FEBRUARY 26-29, MARCH 3-7 AT 7:30 P.M. FEBRUARY 29, MARCH 1, 8 AT 2:00 P.M.
OSCAR G. BROCKETT THEATRE F. LOREN WINSHIP BUILDING
THEATREDANCE.UTEXAS.EDU Charles O. Anderson – Co-Director • Michael Bruner – Scenic and Projection Designer Adam Miller-Batteau – Fight Director • Ashton Murphy – Technical Director Robert Ramirez – Co-Director • Jessica Sell – Sound Designer • Lindsey Rae – Costume Designer Amber Whatley – Lighting Designer • Amariah K. Williams – Stage Manager
CAST (IN ORDER OF APPEARANCE) Marcus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Vincent Oliver Osha . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Qualee Marshall Shaunta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Kayla Johnson Shua . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bishop J. Pearsall Ogun. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Joshua Magee Oshoosi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .William Kachi Elegua . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cymone Love Oba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Celine Munyana Shun . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Se’An Boatner Terrell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Myles Davis Ayo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kialond Bronson-Smith Duro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Makiah Galan Adé . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matthew James Orisa/Ori . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Myrah Porter Yele . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Azari Sumbler Keyshia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Khorii Tinson There will be one 15-minute intermission. Videography and photography are strictly prohibited. Marcus; or the Secret of Sweet is presented by special arrangement with Dramatists Play Service, Inc., New York. World premiere of THE BROTHER/SISTER PLAYS produced by the Public Theater (Oskar Eustis, Artistic Director; Andrew D. Hamingson, Executive Director), and McCarter Theatre Center (Emily Mann, Artistic Director; Timothy J. Shields, Managing Director). THE BROTHER/SISTER PLAYS were developed with the support of McCarter Theatre Center.
NOTE FROM THE DIRECTORS To say Tarell Alvin McCraney is masterful at articulating black male coming-of-age stories in America would be an understatement. With Marcus; or the Secret of Sweet, the final play in McCraney’s genius Brother/Sister Plays trilogy, we return to the fertile mythological world of San Pere, Louisiana where Yoruba deities and everyday Black folks co-exist and are one in the same. It is obvious to us as the co-directors and queer men of color (and hopefully to you) from the rhythms of the language that McCraney was inspired by Yoruba mythology to write beyond and above the gritty, dangerous world of the projects in San Pere, LA. and conventional heteronormative narratives about Black life. The characters in Marcus; or the Secret of Sweet particularly, and the entire Brother/Sister trilogy in general, are invested with a size and weight beyond their meager daily lives. What we have endeavored to achieve (with the aid of our brilliant cast of actors and design partners) is a movementinfused adaption of what is, in many ways, a conventional coming-of-age, coming-out drama inspired and informed by the unconventional style of the play that is unabashedly and unapologetically Black. We are offering a lens onto a black boy’s reckoning with emotional abandonment and his burgeoning sexuality that bridges the gap between this world and the next as its protagonist navigates doubleconsciousness and trauma that blurs the lines between reality and fantasy. We live in a world that is awash in diverse and contentious worldviews. How can we better understand these differences and co-exist in ways that engender peace and harmony rather than strife and conflict? One approach is to appreciate the power of myth. Myth provide us with narratives and images that make our lives intelligible and meaningful—both as individuals and collectively as cultures. Where else can one find such a powerful tool kit for investigating our irrepressible story-making proclivities and their power to shape our world, for better and for worse? As we mentioned with our previous collaboration In the Red and Brown Water, our goal is for the people on stage to be transported into a ritual, and this has to mean that things will happen that don’t normally happen. Languages change and are spoken in tones not normally spoken. Through movement, we speak Yoruba, we speak creole, patois, we speak African tongues. Looks change. Smells change. Touches change. Movements change. And we bring you, the audience, through a change, too. We want you, the audience, to feel full with an experience that you haven’t had before. We want to bring you in touch with the concept of Asè… —Charles O. Anderson and Robert Ramirez, Co-Directors
ABOUT THE PLAYWRIGHT Tarell Alvin McCraney's plays include Wig Out! (developed at Sundance Theatre Lab, produced in New York by the Vanguard Theatre and in London by the Royal Court) and the trilogy entitled The Brother/ Sister Plays, including: The Brothers Size (simultaneously premiered in New York at the Public Theater and in London at the Young Vic where it was nominated for an Olivier Award for Outstanding Achievement at an Affiliated Theatre); In the Red and Brown Water (winner of the Kindeda Graduate Playwriting Competition, produced at the Alliance Theatre and the Young Vic) and Marcus, or the Secret of Sweet. His other plays include Without/Sin and Run, Mourner, Run (adapted from Randall Kenan's short story), both of which premiered at Yale Cabaret. McCraney received a B.F.A. in Acting from DePaul University and is a 2007 graduate of the Yale School of Drama's playwriting program, headed by Richard Nelson, where he also received the Cole Porter Playwriting Award upon graduation. He is the Royal Shakespeare Company's international writer in residence, the 2009 Hodder Fellow at Princeton University, the recipient of the 2007 Paula Vogel Playwriting Award and the 2007 Whiting Award. In 2008, McCraney was the recipient of the London Evening Standard's Award for Most Promising Playwright.
CREATIVE Charles O. Anderson (Co-Director) is head of the dance program at The University of Texas at Austin and producing artistic director of Dance Repertory Theatre. Born and raised in Richmond, Virginia, Anderson earned his B.A. in Choreography and Performance with a minor in African studies from Cornell University and his M.F.A. in Dance from Temple University where he specialized in African Diasporic performance. Professionally, Anderson serves as the artistic director of the critically-acclaimed dance theatre X which he founded in 2003. He has performed in the companies of Ronald K. Brown, Sean Curran, Mark Dendy and Miguel Gutierrez, among others. His work has been presented nationally and internationally and has earned recognition from numerous organizations such as the Pew Fellowship of the Arts, one of “25 to Watch” by Dance Magazine and one of “12 Rising Stars in the Academy” by Diverse: Issues in Higher Education magazine. Michael Bruner (Scenic and Projection Designer) is a M.F.A. in Design and Technology candidate with a focus in integrated media for live performance. His work is focused on how design and storytelling can be integrated into diverse mediums to create immersive experiences which promote positive change. Recent credits include Evolution (2019), 39 Inside (The Cohen New Works Festival, 2019) and Everybody (Performance as Public Practice Graduate Student Alliance), in addition to a range of ongoing collaborations. Adam Miller-Batteau (Fight Director) is a lecturer in the Department of Theatre and Dance at The University of Texas at Austin. He is a certified teacher with the Society of American Fight Directors and is the coordinator of the Texas Intensive Stage Combat Workshop. UT credits include 12 Ophelias (a play with broken songs), Spring Awakening, Matawan, Three Shitty Sons, Loverboy, Enron, The Crucible, Anon(ymous), Galactic Orphans, Gondal and Little Women, the Broadway musical, as well as Mr. Burns, a post-electric play and Dry Land. Regional credits include Trio and A Delicate Ship (Filagree
Theater Company), The Rover (Hidden Room), Starmites, Animal Farm, and Cyrano (McCallum Theater) and Richard III (Mosaic Youth Theater). Ashton Murphy (Technical Director) graduated from The University of Texas at Austin's Department of Theatre and Dance in 2018. Since graduating, she has been working full-time at Texas Performing Arts as an assistant charge scenic artist and technical director. In addition to her work at TPA, Murphy freelances in and around Austin as a designer, stage manager and scenic painter. Robert Ramirez (Co-Director) has served as Voice and Text Director at the Guthrie Theatre, the Oregon Shakespeare Festival, Illinois Shakespeare Festival, American Players Theatre and Cleveland Playhouse and will soon collaborate on a tri-production with Hartford Stage, the Huntington Theatre Company and the Alley Theater. He has performed with the New York, Notre Dame, Utah, Illinois, Alabama, Great River, Baltimore and Wisconsin Shakespeare Festivals and Actors Theatre of Louisville. He has directed productions and staged readings for Austin Shakespeare, American Players Theatre and Arkansas Shakespeare Theatre and has been an acclaimed narrator of audiobooks for over 20 years, receiving numerous Golden Earphones Awards from Audiophile magazine. Ramirez is currently interim chair of the Department of Theatre and Dance at The University of Texas at Austin where he also serves as the head of the acting program. He is a graduate of the Los Angeles Theatre Academy and received his M.F.A. from the Professional Theatre Training Program at the University of Delaware. Ramirez is a proud member of Actors Equity, the Voice and Speech Trainers Association and is the current Vice President of the University Resident Theater Association. Jessica Sell (Sound Designer) is a third-year B.A. in Theatre and Dance major with an emphasis in design and technology. Recent design credits include And Tell Sad Stories of the Deaths of Queens and 5x10 (WTF), The Tiny Banger (Trinity Street Players), as well as Flora Circular and 30 Floods (UTNT (UT New Theatre), 2019).
CREATIVE Lindsey Rae (Costume Designer) is a secondyear M.F.A. in Design and Technology candidate with a focus in costume design. She has worked for the Utah Shakespeare Festival for multiple years, completed the Pope Apprenticeship at The Phoenix Theatre Company and has designed multiple shows at The University of Texas at Austin including pieces in Fall For Dance, The Cohen New Works Festival and several Dance Repertory Theatre productions. Amber Whatley (Lighting Designer) holds her B.F.A. in Production Design with a concentration in Lighting from Savannah College of Art and Design, which she obtained in 2018. She is currently a second-year M.F.A. in Design and Technology candidate with a focus in lighting design at The University of Texas at Austin. This past summer 2019, she was the program-
mer for Pacific Conservatory Theater in Santa wMaria, California. Her most recent designs include Next to Normal (Ground Floor Theatre), Fall for Dance (Texas Theatre and Dance, 2019) and black do crack (Ground Floor Theatre). Amariah K. Williams (Stage Manager ) is a working professional in the stage management community. She was recently selected to participate in the 59th annual USITT Expo Conference as a stage management mentee. Recent credits include serving as the production Stage manager for Lancaster ISD’s spring production GOT SOUL (2019) at the Majestic Theatre in Dallas, 12 Ophelias (a play with broken songs) (Texas Theatre & Dance, 2019) and Freedman’s Town to Botham Jean; Stories for Racial Healing at the Moody Performance Hall.
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CAST
Vincent Oliver
Qualee Marshall
Kayla Johnson
Bishop J. Pearsall
Joshua Magee
William Kachi
Cymone Love
Celine Munyana
Se’An Boatner
Myles Davis
Kialond Bronson-Smith
Makiah Galan
Matthew James
Myrah Porter
Azari Sumbler
Khorii Tinson
CAST Vincent Oliver (Marcus) is a B.F.A. in Acting major at The University of Texas at Austin. Recent credits include Hunchback of Notre Dame (Round About Players) and More as Needed (The Cohen New Works Festival, 2019).
Texas Theatre and Dance productions, including In the Red and Brown Water (Texas Theatre and Dance, 2016) and MotherWitch (UTNT (UT New Theatre), 2018). She plans to audition for the Yale School of Drama in 2020.
Qualee Marshall (Osha) is a third-year B.F.A. in Acting major at The University of Texas at Austin. She has an extensive background in both stage and film. Previous credits include "Darla" in MotherWitch (UTNT (UT New Theatre), 2018) and "Dawn" in A Plan and Not Quite Enough Time. She has done several student film productions. Upon graduation, she plans to move to Los Angeles to pursue a career in television and film.
Celine Munyana (Oba) is a B.A. in Theatre and Dance major with an emphasis in performer's process at The University of Texas at Austin. She has a background in mentorship through multiple non-profits, including BreakThrough Central and plans to use her degree to open an acting studio based in Austin.
Kayla Johnson (Shaunta) is a B.F.A. in Acting major at The University of Texas at Austin. She was nominated as best leading actress in the Tommy Tune Awards for her lead role in Once On This Island. Recent credits include “Kenneth Lay” in ENRON (Texas Theatre and Dance, 2018). Bishop J. Pearsall (Shua) is a second-year B.A. in Theatre and Dance major with an emphasis in performer’s process. At The University of Texas at Austin, he’s participated in 30 Floods (UTNT (UT New Theatre), 2019) and was a part of the sound and scenic crews for 12 Ophelias (a play with broken songs) (Texas Theatre and Dance, 2019). Joshua Magee (Ogun) is a second-year B.F.A. in Acting major at The University of Texas at Austin. This is his first mainstage production with Texas Theatre and Dance. He has also appeared in a few short film projects. Upon graduation, Magee plans to move to Los Angeles to pursue a career in film and television. William Kachi (Oshoosi) is a fourth-year B.A. in Theatre and Dance major at The University of Texas at Austin. He was recently seen in Othello (UT Shakespeare Company), Records (Fusebox Festival) and the short film Homesickening (Young/Old Productions). Cymone Love (Elegua) is a B.A. in Theatre and Dance major and has performed in several of
Se’An Boatner (Shun) is a first-year B.F.A. in Acting major pursuing a minor in communications. This is her first mainstage production at The University of Texas at Austin Department of Theatre and Dance. Myles Davis (Terell) is a B.F.A. in Acting major at The University of Texas at Austin. He will be making his Texas Theatre and Dance debut in Marcus; or the Secret of Sweet. Kialond Bronson-Smith (Ayo ) is a third-year B.F.A. in Dance major at The University of Texas at Austin. She began receiving dance training at age 18. Recent credits with Dance Repertory Theatre include Fortitude (Texas Theatre and Dance, 2019). Her recent choreographic work premiered at The Cohen New Works Festival (2019). Makiah Galan (Duro ) is a second-year B.F.A. in Dance major at The University of Texas at Austin. He graduated from The Lehigh Valley Charter High School for the Arts. Galan has previously attended a community dance program called Xcape where he performed in Take the Stage with the Emmaus High School dance team, Musikfest, Sportsfest, Scottish Rite and Sands Casino. Matthew James (Adé ) is a second-year B.F.A. in Dance major at The University of Texas at Austin. Coming from Fort Worth, Texas, he has previously trained in ballet, modern, contemporary, jazz, hip hop and tap. In his time at The University of Texas at Austin, he has worked
CAST with choreographers Charles O. Anderson, Rena Butler and Raphael Xavier, among others, and was most recently seen in Dance Repertory Theatre’s Fortitude and Fall For Dance (2019).
include Matawan (Texas Theatre and Dance, 2018) and Fortitude (Dance Repertory Theatre, 2019), as well as (R)evolution and DOPEFIT! (The Cohen New Works Festival, 2019).
Myrah Porter (Orisa/Ori ) is a fourth-year B.F.A. in Dance major from Houston, Texas. She attended Kinder High School for the Performing and Visual Arts, where she began participating in theatrical productions. Recent credits include numerous Dance Repertory Theatre productions as well as other projects around the city of Austin.
Khorii Tinson (Keyshia ) is a fourth-year B.F.A. in Dance major from Washington. During her time with Dance Repertory Theatre, she has worked with renowned choreographers including Rennie Harris, Gesel Mason and Courtney Mazeika, among others. Most recently, Tinson performed in Michael J. Love’s DOPE FIT! (The Cohen New Works Festival, 2019). Her latest work have you seen me? premiered in Fall For Dance (Dance Repertory Theatre, 2019). Upon graduation this May, Tinson plans to move to Seattle to begin freelance dance work and training in the field.
Azari Sumbler (Yele ) is a B.A. in Theatre and Dance major at The University of Texas at Austin with an emphasis in dance performance and choreography. Recent credits
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CREW
ASSISTANT STAGE MANAGERS YESSMEEN MOHARRAM DIAMOND RECTOR ASSISTANT COSTUME DESIGNER HAROLD HORSLEY ASSISTANT LIGHTING DESIGNER NINGMO LIU SOUND ENGINEER POLLYANAA OHAIR ASSISTANT INTEGRATED MEDIA DESIGNER ZOEY CROW SCENIC STUDIO SUPERVISOR J.E. JOHNSON SCENIC ART SUPERVISOR KAREN MANESS ASSOCIATE SCENIC STUDIO SUPERVISOR JASON HUERTA MASTER CARPENTER HANK SCHWEMMER ASSISTANT CHARGE SCENIC ARTIST MAGGIE ARMENDARITZ GRADUATE PRODUCTION ASSISTANTS ASHLEIGH BULLARD CHRIS CONARD ADMINISTRATIVE ASSISTANTS ALY REDLAND MADISON SHERIDAN PRODUCTION LEADS ZOE BIHAN DANIEL GELD SARAH GOMEZ ANAPAULA GUAJARDO DAVID HERNANDEZ ISABELLA HOLLIS TAYLOR JONES JACOB JOSEPHI JUAN LEYVA JULIO MUÑOZ ALEX PASSANISI BISHJOP PEARSALL CHRISTIAN SCHELLER MADISON SHERIDAN HENRY WHEATLEY-RUTNER PRODUCTION ASSISTANTS DAVID ALVAREZ DORIAN ARRIAGA ARJON BASHIRI MAKAILE BISHOP AVERY BROOKS NAVAJI DAVID NAVA LEXI DISIMONE
WILL GRESKOVICH ANTHONY LOPEZ LIZZIE MCELROY JAMES PRAEGER FERN RODRIGUEZ NICK SALDIVAR RAQUEL SCHMIDT KENNEDY THOMPSON
FIRST HANDS ANNIE ULRICH HSIAOWEI CHEN EMMA CRAIG AURORA KENYON DELENA BRADLEY STEPHANIE FISHER SAMANTHA GASHETTE
SCENIC ART CLASS AUSTIN ALVAREZ ASHLEIGH BULLARD CLIFFORD BUNN STEPHANIE FISHER DAVID HERNANDEZ MAIKAELA KELAREK ROXOLANA KRYWONOS JUAN LEYVA JESSICA SELL FRANCISCO URIBE
STITCHERS MELISSA WONG-SIMPSON AUSTIN ALVAREZ
PROP SHOP SUPERVISOR REBECCA SWITZER ASSOCIATE PROP SHOP SUPERVISOR CAROLYN ALLINGHAM HARDIN PROP MASTER CAROLYN ALLINGHAM HARDIN PROP SHOP ASSISTANT MORGAN RIDDLE PRODUCTION ASSISTANT TAYLOR TRAVIS TEACHING ASSISTANT HSAIOWEI CHEN PROPS STOCK MANAGER INDIRA RAMPERSAD PROPS CONSTRUCTION CREW GILBERTO BELTRAN GRACE FEATHERSTONE GISSELLE FREEMAN KAYLA JOHNSON HAZEL KENT NADIA CASTELLANOS LUGE QUALEE MARSHALL CARMEN MARTINEZ JAVIER RODRIGUEZ
ADVANCED COSTUME PRODUCTION TECHNIQUES TEACHING ASSISTANT SAMANTHA COLE COSTUME PRODUCTION CREW AMAYA COLEMAN ADARA FELIX GUINVERE GOVEA MADELYN MARTINEZ ALEXANDRA MCCOY CELINA NDIBWAMI SEBASTIAN OJEDA ALEXANDRIA PASSANISI HALEY ROBERTS OSCAR SALINAS JULIE WEBB JIMIN YU MORGAN CO FAITH MITCHELL WARDROBE SUPERVISOR ROXANNE ROHMANN WARDROBE CREW CHIEFS JANE PALACIOS JEREMEY CANALES WARDROBE CREW SHEILA JACKSON MAYA PARKER DENISE RODRIGUEZ FRANCES SMITH EMMA VALDEZ COSTUME CRAFTS ARTISAN TANYA OLALDE COSTUME CRAFTS ASSISTANTS LINDSEY RAE ALEXANDRA MCCOY
COSTUME PRODUCTION DIRECTOR NANETTE ACOSTA
COSTUME SHOP OFFICE ASSISTANT JAMES HOAG
COSTUME SHOP ASSOCIATE MANAGERS DARCY WEBERG DESIREE HUMPHRIES
COSTUME STOCK SUPERVISOR DESIREE HUMPHRIES
DRAPERS SARAH ALDRIDGE POUA YANG
COSTUME STOCK ASSISTANTS CAMRYN PATTERSON CHANNING MILLER 324P LIGHTING FACULTY SUPERVISOR SADIE LANGENKAMP
TEXAS PERFORMING ARTS SUPERVISING ELECTRICIAN SARAH CANTU TEXAS PERFORMING ARTS LIGHTING SUPERVISOR JEFF ELLINGER SENIOR LIGHTING TECHNICIANS RON COLLINS NINGMO LIU WILLIAM RIOS AUSTIN SHIRLEY AMBER WHATLEY KENDRA WILEY TEXAS THEATRE AND DANCE LIGHTING CREW DAVID ALVAREZ ASHLEY BOWEN JACOB EAKER WILLIAM NWOBUM DANIEL GELD LUIS GONZALES SAVANNAH GONZÁLES VIDA JARRELL ELEANOR WALTER TEXAS PERFORMING ARTS LIGHTING CREW CHARLOTTE BRUMBELOW ALYSSA FINGER LIBBY JANTZ ALEX JEREB ADRI LARA BRISA SHAW LIGHT BOARD OPERATOR MAKAILE BISHOP FOLLOWSPOT OPERATORS SABRINA BLACKWELDER ALEJANDRO FREDERICKSON SARAH MATNEY ASHLEY LENN SPEIGHT AUDIO SUPERVISOR MIKE MALAK ASSOCIATE AUDIO SUPERVISOR KENNY KUYKENDALL TEXAS PERFORMING ARTS AUDIO CREW CHEYENNE CHESTER JESSICA CURNEAL HANNAH HURST MIKAELA KELAREK BRIAN KELLEY MILA LUNA ALEJANDRO PALLANES JESSICA SELL WILLA SNOW WILLIAM SORDS AUDIO BOARD OPERATOR XINRAM LIU MEDIA SHOP SUPERVISOR EARNEST MAZIQUE
CREW
MEDIA GRADUATE ASSISTANTS ZOEY CROW JOHN ERICKSON LOGAN SMITH MEDIA SHOP CREW PEDRO CASTANEDA ELIZABETH GEORGE KEILA GONZALEZ WILLIAM HAHN TANNER HUDSON DANIELLE KANE NEAL LAUBACH ANDREW MOE CARLEIGH NEWLAND
MEDIA OPERATOR STEPHANIE SALAMA STAGE MANAGEMENT ADVISOR RUSTY CLOYES
INTEGRATED MEDIA DESIGN ADVISOR SVEN ORTEL SCENIC DESIGN ADVISOR WILLIAM BLOODGOOD
COSTUME DESIGN ADVISOR MARA BLUMENFELD
SOUND DESIGN ADVISOR CAROLINA PEREZ
COSTUME TECHNOLOGY ADVISOR JAMES GLAVAN
ACADEMIC PRODUCTION MANAGER JEFF GRAPKO
LIGHTING DESIGN ADVISOR MICHELLE HABECK
PHOTOGRAPHER LAWRENCE PEART GRAPHIC DESIGNER JEFF GRAY