9

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Every September, an extraordinary scene takes place in the sky above the Chapman Elementary School. Its chimney is an important nesting habitat for flocks of Vaux’s Swifts (Chaetura vauxi) who stop here on their annual migrations between Canada and Mexico. Like the Congress Avenue Bridge 08 this is a place where the patterns of the natural world in Austin, Texas intersect with the urban. Evolutionary relatives of the hummingbird, swifts are known for their dazzling velocity and ability to snatch insects in flight. So compelling are the swifts’ twilight rituals, that crowds of people gather on the school’s lawn to enjoy each other’s company and learn about the work of the Audubon Society of Portland, which staffs an information table. Sometimes the thousands of swifts dart through the sky as randomly as neutrinos, but then they can spontaneously coordinate into a cyclone swirling in one direction around the chimney’s vortex. A falcon might plunge into the scene, scattering the whole flock into a panic until a defensive squadron forms up to chase the raptor away. The crowd cheers at such moxie. But then the falcon might return and succeed in separating out a lone swift, deftly seizing its prey in mid-flight.

The crowd gasps. As the light diminishes, Mt. St. Helens in the distance gains contrast. All of a sudden, streams of birds dive into the chimney, as if a film projector had been thrown into reverse, the smokestack now inhaling instead of exhaling. Once the last of the swifts is safely inside, the families applaud, gather up their picnics, and return home to their own roosts.

When we think of national parks we often imagine primeval forests or dramatic canyons, but the National Grasslands are seventeen fragments of rolling prairies, encompassing nearly four million acres in states from Texas to North Dakota. The LBJ and Caddo Grasslands are the two southernmost, spanning areas north of the Dallas-Fort Worth metropolitan area.

Fort Worth

Great gifts for business and leisure travelers, as well as unique souvenirs of places visited

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

release date | may 4 5/8 x 6 ¼ inches box ISBN 978-0-615-25682-5

$19.95 | £13.99 | C$22.95

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| texas |

History

Books for Spring A detailed account of the wrecking—and legal aftermath—of La Salle’s ship Aimable in 1685

The Wrecking of La Salle’s Ship Aimable and the Trial of Claude Aigron

Texas Gardening the Natural Way The Complete Handbook

How to Grow Native Plants of Texas and the Southwest

The Herb Garden Cookbook

Revised and Updated Edition

The Complete Gardening and Gourmet Guide, Second Edition

By Jill Nokes

By Lucinda Hutson

hardcover ISBN 978-0-292-70542-5

$29.95 | £20.99 | C$34.50

$29.95 | £20.99 | C$34.50

paperback ISBN 978-0-292-75573-4

hardcover ISBN 978-0-292-70222-6

Remarkable Plants of Texas

Howard Garrett’s Plants for Texas

Perennial Gardens for Texas

$21.95 | £14.99 | C$25.50

$29.95 | £20.99 | C$34.50

paperback ISBN 978-0-292-72788-5

paperback ISBN 978-0-292-77089-8

By Howard Garrett $34.95 | £23.99 | C$40.50

By Robert S. Weddle Tra n sl atio n s b y Fr an ç o i s L ag ar de ROBERT S . WEDDLE Bonham, Texas Weddle is an award-winning historian and the author of more than a dozen books on the Spanish and French colonial history of Texas and the Gulf Coast.

FRANÇ OIS LAGARDE Austin, Texas Lagarde is Associate Professor of French at the University of Texas at Austin and the editor of The French in Texas.

Charles N. Prothro Texana Series

re l e a s e dat e | m ay 5½ x 8½ inches, 146 pages, 9 b&w photos, 1 drawing, 2 maps ISBN 978-0-292-71940-8

$50.00* | £35.00 | C$57.50 hardcover

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5_SP09_Texas.indd 104-105

When Robert Cavelier, sieur de La Salle, landed on the Texas coast in 1685, bent on founding a French colony, his enterprise was doomed to failure. Not only was he hundreds of miles from his intended landfall—the mouth of the Mississippi—but his supply ship, Aimable, was wrecked at the mouth of Matagorda Bay, leaving the colonists with scant provisions and little protection against local Indian tribes. In anger and disgust, he struck out at the ship’s captain, Claude Aigron, accusing him of wrecking the vessel purposely and maliciously.

Captain Aigron and his crew escaped the doomed colony by returning to France on the warship that had escorted the expedition on its ocean crossing. Soon after reaching France, Aigron found himself defendant in a civil suit filed by two of his officers seeking recompense for lost salary and personal effects, and then imprisoned on order of King Louis XIV while La Salle’s more serious accusations were being investigated.

In this book, Robert Weddle meticulously recounts, through court documents, the known history of Aigron and the Aimable, and finds that despite La Salle’s fervent accusations, the facts of the case offer no clear indictment. The court documents, deftly translated by François Lagarde, reveal Captain Aigron’s successful defense and illuminate the circumstances of the wreck with Aigron’s testimony. Much is also revealed about the French legal system and how the sea laws of the period were applied through the French government’s L’Ordonnance de la Marine.

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

Uncommon Accounts of Our Common Natives

By Matt Warnock Turner $29.95 | £20.99 | C$34.50

By Howard Garrett

By Julie Ryan

hardcover ISBN 978-0-292-71851-7

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

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10/30/08 10:43:17 AM

University of Texas Press Print-on-Demand Program

Books for Spring

UT Press is pleased to announce that a wide range of out-of-print titles are now available in print-on-demand editions from Lightning Source, Inc.

Yard Art and Handmade Places Extraordinary Expressions of Home

By Jill Nokes, with Pat Jasper

Plants for Houston and the Gulf Coast

By Howard Garrett

$24.95 | £17.99 | C$28.95 paperback ISBN 978-0-292-71740-4

$29.95 | £20.99 | C$34.50

Official Guide to Texas State Parks and Historic Sites Revised Edition

By Laurence Parent $24.95 | £17.99 | C$28.95 paperback ISBN 978-0-292-71726-8

hardcover ISBN 978-0-292-71679-7

College bookstores, general retailers, and libraries may order these titles directly from UT Press, Ingram Book Company, or your usual supplier.

Individuals, these titles are available from UT Press or through your local bookstore or major online booksellers.

Additional titles will be added to the print-on-demand program in the coming months. Check the UT Press Web site at http://www. utexas.edu/utpress/subjects/pod.html for a complete list of titles.

To place orders with UT Press: ph (800) 252-3206 fx (800) 687-6046 www.utexaspress.com

The Death and Life of Drama Reflections on Writing and Human Nature

By Lance Lee

ISBN 978-0-292-70964-5 $25.00* | £14.00 | C$28.95

Deconstructing the American Mosque Space, Gender, and Aesthetics

By Akel Ismail Kahera

ISBN 978-0-292-71957-6 $25.00* | £14.00 | C$28.95

Derek Jarman and Lyric Film The Mirror and the Sea

By Steven Dillon

ISBN 978-0-292-70224-0 $25.00* | £14.00 | C$28.95

Disobedience, Slander, Seduction, and Assault

Women and Men in Cajamarca, Peru, 1862–1900

By Tanja Christiansen

ISBN 978-0-292-70563-0 $25.00* | £14.00 | C$28.95

Early Spanish American Narrative

By Naomi Lindstrom

ISBN 978-0-292-70566-1 $25.00* | £14.00 | C$28.95

Fatal Future?

Transnational Terrorism and the New Global Disorder

By Richard M. Pearlstein

ISBN 978-0-292-70265-3 $25.00* | £14.00 | C$28.95

Greek and Roman Comedy

Short Discount nonreturnable

By Peter Lev

The Contemporáneos Group

Among Women

By Campbell and Lynn Loughmiller Updated by Damon Waitt, Lady Bird Johnson Wildflower Center

$19.95 | £13.99 | C$22.95 paperback ISBN 978-0-292-71286-7

Texas Snakes A Field Guide

By James R. Dixon and John E. Werler $19.95 | £13.99 | C$22.95 paperback ISBN 978-0-292-70675-0

Basic Texas Birds

From the Homosocial to the Homoerotic in the Ancient World

By Mark W. Lockwood

Edited by Nancy Sorkin Rabinowitz and Lisa Auanger

A Field Guide

$22.95 | £15.99 | C$26.50 paperback ISBN 978-0-292-71349-9

ISBN 978-0-292-71946-0 $35.00* | £20.00 | C$40.50

Aztecs, Moors, and Christians Festivals of Reconquest in Mexico and Spain

By Max Harris

ISBN 978-0-292-73132-5 $30.00* | £17.00 | C$34.50

Career Movies

American Business and the Success Mystique

By Jack Boozer

ISBN 978-0-292-70912-6 $30.00* | £17.00 | C$34.50

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By Nancy Worman

American Films of the 70s ISBN 978-0-292-74716-6 $25.00* | £13.99 | C$28.95

Texas Wildflowers

Style in Greek Literature

ISBN 978-0-292-71952-1 $30.00* | £17.00 | C$34.50

Conflicting Visions

A Field Guide: Revised Edition

The Cast of Character

Rewriting Mexico in the Thirties and Forties

By Salvador A. Oropesa

ISBN 978-0-292-71715-2 $25.00* | £13.99 | C$28.95

Contemporary Maya Spirituality The Ancient Ways Are Not Lost

By Jean Molesky-Poz

ISBN 978-0-292-71315-4 $25.00* | £13.99 | C$28.95

Cultural Logics and Global Economies

Maya Identity in Thought and Practice

By Edward F. Fischer

ISBN 978-0-292-72534-8 $30.00* | £17.00 | C$34.50

Daughter of Damascus A Memoir

By Siham Tergeman

ISBN 978-0-292-78126-9 $25.00* | £14.00| C$28.95

Translations and Interpretations of Four Representative Plays Edited by Shawn O’Bryhim

ISBN 978-0-292-76055-4 $30.00* | £16.99 | C$34.50

Heaven Born Merida and Its Destiny

The Book of Chilam Balam of Chumayel Translated and annotated

by Munro S. Edmonson

ISBN 978-0-292-71937-8 $40.00* | £23.00 | C$45.95

History Films, Women, and Freud’s Uncanny

By Susan E. Linville

ISBN 978-0-292-70269-1 $25.00* | £14.00 | C$28.95

Homeric Responses

By Gregory Nagy

ISBN 978-0-292-70554-8 $25.00* | £14.00 | C$28.95

Indians into Mexicans History and Identity in a Mexican Town

By David Frye

ISBN 978-0-292-72496-9 $25.00* | £14.00 | C$28.95

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Islam’s Political Culture

Mixing Race, Mixing Culture

Race, Place, and the Law, 1836–1948

By David Delaney

By Nasim Ahmad Jawed

Edited by Monika Kaup and Debra Rosenthal

Religion and Politics in Predivided Pakistan ISBN 978-0-292-74080-8 $30.00* | £16.99 | C$34.50 Not for sale in South Asia

Isocrates I Translated by David C. Mirhady and Yun Lee Too

ISBN 978-0-292-75238-2 $30.00* | £16.99 | C$34.50

Latin America in the 21st Century

Challenges and Solutions Edited by Gregory Knapp

ISBN 978-0-292-74347-2 $25.00* | £14.00 | C$28.95

Latin Politics, Global Media Edited by Elizabeth Fox and Silvio Waisbord

ISBN 978-0-292-72537-9 $25.00* | £13.99 | C$28.95

Living with Coyotes

Managing Predators Humanely Using Food Aversion Conditioning

By Stuart R. Ellins

ISBN 978-0-292-71956-9 $25.00* | £14.00 | C$28.95

Lysias Translated by S. C. Todd

ISBN 978-0-292-78166-5 $37.00* | £20.99 | C$42.55

La Malinche in Mexican Literature From History to Myth

By Sandra Messinger Cypess

ISBN 978-0-292-75134-7 $25.00* | £13.99 | C$28.95

Metaphysical Community The Interplay of the Senses and the Intellect

By Greg Urban

ISBN 978-0-292-78529-8 $30.00* | £17.00 | C$34.50

The Mexican Aristocracy An Expressive Ethnography, 1910–2000

By Hugo G. Nutini

ISBN 978-0-292-71951-4 $35.00* | £20.99 | C$40.50

Mexican Consuls and Labor Organizing Imperial Politics in the American Southwest

By Gilbert G. González

ISBN 978-0-292-72824-0 $30.00* | £17.00 | C$34.50

Michoacán and Eden

Vasco de Quiroga and the Evangelization of Western Mexico

By Bernardino Verástique

ISBN 978-0-292-78738-4 $25.00* | £14.00 | C$28.95

Inter-American Literary Dialogues ISBN 978-0-292-74348-9 $30.00* | £17.00 | C$34.50

Modernismo, Modernity, and the Development of Spanish American Literature

By Cathy L. Jrade

ISBN 978-0-292-74045-7 $25.00* | £14.00 | C$28.95

Nature, Culture, and Big Old Trees

Live Oaks and Ceibas in the Landscapes of Louisiana and Guatemala

By Kit Anderson

ISBN 978-0-292-70213-4 $25.00* | £14.00 | C$28.95

No Rattling of Sabers

ISBN 978-0-292-71597-4 $25.00* | £14.00 | C$28.95

Renewing the Maya World

Stories in Red and Black

Revolution or Evolution?

Pictorial Histories of the Aztecs and Mixtecs

By Megan Mullen

By Elizabeth Hill Boone

ISBN 978-0-292-75273-3 $25.00* | £14.00 | C$28.95

Ritual Humor in Highland Chiapas

By Victoria Reifler Bricker

ISBN 978-0-292-77071-3 $25.00* | £14.00 | C$28.95

Notable Men and Women of Spanish Texas

ISBN 978-0-292-78731-5 $25.00* | £13.99 | C$28.95

By Robert A. Voeks

Saddam’s War of Words

ISBN 978-0-292-71218-8 $35.00* | £21.99 | C$40.50

Politics, Religion, and the Iraqi Invasion of Kuwait

Of Wonders and Wise Men

ISBN 978-0-292-70264-6 $25.00* | £14.00 | C$28.95

By Jerry M. Long

School Choice Tradeoffs

ISBN 978-0-292-77107-9 $35.00* | £20.00 | C$40.50

Liberty, Equity, and Diversity

Our National Parks and the Search for Sustainability

ISBN 978-0-292-71954-5 $30.00* | £17.00 | C$34.50

The Path to a Modern South

Northeast Texas between Reconstruction and the Great Depression

By Walter L. Buenger

ISBN 978-0-292-70888-4 $35.00* | £22.00 | C$40.50

Places for Dead Bodies

By Gary J. Hausladen

ISBN 978-0-292-73130-1 $24.95* | £13.99 | C$28.95

Private Property and the Endangered Species Act

Saving Habitats, Protecting Homes Edited by Jason F. Shogren

ISBN 978-0-292-77737-8 $25.00* | £14.00 | C$28.95

Queer Issues in Contemporary Latin American Cinema

By David William Foster

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By R. Kenneth Godwin and Frank R. Kemerer

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Conversations with Writers and Artists

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Images courtesy of William Powhida, Art Lies, No. 59. Fall 2008

journals

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| journals |

Archaeoastronomy

Asian Music

The Journal of Astronomy in Culture

Editor: Stephen Slawek

Editor: John B.Carlson Ce n te r f o r A r c h ae o as t r o n o m y

University of Texas at Au s t in

The study of the astronomical practices, celestial lore, mythologies, religions, and worldviews of all ancient cultures is the essence of Archaeoastronomy. This annual journal is published for the Center for Archaeoastronomy and ISAAC, the International Society for Archaeoastronomy and Astronomy in Culture.

Number 20 Clive Ruggles

Interpreting Solstitial Alignments in Late Neolithic Wessex Jan Harding, Ben Johnson, and Glyn Goodrick

Neolithic Cosmology and the Monument Complex of Thornborough, North Yorkshire Sixto Ramón Giménez Benítez, Alejandro Martin López, and Anahi Granada

The Sun and the Moon as Marks of Time and Space Among the Mocovíes of the Argentinean Chaco

Tamila Potyomkina Translated by Alla Lushnikova

Arrangement of Sacred Space in the Burial Area of the Bronze Age Dashti Kozy Cemetery (Central Asia) Antonio César GonzálezGarcía and Juan Antonio Belmonte

Which Equinox?

Asian Music, the journal of the Society for Asian Music, is the leading journal devoted to ethnomusicology in Asian music, publishing all aspects of the performing arts of Asia and their cultural context.

Volume 40, Number 1

Winter/Spring 2009 Eric Hung

Introduction: Music and the Asian Diaspora

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E d i t o r : H e at h e r H e n d e r s h o t C UN Y Henry Spiller

Lou Harrison’s Music for Western Instruments and Gamelan: Even More Western than it Sounds

Cinema Journal is a quarterly journal sponsored by the Society for Cinema and Media Studies, a professional organization of film and television scholars.

Nilanjana Bhattacharjya

Popular Hindi Film Song Sequences Set in the Indian Diaspora and the Negotiating of Indian Identity Kar Fai Samson Young

The Voicing of the Voiceless in Tan Dun’s The Map—Horizon of Expectation and the Rhetoric of National Style Paul Yoon

Asian Masculinities and Parodic Possibility in Odaiko Solos and Filmic Representations Eric Hung

Performing “Chineseness” on the Western Concert Stage: The Case of Lang Lang

Volume 48, Number 2

Winter 2009 Josh Lambert

Russell Meeuf

“Wait for the Next Pictures”: Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips

John Wayne as “Supercrip”: Disabled Bodies and the Construction of “Hard” Masculinity in The Wings of Eagles

Karla Oeler

Submitted by Devin Orgeron

Renoir and Murder

Conference Report: Orphans Take Manhattan: The 6 th Biannual Orphan Film Symposium, March 26–29, 2008 New York City

Eric Ames

Herzog, Landscape, and Documentary Chris Robé

Taking Hollywood Back: The Historical Costume Drama, the Bio-Pic, and Popular Front U.S. Film Criticism

Lei Bryant

Annual ISSN 0190-9940

Performing Race and Place in Asian America: Korean American Adoptees, Musical Theatre, and the Land of 10,000 Lakes

Individuals $40/yr Institutions $74/yr

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Cinema Journal

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

Biannual ISSN 0044-9202

Individuals $35 Institutions $65 Students $25 U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

Quarterly ISSN 0009-7101

Individuals $46/yr Institutions $120/yr

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| journals |

Volume 64, Number 4

Winter 2008 Matthew E. Lemberger and Erika R. Nash

School Counselors and the Influence of Adler: Individual Psychology since the Advent of the ASCA National Model Elizabeth Villares, Greg Brigman, and Paul R. Peluso

Ready to Learn: An EvidenceBased Individual Psychology Linked Curriculum for Grades P–1

Journal of the History of Sexuality E d i t o r : M a t h e w Ku e f l e r San D ie go S tat e Un i v e r s i t y The Journal of the History of Sexuality spans geographic and temporal boundaries, providing a much-needed forum for historical, critical, and theoretical research in its field. Its crosscultural and cross-disciplinary character brings together original articles and critical reviews from historians, social scientists, and humanities scholars worldwide.

Volume 18, Number 2

May 2009 Heather Smyth

Pauline Phipps

Mollies Down Under: Crossdressing and Australian Masculinity in Peter Carey’s True History of the Kelly Gang

Faith, Desire, and Sexual Identity: Constance Maynard’s Atonement for Passion

Sahar Amer

The Queer Histories of a Crime: Representations and Narratives of Leopold and Loeb

Medieval Arab Lesbians and Lesbian-Like Women

David S. Churchill

The Journal of Individual Psychology Editors: William L. Curlette and Roy M. Kern Georgia State University The Journal of Individual Psychology provides a forum for the finest dialogue on Adlerian practices, principles, and theoretical development. Articles relate to theoretical and research issues as well as to concerns of practice and application of Adlerian psychological methods. The Journal of Individual Psychology is the journal of the North American Society of Adlerian Psychology.

Sandra Frink

Women, the Family, and the Fate of the Nation in American AntiCatholic Narratives, 1830–1860

Triannual ISSN 1043-4070

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Using Adlerian Art Therapy to Prevent Social Aggression among Middle School Students Carrie A. Wachter, Elysia V. Clemens, and Todd F. Lewis

Exploring School Counselor Burnout and School Counselor Involvement of Parents and Administrators through an Adlerian Theoretical Framework Jolie Ziomek-Daigle, H. George McMahon, and Pamela O. Paisley

Adlerian-Based Interventions for Professional School Counselors: Serving as Both Counselors and Educational Leaders

Individual Psychology in School Counselor Leadership: Implications for Practice Jon Carlson, Don Dinkmeyer Jr., and E. Jean Johnson

Adlerian Teacher Consultation: Change Teachers, Change Students!

Wes Wingett and Al Milliren

Psychoeducational E Groups for Use in Schools 5

Greg Brigman and Linda Webb

An Individual Psychology Approach to School Counselor Consultation

Individuals $52/yr Institutions $130/yr U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

Latin American Music Review Editor: Robin Moore University of Texas at Austin Latin American Music Review explores the historical, ethnographic, and sociocultural dimensions of Latin American music in Latin American social groups, including the Puerto Rican, Mexican, Cuban, and Portuguese populations in the United States.

Volume 29, Number 2

Colette T. Dollarhide and Donna M. Gibson

Quarterly ISSN 1522-2527

Individuals $48 Institutions $198 Students $36

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Janet G. Froeschle and Mark Riney

Fall/Winter 2008 Adrian Fanjul

Edgardo Díaz Díaz

Acúmulos e Vazios da Persquisa Sobre o Rock Argentino (Accumulation and Gaps in the Research on Argentine Rock)

Danza antillana, conjuntos militares, nacionalismo musical e identidad dominicana: retomando los pasos perdidos del merengue

Fernando Rios

La Flûte Indienne: The Early History of Andean Folkloric-Popular Music in France and its Impact on Nueva Canción Victor Rondón y Alejandro Vera

A propósito de nuevos sonidos para nuevos reinos: Alejandro Vera prescripciones y prácticas músico-rituales en el área surandina colonial

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

Biannual ISSN 0163-0350

Individuals $36/yr Institutions $85/yr

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Volume 51, Number 1

| journals |

Spring 2009 Samu el Be ckett in Austi n and B eyond Emily C. Bloom

“The Protestant Thing To Do”: Anglo-Irish Performance in James Joyce’s Dubliners and Samuel Beckett’s All That Fall Dirk Van Hulle

Hesitancy in Joyce and Beckett’s Manuscripts Rodney Sharkey

Libraries & the Cultural Record E d i t o r : D a v i d B . G r a c y II Un iv e rsity o f Texas at Au s t i n Libraries & the Cultural Record celebrates and documents the work of those who created and preserved the record of human achievement and discovery.

Volume 44, Number 1

Texas Studies in Literature and Language E d i t o r - i n - C h i e f: Ku r t H e i n z e l m a n

2009 p ers o n a l pa p e r s i n hi s to r y: T h e t h i rd i n te r n ati o n a l c o n fe r e nce on t h e h i st o r y o f r e c o r d s a n d a r ch iv e s Eric Ketelaar

Jennifer Douglas

The Genealogical Gaze: Family Identities and Family Archives in the Fourteenth to Seventeenth Centuries

“Kepe wysly youre wrytyngys”: Margaret Paston’s FifteenthCentury Letters Geoffrey Yeo

Custodial History, Provenance, and the Description of Personal Records

University of Texas at Au s t in Texas Studies in Literature and Language is an established journal of literary criticism publishing substantial essays reflecting a variety of critical approaches and covering all periods of literary history.

From Hardware to Software, or “Rocks, Cocks, Creation, Defecation and Death”: Reading Joyce and Beckett in the Fourth Dimension Alan W. Friedman

Samuel Beckett Meets Buster Keaton: Godeau, Film, and New York James Jesson

“White World. Not a Sound”: Beckett’s Radioactive Text in Embers Justin Tremel

“Thought of everything? . . .

Forgotten nothing?”: (Re-)Editing Beckett’s Eh Joe “Someone is Looking at me still”: The Audience-Creature Relationship in the Theater Plays of Samuel Beckett Brian Gatten

The Posthumous Worlds of Not I and Play Sean McCarthy

Giving Sam a Second Life: Beckett’s Plays in the Age of Convergent Media

Sir John Soane: Rewriting a Life Heather Beattie

Individuals $46/yr Institutions $124/yr Students/Retired $28/yr

Where Narratives Meet: Archival Description, Provenance, and Women’s Diaries

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The Velvet Light Trap offers critical essays on significant issues in film studies while expanding its commitment to television as well as film research. Each issue provokes debate about critical, theoretical, and historical topics relating to a particular theme.

The Velvet Light Trap is edited at the University of Wisconsin at Madison and the University of Texas at Austin, with the support of media scholars at those institutions and throughout the country.

Number 63

Spring 2009

Matthew Davies

Susan Palmer Quarterly ISSN 1932-4855

The Velvet Light Trap

Quarterly ISSN 0040-4691

Censorshi p and Regulati on Theresa Cronin

Media Effects and the Subjectification of Film Regulation Nandana Bose

The Hindu Right and the Politics of Censorship: Three Case Studies of Policing Hindi Cinema Laura Cook Kenna

Exemplary Consumer-Citizens and Protective State-Stewards: How Reformers Shaped Censorship Outcomes Regarding The Untouchables

Individuals $40/yr Institutions $121/yr U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

Tessa Dwyer and Ioanan Uricarua

Slashings and Subtitles: Romanian Media Piracy, Censorship, and Translation Censorship, Regulation, and Media Policy in the 21st Century: A Roundtable on Critical Approaches

Biannual ISSN 0149-1830

Individuals $32/yr Institutions $80/yr

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| journals |

ART LIES

Hispania

A Contemporary Art Quarterly

Editor: Janet Perez

Journal of Latin American Geography

E d i t o r : A n j a l i Gup t a

Texa s Tec h Univer s it y

Distributed by the University of Texas Press

Distributed by the University of Texas Press www.aatsp.org

E d i t o r : Dav i d R o b i n s o n

Hispania, the official journal of the AATSP, features articles on literature and language, book reviews, theoretical and applied linguistics, professional and Hispanic/Luso-Brazilian world news, media and computers, along with AATSP official announcements, and advertisements. Publications are released in March, May, September, and December, and are distributed worldwide to approximately 10,000 subscribers.

The Journal of Latin American Geography (formerly titled the Yearbook), is a publication of the Conference of Latin Americanist Geographers. This biannual publishes a collection of articles representing the wide-ranging interests of geographers who research and write on Latin American topics.

Established in 1993, Art Lies, Texas’s and the region’s most prominent and widely read art journal, provides critical discourse on contemporary art by examining current art production, practice, and theory. In addition to critical and curatorial features by artists, critics, and curators, Art Lies offers book reviews and reviews of exhibitions throughout the state and country.

In addition to subscribing to the journal, you may become a member of Art Lies and receive the quarterly with your membership. Contact Art Lies at (832) 366-1388 or visit artlies.org for membership information. Contact UT Press for subscription information.

Fall 2008 D e ath o f the C u rato r

“Art is a lie that makes us realize truth.”

Syracuse University Distributed by the University of Texas Press

For complete subscription information on all UT Press Journals, write to:

Journals Division UNIVERSITY OF TEXAS PRESS PO BOX 7819 AUSTIN TX 78713-7819 www.utexas.edu/utpress/journals/ journals.html

journals@uts.cc.utexas.edu Prices subject to change September 1, 2009. • Electronic versions of all journals except Archaeoastronomy, Art Lies, Hispania, and the Journal of Individual Psychology are available to libraries and institutions through Project Muse. • Back issues of Asian Music, Cinema Journal, Journal of the History of Sexuality, and Latin American Music Review are available electronically through JSTOR.

— Pa b l o P i c a s s o

Biannual ISSN 1545-2476

Quarterly ISSN 1521-1606

Individuals • www.artlies.org Institutions $50/yr

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| Index by Author |

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University of Texas Press

Aldama, Your Brain on Latino Comics . . . . . . . . . . . . . . 46–47

Keen, The Road Goes On Forever and the Music Never Ends . . . . . 6–9

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Alden & Blackstock, No Depression #77 . . . . . . . . . . 10–13

Koontz, Lightning Gods and Feathered Serpents . . . . . . . . . . . . . . 60

Visit us online at www.utexaspress.com

Allred, Enchanted Rock . . . . . . . . 99

Lansdale, Sanctified and Chicken-Fried . . . . . . . . . . . . . . . 24–25

Behramog˘ lu, I’ve Learned Some Things . . . . . . . . . . . . . . . . . . . . . 78

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Benavides, A Library for the New World . . . . . . . . . . . . . . 48–49 Bernardi, Filming Difference . . 74 Bierhorst, Ballads of the Lords of New Spain . . . . 62–63 Bridger, Bridger . . . . . . . . . . . . . . . . 93 Buisseret et al., Historic Texas from the Air . . . . . . . . . . . . . . . . . 96–97 Casadio & Johnston, Mystic Cults in Magna Graecia . . . . . . . . 77 Celorio, And Let the Earth Tremble at Its Centers . . . . . . . . . . . 70 The Charles W. Moore Center, Placenotes—Austin (2nd edition) . . . . . . . . . . . . . . . . . . . 103

Letscher, Lance Letscher . . . 14–17 Löwy, Morning Star . . . . . . . . . . . . 81 McCall, The Power of the Texas Governor . . . . . . . . . . . . . . . . . . . . . . . 101 McCann & North, Handbook of Latin American Studies, Volume 64 . . . . . . . . . . . . . . 69 McSpadden, Texas BBQ . . 88–91 Meador, Princess, Priestess, Poet . . . . . . . . . 76 Naylor, North Africa . . . . . . . . . . . . 51 Nutini & Isaac, Social Stratification in Central Mexico, 1500–2000 . . . . . . . . . . . . . 72 Palmer & Bray, Hollywood’s Tennessee . . . . . . . . . . 75

The Charles W. Moore Center, Placenotes—Fort Worth . . . . . . . 102

Price, Venomous Snakes of Texas . . . . . 98

The Charles W. Moore Center, Placenotes—Portland . . . . . . 30–31

Renaud González, Golondrina, why did you leave me? . . . . . . . . . . 65

Colley & Monday, The Master Showmen of King Ranch . . . . . . . 92

Reyes, Private Women, Public Lives . . .66

Dunn, Blockading the Border and Human Rights . . . . . . . . . . . . . 68

Ridgely & Tudor, Field Guide to the Songbirds of South America . . . . . . . . . . . 26–28

Eckhardt, Duchess of Palms . 100 Flukinger, Fritz Henle . . . . 18–21

Rodríguez, Dividing the Isthmus . . . . . . . . . . . 67

Guaman Poma, The First New Chronicle and Good Government . . . . . . . . . . . . . . . 61

Romberg, Healing Dramas . . . 71

Hernández, Postnationalism in Chicana/o Literature and Culture . . . . . . . . . 64

Shrake, Land of the Permanent Wave (new in paper) . . . . . . . . . . . . 94

Houston et al., Veiled Brightness . . . . . . . . . . . 58–59

Strong & Wilder, Viewpoints . . . . . . . . . . . . . . . . . . 56–57

Jackson, One Ranger Limited Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Tota, The Seduction of Brazil . . . 73

Katz (Kimberly), A Young Palestinian’s Diary, 1941–1945 . . . . . . 79 Katz (Stephen), Red, Black, and Jew . . . . . . . . . . . . . 80

U n i v e r s i t y o f T e x a s P r e s s | Sp r i n g 2 0 0 9

Samuel, Future . . . . . . . . . . . . . . . . . . 50

Spitta, Misplaced Objects . . 42–45

Tweit, Walking Nature Home . . . . . 22–23 Weddle, The Wrecking of La Salle’s Ship Aimable and the Trial of Claude Aigron . . . . . . . . . . . . . . . 104

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