APRIL 10 AT 7:30 P.M. (PREVIEW)
APRIL 11-13, 17-19 AT 7:30 P.M.
APRIL 14, 21 AT 2:00 P.M.
OSCAR G. BROCKETT THEATRE
F. LOREN WINSHIP DRAMA BUILDING
THEATREDANCE.UTEXAS.EDU
Arash Baqipur – Assistant Projection Designer
Layla Crear – Assistant Costume Designer
• Rodolfo Robles Cruz – Assistant Director
Demian Chavez Galvan – Composer/Sound Designer/Dramaturg
Justin Gordon – Fight Director
• Andy Grapko – Intimacy Director
Rachel Green – Associate Costume Designer
Leah Hummel – Costume Designer
• Dominic Gross – Fight Captain
• Heekyung Kim – Projection Designer
Joshua W. Martin – Assistant Scenic Designer
Alex Rockey – Scenic Designer
• Leila Rabah – Stage Manager
• Natalia Martin Rodezno – Assistant Scenic Designer
Olivia Saldaña – Assistant Costume Designer
•
KJ Sanchez – Co-Conceiver and Script Collaborator
Laura Soares – Assistant Stage Manager
David Tolin – Technical Director
•
Gavin Strawnato – Lighting Designer
• Anna Skidis Vargas – Director
• Karen Zacarías – Playwright
Jacob Zamarripa – Assistant Lighting Designer
The Department of Theatre and Dance is a world-class educational environment that serves as the ultimate creative incubator for the next generation of artists, thinkers and leaders in theatre and performance.
Benvolio
Tybalt
Capulet
Lady Capulet
General
Romeo
Paris
Servant
Nurse
CAST (IN ORDER OF APPEARANCE)
Yobany Pizano
.Brandt Agosto-Medina
Victor Santos
Kira Small
Michael Okooti
Valeria Najera Zavala
Dominic Gross
Rosy Esquenazi Alkabes
Esmeralda Treviño
Juliet Karla Bermudez
Mercutio Emilio Mejia
Friar Lawrence Jorge Gonzales
Balthazar/Juliet Understudy
Apothecary/Romeo Understudy
Guajardo
.Celeste Izaguirre
Friar John Andre Lira
There will be one 15-minute intermission. The videotaping, photographing or audio recording of this production is strictly prohibited.
As Karen Zacarías and I first met to discuss an adaptation of Romeo and Juliet, one of our first conversations was about where to set the story. It was important to both of us that the play be placed in a time in which the stakes are so high that all of our characters believe they have no options other than the ones they take. And so, we moved Shakespeare’s classic tragedy from 16th-century Verona, Italy to the societal pressure-cooker of 1848 Alta, California (now Northern California).
One of our references was Testimonios: Early California through the Eyes of Women, 1815-1848 (edited and translated by Rose Marie Beebe and Robert M. Senkewicz) which recounts numerous bloody battles of the period: Indigenous peoples revolts against Spanish settlers; marauders and pirates landing in the San Francisco Bay; twelve long years to gain independence from Spain; battles with the invading U.S. Army during the Mexican-American War and battles between families over resources, access and ancient grudges.
Besides being from warring families, the love between these two young women raises the stakes of the drama, making catholic Friar Lawrence’s blessing of their holy union particularly dangerous. There are historical examples of early California clergy – far away from both the Spanish crown and the Vatican in Rome - “going rogue” in the wild west.
My role in this adaptation was to set the time and place and to do the edits/cuts to Shakespeare’s text. Karen did all the playwriting, both Spanish and additional English text. And the two of us collaborated with the brilliant dramaturg, Ken Cerniglia, who kept us on track regarding story and impact.
We’re very glad you’re here.
KJ Sanchez
NOTA DEL DRAMATURGO
Esta obra es un regalo.
El regalo ha sido nuestro; Karen Zacarías y KJ Sanchez nos dieron la oportunidad inolvidable de darle nuestro todo a una producción que eleva con orgullo nuestra cultura y lenguaje. Su trabajo, tanto como el trabajo de cada miembro del elenco y equipo creativo, ha abierto el mundo y las palabras de Shakespeare.
Hoy, el regalo es de ustedes. Es para nuestras mamás, nuestros papás, nuestras abuelas, nuestros abuelos – para todos aquello quien han asistido sin falta a nuestras obras, aun sin entender el inglés. Para los hispanohablantes, y a cualquiera que hable el inglés como su segundo idioma.
Esta obra es para ustedes.
NOTE FROM THE DRAMATURG
This play is a gif.
The gif has been ours; Karen Zacarías and KJ Sanchez gave us the unforgettable experience of giving our all to a production that proudly centers our culture and language. Their work, just like the work of every member of the cast and creative team, has opened up the words and world of Shakespeare.
Today, the gif is yours. It’s for our mothers, our fathers, our grandmothers, our grandfathers – for all those who have made it to all of our plays, even if they’re not fluent in English. For Spanish speakers, and all those who speak English as their second language.
This play is for you.
Arash Baqipur (Assistant Projection Designer) is a M.F.A. in Theatre (integrated media for live performance) candidate at The University of Texas at Austin. He is a storyteller with a background in film and a designer for screen and live performance. He has collaborated on several short and feature films as a production designer and set and costume designer. Recent credits with Texas Theatre and Dance include Fall For Dance (2023). He also served as an assistant media designer for Sunset Baby (Signature Theatre, 2024). Baqipur holds a B.S. in Architecture and a M.A. in Cinema from the University of Tehran.
Layla Crear (Assistant Costume Designer) is a B.A. in Theatre and Dance major with an emphasis in design and technology at The University of Texas at Austin. She has an extensive background in costume design. She recently graduated from the theatre department at The High School for the Performing and Visual Arts and is in her first year at UT Austin. Her previous credits include The Wiz (The High School for the Performing and Visual Arts) and Put Your House in Order (Rec Room Arts).
Rodolfo Robles Cruz (Assistant Director) is a M.F.A. in Theatre candidate with a specialization in directing. He is a theatre artist from Morelia, Michoacan with strong roots in Fresno, California. He is a graduate from California State University, Fresno. His artistic work emphasizes the Latinx/ Mexican family unit and the complexities of immigration and identity. Select directing credits: Oedipus el Rey by Luis Alfaro (Selma Arts Center); Anna in the Tropics by Nilo Cruz (Madera Theatre Project); Sanctuary City by Martyna Majok (Texas Theatre and Dance studio series, 2024).
Demian Chavez Galvan (Composer/Sound Designer/Dramaturg) is a theatremaker and third-year student at The University of Texas at Austin. Their work as a writer, director, designer, dramaturg and composer has been seen on stages throughout Texas. They are the founding artistic director of Teatro Sin Fronteras, a bilingual theatre company based in El Paso, Texas. Credits with Texas Theatre and Dance include
…but you could’ve held my hand (2022), Address the Body! (UTNT (UT New Theatre), 2023) and El Corrido de la Soldadera: A Mariachi Musical (The Cohen New Works Festival, 2023). (they/them)
Justin Gordon (Fight Director) is a member of the acting faculty, as well as an actor, director and fight choreographer working in theatre, film and television. He’s the artistic director of New Canon Theatre Co. (Monterey, California) and trained at Shakespeare’s Globe and the University of Illinois, Urbana-Champaign (M.F.A. in Acting). He’s a member of Actors’ Equity Association, SAG-AFTRA, the Stage Directors and Choreographers Society and the Society of American Fight Directors.
Andy Grapko (Intimacy Director) is a lecturer and the resident intimacy director for the Department of Theatre and Dance. Her recent intimacy credits include Jack and Aiden (Ground Floor Theatre), Pipeline (The Alchemy Theatre), La Bohème (Butler Opera Center), Ride the Cyclone (Texas Theatre and Dance, 2023), The Pearl Fishers (Austin Opera), Big Love (Texas State University), Fabulous Monsters (The Public Theatre of San Antonio), Growing Pains (feature film), Angel (feature film) and Walker (The CW). andygrapko.com
Rachel Green (Associate Costume Designer) is a B.A. in Theatre and Dance major with an emphasis in design and technology. Recent credits include Les Contes d’Hofmann (Butler Opera Center, 2023) and …but you could’ve held my hand (Texas Theatre and Dance, 2022), in addition to her work on Squid Kid as a part of The Cohen New Works Festival (Texas Theatre and Dance, 2023). Green is a host and photographer with The University of Texas at Austin’s student radio station and writes for a campus music publication.
Leah Hummel (Costume Designer) is a M.F.A. in Theatre (live design and production) candidate at The University of Texas at Austin. Recent costume design credits with Texas Theatre and Dance include elizabeth is going into the ground (studio series, 2023) and Fall For Dance (2023), in addition to multiple projects as part of The Cohen New Works Festival (2023). leahkhummel.com
Heekyung Kim (Projection Designer) is a M.F.A. in Theatre (integrated media for live performance) candidate at The University of Texas at Austin who also has a background in directing. Recent credits include …but you could’ve held my hand (Texas Theatre and Dance, 2022), Les Contes d’Hofmann (Butler Opera Center, 2023) and Tea: A Mirror of Soul (Butler Opera Center, 2024). Outside of academic endeavors, she has contributed to Beetlejuice The Musical (Norwegian Cruise Line, 2023) and Highway Patrol (Goodman Theatre, 2024), among other productions.
Joshua W. Martin (Assistant Scenic Designer) is a M.F.A. in Theatre (scenic design) candidate and multidisciplinary theatrical designer. Martin has spent the last decade helping artists create unique and impactful work. His avid commitment to theatre for social change drives his current pursuit of democratizing voices through placemaking in emerging and unconventional spaces. Recent credits for Texas Theatre and Dance include Pretend it’s Pretend (UTNT (UT New Theatre), 2024), Sanctuary City (studio series, 2024) and Blood at the Root (studio series, 2024). Josh-W-Martin.com
Leila Rabah (Stage Manager) is a B.A. in Theatre and Dance major with an emphasis in design and technology (with a focus in stage management) at The University of Texas at Austin. Recent credits with Texas Theatre and Dance include Sanctuary City (studio series, 2024), The Smartest Girl in the World (2023), ZAZ: The Big Easy (The Cohen New Works Festival, 2023), Address the Body! (UTNT (UT New Theatre), 2023) and …but you could’ve held my hand (2022).
Alex Rockey (Scenic Designer) is a M.F.A. in Theatre (scenic design and costume design) candidate. Credits include Proving Up (Butler Opera Center) and Fall For Dance and …but you could’ve held my hand (Texas Theatre and Dance; 2023, 2022). He has worked with the Santa Fe Opera and Maine State Music Theatre, among others. He produced and designed a sold-out protest drag show, entitled You Can’t Drag Us Down, as a part of his thesis, where he made his drag debut
and gave local performers a new audience.
Natalia Martin Rodezno (Assistant Scenic Designer) is a fourth-year B.A. in Theatre and Dance major with an emphasis in design and technology at The University of Texas at Austin. She is a lead fabrication student assistant at Texas Performing Arts. Recent credits include serving as project manager for the Texas Theme Park Engineering and Design escape room “Missing on the Moon” (2023), fabrication student assistant for Ride the Cyclone (Texas Theatre and Dance, 2023) and properties manager for Very Blue Light (UTNT (UT New Theatre), 2023).
Olivia Saldaña (Assistant Costume Designer) is a UTeach Theatre major at The University of Texas at Austin. She has experience in multiple aspects of theatre, with recent projects involving acting, costume design, scenic design and directing. This is her first project working on the costume design team with Texas Theatre and Dance. She recently performed in the studio series productions of Blood at the Root (2024) and Hamlet (2023).
Laura Soares (Assistant Stage Manager) is a first-year B.A. in Theatre and Dance major with an emphasis in design and technology (with a focus in stage management) at The University of Texas at Austin. Recent credits include assistant stage management for Butler Opera Center’s Tea: A Mirror of Soul. Romeo y Juliet is her first production with Texas Theatre and Dance.
Gavin Strawnato (Lighting Designer) is a secondyear M.F.A. in Theatre (lighting design) candidate, scenic designer, writer and photographer. He is passionate about research and ethical storytelling. Recent credits include Tea: A Mirror of Soul (Butler Opera Center, 2024), UNDEAD Haunted House of Dances (Ventana Ballet) and Fall For Dance (Texas Theatre and Dance, 2023).
David Tolin (Technical Director) was born and raised in Casper, Wyoming. He received his B.A. in Theatre with a concentration in design/ technology from the University of Nevada, Las Vegas. He received his M.F.A. in Theatre from
CREATIVE
The University of Texas at Austin before teaching at Westlake High School for seven years. Tolin works at Texas Performing Arts’ Fabrication Studios as the Project Manager and as faculty in the UT Live Design and Production area.
Anna Skidis Vargas (Director) is a theatremaker whose research subverts stereotypes through myth, spirituality and humor with a focus on Latine and Mixed Identity stories. She is the artistic director of Mary Moody Northen Theatre (MMNT) and Assistant Professor of Theatre Arts at St.Edward’s University. She holds a M.F.A. in Theatre with a specialization in directing from The University of Texas at Austin and a B.A. in Performance from Southern Illinois University Edwardsville. skidisvargas.com
Karen Zacarías (Playwright) is hailed by American Theatre Magazine as one of the most produced playwrights in the U.S. She has four Broadway-bound musicals, including Destiny of Desire and Five Notes (composed by Gloria Estefan). Her other plays include Native Gardens, The Age of Innocence, Shane, The Book Club Play, The Copper Children, Legacy of Light, Mariela in the Desert, The Sins of Sor Juana and adaptations of Just Like Us, Into the Beautiful North and How the Garcia Girls Lost Their Accent. She is a core founder of the Latino Theatre Commons, which seeks to update the American narrative with the stories of Latinos, and the founder of the award-winning Young Playwrights’ Theater.
Jacob Zamarripa (Assistant Lighting Designer) is a B.A. in Theatre and Dance major at The University of Texas at Austin. He has an extensive background in lighting design in the Houston and Austin areas. Credits with Texas Theatre and Dance include Choreomaniac 1518 (UTNT (UT New Theatre), 2024) and Very Blue Light and Address the Body! (UTNT (UT New Theatre), 2023). Notable credits include The Thin Place; Una Noche Buena; Natasha, Pierre & The Great Comet of 1812 and The Prom (ZACH Theatre).
CAST
Yobany Pizano Brandt Agosto-
Victor Santos
Kira Small Medina
Michael Okooti Valeria Najera Zavala
Dominic Gross Rosy Esquenazi Alkabes
Esmeralda Treviño Karla Bermudez
Emilio Mejia
Jorge Gonzales
Valeria Guajardo Celeste Izaguirre
Andre Lira
Yobany Pizano (Benvolio) is a UTeach Theatre major at The University of Texas at Austin. He has an extensive background in education and theatre and recently delved into creating original and/or devised work. Credits with Texas Theatre and Dance include elizabeth is going into the ground (studio series, 2023), Very Blue Light (UTNT (UT New Theatre), 2023) and 9/10 beds (studio series, 2022). He also served as project lead for The Scholarship or Almost is Never Enough, presented as part of The Cohen New Works Festival (Texas Theatre and Dance, 2023).
Brandt Agosto-Medina (Tybalt) is a secondyear B.F.A. in Acting major at The University of Texas at Austin. He has spent the past two years expanding his capabilities as an actor through rigorous training in voice, movement, historical theatre and dance. His most recent roles with Texas Theatre and Dance include “Francisco” and “Player Lucianus” in Hamlet (studio series, 2023).
Victor Santos (Capulet) is a guest artist for Texas Theatre and Dance’s production of Romeo y Juliet. His most recent works include “Father” in Luchadora (Mary Moody Northen Theatre), “Cheche” in Anna In The Tropics (Ground Floor Theatre), an ensemble member in The House on Mango Street, “Professor” in Invisible Glass (CalArts Center for New Performance) and “Ursula” in Elegy For A Mid-Shipman. Next, he will appear as “Pablo Del Valle” in Native Gardens at TexARTS this summer.
Kira Small (Lady Capulet) is a B.A. in Theatre and Dance major with an emphasis in performer's process also pursuing a B.A. in Humanities Honors at The University of Texas at Austin. Recent acting credits include “Hamlet” in Hamlet (Shakespeare at Winedale, 2023) and "The Amazing Karnak" in Ride the Cyclone (Texas Theatre and Dance, 2023). (she/her)
Michael Okooti (General) is a second-year B.F.A. in Acting major at The University of Texas at Austin. He has an extensive background in theatre and acting. His previous credits include “Dr. Jekyll” in Dr. Jekyll and Mr. Hyde and “Othello”
in Othello (Carthage High School Theatre; 2019, 2021). He was most recently seen on stage in More Blackberries, Please, performed as part of The Cohen New Works Festival (Texas Theatre and Dance, 2023).
Valeria Najera Zavala (Romeo) is in her final semester as a UTeach Theatre major at The University of Texas at Austin. She has a passion for making the arts an accessible space for all students to grow and learn. Recent credits include "Cordelia" in Lear (CRASHBOX, 2021) and "Kimberly/Mom/Flower of Resurrection" in OCD (UTNT (UT New Theatre), 2021), in addition to directing El Corrido de la Soldadera: A Mariachi Musical as part of The Cohen New Work Festival (Texas Theatre and Dance, 2023).
Dominic Gross (Paris/Fight Captain) is a B.F.A. in Acting major at The University of Texas at Austin. Romeo y Juliet marks Gross’ seventh production with Texas Theatre and Dance. Previous credits with Texas Theatre and Dance include “B” in Sanctuary City (studio series, 2024) and “Hamlet” in Hamlet (studio series, 2023). He was also seen as “Isaac Jaggard” in The Book of Will (Illinois Shakespeare Festival).
Rosy Esquenazi Alkabes (Servant) is a secondyear UTeach Theatre major also pursuing a minor in arts management and administration. Originally from Panama City, Panama, she has an extensive background in acting and directing. Credits with Texas Theatre and Dance include 9/10 beds (studio series, 2022), The Scholarship or Almost is Never Enough (The Cohen New Works Festival, 2023), Bellua (studio series, 2023) and The Smartest Girl in the World (2023), as well as and The Bear Play (Take the Wheel Short Play Festival).
Esmeralda Treviño (Nurse) is a second-year in the B.F.A. in Acting program at The University of Texas at Austin. She is originally from Harlingen, Texas in the Rio Grande Valley. Her recent credits include “X” in mirror, mirror (UTNT (UT New Theatre), 2023) and “Xochil” in La Liga de la Decencia (The Cohen New Works Festival, 2023). She was
a 2022 Young Arts Merit Scholar and a Las Casas Acting Finalist in 2021 and 2022.
Karla Bermudez (Juliet) is a third-year B.F.A. in Acting major. She has been performing since the seventh grade. Her credits with Texas Theatre and Dance include “Vel” in Jinkies! or The Dog Play (UTNT (UT New Theatre), 2022), “Cato” in Song of the Damned: An Infernal Musical (The Cohen New Works Festival, 2023), “Denise” in The Scholarship or Almost is Never Enough (The Cohen New Works Festival, 2023) and “Osric” in Hamlet (studio series, 2023).
Emilio Mejia (Mercutio) is a third-year B.A. in Theatre and Dance major with an emphasis in performer’s process. He is a Honduran actor, raised in Mexico City, who quickly adapted himself to the theatre scene in the city. Recent credits include the role of Puerto Rican superstar “Marc Anthony” in Súbete a mi Moto (Amazon Prime Video, 2020) and "Hector" in his feature film debut at South by Southwest in Hail Mary (Sparkhouse Media, 2023).
Jorge Gonzales (Friar Lawrence) is a second-year B.A. in Theatre and Dance major with an emphasis in performer's process at The University of Texas at Austin. Recent credits include “Michael Mell” in Be More Chill (University Theatre Guild, 2023), “Percy Jackson" in The Lightning Thief: The Percy Jackson Musical (University Theatre Guild,
2023) and "Max Bennett" in The Play that Goes Wrong (University Theatre Guild, 2022).
Valeria Guajardo (Balthasar/Juliet Understudy) is a B.A. in Theatre and Dance major at The University of Texas at Austin. She takes immense pride in being part of a show that authentically portrays the Spanish-speaking community. As a Mexican artist, representation holds a vital role in her artistic journey. Breaking stereotypes is important to her, celebrating the diverse narratives that make up the human experience. In every performance, Guajardo aims to inspire and contribute to the ongoing conversation about the importance of authentic representation.
Celeste Izaguirre (Apothecary/Romeo Understudy) is a B.A. in Theatre and Dance major with an emphasis in performer’s process at The University of Texas at Austin. Recent acting credits with Texas Theatre and Dance include The Smartest Girl in the World (2023) and El Corrido de la Soldadera: A Mariachi Musical as part of The Cohen New Works Festival (2023).
Andre Lira (Friar John) is a B.F.A. in Acting major at The University of Texas at Austin. Originally from Puerto Vallarta, Mexico, his love for the performing arts pushes him from his comfort zone to be better. He aspires to evoke emotions amongst the audience through his work.
TEXAS PERFORMING ARTS FABRICATION STUDIO
ASSOCIATE DIRECTORS
J.E. JOHNSON
KAREN MANESS
PROJECT MANAGER
DAVID TOLIN
OPERATIONS MANAGER
JASON LEE HUERTA
PROPERTIES MANAGER
CAROLYN HARDIN
LEAD FABRICATOR
HANK SCHWEMMER
PROJECT SPECIALIST
ASHTON BENNETT MURPHY
SENIOR TECHNICAL DIRECTOR
SCOTT BUSSEY
GRADUATE PRODUCTION ASSISTANTS
DANIEL RUIZ BUSTOS
TERESA GUERRERO C.
JOSHUA MARTIN
ZACHARY YOUNG
ADMINISTRATIVE ASSISTANTS
MADISON JACKSON
LYRIC VILLARREAL
RYLEE VINES
PRODUCTION LEADS
LEAH AUSTIN
ZOÉ BIHAN
ELLYSE JEFFERSON
NATALIA MARTIN RODENZO
JULIA YELVINGTON
PRODUCTION ASSISTANTS
ELIZABETH BANDA
NAHLA BELTRAN
BRIDGETTE CLIFFORD
VALERIA NUÑEZ ESTRADA
ANA LARA
CODIE LIGHTFOOT
AUSTIN LIVINGSTON
KRISTA MCLEOD
GABRIEL GOMEZ REYES
CASSIDY WEN
324P FABRICATION
PRODUCTION ASSISTANTS
JUNO ADAIR
STEVIE ANDERSON
KARLA BERMUDEZ
SAMANTHA CORTEZ
ROSY ESQUENAZI
SARAH JAYNE EWING
ARWYN HEILRAYNE
SCENIC CHARGE ARTIST
KAREN MANESS
ASSISTANT SCENIC CHARGE ARTISTS
BRIDGETTE CLIFFORD
NATALIA MARTIN RODENZO
SCENIC PAINTING INTERN
GLORIA LABATUT DAVIES
COSTUME PRODUCTION AND FABRICATION STUDIO
COSTUME PRODUCTION
DIRECTOR
NANETTE ACOSTA
PRODUCTION ASSOCIATES
DESIREÉ HUMPHRIES
JONATHAN WATERS
STAFF DRAPERS
SARAH BARBOUR
POUA YANG
STAFF FIRST HAND
JENNIFER BALL
GRADUATE FIRST HANDS
KAITLYN COMFORT
MATTHEW SMITH
STUDENT DRAPERS AND TECHNICIANS
LUCIA CALLENDER
KAITLYN COMFORT
MARISA LAWRENCE
ARIES LIMON
MATTHEW SMITH
STUDENT STITCHERS
JACOB BENAIM
LAYLA CREAR
SOPHIE DIETERLEN
COSTUME CRAFTS ARTISAN
TANYA OLALDE
COSTUME CRAFTS
ASSISTANT
MEAGAN BEATTIE
STUDIO ASSISTANTS
KATHERINE CONCANNON
LAYLA ISAAC
WIG HAIR AND MAKEUP SPECIALIST
STEPHANIE MILLER
STUDIO CREW SUPERVISORS
KAITLYN COMFORT
ALEX ROCKEY
MATTHEW SMITH
STUDIO CREW
OLIVER AARO
HANNAH COTTON
TAYLOR DRESS
EUGENIO CHAPA GALVAN
ANGEL MACIAS
OLA MBONU
MIA NGUYEN SENIOR LIGHTING
RYAN WAKEFIELD TECHNICIANS
WARDROBE SUPERVISOR
DESIREE TOWNES
KP PIERCE
GAVIN STRAWNATO
ZACHARY YOUNG
WARDROBE RUNNING CREW 324P LIGHTING FACULTY
CHIEF
SUPERVISOR
LINDSEY THURSTON SEB BOONE
WARDROBE RUNNING CREW 324P THEATRE AND DANCE
SAMANTHA CORTEZ LIGHTING CREW
PARIS FULKS JACKSON FROELICH
ANGELA MATA NOELLE LANSFORD
SELENA MUNGUIA JAIME LEAL
KELSEY ONG SHALOM ONUORAH
ERIN SIMPSON
COSTUME STOCK
SUPERVISOR
DESIREÉ HUMPHRIES
COSTUME STOCK
ASSISTANTS
JAZ BURCHELL
KATIE CONCANNON
EMORY KENNEMORE
PROPS/SCENIC
PRODUCTION PROPERTIES
MANAGER
CAROLYN HARDIN
HAYDEN PRESLEY
ERIC RAMOS
HUEMAK SANCHEZ
ELLA SCORESBY
ETHAN SEBREE
OLIVIA TOVAR
JACOB WILSON
LILLY ZAHNOW
TEXAS PERFORMING ARTS
LIGHTING CREW
JONATHAN AMEZCUA
ADAM CORONADO
OLIVIA LONGORIA
GILBERT MARTINEZ
ZACKARY READ
JOSE SALCIDO
MATTHEW E. SMITH
PROP STOCK MANAGERS LIGHT BOARD OPERATOR
KATELYN NGUYEN VALERIA NUÑEZ ESTRADA
LEILA RABAH
OVERHIRE PROP ARTISANS AUDIO
MEL EDWARDS
ROXOLANA KRYWONOS TEXAS PERFORMING ARTS
AUDIO SUPERVISOR
SCENIC/PROP CREW ANDREW MILLAY
MARKUS LEE
AUSTIN LIVINGSTON TEXAS PERFORMING
NATALIE TRAN ARTS ASSISTANT AUDIO SUPERVISOR
SCENIC AUTOMATION CHRIS PAYEUR
BOARD OPERATOR
JAY SMITH
TEXAS PERFORMING ARTS
AUDIO CREW
GEORGIA BECKHAM
LIGHTING BRYCE RIGGLE
TEXAS PERFORMING ARTS
AUDIO BOARD OPERATOR
LIGHTING SUPERVISOR JOSEPH ADKINS
JOEY COLAO
TEXAS PERFORMING ARTS MEDIA
ASSISTANT LIGHTING SUPERVISORS PROGRAMMER
CAMMY SENIORIS
MICHAEL SHANKS
AJ HURTADO
INTEGRATED MEDIA SHOP
SUPERVISING ELECTRICIAN SUPERVISOR
MICHAEL SHANKS EARNEST MAZIQUE
ASSISTANT SUPERVISING MEDIA GRADUATE ELECTRICIANS ASSISTANTS
JONATHAN AMEZCUA ARASH BAQIPUR
JOSE CALVILLO
HEEKYUNG KIM
NITSAN SCHARF
SYDNEY SOUSA
CREW
MEDIA SHOP CREW
DRAMATURGY
ALEXIS ADAMS MADGE DARLINGTON
SEDDA BRADY
KEELEY BRYANT ACTING
SAMUEL CANTU JUSTIN GORDON
KATRINA ESPINOZA
GRANT GILKER RESIDENT INTIMACY
ENRIQUE GOMEZ DIRECTOR
MO MACDONALD ANDY GRAPKO
SIDDHANTH MENON
NOLAN MYERS CREW SUPERVISOR
AUSTIN SHIRLEY
PRODUCTION
ADVISORS
STAGE MANAGEMENT
RUSTY CLOYES
DIRECTING
KJ SANCHEZ
ALEXANDRA BASSIAKOU
SHAW
COSTUME DESIGN
RAQUEL BARRETO
COSTUME TECHNOLOGY
DAVID AREVALO
LIGHTING DESIGN
MICHELLE HABECK
INTEGRATED MEDIA FOR LIVE PERFORMANCE
KATE FREER
SCENIC DESIGN
YVONNE BOUDREAUX
JOSAFATH REYNOSO
SOUND DESIGN
PHILLIP OWEN
SPECIAL THANKS
Mary Moody Northen Theatre, St. Edward’s University
Robert Tolaro
Ken Cerniglia
DIRECTOR OF PRODUCTION
RUSTY CLOYES
TEXAS PERFORMING ARTS DIRECTOR OF FABRICATION AND ACADEMIC PRODUCTION
JEFF GRAPKO
FRONT OF HOUSE MANAGEMENT AND TICKETING
DANA MCLAUGHLIN
PR/MARKETING
MEGAN BOMMARITO SYDNEY PATTILLO
PHOTOGRAPHER
ESSENTIALS CREATIVE
GRAPHIC DESIGNER
JEFF GRAY