UTS Society of Communications' The Comma 2018 Annual Edition

“The University of Technology, Sydney would like to acknowledge the Gadigal people of the Eora nation as the traditional owners of the land in which UTS now stands, and pays respect to Elders past, present and emerging.�

Maree Graham, Deputy Director, Students and Community Engagement, Jumbunna Institute for Indigenous Education & Research

CONTENTS

CONTENTS 07 08 12 16 18 22 24 28 32 34 38 40 42 50 52 54 56 58 60 63 64 66 68 70 72 74 76 80 81 82 cover art:

Presidents’ Welcome Finn Parker & Kirsten Nheu Committee Address

Should we consume art without politics? Fatima Olumee #FAKENEWS Bronte Gossling Industry Insights

How to nail a job interview UTS Careers Control: Chapter Nine Tara Wesson The way we wear Michael Di Iorio

Sequels are the new black Tayla Curry Showcase: Art

Sleepover Lachlan Parry

People of Australia, I rest my case. Stephanie Luong Showcase: Photography

Why is there no sex in young adult fiction? Thanmaya Navada At the Chinese noodle house Natasha Hau Elon Musk is no unicorn Finn Parker Where’s my fair go? Ben Robinson

Small ways, big waves; Big ways, small waves Mililma P May Thank yourself later Tara Wesson Which UTS building are you?

Help! All I know how to make is spaghetti Natasha Hau

In a glitch? Need a switch? Here my pitch Stephanie Luong Millennials Renuka Chalk

Must-listen albums for students Tahlia Zangari Coming-of-age Cassandra Li First Love Grace Collison

Horoscopes Isabelle Stackpool

I have no fucks left to give Tara Wesson Your say

Read more

@natashar0se

welcome to country art:

@genevieve_antoinette

EDS’ LETTER

A WORD FROM THE EDITOR “How can one little punctuation mark create such a vast and ugly divide between loved ones?”

Melia Dicker, I Won’t Quit You, Oxford Comma (2011)

Images courtesy of Cordelia Hsu (2018).

It’s been a big year for The UTS Society of Communications (UTSoC), particularly in the Publications portfolio. Our online editorial at The Comma has come back full-force and then some, with the introduction of our regular columnists alongside the ongoing sprinkles of contributor fun. We also started our inaugural Big Orange, Little Orange mentoring programme, where first-year students met weekly with their mentoring group, which was facilitated by a dedicated second- or third-year mentor. And now, it is my absolute honour to debut the first ever physical edition of The Comma, an initiative that has been a year in the making.

In this issue, we explore the theme of identity - what does it mean to be a Communications student in this day and age? Fatima Olumee delves deep into the debate of the blurred lines between art, artist and consumer, and asks us; where does the responsibility lie in the morality of art? Meanwhile, our resident fashionista, Michael Di Iorio, explores expression through style, as Cassandra Li comes-ofage with her poetry. Don’t miss the final chapter of Tara Wesson’s Control, or the sage advice from industry leaders, UTS Careers, and Stephanie Luong. I’d also suggest that you take the time to immerse yourself in our artist and photographer showcase. The rest, shall I say, is up to you to reconnoitre.

I’d also like to take this opportunity to thank those that have supported me through my tenure as Publications Director - without you all, I would be a lot less sane. To my family, my partner, and my best friend - thank you for taking care of my heart, mind, and spirit.

To Finn, Kirsten, Sophie, Vanessa, and Michelle - thank you for making this dream of mine a reality. It wouldn’t have been possible without your persistence. And last but not least - to Cordelia, Aaron, and my juniors. Thank you for having my back throughout the year, working tirelessly for hours upon hours, listening to my endless rambling, and picking me up when I fall down. I am eternally grateful.

We hope you enjoy this magazine as much as we enjoyed putting it together.

Bronte

Bronte Gossling.

Publications Director.

Bronte Gossling

THE TEAM

utsoc.com.au/thecomma Editor-in-Chief Bronte Gossling

Head of Partnerships Michelle Xu

Editorial Team Tayla Curry Stephanie Luong Fatima Olumee Tara Wesson

Partnerships Team Aditi Hardikar Natasha Spencer

Head Designer Cordelia Hsu Design Team Renuka Chalk Maddison Gibbs Leo Guo Bel Holborrow Natasha Opt-Land Alex Shute Nima Sotoudeh Genevieve Stewart Sieny Verellia

Partners ActivateUTS UTS Careers UTS Jumbunna Connect with us UTS Society of Communications @UTSoC @UTSoC @UTSoC UTS Society of Communications

Contributors Grace Collison Michael Di Iorio Natasha Hau Cassandra Li Mililma P. May Thanmaya Navada Jack Okeby Finn Parker Lachlan Parry Ben Robinson Louis Royle Daniel Snell Eliza Spencer Isabelle Stackpool Erin Sutherland Lucas Thomson-Moore Will Thompson Tahlia Zangari

Thank you to ActivateUTS, UTSoC’s main sponsors for 2018. We appreciate your support immensely. The Comma’s 2018 Annual Edition is proudly published by UTS Society of Communications, and printed by Fast Print Services. The content of The Comma does not necessarily reflect the opinion of the editors, printers, UTS, or ActivateUTS. The Comma and its entire contents are protected by copyright. The Comma will retain the right to republish in any format. No material may be reproduced without the prior written consent of the copyright holders.

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WELCOME

PRESIDENTs' WELCOME

Image courtesy of Cordelia Hsu (2018).

UTSoC is more than a society. It’s this weird, wacky family, that we encourage every single student at UTS to get involved with. As the 2018 President and Vice-President, we’ve been so lucky to see this society grow, and watch a new generation of UTS students get involved.

In 2018, we’ve hosted numerous social and sporting events, such as our Welcome Back Drinks, our annual pub crawl, The Hunt, Trampoline Dodgeball, Trivia, and participated in the UTS Interfaculty Olympics. Our First Year Camp sold out, with 120 students participating as campers or camp leaders. And we introduced our first End of Semester Party - with DJs, free food and drinks, and drag queens, with all profits being donated to Twenty10, an LGBT+ youth charity that is close to our hearts.

Our Social Justice engagement has continued far beyond fundraising for Twenty10. We’ve worked with The Big Lift (TBL), sending our members to rural areas as documentary makers or reporters, covering the efforts of TBL in providing labour assistance in rural Australia.

We’ve partnered this year with Amnesty International, Oxfam, and continued our work with the Australian Human Rights Commission for our Racism. It Stops With Me. campaign. We’ve launched a second campaign for UTS, the #UTYes campaign, to ensure we’re creating a safe environment for LGBT+ students.

The first-year experience has never been better, with the introduction of Big Orange, Little Orange mentoring programme. More opportunities than ever are available for students to be involved with UTSoC, as members or as a part of the executive team. Our Careers portfolio has allowed our members to learn about their options, as well as providing numerous jobs in communications industries for our members. And the publications team has continued to impress, with their online edition of The Comma, and, if you’re reading this, a physical edition for this year!

And all this wouldn’t be possible without the Marketing, Creative, and Partnership teams within UTSoC, providing us with the social media presence, graphics, and professional networks that allow us to remain true to our vision, and to our members.

It’s been an absolute pleasure to be the President/Vice-President team for 2018. We owe every success for UTSoC this year to our members, and the team members that have worked so hard to create brand-new opportunities and experiences for the UTS community. UTS is the best university in the world - and we’re honoured to have been able to leave our own legacy here.

Finn Parker Kirsten Nheu President Vice President @Finn_Adventures Kirsten Nheu

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COMMITTEE

EXECUTIVE COMMITTEE Vanessa Young Treasurer

Vanessa Young

Being Treasurer of UTSoC has been such a rewarding experience, not only professionally, but personally. It has allowed me to develop greater organisational and financial skills to be responsible in managing budgets, grants and reimbursements. My role as Treasurer has allowed me to be involved in each portfolio at UTSoC, where I have been fortunate to watch the amazing work my society does from behind the scenes. I would like to especially thank Finn for all his help in assisting me in creating budgets for each portfolio and event, without him nothing would have run smoothly.

Sophie Yee Secretary

Sophie Yee

This year I have had the honour of being the Secretary of UTSoC. Being a secretary and working in the leadership team means being the backbone of the society. You might be organising meetings and minutes one day, but the next you’re stepping into any portfolio when needed. It has given me the opportunity to work closely with a lively and diverse range of people whom I have learnt so much from, both professionally and personally.

One of the main joys of being the Secretary has been organising internal events to bring our committee closer together to create a cohesive unit. I remember attending my first UTSoC event three years ago, and thinking how cool it would be to be apart of the team - and that is why I feel so lucky in this role, because I get to create those moments for our committee members.

Michelle Xu Partnerships

Michelle Xu

My role as Partnerships Director involves seeking out external stakeholders to collaborate with, and arranging partnerships and sponsorships. Working as the director of such a new portfolio has been an incredibly rewarding experience, and I feel fortunate to have had an opportunity to collaborate with fellow executives on a range of initiatives and develop valuable external relationships for the society. I’ve also benefited personally from my experiences, as I’ve developed my communication and collaborative skills, as well as learnt entirely new skills related to marketing and pitching our partnership opportunities to external stakeholders. Every year I have been in service of UTSoC in a different role has been exciting and rewarding on multiple levels, and this year has been no different.

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All images courtesy of Cordelia Hsu (2018)

Cordelia Hsu Creatives

Cordelia Hsu

Being Creative director this year has certainly been a rollercoaster of emotions and experiences. Despite being part of the portfolio last year, I definitely did not realise just how much goes into making sure UTSoC showcases is the aesthetic, sophisticated society that it is. My main aim when coming into this role was to increase the amount of video content produced by UTSoC, and I am proud to say this goal was reached, with nearly every event having at least one video produced (whether it was promotional or event coverage). Shoutout to the rest of the committee for trying to adhere to my two-week notice rule. Gotta be honest, I need to schedule in a solid week for procrastination. Thnks fr th mmrs UTSoC 2018.

Isabelle Laker & Javiera Lo-Loyola Social Justice

Isabelle Laker

Javiera Lo-Loyola

Being a part of the UTSoC Social Justice portfolio has been such a rewarding experience. It’s been an honour to work alongside such an enthusiastic and committed group of people, who have each brought unique skills and experiences to the community. This year, we have continued our involvement with NSW RSL DefenceCare, and were part of a team that raised over $30,000 for the Invictus Games. UTSoC has taken a particular interest in LGBT+ inclusion, which began with the first End of Semester party that raised funds for Twenty10, and continued with the launch of the #UTYes video and photo campaign. We’ve also been involved with inter-societal drive, Pay It Forward Week. We hope to continue providing worthwhile opportunities for the society and broader UTS community.

Emily Mead Marketing

Emily Mead

It’s been one eventful year as Marketing Director, from sell-out events to capturing incredible moments of our members experiencing the fun. This portfolio is about so much more than making sure our members know what’s going on in the society. We work really closely with almost every portfolio, and though we’re behind the scenes a lot of the time, it’s so rewarding to see our team grow and become more confident in their roles. It’s thanks to UTSoC that I’m in my current job, and that I have such incredible friends to share the university experience with.

Calvin Lu

First-Year Representative Calvin Lu

Being the First Year Rep for 2018 has been an amazing experience that I’ll be forever grateful for. It has given me a whole range of opportunities, such as befriending people from very diverse backgrounds, organising events and initiatives that have benefited other people within the society; the list just keeps going! Being involved with UTSoC has made me feel at home, and definitely made the transition from high-school to university so much easier. I’d personally like to thank Saskia for getting me into UTSoC, Finn for allowing me to contribute to the society, Bronte for spearheading this wholesome culture, and everyone that I’ve met, hung out, and worked with that has gotten me to where I am today.

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Rebecca Chan Socials

Rebecca Chan

Being the Socials Director for UTSoC this year has been an incredible honour and privilege. We have hosted many events this year, including Welcome Back Drinks, First Year Camp, The Hunt, End of Semester Party, Trivia and Ball. This role has not only allowed me to meet some great people and form life-long friendships, it has also allowed me to develop greater organisational, event-planning and teamwork skills. Being able to see people enjoy and have fun at the events we’ve spent months planning is an incredible and irreplaceable feeling. I would love to thank the entirety of the UTSoC family, and especially my own Socials team, as without them, we would have never been able to pull off such great events.

Connie Yao Careers

Connie Yao

Being the 2018 Careers Director has been an absolute pleasure, and an experience I wouldn’t change for the world. I’m so proud that my team and I are able to create industry events and a digital community to help and support other Communications students in their career endeavors, and it’s always so rewarding when people let us know they secured internships and jobs through our help. Personally, this role has allowed me to meet countless industry works, and has landed me a part-time role that I absolutely love. I’d especially like to thank my juniors who have helped me immensely throughout the year, and wish everyone I’ve met this year through UTSoC all the best.

Saskia Davies Sports

@SaskiaDavies

With the Sports portfolio being new to UTSoC in 2018, this year for me was all about setting up the building blocks for years to come. We have had such a great year so far in terms of overcoming adversity, and being able to provide some sell-out events. For me, I really wanted to make our sports events a space that our members could feel comfortable to give it a go, and spend time with friends. While having nothing go off on one hand made it a difficult for me to plan the year, it was also an opportunity to come up with new ways to involve our members. My juniors this year, Manoli, Oli and Ainsley, have been fantastic in aiding me along the journey, so all of my thanks go to them! UTSoC has really pushed me out of my comfort zone, and has given me so many opportunities to get involved in my uni experience, more than I would have before.

Aaron Liu

Partnerships Aaron Liu

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As a new portfolio to UTSoC this year, the Education portfolio has helped first-year students through the Big Orange, Little Orange mentoring programme, which assists students and builds up their confidence when transitioning from high-school to university. It is such an important initiative, because students should be entering university comfortably and making the most out of their first year in order to build their confidence. I am very blessed to be a part of this portfolio and it has been my absolute pleasure to create different ways to aid first years in any way possible.

Engage with UTS Careers UTS Careers UTS Careers works to equip students with the employability skills, confidence, and advice to achieve their career goals!

Working closely with graduate recruiters, faculties, and industry leaders, UTS Careers offers a variety of services and resources to help students get a head start on their careers. From events and workshops, to in-person consultations and more, we can help!

Visit Us Drop-in for a 15 minute career conversation with a Recruitment Advisor. We can provide advice on a range of career related topics including career direction, job search, and application writing.

UTS Tower Building 1, Level 4, Room 13 (CB01.04.13) Monday-Friday 10am-12pm (no appointment necessary) 1:30pm-4:30pm (appointments are bookable via careerhub.uts.edu.au)

Online Resources UTS CareerHub An online portal for jobs, resources, and upcoming events. careerhub.uts.edu.au Abintegro Take a self-awareness assessment. bit.ly/UTSAbintegro UTS Careers Blog Tips and insights to maximise your career success. utscareersblog.com Professional Mentoring Program Connect with your future mentor. bit.ly/utsmentor

More Information & Registration Visit: careerhub.uts.edu.au (Events Tab)

Contact Careers careers.uts.edu.au careers@uts.edu.au 9514 1471 @utscareers

Check our Facebook page for the most up-to-date opening hours.

Events & Workshops • Workshops - Interview Skills - Job Search - Resume & Cover Letter Writing - LinkedIn Lab • Careers Fair • Networking Events • Careers Meet Ups • Faculty-Specific Workshops • Orientation Sessions • And more!

Careers

art:

@nima_8s8

CONSUMERISM

cAn

shouLd we coNsumE art withØut politics?

Fatima Olumee @FatimaOlumee

content warning: mentions of sexual assault, homophobia and gendered violence

Their art is irrevocably enticing. You connect with it on a spiritual level.

Yet, when ‘Problematique’ is the artist’s middle name, enjoyment becomes a political battleground.

I remember the first time I ever read an Enid Blyton book. She opened up a whole new fantastical world of outlandish creatures for me to explore. Her stories were my ultimate escape, to the point where I felt that the Faraway Tree was my home and Silky the fairy and Moon-face were my true friends.

This complex isn’t so uncommon. Most of us have grappled between an artist’s sketchy identity and their brilliant art; where do we draw the line between condemning someone’s controversial actions, and enjoying their work?

It’s easy to argue that loving Chris Brown’s music isn’t the same as condoning his history of violence towards women - or is it? Can Suddenly, one fateful day, the Blyton bubble one argue the same with XXXTentacion’s burst. The woman who I had envisioned to music and his violent homophobia? be a rosy-cheeked maternal figure, my idol, Can supporting the art of convicted

felons be equated to was exposed as a Every ticket sale, every review, supporting the crimes nightmarish mother and and every award themselves? furthers the When an adulterer, according exposure of these maestros,

does art stop being to the headlines of

just art, and start 2009. I didn’t want to building up a stage brick by something believe it. I couldn’t. brick until it’s high meaning enough to be

more?

Was it ever just It wasn’t until Blyton’s seen worldwide.

art in the first place? own daughter, and then her granddaughter, confirmed the facts, Does supporting an artist align you with their that I knew it had to be true. The woman actions? who had inspired my vivid imagination and introduced an abundance of light to Some find it easy to separate personal children’s bedtimes hadn’t had one maternal controversy from an artist’s work. Others gasp bone in her body. Despite the illusion being in horror when they find out you enjoy the shattered, somehow, I couldn’t let it taint art of the problematic. Their perspectives her stories. They had been such a colossal instantly switch to a black-and-white lens, part of my upbringing, and felt separate to automatically associating you with the artist’s the person Blyton had realistically been. deplorable actions, as if your support of 13

CONSUMERISM the artist is synonymous with support of all the ideological views that make up their very being. While this may not be true, it is undeniable that the financial support of their art enables the continuation of their accolades, influence and status.

Your money undoubtedly lined the pockets of Harvey Weinstein when you saw Ella Enchanted with your mum in 2004, or Vampire Academy with your high-school crush in 2014.

Does this make you think twice about the art you consume? In consuming these, are you validating not only the art, but the creator’s very being?

label of feminism. Despite many disagreeing with these statements, most wouldn’t even raise a brow if Ms Mitchell’s music started playing at a party. Similarly, Ms Woodley’s disassociation from the feminist movement hasn’t stopped people from watching her latest flicks at the cinema. In fact, anti-feminist sentiments aren’t commonly reflected in their work - and perhaps that’s why they’re easier to stomach.

Yet, it seems almost impossible to separate the artist from their art when the art closely mirrors reality. Woody Allen, for instance, has been accused of But in a society riddled with the childhood sexual problematic, where assault does the guilt When economic by adoptive begin and end?

There are other figures support acts as the daughter Dylan Farrow. saviour of sullied in the limelight who have had their reputations, one can share of scandal, yet Simultaneously, the don’t make you infer that knowing who fetishisation of older want to put up your pitchforks when the artist is transcends you find out that your men grooming friends support the significance of the younger women them. meaning of the art itself.

is evident in his films.

Every ticket sale, every review, and every award It would be an interesting dichotomy if furthers the exposure of these maestros, his real-life exploits were detached from building up a stage brick by brick until it’s his art, when the former so often high enough to be seen worldwide. That bleeds into the latter - especially within stage comes with lights that flash between the climate of the Time’s Up and #MeToo the gaps of the masses, who are swaying movements. Magic in the Moonlight (2014), to the symphony vibrating through the for example, featured a 25-year-old Emma speakers, controlled by the press of a button Stone playing 53-year-old Colin Firth’s love on a mixing console. This stage is about interest. This one isn’t so objectionable, given projection; a carefully-curated amplification that two consenting adults are involved, of the voices that the conductor wants to be however, this hasn’t always been the case. heard. When you have the luxury to get lost in Oscar-winning Manhattan (1979) depicted a the trance, you are in a position of privilege.

42-year-old Allen romantically paired with a 17-year-old Mariel Hemingway. Furthermore, But in a society riddled with the problematic, the planned A Rainy Day in New York where does the guilt begin and end? There romanticises statutory rape through featuring are other figures in the limelight who have an explicit sex scene between an adult man had their share of scandal, yet don’t make and a 15-year-old girl. Due to Ms Farrow’s you want to put up your pitchforks when allegations, this film may never premier, which you find out that your friends support them. exemplifies the fact that in this case, there These are artists like Joni Mitchell or Shailene really is no dividing the filmmaker’s actions Woodley, who have been criticised for from his craft - particularly because the craft distancing themselves from the man-hating felt direct repercussions from his actions.

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CONSUMERISM Yet, to me, shock registered at the outpour of hate towards Debby Ryan for her role in Netflix’s Insatiable (2018). It’s no secret that human perspectives differ often, and that the online microphone only emphasises the voices of the irrational and narrow-minded.

While the show reflects destructive themes surrounding body image and extreme acts of revenge-fuelled violence, it struck me as odd that the lead actress took the greatest hit. Ms Ryan stated that she felt Insatiable confronted issues surrounding fat-phobia and bullying in a satirical manner, and aligned with her own personal struggles towards her body-image.

Even considering the show’s controversial message, however, it seems incongruent that the script writers and producers, the ones who have the most control of the storyline, were exempt from criticism. This makes one wonder - was Ms Ryan’s receiving of online hate because the audience blamed her for the destructive message, or simply because she was the most popular and visible star of the show?

Should an actor always be positioned as adjacent to the overall message of their art?

In January 2018, Selena Gomez was heavily criticised for her involvement in Allen’s A Rainy Day in New York, alongside cast members including Timothée Chalamet and Rebecca Hall - Mr Chalamet and Ms Hall later revealed that they will donate all earnings from the movie to the Time’s Up movement, yet Ms Gomez, a notorious champion of women’s rights, has declined to directly respond. Ms Gomez stated: “To be honest, I’m not sure how to answer - not because I’m trying to back away from it. [The Weinstein allegations] actually happened right after I had started [on the movie]. They popped up in the midst of it. And that’s something, yes, I had to face and discuss. I stepped back and thought, ‘Wow, the universe works in interesting ways.’”

About the #MeToo movement, she then went on to say: “I feel all of those things. I’ve cried.

But I’ve definitely feel hopeful. As people speak out, I hope that feels powerful to them, because they deserve to feel that.”

Is Ms Gomez at fault, when Allen is yet to be convicted, and still has the ability to make movies in the first place? Why are actors held to different standards than directors and producers? Where does the responsibility lie?

Whether you’re enticed by their art or they’ve been your idol since you were a kid, perhaps it’s the severity of an artist’s actions that allows one to judge where to draw the line. I couldn’t bring myself to boycott Enid Blyton’s books when her worst crime was not being maternal enough. Yet, when you throw in the likes of racism, sexual abuse, homophobia, misogyny or violence, that’s usually where prolific fans falter. It’s always difficult to reconcile with the cold, hard and ugly truth that our cultural icons aren’t always the people we envisioned.

These figures, anything but perfect, often inspire strong emotional attachments from fans that transcend logic. And beyond the artist, is the art itself. In our postmodern society, once something has been created for the world to consume, it no longer belongs to the artist. Whether this means art should be valued in isolation, in spite of the inevitable support directed towards the artist, is for you to decide. Each and every individual will always possess their own distinct perception on the issue.

Specialist support is available by calling the National Sexual Assault, Domestic and Family Violence Counselling Service on 1800RESPECT (1800 737 732), or Twenty10 on (02) 8594 9550.

UTS also has support resources available oncampus.

For more information, visit: uts.edu.au/currentstudents/support/when-things-go-wrong/

accident-or-illness

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PRESS FREEDOM

#fakenews Bronte Gossling Bronte Gossling

In the era of fake news, press freedom means many things to different people. Can true journalism be reconciled with its current image?

It was winter when I visited Washington D.C.; record-breaking cold was sweeping through the East Coast thanks to a ‘bomb cyclone’, painting the streets a dreary grey and coaxing pedestrians to draw their coats a little tighter to their bodies in a vain effort to avoid the bonechilling wind. Some chose to seek refuge in a Starbucks or one of the Smithsonians, while others, like myself, chose to venture into the Newseum - a museum dedicated to the free press movement and the meaning behind America’s First Amendment.

Alongside regular exhibits, such as the 9/11 gallery and the Berlin Wall gallery, stands the Fake News exhibit, unveiled in late 2017 in response to the 2016 presidential election, and the meme made from Donald Trump’s favourite PG-rated phrase. Visitors, young 16

and old alike, stop and chuckle at the enlarged photo of Donald Trump gesticulating wildly with his orange hands.

It’s nice that they can laugh, I mused, while making my way to the third level, the home of the journalist memorial.

Although fake news undeniably exists (just look at the Deception Detection Across Australian Populations (2009) report), Trump’s appropriation and weaponisation of the term to reflect news that doesn’t agree with his administration has created a vacuum of media distrust in America, and worldwide.

To understand the potential long-term effects of this phenomenon, one only has to look at the 2,323 names emblazoned on the memorial.

As a journalism student, it’s easy to get caught up in the stories where risk and danger mean nothing in the face of breaking the next big thing - stories like Spotlight (2015), The Post (2017), or even His Girl Friday (1940). The art:

@sienytara

PRESS FREEDOM

severity of these events is masqueraded

by Hollywood glamour, where truth never fails to triumph in the face of evil. In reality, journalists such those memorialised at the Newseum don’t have the luxury of basking in the glamour. Pick a name on the memorial, any name; most likely, they would have died for their pursuit of truth.

June 2018, Australia itself is not a perilous place to be a journalist - at the moment.

Paul Murphy, chief executive of the Media, Entertainment, and Arts Alliance (MEAA), however, highlights in MEAA’s Criminalising Journalism (2018) report that the drafting of National Security Legislation Amendment (Espionage and Foreign Interference) Bill 2017 and Foreign Influence Transparency Mohamed Abazied, 40, died in an airstrike Scheme Bill 2017 by the government is in Syria while live-streaming his news report extremely worrying, even more so with the about Russian and Syrian airstrikes to increase in privatised media outlets and Facebook. The most decrease in the ABC’s famous investigative - arguably the largest There can be no press freedom journalist in Malta, and most reliable if journalists exist in conditions Daphne Caruana public media outlet of corruption, poverty or fear.” Galizia, 53, was killed International Federation of Journalists funding. These bills, by a remote-controlled drafted to combat bomb that was planted espionage and foreign in her car. Gauri Lankesh, 55, died instantly when a gunman pulled up next to the front of her house and shot her in the chest and abdomen. Christopher Allen, 26, was wearing a clearly-labelled press jacket, but was deliberately shot in the head while reporting on the civil war in South Sudan.

Miroslava Breach Velducea, 54, died after eight shots were fired into her car while she was taking her son to school in Mexico - a note was left at the scene, which read: “For being a loud mouth.” Christopher Iban Lozada, 29, was killed after receiving death threats saying “leave Bislig if you do not want to die” - the mayor of Bislig City has been named as a person of interest in his death. These are only six of the journalists that have been killed in 2017.

While Australian journalists have been punished for their reporting, as seen through James Ricketson’s arrest in Cambodia in

interference, would have jailed journalists, editorial production staff, legal advisers and potentially admin workers for handling sensitive information that came across their desk - also known as doing their jobs.

Thankfully, a legal defense loophole of “reporting in the public interest” was added to these bills before passing, however the effectiveness of this is yet to be seen.

In this era of the press being labelled as the enemy of the people, it’s becoming increasingly obvious that the truth doesn’t matter, and journalism - journalists - are paying the price. The press is meant to be the voice of and for the people, and government legislation against the press is effectively an attack on the people it’s meant to govern. President Trump’s #FAKENEWS and tiny hands might be a funny meme, but his mentality is a dangerous sign of the Capitol-esque society that is to come.

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PROFILE

Industry insights It’s one thing to study Communications, but it’s another thing to put your theory into practice. These industry leaders are here to help you with the transition.

Cathy Wagstaff

CEO and Group Editor at Signature Media Cathy Wagstaff

Having founded Signature Media in 1993, Cathy Wagstaff pioneers Australia’s largest and most-respected independent publishing house specialising in luxury and family travel content. Cathy is in charge of over six titles, manages a team of over 25 internal and freelance staff, and mentors interns and younger staff, all while staying up to date on the latest travel trends.

What do you believe is the most challenging part of working in the Communications industry? One of the most challenging parts of working in the media industry is staying relevant and informed.

We overcome this by constantly attending training programs and events to keep up-to-date with current trends, technology changes, new opportunities, and to know what is happening in our industry as a whole.

Image courtesy of Dave Bennell/

What do you look for in an employee? I value attitude over Big Kiss Creative (2017). experience. If you come to work with a smile, a can-do attitude and respect your fellow colleagues, you will fit in well. We also look for staff who are willing to go the extra mile, put up their hand to attend an event or help out with a client meeting. I like to see a willingness to learn and develop skills. I look for someone well-presented, as much of a journalist’s job is forwardfacing.

Has your career path been as you first intended? I started Holidays with Kids by myself as a stay-at-home-mum working from home. The team soon grew to four and we moved into a commercial office. We have continued to grow, launched more titles and employed more staff.

If you could go back in time and give your student self a piece of advice, what would it be?

Never limit yourself. Know if you put your mind to it, you will succeed.

What advice do you have about transitioning from study to practice? Get as much industry experience as you can, as soon as possible. Aside from getting an internship, I would also suggest starting a blog. Having a visible online presence is one of the first things that employers look for in their preliminary research. Pursue a mentor. Ring the people that you admire and ask them. A lot of industry leaders are busy, so limit the amount of time that you’re requesting. Respect their time, and ask them what is convenient for them. This might mean that you meet them at their office after business hours, or even at their local coffee shop on a Saturday morning.

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art:

@belholborow

PROFILE

Olivia Dodds

Project Manager at Elton Consulting Olivia Dodds

Having worked in the field for four years after graduating from UTS with a degree in Public Communication, Olivia now provides communication and engagement services to clients with Elton Consulting. This involves anything from writing media releases, developing strategies and providing advice, to facilitating discussions and speaking with the community about major projects.

What do you believe is the most challenging part of working in the Communications industry? From a consulting perspective, it’s the need to understand technical and complex topics in a short period of time, and then having to communicate clearly and confidently about them. To overcome these challenges, I ask questions of technical experts, and then try to explain it to a family member (poor Mum!).

What do you look for in an employee? I mainly look for an individual that’s a cultural fit. Our company vision is, “Making a difference to cities and regions, communities and organisations”, so I am on the lookout for someone who is community-minded and hard-working. Technical ability is important, but secondary to this.

Image courtesy of Sally Flegg (2014).

Has your career path been as you first intended? When I first went to university, I wanted to get into public relations in the film industry. In my last semester, I did a subject on community engagement and decided it was a better fit for me. Just after finishing, I saw the advertisement for Elton Consulting’s graduate position in communication and engagement, and got it!

What advice would you give to someone looking to break into the industry? Start interning now, and consider finding internships that give you a flavour for different career paths within the field - communications and media is so varied. For example, my first internship was within a PR firm, and, while it gave me great experience, I soon realised that straight PR was not for me. My next internship was with the NSW Department of Premier and Cabinet, working on Australia Day 2014. This gave me an introductory insight into the world of State Government and definitely helped get me the grad position at Elton Consulting.

It’s really not until you start putting the theory to the test that it truly makes sense. Interning in a full-time capacity during holidays is also a great taster for work life – juggling priorities, attending meetings and owning things – and provides you with great content to draw on in interviews for graduate positions.

If you could go back in time and give your student self a piece of advice, what would it be? Read the readings, and go on more trips during your university holidays. It’s so easy to cruise through uni just doing the bare minimum, but your experience can become all the more rich through engaging properly with the resources provided, and capitalising on your tutors’ knowledge and experience. And then go on holidays whenever you can – you will soon only have four weeks of annual leave!

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PROFILE

Tricia Wunsch

Program Director (Transport) at Kathy Jones & Associates (KJA) Tricia Wunsch

As part of KJA’s executive leadership team, Tricia leads the transport consulting team, overseeing projects and business development.

She has 28 years of corporate affairs and communications experience in the private and public sectors, as an executive, consultant and adviser to CEOs and boards.

What do you believe is the most challenging part of working in the Communications industry? The most challenging is also the best: You need to know your organisation as well as the CEO does, and every day is different. One minute you’re project managing the minutes of your company’s annual report, and the next you’re giving TV interviews in a crisis. To meet these challenges, I’ve capitalised on my strengths and addressed my weaknesses. For me, the latter was understanding finance - so I could communicate company financial reports and manage multi-million dollar budgets. By seeking CFO mentors and taking the Australian Institute of Company Directors course, I’ve turned this into a relative strength.

Image courtesy of KJA (2018).

What do you look for in an employee? Raw intelligence, resilience and drive. A natural curiosity and a desire to make sense of the situation and act, because a job doesn’t always turn out to be what you expected.

Has your career path been as you first intended? No! I originally completed a post- grad in journalism, but there were no jobs in Western Canada. I’d heard about ‘the other side of the fence’ – corporate communication – and set my sights, cold-calling big companies to find a Head of Communications to hire me. Meanwhile, to make ends meet, I applied to be an adjuster at an insurance company. They didn’t hire me for that job, but three months later called me back to interview for their internal communications team. I got the job, and my career was born.

What advice would you give to someone looking to break into the industry? There are so many avenues for communications, from corporate to government to consultancy. Overall, I would say pursue your plan and persist, but stay open to opportunities that come your way.

If you could go back in time and give your student self a piece of advice, what would it be?

You have time; life is long and so is a career. Maintain your enthusiasm, don’t put yourself under too much pressure. Progress occurs in its own time, so long as you put in the effort.

Does your work change when you work in different sectors? The skillset is similar, but the functions and stakeholders vary. For example, in the private sector, you’re dealing with shareholders, media, customers, issues management, employee comms, regulatory and government relations – at least nationally, usually internationally. In government, you have a state or national remit, and a public policy focus with political sensitivities to manage.

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PROFILE

Scott Newton

Senior Project Manager (Practice & Innovation) at Kathy Jones & Associates (KJA) Scott Newton

Previously in Sales, Recruitment and Marketing, Scott is a relative newcomer to the Communications industry with just four-years experience, Scott is one to watch. Currently, he manages client projects for KJA, as well as the company’s Innovation Hub, which provides fresh engagement solutions for clients.

What do you believe is the most challenging part of working in the Communications industry? Like politicians, communications and engagement practitioners are expected to engage in a wide range of topics. I have facilitated workshops and meetings around health, arts, smart technology, maritime safety and even chickens.

I’ve found the trick is to let the experts be experts and focus on what I’m good at – guiding the group towards a shared decision.

What do you look for in an employee? When I recommend someone for KJA, it’s because they demonstrate that which can’t be taught – intelligence, initiative, critical thinking and attention to detail. Consultancies are fast-paced environments that require people who will ask the right questions, make sense of what’s required and deliver on it efficiently to the best of their ability.

Image courtesy of KJA (2018).

What advice would you give to someone looking to break into the industry? Don’t say ‘no’ until you’ve let an opportunity grow a little. When I started at KJA, I was looking for money on the side while I pursued a career in Video Game Development. Now, I see the facilitation and innovation skills I’ve learnt at KJA forming the basis of my future career. If I had simply seen KJA as a side hustle and nothing more, I would never have seized the opportunities that have got me to this point.

If you could go back in time and give your student self a piece of advice, what would it be?

I would tell myself to broaden my skillset beyond communications. General knowledge isn’t as important as it once was, but general skills are. I would have thrown myself into design, management and programming courses, and found groups of young enthusiastic people who were into these things so I could learn from them. That’s what I’m trying to do now.

What advice do you have about transitioning from study to practice? I’m a learn-on-the-job type, so when I look back to university, what I really took away with me were ways of thinking.

A lecturer once told my cohort that we are the ‘literary elite’. I would go further than that and say we are the ‘engagement elite’. Jump into your work with enthusiasm but remember that, as someone who studied communications and engagement, it is your responsibility to advocate for the inclusion of everyone in the conversation.

What is different about working with government clients? Government exists for the people, so its agencies are accountable to everyone on the street. They are looking to us for cost-effective and transparent engagement in what is a complex environment of politics and media scrutiny.

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CAREERS TIPS

how to nail your next job interview UTS Careers @UTSCareers

Interviews can be nerve-racking, but with a bit of preparedness, you’ll blow everyone out of the water So, you’ve got a job interview. Your résumé has caught the eye of someone in the right place, you’ve received an email, or maybe a phone call, and set a date. This isn’t your 9:00am class – you’ve actually got to show up, and then some. Here are some hot tips that will help you do more than just get your foot in the door.

Know who you’re talking to

Before any interview, it’s a good idea to do your research on the company so you can demonstrate some real insight into what the company would desire in an employee, and show enthusiasm for the position in general. Jump online and check out the company’s website, social channels, and any media written about them. This will help you understand their values, products and services, competitors, key projects, and clients. Pay particular attention to their mission statement, as this is will help you decide on if you’d like to work with the company in the first place. It’s also smart to read up on the industry in general, so you can understand where the company sits within the wider community.

Plan ahead

Aim to get to the interview site early – try for at least 15 minutes prior – and look up your transport options in advance so you can take traffic into account. You also want to make sure you’ve memorised your résumé and cover letter, and have a printed copy to bring along with you on the day so you’re 22

ultra-prepared for any direct questions you may face.

Lastly – and this may seem obvious – but shower before the interview, and avoid any strong-smelling food or perfumes so that whoever meets you can be immediately overwhelmed by your stunning personality, rather than what you last ate. You want to be remembered for your impressive answers and attitude more than anything else.

Make a good first impression

Ensure that you’re dressed appropriately for an interview. This means making sure whatever you’re wearing is ironed, not overly complex, tight, or revealing, and doesn’t have any missing buttons, stains, or rips.

And, unless you’re told otherwise, dress for a corporate setting and avoid any fancy colours or patterns. UTS Careers Resource Booking System is a convenient way to borrow a suit or professional outfit if you don’t have one on-hand.

Make sure your mobile phone is turned off or on silent before you go in for the interview, and don’t look at it for the duration of your meeting. Tackle those nerves by taking deep breaths, trying out some power poses, and rinsing your hands under cold water if they’re sweaty. And when it comes to the handshake, try to remember that it’s not a competition about who can crush the other’s hand the fastest. Aim for a firm grip and avoid pulling their hand towards you, or any other more ‘aggressive’ handshake techniques.

CAREERS TIPS In fact, if you want to make a good impression, before you’ve even gotten to the interview, make sure your personal social media channels are air tight - set them to private, or if that’s not possible, ensure that you don’t have any controversial posts displayed. Try to ensure your LinkedIn is also up-to-date, with all your achievements listed.

Behavioural questions ask you to provide an example of something you’ve done in the past, so you can show that you have a specific skill. To answer these questions, use the STAR technique. If you frame behavioural questions like this, then you’re sure to cover all the important elements an employer is hoping you’ll get across.

Answer questions like a pro

Make sure to ask questions too

Before any interview, try to practice So you’ve answered the interviewer’s answering interview questions based around questions, the interview is winding up, and the role you’re applying for. Get a friend or your only goal is to dash from the room family member to test you so that you can and have a celebratory cuppa to calm get some of your answers down, right?

Not down before you quite. At the end of even get there. When most interviews, the you’re in an interview, interviewer will ask if 1. Describe the SITUATION you’re there are three main you have any questions using as an example – set the types of questions an for them. Your answer scene. interviewer will ask you: should be yes. Use the general, situational, 2. Detail the TASK by noting the research you did on the and behavioural company and the role’s problem and challenges you questions. position description to faced. come up with two to 3. Tell them the ACTION you took General questions are four questions so that to resolve the issue. the ones they normally you’ve got a backup if 4. Finish up with what happened – start with things they answer any during the RESULTS of your actions. like: “Tell us about the interview. yourself”, “What’s your biggest weakness”, or Then, after you leave, “Why should we hire you?.” If you practice send them a nice email or card thanking them beforehand, these should not cause you too for their time, and referencing something you much stress. When answering the dreaded spoke about in the interview. This will really ‘biggest weakness’ question, think of a solidify that good first impression, and leave weakness you have that isn’t directly relevant everything on a – literally – positive note. to the role, and follow up with what you’re doing to improve on it.

This article was produced in partnership with UTS Careers. For more career-related Situational questions deal with hypothetical information, advice, and job listings, head scenarios where the interviewer is trying to to careers.uts.edu.au. test your problem-solving skills. They’ll give you an example of a problem arising and ask what you would do. Your response should be based on your experience and skills, and the research you did on the company.

STAR:

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chaptEr 9 Tara Wesson Tara Wesson

With a chorus of well wishes and salutary gestures behind them, Louisa, Lily-Belle and five of the camp’s best soldiers began their long walk into The Sanctuary. They chatted away easily, but it was threaded with a hint of solemnity. Anxiety threatened to take hold of Louisa, teasing and dancing around her passing thoughts, but she forced it away.

Panic had no place in the plan, and would only ruin everything. Everything. She tried, with persistent strength, to ignore the fact of her own importance in the success of the revolution. To distract herself, she ran through the plan in her head for what felt like the millionth time.

She and Lily-Belle, with their team of reinforcements, were to make the journey into The Sanctuary first. Assuming she was being tracked - and Louisa did, but it wasn’t known for certain - the government would be waiting and watching, with plenty of warning to defend against the revolution they most certainly knew was coming. The only reason they’d let her into Camp Code was because Lily-Belle had apparently begged, despite the risk she posed if she was being tracked.

Maybe she was naive in the assumption that she was being tracked, but even if she wasn’t… within minutes of breaking the city’s 24

borders, they would be seen. On camera. By police patrols. In the walls of The Sanctuary, nothing was missed.

“Classic red herring,” Ava had called it when she’d first ran through the plan. They’d expend all their defences too early, upon she and Lily-Belle’s arrival. They’d be safe, she’d been assured each time anew. That was what the reinforcements were for. The government, they hoped, would assume it was a false alarm. Maybe their plan was fallible, but they’d be prepared.

Next, she and Lily-Belle would seek out her father. He’d be somewhere within the walls of government house, at the helm of the defence operation. This would be his big chance to prove himself to his superiors. The Governor of Defects, she recalled with a shudder... cold, callous, and in complete command. LilyBelle’s appearance, they hoped, would shock and distract him long enough from the arrival of the hackers and the soldiers. Even if the first phase of the plan failed, the sheer size of the army would be incontestable.

The soldiers would storm government house and break the hackers into the mainframe room. That’s where the hackers, with every art:

@natashar0se

CONTROL line of code rehearsed for obsessively, would shut down every code in the city. It would render the government powerless: for every child in The Sanctuary, the umbilical cord of code connecting their brain function to the mainframe computers would be switched off. There would no longer be the threat of severing and thus killing them from the mainframe, nor would they be at the mercy of Governor August, who would starve them and their families slowly, should they ever stop encoding. Individuality, off the grid, would be restored, and without technology at the heart of their cause… what would be left?

“Run!” came the shout from up ahead. The police car was close on their heels, and Louisa broke in to a run, helping Lily-Belle as fast as she could alongside her. A single police car skidded over the curb, stopping the soldiers in their tracks. The soldiers backed away, guns pointed, and formed a protective circle around Louisa and Lily-Belle. The walls of government house towered above them.

“Drop your weapons!” the policeman screamed as he slammed the door and moved toward them. The soldiers didn’t move.

“I’ll shoot! I will!”

They were getting close, one of the soldiers announced, their tone muffled from beneath their helmet. The forestry was dense until The Sanctuary’s city limits: Louisa remembered that. She still had the salient memory of feeling as though she’d been running through the forest for so long, that night she ran away, that she was stuck on an endless dream loop of some kind. It was no wonder she’d gotten lost, but the soldiers seemed confident in their navigation.

Reaching the streets, Louisa’s heart began to race. The soldiers moved first. Louisa and Lily-Belle, her hand clammy in hers, followed closely. Though the usual sounds of traffic roared nearby, it felt nearly silent to Louisa, who was listening for a sound she knew would come: sirens. But there was nothing.

“I don’t think they know we’re here,” LilyBelle whispered. The soldiers formed a crouched circle around the two of them as they walked - they’d be soon spotted, and they didn’t have long. They just had to make it to government house and find Governor August. So long as they weren’t captured or injured, it wouldn’t matter if they were seen. For two blocks, their passage was uneventful. And then came the sirens.

Louisa had been so focused on the policeman, she hadn’t noticed Governor August emerge from government house.

“Don’t shoot,” came his order, loudly. Drily, almost. His face was impassive as he strolled toward the group. He raised his hands - he was unarmed. His gaze settled on Louisa, and seemed to bore straight through her. There was no flicker of recognition: he could just have easily been regarding his finger after a papercut. That was, until he saw Lily-Belle.

The entire conflict was frozen in the splitsecond of Abel August’s realisation. The colour drained from his face.

“Lily-Belle.” he said slowly. His tone was heavy, as if suffused with pure, distilled dread.

“Abel.” Lily-Belle spat.

He didn’t have time to say anything more; the soldiers and the hackers had arrived. Three hundred-strong, they roared up the footpath and straight toward them. The soldiers held shields over the hackers as they ran, sheltering them from the bullets that had begun to come from the police snipers positioned on the balconies of government house - when they had gotten into their position, Louisa did not know.

25

CONTROL Amidst the chaos of the soldiers, hackers and government fighters, Louisa craned her neck in search of Lily-Belle. She’d lost her and Lily-Belle, without sight, would lose her way in the crowd. With a pang of relief she spotted her honey-coloured head of hair, and seized her by the arm, squeezing her hand to let Lily-Belle know it was her. Now she needed to search for cover: their part in the plan was done. Seeing a sandstone alcove on the side of the street, she ducked and dove through the gaps in the crowd, pulling LilyBelle behind her. It was quiet in the shelter: the sounds of the riots seemed to swell and hit a wall somewhere between them and the alcove. Slowly, Louisa caught her breath. At first, her breaths were large, heaving waves of panic, but they settled to a more steady pace as Lily-Belle squeezed her hand in quick, comforting successions. She didn’t notice her father’s approach. He crouched before the two.

“Louisa.” She looked up, startled, and his shrewd grey eyes pierced hers.

“F-fa…” Louisa began, right as Lily-Belle said, more loudly, “Abel. You can’t be here.”

“I was wrong. For so many years and on so many counts, it breaks me to even think about it. I’ve wished so many times, that I could have gone back and changed everything, right where it all started to go wrong. I got sick of wishing for that, Louisa. Sick of the pain it was causing me, so I became this remorseless… thing. There’s nothing important in what the government stands for. You were brave enough to face that fact before I was and I’m so, so sorry. Louisa, will you…”

Louisa narrowed her eyes. She paused, thinking deeply. “You killed mother. You made Lily-Belle blind. I don’t know whether to trust you anymore, Father. Fatherhood in itself only guarantees a certain amount of trust from a daughter, and when you waste that -” 26

“Let me prove myself again.” He waved a hand behind him, dismissively at government house. “All of this is ending. You’ve outnumbered us.”

“They’re shutting down every chip in the city.” Lily-Belle said. “And you’re here, after sixteen years, tail between your legs, Abel.”

“I am. I don’t know what else I can say.” He sighed, defeated. Louisa was watching him incredibly closely, and she tilted her head sidewards. Bit her lip. She was thinking. Abel raised his gaze to her face and that was when Louisa finally broke out in sobs. She nearly leapt forward, throwing herself into Abel’s arms: he nearly fell back, so surprised was he with this sudden motion. Then, he relaxed and held her tighter. He, too, began to cry into her shoulder.

“I-I… I could never bear to look at you properly, Louisa. You looked too much like your mother. And when you, when you… learnt of the rebellion, it was too painful. Too much. But I love you for it, so much. She never died, Louisa.”

They stayed there, still, clinging to one another in the middle of the chaos, for a long time.

“She’s lived on, Louisa, in the spitting image of you.”

Read previous chapters here:

FILMS

ThE uLtimate cØming of age fiLms Tayla Curry Tayla Curry

Adulting is not the easiest thing in life to learn, but it is a necessity. It can be messy, and awkward, but it can also be beautiful. These five comingof-age films provide a realistic approach of growing up, and learning just how to be an adult.

Lion (2016)

A biographical drama that tells the true story of a young boy who set out to find his Burhanpur-based family after 25 years of separation, this film received six Oscar nominations, and was one of the highest grossing Australian films in history. Lion showcases the raw struggles of Saroo as he navigates through his childhood alone, scared, and learning to fend for himself.

Through his journey, Saroo learns the power of love, the meaning of family, and the hope for answers - and so will you.

The Breakfast Club (1985)

This comedy follows the stories of five teenagers trapped in Saturday detention together, with a single task; write a 1000word essay on who they are. This task proves challenging, as each individual is forced to open up and analyse their fears, hopes and dreams for the future. While at the beginning of the film they are each stereotyped, they come to the realisation that they have a lot more in common than first thought.

art:

@leo_eats_art

The Perks of Being a Wallflower (2012)

Featuring Emma Watson in one of her first roles since her Harry Potter residency, this film follows the socially-awkward Charlie in his first year of high-school. The Chboskydirected drama brings to light the challenges that often come with grief and growing up, through Charlie’s befriending of Sam and Patrick, spurring him to come out of his shell.

Stand By Me (1998)

This Stephen King film explores youth and nostalgia as four teenage boys search for the body of a missing boy. Gordie is still dealing with the grief over the death of his best friend and brother, Chris comes from a house of criminals, Teddy has a mentally ill father and Vern has been bullied for his weight. Each journey physically and mentally, and learn the true meaning of friendship alongside the audience.

The Intouchables (2011)

This French film details the story of a man who becomes a quadriplegic from a paragliding accident, and hires a young man to be his caregiver after his injury. This man has no interest in the job, and was only there to get the signature that would allow him to receive his welfare benefits. After receiving the position, his unconventional caring method leads to a beautiful friendship, and a greater understanding of people and one’s place in the world.

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FASHION

the way we wear Michael Di Iorio @MichaelDiIorio1

The moment we step out the door, we are letting the world know who we are and what we stand for – all without saying a word.

No matter how you wear your clothes, the fact that lies beneath your choice of outfit is that fashion is more than a means to look good – it’s a form of identity.

yourself, but then find the perfect look to represent that. And it also has to fit. As tempting as it was to walk around in a giant Snuggie, with a beanie and ugg boots for good measure, I knew deep down that my preference of comfort would have to have an element of sophistication to it as well.

I first noticed the powers of fashion when I started university. The second I set foot on campus, I was surrounded by Grecian deities who all differed in style Throughout my university and with one quick When people looked at me, was the experience, my style has evolved. glance, I could see confidence within me reflected in my continuously What matters the exactly who they style? most is that I can look were.

Approachable.

in the mirror and absolutely love myself both Fashionable.

And the twist of the knife was their striking self-confidence. Gone inside and out, before I walk out into the were the days of boring high-school world. Serving lewks is like serving uniformity. Here I was, in a kaleidoscope a plate of food at a restaurant – you of chic, wearing my loose hoodie and casual have to ask three questions before jeans, just wishing I was as effortlessly cool it goes out. Is it hot? Does it look and attractive as those around me. The good? Are you proud to serve it? Once need to glow up, and glow up fast, became I got the knack of what I liked wearing, I increasingly more important to me as days started to experiment and mix and match, went by. When people looked at me, was the and then decided to go one step further – confidence within me reflected in my style? blonde. Going blonde was the apex of my self-expression. There was something totally Since time immemorial, fashion has been freeing in changing my look completely, used to make bold statements about the almost like I had levelled up. self. Iris Apfel, Solange, Zendaya, Rihanna, Harry Styles – only some of the fashion icons Self-expression and identity are two things of today. They don’t dress to impress or to that we all play with on the daily. Depending follow the trends. They are style makers, on what we wear, we can reveal as little or as because they reflect their person identity much about ourselves as we desire, which is with everything that they wear. They have truly magical. It’s truly a double-edged sword. mastered the art of the perfect look.

The clothes we wear can often set us free, but they can also make us walking targets Finding your own sense of style isn’t exactly out in the world in the same instance. Most an easy journey. You not only have to find of the time, there is no room to experiment art:

@natashar0se

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FASHION in fashion without consequences, because our forms of expression instantaneously become battlegrounds of commentary.

Since the inception of style, clothes have been used to drive social, political and economic discussions globally – look at Elizabeth Smith Miller, a suffragette who is often credited as the first woman to wear pants in the 1800s, with the goal of driving gender equality.

One can also look to Serena Williams for a more recent example of activism through fashion – after the French Open issued a ban on her (medically necessary) black catsuit for not respecting the game and the place, Williams rocked a tennis tutu at the US Open in retaliation.

winning the hearts of all remaining Aussies who had not been won over already.

For queer people like myself, however, dressing to the nines can feel like a strange affair. There’s an unspoken pressure that queer individuals place upon themselves, wondering if they are dressing too gay or not gay enough. It’s been 20 long years, but I’ve finally come to a realisation – just dress.

As long as you are existing, and loving how you are looking, then you are powerful. It takes some time to understand this, but there is equal beauty in vibrant colours and monotone greys. There is no one type of gorgeous, and nobody has to approve of your dress style but yourself. Only you can pull off your signature style.

Whether we intend it or not, the eyes and attitude of the world are always waiting for Don’t be afraid of all the ways of the world us. In England, the enforcement of the Royal – there is a sense of solidarity in the way we Dress Code aims to prevent any scrutiny of the wear, and in knowing that the clothes you British monarchy. For wear can immediately As long as you are existing, and the ladies, nude nail create a connection polish must always be loving how you are looking, then you between you and a worn, yet outfits must are powerful. It takes some time to perfect stranger. There always be colourful understand this, but there is equal are so many layers to and classy enough to beauty in vibrant colours and monotone presentation, most stand out from the of which are deeplygreys. crowd. For the men, rooted in personal facial hair is acceptable as long as it’s “neat beliefs, values, and cultural and familial and tidy.” One look at Meghan Markle’s heritage. It can feel like you are wearing so style evolution says it all – the Duchess of much more than yourself, and that you aren’t Sussex went from ripped jeans and black nail alone out in the world. This, in itself, is power. polish, to knee-length designer dresses with pantyhose to signify that she was officially It may feel like what you wear exposes your part of The Royal Family. The 4.8-metre identity to the world, but there’s a lot to be veil she wore on her wedding day featured said about rocking that outfit regardless of embroidery of the signature flowers from all the naysayers. The world is your oyster, and the countries in the British Commonwealth, you are the pearl – it just takes some time to a not-so-subtle not to her husband-to-be’s realise how much you really shine. family history, and current empire. Even better, on her trip Down Under - her first on official duties - the Duchess of Sussex showcased the power of fashion through her deliberate selection of Australian designers to fill her wardrobe across the 74-engagement-tour, 30

FASHION

HOW TO GET A KILLER STYLE

on a student budget

Fatima Olumee @FatimaOlumee

Tired of sacrificing style for those dollar bills? Sink your teeth into these top fashion tips that will have you strutting like a high-fashion model, without making a dent to your wallet.

Invest in staples, and timeless statement pieces “You gotta spend money to make money” rings true in this instance - rather than wasting your money on cheap tops that you’ll wear once, or discount sandals that won’t make it through the summer, save that money for something that’s worth it. Invest in one or two quality winter coats, a pair of jeans, a denim jacket and a durable pair of boots to wear to death. These are staples that can be paired with many different items to create outfits.

Only fork out the extra money for items that you know are a necessity for your wardrobe; impulse buying cheap items will cost you more in the long-run.

Peruse your local op-shop Never underestimate the power of secondhand clothing. With vintage, you’re guaranteed to be wearing something that tells a story of its old owner. What’s more, you’ll likely find many high-street gems for a bargain price. Don’t be afraid to rummage for the good stuff. It may take you longer to find gold, but that’s half the fun with thriftstore shopping.

Be strategic with your outfit-repeating University is the epicentre of outfit-repeating; you’re not doing a killer piece justice if you’re only wearing it once. The trick is to learn how to wear an item of clothing in multiple different ways. You might have a blazer and art:

@natashar0se

matching pants that can be worn as a chic suit. Make use of the blazer with a white tee and a pair of ripped jeans for a more casual look, or a collared shirt, a high-waisted a-line skirt and ankle boots. Accessorising can also transform a look. Incorporating a scarf or earrings always adds a fresh take - it’s all about making clever use of the items in your wardrobe.

Join Buy/Swap/Sell groups Facebook is home to a whole new business of buying, swapping and selling clothing at little-to-no costs. Whether you’re looking to give your wardrobe a Spring clean, or you’re desperate for some bargain goodies, Mark Zuckerberg has your back. There are dozens of pages to join that connect you with a range of people in your local area eager to prove that your trash is their treasure, and vice versa.

Review what you’re missing Sometimes you have to take an inventory of your closet, and consider what you have enough of and what you need more of. By making a list of the items you really need, you’ll avoid purchasing the same kinds of clothes repeatedly. Think about what kinds of colours, styles and textures that are overrepresented in your closet. Then make it a point to only buy what you don’t already have to get more bang for your buck. Try and buy items that match what you already own.

31

POP CULTURE

Sequels are the new

black

Tayla Curry Tayla Curry

Whatever happened to an original story?

Avocado on sourdough, oversharing on social media, and large film franchises are just some of the world’s latest fads. While both the debt-inducing smashed greenness and questionable lack of privacy may wash away on a rainy day, it seems that sequels are here to stay. Is it such a bad thing that one-and-dones are no longer en vogue?

The success of franchising as a whole is undeniable. Out of the top 10 highestgrossing films of all time, eight of them are from franchises, with the top two - Avatar (2009) and Titanic (1997) - being standalones (although the sequels to Avatar have been long spoken about, with one set to premiere in 2020). While they belong in two separate fictional worlds, Avatar and Titanic were Harry Potter, Star Wars, and the Marvel both directed by James Cameron, who is Cinematic Universe are recent additions to arguably a brand himself. It is clear why the franchise hall of

franchises are popular With familiar worlds and characters, the fame. They’ve topped with audiences; slightly altered storylines of each film they’re the epitome of box offices, broken

are a haven of expectations met. records worldwide, a safe indulgence. and have millions of With familiar worlds fans; whether it’s the rise of real-life and characters, the slightly altered storylines Quidditch teams (complete with an official of each film are a haven of expectations met. governing body, the International Quidditch The appeal of sequels to suits is gratifying Association), or lightsaber battles, these they’re low-risk, guaranteed money-makers, franchises have left a lasting impression which don’t require much advertising effort beyond the silver screen. due to the previous film acting as advertising itself.

32

art:

@leo_eats_art

POP CULTURE With guaranteed studio support and box office sales, it seems as though critical acclaim is peripheral. In a world shaped

by Oscars and Golden Globes, how much impact do critics have on the success of these sequels? While in the past, consumers and producers alike would eagerly await the appraisal of the latest flick in the Sunday paper, these days, critical triumph has been overruled by frenzied fans. Followers who adored the first movie will almost always go and see the sequel, even if critics have given it a poor review. Time and time again this has been evident, from Legally Blonde 2 (2003) to Pitch Perfect 2 (2015), and yet studios and audiences keep coming back for more. Pitch Perfect 3 was released in 2017, bringing the total gross of the trilogy to an estimated $382 million worldwide. In June 2018, Reese Witherspoon confirmed the impending return of Elle Woods in Legally Blonde 3, with a release date currently unknown.

Franchises are the answer to any studio’s financial strife. And it can be hard sitting through pre-Pretty Little Liars Ashley Benson in Bring It On: In It to Win It (2007), I get it, but is it really such a bad thing? In defence of this creative capitalism, one tragic adaptation or sequel does not poison the well for the rest. For every Mean Girls 2 (2011), there is a Thor: Ragnarok (2017) - a shining diamond nestled in a field of charcoal. If anything, the Taika Waititi-directed masterpiece was a prime opportunity for world- and characterbuilding, as evident through the opening scene of Avengers: Infinity War (2018), and the sudden appearance of Cate Blanchett’s Hela, Thor’s half-sister; did this not cement the idea that Odin is, quite frankly, a ginormous ass? Think of each franchise instalment as an opportunity to get to know your favourite characters better, like you would in a Netflix series, only these are of a higher budget.

Not only do franchises provide the opportunity for in-depth world-building, but they also pave the way for groundbreaking remakes. With the success of the original Ghostbusters movies brought the all-female remake, Ghostbusters (2016), which showcased the talents of comedic powerhouses Melissa McCarthy, Kristen Wiig, Leslie Jones, and Kate McKinnon, and empowered young girls worldwide.

Simultaneously, the Sandra Bullock and Cate Blanchett-led spinoff, Ocean’s 8 (2018), took the world by storm, with full studio backing thanks to the original Ocean’s film series.

“Somewhere out there, there is an eightyear-old girl lying in bed, dreaming of being a criminal. Let’s do this for her” is a line we never thought we’d hear in cinemas.

And while you’re switching off in Jaws 2 (1978) or pulling The Lord of the Rings: The Return of the King (2003) apart scene by scene, big-time studios are investing in smaller-scale films, such as feature-length music video Hearts Beat Loud (2018), and Academy Award-nominated Beasts of the Southern Wild (2012). It’s because of our consumption of low-risk franchises that we are able to simultaneously expand our creative persuasions to that of a higher calibre, and therefore stimulate independent film. So to that, I say, bring on the next The Fast and The Furious film.

33

BillY & THE CREW Lucas Thomson-Moore LTM Creations

Bill, After Hours Louis Royle @picassholee

SOFT Erin Sutherland @ezose.png

sketchbook Will Thompson @wilbeurt

FRIENDS

sleepover

Lachlan Parry @LachlanParry

In this 21st-century world, often our quests for love merge with those of friendship. But is that really a bad thing?

So often these days, we hear about that guy.

You know, the one that your friend is dating, who is a complete douchebag and doesn’t treat your friend right at all. He always kills the vibe, plus he went to school with your cousin, you think, but you’re so not about to ask. Yeah, I hate that guy. Another trope that never fails to grace our lives at some point or another is that of the sweet soul, who has somehow saddled themselves with a friendship group full of demons. You know, when you’re dating someone and their friends are the actual worst people alive, and you don’t see how someone so excellent could be friends with such monstrosities. The worst.

What I think we don’t hear enough about, however, is when the opposite of that happens. You know, when you’re seeing a guy and his friends are the coolest people alive, and you love spending time with them and they always invite you out, and they got you a birthday present and they really shouldn’t 38

have, darl. It’s a gratifying feeling when the person you shave for has a dynamic group of friends, and you can count your lucky stars that you’ve just added a whole new circle into your life.

Except, well. It can get kind of awkward, I guess, when you realise that your guy doesn’t really fit in with the rest of the group.

You know, that feeling of when you’re on your lunch break, and you decide that this week is the week for a cleanse, and you go to Coles and buy a single banana and it looks great in the shop surrounded by all the other bananas but you don’t need all of them because just one is enough, and then you leave and you’re so happy with your one banana but then you look at it and it’s actually underripe and weirdly-shaped and you just miss all of the other bananas. Trade the bananas for boys, and suddenly you’ve got a picture of my dating life so realistic that not even Édouard Manet could encapsulate it. art:

@rainy_chalk

I am someone who will fall head over heels in the time it takes for the boy to utter his name, because I’m a hopeless romantic who soaks up attention like a sponge. But my love for these boys is as fleeting as it is sudden, because more often than not, I actually end up completely bewitched for this boy’s friends, and he just ends up being a warm cuddle later on.

My first ever boyfriend shopped at General Pants while sipping on a soy latte, and went on to study Communications; he was nothing too out of the ordinary - bar his group of friends, who were full of life and unadulterated fun; they welcomed me in without any hesitation, something that I’d never experienced before. It was intoxicating to have this whole new group of friends. I grew to get along with these guys so well, I was always invited to parties and even hung out with just his friends once or twice.

When we eventually broke up, one of them messaged me to tell me that he’d be sad I wouldn’t be around anymore. Fast forward to almost a full three-years later where I saw a bunch of them at a party. They all ran up, shouting my name while pulling me in for kisses and hugs. One of them actually teared up at how excited they were to see me again.

We spent the night sharing drinks and stories of our past and recent shenanigans, and I can comfortably say that I missed his friends - but not him in the slightest.

The concept of friendship is misunderstood and way more complicated than it has to be.

It’s always portrayed as a group activity, but these days, it is pretty hard to find a fullyformed group of appealing individuals that you want to hang out with, and want to hang out with you in turn. Is it really so bad if I use boys to find them?

I’m not kidding when I say I do this a lot. The last boy I went home with ticked all the boxes on paper - saccharine-sweet and very pretty but his best friend, well, she was my soulmate.

And of course, while there isn’t anything wrong with the boy, I cherish the opportunity to make new and lasting friendships more than I value one-night stands and casual dating. Friendship offers a beautiful form of affection and fulfillment, and it shouldn’t be encumbered because the meet-cute doesn’t agree with general sensibility.

I have a lot more love left to give to so many more people who have yet to waltz into my life; who will impact my soul more than the boy I fall asleep next to. I don’t want to stop falling in love with people’s sense of humour, or their dance moves on a night out, or the way they talk about their passions, or the way their face lights up when their eyes fall on their significant other. Maybe I’m wrong, but I am happier leaving a relationship with more than just a broken heart (and Gonorrhea that one time). Life is better with friends by my side, regardless of how I meet them.

39

LAW

People of australia,

I rest my case

Stephanie Luong Stephanie Luong

It’s time that the law itself is put before a jury.

Upon the landing of the First Fleet and the English declaration of terra nullius, the doctrine of reception meant that Australia inherited the common law legal system along with all English law. While this was intended to ensure that settlers in Australia would continue to be obedient citizens, it arguably also enforced laws that would be irrelevant or incongruous in the Australian society. In conjunction, a central tenet of common law legal systems is the need for the judiciary to follow and be bound by precedent.

Therefore, reflecting an inability for the law and its enforcers to be proactive and a true representation of evolving community standards. Hello, Malcolm Turnbull, Australia 40

would like its $80.5 million back, and for the Morrison government to stay stable long enough to just listen to us instead.

In January 1901, federation presented a further complication. Each state and territory became equipped with their own slightly different laws, as well as an overarching Commonwealth framework which applied Australia-wide, irrespective of state of residence.

The legislature’s inability to with the Australian community seen in consideration of the relating to legalising abortion art:

keep pace is especially contentions in Australia. @rainy_chalk

LAW Despite common law countries, for example the United States, providing a source of persuasive precedent such as Roe v. Wade, 410 U.S. 113 (1973), which paved the way for legislative protection, the inability of the Australian legal system to move away from its traditional English roots highlights a discrepancy between itself and the people it governs.

The evident reactive and lagging nature of Australian law calls into question the effectiveness of the current legislative framework; and thus, here are some laws that deserve to be put before a jury.

Summary Offences Act s 21

Queensland, 2005 Feeling lonely, and thinking of luring lovedones back to you? Or simply want to test some loyalties with a misleading notice of death, Ross Geller-style? Think again. While Ross and Chandler may have gotten away with advertising and holding a fake memorial service for an obviously alive palaeontologist, if they tried to pull that stunt in Queensland, they’d be slapped with either a $1305 fine, or six months in the slammer. However, this does not limit those who have been inspired

by Gina Linetti’s antics. Feel free to call up your loved ones to gauge their reaction of your passing - just don’t make it well known.

The same penalty applies if one is found to have broadcasted a phony birth, marriage or new job.

Yet, why stop there? Phony advertisements or notices should be criminalised altogether – everything from Rapunzel hair-inducing blue gummy bears, to lollipops fulfilling weight loss dreams.

Marketing of Potatoes Act s 22

Western Australia, 1946 This Act makes it illegal to be in possession of more than 50 kilograms of potatoes in Western Australia, unless you have

purchased the potatoes from an authorised retailer of the Potato Corporation. If caught, you’ll pay a hefty price for your spud softspot – a maximum of $2000 for a first offence, and $5000 for any subsequent offence.

This law may have been relevant during the Great Depression, and with Prime Minister Scott Morrison stuck in a 1930s-mindset, it seems like a mash made in heaven. Looks like Andrew Taylor may be in for some trouble if he ever steps foot into the land of sandgropers.

Summary Offences Act s 17

Victoria, 1966 It appears that the Australian legislature gets a kick out of depriving people of the little joys in life. Section 17 of this Act makes it an offence to sing an obscene song in a public place. Any expletive-laced attempts to become the next king of the Central Tunnel can attract a maximum fine of $1600, or two months in jail. Get caught more than once? The fine and term of imprisonment will increase.

If there is no emotional or physical harm, however, maybe we should let our fellow Drake and Eminem wannabes try to earn some coin and drop some fire mixtapes.

Instead of this obscene law, I propose we seek change in society – a change that will outlaw people who lip-sync songs on Snapchat and try to be sexy using the dogfilter.

In all seriousness, Australian legislature is lagging almost as much as its Internet connection. It was only in 2017 that, after a $80.5 million plebiscite, same-sex marriage was legalised – and this only required the switching the words “a man and a woman” to “two people.” The law, much like its enforcers, is meant to serve and protect – and it’s about time that the constitution reflected that.

41

this winter

Cordelia Hsu @cordeliahsu

Daniel Snell @___snelly

one long summer Eliza Spencer @elizajanepond

hecate

Jack Okeby @jackokeby

BEHIND THE BOOK

WhY iS thEre no sex iN young aDult fiCtion?

Thanmaya Navada Thanmaya Navada

Sex has largely been left out of the young adult genre, and it’s a bigger problem than you think.

When thinking of young adult fiction, a wide range of themes come to mind. You may find stories of friendship, first romance, comingof-age, and perhaps even a life-changing quest among these. And although first romance comes to mind, sex rarely plays a major role in this genre.

The Australian Research Centre in Sex, Health and Society (2013) reports that 69 per cent of students from 15- to 18-years-old experience some form of sexual activity. Published literature for this age group, however, doesn’t realistically convey this teen experience - and if it does, sex and sexuality is rarely portrayed in a healthy way. Think about the key genretoppers since the new millennia; The Hunger Games, Divergent, and CHERUB may be among them. In the Harry Potter series, the most we got was an awkward kiss between Harry and Cho Chang in Harry Potter and the 50

Order of the Phoenix (2003) and a chaste one between Harry and Ginny Weasley in Harry Potter and the Half-Blood Prince (2005), with a few choice innuendos thrown in here and there. In the Twilight series, while the sullen Bella Swan was admittedly of age when her and Edward Cullen did the deed, he was over 80 years her senior, and their first sexual encounter resulted in a pregnancy that almost killed her - and let’s not even go there with the Jacob/Renesmee imprinting saga.

Was this some sort of warped abstinenceonly propaganda?

The young adult genre consists of fiction targeted to readers aged 12 to 18. Due to the large age range, it is difficult to cater for everyone within this category - especially considering the rapid changes in maturity one experiences at this time. Although it is understandable to have reservations about art:

@nima_8s8

BEHIND THE BOOK such young readers being exposed to explicit content, it is crucial for the social and sexual development of older readers that they see a more mature and realistic life in their literature.

Looking at how sex has been approached and received in novels outside of the young adult genre can give us a clearer picture of why sex is viewed as a taboo within it.

D. H. Lawrence’s Lady Chatterley’s Lover (1928) was initially banned for obscenity in six countries, including Australia, due to Lawrence’s depiction of the relationship between Constance Reid - an upper-class woman - and Oliver Mellors - a working-class man. Yet for all the odds that were stacked against Constance and Oliver, it was the explicit sexuality of the relationship that conservatives objected to. The novel was considered obscene for its language and themes, but the six-day-long obscenity trial in 1960 made clear that it was only intended to be an accurate portrayal of life, and how one’s sexuality plays into that. Ultimately, the novel wasn’t included in the canon of highbrow literature for more than 20 years. In this story, sex is used to drive an intellectual conversation about the nature of the working class, and its dynamic with the upper class in Britain at the time. The language of Lady Chatterley’s Lover progresses to make the sex, when it happens, seem natural. Forcing sex into a novel makes it lose its verisimilitude, which is fairly important when it comes to young adult fiction - where storylines aim to explore the human experience in a variety of contexts.

A natural and relevant inclusion of sex has the ability to empower younger readers in their own coming-of-age stories. André Aciman’s Call Me By Your Name (2007) is a young adult novel that utilises sex to its advantage. While this novel is not considered erotic despite the deeply sexual relationship between two characters, I would consider it by far one of

the most sensual novels I have ever read yet it only portrays two explicit sex scenes.

As the novel is written solely through Elio’s perspective, we experience first-hand the obsessive nature in which Elio loves, not just people, but his passions. Aciman writes these sex scenes with the same fervent detail as any other scene to showcase the exploration of Elio’s tumultuous emotions in dealing with how his sexuality can shape the rest of his life. Because of this, and unlike many popular portrayals, sex is not romanticised, nor is anyone demonised because of it; it is shown simply as it is, as part of the fabric of growing up and exploring yourself.

There are two major problems with the current depiction of sex in young adult literature. Some novels portray or imply sex just for the sake of it, like Dandi Daley Mackall’s Crazy in Love (2007). Others simply use sex as a go-to for danger, like in Stephanie Meyer’s Twilight series. When this happens, we see a depiction of sex that plays into harmful stereotypes that value purity and virginity above other things, and portrays an unhealthy relationship between sex and social value, making impressionable young readers associate sex with dread.

Sex shouldn’t be seen as something shameful to read and write about. Young adult fiction has the potential to convey comprehensive sexual experiences and relationships, yet it’s currently falling short.

How can this be fixed? Perhaps the genre could be divided more delicately by age.

Rather than covering a seven-year range, it could be split into smaller age groups, with the more mature conversations of sex targeting older teenagers, so that all facets of the experience can be better represented in full. By developing the genre into one that can portray sex holistically, the conversations surrounding it will also develop, leading to a healthier association of sex and sexuality among adolescents.

51

CULTURE

At the Chinese noodle

house Natasha Hau Natasha Hau

Laney was on her way into town. Sylvia had called the previous night, informing Laney of another spontaneous trip up from Melbourne to visit her family – “For stability,” she said – and insisted that they meet up first – “But I don’t want theirs to be the first faces I see when I get here.”

of Sylvia sitting down, the withered Asian waitress ambled over to take her order.

“Can we do dinner then?” Laney asked. “At nine o’clock?”

“Why didn’t you get any tea, Lane? Jesus.

Could we have some tea please? Jasmine.

And some salt and pepper tofu. God, it has been a while.” Sylvia translated the order into Cantonese. The waitress’ face broke out into a smile. Then she left with the empty bamboo containers.

“Nine! Jesus, Lane. Have you been staying up late again?”

“She was laughing at my accent,” Sylvia said, grinning.

“Eight, really. But I know you’ll be late.”

“I like how this place serves har gow in those bamboo things,” Laney said. “It’s like yum cha but at night.”

Sylvia arrived at the Chinese noodle house fifteen minutes past nine. Something to do with a less-than-polite Uber driver. There were already two empty bamboo containers stacked on top of each other. Laney was sucking up the last sips of her cold soy milk when Sylvia ambled in and dumped her carry-on bag by the umbrella holder at the entrance. The two friends held each other for a long silent minute. Within moments 52

Sylvia shrugged. “I guess people just get a kick out of them. Like you!”

“Yeah,” Laney said. “Who cares, right?”

“Oh, she’s coming back. I know what I’m having. Lane, do you know what you’re having?” art:

@rainy_chalk

CULTURE Laney smiled. Of course she had. That’s what she did in the fifteen minutes that Sylvia was late. She listened to her translate their order for the waitress. An incorrect inflection of a syllable invoked an entirely different meaning, and the waitress giggled delightedly as Sylvia worked through the other five tones to find the right one.

Laney lifted the lid of the teapot and peered inside. Just a little bit longer to go before its ready. She replaced the lid. “I mean, I’m from south-west Sydney, and I went from that shithole in Leichhardt that could’ve passed for a meth lab —”

“Leng jie, m goi sai,” Sylvia said to the waitress, who huffed in mock annoyance of Sylvia’s flattery. She left with a smile on her face.

“—to Manly. It’s nuts.” Laney shook her head and checked the tea again. “Maybe I should just not go anywhere.”

“I’m thinking of moving to Hong Kong,” Laney said. “For a working holiday. A year. I mean, I’ve graduated already. The job front isn’t looking too promising. Plus, I can work on my Cantonese.”

“Do it.”

Laney sighed. It was typical for Sylvia to be so casual about this stuff. She wished Sylvia would ask her something to hold her accountable. Something like, ‘What happened to au pairing in Italy?’ or ‘What about that volunteering gig in Costa Rica’ or whatever? What was that about building schools and teaching English, eh? But she knew she had other friends for that.

The waitress arrived with the tea, bowed, and shuffled off. Sylvia reached for the handle and Laney brushed it away. “Let it sit first. Let the leaves infuse.”

“You’d be great for it,” Sylvia said. “Then you can come back and finally get my Canto up to scratch.”

“Hong Kong… will just be a bit more expensive.”

“It’s a working holiday.”

“Yeah.”

“Lane, what’s wrong?”

“I just feel… you know. Privileged.”

“Hey, rent was cheap, and it was homey.”

“Maybe you and your parents should trade places.”

“Sylv.”

“We are privileged. There’s no denying it.”

Sylvia squinted at the waitress counting cash behind the counter, looking for a sign of the when the food was to arrive. Getting nothing, she turned back to Laney.

“Do you want to come outside? I’m going to have a smoke before the food arrives. And to let the leaves infuse.” She grinned.

Outside, Laney relayed the plainness of the days prior. She talked about the day she went back to visit her parents’ bistro, about how her mum dyed her hair black to hide the grey hairs, about how her dad bought himself new sneakers as a rare treat. Sylvia said nothing, only nodded, blew rings of smoke here and there, and smiled as men who were smaller than her furtively dodged her imposing posture on the narrow path.

Eventually Laney said nothing too. The two women found comfort in each other’s quiet delight in near-arctic silence. They had been friends for little over two years now.

By the end of the night, when the plates were swept clean by their forks and the remaining tea was a deep, bitter brown, Laney watched as her friend boarded the late night bus, wondering when they were going to see each other again.

53

elon MUsK Is no uNicoRn Finn Parker Finn Parker

We’ve got enough eccentric geniuses to last a lifetime.

Elon Musk has made his mark as a business mogul and investor, through his role as founder, CEO, and lead designer of SpaceX; co-founder, CEO, and product architect of Tesla, Inc.; co-founder and CEO of Neuralink; and co-founder of PayPal. Despite the impressive résumé, however, in recent news he has rapidly shifted his public perception from prodigy to prick.

2018 has been a controversial year for Musk.

In the space of under 12 months, Musk has taken aim at Wall Street analysts, calling them “boneheaded” for asking about Tesla finances - a move he rationalised initially by saying that they were looking to justify their “Tesla shorting thesis”, but really just

undermined Tesla’s, and his, credibility on the stock market.1 He’s targeted those involved in the famous ‘soccer team rescue mission’ in Thailand, referring to Vernon Unsworth, one of the divers in the operation, as a ‘pedo’, in since-deleted tweets. Then, when confronted, Musk doubled-down instead of apologising, continuing to send emails to Buzzfeed News further alleging that Unsworth was a “child rapist” who took a 12-year-old bride. The British diver is now suing Musk for at least US$75,000 because of his claims.

1‘

Shorting’ means that the analysts were betting that Tesla stock would fall, whereby potential shareholders could buy it back from loan brokers at a smaller price.

UNICORN And then to cap off the year, Musk smoked a joint while recording a podcast, resulting in Tesla shares dropping by nine per cent in value, in under one day. But perhaps what’s most troublesome of all was the tweet that led Musk to lose his position as chairman of his own company.

Twitter (2018)

By tweeting that he had secured funding for Tesla to re-privatise and sell shares for $420, Musk bolstered the shares in his company by 11 per cent. Briefly. Before it came out that no funding had being secured, and the figure of $420 had simply been used to amuse his then- and perhaps now-girlfriend, Canadian singer-songwriter, Grimes, who is, ironically, 17 years his junior. There’s no happy ending here. After an investigation by the Securities and Exchange Commission (SEC), a settlement was reached - Musk would be forced to step down as chairman of his own company for at least three years.

approximately $851 million. Tesla stock was not frozen until 1.5 hours after the tweet, at which stage the share price had reached $370.

While not entirely illegal, it does, according to CNBC, put Musk’s intent into question.

Long-term effects of this also include Tesla’s damaged reputation; who would want to invest into such a financially unpredictable company? By disobeying protocol and causing a worldwide frenzy, surely he must have known the consequences of his actions.

Musk is not a unicorn by any means. A genius, yes, and a visionary, most certainly.

But also equally willing to shoot himself in the foot - a concept that is no stranger to many proclaimed (self- or otherwise) geniuses.

Steve Jobs, for example, neglected his daughter for years, which meant that her and her mother had to live off welfare while he was living it up in Silicon Valley. Similarly, Mark Zucker-bot quite famously screwed his business partner, Eduardo Saverin, out of millions of dollars worth of shares.

Can you be a billionaire genius without being a dick? Guess we’ll have to ask Bill Gates.

But why is this such a big deal? Usually, when a public company decides to go private, there is a set procedure that they follow. Generally the company, would halt trading and make an official statement, which satisfies SEC guidance and doesn’t send a giant shockwave through the stock market. Musk’s instantaneous tweet violated the usual protocol, and the scramble to buy shares is estimated to have cost short-sellers more than $800 million, while Musk made art (left): @al04 art (right): @nima_8s8

55

ECONOMICS

whEre’s my faiR gØ?

Ben Robinson Ben Robinson

The gap between the rich and the poor is only growing, with low earners and young Australians experiencing the worst of it. How did we get here?

The land of the fair go – that’s how Australians have been told to view their country for decades. The land where dreams come true, and all people have the same opportunities.

Yet recently, Australians have felt the socalled Australian Dream fading away – homes are less affordable and jobs are more competitive, and less reliable. But one area where Australia has always had an advantage over other nations – financial equality – is slowly slipping away from us too.

There are two aspects to financial equality: income and wealth. According to Stephen Bell (2018), income is essentially “wages and salaries” post-tax, and wealth is the “accumulation of pre-earned income being stored off as property, [and] various forms of capital” and so on, but a new report by the Australian Council of Social Service and 56

UNSW (2018) has found that our financial equality isn’t what is used to be.

The top one per cent of earners take home in a fortnight as much as the bottom five per cent in a year. Since rising during the early 2000s and reaching its peak during the global financial crisis, income inequality has actually plateaued in Australia over recent years. The same cannot be said for wealth inequality, however; between 2003 and 2015, the top 20 per cent saw their total wealth increase by an average of 20 per cent, while the poorest 20 per cent actually saw their wealth drop by nine per cent. That means the richest households have an average wealth of almost $3 million, and the least-wealthy have around $30,000.

Meanwhile, young Australians – 35 and under – have experienced the worst rate of wealth inequality than any other age group, art:

@nima_8s8

ECONOMICS

and at the heart of that is housing prices. We had two property booms almost in a row – one from the early 1990s to the early 2000s and one that’s been building since 2013 – which have left an entire generation with little hope of owning a home, considering the average house national house price is around seven times the average individual’s income.

So what is the government doing to alleviate this growing burden from the public? In terms of income inequality specifically, neither the Morrison government nor the previous Turnbull government have made policies addressing the problem directly. Instead, the Liberal governments from 2015 onwards have embraced the age-old theory of trickledown economics. Simply put, trickle-down economics is the idea of giving tax cuts to big businesses and high earners, with the hope that their extra money will “trickle down” to the bottom in the form of more spending and the creation of more jobs.

The reality is that this theory rarely works – a study by the Tax Justice Network (2012) found that wealth does not trickle-down to improve the economy, but actually tends to be stored in tax havens or trusts. Yet, thenTreasurer Scott Morrison was insistent that this is the way forward, offering tax cuts in the 2018 Federal Budget for people earning up to $200,000 a year, alongside a five per cent tax cut for all businesses, big or small, under the 2017 Enterprise Tax Plan No. 2 Bill. Even though the latter policy failed in the Senate in August 2018, the personal income tax cuts made it through. However, hiding behind the numbers is the fact that 60 per cent of the tax cuts go to the top 20 per cent, a move which former Treasurer Wayne Swan dubs as “designed to drive higher inequality”. Aside from these tax cuts, the government has no other policies in place to improve financial equality. In fact, you could argue that they are

only exacerbating the problem. The decision to cut penalty rates for certain industries and their reluctance to combat negative gearing is only making it harder for Australians to believe that this government actually wants to address this issue.

Despite the government’s reluctance to address income inequality in Australia, there are a number of innovative policies that could be implemented. The favourite among economists and politicians, such as Mr Swan, is the so-called Buffet Rule. Named after US billionaire Warren Buffet when he found out that his assistant was paying a higher percentage of tax than himself, the Buffet Rule is a law that dictates high-income earners must pay a certain minimum percentage of tax. Sounds pretty obvious, right?

Well, current loopholes such as negative gearing and trusts allow people to do things like claim losses on their income, or store their money in a non-taxable trust. This means wealthy individuals can essentially avoid paying tax at the rate they’re supposed to, and the Buffet Rule would put an end to that.

The truth is this: wealth and income inequality in Australia is nowhere near as bad as it is in other countries – South Africa has the worst rate of financial equality in the world, and America famously has a massive class and economic divide. But that’s because the inequality in Australia is still fairly young, like the country itself. America and South Africa have had their equality gap widen over several decades, yet for us it’s a relatively recent phenomenon that’s been growing since the 1980s. Aside from their tax cuts, the government has no policies in place to tackle inequality, for our generation or anyone else – and now is the ideal time to strike.

But that’s okay, because give it six months and we might be looking at a different generation government all together.

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Small ways, big waves;

big ways, small waves Mililma P May @deitydaddy

Amidst the grey clouds and pouring rain, the dull concrete and steel of the city, Phillippa could be seen huddled underneath a bright floral umbrella. She wasn’t far from the place where she lived – her house in Sydney, but not her home – and for that exact reason, she preferred to stand in the rain under her floral umbrella, crying. She wriggled her toes and noticed the increasing dampness. Her canvas vans were struggling to withstand the splashing of rain and the sploshing from the muddy puddles. Her cheeks chilled as the wind blew, highlighting the tracks where her tears had run.

In a very Bridget Jones-like way, amid self-pitied sniffles and snuffles, Phillippa wondered, How did I end up here?

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Long story short, she was an empath, a Leo and a self-described mermaid, 4000 kilometres away from her country. Being disconnected from her country meant yearning and aching for that place where she knew she had belonged to for tens of thousands of years. She was struggling with friendship and boy dramas, as expected during her early twenties, while trying to finish her combined Communications and Law degree, and working part-time at a corporate law firm, plus trying to dismantle the imperialist, white-supremacist, capitalist, patriarchal (to name a few) society on a fulltime voluntary basis. Phillippa has been identified by some as a young Indigenous woman who was forced to live the white man’s ways, in the white man’s world art:

@gibbsmaddie

– because society needs to categorise people in order to know how to treat them.

As the rhythm of the falling water sped up, flashes of blonde-haired, blue-eyed, whiteskinned panelists discussing child removals jump to her mind, before blurring into her friend’s face, crumpled, after hearing the news of her uncle jumping to his death to avoid police confrontation. An image seeps to the front of her mind, a cardboard sign with #Shame scribbled on it and stuck to her college room door; etched in her memory, just as when her seminar leader skipped through the slides describing the police brutality incident that her friend’s uncle had died from. #Shame. Pitter, patter. White panelists encouraging Indigenous child removals to white families. Patter, pitter. Shame, they screamed. Her stomach churned as it had in the seminar. Pitter, patter. #Shame.

Her eyes had focused on a single droplet.

The droplet, stubborn, traced the edge of the umbrella for a few seconds before reaching the metal spoke and letting go. It tumbled, expanding, spinning and dancing.

Falling. It fell somehow with a graceful splat onto the dirt.

In order to cope with the devastations of the world that seem to pelt down like hail, Phillippa had developed small and big ways of looking after herself. Her own self-care routine. On a daily basis, before heading to class, Phillippa had to emotionally prepare herself to face a world that had no respect for her. Emily Wurramurra, Beyoncé, and Jhene Aiko were there for her. Whether it be through tears or after completing the Love of Top routine, Phillippa wrote in her journal, and confided in the ocean for serenity and calm. The tumbling of the waves, the rumbling of their tumbles, the scent of salt spray and the whistling of the wind humbled Phillippa’s thoughts, and reminded her to float through life and to sometimes let her troubles flow over her head like the wind.

Perhaps due to her synchronicity with her country’s climate, or maybe just

coincidentally, Phillippa was feeling the heaviness and sweat of the the build up. The build up of her emotional turmoil made it hard for her to move. Not even Jhene Aiko, or the Gadigal waves could help.

It was time for big ways self care.

Time to dig into her Centrelink money for a one-way flight to Darwin. To Larrakia country.

Her land and sea. Home.

Rather ironically, Phillippa ended up back home during the build up. The magpies glided in formation towards the setting sun. Metres away, a fish jumped, flew and splashed. For the length of the orange- and white-swirled cliffs, she was the only person around.

She was confronted by the quiet of her country.

The air, thick and clingy, pressed against her.

Pressured her. Like the miniscule droplets of water in the air, Phillippa’s thoughts bounced and flew around. Crumpled face. Faster and faster. Protest shouts. Bouncing, pounding, compounding. #Shame. Skipped slides.

Sticking together. Sticking. Sticky. Crumpled.

Shouting. #Shame. Skipped. The air got thicker. Denser. Heavier.

She couldn’t tell if she was tasting the beads of her sweat, the drops of her tears, or the snot from her nose – it was very likely all three.

Her heartbeat had aligned to the gentle lapping of the water against the sand. Her ancestors’ sea was flat and smooth. Amidst the silhouettes of the casuarina trees that were stamped against hues of the fiery sunset sky, Phillippa had, not so gracefully, tumbled, spun, danced, and landed back home.

Away from the dramas, degree, and Sydney, Phillippa could take care of herself so that she would be ready to continue her full-time voluntary job.

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SELF-CARE

you

can

thank later

YOURSELF

Tara Wesson Tara Wesson

Self-care goes beyond a fluffy Instagram hashtag, yet it’s hard to see it as such when the methods seem so temporary. Here’s how you can enrich yourself sustainably.

In September of 2017, I started going to therapy. I was only there for six months, but it changed the way I took care of myself in a lot of ways. It reinforced my own sense of self-importance, which in turn highlighted the significance of taking care of myself. At first, self-care seemed to me like an airy concept that didn’t actually mean anything practical. It seemed to revolve around ingesting warm beverages while lying in a bubble bath; nothing more than a social media trend that realistically wasn’t applicable in my day-to-day existence. I’d feel good for twenty minutes, but my bad habits and destructive thought patterns still simmered inside. I was burning myself out on mid-week late nights, and finding myself in day-long mental funks I couldn’t claw myself out of, no matter how desperately I tried. A Lush bath bomb wasn’t going to solve everything.

When I was in therapy, each weekly session marked a point of refuge from myself. It was once I left therapy that I realised I needed to stand on my own two feet, and that was when I began to seriously reconsider the concept of self-care. It slowly became much more of a cornerstone in the way I lived my life, rather than just some trend.

Caring for the physical

some extra shut-eye, if you can, will give you the energy you need without the excess of adrenaline.

Listen to your body when it’s telling you that you need more sleep. It’s not easy, but start by turning off your phone an hour before bed. Your phone emits what’s called blue light, which inhibits your production of serotonin, a brain chemical that helps you sleep. Alternatively, a cup of chamomile tea helps me gear down from my day and get ready for bed.

Along my journey, I’ve found that I get the most out of my life when I take care in what I put into it. Food impacts your energy levels and mental health, and highlights physical ailments like intolerances and chronic conditions. Food, like addiction, is closely linked to habit; and like any addiction, a sugar or salt addiction is tough to break. Most of the time, you plateau within these certain habits without realising that you’re low on energy You will feel silly at first, but trust or that your stomach is Physical movement me. Striking up a hyper-positive, upset, because these has also really helped if not slightly corny dialogue with habits have been my mental health. Go yourself is crucial. normalised. I never to the gym, or walk used to have breakfast; your dog. Whether I’d just sip on a coffee on my way to work, and you’re sweating it out or singing to T-Swizzle, just as I grew used to the standard feeling of letting your body move the way it wants to sluggishness, I also got used to the gnawing can really get a lot of bad things out of your that sat in the pit of my stomach until it was system. Routine exercise also encourages sated with lunch - and by that stage, I just a more holistic approach to your health, wanted to eat anything that was quick and as you’ll be generally more mindful of within reach. Invest in healthy food habits, like how you’re sleeping, how you’re eating, in bringing along some chopped veggies when addition to some newfound body awareness. you go out, or making yourself even a slice of toast for breakfast, and the rest will follow.

Caring for the spiritual Sleeping well means that you don’t have to rely on caffeine to give you energy. Excessive caffeine consumption doesn’t bode well for your physical or mental health. In fact, caffeine-induced anxiety disorder is listed in the Diagnostic and Statistical Manual of Mental Disorders. Setting aside the time for

art:

@sienytara

Do the things you know you need to do, but don’t want to do; the more you leave it, your mounting to-do list will only snowball andmake you more anxious. Break things down and knock the easy tasks out of the way first. It’ll give you a little confidence to move on to the bigger ones, and all of a sudden you’ll

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SELF-CARE

be patting yourself on the back for smashing Feel it at your core. Breathe out, and think, “I slew of tasks out. But don’t get too work-savvy am loved.” You will feel silly at first, but trust all in one go, and overwhelm yourself. Make me. Striking up a hyper-positive, if not slightly time for days where don’t have to do work corny dialogue with yourself is crucial. at all. I’m a classic overachiever, so taking a step back and shedding the guilt during an Self-talk, however, just isn’t enough allotted time slot felt counterintuitive at first. sometimes. I’m naturally a very stoic person But slowly, it became something I looked - the thought of talking about my deep, dark forward to. It made me work harder in the times feelings to close friends and family scares me.

I said I’d work. I have this vision, conjured from I hate being vulnerable, because it’s the only many mornings spent like this, that is sunpart of myself that I don’t quite understand soaked and perfect. yet, and it feels like I’m It’s scary to share with the people I’m in my bedroom presenting a scrappy close to you, but often, they can at home, with my first draft of something help you the most, because aside parents’ old cassettes I’ve written that I know from yourself, they know you the playing and incense isn’t done. But just last best. burning as I drink a week, when I was having cup of lemongrass a difficult weekend, I tea and mooch around the house all told my sisters what was really bothering day. Those days are good for the soul. me - and it was something I hadn’t even fully acknowledged within myself. What Sometimes, I spend this time meditating followed were conversations that left me but not necessarily in the lotus position. I’ve feeling really empowered, as they broke realised that meditation is a flexible term, down the myths I’d been mentally building and is really a state of being rather than an up. It’s scary to share with the people act in itself. You can lie in the sun and close close to you, but often, they can help you your eyes. Notice your body taking up the most, because aside from yourself, space, and the feeling of breathing deeply. they know you the best. Sometimes it’s Journal; listen to music that nourishes your good to get an outside perspective. soul; take time after a shower to look after your body and engage in some positive selfI’d like to say that I’m a transformed woman talk. There’s a lot of self-love meditations now, and that this has been my Eat Pray and mantras out there that, when actually Love journey, but, like life, it’s still a work in practiced, have really worked for me. progress. I still forget to take care of myself sometimes, and that’s okay. I live more This one’s my personal favourite, and is best sustainably with myself now, and I prioritise repeated over five deep breaths. Breathe in, things that I know will be good for me in the and think, “I am love.” Say it out loud and long-term. That’s what self-care has become really consider the meaning of those words. for me: the things I thank myself for later.

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WHICH UTS BUILDING ARE YOU?

art:

@natashar0se

Natasha Hau Natasha Hau

Looking for a meal that will fill you up and not break the bank? These recipes are undoubtedly more nutritious than spaghetti, and don’t take too long to make either.

Cottage Pie

For four serves 10 mins prep time, minimum 30 mins cook time Ingredients 2 tbsp of olive oil 500g minced beef 1 brown onion, diced 4 garlic cloves, crushed 3 carrots, diced 1½ cups of frozen green peas 6 small washed potatoes, peeled and diced into 2cm cubes 1 tbsp of tomato paste

3 tbsp of Worcestershire sauce 1 vegetable stock cube 35g of butter 2 tbsp of milk

Directions 1. Place the diced potatoes into a large saucepan of boiling water. Cook for 12 minutes until tender.

2. Crumble the stock cube into a heatproof jug and add 200mL of boiling water. Add the tomato paste and Worcestershire sauce. Stir to combine.

3. Heat the oil in a medium deep frypan over medium heat. Cook the onion, garlic and carrot for 6 minutes until soft.

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@cordeliahsu

RECIPES 4. Increase the heat to high and add the minced beef. Cook for 3 to 4 minutes until browned, breaking up the meat with a spoon.

5. Add the stock mixture and bring the contents to a boil. Reduce the heat to low and cook, stirring occasionally, for 10 minutes or until thickened. While the beef is cooking, preheat the oven grill to high.

6. Add the peas to the pan and cook for 3 minutes. Then remove the pan from heat and divide the contents into the two pie dishes.

7. Drain the water from the saucepan, leaving the potatoes. Add half the butter and all of the milk to the potatoes. Mash the contents roughly. Spoon the mash over the pie filling to form a crust. Dot with the remaining butter and place the dishes under the grill for 5 minutes or

Valencian Paella

For four serves 10 mins prep time, minimum 30 mins cook time Ingredients 400g of paella rice

(You will have to buy it from a specialty foods store like The Essential Ingredient in Rozelle. Some Harris Farm Markets sell it too)

1kg of chicken thigh, sliced into fillets 300g of green beans, washed, with the ends removed and de-stringed 300g of lima beans, washed 150g green capsicum, sliced 1 large ripe tomato, grated 1 clove of garlic, minced

1 tbsp sweet paprika A pinch of saffron threads Yellow food colouring 120mL olive oil 1.2L water 800mL chicken stock

Directions 1. Add the oil and a bit of salt to the paella pan over low heat. When hot, fry the chicken for 3 minutes or until they are slightly browned.

2. Add the green beans, lima beans and capsicum and stir fry for 3 minutes or until they are sautéed.

3. Add the minced garlic, sweet paprika and grated tomato and fry for 1 minute.

4. Add the water and chicken stock. Let it boil for at least 10 minutes. Then add the saffron threads, food colouring and salt to taste.

5. Spread the rice over the dish and ensure it is all submerged in the liquid.

6. Cook the mixture over high heat for 5 minutes, then lower it to medium heat for the next 5 minutes, then low heat for the last 5 or 10 minutes, depending on your preferred texture and the absorption of the rice. If the rice begins to form a crust at the bottom of the pan, don’t fret! That’s desirable – it’s called soccarat.

7. Let the dish stand for 5 minutes before serving.

art (body):

@nima_8s8

65

ADVICE

In a glitch?

Need a switch?

hear my pitch When life throws you lemons, should you make lemonade, or throw them back full-force to the deities above?

Stephanie Luong Stephanie Luong

At one point or another, all hapless souls seek out the advice of others; it’s common knowledge that an unbiased, third-party opinion is just what you need to lift those rose-tinted Gucci glasses off your nose, and get grooving out of your rut. Whether it’s navigating university, relationships, or one of life’s many lessons, here’s some invaluable advice to get you through what’s pressing.

Q

How can I become more confident? just a boy looking to find his inner Beyoncé Confidence means something different to everyone. For some, it means being able to fearlessly approach and conduct a conversation with a stranger at a moment’s notice, but for others, it may be as simple as maintaining eye contact while ordering at a restaurant. There can be no one-size-fits-all approach to raising your confidence levels.

A

My best advice would be to identify your main challenges, and set some small achievable goals to help overcome them. For example, to combat my fear of making friends during my first year of university, I set the goals of not sitting alone in a lecture or tutorial, introducing myself to my desk and lecture buddies every week (because they always tend to rotate), try and set up a coffee date with my new buddies, join a society and speak to someone in the same society, and go to a society event, even though I initially didn’t know anyone there. There is a slight progression, especially during the first few steps, which allows you to ease yourself into these scary situations. It’s challenging, but you’ll be so proud once you tick these goals off your list.

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@al04

ADVICE

Q

My friend stopped talking to me when she went on exchange! What should I do? unlucky in friendship Going on exchange is an exciting and tumultuous time. While you may see it as your friend going on a vacation in a beautiful and exotic place – there is likely much more happening behind the scenes. Understanding that your friend is probably facing stressful situations, relating to finances, family and employment, is key.

Give your friend time to settle into their new life on exchange. If you feel like they have had time to adjust to life alone overseas, however, maybe send a thoughtful message letting them know you’re thinking of them and missing them. Your friend should have so much to tell you about their exchange experiences – whether it be a horrifying flight story or hilarious accidents in culture-shock.

A

If your friend simply isn’t reciprocating and you’ve attempted to maintain the friendship alone – it’s time to speak up. Sometimes, people can be oblivious and simply not realise the effect of their actions or in this case, lack of actions. But if you don’t say anything, it can’t begin to be fixed.

Q

How can I balance my life during university? I don’t want to give up work, friends, family or university! have my cake and eat it too This is the true blow of transitioning from high-school to university life. While your two- to three-day class schedule might seem like bliss compared to a five-day high-school life, factoring in the need for work and making time for a social life can make life unbearable.

The most imperative thing to do is to keep organised. Utilise the calendar on your phone, such as Google Calendar, to keep track of your key assessment dates, working hours and social events.

Take this one step further and pencil in when you intend to begin assessments, and what progress you want to achieve by a certain date. Keeping university life under control allows you more time and flexibility to work and socialise with family and friends.

A

Another important note is to know your limits. While a certain job might seem like a dream-come-true to get your foot in the door of your field, consider whether it is truly viable for you to take the role on. Taking care and maintaining your mental and physical health is crucial to keep you going through the semester. If you’re feeling out of control, dial back and reject that job offer, or retreat from extracurricular activities for a while. Prioritising is always important.

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@rainy_chalk

MUST- LISTEN forALBUMS students Tahlia Zangari Tahlia Zangari

Although food, water, shelter, and clothing might be considered as life’s ultimate necessities, for the average university student, one could argue that music, at times, eclipses all of the above. Through the good and the bad, a strong beat always helps you through – and these are the quintessential albums that are best at it.

Sweetener (2018)

Ariana Grande America’s sweetheart is back with her most experimental album to date. Her first release since the bold Dangerous Woman (2016), Miss Grande’s fourth studio album was recorded over a period of two years, and cheekily hinted at via her social media channels for months prior to No Tears Left to Cry’s debut. Heavily influenced by the tragic events of Manchester in 2017, the 15-track album is a whimsical showcase dedicated to not letting the darkness win. Ariana is not afraid to incorporate deep trap beats and breathtaking soul runs into a traditionally preppy genre, which only solidifies her place as the Queen of pop.

Notable mentions: Dua Lipa (2017) by Dua Lipa Camila (2018) by Camila Cabello

Skin (2016)

Flume Harley Streten made all Australians proud when Skin took home the 2017 Grammy for Best Dance/Electronic album – an honour second only to his 2016 win of Album of the Year at the ARIA Music Awards, of course. Mr Streten, also known as Flume, is not afraid to go bigger than 70

art:

@leo_eats_art

MUSIC technicolour. Critics argue that his smooth transitions between hip-hop, indie pop and EDM could make him the next big crossover talent, like American greats Skrillex, Diplo, or British innovator Disclosure. The duality of hard and soft beats in the future bass/alternative R&B single, Never Be Like You, makes for ideal listening when running for your 9:00AM class.

Notable mentions: True (2013) by Avicii NOVA (2018) by RL Grime

X (2014)

Ed Sheeran While Sheeran refers to his latest release, ÷, as the best thing he has made thus far, one cannot go wrong with his second studio album. Arguably, this pop/soul/hip hop/R&B fusion is 50 minutes’ worth of unadulterated talent. By producing five hit singles, all with their own distinct sound, X showcases the ginger Brit’s growth and variability as an artist. From wedding song-favourite, Thinking Out Loud, to the jubilant anthem, Sing, this multiple-platinum masterpiece is perfect for when one doesn’t know what they’re in the mood to listen to. It’s the ultimate playlist of greatest hits, all curated by Sheeran’s lyrical genius.

Notable mentions: Staying at Tamara’s (2018) by George Ezra Flicker (2017) by Niall Horan

DAMN. (2017)

Kendrick Lamar Pulitzer Prize-winning Kendrick Lamar’s fourth studio album showcases Lamar’s talent for blending soul-baring lyricism with dynamic rap vocals. While Humble and Loyalty have received arguably the most critical acclaim, it’s Love, which was released as a single six months after the album’s debut, that is the crown jewel. With a team of nine working on the one song, Love has been described by writer Zacari as a genre of its own. The sheer devotion that Lamar professes for his fiancée, Whitney Alford, will leave you yearning for a soulmate.

Notable mentions: Big Fish Theory (2017) by Vince Staples Bobby Taratino II (2018) by Logic

The Beauty Behind the Madness (2015)

The Weeknd The Weeknd’s album isn’t here to paint you a picture of the world in all its beauty; he wants to showcase the darker sides of the human life. He is sinister in the way he exposes even the bleakest moments of drug use and sexual desires. He has created a piece of work that is tragically-beautiful to its core. He somehow manages to tie together mesmerising sounds, like on the track Angel, with twisted melodies, as heard through The Hills. Chaos and calmness alike are unified in hits like Can’t Feel My Face – this album will drive you crazy, almost as much as assessments do.

Notable mentions: SweetSexySavage (2017) by Kehlani Lemonade (2016) by Beyoncé 71

PLACE A CD PLAYER IN MY ROOM Cassandra Li @pm_refuge

It feels like nothing really changes.

My room is like the space of my mind A mess.

Even if cleaned, it will soon return To the comfort of carelessness There is too much that I don’t need Piles and piles, much like my thoughts It takes a while to find what I am looking for I want to make big changes I want to move out and away Like the heroine in a movie The one about small town to big city dreams I am a big child and this space has grown Too small for me now.

I am tired and I am restless I am tired of being restless Yet. I do nothing and I’m tired I am restless but I do nothing What the fuck am I doing?

How do I know that I’m alive Sometimes mornings are not enough to wake me.

Mum, you can feed me as much as you want But it’s not my stomach that is empty All hear is the humming clockwork of my mind Instead play me a soundtrack – For the morning bus ride The train ride home For the classes that bore me And the times I skip those classes; For the moments I feel inspired And the moments inspirations die.

For all the scenes of my life I act in Unrehearsed.

Give me a guitar solo that plays like an outro For when everyone in the room leaves And I am left standing alone Every moment I am living Remind me that I’m alive.

And if nothing really changes, At least change what’s playing in my head.

Make me a mixtape for moments and name it Something like “coming-of-age.”

WHO AM I? Cassandra Li @pm_refuge

I’m asked, “Where are you from?”

I’d answer, “Here.”

But then I’m quick to explain that my parents are not Do you see me as a child of my parents?

Do you see me as a child of this country?

Do you see me?

I am but a child.

Even I cannot see myself “Here” is not “here” Here or There, I am somewhere in-between My grandmother and the buttermilk folds of her skin My grandmother and her snow-white hair I do not understand her Her words, even though they reach me My replies will not Like my mother-tongue, I am lost The language I grew up with, no longer the one I speak And the one I was taught and use now Is not enough for me If you closed your eyes, and heard my voice What would you see?

If you closed your ears and read my face What would you hear?

But wait – It is not you, it is not you, it is not you It is not how you see me.

It is me It is not your questions I am bothered by It is my answers.

I do not understand myself I am trying In-between being uprooted and finding my roots, Seeking a place to grow but the soil is in my mind I am restless How long will I drag the weight of my soul around Before I realise; I am rootless. art:

@sienytara

FIRST LOVE

beloved

Grace Collison @geminigracie

I think I fell in love before I even really knew what love was.

Or at least, love in the traditional sense of the word. It’s probably for the best that it happened that way, now that I think about it; I knew no bounds and had no sense of ‘normal.’ It’s a common kid thing, I imagine, and to be honest we’d probably all be better off if we still loved the same way we did when we were children. Normality is a powerful thing.

Piglet the pig and Piglet the axolotl shared a very similar pinkish skin tone, so Piglet he was dubbed. He and I entered the world at around the same time - a congratulatory gift to my parents upon my birth from the eccentric aunty of the family. We don’t see her that often, so to this day I’m still not entirely sure what her motivation for this choice was when the customary ‘new baby’ gift is usually more along the lines of clothes or infant-appropriate linen. Maybe she knew what she was signing me up for.

When I was small, I had a pet axolotl named Piglet, and he was my whole world. Piglet - after the E.E. Milne character, naturally; though Winnie was actually my favourite.

More likely, she got the idea out of one of her dusty witch books my parents said I wasn’t allowed to read on the off occasion we visited her. Either way, I’m very grateful,

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@nima_8s8

FIRST LOVE

because for some reason, from the moment I was old enough to distinguish him as a sentient being who was, in some way, under our care, I was obsessed.

At age six, with my very first hard-earned five-dollar bill (courtesy of the tooth fairy), I dragged my mum into Pet Palace, bypassed the pen at the door, which housed a litter of puppies that looked like chicken nuggets, and headed straight for the fish tank aisle, hell-bent on locating some pink plastic seaweed with which to liven up Piglet’s enclosure. His tank sat on the bedside table in my room, which also boasted a pink theme, and I thought it only logical for his room to match mine. Mum thought it more suitable to get one of the live plants but I protested staunchly on the basis that it was green, not pink, so we compromised and walked out with both as well as some discounted rainbow pebbles for the bottom of the tank.

She may have had to contribute some of the funds for this purchase.

My parents, though perplexed by my obsession with a pet that was neither particularly cute nor cuddly in the slightest, were supportive. When most of my classmates reached the age where it became commonplace to beg for a pony, or even a puppy, or something able to reciprocate affection in some way, I was happily rushing home every day to change Piglet’s water and tell him about my day. Looking back, even I can accept that there is an element of weirdness to this, but the relative inexpensiveness of maintaining an axolotl as opposed to stabling a horse must have been highly appealing to my parents. As for

me - for some reason, still unknown to me now, I was completely enamoured with the little guy, and nothing any of my friends said about my ‘weird slimy fish with legs’ could deter me.

What they failed to mention during my formative years, however, is that the lifespan of an axolotl does not quite live up to the lifespan of a human. In fact, it falls about 70 years short.

I would like to be able to say that there is not still a very tiny part of me that resents this lack of forethought on their part. I’d be lying if I did, though I guess they thought he would indeed make it to see me through Bring Your Pet to School Week in the fourth grade. Sadly, this was not the case. It was probably luckier for him that he died peacefully in his tank, to be honest. I don’t know how well axolotls mix with rowdy school bus trips.

We moved away from that house to a new city when I was fourteen, four years after the death of Piglet. I took the stone that had marked his resting place with me. The typically greasy, Lynx body spray-toting boyfriend I acquired that same year noticed it on my desk one afternoon, and after I’d finished recounting the long and emotional story of my beloved childhood pet, he declared it ‘dumb’ and I broke up with him on the spot. Maybe I did learn about love, and loss of love, from a glorified salamander.

But Jared showed up to our high-school reunion last year imploring us to check out his mixtape, so - who’s the loser now?

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HOROSCOPES

HØrOsCØpes Isabelle Stackpool @izzystackpool

Been wondering what’s upcoming in your academic life? Or maybe if it’s finally time to take a leap of faith, career-related or otherwise? Here is what the stars have in store for you.

Aries

21 March - 19 April

Rams are known to be a bit hot-headed. And with all the stress of balancing coursework, paid work, unpaid internships – and let’s not even go into the state of your social life – who could blame you for going a little crazy? The best thing to do is keep your cool, and make sure you take time to de-stress and relax. I’d suggest a nice bath and maybe some meditation.

Taurus

20 April - 20 May

Good news for you, bull baby – you benefit by surrounding yourself with items of comfort. Turn this into a productive strategy; deck your desk with new stationary and gadgets that will give you that extra bit of motivation to hit the books. Alternatively, set study goals and reward yourself with a snack or treat. Perhaps a mood board will inspire you to get started.

Gemini

21 May - 20 June

As a Gemini, you’re chatty and people-oriented – which makes sense, seeing as you need to keep your alter-egos occupied at all times. Use this to your advantage, and round up a group of friends alongside your immediate tasks at-hand. Voilà you’ve got yourself a gang of study buddies. This will help you to learn most effectively, while also satisfying your social side. Just take care not to get side-tracked.

art:

@nima_8s8

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HOROSCOPES Cancer

21 June - 22 July

For the emotional child of the moon, self-care is the key to stability. It’s okay to feel a little moody sometimes, but remember to find time for yourself when things get overwhelming. Schedule time to do what makes you happy – whether it’s baking, reading a good book or having a Netflix binge. Invest time in creating a comfortable space to retreat to when needed. In the absence of that – a hug always works.

Leo

23 July - 22 August

Struggling with your busy schedule, lion? It’s time to treat yourself. Nothing perks a fire sign up like a little bit of pampering. For those that prefer something a little more bourgeoisie, perhaps indulge in a massage or a fancy dinner. If you’re into five-star experiences but you’re on a one-star budget, no problem; have a DIY spa day. Just remember to get on that assignment once the good vibes start flowing.

Virgo

23 August - 22 September

As a Virgo maiden, staying on top of things is the key to your sanity. Do what you have to do to organise your mind, and your life will follow. Write those due dates in your calendar, make some to-do lists, and schedule in some solid study time. Wrapping your head around upcoming events will leave you feeling much more in control, and ready to conquer the world.

Libra

23 September - 22 October

Your scales feel perfectly-balanced after a bit of social time; you thrive in social situations, thanks to your ruling planet, Venus. When you come to a roadblock in your study, the best way to drive over it is to go out and have some fun. It’s like hitting the refresh button, so you can come back with a new perspective.

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Scorpio

23 October - 21 November

Celestial scorpions, like their arachnid counterparts, tend to keep to themselves – so when times get tough it’s no surprise that they retreat. Even though you might just want to curl up and hide when you’re feeling overwhelmed, don’t forget to reach out to those in your life. Call a friend, have a lunch date with your sibling, or take your pet for a long walk.

Sagittarius

22 November - 21 December

You’re an adventurous soul, Archer. Keeping your busy mind stimulated with a new experience or activity will also keep you on track to slaying your study this semester. This is the perfect opportunity to sign up for social sport, join that society committee, or even go for some crazy trapeze lessons. The world is your oyster, and there has never been a better time to seize the day.

Capricorn

22 December - 19 January

Does career-driven and ambitious sound like you? Typical Capricorn. But sometimes it can be hard to know if the time is right to take the next step. If you were looking for a sign from above, hold this magazine over your head and consider this it. Go to a careers fair, make a LinkedIn account, and start networking. The more you put yourself out there, the more likely you are to snag that internship.

Aquarius

20 January - 18 February

Water-bearers are communicative and generous with their time and resources. And according to Edgar Dale, humans retain 95 per cent of what we teach. Now is the time to get what you give – try your hand at tutoring, or even talk your friends through that tricky topic from last week’s tutorial. Sometimes you may struggle to be efficient, so don’t underestimate the importance of timemanagement. It’s ok to prioritise yourself sometimes.

Pisces

19 February - 20 March

Like Rihanna and Albert Einstein, your celebrity zodiac twins, you are sensitive and passionate. You will put your heart and soul into your work, and get upset when things don’t go according to plan. And that’s okay!

Remember that tough situations are always temporary, and not the end of the world. Reach out for some support when you need it. You’ll feel much better, trust me.

RANT

i hAVE no fucks left To Give Tara Wesson Tara Wesson

Let’s paint a portrait that, until very recently, I would have cringed at. I’m twenty-years-old. I have a face full of freckles and thick eyebrows. I forget to shave my legs and I wax the moustache I’ve so luckily inherited every few weeks. I’ve grown into my big nose only recently. I have dry skin and crappy, porous teeth. These are all facts about myself. They’re not good, not bad, but pure facts that, until recently, I let dominate my day to day life.

Let’s paint another portrait. Tara at sixteen-years-old. I woke up each day before and checked social media. Before I’d even begun getting ready for the day myself, my head was crowded out with visual ideas of what beauty needed to look like. I plastered on a thick layer of foundation — to hide the freckles. I plucked my eyebrows. I ignored my dry skin, getting frustrated about it, and the stress probably made it worse. I was self-conscious about my height. I didn’t know how to hold myself, so I’d stand, lanky and slightly hunched, an arm clutched against the other, wavering from foot to foot.

Now I stand with my two feet on the ground. I’ve stopped giving a fuck about what others think of me, and what I think others think of me. Because that’s a lot of thinking. It’s the most liberating thing in the world to feel borderless and undermined, constantly in the process of determining. I unfollow anyone on social media that makes me feel like my own decisions about myself aren’t good enough.

I’ve stopped giving a fuck, moreover, about what men think of me. I remember a boy in high-school telling me that I needed to shave my legs. These days, I’m unapologetic for the hair that grows on my legs, my arms and everywhere else because I know now that I didn’t want to is a good enough reason — for that, and anything else.

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YOUR SAY

is tinder the future

of dating?

“As the world continues to become more and more dependent on technology, online dating sites like Tinder will undoubtedly become the future of dating. Every one of my friends is on Tinder, and I was convinced by someone to ‘just try it’. So I did. And unfortunately, all of my low expectations were confirmed in under and hour. For me, Tinder is a platform that relies on superficiality and shallowness. My experience was defined by predatory males with blatant sexual intentions. It felt degrading and cold and I can only hope that real human contact and genuine connections can never be replaced by online dating.” - Olivana Lathouris “Tinder has the potential to connect you with some genuine and cool people if you have the time and patience. Unfortunately, I did not, and I uninstalled the app after about five days of use. The toxic masculinity is real, people! I understand that this may not be the case for every Tinder match, but for romantics and poets like me, it’s probably best to wait for the one to spot you from across the room.” - Listy Dobson art:

@belholborow

“Dating apps are super important for LGBT+ people. In public, you’re looking at a smaller dating pool without a way of discerning their sexuality. Tinder provides that opportunity, and allows you to screen your dates per se.

You have more control and can take a more streamlined approach to dating. Additionally, it’s allowed gay people to escape the forced culture of gay venues, and with it, a lot of the negative stereotypes of gay communities.

So you have a lot more freedom over your individualism, plus it makes it easier for people to explore their sexuality in a safe medium. Tinder being the future of dating would not be such a bad thing.” - Finn Parker “I don’t think Tinder is the future of dating. While currently it’s more common than ever, I’ve noticed the people around me (as have I) getting sick of the over-stimulating, excessive and meaningless way of it.

Personally I’ve had bad experiences with Tinder too: I’d much rather meet someone in-person, or not at all, than use Tinder.” - Tara Wesson

“I feel as if Tinder is absolutely necessary for people in the LGBT+ community because of the limited amount of spaces we have.

There’s nowhere simple for LGBT+ people to meet partners, it’s either clubs or bars and both are alcohol-fueled and sometimes overtly sexual. As a minority group, apps like Tinder are essential to help us find the one, even though guys love to ghost you like their name’s Bill Murray. Tinder isn’t terrible. Men are.” - Michael Di Iorio

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READ MORE

Can't get enough?

Check out our greatest hits online.

@UTSoC

For those who braved the rain to jump down the rabbit hole and into Wonderland - you are rewarded with the most bling bling pictures that will make even the Red Queen jealous. We hope you had a great time dancing and watching our lovely drag queens grace us with their presence!

Hoodwinked

Strut around in style with our new UTSoC hoodies. You know you’ll want to reminisce about the good old days of the greatest years of your life when you’re wearing one of these bad boys. $40 + booking fee through QPay.

Queer books that you need to read right now.

Emily Trueman explores five books from queer authors that are a mustread.

Briannah Devlin has all the need-to-know information for those who are thinking of doing an exchange while studying.

utsoc.com.au/thecomma/ queer-books-that-you-needto-read-now

utsoc.com.au/thecomma/ exchange-101-can-i-shouldi-will-i

Why Can’t I Stop Watching White People Problems?

Things you need to hear to mend your heart.

Akshaya Bhutkar explores her love for mediocre white people problem shows, and how she really can’t give it up. utsoc.com.au/thecomma/ rory-and-lorelai-areproblematic

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Exchange 101: can I, should I, will I?

Not all of us are Taylor Swift, and can cope with a break up by producing a viral song. Sevin Pakbaz wants you to know that a breakup isn’t the end of the world. utsoc.com.au/thecomma/ things-to-heal-your-heart

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The UTS Society of Communications (UTSoC) is a student society working to develop a community among communication students, providing educational and career support to our members, and giving back to our greater community through a variety of social justice initiatives.

We are connecting students, industry, and the community.

We are promoting the talents and achievements of our members.

And uniting all communications disciplines at UTS.

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Images: 1. MadEye Photography (2018). 2 - 5. Cordelia Hsu (2018)

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